18
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t\) I V
UN
A RC
Recit al\
t ape
2003
11- 8 b
SPEC COL
State University of New York
Department of Music
CONTRASTS:
An Evening of
Chamber Music Treasures
with
guest artists:
Katie Sebestyen, violin
Ervin Schiffer, viola
Freddy Arteel, clarinet
Dana Protopopescu , piano
Saturday, November 8, 2003
8:00 p.m.
Anderson Center Chamber Hall
�Program
Trio in E-flat, K. 498 (Kcgclstatt) ................. ........ Wolfgang Mozart
Andante
( 1756-1791)
Menuetto
• Allegretto
Trio, Op. 30 ................................................................ Joseph Jongen
Prelude
( 1875-1950)
Variations
.Final
--Inter,nission.--
Lia's Koan ................. .. ........... ......... ............. .. ............ Elias Gistelinck
(b. l 935)
Piano Quartet, Op. 16 ................................... Ludwig van Beethoven
Grave
Allegro con brio
Andante cantabile
Rondo
Allegro ma non troppo
( 1770-1827)
�About the Ensemble
The ensemble CONTRASTS consists of four members of the faculties of
the Royal Conservatories of Belgium who have played together on concert
stages and at universities in nearly every country in Europe. Both separately
and in concert, they have produced a number of recordings as well as live
performances.
Not only has the unusual combination of their four
instruments allowed them to adapt known masterworks, but it has also
encouraged contemporary composers to write for them. Their initial
American connection was with the University of North Carolina's summer
program in Morges, Switzerland, and they have comprised the core of the
chamber music workshop programs both there and in Chapel Hill for more
than ten years. This, their fourth U.S. concert tour, includes Boston and
Washington.
KATIE SEBESTYEN, violin, studied at the Franz Liszt Academy in
Budapest and completed degrees at the Royal Conservatory of Music in
Brussels and Chapelle de la Reine Elisabeth, where she was recently
awarded its highest honor, Professeur Extraordinaire. A founding member
of CONTRASTS and the Haydn Quartet, she is also concertmistress of the
Sebestyen Strings and European Philharmonic Orchestra. She teaches at the
conservatories of Brussels and Brabant (Holland), and is especially proud of
her Laureate from the Friedrich Kuhlau Competition in Germany. Her
travels with these groups have taken her across Europe as well as three tours
of the United States.
ERVIN SCHIFFER, viola, studied under Zoltan Kodaly and Gyorgy Ligeti
at the Franz Liszt Academy before winning prizes in Geneva and Bucharest
and moving to the Low Countries, where he has recently retired from a
lifetime of teaching at the conservatories of Brussels, Amsterdam, and
Utrecht. In addition to serving on juries, he performs regularly around the
world, on his elegant Giovanni Paolo Maggini instrument, both as soloist
and chamber musician. His travels have taken him to Japan, Israel, South
Africa, and the United States. He has recorded extensively with Deutsch
Gramofon, Vox, and Turnabout.
FREDDY ARTEEL'S clarinet has been heard for nearly thirty years since
he completed his studies with Pierre de Leye in Brussels and Guy Peplus in
Paris.
Most of them have been spent as principal clarinet of the
Philharmonic Orchestra of Antwerp while teaching at the Royal
Conservatory of his native Ghent. But this has left him some time to
perform with CONTRASTS and the Antwerp Wind Quartet. Among his
appearances have been the Saskatchewan summer school and the MusicFest
m Aberystwyth, Wales;
his proudest moment was hosting
�700 clarinets from around the world in Ghent in 1993 for an international
festival.
DANA PROTOPOPESCU'S musical career began in her native Bucharest,
Romania, where she made her debut as a soloist with orchestra at the age of
fourteen. Completing her studies in Hanover, Germany, under Eduardo de!
Pleyel and Karl Engel, she migrated to Brussels and joined the Royal
Conservatory. Her career has included soloing with many major European
orchestras as well as an extensive array of solo recordings of the works of
Mendelssohn and Tschaikowsky; receiving numerous awards and honors.
Her teaching and chamber music are closest to her heart. She joined
CONTRASTS shortly after the group's founding.
Program Notes
Trio in £-flat, K. 498
Though the clarinet had been known for nearly a century before Mozart,
he was the first to make significant use of it. Said to have had its origin in
th
the 18 century equivalent of a bowling alley, this delightful trio was
written, together with the quintet with strings (K. 581) to showcase the
extraordinary talent of his good drinking friend (and frequent mooch)
Anton Stadler, who was the outstanding virtuoso around Vienna at the
time.
Trio, Op. 30
The music of this Belgian composer is barely known in this country. His
massive trio, which owes much to his near contemporary César Franck,
was composed in 1909. The ghostly march-like theme of the second
movement and the frantic Walloon kermes of the third are almost
Rubenesque in their florid Late Romantic style.
Lia's Koan
Gistelinck studied at the conservatories of Brussels and Paris, winning the
International Italia Prize for a work for symphony and jazz orchestra. An
early fascination with the colors and rhythms of Far Eastern music led
him to compose "Koan," a Japanese word for the path to equilibrium, the
Japanese foundation of perfection (Lia was evidently the composer's
muse).
Piano Quartet, Op. 16
In 1807, Beethoven wrote a quintet for winds and piano in homage to
Mozart' s earlier master-work for the same instrumentation; at his
publisher's urgent behest, he later rearranged it into a quartet for piano and
strings. CONTRASTS' version of this familiar piece is an inspired
combination of both.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:19:05
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Contrasts: an evening of chamber music treasures, November 8, 2003
Alternative Title
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Recital Tape 2003-11-8b
Description
An account of the resource
Held at 8:00 p.m., November 8, 2003, Anderson Chamber Hall.
Creator
An entity primarily responsible for making the resource
Sebsestyen, Katie
Schiffer, Erwin
Arteel, Freddy
Protopopescu, Dana
Date
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11/8/2003
Rights
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In copyright
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BINGHAMTON
U N I Y E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
d e c
[4
E N T
BLE F A R T M
COUNTERPOINT
C E L E B R AT I N G W OMEN
IN T H E A RTS
MOBIUS ENSEMBLE
Janey Choi, violin
Roberta Crawford, viola
Stephen Stalker, cello
Michael Salmirs, piano
Wendy WanKi Lee, guest speaker
Thursday, March 5, 2009
8 : 1 5 p. m .
Casadesus Recital Hall
�ABOUT T H E PERFORMERS
PROGRAM
WENDY WANKI L E E is a composerpianistt heorist. She is currently
an Assistant Professor of Music Composition at the Chinese University
of Hong Kong.
Three Romances for Piano, Op. 11...............Clara WieckSchumann
(1819–1896)
Andante
Andante
Moderato
{
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Michael Salmirs, piano
\
1
Sonata for Viola and Piano
Impetuoso
Vivace
Adagio
...........Rebecca Clarke
(1886–1979)
Roberta Crawford, viola
Michael Salmirs, piano
My Cagey Companions (world premiere).......... Wendy WanKi Lee
(b. 1977)
Mobius Ensemble
Janey Choi, violin
Roberta Crawford, viola
Stephen Stalker, cello
Michael Salmirs, piano
Please join us for a receptio n and viewing of the Art Museum’s March Exhibit directly
following tonight’s performance. The Art Museum is located on the second floor of the
Fine Arts Building.
i
1
1
As an avid advocate of contemporary works with diverse musical
interests, her music has been performed extensively in Asia and No rth
America. She is the recipient of numerous composition and piano
performance awards, commissions, grants, and honors, including those
from the American Academy of Arts and Lette rs, Aspen Music Festival,
Banff School of Arts, Orford Arts Center, Hong Kong Arts Development
Council, and the Government of Canada. A frequent clinician and
presenter, she has been invited to conduct lectures and recitals at
international conferences and universities, such as those organized by the
Asian Composers’ League, College Music Society, International Soc iety
of Contemporary Music, MidAmerican Cente r for Contemporary Music,
and Society for Composers, Inc. Recent activities include a commission
and guest composer residency at the University of Idaho, where her new
piano work (Kirie) along with several of her other compositions were
performed. Current research focuses on conte mporary music by Chinese
and Chinese/American composers. Her detailed biography is listed in the
2007–2009 publications of Marquis’ Who’s Who in America, Who’s
Who of American Wom en, and Who’s Who in the World.
Prof. Lee received her graduate degrees (Ph.D., M.M.) in Music
Composition and Theory at the University of Michigan, a B.M. in
Composition from the University of Toronto, as well as piano
performance diplomas from the Royal Conservatory of Music in Toronto
(ARCT) and Trinity College of London (LTC L and FTCL). During her
studies, she was awarded many prestigious fellowships and scholarships.
Her composition teachers include William Bolcom, Chan Ka Nin,
Christos Hatzis, and Bright Sheng; her piano teachers include Larysa
Kuzmenko, Boris Lysenko, and John Nauman. Prior to her appointment
at CUHK, she has held teaching positions at the Oberlin College
Conservatory of Music, State University of N ew York at Binghamton,
and the University of M ichigan.
Professor Lee’s visit is funded in part by an anonymous donation to the Music
Department.
�Canadianborn violinist JANEY CHOI joined the faculty of Binghamton
University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at
Rutgers University, studying with Arnold Steinhardt, and holds her
Bachelor and Masters degrees from The Juilliard School where her major
teachers were Joseph Fuchs and Joel Smirnoff. She gave her Carnegie
Hall recital debut in 1997 as a winner of the Artists International Auditions
and continues an active performing career as a recitalist, chambe r, and
orchestral musician throughout the country and abroad. She is the rec ipient
of numerous awards including the Ontario Arts Council’s Chalmers
Performing Arts Training Grant, and First Prize in the National Finals of
the Canadian Music Competition. Ms. Choi has participated in such
festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the
Spoleto Festivals, Festival Musical de Santo Domingo, the Santa Fe Opera
and the Sarasota Opera. An avid interarts and crossgenre collaborator,
she is the Music Director of Thomas/Ortiz Dance, and has performed
numerous times with the Parsons Dance Co. at the Kennedy Center in
Washington, D.C. She has recorded and appeared with such mainstream
performers as Bono and Quincy Jones, Enya, Elton John, Sarah
McLachlan, Lisa Loeb, Kanye West, JayZ and Beyoncé. Ms. Choi is a
Teaching Artist for the New York Philharmonic, Lincoln Center Institute,
Chamber Music Society of Lincoln Center and the Bloomingdale School
of Music in New York City.
ROBERTA CRAWFORD, violist, performs extensively as a recitalist
and chamber musician. As associate director and a founding membe r of
the Finger Lake Chamber Ensemble, Ms. Crawford has participated in
over one hundred solo, chamber, and lecturerecitals presented by the
ensemble since its formation in 1990. She has performed with the
Catskill Chamber Players, appeared frequently on the Cayuga Cham ber
Orchestra’s Sunday Chamber Music Series and has been a guest artist
with the Ariadne String Quartet. Ms. Crawford’s orchestral experience
includes performances with the Portland and Syracuse symphonies as
well as the Skaneateles Festival Orchestra, and she has served as
principal violist for the Cayuga Chamber Orchestra. An advocate of new
music, Ms. Crawford has premiered numerous works featuring viola and
has been the dedicatee of several works written specifically for her. She
has participated in music festivals throughout the United States and in
the Caribbean and has appeared in live performance broadcasts for public
radio and television. A dedicated teacher, Ms. Crawford has served as
clinician, coach, and adjudicator for numerous music organizations, as
Director of ViolaF est at Binghamton and is an artist faculty member with
NYASTA ’s String lnsitute at Ithaca College. She has been a guest
faculty member at Phillips Academy, the Quartet Program, Ithaca
College, and the Eastman School of Music and is Coordinator of Strings
at Binghamton University.
ST E P H E N ST A L K E R , cellist, teaches at Binghamton University. He
I
l
I
l
formerly taught at Colgate University, Mansfield University, Ithaca
College and the Binghamton City School District. He was the principal
cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has
performed extensively with the Catskill Chamber Players of Oneonta,
NY, and in concerts at Binghamton University. Performing with the
Catskill Chamber Players he has presented Meet the Composer concerts
with prominent American composers including John Cage, Virgil
Thomson, Lou Harrison and George Crumb. The Chamber Players
appeared at Weill Recital Hall, premiering a set of four string quartets
by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce,
he performed the complete Beethoven Trio cycle at SUNYBinghamton.
He performed with Solisti New York on their Alaskan cruise of the Inner
Passage from Vancouver to Juneau. As a member of the Madison St ring
Quartet, he was a finalist in the Naumberg Chamber Music Competition
in New York City and the Evian International String Quartet
Competition in Evian, France. He has performed in many recital
appearances with pianist, Michael Salmirs. He performs regularly with
the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at
Binghamton University. He is a past president of the New York State
Chapter of the American String Teachers Association and was Strings
Chair for the New York State School Music Association. He is a founder
of the Southern Tier Music Teachers Association and the Binghamton
Cello Festival. He is a graduate of the Manhattan School of Music in
New York City.
Pianist M I C H A E L SALMIRS, a founding member and artistic director
of the Finger Lakes Chamber Ensemble, is well known as a recitalist and
chamber musician. He has appeared as soloist with the Corning
Philharmonic, Binghamton University Orchestra, Cayuga Chamber
Orchestra, and is frequently a featured pianist on their Sunday Chamber
Series. In addition to performing most of the standard chamber music
repertoire for strings and piano, he has premiered numerous solo and
chamber works, and recently gave the world premieres of David Liptak’s
and Marek Harris’ Piano Quintets. He has also participated in such
contemporary music series as Binghamton University’s Musica Nova,
Cornell University’s Ensemble X, Chiron, and has toured and recorded
for the Syracuse Society for New Music.
�7
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Saturday, March 7 ” University Symp
East Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$
5
Symphony, 3:00 PM, FREE
S u n d a y, M arch 8 ” University Wind
Anderson Center Chamber Hall
idDay Concert, 1:20 PM FREE
Thursday, March 1 2 ” M
Casadesus Recital Hall
Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet,
Casadesus Recital Hall, 3:00 PM, FREE
: Heather Montana, soprano,
Saturday, M arch 1 4 ” Masters Recital
Casadesus Recital Hall, 8:00 PM, FREE
Sunday, March 1 5% Guest Fortepiano Concert: Stefania Neonato,
Casadesus Recital Hall, 3:00 PM, $$
: Sibongile Boyd, soprano,
Sunday, March 1 5 Master’s Recital
Casadesus Recital Hall, 7:30 PM, FREE
M a y 1 8 : 0 0
M a y 3 + 3 : 0 0
aster Class with Guest Fortepiano Artist
Monday, March 1 6 ” M
Stefania Neonato, 7:30 8:45 PM, Casadesus Recital Hall, FREE
aster Class with Jazz saxophonist
Wednesday, March 1 8 ” M
Maceo Parker, 4:00 PM, Osterhout Concert Theater (Cosponsored by the
Music Department and the Harpur Jazz Project)
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Wednesday, March 1 8 ” J azz saxophonist: Maceo Parker
Osterhout Concert Theater, 8:00 PM, $$, (Cosponsored by the Music
Cofouncers Carman Bevo
A Peyton HRB RE
Department and the Harpur Jazz Project)
t, 1:20 PM FREE
Thursday, March 1 9 MidDay Concer
Casadesus Recital Hall
The Forum Theatre
236’Washington Street « Binghamton, NY
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For tickets call 8077720400 or visit us online
at Mirwtricitieso Jacom.
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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51:46
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Counterpoint: celebrating women in the arts, March 5, 2009
Recital Tape 2009-3-5b
Description
An account of the resource
Works of Wieck-Schumann, Clarke, Wan-Ki Lee. Held at 8:15 p.m., March 5, 2009, Casadesus Recital Hall.
Creator
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Mobius Ensemble: Choi, Janey
Crawford, Roberta
Stalker, Stephen
Salmirs, Michael
Wan-Ki Lee, Wendy
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Binghamton University Libraries
Date
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2009-03-05
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In copyright
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sound
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BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F NEW Y O R K
D
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P
A
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C R A I G P H I L L I P S
ORGAN
with
Georgetta Maiolo, flute
Uli Speth, violin
Sunday, April 1 9. 2 0 1 5
4 pm.
United Presbyterian Church
0
T
�SCENES FROM A GALLE RY
8‘) P ROG RA M «3
Fantltrc (2000)
Craig Phillips
(b. 1 9 0 1 )
First Chakra Light
Barbara W. Lines
Prelude on Noulutrm ( 1 99 1 )
‘7” 1 f ‘ \ \ x
Arclmng ISniro( 1 0 1 1 )
Michael
UJI~rtoI
Raphael
Uriel
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1,7
Sce nes fro m a t h l o n ( 2 009)
For flute, violin and (vr
Aw ’nl ( t n fo
nal works of art
I First Chakra Light
I I . Calculated Rnk
Ev
ll I Never Alone
I \ ' Muse
V.
. \ 1 4 \ ( 1 1 L ‘ I \ \ . I ( I u \ l 1 1 ( ] \ I . l ( I U I I lurk ildu x
\'I Iirmlan I a
Calculated Risk ‘
sculpture by Michael Westmoreland
U ) I N T E R M I S S I O N « 3
Choral I I I in A nnnar
César Franck
( 18221890)
Prelude on Caithness (20 14)
ChoralImprovisation
sur le “Victimae paschali”
(reconstructed Iw Maurice Duruflé)
Craig Phillips
Charles Tournemire
( 18701 939)
�Never. Alone
Mathemat ic al Equation fo r Grac e
Muse
Breaking Loose
DIOnr‘lG Pnce
Deborah Houston
Jena Rowley Taylor
Karen Wolfram 4
�ABOUT THE PE RFORME R S
C R A I G P H I L L I P S (b. 1961 ) is a distinguished and popular American composer and
organist. His choral and organ music is heard Sunday by Sunday in churches and
cathedrals across the United States, and many of his works have been performed in
concert throughout North America, Europe and Asia. He was named the American
Guild of Organists Distinguished Composer for 20 1 2 – the seventeenth recipient of this
special award. Dr. Phillips joins an illustrious list that include past honorees Virgil
Thomson, Ned Rorem, Daniel Pinkham, Stephen Paulus, David Hurd and others. Dr.
Phillips was featured as soloist at the opening service o f the 20 1 2 National Convention o f
the American Guild of Organists in Nashville with the premi¢re of a newly
commissioned work, Three Sketches for Organ, and in his works for organ, brass and
percussion. The 20 1 0 National Convention of the AGO saw the premiere of his
commissioned work Sojourn for organ and winds; and in 2002, Dr. Phillips was featured
as soloist with the Philadelphia Orchestra in a performance of his Concertina for organ
and orchestra during the National Convention of the AGO in Philadelphia. He has also
appeared as soloist with members o f the Eastman Philharmonia, the Oklahoma
Symphony, the Los Angeles Mozart Orchestra, and Musica Angelica at the Corona del
Mar Baroque Music Festival. Dr. Phillips has appeared as soloist at regional conventions
of the AGO and at various venues across the United States. He has distinguished himself
in a number o f competitions, including First Prize in the 1 994 Clarence Mader
Competition for organ composition. H e was a judge for the 2004 National Competition
in Organ improvisation at the National AGO convention in Los Angeles, the 2005
AGO/Holtcamp Award in Organ Composition, and the 2009 American Guild of
Organists Award in Organ Composition. The music of Craig Phillips has been the
subject of feature articles in The American Organist (March 20 1 2), the Los Angeles
Times (February 20 1 2) and The Diapason (June 2009). Dr. Phillips has received numerous
commissions from such organizations as The American Guild o f Otganists (for the
National Conventions in Washington, DC, 20 1 0, Nashville, 20 1 2, and Seattle, 2000,
and for regional conventions in Atlanta, 2007, Lexington, 20 1 1 , Boston, 2009, San
Diego and Binghamton, 200 1 ), The Episcopal Church (for the 2006 General
Convention), The Association of Anglican Musicians, Stellar Brass (USAF Academy
Band), The Chamber Orchestra at St. Matthew ’s (Pacific Palisades. CA), CoroAllegro of
Wilmington, Delaware, The University of Iowa, Syracuse University, University of
California at Riverside, Washington National Cathedral and many other churches and
institutions. His secular works include a Concerto for Harpsichord und Chamber
Orchestra, Concerto for Bassoon and Strings, A Festival Song for chorus and orchestra, a song
cycle for soprano and orchestra entitled Songs of the Unknown Region, Suite for Organ, Brass
Quintet and Percussion, two Sonatas for organ, and a number of other chamber works. His
works have received critical acclaim in journals such as Gramaphone, Clavier, The American
Organist, Cross Accent, and The Journal of the Association of Anglican Musicians, and have
been broadcast on American Public Media’s Pipedreams. He has received numerous
ASCAP awards, and a Meet the Com poser grant for a work premiered at the Ojai
Festival. His organ and choml and chamber works are published by several prestigious
firms. A new recording, Fanfare: Christopher Wells plays the organ music o f Craig Phillips has
just been released on the Pro Organo label. A 2004Gothic Records release,A Festival
Sung, features a sampling of Phillips’ choral and instnimental works performed by All
Saints’ Choir and Craig Phillips as organist. Other works have been recorded on the
Arkay, JAV, Summit, and Pro Organo labels. Dr. Phillips holds the degrees Doctor of
Musical Arts, Master iiiMusic, and the Performers Certificate from the Eastman School
of Music, Rochester, New York, where he studied with the great pedagogue Russell
Saunders, H is Bachelor o f Music Degree is from Oklahoma Baptist University, and his
early musical studies were at the Blair School o f Music in Nashville. Dr. Phillips has
served s Director o f Music at All Saints’ Church, Beverly H ills since 2009. H e previously
sened for 20 years as the churches’ Associate Director of Music and Composer–in
Residence. He is a member of the American Guild of Organists, the Association of
Anglican Musicians, and the American Society o f Composers, Authors and Publishers
and serves on the board o f the Ann Stookey Fund for New Music and the Clarence
Mader Foundation. He resides in West Hollywood, Cali fornia.
G E O R G E T T A M A I O L O is a member of the faculty of Binghamton University and
Broome Community College, teaching flute and directing flute ensembles, From 1977 to
1996, she held the position of Assistant Professor of Flute at Ithaca College, lthaca, New
York . She also taught flute at Hartw ick College, Oneonta, New York and West Virginia
University, Morgantown, West Virginia. Mrs. Maiolo is a graduate o f Duquesne
University, Pittsburgh, Pennyslvania and attended graduate school at West Virginia
University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal
flutist of the Pittsburgh Symphony, Marcell Moyse at Marlboro School of Music and
Victor Saudek . A fter 4 5 years as the Principal Flutist o f the Binghamton Philharmonic
Orchestra and TriCities Opera Orchestra, Ms. Maiolo retired in 20 1 3.
A native of Germany, U L I S P E T H completed his undergraduate studies at the
Mozarteum in Salzburg/Austria, subsequently earned his Master o f Music degree from
the Manncs College o f Music. Ul i is first violinist o f the DillerQ uaile String Q uartet in
residence at the DillerQ uaile School o f Music in New York . This group has played
concerts throughout the U.S., has commissioned and premiered new pieces for string
quartet, and has performed live on Vermont Public Radio and KMFA o f Texas. As a
chamber musician, Mr. Speth has also enjoyed the opportunity of performing alongside
members of the Hagen, Pro Arte, Cavaliere, and Y ing quarters and Orpheus Orchestra.
His performances have earned him praise by the critics of the Austin American
Statesman, Salzburger Nachrichten and Broome County Arts Mirror. Uli has played
with New York C i ty Opera since 1 99 7 and serves as concertmaster o f the Binghamron
Philharmonic Orchestra since 2005.
�Binghamton University Music Department’s
Coming Eve nts
fl é é fi w fi w w w w w w b
Tuesday, April 2 1 String Fever 7 :30 p.m. Casadesus Recital Hall Free
Th u rsday, April 2 3 Ja zz MidDay Concert with saxophonist Camille Th urman (Mike Ca rbone)
1 :20 p.m. Osterhout Concert Theater free
Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7:30
p.m. Osterhout Concert Theater 57 general public ; 5 5 faculty /staff/seniors/alumni ; free for
students
F riday, April 24– Master’s Recital : Jake Stamatis, ba ritone 7 :30 p.m. Casadesus Recital Hall
free
Saturday, April 2 5 Master ’s Recital: K evin Truax, tenor 3 p.m. C sadesus Recital Hall free
Saturday, April 2 5 Joint Recital: Rachel Young, soprano and Eleanor Krasner, violin 7:30
p.m. Casadesus Recital Hall free
Sunday, April 26 – University Wind Symphony : Once Upon a Time 3 p.m. Anderson
Center Chamber Hall $7 general public ; 5 5 faculty /staff/seniors/alumni ; free for students
Tuesday. April 28 Percussion Ensemble 7:30 p.m. Anderson Center Chamber Hall $ 7
general public ; $5 faculty/ s tati/seniors/ alumni; free for students
Thursday. April 30 MidDay Concert 1 :20 p.m. Casadesus Recital Hall free
Thursday, April 30 Piano Ensemble 7 :30 p.m. Casadesus Recital Hall free
Friday, May 1 Flute Studio and Flute Chamber Concert 10:45 a.m. Casadesus Recital Hall
free
Friday. May 1 Brass Recital 4 p.m. Casadesus Recital Hall free
Saturday, May 2 Senior Recital : Daniel M alinovsky, piano 1 2 noon Casadesus Recital Hall
— f ree
Saturday, May 2 Master ’s Recital : Jenny Gac, soprano 3 p.m. Casadesus Recital Hall free
Sunday, May 3 University Chorus and Symphony Orchestra: Mendelssohn’s “Lobgesang” 3
p.m. Osterhout Concert Theater $7 general public ; $5 faculty /staff/seniors/alumni ; free for
students
Sunday, May 3 Joint Recital : Junior Max Rydqvist, baritone and Senior Rick y Nan, tenor
7 :30 p.m. Casatlesus Recital Hall free
Thursday, May 7 Student Recognition MidDay Concert (James Burns/Timothy Perry) 1:20
p.m. Casadesus Recital Hall free
M M é b M M 6 b 6 & 6 & 6 @
—
E
For tickets or to be added to our emml list, visit anderson.binghamton.edu or call (607) 777
[ s ] ARTS. For a complete list of our concerts call (607) 7772592, visit mime.hmghamtonedu or
become a fan on Facebook. If you were inspired by this performance, consider supporting the
Department uj Music with a fnumcutl gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our community. Ple ase make your
donation payable to the Binghamton University Music Department, and send your check to
BU Music Department, P.O. Box 6000. Bmghamton, NY 13902,
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audio disc
Duration
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32:58
31:49
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74837">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74837</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Craig Phillips, recital, April 19, 2015
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Phillips, Franck, Tournemire. Held at 4:00 p.m., April 19, 2015, United Presbyterian Church.
Creator
An entity primarily responsible for making the resource
Phillips, Craig
Maiolo, Georgetta
Speth, Uli.
Publisher
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Binghamton University Libraries
Contributor
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Phillips, Craig
Franck, César, 1822-1890
Tournemire, Charles
Date
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4/19/15
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/13366a9d0b25f58dcc5d83e049751eed.pdf
adb854cb58c4d1e5a55cd77fc8ce7e46
PDF Text
Text
INGHAMTON
B
U N I V E R S I T Y
STATE U N I V E R S I T Y O F N E W Y O R K
o de
[4
D E P A R T M E N T
Crea tures ,
Grea t and Small
$2
024. “2
yiorny
ph
nd i S
W
Robert G. Smith, Con ductor
Sunday, March 7, 2010
3 :00 p.m.
Anderson Center Chamber Ha ll
�THE PERFORMERS
PROGRAM
Piccolo
Rachel Serwetz
Alfred Reed
The Hounds of Spring (1980)
(19212005)
Commissioned by the John L. Forster Secondary School Symphonic Band
Windsor, Ontario, Canada
Gerald A. N Brown, Director
Roger Cichy
Bugs (2000)
1. Prelude
2. Dragonfly
3. Praying Mantis
4. Black Widow Spider
5. Tiger Swallow Tail
6. Army Ants
(b. 1956)
Rachelle Haddad (Principal)
Judy Kahn
Kathleen Spelman
Lindsay Ralbovsky
ute IT
FlKimberly Hom
Rebecca Falik
Raquel Goldsmith
Christina Peregine
David Morrissey
Melissa Klepper
Mark Norman
Vanessa Kay
Bas Clarniet
Stephen Collins
Brianna Palisi
Conratbas Calnriet
Zach Stanco
ASLTOAXOPHONEL
Alex Horspool
Commissioned by The University of St. Thomas Wind Ensemble
Dr. Matthew George. Director of Bands
. Karel Husa
Cheetah (2007)
(b. 1921)
Commissioned try The Division of Music Composition and Theory at the
University of Louisville for the University of Louisville Wind Ensemble.
Frederick Speck, Director.
The Soaring Hawk (1990)
ECb l a rine t
to
Saxophone
Al
larinet
C
b
B
Tenor Saxophone
Kyle Doyle
Kerry Goodacre
Mark DelloStritto
Trumpet
Kristen Weiss
Sarah Fenster (Principal)
larinet
C
b
B
Kristin Hohn
Anthony Kwon
Abby Cohen
aJINTERMISSIONa!
Timothy Mahr
(b. 1956)
Commissioned by the University of Iowa Symphony Band
Dr. Myron Welch, Conductor
Winner of the 1991 American Bandmaster‘s Association Ostwald Award
Equus (2000)
Elute
b l a rine t
BC
....Eric Whitacre
(b. 1970)
Commissioned by the University of Miami Wind Ensemble
Gary Green, Conductor
Seonghek Kang
Dean Papadopoulus
Nick Polaoco (principal)
Kevin Hannon
Trumpet
Nick Quackenbush
Brian Lee
Immmm
Kimberly Metaxas
(Graduate Student)
EHornI
Zack Bimbaum
Hor n
E
Natalie Rivera
Trombone
Jay Barfishevich
Trombone
Mogana Jayakumar
Ianluminous
Anthony Frachionl
honium
Eup
Damon Dye (Principal ma
Graduate Student)
Andrew Kaufman
Tuba
Matt Gukowsky
Daniel Nevins
Eemusslsm
Tom Elefa rite
Boya Gao
Adam Goldenberg
Ben Ramos
Andrew Williamson
Michael McManaman
ROBERT G. SMITH is Music Director and Conductor of the University Wind Symphony.
Profi Smith also teaches advanced instrumental conducting and graduate wind conducting at BU.
Smith has guest conducted allcounty bands throughout New York State and has conducted the
Goshen College (IND) Wind Ensemble and Orchestra, The United States Army Ground Forces
Band (GA), the Southern Tier Concert Band (NY), the Vestal Community Band (NY), The
Maine Community Band and the Binghamton Area TubaChristmas. An active performcr‘ he
currently plays principal euphonium with the Southern Tier Concert Band and tuba with the
Brass Nickel quintet and the Crown City Brass sextet. Smith is the immediate past president of
the Broome County Music Educators Association and recipient of the 2005 BCMEA
Distinguished Service Award.
�Binghamton University Music Department ’s
UPCOMING E V E N T S
Thursday, March 11M MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, March 1 8 ” MidDay Concert, 1:20 PM —
FREE
Casadesus Recital Hall
Thursday, March 1 8 ” Harpur Chorale and Women? Chorus,
8:00 PM, Anderson Center Chamber Halll FREE
Saturday, March 20‘7h Senior Honors Recital: Briana Sakamoto, soprano,
8:00 PM, Casadesus Redta/ Hall, FREE
Sunday, March 21 ” Senior Honors Redtal: Marc Si/vagnr, percussion,
3:00 PM, Casadesus Recital Hall, FREE
Thursday, March 25dl MidDay Concert; 1:20 PM FREE, FA 21
Thur sday, April 8°” Jazz MidDay Concert, 1 :20 PM – FREE
Osterhout Concert Theater
Thur sday, April 8m Harpur Jazz Ensemble Concert (cosponsored by the Harpur
Jazz Ensemble and the Binghamton University Department ofMus’c),
8:00 PM, Osterhout Concert Theater, $24“ (FREE for students)
Saturday, April 1 00: Junior Recital: Jieun Jang, piano, 3:00 PM, Casadesus
Recital Hall, FREE
Saturday, April 1 0 ” Sweet Albion: The English Clarinet with darinetist
Timothy Perry and pianist Margaret Reitz, 8:00 PM,
Anderson Center Chamber Hall, $$
For ticket information, please call the
Anderson Center Box Office at 777ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting '
Binghamton University Music Department
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound discs
Duration
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43:04
27:14
Streaming Audio
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Creatures Great and Small, March 7, 2010
Recital Tape 2010-3-7
Description
An account of the resource
Works by Reed, Cichy, Husa, Mahr, Whitacre. Held at 3:00 p.m., March 7, 2010, Anderson Center Chamber Hall.
Creator
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University Wind Symphony
Smith, Robert G
Publisher
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Binghamton University Libraries
Date
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2010-03-07
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Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/10df6b9a9e910066197bd5fb8c30a6ef.pdf
af60b16e6b037f37886896b44ea6125d
PDF Text
Text
BINGHAMTON
UNIVERSITY
- ._
STATE UNIVERSITY OF
NEW YORK
,
usi
DEPARTMENT
DAN FAGEN
AND
SARAH FENSTER
SENIOR RECITAL
From the Studios of
April Lucas and Sarah Chandler
with
Margaret Reitz, piano
Saturday, November 14, 2009
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
Concerto No. 1 in F minor, Op. 73(1811) ...... Carl Maria von Weber
(1786-1826)
I Allegro moderato
Sarah Fenster, clarinet
Pej Reitz, piano
Sonata (1732) ........................... .....
.................................... Henri Eccles
(1670-1742)
Sigurd Rascher, arr.
I Largo
II Courante
III Adagio
IV Presto
Dan Fagen, alto saxophone
Pej Reitz, piano
Suite from the Victorian Kitchen Garden (1989) .............. Paul Reade
(1943-1997)
I Prelude
II Spring
III Mists
IV Exotica
V Summer
Sarah Fenster, clarinet
Pej Reitz, piano
�Sonata, Op. 19 (1937)......... ............. ................ ................. Paul Creston
(1906-1985)
II With tranquility
III With gaiety
Dan Fagen, alto saxophone
Pej Reitz, piano
Eight Pieces, Op. 83 (1910) .............................................. Max Bruch
(1838-1920)
Harry Gee, arr.
I Andante con moto
II Allegro con moto
III Allegro vivace, ma non troppo
Dan Fagen, alto saxophone
Sarah Fenster, clarinet
Pej Reitz, piano
�ABOUT THE PERFORMERS
DAN FAGEN, from StatenIsland, NY, is a senior double majoring in music and
psychology at Binghamton University. He began playing clarinet when he was 9
years old and began playing alto saxophone at age 13. In high school, he began
studying jazz and improvisation with Ray Scro and Chris Garone. At
Binghamton, he has continued to be involved with jazz music, playing lead alto
saxophone in The Harpur Jazz Ensemble under the direction of Mike Carbone.
He recently began studying classical saxophone with Professor April Lucas. He
would like to thank Professor Lucas for fixing his long list of bad playing habits,
Professor Reitz for accompanying him, and his parents and friends for their
support.
SARAH FENSTER, from Buffalo, NY, is a double major in Sociology and
Geography at Binghamton University and will be graduating in May of 2010.
She is a three-year member of the University Wind Symphony, and has also been
studying with Sarah Chandler during her years at Binghamton. In the past, she
has played with various Erie County and NYSSMA ensembles. She would like to
thank her family and friends for always supporting her musical passion.
MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area. She
received her Bachelor and Master of Music degrees in piano performance with
She attended Boston University, New England
accompanying emphasis.
Conservatory and Binghamton University. Ms. Reitz has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and
accompanying with Allen Rogers. She has accompanied throughout the United
States, in England, South America, Spain and at the American Institute of Musical
Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program
by the United States Information Agency in partnership with the John F. Kennedy
Center for the performing arts.
Ms. Reitz was an official pianist at the International Double Reed Competition
and Convention in 2007 at Ithaca College and was invited to play the 2009
Convention in Birmingham, England with the Glickman Ensemble. Ms. Reitz was
selected to accompany at the Interpretation of Spanish Music in conjunction with
University of Madrid in Grenada, Spain coached by Teresa Berganza and at
Mannes School of Music in the summer of 2008. She was a Guest Artist playing
two concerts in Granada, Spain this past summer and accompanied the Barcelona
Song Festival in July. She is the pianist for Theater Street Productions
performing concerts in Lenox, Mass and Newport Rhode Island this fall.
Ms. Reitz has been on the faculty at Binghamton University since 1991 and with
the Ithaca College School of Music since 1999. She is on the Executive Board of
the New York District MTNA organization. She is President of the local District
VII Music Teachers _Association and is an active adjudicator for the National
Piano Guild Organization.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Title
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Dan Fagen and Sarah Fenster senior recital: from the studios of April Lucas and Sarah Chandler, November 14, 2009
Recital Tape 2009-11-14
Description
An account of the resource
Held at 8:00 p.m., November 14, 2009, Casadesus Recital Hall.
Creator
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Fagen, Dan
Fenster, Sarah
Publisher
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Binghamton University Libraries
Date
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2009-11-14
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sound
-
https://omeka.binghamton.edu/omeka/files/original/abf89f292bcf5741c5d33b996c168abf.pdf
3574a8464be1914c623647509e68b77a
PDF Text
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BINGHAMTON
U N I V E R S I T Y
S T A TE U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
SENIOR R ECITAL
D A N I VIALINOVSKY, P I A N O
Bits and Pieces
Saturday, May 2, 201 5
12 p.m.
Casadesus Recital Hall
�# PROGRAM 3
Fantasiestilicke
Op. 12, No. 2 “Aufschwung”
3% About the Performer #
Robert Schumann
(1810 1856)
Da n Malinovsky was born in Jerusalem, Israel in 1993. He
sta rted studyin g classical piano at the age of 5 and couldn ’t stop ever
since. Since moving to the U.S in 2006, Dan has expanded his repertoire
Sonata in E Major, K531 .
Domenico Scarlatti
(1685 1757)
4
Sonata in B Minor, K27 ..
..Domenico Scarlatti
(1685175 7)
Piano Sonata No. 17
Op. 31, No. 2, Mvt. lll
. Ludwig van Beetho ven
(1770 182 7)
to jazz and po pula r music. During high school, Dan received a perfect
score on the highest level of the NYSSMA exam numerous times. A t
graduation , he was awarded the “Frederic Chopin Awa rd” for
outstanding piano performance, and the “Best Musician Award". He
also performed with numerous orchestras including the NassauSuffolk
Wind Symphony. Before going to Binghamton to study
fina nce, Dan worked on Long Island as a jazz pia nist.
At Binghamton, Dan stud ied piano performance with professors Jinah
Lee and Michael Salmirs, and constantly performed at university
concerts and recitals. Additionally, he was the president of Piano Society,
an organization which h elps studen ts develop piano performance skills
and give back to the community through fundraising and music
education. D a n plans to continue studying piano performance after
INTERMISSION
Les Adieux
1
graduation.
Franz Strauss
(1822 1 9 0 5 )
with K athryn R. Saturnin o on Frenc h Horn
Fantasie in C major .
Op. 17, Mvt.i
. Robert Schumann
(1810 185 6)
�Binghamton University Music Department’s
Coming Events
$ $ $ $ ¥ $ $ $ $ $ $ $
Sunday, May 3 – University Chorus and Symphony Orchestra:
Mendelssohn’s “Lobgesang” – 3 p.m. – Osterhout Concert Theater
– $7 general public; $5 faculty/staff/ seniors/alumni; free for students
Thursday, May 7 – Student Recognition MidDay Conc ert – 1:20 p.m.
Casadesus Recital Hall – free
Thursday, May 7 – Harpur Chorale and Women’s Chorus Spring
Concert 7:30 p.m. – Anderson Center Chamber Hall – $7 general
public; $5 faculty/staff/seniors/alumni; free for students
Friday, May 8 Nukporfe African Drumming and Dance Ensemble –
7:30 p.m. – Watters Theater – $5 general admission at the door
Sunday, May 3 Senior Recital : Cole Tornberg, tenor – 7:30 p.m. –
Casadesus Recital Hall – free
Saturday, May 9 – Senior Recital: Caitlin Gotimer, soprano – 7:30
p.m. Casadesus Recital Hall free
$ $ $ ¥ $ $ $ $ $ $ $ fi
For ticket s or to be added to our email list, visit anderson.binghamton.edu o r call (607)
777ARTS. For a complete list of our concerts call (607) 7772592, visit
music.binghamton.edu or become a fan on Facebook.
[ = ] = [ = ] If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to
continue the work of students, faculty, and guest artists and their
[ = ]
E
contribut ions to our community. Please make your donation
payable to the Binghamton University M usic Depa rtment, and send
your check to
BU Music Departme nt, P.O. Box 6000, Binghamton, NY 13902.
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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37:01
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Title
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Dan Malinovsky, senior recital, "Bits and Pieces," May 2, 2015
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schumann, Carlatti, Beethoven, Strauss. Held at 12:00 p.m., May 2, 2015, Casadesus Recital Hall.
Creator
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Malinovsky, Daniel
Saturnino, Kathryn
Publisher
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Binghamton University Libraries
Date
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2015-5-2
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/0c4dd6c57c2234e5952d616ac6fc8203.pdf
bf736dce7aa3dada467fb574a8d0815a
PDF Text
Text
BINGHAMTON
U N T V E R S T T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
M E T
A
zedec
N
STUDENT RECITAL
D A N I E L BESSEL, BASSOON
W it h
Pes Reitz; Prano
Martha Weber, Bassoon
llicott; Bassoon
Pa i g e E
Melinda Lewis; Bassoon
S u n d a y , November 7 , 2 0 1 0
2.00 p . m
Casadesus Hal
I
�PROGRAM
Sonata, Op. 168 Bassoon and Piano
l. Allegretto Moderato
Camille SaintSeans
(18351921)
Sonata Bassoon and Piano .......................... ..........Alvin Etler
I. Moderately Slow
(19131973)
IL. Fast
III. Slow
IV. Fast
=INTERMISSIONcs
Impromptu, Op. 35, N09
..........Reinhold Gliere
(18751956)
Humoresque, Op. 35, N08
..........Reinhold Gliere
(18751956)
Sonata in C minor Poco Adagio..................... E
Son ata
I. Cantabile
II. Spiritoso
III. Largo
IV. Allegro
V. Vivace
S Bach
(16851750)
Johann Emst Galliard
(16871749)
I was a Teenage Bassoon Player ...David Carrol & John Miller
Martha Weber, Bassoon
Paige Elliot, Bassoon
Daniel Bessel, Bassoon
Melinda Lewis, Bassoon
From the Studio of Martha Weber
A
B
O
U
T
Daniel Bessel is a senior at Binghamton University from East
Meadow, NY, and is majoring in Management with
Concentrations in Marketing, Consulting & Leadership. Daniel
currently performs with the Binghamton University Symphony
Orchestra, and studies under the studio of Professor Martha
Weber. He has previously performed with the Metropolitan
Youth Orchestra, Long Island Youth Orchestra, Nassau
Suffolk Wind Ensemble, AllCounty Orchestra’s, and studied
under Mr. Bill Katz. Daniel is also currently involved in the BU
Student Ambassador Program, the Professional Business
Fraternity Alpha Kappa Psi, and is a Marketing Assistant with
the TriCities Opera. He would like to thank his teachers,
family, and friends, for all their help and continued support.
Hope you enjoy the show!
Pej Reitz is a monster piano player that graciously teaches at
Binghamton University and Ithaca College. We are so fortunate to
be able to work with her.
Paige Elliot studied with Edward Gobrecht during high school and
here at Binghamton with Martha Weber. She has performed in
the Binghamton Youth Symphony Orchestra, All State, Area All
State and BCMEA organizations as well as with the Binghamton
University Orchestra under Timothy Perry. As a junior pursuing
degrees in Social Anthropology and History, she enjoys
performing and participating in various musical opportunities
which include Summer Savoyards and local musicals.
Melinda Lewis is thrilled to be playing with Dan on the quartet
portion of his recital! She is the director of bands at Vestal High
School and freelances on bassoon as frequently as she can in the
Triple Cities area. Melinda earned a Bachelor of Bassoon
Performance and Music Education from the Eastman School of
Music and a Master of Music Education degree from SUNY
Fredonia. Melinda wishes Dan the best of luck in all his future
endeavors!
Martha Weber, Adjunct Professor of Bassoon, is actively involved
as a teacher and performer of the bassoon. She is so very
happy to be participating in this Merry Band of Bassoons!
�Bin gham tonUniversit
y Music D epariment ’s
M P o e/ w n v q E V E N T S
m e a
s
l
y
a m
m o
Midday concerts are held on Thursdays, 1:20pm in Casadesus
Recital Hall unless otherwise noted and are FREE
University Chorus: First Steps and Final Thoughts, Sunday,
November 14, 2010, 3pm, Osterhout Concert Theater, $$$
Student Recital: Briana Sakamoto, soprano, Saturday,
November 13, 2010, 8pm, Casadesus Recital Hall, FREE
Friedheim Memorial Lecture/Recital series: Claudio
Monteverdi, I l lament dArianna, Thursday, November 18,
2010, 8 pm, Casadesus Recital Hall, $$$
Organist Jonathan Biggers: A Bach Celebration, Friday,
November 19, 2010, 8pm, FA21, $$$
Czech Vocal Music: Mary Burgess, soprano; guest art/sts:
Timothy LeFebvre, baritone; Timothy Cheek, piano, Sunday,
November 21, 2010, 3pm, Anderson Center Chamber Hall,
$33
Organist Jonathan Biggers: A Bach Celebration, Tuesday,
November 23, 2010 (11/19 repeat performance), 8pm, FA21,
$38
Percussion Ensemble, Tuesday, November 23, 2010, 8pm,
Anderson Center Chamber Hall, FREE
For ticket information, please call the
Anderson Center Box Office a t 777AR TS.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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2 audio disc
Duration
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21:19
25:10
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Daniel Bessel, Bassoon Recital, November 7, 2010
Recital Tape 2010-11-7
Description
An account of the resource
Works by Saint-Saens, Gliere, Bach, Galliard, Carrol
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Weber, Martha
Elliott, Paige
Lewis, Melinda
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-11-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/b902af4d29edefbc1fc6b01ee94313d1.pdf
041c55b7d2f5516756981b49e61261a9
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
DANIEL FARINA, alto saxophone
Barbara Garges, piano
* ~Mon., Dec. 13, 1971 – 8:15
»
Recital Hall
PROGRAM
Sonata for Alto Saxophone and Piano
Andante
Courante
Adagio
Presto
Particles for Alto Saxophone and Piano.
Allegro–Lento–Allegro moderato e
barbaro–Andante–Allegro
Sonata for Alto Saxophone and Piano
Allegro
Andante sostenuto
Allegro agitato
Eccles
(arr. Rascher)
Armand Russell
Garland Anderson
INTERMISSION
DUO for Alto Saxophone and Piano(1964)
Walter S. Hartley
Siciliene for Alto Saxophone and Piano
Pierre Lantier
Sonata for Alto Saxophone and Piano
Ruhig bewegt
Lebhaft
Sehr langsam
Lebhaft
Hindemith
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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2 sound tape reels
Duration
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33:08:00
OHMS Object
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63574
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63574"> Daniel Farina, Alta Saxophone and Barbara Garges, Piano, Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Daniel Farina, Alto Saxophone, and Barbara Garges, Piano, Recital, December 13, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Eccles, Russell, Anderson, Hartley and Hindemith. Held at 8:15 pm, Dec. 13, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Farina, Daniel
Garges, Barbara
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-12-13
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Eccles, John, 1668-1735
Russell, Armand, 1932-
Anderson, Garland, 1933-
Hartley, Walter, 1927-2016
Hindemith, Paul, 1895-1963
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020073254
39091020073791
-
https://omeka.binghamton.edu/omeka/files/original/6b9a215787772298a00b368362aac624.pdf
b9f8603ba41c62072c39daf7ee9b3598
PDF Text
Text
BINGHAMTON
B
E
Y E R S I T Y
STATE U N I V E R S I T Y OF NEW Y OR K
[4
217224
D E P A R T M E N T
Masters ’ Recital
Daniel Ibeling, tenor
with
Amanda Chmela, soprano
and
Pej Reitz, piano
Saturday, February 27, 2 0 1 0
8: 00pm
Casadesus Recital Hall
�Handel debuted his opera Atalanta in 1736, wh ich was created specifically for
the wedding celebration of Frederick, the Prince of Wales. While popular in its
day, the opera is rarely performed. Aminta sings Di ad Irene in the third act,
furious over Irene’s decision to leave him for another man.
PROGRAM
Di ad Irene
from Atalanta
George Friderick Handel
(16851759)
O wuss! ich doch den weg zuriick
Sonntag
..Johannes Brahms
(18331897)
Di ad Irene
Di ad Irene, tiranna,
Infedele, ria,
Go tell Irene, the tyrant,
Crudele d’un mostro peggjore, .
Ah, no... Dille, dille piuttosto,
ic,
Dille ch’un core qunl e i l m
Piu trovar non potra.
Unfaithful, wicked,
The m lone iswone fl un u m onsl e r
Ah, m.,.tzll Plummet,
Tell her that a heart better than mine.
She will never find
Dille, Barbara, dille
Ma ché 7
Tell, the barbarous one, tell her .,
But what?
No, che basta
No, it is enough
For my pure faith,
To see those serene eyes
With the first indication of loving
compasion
Wie bist du, meine Konigin
Alla pura mia (E,
Di veder quei begli occhi serene
Con la prima amorosa pieta
Four Moravian Duets, Op. 20.
I. Promény
While most musicians struggle to gain recognition, in 1853 Robert Schu man
wrote an article claiming 20year old Johannes Brahms was “destined to give
ideal expression to the times.” Though this placed the burden of expectation on
him, Brahms would live up to his billing. These three selections are wonderful
examples of the Romantic period, filled with rich harmonies, and delicate word
painting.
II. Rozlou¢eni
III. Chudoba
Antonin Dvol‘ék
(18411904)
I V . Vufe sohaj, vuie
O wit/It ich doch den Weg zuriick
0 w ut ich doch den Weg zufllck,
Den lichen Weg zum Kinderland!
O warum sucht’ ich nach dcm Gluck
wlNTERMISSION a
Poéme d ‘unjour...
I. Rencontre
II. Toujours
Ill.Adieu
To Julia . . .
I. The bracelet
II. The maiden blush
III. To daisies
IV. The night piece
V . Julia’s hair
VI. Cherry ripe
Und lleB der Mutter Hand?
....Gabriel Fauré
(18451924)
Roger Quilter
(18771953)
O wie mich sehnet auszuruhn,
Von keinem Streben aufgeweckt,
Oh, if I only knew the road back,
The deer road to childhood’s land!
Oh, why did I search for happiness
And leave my mother’s hand?
Oh, how I long wben tmt,
Not to be awakened by anything,
Die moden A ugen zuzutun,
To shut my weary eyes,
With love gently surrounding!
Und nichts zu forschm, nichts zu splhn,
Und nur zu traumen leicht und Iind,
Der Zeiten Wandel nicht zu sehn,
Zum zweiten Mal ein Klnd’
Only dreams, sweet and mild;
Not to notice the changes of time,
To be once more a child!
Von Liebe sanft bedeckt!
O zeigt mir doch den Weg zuruck,
Den lieben Weg zum Kmderland!
Vergebens such ich nach dem Gluck,
Ringsum ist oder Strand!
Nothing to search for, nothing to beware of,
Oh, do show me the road back,
The dear road to childhood’s land!
In vain I search for happiness, around me
naught but deserted beach and sand!
�Sonntag
So hab’ ich dochdieynuWoche
Mein feines Liebchen nicht geaeh‘n,
lch sah es an einem Sonntag
Wohl vor der Tare steh’n:
Das tausendschone Jungfraulein,
Das tausendschone Herzelein,
Wollte Gott, wollte Gott, ieh war’ lueute bei
ihr!
So will mir doch die ganze Woche
Das Lachen nicht vergeh’n,
Ich sah as an einem Sonntag
Wohl in die Kirche geh’n:
Das tausendschone Jungfraulein,
Das tausendschone Herzelein,
Wollte Gott, wollte Gott, ich war’ heute bei
ihr!
Wie bist du, meine Konigin
Thiswholeweeltlhavena
Sealmydeliclttsweefiuelrt
IuwhaonSu mlIy.
Standirginfimtofthedoor:
m fi m d n m b e o u fi f u l g irl,
‘l’iuatthnusandliuumbeluait‘uihfltt
WouId,God,IwaewithktodayI
This whole week, my laughing
Has not ceased,
I saw her on Sunday,
Going to church:
‘That thousandtimes beautiful girl,
WoudlG
.od ,I werewhti h
erotday!
That thousandtm
i es beautiful heart,
Du lachle nur, Lenzdifte wehn
Durch mein Gemiute, wonnevoll!
How blissful you are, my queen,
When you are gentle and good!
Merely smile, and spring fragrance waits
Though my spirit blissfully!
Frisch aufgeblihter Rosen Glanz,
Vergleich ich ihn dem deinigen?
Shallloompartittoyouus?
Wie bist du, meine Konigin,
Durch sanfte Gute wonnevoll!
Ach, uba alles, was da blaht,
Ist deine Blitte wonnevoll!
Durch tote Wasten wandle hin,
Und griine Schatten breiten sich,
Ob furchterliche Schwile dort
Ohn Ende brute, wonnevoll!
Lab mich vergehn in deitietn Arm!
Es ist ihm ja selbst der Tod,
Ob auch die herbste Todesqual
Die Brust durduwnte, wonnevoll!
The brightness offruhly blooming roses,
Ahsoaring over all thlthoonu
Isyourblonun, blissful!
Wander through dead wastelands,
And green shadows will be spreading,
Even if fearful sultriness
Broods there without end... blissfully!
Let me die in your arms!
It is in them that death itself,
Even iftheshatpestpain
Ragesin mybrelst .. is blissful!
Antonin Dvofak composed his Moravian Duets in 18751876, for soprano (or
alto), and tenor. The texts for each of the four songs are drawn from traditional
Czech folk songs. The text isn’t a dialogue in a true sense, but rather unison
thoughts shared between two narrators, the second piece being the exception.
No.1 Promény
No.1 Transformations
Darmo se ty trapis,
In vain you pine,
Nenosim ja tebe,
I don’t carry you,
ma jmliy synetku,
Nenosim v srdecku;
A j l t voja nebudu
ani jednu hodinu.
copak sob! mysli3,
m
a mail panauko,
Dyt ’ sit ty to moje
Rozmilé srderuko;
A ty musifi byt ma
Lebo mi t& Pan Buu‘ h da
My dear sweetheart,
I d on ’tun y you i n m y l m tt;
And I won‘t be yours
For even one hour.
Whatever are you thinking,
My dear girl,
For you are my
Darling sweetheart,
And you must be mine,
Orthel iordGodwiIlgi veyoutome
No.2 Rodoud‘ent’
No.2Slylng Farewell
A ja se ti nezato¢im,
In a circle as a ‘good night’!
And I won‘t twirl around you,
I must go to the field.
Zatot se mn!, galartecko,
NA dobro noc do kola!
Ja muslm jlt do pola.
Do polecka sireiuo,
Nevidet tam Zadného.
Jenom vtatka sokolitka,
Pana Boha samého.
Twirl around me, sweetheart,
To the wide little field,
‘Where no one is in sight;
Only a little falcon
And the Lord God himself
Zao
t € sa okoo
l mia,
Jako vtagek
Jarabagek okolo pita!
Twirl, sweetheart,
Twirl around me,
Like a little hawk
Around a tree trunk!
Udelej koletko,moja,
Make a little c ircle,
Bude3 moja
You will be mine,
ZatoX sat ty, galanoékn,
Moja, ylmecko.
No.1 Chudoba
Ach, co je to za stavicek.
Co tak pekn!, p&kné zpiva?
Ach, to je muj najmilejsi,
Ze mne se vysmiva.
Ty se ze mne ntvysmuvej.
Circle, my sweetheart,
No.1 Poverty
Ah, what is that, like a nightingale,
What so nicely, nicely sings?
Ah, that is my dearest,
At me he mocks.
Don’t mock me,
Z chudobnej siroty,
A poor orphan,
Ani Zadne 3aty.
Nor any clothes.
Ty se ze mne névysmivej,
Z chudobnej siroty,
a poor orphan,
Chot’ ja némam ladnych penéz,
Chot’ ja némam Zadnych penéz,
Ani b dne 3aty.
Jenom ten vinek zeleny,
Kery mam na hlavt,
A tenjedau Suranedek,
Kery mam na sob!
For I don‘t have any money,
Don’t mock me,
For I don’t have any money,
Not any clothes
Only this wreath green,
Which I have on my head,
And this one dress,
Which I have on myself.
�No.4 Vure Sohaj, vufe
(Der letzte wunsch)
Vufe 3ohaj, vuie
V zelenyin héhofe,
Polihni konitka
Po hedbévne Si‘ii’ihe.
Ta smite hedbdvnk
na pole strhan,
nevel‘, mila, never,
3ak je laska plan’a
Neveéf, milk, nevfi,
A b k nemas Itemo
Suhajek falesné
Pojcde na vojno.
Debech mela koiia,
Sama bech s heinjela,
Aspon bech videla,
Kde bech zahynula.
A zahynuli ja,
the helmalpha
T
(HNo.4 Hepbm,
he plows, t
e Las t W
s
i
h
)
he beloved plows
You ask me to be quiet,
In green hiII,
He drives little horse
Et de me’n aller, solitaire,
Sans me rappeler quij aimais!
and to depart alone
without thinking of the one whom I love!
‘l’hat rein o f silk
Rips on the field,
Don’t believe, dear,
For his love is false.
Demandez plutdt aux etoi a
De tomber dans I’immensité,
A la nuit de perdre ses voiles,
Au jour de perdre sa clarté,
Yaimightmoreeailyaskthestars
to fall fiorntluslry,
or the nightto li ft its veils,
Don’t believe, dear, don’t believe
For you shouldn’t believe
A false boy
Demandezllamaimmense
who will go to the army.
Ulpaisersasombramnyotsl
Irid,wla=itluwindsaretagingdanentedly,
askfltemmmlmtheirdisnal sobbing!
Iflhadaliorse,
lumuldgaalonewithhim,
Atleastlwouldsee
Mais n’asperea pas que rnon dme
S’arrache 4 ses dpres douel urs
eanuptootitssomrw
With silk reins,
Wliaelwoulddie.
And i fl will die,
we will both die,
Zahyneme voba,
Jenorn nas palate
Do jednoho hroba.
Just put us
in o
ne grave.
Do jedneho hroba,
Do jedne trohlice,
Bodo vo nks plaltat
Bestrrzke deyciee
In one grave,
In one coffin,
The girls from Bystrc
will weep for us.
Fauré’s song cycle Poéme d ‘un jour (poem of a day) is a fine example of
melodic. The narrator, a poet himself, ventures from flirtatious playfulness in
Rencontre, to anger over his lover’s rejection of him in Toujours, and, most
interestingly, to an optimistic indifferent departure in Adieu.
Rencontre
J’etais triste et pensif quand je t’ai
rencontrée,
Je sens moins aujourd’hui mon obstine
tourment;
O dismoi, seraistu la femme iriaeperee,
Et le réve ideal pouisuivi vainement’!
0,passanta qudouxyeiogseriis—tudonc
I’amie
Qui reiulrait le bonheur au poete isolé,
Eles—mnyonnasnnsonanuafiamie,
Comme Ie ciel natal sur un eoeur d’eltilé”
Ta tristesse sauvage, a la mienne pareille,
Aime a voir Ie soleil décliner sur la mer!
Devant I’immensité ton extase s’eveille,
Etleclunnedassoiisktabelleirruest
chm
Une mysterieuse et douce sympathie
Déja m’enchaine a toi comme un vivant lien,
E t mon ame frémit, par l’amour envahie
Et mon coeur te cherit saris te connaitre
bien!
Toujaurs
Vous me demandez de ma taire,
lwissadandpensivewhenlmelyou,
1 sense less today my persistent torment;
Tellme,waeyouthegirl Imetbyehanoe,
the ideal dream I have vainly sought.”
A passerby with gentle eyes, were you the
friend
who brought happiness to a lonely poet?
Did you shine upon my vacant bean
like the native sky on an exiled spirit?
Your shy sadness, so like my own,
la vatowatchthesinsaovett l usa!
Your delight is awakened before its
immensity,
and the evenings spent with your lovely soul
are dear to me.
A mysterious and gentle sympathy
already binds me to you like a living bond,
My soul trembles with overpowering love,
And my heart cherishes you, knowing you
hardly at all
De fuir loin de vous pourjamais,
Dedassechersasvamsflots,
El,quandlavaitssoraaidana\ce,
Et se depouille de sa flamme
Comme Ie printemps dc ses fleurs!
Adieu
Comme tout meurt vita, la rose
Declose.
Et les frais manteaux diapres
Des PMS;
Les longs soupirs, les bienaimeea,
Fumées!
On voit dans ce monde lager
Changer.
Plus vite que les flots dea gréves,
Nos raves,
Plus vite que Ie givre en fleurs,
Nos coeurs!
A vous l’on se croyait fiddle,
Cruelle,
Mais helas! les plus longs amours
Son! courts!
Eije dis en quittan! vos oharrnea,
Sans Iarmes,
Presqu’au moment da mon aveu,
Adieu!
to flee from you forever to a distant place,
ort l’udaytorid itselfof’its brightness!
Asktheiinmenseooean
todryupiuvastwatets,
Butdanothopethatmysoul
anddouseitsflame
asthesmingtimeoansheditsflowas!
Like everything that dies quickly,
the blown rose,
h
te fresh multicolored flowers
on the meadows.
Long sighs, those we love,
gone like smoke.
One sees in this frivolous world,
Change.
Quicker than the waves on the beach,
Our dreams.
Quicker than frost on the flowers,
Our hearts.
One believes oneself faithful to you,
Cruel,
But alas! the longest of love affairs
Are short!
And I say on quitting your charms,
Without tears,
Close to the moment ofrn y avowal,
Adieu!
�Though he did venture into other branches, Roger Quilter is chiefly remembered
for his contribution to art song. Quilter didn‘t participate in the early 20”
century music evolution, and instead composed music with rich harmonies,
filled with the sound of romantic wistfulness, and lust for past memories. He
adopted work from the 17” century poet Robert Herrick to create To Julia, a six
part song cycle for tenor and piano, which debuted in 1905 .
I. The Bracelet
IV. The night piece
Julia, this my silken twist;
For what other reason is ‘t,
The shooting stars attend thee,
And the elves also,
Wh y I tie a bout thy wrist,
But to show thee how, in part,
Thou my pretty captive art?
But thy bondslave is my heart,
‘1’is but silk that bindeth thee,
Knap the thread and thou art free:
But ‘tis otherwise with me,
I am bound, and fast bound, so
That from thee I cannot go,
I f could, I would not so.
11. The maiden ‘s blush
Like the sparks of fi re, befriend thee.
So look the mornings when the sun
Paints them with fresh vermillion.
So cherries blush, and Kethem pears,
And apricocks in youthful years;
So corrals look more lovely red,
And rubies lately polished
So purest diaper doth shine,
Stain’d by the beams of claret wine.
As Julia looks when she doth dress
Her either cheek with bashfulness.
IIL To daisies
Shut not so soon, the dulley’d night
Has not as yet begun
To make a seizure on the light,
Or to seal up the sun
No marigolds yet closed are,
No shadows great appear;
Nor doth the early shepherd‘s star
Shine like a spanglc here.
Stay but till my Julia close
Her lifebegetting eye,
And let the whole world then dispose
ltsel fto live or die.
Her eyes the glowworm lend thee,
Whose little eyes glow
Like the sparks of fire, befriend thee.
No Willo’th’Wisp mislight thee,
Nor snake or slowworm bite thee;
But on, on thy way,
Not making a stay,
Since ghost there’s none to affright thee
Let not the dark thee cumber:
What though the moon does slumber?
The stars of the night
Will lend thee their light
Like tapers clear without number.
Then, Julia, let me woo thee,
Thus, thus to come unto me ;
And when I shall meet
Thy silv ’ry feet
My soul l ‘ ll pour into thee
V . Julia ’s hair
Dew sat on Julia’s hair
And spangled too,
Like leaves that laden are
With trembling dew:
Or glitter’d to my sight,
As when the beams
Have their reflected light
Danc’d by the streams.
VI. Cherry ripe
Cherryripe, ripe, ripe, I cry,
Full and fair ones; come and buy
lfso be you ask me where
They do grow, I answer there,
Where my Julia’s lips do smile ;
There’s the land, or cherryisle,
Whose plantations fully show
All the year where cherries grow
flfiout the Performers:
fDam’dIfieBng, tenor
Dan Ibeling is from Roselle, Illinois, and is currently pursuing his Masters of
Opera degree with Binghamton University under the direction of Profs. Skrabalak
and Sicilian, and is also a member of the TriCities Opera Resident Artist
Training Program. Over the last two seasons, he has appeared as Borsa in
Rigoletto, Kaspar in Amahl and the Night Visitors, Don Curzio in Le nozze di
Figaro, and Spoleha in Tosca. Upcoming performances include the title role in
Honegger‘s King David with the Binghamton University Chorus and Orchestra,
and Gherardo in Gianni Schicchi at TCO. Dan has also been an apprentice with
the Des Metro Opera, and spent a summer in Graz, Austria studying at the
American Institute of Musical Studies. Dan received his B.A. in Music from the
University of Nevada, Las Vegas.
Amanda Chmela, soprano
Originally from Lindenhurst, New York, Ms Chmela is currently pursuing a
Master‘s in Opera Performance under the direction of Mary Burgess. She is also
a member of the TriCities Opera Resident Artist Training Program. Roles with
TriCities include Gretel (Hansel and Gretel), Barbarina (Le Nozze di Figaro), Ms.
Pinkerton (The Old Maid and the Thief), Page (Amahl and the Night Visitors), and
Page (Rigoletto). Upcoming performances include the role of Ciesca (Gianni
Schicchi), and as the soprano soloist in Honegger’s King David with the
Binghamton University Chorus and Orchestra. During the summer of 2009, she
performed with the CRS Barn Studio as Edith (Pirates of Penzance) and with the
Summer Savoyards as Josephine (H.M.S. Pinafore).
Ms. Chmela received her undergraduate degree in Musical Theatre from SUNY
Fredonia where she studied under Julie Newell. She performed the roles of Ann
(A Little Night Music), the Sandman (Hansel and Gretel), and Mrs. Cratchit (A
Christmas Carol), in addition to several scenes programs, a commencement eve
concert, and performance trips to both Italy (2008) and Japan (2006).
Margaret Rfitz, pianist
Ms. Reitz is a native of [he Binghamton Area. She received her Bachelor and
Master of Music degrees in piano performance with accompanying emphasis.
She attended Boston University, New England Conservatory and Binghamton
University. She has studied piano with Jean Casadesus, Victor Rosenbaum,
Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has
accompanied throughout the United Slates, in England, South America, Spain
and al the American Institute of Musical Studies in Gra z, Austria. She was a
winner of the Artistic Ambassadors Program by the United States Information
Agency in partnership with the John F. Kennedy Center for the performing arts.
She was an official accompanist for the MTNA State and Eastern Division
Competition held at Ithaca College. She has been a guest chamber music artist
in Morges, Switzerland. She also was selected to attend the Accompanying
Workshop for Singers and Pianisls held at Northwsslem University with Chicago
Lyric Opera Faculty and Coaches. She was recently invited to the International
Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on
the Cornell Summer Series. She was an official pianist at the International
�Double Reed Competition and Convention in 2007 at Ithaca College and was
invited to play the 2009 Convention in Birmingham, England with the Glickman
Ensemble. She was selected to accompanying at the Interpretation of Spanish
Music in conjunction with University of Madrid in Grenada, Spain coached by
Teresa Berganza and at Mannes School of Music summer 2008. She was a
Guest Artist playing two concerts in Granada, Spain this past summer and
accompanied the Barcelona Song Festival in July. She is the pianist for Theater
Street Productions performing concerts in Lenox, Mass and Newport Rhode
Island this fall.
She is currently on the faculty at Binghamton University since 1991 and Ithaca
College School of Music since 1999. She is on the Executive Board of the New
York District MTNA organization. She is President of the local District VII Music
Teachers Association and is an active adjudicator for the National Piano Guild
Organi zation.
T riCities O pera 20092010 Season
(sy
d o n i z e l l i
e
R
ev
FRIEDHElM MEMORIAL
Lecture/Recital
H U M A N N
ROBE/2 T SC
MOBIUS ENSEMBLE
Janey Choi, Violin
Roberta Crawford, Viola
Michael Salmirs, Piano
Stephen Stalker, Cello
o p r i l 3 0 8 m a y 2 , 2 0 1 0
Thursday, March 4, 2010
8:00 p. m.
Casadesus Recital Hall
�Binghamton University Music Department ’s
U P C O M I N G E V E N75
s e s a m e m a c a w
Thursday, March 4°” MidDa y Concert, 1.20 PM FREE
Casadesus Recital Hall
Th ursda y, M a r ch 4 ” Friedheim Memorial Lecture/Recital Series:
Schumann (Mobius), 8:00 PM, Casadesus Recital Hall, $$
(FREE for students, 100 maximum tickets)
Satur da y, M ar ch 6% University Symphony Orchestra: Concerto &
Ana Concert, 8:00 PM, Osterhout Concert Theater, $$ (FREE for
students)
Sunday, March 7 ” wind Symphony, 3:00 PM FREE
Anderson Center Chamber Hall
1”' MidDay Concert, 1 :20 PM FREE
Thursday, M ar ch 1
Casadesus Recital Hall
4 ” Ewa Mackiewicz Wolfe: 1810 – 2010, A Chopin
Su n da y, M a r ch 1
Celebration, 3:00 PM, Anderson Center Chamber Hall, $$
8 ” MidDay Concert, 1 :20 PM FREE
Thursday, M ar ch 1
Casadesus Recital Hall
8 ” Harpur Chorale and Women s’ Chorus,
Th ursda y, M a r ch 1
8:00 PM, Anderson Center Chamber Hall, FREE
Sa t u r da y, M a r ch 20° " Senior Honors Recital: Briana Sakamoto,
soprano, 8:00 PM, Casadesus Recital Hall, FREE
Su n da y, M a r ch 21"t Senior Honors Recital: Marc Silvagni, percussion,
3:00 PM, Casadesus Recital Hall, FREE
Thursday, M ar ch 25‘h MidDay Concert, 1 :20 PM FREE
Casadesus Recital Hall
For ticket information, please call the
Anderson Center Box O ff i ce a t 777ARTS
To see all events, please visit music. b inghamton. e du
Become a fan on Facebook by visiting
Binghamton University Music Department
�
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Title
A name given to the resource
Daniel Ibeling, tenor, master's recital, February 27, 2010
Recital Tape 2010-2-27
Description
An account of the resource
Works By Handel, Brahms, Dvorak, Faure, Quilter. Held at 8:00 p.m., February 27, 2010, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Ibeling, Daniel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-02-27
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/eecbeb39a9d5f4d1383077ac80034dec.pdf
0ccca2b9e4793913e9ddeb6da177263b
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
DAVID C L A T W O R T H Y
Baritone
E
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TUESDAY, MARCH 29, 1977
8:15 P. M.
DON WATTERS THEATER
�PROGRAM
I
Already the sun
I
Gia il sole dal Gange
Dolente immagine di Fille mia
Ma rendi pur contento
Maliconia, Ninfa gentile
A. Scarlatti
Bellini
Bellini
Bellini
II
Der Jungling und der Tod
Gruppe aus dem Tartarus
Abendstern
Rastlose Liebe
Schubert
Schubert
Schubert
Schubert
III
G. Verdi
Per me giunto
from Don Carlo
A. Scarlatti
Already the sun sparkles
more clearly from the Ganges,
and wipes away every tear
from the weeping dawn,
He adorns every stem
with a golden ray,
and paints the stars of the sky
in the field.
Oh love, bring contentment
Bellini
Oh love, bring contentment
to my beloved ’s heart
and I shall forgive you
if my own heart is heavy.
I fear her sufferings
more than my own,
because I live more in her
than in myself.
IV
Chanson gaillarder
La maitresse volage
Chanson a boire
Madrigal
.
Invocation aux parques
Couplets bachiques
L ’offrande
La belle jeunesse
Serenade
V
?H 7?
H
F. Poulenc
Sad likeness of my Phyllis
Bellini
Sad likeness of my Phyllis ,
Why do you sit by me so gloomily?
What more do you desire?
I have been shedding
bitter tears over your ashes.
Do you fear that, my sacred vows forgotten,
another fl ame could set me on fi re?
Ghost of Phyllis, rest in peace,
the old passion of love is inextinguishable ;
ghost of Phyllis.
Melancholy, sweet nymph
Melancholy, sweet nymph,
I consecrate my life to you ;
he who despises your pleasures
is not born of true pleasure.
I asked the gods for fountains and hills ;
they heard me at last, I shall live contented
nor shall I ever wish to pass
beyond that spring or that hill,
nor ever desire to go further,
nor ever go further, no, no, never.
Bellini
�Johann Wolfgang von Goethe
Restless love
Into the snow, into the rain,
Against the wind,
II
Josef von Spaun
The youth and death
Youth:
The sun ’s setting, ah, could I but go with it,
Escape with its last ray!
Ah, avoid these unnamed torments
And move out into fairer worlds!
Oh, come, death, loosen these bonds,
I smile at you, skeleton,
Lightly take me to dreamt–of lands!
0, come, do touch me, now, o, come!
Death:
Rest is cool and gentle in my arms,
You call –– I ’ll take pity on your plight.
Group from Tartarus
Friedrich von Schiller
Hark –– ressembling the murmur of the lashing seas,
And as the river sobbing carves its way through pale and bare rock,
So rises from dark depths an empty, heasy
Tortured groan.
Pain distorts
Their features –– their jaws
A cursing chasm of despair.
They ’re asking in-urgent whispers,
Is fulfilment not yet near?
O’er their heads, eternal circles ––
And the scythe of Saturn breaks.
Why are you so lonely in the sky,
0, fairest star? –– And so mild ;
Why does the array resplendent
Of brother–stars keep away from you?
“I am true love,s obedient star,
They keep from love away.”
Rather through suffering
would I win through,
Than be forced to bear
The pleasures of life!
All that longing
From heart to heart,
Oh, how unique
Is this agony!
How can I fl ee ,
Shall I to the forests?
All is in vain!
Crown of life,
Bliss without peace,
Love this is you!
IV
Anonymous
17th century
Chanson gaillarder
La maitresse volage
My mistress is fickle, my rival is happy.
Hollow are their eyes –– straining to peer
With anguished looks toward Cocytus ’ bridge.
Following tearfully the river ’s mournful course.
Star of eve
Through spray from cliffs,
Through fog and mist,
Keep on, keep on!
No rest, no peace!
\
"
Chanson a boire
The kings of Egypt and Syria had their bodies embalmed
so as to enjoy a life after death. Come, let us drink, drink
“and embalm ourselves before death. How sweet is this balm!
Madrigal
You are beautiful as an angel, sweet as a little lamb.
Johann Mayrhafdr
Invocation aux parques
E swear to love you as long as I live. Fates, who hold
the thread of life in your hands, I pray you to prolong mine
as long as you can.
Couplets bachiques
When I see a bottle without wine I am sad ; if it is full
I am happy. When I am with my wife I am sober –– if the pretty
girls take me on I am jolly.
L ’offrande
A maiden offered a candle to the god of love in order to
gain a lover.
Smiling at the request, the god said,“Beauty,
while waiting, always yourself be the offering.”
�La belle jeunesse
One needs to love but not always to marry. Make love
to many, but if you are wise you ’ll not marry.
Sérénade
With so beautiful a hand and such charms, how well
you use Cupid ’s weapon.
BIOGRAPHICAL BACKGROUND
DAVID CLATWORTHY is enjoying his fifteenth consecutive year as a leading
baritone with the N.Y.C.Opera Company. As a student at the University of
Arizona, he was encouraged by the legandary Metropolitan baritone Richard
Bonelli to study seriously for an operatic career. After completing
undergraduate college studies and two years service as an officer in the
U.S.Army,Mr. Clatworthy enrolled at the Juilliard School of Music and
Columbia University where he received his Master of Arts degree. His
appearances at Lincoln Center have featured him in a variety of roles from
the Count in Mozart ’s The Marriage of Figaro to such contemporary operas
as Janacek ’s The Makropolos A ff air and Gianstera ’s Don Rodrigo. In addition
to his performances with opera companies in San Francisco, Chicago, Houston,
Fort Worth, and Central City, the Michigan born singer has appeared as soloist
with the Boston, Chicago, Detroit, and Dallas Symphonies, as well as the
Philadelphia Orchestra and the New York Philharmonic. He has made recordings
for RCA Victor, Mercury, and Vanguard record companies, and has appeared
periodically on CBS, NBC, and ABC television networks. Next month Mr.
Clatworthy will appear with the Ft. worth Opera Company, and in May he will
be heard at Spoleto West, Charleston, South Carolina, in a new production of
The Consul, staged by its composer Gian–Carlo Menotti, and participate in
its recording on Columbia records.
DIANE RICHARDSON attended the Oberlin Conservatory of Music as a piano
scholarship student and received her Bachelors of Music degree. To pursue
an early interest in the art of accompanying, she traveled to New York to
work with Sergius Kagen, Robert Starer, and Adele Marcus at the Juilliard
School of Music. Later she attended Columbia University and received a
Master of Arts degree. Miss Richardson has toured throughout the United
States and Europe in the past fi v e years. Being equally at home in operatic
and lieder repertoire, she has collaborated in recitals and privately coached
many leading artists from the Metropolitan Opera Company, the N.Y.C.Opera,
Covent Garden, and Sadlers Wells Opera Company. She has been on the faculty
of the Oberlin Conservatory and Juilliard School, and is presently an assistant
conductor and coach with the New York City Opera Company.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
30:00
37:06
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333633">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333633</a>
PDF Layout
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Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
David Clatworthy and Diane Richardson, Recital, March 29, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 3-29
Description
An account of the resource
Works of Scarletti, Bellini, Schubert, Verdi, Poulenc. Held at 8:15 pm, March 29, 1977, Watters Theater.
Creator
An entity primarily responsible for making the resource
Clatworthy, David
Richardson, Diane
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1977-03-29
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound