20
10
972
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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4 audiotape reels
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41:09
13:57
25:39
18:46
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243592">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243592</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Donald Currier, recital, March 24, 1973
Recital Tape 1973-3-24
Description
An account of the resource
Works of Haydn, Beethoven, Schumann, Berkowitz and Chopin. Held at 8:15 pm, March 24, 1973, Recital Hall.
Creator
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Currier, Donald
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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3/24/73
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: Universal Viewer / Rosetta
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1 sound tape reel
Duration
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21:14
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220"> Donna Hallen, Pianist, Senior Recital</a>
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Title
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Donna Hallen, Pianist, Senior Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Debussy, and Beethoven. Held at 3:00 pm, April 26, 1970, Recital Hall
Creator
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Hallen, Donna
Publisher
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Binghamton University Libraries
Date
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1970-4-26
Rights
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In copyright
Contributor
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Bach, Johann Sebastian, 1685-1750
Debussy, Claude, 1862-1918
Beethoven, Ludwig van, 1770-1827
Type
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sound
Identifier
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39091020064246
-
https://omeka.binghamton.edu/omeka/files/original/9b6a51e99b90c24e91090516995b0385.pdf
c75cc5e108f40a2da0d6abc2242353c4
PDF Text
Text
STATE UNIVERSITY OF NE\V YORK AT BINGHAMTON
CONVOCATIONS COMMITTEE
presents
Shinichi and Yasuko Yuize
8:15
AUGUST 15, 1966
COLLEGE
THEATER
�PROGRAM
GODANGINUTA (Five Sections )
THIS EVENING 'S ARTISTS
Kengyo Mitsuzaku
(d. 1853)
(koto duet)
AKIKAZE ( The Autumn Wind )
Kengyo Mitsuzaki
(koto solo)
A THEME AND VARIATIONS
Shinichi Yuize
(1923-
)
(koto solo)
THREE STUDI ES
Yasuko Yuize
(1926-
)
(koto solo)
UMEGAE ( A Plum Tree)
(voice, koto and sangen)
MIDARE HI NZETSU (Disorder)
Jodan Yatsuhashi
(1614-1685)
(koto duet)
KlNUTA (The Sound of Billowing Cloth )
Michio Miyagi
(1894-1956)
(koto duet)
Kozaburo Hirai
( 1910)
ARABESQUES
Flowing, moderato ma
Shinichi Yuize, celebrated koto player and one of Japan's best-known
composers, has been in New York for the spring semester at Columbia
University on a Rockefeller Fund grant as artist-in-residence to train
Americans in koto playing and to lecture on Japanese music. Born in
Hokkaido, Japan, he began the study of koto at the age of 3, and to write
music at the age of 6. He first came to this country several years ago as
koto virtuoso soloistwith the Azuma Kabuki Company, touring with this
group al50in Britain, Italy, Holland, Germany, and France. lie ha, also
performed in Iran and Israel. l n Europe, he has appeared in joint concerts
with Yehudi Menuhin, David Oistrakh, and Ravi Shankar.Henry Cowell
for hlm which he performed last Spring ( 1965) at
wrote a koto concerto
Dartmouth College in premiere with Mr. Cowellpresent. For many seasons, Shinichi Yuize ha, also presented in the fall in Tokyo a concert of
his own compositions--works in large and smaller forms, and of various
combinations and solo instruments. He has been the
representative of his
country in international festivals abroad, and music congresses
at home.
Mrs. Yuize is a graduate of Peninsula College in California. Both
artists are members of families celebrated in Japan for musical heritage
Both also graduated from the Tokyo University of Arts, and have studied
koto with the late Michio Miyagi. The couple recently made their duo
recital debut in New York at Carnegie Recital Hall on May 24th. During
early June, Mr. Yuize was koto soloistwith the New York Philharmonic
Orchestra, Andre Kostelanetz conducting, at three Philharmonic Hall
Promenade Concerts, in a concerto by his teacher, Michio Miyagi, titled
"The Sea in Springtime."
Shinichi Yuize's solo records include one recently made for Nonesuch
also an earlier Cook album. With Tony Scott, clarinetist, Mr. Yuize has
recorded for Verve Records, and with his wife for B. A. M. of France.
con spirito
Contrast, Pocolento
Harmony,
Allegrocon l,rio
(koto duet)
Ushering courtest 01 Alpha Phi Omega and Gamma Sigma Sigma.
Masao Matsumoto
(1915l
WOOD AND STONE
Smoking is allowed in the lobby, but
not
in the theater.
A Scene,, Andante
A
A Struggle, vivace
In order to accomodate •• many people as possible for each of the
Convocations Committee events, the following system of seatpriorities has
been established.
Peace, Rondo
(koto duet)
A RECEPTION honoring the Yuizes will be held by the residents of Johnson I/all in the Lounge of their dormitory immediately following the performance.
The audience is cordially
invited to attend. Johnson Hall is situated
directly across
Center Drir,e from the Student Cente r Building.
Seat reservations will not be honored after 8:15 p. m. In case of a
sell-out seats not occupied at that time will be re-sold. Should a patron
arrive late and find that his seat has been resold, the purchase price of
his ticket will be refunded. No refunds will be made to persons not attending the concert.
This policy has beenadopted
so that while advance reservations may
be made, no one will be turned away from a program while there are
empty seats in the theater.
�EVENTS CALENDAR
t
All programs at 8: 15 p. m. in the College Theater
unless otherwise specified.
• A presentation of the Convocations Committee
Admission charge. Tickets available at College Box Office, 798-2165.
SEPT. 16, 17, 18
Friday, Saturday,
Sunday
þÿ'" " T HFIREBUGS"
E
An exciting new play by one of Germany's leading
playwrights, Max Frisch. Presented by the Theater
Department, and directed by Al Brooks.
SEPTEMBER 21
Wednesday
þÿ'" F I L
"HAND
M:
lN HAND"
"Hand in Hand" dramatizes with warmth and insight the friendship of a boy and a girl. Their
world is happy and serene until it is invaded by a
religious prejudice.
AUGUST 16
Tuesday
!Oa.m.
C.A. 183
LECTU RE / DISCUSSION ON JAPANESE MUSIC
Shinichi and Yasuko Yuize in an informal discussion
of Japanese music. Mr. Yuize is one of Japan's foremost composers.
AUGUST 17
FILM: "THE CRANES ARE FLYING"
Cannes Grand Prize drama of two young lovers
caught up in the tragic eventsof World War II
which strikes a universal note and is revealing of
SEPTEMBER23
Friday
°FILM: "WHAT PRICE GLORY" (United States,
by Mikhail
Russian dialogue,
subtitles. Presented by the Student Center Board.
BEGIN SU!'.1\1 ER RECESS
SEPTEMBER 25
Sunday
°MARTHA FOUSE, SOPRANO
Youth Artists Series
SEPTEMBER 30
Friday
°FILM: "ANTIGONE" (Greece, 1961 )
T he problem of Sophocles play lies in the rival
claims of the state and the individual conscience:
on the one hand, the state's need to prosecute the
war on its enemies ruthlessly and, on the other
hand. the individual's need to honor his personal
sense of justice. Irene Pappas stars.
OCTOBER 2
Sunday
YATES, PIANIST
þÿ'"FRANCES
Young Artists Series
OCTOBER 5
Wednesday
°SEYMOUR LIPSET,LECTU RE
Internationally known for his studies of political
sociology in the United States and Europe and in
emerging nations.
Wednesday
attitudes
AUGUST 20
Kalatozov,
Directed
Saturday
AUGUST 28
Sunday
AUGUST 29
Monday
SEPTEMBER 2
Friday
SEPTEMBER4
Sunday
SEPTEMBER
9
Friday
SEPTEMBER 10
Saturday
7:00
Gymnasium
SEPTEMBER 11
Sunday
FILM: " MIDNIGHT LACE"
A spellbinding and starkly realistic mystery drama
with a shocking climax. Doris Day gives a fascinating and emotional performance. Presented by the
Student Center Board
CLASSES RESU!'.1E
°FILM: "THE GOOD SOLDIE R SCHWEIK"
(Germany, 1961 ) The Germans know all about
good soldiers. and this comedy ( from the novel by
Jaroslav Hasek) shows us some of what they have
learned. At least, the film is saying, somebody must
be crazy.
°AN EVENING OF FOLK SONG
English, Irish. Scottish and American songs and
ballads, sung by Hollis Rinehart. baritone, accompanying himself on the guitar. Young Artists Series
SUMMER WEEKEND FILM
(to be announced)
Presented by Student Center Board
þÿ'"
"THE CAMBRIDGE CIRCUS"
From five months at the West End in London , and
six months touring Australia and New Zealand, this
mirthful revue with music is directed by John
Cle,,;,, and produced by John II. Morris, Jr., producer of "THE ESTABLISHMENT••
GUARNERI STRING Q UART ET
Quarter in C Major, K. 387, Mozart; Quartet in F
Major, Op. 18 c'>o. I. Beethoven; Quartet in G
Minor, Grieg.
SEPTEMBER 22
Thursday
CHRISTINE LINDSAY, HARPSICHORDIST
Presented
by the Music Department.
1926)
w ay play, starring Victor Broadw
McLaglen, Edmund
EnglishLowe,
and Dolores Del Rio.
OCTOBER 6
Thursday
°FRANK PULLANO, BARITONE
Young Artists Series
OCTOBER 7
Friday
°FILMS: "THE RED BALLOON" AND "LORD
OF THE FLIES'"
Two films about what children are: one shows us
a child whose delight is the vulnerable and beautiful balloon that accompanies him through the
vaguely hostile streets of Paris; the other shows us
whose game is war and whose toys are
OCTOBER 8
Saturday
þÿ'" F I L"DOCTOR
M:
STRANGELOVE"
This film has been granted some sixty intcma·
tional awards. It is a brilliant example of screen
satire at its finest and funniest. Starring George C
Scott and Peter Sellers. Presented by the Student
Center Board.
children
weapons
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:54
26:04
22:06
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54655">Duo Concert of Japanese for Koto, Voice and Sangen Shinichi and Yasuko Yuize Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Duo Concert of Japanese for Koto, Voice and Sangen Shinichi and Yasuko Yuize, August 15, 1966
Recital Tape 1966-8-15
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mitsuzaki, Yuize, Yatsuhashi, Matsumoto.
Creator
An entity primarily responsible for making the resource
Yuize, Shin'ichi
Yuize, Yasuko
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mitsuzaki Kengyō, -1853?
Yuize, Shin'ichi
Yatsuhashi Kengyō, 1614-1685
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-8-15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Duo Concert of Japanese for Koto, Voice and Sangen Shinichi and Yasuko Yuize Recital Tape 1966-8-15.pdf
-
https://omeka.binghamton.edu/omeka/files/original/6a75d94cede5c01827dfd203e5df6c2c.pdf
2a456ae18619754c4231782c64880770
PDF Text
Text
DUO MONTAGNARD
at
Joseph Murphy, S axophone
M a tthew Slotkin, G uitar
Program to be selected from the following
“Nicht Akzeptiert, S onatine”
George Dara velis
(b. 1964)
“Les Trois Soeurs”
Charles Stolte
Water
Air
Rock
“Before Clocks Cease Their Chiming
(b. 1969)
Andrew Walters
(b. 1967)
“Untitled ”
Shane Endsley
(b. 1975)
John Orfe
“Fast, C heap, and Out o f Control”
(b. 1976)
Marilyn Shrude
“Face o f the Moon ”
“Messengers”
(b. 1946)
John Anthony Lennon
(b. 1950)
THURSDAY, M A R C H 11, 2 0 0 9
4: 25 P. M.
CASADESUS RECITAL HALL
FREE A N D O PEN T O T H E P U B L I C
Duo Montagnard’s visit is funded in part by the Harpur College Visiting Speaker Fund
pril Lucas
Master class students are from the studio o f A
�D U O M O N T A G N A R D was formed in 2002 and has performed over 130
concerts in 25 states, Canada, Slovenia, United Kingdom, Greece, Thailand, New
Zealand, and Australia. Festival performances include the Chautauqua
Institution, the Hartwick College Summer Music Festival, and the Alexandria
Guitar Festival. Recent commissions include pieces by John Anthony Lennon,
George Daravelis, John Orfe and Charles Stolte.
J O S E P H M U R P H Y has been the saxophone professor at Mansfield
University of Pennsylvania since 1987. He has also been director of bands,
department chair, and taught a variety of courses. He received the bachelor of
music education from Bowling Green State University (OH), and the masters and
doctorate degrees from Northwestern University. Dr. Murphy was the music
director of Tiffin (OH) Calvert High School from 198385. In 198586 he received
a Fulbright Award for a year of study in Bordeaux, France where he received a
Premier Prix. In June 1996, Dr. Murphy performed a solo recital at Lincoln
Center. He has performed in 13 countries including Australia, New Zealand,
Thailand, Taiwan, Japan, Greece, and several countries in western Europe. He is
a clinician for the Selmer Corporation and Rico Corporation and has been
recorded on Erol (France), Mark, and Opus One labels. Dr. Murphy’s
memberships include Music Educators National Conference, Music Teachers
National Association, North American Saxophone Alliance, National Association of
College Wind & Percussion Instructors, College Band Directors National
Association, Phi Mu Alpha, and Kappa Kappa Psi. His award winning website is
w w w.saxophoneeducation.com.
M A T T H E W S L O T K I N is an acclaimed performer, teacher, and scholar,
and has appeared in leading venues throughout North America, Europe, Asia,
and Australia. He has achieved success in solo performance, chamber music,
and as a soloist with orchestra. A commitment to the promulgation of new
compositions has resulted in numerous premieres of works by composers
including John Anthony Lennon, Scott Lindroth, John Orfe, and many others.
Recent performances include tours of New Zealand, Australia, the United
Kingdom, and Greece with Duo Montagnard (Joe Murphy, saxophone), as well as
concerts at the Monadnock Music Festival, the Hartwick College Summer Music
Festival, the Guitar Foundation of America convention, the Chautauqua
Institution, and the World Saxophone Congresses in both Thailand and Slovenia.
American Record Guide praised Slotkin on his Centaur Records release,
“Twentieth Century Music for Guitar,” for his “musical sensitivity and technical
control,” and for giving “strong readings of this appealing music.” A concert
review from the Classical Voice of North Carolina stated that “Slotkin performed
brilliantly.” Centaur Records released his new recording with double bassist
Craig Butterfield, “Dances, Songs, Refrains,” in 2010. Slotkin directs the guitar
programs at Mansfield University in Mansfield, PA and Bloomsburg University in
Bloomsburg, PA. He has given masterclasses at numerous institutions and
festivals including the Oberlin Conservatory of Music, the University of
Melbourne, and the Alexandria Guitar Festival. He received the Doctor of Musical
Arts, Master of Music, and Bachelor of Music degrees from the Eastman School of
Music, where he studied guitar with Nicholas Goluses and historical performance
practice with Paul O’Dette.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:00:57
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145343">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145343</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
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Duo Montagnard, March 11, 2010
Recital Tape 2010-3-11
Description
An account of the resource
Held at 4:25 p.m., March 11, 2010, Casadesus Recital Hall.
Creator
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Duo Montagnard
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-03-11
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/d67ec8422639a0cb92cb5895aab488b1.pdf
d6aa4e580a0426916de53d6350fb7075
PDF Text
Text
BINGHAMTON
A N I Y E R D L I L Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
d e c
[4
D E P A R T M E N T
EARLY O N
Peter B rowne, keyboards
Barbara Kaufman, recorders
Christina Salasny, soprano
Stephen Stalker, cello
Paul Sweeny, guitar
' \
]
February 4, 2011
8:00 p.m.
Room 21, Fine Arts Building
�PROGRAM
dro Scarlatti
Cant ata: Clori Mia Clori Bella..............................Alesan (1660–1725)
Recitative: Clori mia, clori bella
Aria : Onde chiare
Recitative: Si, si, narrar egli pur bell’ onde amichi
Aria : Parla parla il cor fa tto loquace
soprano, alto recorder, cello, guitar, harpsichord
nnn Merula
Can zona La Pighetta.................cccccevvvveeeeeneennnn
(1595–1665)
soprano recorder, cello, guitar, harpsichord
hn Dowland
Can She Excuse My Wrongs............c..cccce................JO(1563–1626)
Sorrow Stay
Wilt Thou Unkind thus Rea ve Me?
Lasso Vita Mia
soprano, guitar, alto recorder, cello
..... . Barsanti
Sonata III in g mino r.... ..... ..... ..... ..ce eee evn nn.. (1690–1755)
Adagio
Allegro
Largo
Gavotta
Minuet
alto recorder, cello, harpsichord
Three Ricercari: Nos. 6, 1, & 3
Domenico Gabrielli
(1659–1690)
solo cello
0
eorg F. Handel
Cant ata: Nel Dolce Dell’oblio. . ...........................G (1685–1759)
Recitative: Nel dolce dell’oblio
Aria : Giache il sonno a lei
Recitative: Cosi fida ella vive
Aria : Ha l ’inganno iI suo diletto
soprano, alto recorder, cello, guitar, harpsichord
�TEXTS
& INTERMISSION a
CLORI MIA, CLORI BELLA
Peter Hurford
(B.1930)
From: Laudate Dominum
Scherzo
Meditation
Processional
organ solo
Cello Suite No. 1
Canto primo (sostenuto e Iargamente)
Fuga: Andante moderato
Lamento: Lento rubato
Canto secondo (sostenuto)
.. Benjamin Britten
(19131976)
I
I
solo cello
Five Quiet Songs
Dirge In Woods
Silence
An Epitaph
Omar’s Lament
The Birds
Divertimento (1964)
Prelude
Air
Festivo
Soliloquy
Finale
...... John Duarte
(1919–2004)
soprano, guitar
John Graves
Mario Mascarenhas
Early On
3. Recitative
Clori, my beautiful Clori,
Ah! Mine no longer;
Clori who loved me so much,
and whom I loved,
now flees me in disdain
and says continually,
“I shall detest you as much
as I used to love you.”
Friendly waters of the Tiber,
tell her that I love her so much,
that your waves are increased
by my weeping.
Yes, tell her,
friendly waves,
that my heart speaks thus,
driven to our banks
by the cruelty of my suffering.
Thus on my lips
speaks my heart
My lips O Clori,
do not tell of their torment,
overcome by grief,
but the sighing of my heart
tells you all too much
and yet you do not hear.
2. Aria
4. Aria
Crystal waters,
which scatter tears of
silver murmuring
on your beautiful shores,
I beseech you, do not keep silent ;
if weeping stirs you,
gather my tears
into your waves
My heart speaks, made eloquent in
describing to you its pain.
And with the language of sighs,
you know that it speaks of peace.
to make known my torment.
alto recorder, piano
Papagaio Embriagado
1. Recitative
I
1
Lasso Vita Mia
Alas my life makes me to die, cruel love consumes my heart with a
thousand wounds which make me die. Ah me, alas, cruel love does not
let me die but makes me suffer a thousand torments.
�Nel Dolce Dell’Oblio
1. Recitative: In sleep’s sweet forgetfulness while you are sleeping, my
beloved Phyllis watches with her thoughts. And in night’s stillness, love
will not allow her to rest but in different ways disturbs her peace while
she is sleeping.
2. Aria: Around her restless bed hover visions of her beloved.
Dreaming she sees her love, hurries to embrace his chains.
3. Recitative: Thus, faithful she lives, faithful to the heart she loves.
And in darkness, though lying, he breathes the light of that sun for which
he is sighing.
4. Aria: To embrace in sleep’s deception that dear form for which we
grieved. O delight beyond belief! But to wake up from this dream of
gladness and joy, to discover all was madness, our grief is past belief.
FIVE QUIET SONGS
3. An Epitaph (Walter De La Mare)
Here lies a most beautiful lady, light of step and heart was she. I think
she was the most beautiful lady who ever lived in the West Country. But
beauty vanishes, Beauty passes; however rare, rare it be. And when I
crumble, who will remember the lady from the W est Country?
4. Omar’s Lament (Edward Fitzgerald trans. Rubaiyat of Omar
Khayam)
Alas, that Spring should vanish with the rose! That youth’s sweet
scented manuscript should close! The nightingale that in the branches
sang, ah, whence and whither flown again, who knows?
Ah love! Could thou and I with fate conspire to grasp this sorry scheme
of things entire, would we not shatter it to bits and then remould it closer
to the heart ’s desire, the heart’s desire.
1. Dirge in Woods (George Meredith)
A wind sways the pines, and below not a breath of wild air; still as the
mosses that glow on the flooring and over the lines of the roots here and
there. The pine tree drops its dead; they are quiet as under the sea;
overhead rushes life in a race, as the clouds the clouds chase, and we
go, and we drop like the fruits of the tree: Even we, even so.
2. Silence (Thomas Hood)
There is a silence where hath been no sound; There is a silence where
sound may be; in the cold grave, under the deep, deep sea, or in a wide
desert where no life is found, which hath been mute and still must sleep
profound.
No voice is hushed, no life treads silently; but clouds and cloudy
shadows wander free, that never spoke, over the idle ground.
But in the green ruins in the desolate walls of antique palaces where .
man hath been, though the dun fox, or wild hyena calls and owls that flit
continually between shriek to the echo, and the low wind moans; there
the true silence is, self conscious and alone.
5. The Birds (Hilaire Belloc)
When Jesus Christ was four years old, the angels brought him toys of
gold which no man ever bought or sold; and yet with them he would not
play. He made him wild fowl out of clay, and blessed them till they flew
away: Tu creasti Domine, O, Jesus Christ, Thou Child so wise, bless
mine hands and fill mine eyes, and bring my soul to Paradise.
�Binghamton Univer sity Music Departme nt ’s
U P C O M I N G E V E N T S
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, February 17 — Organist Jonathan Biggers — A Bach
Celebration!! Series — 8 PM — FA21 — $10 general public; $5 faculty/
staff/seniors; $2 students
Friday, February 18 — Organist Jonathan Biggers — A Bach
Celebration!! Series (11/ 17 repeat performance) — 4 PM — FA21
$10 general public; $5 faculty/staff/seniors; $2 students
Saturday, February 19 — Master’s Recital : Cabiria Jaoobsen,
mezzosoprano — 3 PM — Casadesus Recital Hall — free
Thursday, February 24 — MidDay Concert — 1:20 PM — Casadesus
Recital Hall — free
Saturday, February 26 — University Symphony O rchestra : Vive Ia
France — 3 PM — Osterhout Concert Theater — $10 general public; $5
faculty/staff/seniors; free for students
Sunday, February 27 — Wind Symphony Concerto and Aria
Competition — 6:30 PM — Casadesus Recital Hall — free
Thursday, March 3 — MidDay Concert — 1:20 PM — Casadesus
Recital Hall — free
Saturday, M arch 5 — Junior Recital : Mark Rossnagel, orga n — 3
PM — First Presbyterian Church, Binghamton — free
Sunday, March 6 — Win d Symphony : Passacaglia (Homage on
BACH) — 3 PM — Anderson Center Chamber Hall — free
Thursday, March 10 — MidDay Concert — 1:20 PM — Casadesus
Recital Hall — free
For ticket information, please call the
Ander son Center Box Office a t 7 77A R TS.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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2 audio discs
Duration
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1:04:01
45:44
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146589">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146589</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Early On, February 4, 2011
Recital Tape 2011-2-4
Description
An account of the resource
Works by Scarlatti. Merula, Dowland, Gabrielli, Hurford, HAndel, Britten
Creator
An entity primarily responsible for making the resource
Browne, Peter
Kaufman, Barbara
Salasny, Christina
Stalker, Stephen
Sweeny, Paul Morris
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-02-04
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/d2ceef3f7b180c857ce998c08b144b11.pdf
690c3e5e5451ba70bebebdcfb9801291
PDF Text
Text
BINGHA MTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
Ld
w d e c
D E P A R T M E N T
E A R L Y O N
MUSIC FROM NOW AND THEN
Peter Browne, keyboards
Ba rba ra Kaufm an, record er
Christina Salasny, soprano
Stephen S talker, cello
Pa u l Sweeny, gui ta r
Sa t urday, Octobe r 25, 2014
7:30 p.m.
FA 2 1
�ea» P ROG RAM 4»
Caro Augeletto from L ’Oraculo del Fato ..
...Francesco Gasparini
Christina Salasny, sop rano
Barbara Kaufman, recorder
(16611727)
Stephen Stalker, cello
Paul Sweeny, Guitar
Peter Browne, Harpsichord
A Fancy....
From Silent Night
Sir John Smith, His Almain
John Dowland
(15631626)
Christina Salasny, soprano
Barbara Kaufman, recorder
Stephen Stalker, cello
Paul Sweeny, guitar
Sonata No. 5 in e minor, RV40
Antonio Vivaldi
Largo
Allegro
Largo
Allegro
Sonata Seconda
(16781741)
Stephen Stalker, cello
Peter Browne, harpsichord
Giovanni Ba ttista Fontana
Barbara Kaufman, recorder
Paul Sweeny, guitar
Stephen Stalker, cello
(15801630)
Seele, lerne dich erkennen!
Georg Philipp Telemann
I. Aria: Seele, lerne dich erkennen
(1681176 7)
II. Recitative
III. Aria: So will ich dich mit Freuden kussen
Christina Salasny, soprano
Barbara Kaufman, recorder
Stephen Stalker, cello
Peter Browne, harpsichord
Paul Sweeny, guitar
.
Pvlnterm issionb
�Oration
..........Daniel P inkham
II. Allegro
III. Energico, Andante
(19232006)
Stephen Stalker, cello
Peter Browne, organ
Raymond Sea ley
I. On the Hill
II. In the Window
III. The Letter
IV. No Answer
V. Ay
(b. 1945)
Christina Salasny, soprano
Barbara Kaufman, recorder
Paul Sweeny, guitar
Insieme for guitar and harpsichord
Theme : Allegretto semplice e spontaneo
I. Un poco agitato
II. Alla marcia
III. La rgo e d ignitoso
IV. Scherzoso
V. Alla siciliana
VI. Finale
............]ohn Duarte
(19192004)
....Ellen Taaffe Zwilich
Stephen Stalker, cello
Peter Browne, piano
Nos Autem from Esquisses Gregoriennss
Set Me as a Seal Upon Your Heart
(b. 1939)
. Naji Hakim
(b. 1955)
Christina Salasny, soprano
Peter B rowne, organ
Ye Banks and Braes ( 1791)
Robert Burns
(arr. Ma tthias Holst & Peter Browne)
�Translations
Caro Augeletto
Dear little bird,
you play among the green
branches,
I understand you, you call me,
and love speaks through you.
If to that sweet feeling
which so greatly pleases
you give vent,
I understand you, with your
song,
you greet the dawn.
Seele, lerne dich erken nen!
Aria : Learn to know yourself,
oh soul! mere fragments are
all that man’s genius can
create. The momentum of
earthly wisdom is too feeble,
far too feeble to attain
perfection.
Recita tive: A fledgling whose
limbs are still too weak and
tender will flap his trembling
feathers in vain when trying
to emulate his elders and
cleave the loftier realms of air,
even though the will is
there to follow them: it is no
different with our wit and
knowledge: our restless
desire is always fixed on
higher things; our innate
pride strives to make the
heaviest tasks light as a
feather, to make the
impossible possible. But
God has set limits to our wit,
as to our life, which cannot
be exceeded. The world has
known only one
Solomon, whom God, whose
throne is illuminated by the
ultimate wisdom, called “the
wisest”. Yet even Solomon
acknowledged his human
weakness. Ah yes, in this
life our perception remains
imperfect. It is through
death, which seems to reduce
us to nothing, that God
allows us at last to inhe rit
all; what was dark then
becomes a bright light ; what
was a fragment becomes a
whole; what was a child
becomes a man.
Aria : Thus will I kiss you
joyfully, oh herald of
perfection! You bring us face
to face with God in his
glory and give us perfect
knowledge and perfect
happiness withal.
�The Window
(or the Song of the Wrens)
(adapted from
Alfred Lord Tennyson)
L
On the Hill
The lights and the shadows
fly!
Yonder it brightens and
darkens on the plain.
A jewel, a jewel dear to my
lover’s eye!
Oh, is it the brook or the
pool, or her window pane,
When the winds are up in the
morning.
Follow them down the slope.
Follow them down to the
window of my dear.
It brightens and darkens,
brightens like my hope.
It darkens, it brightens and
darkens like my fear, And the
winds are up in the morning.
H.
At the Window
Vine, vine and eglantine,
Clasp her window, trail and
twine!
Rose, rose and clematis,
Trail and twine and clasp and
kiss,
Kiss, kiss; and make her a
bower
All of flowers, and drop me a
flower,
Drop me a flower.
Vine, vine and eglantine,
Cannot a flower, a flower, be
mine?
Rose, rose and clematis,
Drop me a flower, a flower, to
kiss,
Kiss, kiss, and out of her
bower
All of flowers, dropt me a
flower, dropt, a flower.
IH. The Letter
Shall I write to her? Shall I go?
Ask her me to marry me by
and by?
Somebody said that she’s say
no;
Somebody knows that she’ll
say ay!
Ay or no, if ask’d to her face?
Ay or no, from shy of the shy?
Go, little letter, apace, apace,
Fly;
Somebody said that she’d say
no;
Somebody knows that she’ll
say ay!
�IV .
No Answe r
The mist and the rain, the
mist and the ra in!
Is i t ay or no! Is i t ay or
no!
And never a glimpse of her
window pa ne!
And I may die, but the grass
will grow,
And the grass will grow when
I am gone,
And the wet west wind and
the world
Will go on.
Ay is the song of the wedded
spheres,
No is trouble a nd cloud and
storm,
Ay is life for a hundred years,
No will push me down to the
worm.
The wind and the wet, the
wind and the wet!
Oh wet west wind how you
blow, you blow!
The wind and the we t, the
wind and the we t!
And never a line from my lady
yet!
V. Ay
Be merry, all birds today,
Be me rry on ear th as you
never were me rry before,
Be merry in heaven, O larks,
and far away,
Be me rry forever and ever and
one day more.
Why?
For it’s easy to find a rhyme.
Oh merry the linnet and
dove,
And swallow and sparrow and
throstle, and have your desire!
O merry my heart, you have
gotten the wings of love,
And fl it like the king of the
wrens with a crown of fire.
Why?
For it’s ay, ay, ay, ay.
�V I S I O N S 20142015 SEASON
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Support i s pr ovi de d to Try C x u c s Oper a b y a gr ant c h m the United
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2 3 6 W a s h i n g t o n S t . 0 B i n g h a m t o n , N Y
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�Bi n gbamton Univer sit y M us ic De part ment’s
Coming Events
W
W
W
“
Sunday, October 26 TriCities Opera presents Verdi’s Rigolerto 3 p.m. The Forum
Theatre —
call (60 7) 772 0400for tickets
Thursday, O c t o ber ” – MidDay C o n c e r t 1:20 p.m. Casadesus Recital Hall – free
Saturday, November 1 Senior Reci tal: joseph Ke ller, baritone 7:30 p.m. Casadesus
Recial Hall – free
Sunday, November 2 English and American A rt Songs – 3 p.m. – Phelps Mansion, 191
Court Street, Binghamton – $ 1 0 general public; B U s tudents free with ID – For reservations call the
Phelps Mansion at (607) 7224873. This concert is cosponsored by the Binghamton University
Music Department and Phelps Mansion Museum.
Thursday, November 6 – MidDay Concert 1:20 p.m. – Anderson Center Chamber Hall
free
Saturday, November8 Senior Reci tal: Dan Rosenau, organ 4:00 p.m. FA 21 free
Sunday, November 9 M u Phi E psilon Fall R ecital 1 1:00 a.m. Casadesus Recital Hall
free
Sunday, November 9 Composers Concert: Hugunine and Sikora 4:00 p.m. Phelps
Mansion Museum $1 0 general public; free for BU students with ID. For reservations call the
Phelps Mansion at (607) 72 2 4 8 73.
Thursday, November 13 –MdDay Concerr– 1:20 p.m. – Casadaus Recital Hall – free
Saturday, November 15 – Unive rsity Chorus: Haydn’s Mass i n T ime o f W ar – 7:3 0 p.m.
– Oxterhout Concert Theater $7 general public; $5 faculty/staff/seniors/alumni; free for students
Sunday, November 16 Senior Reci tal: Alexia Chang, violin (tenta tive) 3 p.m.
Casadesus Recital Hall – free
Monday, November 1 7 – Momenta Quartet Master Class – 8:15 10 p.m. Casadesm
Recital Hall free
Tuesday, November 18 ~ Momen ta Quartet: Music Now! 7:30 p.m. Casadesus Recital
Hall $ 1 0 general pub
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I
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$5 faculty/staff/seniors/alumni; free for students
Q
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For tickets or to be added to our email list, visit anderson.binghamton.edu or
call (607)
7 7 7ARTS. For a complete list of our concerts call (607) 7 7 7
2 592, visit musicbinghamtonedu or become a fan on Facebook.
l f you were inspired by this performance, consider supporting the De partment
of Music with a financial gi ft. Your sup port helps to continue the work of
students, faculty, and guest artis ts and their contributions to our community.
Please make your donation payable to the Binghamton University Music
Department, and send your check to BU Music Department, P.O. Box
6000, Binghamton, NY 13902.
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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2 audio disc
Duration
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42:15
56:57
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74905">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74905</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Early On: Music from Now and Then
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Gasparini, Dowland, Vivaldi, Telemann, Duarte, Zwilich, Hakim, Burns. Held at 7:30 p.m., October 25, 2014, Fine Arts Building, Room 21.
Creator
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Browne, Peter
Kaufman, Barbara
Salasny, Christina
Stalker, Stephen
Sweeney, Paul
Publisher
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Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Gasparini, Francesco
Dowland, John, 1563-1626
Vivaldi, Antonio, 1678-1741
Telemann, Georg Philipp, 1681-1767
Duarte, John
Zwilich, Ellen Taaffe
Hakim, Naji
Burns, Robert
Date
A point or period of time associated with an event in the lifecycle of the resource
10/25/14
Rights
Information about rights held in and over the resource
In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/63cd968ac85c71e7de10400f7113a550.pdf
0140b954f57a0653b6e9e2aaec14653a
PDF Text
Text
BINGHAMTO N
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
de c
[4
D E P A R T M E N T
ELIJAH
F
E L I X MENDE
LSSOHN BARTH OLDY
Robert H eepyoun g Oh as Elijah
Meghan Cakalli, Soprano
Cabiria Jacobsen, Mezzo Soprano
Richard Leonbe rger, Tenor
Matthew Good heart as the Yout h
With the
Binghamton University C horus
And Sym phony O rchestra
Bruce Borton, Conductor
S unday, N ove m be r 13, 20 11
3 :00 p.m .
Osterho ut Conc e rt Theat er
�ELIJAH
P a rt I
P a rt I I
Opening
Opening
Introduction As God the Lord of Israel Liveth...........................El ijah
Overture.
Orchestra
Chorus Help, T o r d !
.. The people
Duet and Chorus Tord bow thine ear . .Soprano arid Me zzo
Soprano
Recit Ye People, rend your hearts
..................Obadiah
Aria If w
ith all your hearts
Obadiah
Chorus Yet doth the Lord see it not
The People
Scene 2
Recit and Chorus 4 s God the Lord............. E lijah, Ahab, The People
Chorus Baal we cry to thee ...
..
.. The People
Recit and Choru s Hear our Cry, O Baal
..Elijah and The People
Recit and Chorus Baal! B a a l !
..... El ijah and The People
Recit and Aria Draw near/Lord G od of Abraham.....................Elijah
Chorale Cast thy burden upon t he Lord
Chorus
Recit O Thou, w ho makest thine angels spirits.........................Elijah
Chorus The fire descends from Heav ’n
The People
Aria Is not his w ordlike a fi r e
...Elijah
Arioso Woe unto them who forsake Him.’... .
serene. MEZZO soprano
Scene 3
Recit O man of God help thy people
...Obadiah
Recit and Chorus Open the He a v e n s El1Jah A Youth The People
Chorus Thanks be to G
o
d
T
h
e People
Aria Hear ye, Israel! ...............
Chorus Be not afra1d
.. Soprano
The People
Scene 4
Recit The Lord hath exalted thee ........
.
...Elijah
Recit and Chorus Have ye not h e ar d ?
Jezebel and the people
Chorus Woe to him...
.. The People
Recit Man of God letm
my
“words be precious...
Obadiah and Elijah
Scene 5
Aria It is enough
Elijah
Recit See now he sleepeth............................................
....Tenor
Chorus Lift thine e y e s
... Angel Chorus
Chorus He, wat ching over
“Israel...
...Chorus
Scene 6
R ec t Arise, Elijah
The Angel and E lijah
Aria O rest in th e Lord
The Angel
Chorale He that shall endure...........................
..Chorus
Recit Night falle th round me...
Elijah and the A ngel
Chorus Behold, God the Lord passed by
Chorus
Closing
©
INT E RMISSION «3
Aria Then shall the righteous shine forth
Chorus And then shall your light break forth
»
Tenor
Chorus
�Mendelssohn’ s Elijah
A D ramat ic O utl ine
Part 1
Part 11
Opening scene : Elijah “spontane ously” appears on scene and utters
the curse of three years of drought upon the land of Israel because
they have forgott en the Lord and replaced him with worship of
Baal. The orchestra pla ys a dramatic ove rture beginning w ith a
Part ll opens with the soprano soloist admonishing t he people to
hold fast to the true God, and their chorus in response, “Be not
afraid, Thy help is near,” seems to suggest they are ready to do so.
But as we will se e, they eventually fall back into the ir old ways.
after another, gradually building to a monumental cl imax which
carries directly into the opening ch orus of t h e people crying out
“Help Lord.” The people, aided by the soprano a nd alto soloists,
lament their mise rable situation created by th ree years of droug ht.
The prophet Obad iah offers r e l i e f only they would “forsake your
idols and return t o God.” The people, howe ver, remain
unconvinced, cla iming “his wrath will pursue us till He destroy
us.”
Scene 4 : Elijah again con fronts Ahab who has allowed the people
to regress to their former ways. Q ueen Jezebel arouses people
against Elijah. Obadiah warns Elijah that the queen has convinced
the people to seek him out and kill him. He urges Elijah to flee.
restive b ut quiet series of entrances of one grou p o f instruments
Scene 2 : Elijah confronts Ahab and challe nges the Priests o f Baal
to a contest as to which God will a nswer. The challenge is to light
a sacrificial fire b ut rather than lighting it themselves, to call upon
their gods to do so. Although they call and pray and cut
themselves with knives and lancets, the entreaties o f the priests of
Baal and the peop le are met with si lence. Elijah mocks them and
offers a single pra yer to the “Lord God of Abraham.” His prayer is
answered by fire from heaven, the altar is lit, and El ijah calls on
the people to slay the false priests a nd follow the true god.
Scene 3: Obadiah asks Elijah to call upon God to se nd rain to the
parched land. Elijah sends a yo uth to the hilltop to watch for signs
of rain as he prays to God supported by the echoing prayers of t h e
people. A t first, t he yo ut h re ports n o sign o f rain, but a fter
continued prayers, he sights a smal l cloud (“like a m an ’s hand”).
The cloud grows, the storm gathers momentum, and finally
releases a massive rainstorm to wh ich the people cry “Thanks be to
God who reviveth the thirsty land!”
Scene 5 : Elijah escapes to the desert. He is weary oft h e struggle
and asks God to e nd his life. He falls asleep be neath a Juniper tree.
God sends angels to protect him and provide sustenance. The
angels sing in ass urance that the Lo rd will always offer help and
will never sleep.
Scene 6 : God ’s angel awakens Elijah and inform s him that he is
about to embark on a long journey. A discouraged El ijah reflects
on his failure to win the hearts and minds of the people, and wishes
again to die. The angel urges h im to “rest in the Lord” and “wait
patiently” for the Lord to provide for him. After journeying 40
days to Mount Horeb in the Sinai, an angel instructs him to stand
on the mount whe re he will see God face to face. The chorus
describes the encounter in which a mighty wind ren ds the
mountains, and u pheaves the sea, followed by earthq uake and fire.
Yet, we learn that the Lord was not in all oft h i s , but came only
after in a “still, small voice.”
The oratorio ends with a moralizing “sermon” sung by the tenor
stating t hat t h e righteous will o bta i n e v e r l a s t i n g in their
“Heavenly Father ’s realm.” This idea is echoed in the climactic
chorus “Then shall your light brea k forth / Lord our Creator.”
Ll
�ABOUT T H E PE RFOR ME RS
The Binghamton Univ ersity Chorus has been performing major work s for
chorus and orchestra since 1971. Its 125+ members include university
students, faculty, staff, and a large and loyal group of community singers from
throughout the Southern Tier and northern Pennsylvania. With representatives
of all ages and singing experience, it is the most diverse of all of the ensembles
at the University. lts repertoire has included virtually all the major choral
works in the standard repertoire including the major works o f Bach, Beethoven,
Brahms, Verdi, Mendelssohn, Mozart, Haydn, and a sizable number of
twentieth and twentyfi rst century composers. They perform regularly with the
Binghamton University Symphony and the Binghamton Philharmonic
including recent performances of Brahms Ein deutsches Requiem and
Beethoven Symphony No. 9 under conductor JoséLuis Novo.
Baritone, Robert Heep young Oh, is in his first year as a student in the Master
of Music program at Binghamton with a concentration in opera. He is also a
Resident Artist with the TriCities Opera. A native of Seoul, South Korea, Mr.
Oh received a Bachelor of Music degree in voi ce from the Korea Nati onal
University of Arts. He has sung leading and supporting roles with the Korea
Opera Company and the University of Texas at El Paso. His most recent
appearance was as the Registrar in the TCO ’s performance o f Madama
Butterfly. He was a KwangJ u International Vocal Competition winner, Ko rea
Vocal Competition 2nd Prize winner, Bimok V ocal Competition 2nd Prize
winner in Korea. In the U.S. his competition credits include the NATS
Competition Rio Grande chapter Adult Division 1st Prize winner & Most
Promising Singer Prize (201 0), Fifth Lois Alba Aria Competition 2nd Prize
winner & Audience Choice Prize (201 0), Fifth Charles A. Lynam Vocal
Competition Sem ifinal ist (2010) in U SA. His previous oratorio so lo
appearances include W eber Messe in Gdur, M ozart Coronation Mass , Handel
Messiah, and Beethoven Symphony 9.
Meghan Cakalli is a co loratura soprano from t he Philadelphia area. S he
performed recently with the Tri Cities Opera in May 201 1 as Olympia in Les
Contes D Hoffmann, in which role she was hai led as “a bright and fluid
coloratura.” Other notable opera roles include Kénigin der Nacht (Die
Zauberflote), Gianetta (L ‘Elisir D ’amore) during an apprenticeship with Center
City Opera Theater, and Barbarina (Le Nozze di Figaro) at Temple Un iversity,
where she graduated with a degree in vocal pe rformance. During her
undergraduate studies at Temple, Meghan attended the Daniel Ferro V ocal
Program in the advanced section, where she performed in public concerts
masterclasses in Greve in Chianti, Italy. She is currently pursuing a master’s
degree in Opera from Binghamton University and is a resident artist with Tri
Cities Opera in Binghamton, NY.
Mezzosoprano Cabiri a Jacobsen was recently praised as “A revelation” by the
Broome Arts Mirror, and as “one to watch as her career ascends,” for her
performance in the role of Dorabella / Cosi fan tutte at TriCities Opera . In
April and May 201 1, Cabiria won the Ilene D. Kaplan award in the Connecticut
Opera Guild’s annual scholarship competition, and was an Encouragement
Grant winner in the Career Bridges Foundation Competition. In August 2011
Cabiria sang the role of Cherubino / Le n
di Figaro at Opera North, where
the Classical Voice of New England called her performance “exquisite,” and
“intoxicatingly understated, yet believably endearing.”
As a Resident Artist at TriCities Opera, Cabiria has also performed the roles of
Nicklausse / Les contes d ’Hoffman and Cherubino / Le nozze di Figaro on the
mainstage, as well as Hansel / Hansel and Gretel; La Ciesca / Gianni Schicchi;
and Mom and Grandma / Litt le Red Riding Hood in their chamber opera and
outreach series. In the summer o f 201 0, Cabiria covered the role o f Siebel /
Faust t Opera New Jersey, under the direction of Mark Flint.
A proud native of Brooklyn, NY, Cabiria began singing at a young age with the
New York City Opera Children’s Chorus, and attended the Boston University
Tanglewood Institute the summer before her senior year at the Bronx High
School of Science. At Northwestern University, Cabiria continued to pursue
both opera and theater, graduating in 2006 with bachelor’s degrees in Voice as
well as Drama. She subsequently moved to Boston, where she performed with
the Lowell House Opera and OperaHub, a company she cofounded in 2007.
The South End News described her performance of Carmen’s arias at a
fundraiser for OperaHub as “fascinating and coquettish.” Cabiria joined the
Resident Artist Training Program at TriCities Opera in 2009, and entered the
University program with a full scholarship and teaching assistantship at
Binghamton University that January. She graduated in June 2011 with an MM in
Opera.
Richard G. Leonberg er, tenor, is originally from Waco, Texas, where he
studied voice under Lise Uhl at McLennan Community College. He sang lead
roles in multiple operas and sang as a soloist in concert works such as Mozart’s
Requiem Mass. Mr. Leonberger eventually completed his undergraduate
education at Stephen F. Austin State Universit y, studying under Dr. Scott
LaGraff. While at Stephen F. Austin, Mr. Leonberger continued to perform
opera roles including as Jenik in The Bartered Bride, Rinuccio in Gianni
Schicchi, and Little Bat in Susannah. He has performed with multiple chorus
groups presenting master works, singing as the tenor soloist in Handel ’s Messiah
and Haydn ’s Lord Nelson Mass. Mr. Leonberger has performed professionally
both in the United States and abroad, and now studies at Binghamton University
�THE UNIVERSITY CHORUS
Bruce Borton, conductor
William Lawson, rehearsal accom panist
under Tom Goodheart. Mr. Leonberger has sung both with TriCities Opera and
with Binghamton University, presenting roles such as Frantz in Les Contes
d ’Hoffmann, and Goro in Madama Butterfly , and sang last year at the
Binghamton University’s presentation o f Maciejewski ’s Requiem Mass.
Matt hew G ood h ea rt, Boy Soprano, was born in New York City into a singing
family. He spent his formative years listening to lessons, operatic rehearsals and
performances, including Amahl & the Night Visitors which was performed
annually at Purchase College Conservatory of Music where his parents were on
the voice faculty. Last sum mer Matthew participated in The Songe d ’été en
Musique Festival in Quebec and performed on CBC radio. Matthew joined the
The Parlor City Boys Choir when he was seven and last year was invited to
attend the American Boy Choir Academy Summer Program in Princeton, New
Jersey. Last Decem ber he performed the role of Amahl in A mahl & the Night
Visitors at the Anderson Center in a Binghamton University Music Department
Production. Locally he has performed in the Nutcracker, Circus Minimus and
The Dr amatic Arts workshop at The Discovery Center. EIe venyearold
Matthew is a sixth grade student at St. J ohn the Evangelist School. He is equall y
at home playing sports, especially basketball and baseball.
Bruce Borton has been director o f choral activities at Binghamton University
since 1988. H e was director of the Binghamton Symphony Chorus from 1988–
91, and continues to prepare choral performances for the Binghamton
Philharmonic. In addition to his conducting duties, Bo rton teaches
undergraduate and graduate conducting and choral techniques, choral
arranging, voice, and directs the Master of Music in Choral Conducting
program. He was Music Department chair from 1 998–2004. He presently
serves as Director o f Graduate Studies in Music.
Before com ing to N ew York, Borton taught at West Georgi a College near
Atlanta. While living in Georgia, he spe nt fourteen seasons as a member of and
conducting assistant with the Atlanta Sy mphony Chorus conducted by the late
Robert Shaw. Dr. Borton holds degrees from Illinois W esleyan University,
Southern Illinois University, and the University of Cincinnati, College
Conservatory of Music.
In addition to his University duties, Borton has been active in the Triple Cities
area serving as a church musician, member of the board of directors of t h e Tri
Cities Opera from 1998–2004, and is se rving in his first year as the Artistic
Director of the Madrigal Choir of Binghamton. In 2008, he was selected by the
Broome County Arts Council as a recip ient of the annual “Heart of the Arts”
award.
i
Soprano 1
Susan Bachman
AdaOsha Belleh
Ency Burhans
Ellen Chiu
Rose Ann Clough
April Drumm
Glenda Ely
Lorraine Emmons
Lorrina Fuentes
Mary Gilda
Emily Goetz
MayBelle Golis
Margaret Hays
Katherine Hutson
Susan MacLennan
Cathie Makowka
Mary Barb Martin
Megan Orcutt
Marilyn Ross
Ligita Roznere
Gloria Salamida
Sadie Schwartz
Barbara Alhart Simon
Barbara Thamasett
Faith Vis
Soprano 2
Teresa Almendros
Alida Cooke
Joanne Corey
Elaine Ezrapour
Barbara Heme
Harriet Horowitz Becker
Kelsey Krause
Sioux Petrow
Kelly Pueschel
Susan Sarzynski
Kimberly Torres
Deborah Vought
Lois Wilston
N. Eva Wu
A lto 1
Molly AdamsToomey
Carolyn E. Blake
Nanette Borton
Susan G. Campbell
Maria Luisa Cook
Carole Dickinson
Michelle Doherty
Diane A. Ferraccioli
Olivia Hon
Sylvia Horowitz
Grace Houghton
Cheryl Jacobson
Joan Kellam
Mallory Kotik
Claire Labbe
Pat Labzentis
Yan Lin
Arlene Lyon
Margit Mayberry
Katherine Moscowitch
Greta L. Myers
Anna Nicholas
Joyce Printz
Archana Susarla
Pam Turrigiano
Stephanie Wei
Mary Woestman
Alto 2
Kathryn Baine
Lois P. Bare
Anna Bitterbaum
Kate Bouman
Phyllis S. Burr
Renee Daily
Jeanne Fenzel
Janet Hammond
Maggie Kirkaldy
Cheryl Labban
Alina Martinez
Ethel F. Molessa
Samantha Ng
Shirley Rodgers
Jane Shear
Lee Shepherd
Tenor
Brad Bennett
Martin Bidney
Edward Brotons, Jr.
Carol Chandler
Kevin Doherty
H.B. King
Dennis Leipold
Dallas Marsh
David W. Martin
Kevin Mootoo
Brian Presser
Carlton Sackett Jr.
Judson Wallis
Sherry Williamson
Bass 1
Eric Bare
Ronald Beauchamp
Peter Cody
Richard Dutko
Kendrick Georges
Michael Jabo, J.D.
Joseph Keller
Daniel Kim
Wan Kim
Tom Lamphere
Edward J. Orosz
Myron F. Shlatz
William Clark Snyder
Nicholas Whitley
Bass 2
Ayal Adamit
Robert Armitage
Donald Blake
Carl Bugaiski
J ushin Choi
David DeMoya
Mark Epstein
Kevin B. Fischer
Adam Geier
David Hanson
Pak Lok Pio Lau
Greg Lipsit
Michael A. Little
Arlo H. Meeker
Joseph E. Nelson
Adam Rauth
David Schriber
Bob Sullivan
�University Symphony Orchestra Timothy Perry, Director
Flute
K e y bo a rd
Violoncello
Kaitlin Armstrong
Melanie Adler
Matthew Gukowsky
Paul Watrobski
Eric Wu u
Xander Edwards
Deborah Mariottini
Peter Hiraldo
Felicia Scalzetti
Natalie il/cCreary
Oboe
Kathy Karlsen
Timothy Perry
Clarinet
Jaclyn Adler
James Wu
Bass Clarinet
Zach Stanco
James Hsia
Ella Serrano
Yuansi Du
Nicholas Thompson
Sara Sunshine
Emily Wong
Jeffrey Lu*
Chris Rogers
Gregory G. Greene
Ashley Fancher
Alyssa Starrantino
Julia Kenny
Bassoon
Violin II
Natalie Spitzer
Paige Elliott
Gabrielle Maire
Natalie Bock
Siomon Benarie
Jaclyn Podd
Brandon Luu
Daniel Park
Karen Fu
Won Jae Lee
Jiwon Nam
Jin Park
Kimberly Griffin
French Horn
Matt Mc Auliffe
Zack Arenstein
Trumpet
V iolin l
Kevin Hannon
Nicholas Polacco
Trombone
Billy Marsiglia
Jacob Strohm
The USO employs rotating
seating; Woodwinds, Brass
and Percussion rotate by
composition and are listed
alphabetically. Strings
rotate by concert and are
listed in seating order.
Viola
Benjamin Pochily
Jillian Chen
Daniel Rodriguez
Kevin Christie
Daniel Rodabaugh
Maeve Murray
Mimi Nam
Alan Wang
Ryan Ference
Thank You for attending
today ‘s program.’
Since its inception in the late 1950 ’s, the University Symphony Orch estra has
provided a musical avenue for dedicated majors and nonmajors to rehearse and
perform a wide range of orchestral works from varying genres, periods and
nationalities. In addition to its formal concerts, whi ch o ften feature outstanding faculty
artists from the Department of Mus ic, the orchestra presents children’s concerts, holiday
concerts, works for chorus and orchestra, and winners of its biennial Student Concerto
& Aria Competition. The orchestra has been a featured performer in Binghamton
University’s Scottish and Greek Festivals and has been honored with an invitation to
present a second collaboration with New York’s Paul Taylor Dance Company in March
of 2012.
Next USO P ro gra m
Sunday, Decem ber 4th
A Dou ble Hol iday G ala!
Two joyous holidaythemed
events — in one afternoon!
holiday opera A mahl and
the Night Visitors
by Gian Carlo Menott,
presented withfu/lfrom
TriCities Opera
set/costumes!
At 3:00 pm move into the
Concert Theater for a one
hour concert of holiday
favorites for C hristmas and
Hanukah presented by the
Orchestra, Wind
Sy mphony, Harpur
Chorale and Women ‘s
Chorus, complete with
audience singalong!
One ticket gets you both!
1:30 Amahl + 3:00 Concert
or
3:00 Concert + 4:30 A mahl
~. 3 '
.,
' ,
> 3
At 1: 30 pm in the Cham ber
Hall (or at 4: 30) enjoy the
classic 40minute oneact
>
Ne w Beginnings
Back to our Roots
Beginnings
St. Patricks Cacholic Church
9 Leroy Street, B i n g h a m t o n ,
Trinity Memorial Church
44 Main Street, B inghamton, N Y
Sunday, O ctober 1 6 , 2 0 1 l . 4 : 0 0 p. m.
Lessons anil Carols tor Christmas
Sacurday, November 26, 2 0 1 1, 7 : 3 0 p. m. &
S uaday, N o v emb er 2 7 , 2 0 1 1 , 4 : 0 0 p. m.
Church o f the Holy Trinity
3 46 Prospect Street. B inghameon, NY
Sunday, March [ 1 , 2 0 1 2 , 4 : 00 p. m.
Crossroads
Sunday, June 3, 2 0 1 2 . 4 : 0 0 p. m.
Tabernacle United Methodist Church
$3 Main Street, Binghamton, N Y
For Tickers:
i ’ l ‘ fl “ f ' m a d r i g a l c h o i r . o
or c a l l 6 ” ? 7 3 0 4 “ 6 .
(
D
O 201
1201 2 2 34th Season
20 The Madrigal Choir of Binghamton
m
�Binghamton University Music Department ’s
U P C O M I N G E V E N T S
fi w m w t fi ' w w é o
MidDay concerts are held on Thursdays, 1 :20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, Nov ember 1 7 — Jazz MidDay C oncert w ith g uest art ist
— 1 :20 PM — Osterhout Concert Theater — free (Cosponsored by the
Binghamton University Music Department and the Harpur Jazz Project)
Thursday, Nov ember 1 7 — Harpur Jazz En semble Concert with
guest art ist — 8 PM — Osterhout Concert Theater — $10 general public;
$6 faculty/staff/seniors; $3 students (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
University String Orchestra — 4:00 PM —
Friday, Novem ber 1 8 —
Grand Corridor — FREE
Monday, Novem ber 2 1 — Masterc lass w ith organist W ilma Jens en
— 7 PM — First Presbyterian Church, Binghamton — FREE
Thursday, December 1 — MidDay Concert (Burgess) — 1 :20 PM —
Casadesus Recital Hall – FREE
Friday, Decem ber 2 — Flute S tudio and Flute Chamber Conc ert —
1 0 :15 AM — Casadesus Recital Hall – FREE
Saturday, December 3 — E lizabethan Madr igal Feas te (Harpur
Chorale and Women ’s Chorus) — 6:30 PM — Mandela Room — $40
general public; $20 students (Special thanks to Sodexo for underwriting
the student price)
Sunday, December 4 — Holiday Extrav aganza! Holiday Gala
(University Symphony Orchest ra, Wind Symphony, Harpur
Chorale and W omen ’s Chorus) and “Amahl and the Night Visitors”
— 3 PM — Osterhout Concert Theater & Anderson Center Chamber Hall —
$10 general public; $6 faculty/staff/seniors; $3 children and students
W ednesday, Dec ember 7 — Composition Semin ar Class
Concert /Recital — 8 PM — Casadesus Recital Hall — free
I f you enjoyed and were inspired by this performance, please consider supporting the
Department of Music with a financial gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our larger community.
Please make your donation payable to the Binghamton University Music Department, and
send to P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
A nderson Center Box Office at 7 77ARTS.
t
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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37:53
27:30
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Elijah, November 13, 2011
Recital Tape 2011-11-13
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Held at 3:00 p.m., November 13, 2011, Osterhout Concert Theater.
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Mendelssohn-Bartholdy, Felix
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Binghamton University Libraries
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2011-11-13
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sound
-
https://omeka.binghamton.edu/omeka/files/original/4f56997515507c84d786213c4ddce59d.pdf
9adc890ff6c6c5d122d373083119c667
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Text
E L I ZABE T H
KORT E
p i a n i s t
Music by Contempo rary American Composers
Sunday, May 16, 1971
8: 15 PM
Music Recital Hall
�The Artist
PROGRAM
Four Inventions
Ulysses Kaye
Andante moderate
Scherzando
Larghetto
Allegro
Two Preludes
Kent Kennan
Nocturne in E
Ninth Piano Sonata, Opus 58
Norman Dello Joio
Vincent Persichetti
(Moderato--allegro agilite--larghetto-allegro risoluto)
i n t e r m i s s i o n
At the age of 13 Elizabeth Korte was the
winner of the North Carolina state-wide competition. She went on to Juilliard School of Music
as a scholarship student, where she earned her
BS and MS degrees. She has studied with Alton
Jones, Ernest Hutcheson, Leonid Hambro, Julius
Herford. After a solo debut in New York City
Mrs. Korte appeared as soloist wi·th the Oklahoma
City Symphony, the Albuquerque Symphony and the
Brevard Music Festival Orchestras. She has accompanied for Anna Moffo and for . the Phoenix
Chamber Opera. In 1969 she performed in Binghamton
with the Buffalo Philharmonic. With the New York
Woodwind Quintet she has performed Karl Korte's
Matrix at SUNY Binghamton and at Columbia University, besides recording the same piece for CRI.
She is currently teaching privately in Binghamton
but has also taught at Russell Sage College, Emma
Willard School and SUNY at Binghamton.
The Composers
Aria (from Five Piano Pieces)
Peter Mennin
Syncopations
Sol Berkowitz
Etude
Mel Powell
Libby's Piece*
Prelude for a Pensive Pupil
Jack Martin
Peggy Glanville-Hicks
Allegro Giocoso
*Written especially for this program.
Leo Kraft
Ulysses Kaye
Born in Tucson, Arizona, Ulysses Kaye is a graduate of the Eastman School and he later studied with
Hindemith at Yale. He has won numerous prizes and awards including the Ditson Fellowship at Columbia
and two fellowships at the American Academy in Rome.
He is now teaching in New York City.
Kent Kennan
Since 1957, Kent Kennan has taught composition
orchestration and other facets of music at the University of Texas. A native of Wisconsin, he attended the
University of Michigan, the Eastman School and the
University of Rochester. He was the winner of the 1936
Prix de Rome.
Norman Dello Joio
Mr. Dello Joio was born in New York City. He
studied composition with Hindemith and has been organist and choir master in several New York churches. He
is currently chairman of the Contemporary Music Project.
�Vincent Persichetti
Born in Philadelphia, Vincent Persichetti received his musical training at the Curtis Institute.
He is now head of the composition department at the
Juilliard School of Music.
Peter Mennin
Currently President of the Juilliard School,
Mr. Mennin has been teaching there since 1947. He
was born in Erie, Pennsylvania.
Sol Berkowitz
Composer and pianist Sol Berkowitz was born in
Warren Ohio. Since 1960 he has written mostly for
theater and television. He did the scores for Miss
Emily Adam and Nowhere to Go but Up, ballet music
for The Unsinkable Molly Brown and music for The Garry
Moore Show and The Entertainers.
Mel Powell
Mr. Powell was born in New York and studied
composition with Hindemith. Etude was written to
celebrate the birth of Yehudi Wyner's son in 1957.
Jack Martin
Well known in the area, and now a resident of
Binghamton, Mr. Martin spent many years in New Orleans
and New York composing, arranging and teaching. He
was orchestrator for Alec Wilder and Columbia Records.
Libby's Piece is self-explanatory.
Peggy Glanville-Hicks
Miss Glanville-Hicks composes and writes about
modern composers. In 1955 she won an award from the
National Institute of Arts and Letters and in 1957
a Guggenheim Fellowship.
Leo Kraft
Mr. Kraft was born in Brooklyn. He studied at
Queens College and later, was the recipient of a
Fulbright Fellowship, with Nadia Boulanger in Paris.
Since 1947 he has been a member of the faculty at
Queens College, where he is Associate Professor of
Music.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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33:03:00
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63488
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63488">Elizabeth Korte, Pianist, Music by Contemporary American Composers</a>
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Title
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Elizabeth Korte, Pianist, Music by Contemporary American Composers
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Ulysses Kaye, Kent Kennan, Dello Joio, Persichetti. Held at 8:15 pm, May 16, 1971, Music Recital Hall.
Creator
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Korte, Elizabeth
Publisher
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Binghamton University Libraries
Date
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1971-5-16
Rights
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In copyright
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Kay, Ulysses, 1917-1995
Kennan, Kent, 1913-2003
Dello Joio, Norman, 1913-2008
Persichetti, Vincent, 1915-1987
Type
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sound
Identifier
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39091020069757
39091020069708
-
https://omeka.binghamton.edu/omeka/files/original/3bc471dc1858ea0ae0574c223d76ff54.pdf
8db29aa027d97b79437bd05237086bd6
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
Elizabeth Korte, Piano
Albert Hamme, Saxophone
April 12, 1970
Music Recital Hall
3:00 p.m.
PROGRAM
Sonata in C minor (1732)
Allegro
Adagio
Allegro assai
Georg Teleman
Scaramouche (1939)
Vif
Modéré
Brazileria
Darius Milhaud
STUDY For Alto Sax and Two Channel Tape
PREMIERE PERFORMANCE
Karl Korte
Intermission
Sonata in A major, op. 120 (1819)
Allegro moderato
Andante
Allegro
Franz Schubert
Rondo for Saxophone and Rhythm (1969)
PREMIERE PERFORMANCE
David Wilson, String Bass
Sonate (1943)
Ruhig bewegt
Lebhaft
Sehr langsam
Lebhaft
Jack Martin
Grover T. Craig, Percussion
Paul Hindemith
�PROGRAM NOTES
The C minor Sonata by Georg Philipp Teleman is the fourth of a set of
twelve Methodische Sonaten published in 1732 for flute and figured bass.
The continuo realization is by Richard Hervig and the Saxophone transcription was done by Himi.e Voxman.
Darius Milhaud originally wrote the Scaramouche Suite for two pianos
and later transcribed it for the saxophone. The original score was culled
from the stage music he had written for Moliete's play Le M edecin Volant.
The title Scaramouche was possibly given to this composition because the
play was originally presented in the Theater Scaramouche in 1937; although
it could have been derived from the nature of the music itself. (Scaramouche, a buffoon usually dressed in black, was a stock character in the
17th century farce Scaramuccia1.
Study for Alto Saxophone and Two Channel Tape was commissioned for
this recital and is the first composition for solo saxophone and tape.
The method of comJosition used by Karl Korte is now referred to as the
"Classical Studio Technique" of electronic music. In this case the sounds
on tape are existing musical sounds from the piano, which have been extensively altered through tape manipulation.
The A major Sonata, opus 120. is the crown of Schubert's early Sonatas
and was written during his stay at Steyr in 1819. Everything Schubert had
previously attempted he achieved in this perfect little work: variety, a
light touch and endearing melodies which add consistancy and interest to
each of the three movements.
Rondo for Saxophone and Rhythm is what Gunther Schuller would consider
to be "third stream" - the blending of European art music with American
jaz z. The first and recurring section of the compostion is one of changing
meter and shifting textures. The other sections are based on the jazz
) , waltz ( 3/4),a nd basso nova ( 7/4). Improvisation, one
forms of ballad ( 4/4)
of the basic elements in jazz, is a device used in the waltz section.
This Hindemith Sonata was written for alto horn in E ,but in parenthesis
the composer indicated: Waldhorn, Alt-Saxophon. While initially one might
argue that this is not a piece idiomatic to the saxophone, it is very much
suited to the instrument, for it shows the lyrical side of the saxophone and
the beauty of the sustained tones. The piano part is not only beautiful,
but also very formidable.
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 sound tape reel
Duration
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10:29
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63205"> Elizabeth Korte, Piano, and Albert Hamme, Saxophone, Recital</a>
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Title
A name given to the resource
Elizabeth Korte, Piano, and Albert Hamme, Saxophone, Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Telemann, Milhaud, Korte, Schubert, Hindemith. Held at 3:00 pm, April 12, 1970 at Music Recital Hall
Creator
An entity primarily responsible for making the resource
Korte, Elizabeth
Hamme, Albert
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-12
Rights
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In copyright
Contributor
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Telemann, Georg Philipp, 1681-1767
Milhaud, Darius, 1892-1974
Korte, Karl, 1928-
Schubert, Franz, 1797-1828
Hindemith, Paul, 1895-1963
Type
The nature or genre of the resource
sound
Identifier
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39091020064386
39091020064436
39091020064485
-
https://omeka.binghamton.edu/omeka/files/original/61f3aa99df1fb309729b2049b57da380.pdf
3cadc8c88defe770a7dc468ada4bc952
PDF Text
Text
STATE U N IVE R S I T Y O F N E W YO R K A T B I N G H A M TO N
l lARPl’R COLLEGE
TH E DE PARTMENT OF MUSIC
SENIOR RECITAL
Ellen Leinwand, pia no e David Crowe, pvrcu. . ion
/
January 5, 1 968
lr’ '
8 15 p.m.
Music Recital Hall
PROGRAM
Scherzo for Four Timpani
David Crowe, percussion
Rebecca Tobin, piano
Sonata No. 15, Op. 28 in D Ma jor
Allegro
Andante
Scherzo Allegro vivace T rio
Rondo Allegro ma non t roppo
E llen Leinwand, piano
Didier Graeffe
Ludwig v. Beethoven
Intermiss ion
Rondo for Ma rimba
.
‘
7
,
"
David Crowe, percussion
Susan Peters, piano
Intermezzo, Op. 117, No. 2 in B Flat Minor
Capriccio, Op. 76, No. 8 in C Major
Intermezzo, Op. 119, No. 1 in B Minor
Capriccio, Op. 116, No. 3 in C Minor
E llen Leinwand, piano
Hors d ’oeuvres
David Crowe, percussion
Barbara Garges, piano
T heodore Frazeur
Johannes Brahms
Roland Petit
A RECEPTION honoring t his evening’s performers will he held in the
Green Room Lounge ad jacent to the Recital Hall immediately following
the performance. All are cordially invited to attend.
T his recital is gi ve n in part ial f ulfil l m e nt of t he requi rements for t he
degree of Bachelor of Arts in Music.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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26:10
30:34
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60332"> Ellen Leinwand and David Crowe Senior Recital</a>
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Title
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Ellen Leinwand and David Crowe Senior Recital, January 5, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, January 5, 1968. Works by Graeffe, Beethoven, Frazeur, Brahms, Petit.
Creator
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Leinwand, Ellen
Crowe, David
Publisher
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Binghamton University Libraries
Date
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1968-01-05
Rights
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In copyright
Contributor
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Brahms, Johannes, 1833-1897
Beethoven, Ludwig van, 1770-1827
Frazeur, Theodore
Petit, Roland
Graeffe, Didier
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
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Ellen Leinwand and David Crowe Senior Recital.pdf