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                    <text>BINGH AMTO N
  R S 1  X
U N I V E
STATE  U N I V E R S I T Y   O F   N E W   YORK

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D E P A R T M E N T

Saturday,
Featuring:
Harpur Chorale  October 2 4

Womens’ Chorus 
University Wind 

Ensemble 

3:00 p.m,

oc¢erhout Concert

Theater

�Tho Women
Christine Ryder, conductor

l
1

William James Lawson, accompanist

William James Lawson and Peter Browne, pianists
Three Hungarian Folk Songs

The N

i

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t

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®

Thomas Weelkes

(b.1955)

Raquel Rozner, Annie Ferro, and Meredith Collins, soloists
At the RIVEE 

Zion’s Walls 

Big Spender (from Sweet Charity)

Aaron Copland

(1900­1990)

i

l

a

m Byrd 

(1 543­1623)

(1902­1986)

.. Thomas E. Benjamin

(1975)
eople. For his merciful
tions; praise him all you p
Praise the Lord, all you na
kindness is great toward us, and the truth of the Lord endures forever.
(Psalm 117)
Alison Metcalfe, Ayla Gordon, Joshua Setren, Joshus Darﬂer, quartet

Barbara and Conrad Chaﬀee

(2009)

It is that exquisite morning hour
Reddened by a sudden sun.
Through the autumn fog
The garden’s leaves fall.

l
l

1

Their fall is slow.  One can follow them
With one’s gaze, recognizing
The oak by its leaf of copper,
The maple by its leaf of blood.
The last, the rustiest,
Fall from stripped branches,
But it is not yet winter . . .

Aaron Copland

&lt;eeeeee... Coleman
and Dorothy Fields

l

Maurice Duruﬂé

Matin D O c t o b r e . . . . .............

(c. 1 575­1623)

FrobisherBay..............................................................James Gordon

1

Laudate Dominum...

(1881­1945)

g

W

Where charity and love abide, God is there. We are gathered as one in the love
of Christ; therefore let us rejoice and be glad. And as we hear and love God, so
let us in sincerity love all people.

{

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e

Ubi Caritas 

(b.1953)

..........Béla Bartok

In the Village
Boatman! Boatman!
See the Roses

i

This is the day that the Lord has made; let us rejoice and be glad in it. Alleluia.
(Psalm 118: 24)

..René Clausen

Psalm 100..

Haec D

Peter Browne, conductor

A blonde light saturates
Nature, and, in the rose­colored air,
You would think it was snowing gold.
(Frangois Coppee, 1842­1 908)

A Nightingale Sang in Berkeley Square................. Manning Sherwin

(1940)

Wade In the Wally 

Traditional S piritual

Marc Silvagni, percussion

(arr. Norman Luboﬀ 1970 )

�THE WOMEN’S CH ORUS

Robert G. Smith, Conductor
Kimberly Metaxas, Associate Conductor

Dedication Overture(1965).............................

Symphonic Dance No. 3, Fiesta (1964) .

The Free Lance March (1906) 

Vittorio Giannini

(1903­1966)

..........Clifton Williams

(1923­1976)

:

1

John Philip Sousa

Soprano I
Meredith Collins
Catherine Cornell
Laura MacAvoy
Raquel Rozner
Ariel Schlesinger
Siobhan Sculley

Samantha Grieco
Yiting Liang
Dorothy Rota
Allison Timpson

Soprano II
Molly Adams­Toomey
Rebecca Dinhofer
Kristina Dowling
Annie Ferro

Alto
Ilyssa Baine
Danielle Barbanell
Alicia Caruso
Tahnee Fallis
Samantha Ng
Melanie Young

(1854­1932)

T H E  HARPUR CHORAL E

ABOUT T H E  PERFORMERS
KIMBERLY  METAXAS.  a  native  of  Vestal,  NY,  is  a  graduate  student  of  conducting  at
Binghamton University studying with  Professor Robert Smith.  Ms.  Metaxas holds a Bachelor’s
Degree in Music Education from SUNY Fredonia, and a Bachelor’s Degree in Music Therapy from
Michigan State University.  She is a music teacher for the  Susquehanna Valley  High School and
Union­Endicott High School marching bands, and BOCES summer school program.  Most recently,
Ms. Metaxas has been a member of Binghamton  University‘s Wind  Symphony and  Harpur Jazz
Ensemble, Vestal Community Band, and the Empire Statesmen Drum and Bugle Corps.
ROBERT  G. SMITH  is  Music  Director  and  Conductor  of  the  Binghamton  University  Wind
Symphony and teaches advanced instrumental conducting and graduate wind conducting at BU.  He
conducts the annual Triple Cities TubaChristmas and is former conductor of the Maine Community
Band, the oldest band of its kind  in  the United States. He has guest conducted all­county bands
throughout New York State.  Among other ensembles Smith has conducted are the Goshen College
(IND) Wind Ensemble and Orchestra,  The United States  Army Ground Forces Band(GA), the
Southern Tier Concert Band(NY ) and the Vestal Community Band(NY).  An active performer, he
currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass
Nickel  quintet and the Crown City Brass sextet.  Smith is past  president of the Broome County
Music Educators Association and recipient o f  the 2005  BCMEA Distinguished Service  Award.
Professional memberships include The Broome County Music Ed ucators Association, the New York
State  School  Music  Association, the  Music  Educators National  Conference, The  National  Band

Association. The Association o f Concert Bands, The Conductors Guild, The World Association of
Symphonic  Bands  and  Ensembles.  The  College  Band  Directors  National  Association  and  thc
International Tuba and Euphonium Association.

[
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Women

Men

Michele Aronson
Laura Demsey
Eliza Espinosa­Thomas
Tahnee Fallis
Eliana Frim
Ayla Gordon
Shaina Carmel Indovino
Brianna Jenkins
Alexandra Kirby
Sarah Kuras
Allison Metcalfe
Krystiana Resto
Samantha VanAdelsberg
Jaclyn Wallach

Thomas Blumenthal
Joshua Darﬂer
David Frey
Ariel Hausman
Jonathan Karlas
Gabriel Lotto
Michael Mechman
Glenn Parker
Mark Rossnagel
Joshua Setren
Alexander Turo

�WIND SYMPHONY MUSICIANS
Piccolo
Rachel Serwetz
Flute I
Rachelle Haddad (principal)
Emily Morris
Kathleen S pelman
Flute II
Kimberly Hom
Rebecca F alik
Raquel Goldsmith

Oboe
Kyle LaGrutta
Bassoon I, II

Daniel Bessel
Paige Elliott
E b Clarinet
Heather Worden (Grad Student)
Bb Clarinet I
Sarah Fenster (Principal)
Kyle Doyle
Kerry Goodacre
Mark DelloStritto
Bb Clarinet II
Kristin Hohn
Anthony Kwon
Abby Cohen

Bb Clarinet III
Stephen Collins
Greg Norman
David Morrissey
Melissa Klepper
Bass Clarinet
Zach Stanco
Brianna Palisi

F H o rn  l l l  l l l l V

Zack Arenstein
Zack Bimbaum
Kirstie Cummings (Principal)
Natalie Rivera
Leanna Verderese
Alexa Weinberg
T rombone I
Jay Bartishevich

Alto Saxophonel

Alex Horspool

Trombone II
Mogana Jayakumar

Alto Saxophone I I

John Tanzi
Tenor Saxophone
Dean Papadopoulus

Bass Trombone
Carter McGriﬀ

Trumpet I
Nick Polacca (principal)
Kevin Hannon
T rumpet I1
Nick Quackenbush
Brian Lee

Trumpet ITI
Tim O’Brien

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Percussion
Samuel Bae
Torn Elefante
Boya Gao
Adam Goldenberg
Ben Ramos
Andrew Williamson

$94  p44 
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�Bingh amton  University Music  Depart ment’ s

UPC OM ING  EVE NTS

Thursday, October 2 9 ”  Mid­Day Concert, 1:20 PM ­ FREE

Casadesus Recital  Hall

T hursday, Nove mber 5  Mid­Day Concert, 1:20 PM ­ FREE
Casadesus Recital  Hall
Satur day, November 7 ”  Master Class: Bruce Neswick,
guest or ganist, 10:00 AM – 12:00 NOON,  First Presbyterian Church,
Binghamton, FREE
Satur day, N ovember 7 ”  Air Force Brass Quintet. 8:00 PM, FREE,
Casadesus Recital  Hall
Sunday, November 8 ”  Bruce Neswick, guest organist, 4:00 PM,
First Presbyterian Church, Binghamton, $$

T hursday, November 1 2 ”  Mid­Day Concert, 1:20 PM ­ FREE

Casadesus Recital  Hall

Saturday, November 1 4 ”  Student Clarinet Recital:

Sarah Fenster &amp; Dan Fagen, 7:00 PM, Casadesus Recital Hall, FREE

Sunday, Novem ber 1 5 ”  Binghamton Philharmonic and the Binghamton
University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM,
Osterhou t Concert  T heater, (for tickets, call BPO at 607.723.3931)

Sunday, November 15% Concerto and Aria Competition, 6:30 PM,
Casadesus Recital  Hall, FREE

Thursday, Nov ember 1 9 ”  Mid­Day Concert, 1:20 PM ­ FREE

Casadesus Recital  Hall

Satur day, N ovember 21° Master Recital: Julie Williams, soprano,
8:00 PM, Casadesus Recital Hall, FREE
Sunday, N ovem ber 2 2 ”  Master Recital: Ashley Maynard soprano,
3:00 PM, Casadesus Recital Hall, FREE

Sunday, November 2 2 ”  Honor Recital: Nathan Rose, saxophone,
7:30 PM, Casadesus Recital Hall, FREE
For ticket information, please call the
Anderson Center  Box Oﬀice at 777­ARTS.

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                    <text>BINGHAMTON
U N I V E R S I T Y
S I T Y   O F  N E W   Y O R K

mic

D E P A R T M E N T

F AMILY W EEKEND
CONCERT

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Saturday, October 27, 2012
3:00 p.m.
Osterhout Concert Theater

�PRO GRA M

The Harpur Chorale

The Women’s Chorus

Peter Browne, conductor

Thom Baker, conductor
John Isenberg and Peter Browne, accompanists
Psalm 1 0 0 .

. René Clausen
(b.1953 )

Throu gh the  House Give Glimmering Light.

Mrs. H.H.A. Beach
(1867­1944)

Les Bretonnes .

Aaron Copland
(1900­1990)

arr. Irving Fine

He’s G one A way

Tradit ional A merican
arr. Ron Nelson

Will He Remember’
Barbara Allen
Zion’s Walls (Old A merican Songs) .

(1564­1628)
Praise the Lord, O my soul.  While 1 live, 1 will praise the Lord;
I will sing praises unto my god while I have my being.

(Psalm 145)

Lux A urumq ue.

. Reynaldo Hahn

Even more so from their smiles and grace.
But this is not the cheerful unveiled gaiety
That sin gs and dances under the beautiful summ er nigh t stars;
it is a ﬁ erce celebration, a lau gh f ull of thrills,
Ceasing after drinks have inﬂamed the mouth.
They complain that they have not yet lived. These are barbarous children .
The gods were jealous of the last­born of these.

Three Moun tain Ba llads .

.Gregor Aichinger

Eric W hitacre
(b. 1970)

(1874­1947)
The tender­hearted women of  Brittany weep at the edge of the sea.
The bitter­hearted men of  Brittany are too f ar to hear.
But come Easter or Christmas, the men and women
Find themselves close to tons of eau de  vie and mead.
The sadness of their people disappears from their eyes;

Ching­a­Ring Chaw (Old A merican Songs)

L auda a nima m ea

Light, warm and heavy  as pure gold
and the angels sing so ftly to the new­born baby.

Live­A Humb le.

Traditional S piritual
arr. Peter Bagley

Martin  D ’Octob re 

. Barbara and Conrad Chaﬀee

it is that exquisite morning hour reddened by a sudden sun
Through the autumn fog the garden’s leaves fall.
Their fall is slow. One can follow them with one’s gaze,
Recognizing the oak by its leaf of copper, the maple by its leaf of blood.
The last, the rustiest, fall from stripped branches,
But it is not yet winter. . .

A blonde light saturates nature, and, in the rose­colored air,
you would think it was snowing gold.
(Francois Coppee)

A Nigh tingale Sang in Ber keley Square

Manning Sherwin
arr. Fred Karlin

A Day in the  Life of  a Fool (Manha de Carnav al)
Aaron Copland
arr. Glenn K oponen

Carrie Buck, solois t

. Luis Bonfa
arr. Paris Rutherford

�The University Wind Symphony

WOMEN’S CHORUS

Daniel Fabricius, conductor

Thom Baker, conductor
.. Dana Wilson
(b. 1946)

Shortc ut Home ( 2003)

Metroplex, Three Postcards from Manhattan .
(2006)

Africa: Ceremony, Song and Ritual (1994).

. Robert Sheldon

(b. 1954)
Robert W. Smith
(b. 1958)

OYA “Primitive Fire”
“Ancient Folk Song ” (Ghana) Title Unknown
“Shango” Chant to the God of Thunder

Sopranos

Altos
Amanda Baker

Alexa Dicken
Taylor Rae Dunn
Caitlin Gotimer
Amber Kotasek

Amy Conway
Rachel Graham
Maggie Pictor

Alexandra Leslie

Daniela Rivera
Shibo Zhang

Christiana Metaxas
Megan Orcutt

Jessica Pyne
Christina Santa Maria

HARPUR CHORALE
Peter Browne, conductor

Binghamtern—
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Saints a nd Sinners
Sunday.  October 21,2012, 3 :00pm
United Presbyserian Church of Binghamzon.

Chenango Campus
42 Chenango Street.  . gimmzbn. AT
Lessons and Carols for Christmas
Saturday November 24,2012, 7:30 p.m

Sunday. VovunbarZS. 2012, 3 :00 p.m
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Yin and Yang
Sunday,  1pm] 21.1013. 3:00pm

Trinalemt­orhi’énslropoi Church
44 Main Save: Binghamton. AT
The Madrigal Choir

of Binghamton
2012–2013 &gt; 35th Seazon
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Sopranos

Tenors

Carrie Buck
Suzanne Greene

Cole Thornberg
Matthew Pedersen

Katherine Sucha
Samantha Reed
Kate Sherwood

Tomas Kerr
Ricky Nan
Joshua Rovou

Altos
Denise Aquino

Basses

Nazely Kurkjian
Shoshana May
Katherine Moscowitch

Thomas J. Furey
Joseph Keller
Jibron Harris
Christian Martin
Philip H. Westcott

�UNIVERSITY WIND SYMPHONY
Daniel Fabricius, Conductor
PICCOLO

Cara Natale
FLUTE!

Jackie Robins
Nicole Safran

FLUTE LI
Andrea Dewhirst
Devan Kasinki

ALTO SAXOPHONE
Stephi Verhage
Veronica A. Mantilla
Daniel Gross
TENOR SAXOPHONE
Kevin Clements

Brittany Wilson

TRUMPETI
Jason Bonielio
Brandon Young

CLARINET I
George Deutsch
Mary McGahay

TRUMPET II
Joshua Golub
Jared Biunno

CLARINET II
Soﬁa Schneiderman
Stephanie Sheintul

TRUMPET III
Andrew Vaccaro
Ray Futia

Kimberly Muller

CLARINET III
David Mossissey
JooWon Kim
Erin Annis
BASS CLARINET
Molly Rice

TROMBONE II
Ryan Meehan

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FRENCH H ORN
David Luther
Molly O’Brien
Haleigh Doetschman
Lauren Corey

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TROMBONE III
EUPHONIUM
Ryan Shumaker
Justin Canaday

Andrew Kaufman

PERA  3 

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TRI­CITIES 

Neel Tarikeri

BARITONE
SAXOPHONE
Philip H. Westcott

OBOE
Jenna Graﬀ (+ English Horn)

TROMBONEI
Christopher Beard

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The Forum Theatre * 236 Washington Street
Ginghamton, NY

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For tickets call607­77204m01

visit us online at www.tricitiesopera.com.
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TUBA
Matthew Gukowsky
Elliot Bowen
Michael Burgner

PERCUSSION
Emily Goetz
Benjamin Ramos
Alexander Rava
Wesley Roth
Tyler P. Steere
Devan Tracy
Alex Valera

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Music Dire

Classical Serles

Chamber Serles 

10.06.12 Beethoven /Sibellus

02.03.13  N e w m a n :  

11.11.12 Verdi Requiem

0 3 3 44 3  T r i o  C avatina 

Stacey Rishoi, mezzo­soprano
Marco PamcoaJenar

Special Concert 

Noah Bendix­Balgley, violin

Janice Chandler Eterne, soprano

Gustav Andreassen, bass

Bingnamton University Chorus
0120.13 Brahms Third

Pascuai Marthe: Forteza, coring

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Pops Series
12.08.12 Holiday Brass

Boston Brass, guest artist

03.16.13 Music of the Eagles

Jeans ‘n Classics, guest artist

BEMUSIC.

ORDER TODAY! www.binghamtunphilharmonicarg  607.723.3931

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November 9 ­ 18,2012  December 14 ­ 16,2012

Community theater is GREAT for the community!

Binghamton University  Music Dep artment’s Coming Events
Mﬁtbeﬁr beﬁMéeﬁtb­ﬁé­aﬁwé'

Sunday, October 28 – Tri­Cities Opera presents Puccini’ s La Bohéme – 3:00 p.m. – The
Forum Theatre ­ call (607) 772­0400 for tickets
Thursday, November 1 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­ free
Friday, November 2 ­ C hinese Concert featuring the Beijing Opera ­ 8:00 p.m. ­­ Anderson
Center Chamber Hall ­ $9 general public; $6 facult y/staﬀ/seniors; $3 students
Sunday, November 4 ­ Voice Recital ­ 3:00 p.m. ­ Phelps Mansion Museum, 191 Court Street,
Binghamton ­ $10 per person; BU students free with valid ID
Tuesday, November 6 ­ Friedheim Memorial Lecture/Recital Series : “The Evolution of a Lute
Solo” with Paul Sweeny, guitar &amp; lecturer, Barbara Kaufman, recorder, and Christina
Salasny, soprano ­­ 8:00 p.m. ­ Casadesus Recital Hall ­ 56 general public; $3
faculty/staﬀ/seniors: free for students
Thursday, November 8 ­ African Drumming and Dance Mid­Day Concert ­ 1:20 p.m. ­
Anderson Center Chamber Hall ­ free
Saturday, November 10 ­ “Colorful Collaborations " with guest artist Jean Miller Goodheart,
Margaret Reitz, piano, Timothy Perry, clarinet, Georgetta Maiolo, ﬂute and Thomas
Goodheart, baritone ­ 8:00 p.m. ­ Casadesus Recital Hall ­ $6 general public; $3
faculty/staﬀ/seniors: free for students
Sunday, November 11 ­ University Chorus, directed by Bruce Borton, and the Binghamton
Philharmonic Orchestra: Verdi’s Requiem ­ 3 p.m. ­ Osterhout Concert Theater ­ Call the
Binghamton Philharmonic Orchestra at (607) 723­3931 for tickets
Thursday, November 15 ­ Harpur Jazz Ensemble Concert with guest artist ­ 8:00 p.m. ­
Osterhout Concert Theater ­ 36 general public; 33 faculty/staft/seniors; free for students
M ﬁ b ﬁ b ﬁ M é ­ ﬁ r a ­ x ﬁ r b ­ x ﬁ w é ­

— 
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For tickets or to be  added to our em ail list, visit anderson .binghamton .edu or call
. 
=  [ u ]   (50 7) 7 7 7~ARTS. For a compl ete list of our concerts c all ( 6 0 7) 7 7 7­ 2592, visit

musicbi‘nghomtonedu or become a fan on Facebook.

E 

E 

If you were inspired by this performance, consider supportin g the Department of
Music with  a ﬁn ancial gift. Your sup port helps to contin ue the work of stude nts,
fac ulty, a n d  g u es t artists an d  their  contributions t o  our c ommunity . Please m a k e
y our don ation p ay able t o  the  Bin g h am ton University Music  D ep art ment, an d  s end
your check to BU Music Department, P.O. Box 6 000,  Binghamton, N Y  1 3902.

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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E  U

N I V E R S I T Y  O

F  N E W   Y

ORK

dee
r

D E P A  R T M
  E N T

Family Weekend Concert
Featuring
The Women ’s Chorus
Ta h nee F allis, conductor
William La wson, piano

The Ha r p u r Chorale
Peter Browne, conductor

The Wind Symphony
Ro be rt Sm ith, conductor

Saturday, October 23rd, 2 01 0
3:00 p.m.
Osterlzout Concert Theater

�I I. The H a r p u r Chorale
Peter Browne, conductor

PROGRAM
I. The Women ’s C horus

Sicit C

Tahnee Fallis, conductor
William Lawson, piano

Sound the T

r

u

m

p

e

t weeesses.  HENTY  Purcell

( 1 659­1 695 )

( 1809­1847)
Oh. how soon the cycle ends, Spring turns into wintertime!
Oh how soon all happiness turns to sad silence!
The last sounds soon fade! The last songbirds are soon ﬂown!
The last green is soon gone! They all want to return home!
Oh, how soon the cycle ends. Merriness turns to longing sorrow.
Were you a dream, you thoughts of love?
Sweet as spring and fast disappearing?
Only one thing will never wane: The longing that never goes.
Ah, how soon the cycle ends:
Oh how soon all happiness tums to sad silence! (Karl Klingemann)

T

R

I

N

A cere... Pablo Cassals

( 1876­1973)
I am very dark, but comely. O daughters of Jerusalem. . .
Therefore, the King loved me. and brought me into his chamber.
And he said to me: Arise my love, and come:
For now the winter is past. the rain is over and gone.
The ﬂowers have appeared in our land.
The time of pruning is come. Alleluia! (Song of Solomon)

Sigh No More, Ladies
(from Sir John in Love)

Ralph Vaughan Williams

The Parting G l a s s  

Traditional I rish Folksong

V

U

S

N

.. Eleanor Daley
(b. 1 955)

From an Unknown P

a

s

arr. Moses Hogan

( 1957­2003)

t

.

1. The Lover in Winter P l a i n e t h  the Spring
2. Hey Nonny No!
3. My Blood So Red. . .
4. Suspiria
5. The Miracle
6. Tears
7. Crabbed Age and Youth

Ned Rorem
(b. 1923)

O What a Beautiful City...........c...ccoecueeueen......... Traditional Spiritual
Arr. Jeﬀrey L. Webb
(b. 1976)
Samantha VanAdelsberg, soloist

III. The Wind Symphony
Robert Smith, conductor

Pastime: A Salute to Baseball(1999) ...............................Jack Stamp

(b. 1954)

S h e n a n d o a h ( 1 9 9 8 )

Arr. Molly Adams­Toomey
(b. 1 9 87)

E E D   8 5 G  P .  Palestrina
( 1 525­1 594)

Upon Your Heart.. 

( 1872­1 958)

Stephanie Naru, soprano soloist
Molly Adams­Toomey, conductor

Music Down in my Soul 

r

As the deer longs for the water­brooks,
So longs my soul for you. O God. (Psalm 42: 1)

. Felix Mendelssohn

Herbstlied.

e

American Folksong
arr. Frank Ticheli
(b. l 958)

Variations on “America (1891,)..

.. Charles Ives
( 1 874­1 954)
Orch. Trans. W. Schuman(1963)
Band Trans. W. E. Rhoads

The Stars and Stripes Forever(1887)..................... John Philip Sousa
( 1 854­1 932 )

�Tex t of F ro m A n Unknown Past

T H E  P E R F O R M E R S

(Poems by anonymous or unconﬁrmed authors) 
1. The Lover in Winter Plaineth for the Spring

Western wind, when wilt thou blow, that the small rain down can rain?

T H E  W O M E N ’ S  CHORUS

Christ. if my love were in my arms, and I in my bed again!

Tahnee Fallis, conductor
William Lawson, performance pianist
Jushin Choi, rehearsal accompanist

2. Hey Nonny No!

Hey nonny no!  Men are fools that wish to die!
Is’t not ﬁne to dance and sing when the bells of death do ring?
Is ’t not ﬁn e t o  sw i m in wi ne. a n d  t u rn u pon the toe,

And sing hey nonny no!
When the winds blow and the seas ﬂow? Hey nonny no!

3. My Blood So Red

My blood so red for thee was shed
Come home again, my own sweet heart. come home again.
You’ve gone astray out of your way. come home again.

[

.l

4. Suspiria

O would I were where I would be!
There would 1 be where I am not:
For where I am would I not be,
And where I would be I can not.

5. The Miracle

Behold a wonder here! Love hath received his sight!
Which many hundred years hath not beheld the light.
Such beams infused be by Cynthia in his eyes
As ﬁrst have made him see and then have made him wise.
Love now no more will weep for them that laugh the while!
Nor wake for them that sleep, nor sigh for them that smile!
So powerful is the Beauty that Love doth now behold,
A s Love is turned to Duty that’s neither blind nor bold.
Thus Beauty shows her might to be of double kind;
In giving Love his sight and striking Folly blind.

Peter Browne, conductor

Weep you no more. sad fountains; What need you ﬂow so fast?

Look how the snowy mountains Heaven’s sun doth gently waste!
But my sun ’s heav ’nly eyes view not your weeping,  That now soﬂly lies sleeping.
Sleep is a reconciling. a rest that peace begets;

7. C robbed Age and Youth

Crabbed Age and Youth cannot live together:
Youth is full of pleasure, Age is full of care;
Youth is like a summer mom, Age like winter weather:
Youth like summer brave, Age like winter bare.
Youth is full of sport. Youth is nimble, Age is lame;
Youth is hot and bold, Youth is wild, and Age is tame.
Age. 1 do abhor thee; Youth, I do adore thee;  O my love is young!
Age. I do defy thee: O sweet shepherd hie thee!  For methinks thou stay’st too long.

Briana Hanson
Ashley K oo
Bora Lim
Stephanie Naru
Jessica Pyne
Hayley Rein
Julia Rose
Christine Scherer
Siobhan Sculley
Hyeyon Sco
Hannah Wentz

T H E  HARPUR CHORALE

6. Tears

Doth not the sun rise smiling when fair at even he sets?
Rest you then. rest sad eyes! Melt not in weeping, While she softly lies sleeping

Elyssa Ackerman
Molly Adams­Toomey
Sophie Bass
Carrie Buck
Jiaying Cheng
Meredith Collins
Rebecca Dinhofer
Annie Ferro
Sheena Finlayson
Samantha Grieco
Ashley G rumman

l
)
­

Women

Men

Michele Aronson
llyssa Baine
Samantha Banton
Katie Besemer
Tahnee Fallis
Eliana Frim
Nuala Gaﬀey
Alexandra Kirby
Kerianna Krebushevski
Yiting Liang
Marisa Sweeney
Samantha VanAdelsberg
Mookey Van Orden

Adam Demetros
Brian Evans
David Frey
Matthew Francis Gawors
Ariel Hausman
Adam Hess
Tomas Kerr
Gabriel Lotto
Gavin McClelland
Glenn Parker
Mark Rossnagel
Joshua Rovou
Joshua Setren
Leander Tanner
Alexander Turo

�T H E  WIND SYMPHONY
Robert Smith, conductor

Piccolo

Clarinet lll

Trumpet lll

Kathleen Spelman
Rebecca Falik

David Morrissey
Gregory Norman

Samuel Weintraub
Brian Lee
John Marschhauser

Flute

Emily Morris

Alto Saxophone I
Christopher Murdock

Trombone Il

Lauren Ross­Hixon

Derek Moran

Kimberly Hom

Russell Feinstein

Rebecca Falik

Kevin Koes

Euphonium

Christina Peragine

Anthony DeGeIorm

Andrew Kaufman

Tenor Saxophone

Tuba
Matt Gukowsky

O boe

Bradley Alder
Eric Seaman
Stephen Kassinger

Kimberly Muller

Oboe lI

Dean Papadopoulus

Rose Steenstra

Sun Hao

Toni Bruno

John Erdmann

Clarinet Il
Mark Dello Stritto
Abby Cohen
Vanessa Kay

F Horn
Carrie Buck

Trumpet I
Kevin Hannon
Olivia Santoro

Nicholas Quackenbush

Peter Schwarz

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Judy Kahn

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Sunday, October 17, 2010,  ­' ZI’I pm
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Alex Horspool

Raquel Goldsmith

Eb Clarinet

Dizected  by  Anne 3Somer C

Drew Peratti

Lindsay Ralbovsky

Heather Worden

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Kathleen Spelman

Alexander Baron

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Mark Zhuang

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The Binghamton Community Orchestra
2010­2011 SEASON  SCHEDULE

Sunday, November 21, 2010, 7 pm 
Helen foley Theatre 
at Binghamton High Schasl 
Bmghamtsn Cemmunity Orrlmstra 
with the Binghamtsn Yeuth 
Symghom (rchestra 
Bary Peters, Conductor

Saturday, April 9, 2011. 7pm
Sarah Jane Jeheson Chixch
dehason Gir, NY
Amneal STMTA  Winners Concent
Tim Perry, Conductor
Frieda Abdo, Soprano

For more information:

www.BCOrchestra.com. conductor@BCOtchestra.com or  607 756­9004

Binghamton University Music Departm ent ’s

 S
UPCOMING E V E NT 
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Sunday, October 2 4  – Guest organist: Michael Bau er – 4 p.m. –
First Presbyterian Church, Binghamton – $
Saturday, November 6 – Song of Silk – 8:00 p.m. – Osterhout
Concert Theater – $
Monday, November 8­ Multi­media music performance of
“Schismism: Natural Law” w ith Lisa Karrer  and David Simons,
based on the life of Charles  Darwin – 5:00 ­ 6:00 p.m. –
Casadesus Recital Hall – free (co­sponsored by the Department of Music
and Evolutionary Studies)
Sunday, November 1 4  – University Chorus: First St eps and Final
Thoughts – ­ 3 p.m. – Osterhout Concert Theater – $
For ticket information, please call the
Anderson Center B ox Oﬀice at 777­ARTS
To see all events, please visit music. binghamton. e du

Become a fan on Facebook by visiting
Binghamton University M usic Department

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                    <text>BINGHAMTON
U N I V E R S I T Y
STATE  UNIVERSITY 

OF 

NEW  Y O R K

wdc
[4

D E P A R T M E N T

F I R S T  S T E P S
A N D  F I N A L  T H O U G H T S

E ARLY AND L ATE C HORAL W ORKS
BINGHAMTON UNIVERSITY
CHORUS
Bruce Borton, conductor
Siobhan Sculley, student conductor
Victoria Cannizzo, Susan MacLennan
MayBelle Golis, sopranos
Cabiria Jacobsen, mezzo soprano
Peter Browne and William Lawson, pianists

Sunday, November 14, 2010
3:00 p.m.
Osterhout Concert Theater

�PROGRAM
Schaﬀe in mir, Gott, ein rein Herz . Op.29 No. 2 ...Johannes Brahms
(1833­1897)
Schaﬀe in mir, Gott. ein rein Herz Make me a clean heart, O God,
Und gib mir einen neuen, gewissen Geist. And renew a right spirit within me.
Verwirf mich nicht von deinem Angesicht Cast me not away from thy presence
Und nimm deinen heiligen Geist nicht von mir and take not thy holy Spirit from me.
Troste mich wieder mit deiner Hﬁlfe, O give me the comfort of thy help again.
Und der freudige Geist erhalte mich. And stablish me with thy free Spirit.

­­Psalm 51 : 10­12

Ave verum corpus (1 791 )
Ave vérum Corpus.
Natum de Maria Virgine:
Vere passum. immolatum
ln cruce pro homine:
C ujus latus perforatum,
Unda ﬂuxit sanguine:
Esto nébis praegustatum
In mortis examine.

Wolfgang Amadeus Mozart
( l 75 6­1 791 )

Hail, true Body,
born of the Virgin Mary.
Who has truly suﬀered,
was sacriﬁced on the cross for mortals.
Whose side was pierced.
whence ﬂowed water and blood:
Be for us a foretaste (of heaven)
During our ﬁnal examining.

Franz Schubert
(1797­1828)

Christ ist erstanden! ( l  8 1 6).
Christ ist erstanden!
F reude dem Sterblichen.
Den die verderblichen.
Schleichenden, erblichen
Mingel um wanden.

Christ is risen!
Joy to the One, of us
Who the pernicious,
Ancestral. insidious,
Fault has unwoven.
­­Chor der Engel aus Faust (Goethe)

&lt;....... Franz Schubert
Stdndchen. (D.920)
Cabiria Jacobsen, mezzo soprano
Men of the University Chorus
Siobhan Sculley, conductor
Zogernd leise.
in des Dunkels nacht ’ger Stille.
Sind wir hier.
In den Finger sanft gekriimmt.
Leise. leise pochen wir
An des Liebchens Kammerthiir.
Doch nun steigend. Schwellend. hebend.
Mit vereinter Stimme laut
Rufen aus wir hochvertraut : Schlafdu nicht.

wenn der Neigung Stimme spricht
Sucht‘ ein Weiser nah und ferne,
Menschen einst mit der Lateme

Wie viel seltner dann als Gold
Menschen uns geneigt und hold.
Drum. wenn Freundschaft. Liebe spricht.

Hesitantly. quietly.
in the dark‘s nocturnal stillness,

We are here.

And with ﬁngers gently bent.
lightly, lightly we knock
At our sweetheart ’s chamber door.
But now increasing, swelling, rising.
with a loud. united voice.
we call out conﬁdently: “Sleep not
when the voice of aﬀection speaks!”
Once a wise man searched near and far

with a lantern for friends.

H o w  much rarer than gold
Are people who are gracious and kind.
So. when friendship or love speaks,

Freundin, Liebchen, schlaf du nicht! Friend. sweetheart, do not  sleep!
Aber was in allen Reichen But what in all the world
War dem Schlummer zu vergleichen? Would be comparable to sleep?
Drum. statt Worten und statt Gaben, So, instead of words and giﬂs,
Sollst du nun auch Ruhe haben. You shall now also have rest.
Noch ein Griisschen, noch ein Wort! One more little greeting, one more word!
Es verstummt die frohe Weise; The joyful melody becomes silent;
Leise. leise, Schleichen wir uns wieder fort. Quietly, quietly again we steal away.
­­Franz Grillparzer

Salut printemps (1882)..............................................Claude Debussy
(1862­1918)
Salut printemps. jeune saison,
Dieu rend aux plaines leur couronne.

La séve ardente qui bouillonne
S’épanche et brise sa prison.
Bois et champs sont en ﬂoraison.
Un monde invisible bourdonne,

Hail spring, young season!
God restores the crown to the plains.
The ardent, bubbling sap

Overﬂows and breaks its prison.
Woods and ﬁelds are ﬂowering;
An invisible world murmurs;

L’eau sur le caillou qui résonne Water runs over the reverberating pebble
Court et dit sa claire chanson. And sings its clear song.
Le genét dore la colline: The broom gilds the hill ;
Sur le vert gazon 1’aubépine On the green lawn the hawthorn
Verse la neige de ses ﬂeurs. Pours forth its snowy blooms.
Tout est fraicheur. amour. lumiére, All is freshness, love and light,
Et du sein fécund de la terre

Montent des chants et des senteurs.

And songs and scents arise
From the fertile bosom of the earth.
­­Comte de Ségur

Victoria Cannizzo, soprano solo

Noél des enfants qui n’ont plus de maisons (1916 ) .. Claude Debussy
(Christmas Carol of the Homeless Children)
Nous n‘avons plus de maisons! Oh! La! We no longer have homes!
Les ennemis ont tout pris, The enemies have taken everything,
tout pris, jusqu’a notre petit lit! even our tiny beds!
lls ont brulé ;’I'école et notre maitre aussi. They have burned the school, and our teacher too.
Ils ont brulé l‘église et monsieur Jesus Christ. They burned the church and mister Jesus Christ,
Et le vieux pauvre qui n’a pas pu s’en aller! And the old beggar who couldn‘t escape!
Bien sur! Papa est a la guerre. Of course, papa is away at war.
Pauvre mama nest morte! And poor mama died
A vant d ’voir vu  tout ca. before seeing all of this.
Qu’est c ’que I’on va faire? What are we to do?
Noél, petit Noél! N‘allez pas chez eux, Santa. dear Santa! Don’t go to their houses.
Punissezles! Vengez les enfants de France!
Les petits Belges, les petits Serbes,
Et les petits Polonais aussi!
Si nous en oublions, pardonneznous.
Noél! Sur tout. pas de joujoux,
Tachez de nous redonner le pain quotidian.

Noél! Ecouteznous,
Nous n’avons plus de petits sabots:
Mais donnez la victoire aux enfants de France!

Punish them! Avenge the children of France!
The little Belgians, the little Serbs.
And the little Poles too!
If we forget some of them. forgive us.
Santa! Above all. no toys!
Try to give us our daily bread once again.
Santa. listen to us.
We have no more little wooden shoes:
But give victory to the children of France!
­­C. Debussy

Women of the University Chorus
William Lawson, piano

�Missa Brevis in  F Major .....................c..ceeeu......... Josef Haydn
(1 732­1809)
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Susan MacLennan and MayBelle Golis, soprano soloists
Siobhan Sculley, conductor

Fern I 

Cabiria Jacobsen, mezzo soprano

o

Paul Watrobski, cello

e

All the sun long it was running. it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery And ﬁre green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard. blessed among stables, the nightjars
Flying with the ricks, and the horses Flashing into the dark.
And then to awake. and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder. it was all
Shining, it was Adam and maiden. The sky gathered again
And the sun grew round that very day.

i carry your heart with me, (i carry it in my heart)
i am never without it (anywhere i go you go my dear;
and whatever is done by only me is your doing my darling)

i fear no fate (for you are my fate my sweet)
i want no world (for beautiful you are my world, my true)
and it ’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
 
and the sky of the sky o f tree called life:
which grows higher than soul can hope or mind can hide)
and this is the wonder that ’s keeping the stars apart
i carry your heart (i carry it in my heart)

So it must have been aﬁer the birth of the simple light
In the ﬁrst. spinning place. the spellbound horses walking warm

­—.e. cummings

 
Missa B r e v i s . . . . . . . . o g t e m w o s L. Webb
(b. 1976)

Out of the whinnying green stable On to the ﬁelds of praise.

iI

(MM Choral Conducting. Binghamton University, 2001)

.

Susan MacLennan, soprano solo

Now as l was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley Down the rivers of the windfall light.
And as l was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only.
Time let me play and be Golden in the mercy of his means.
And green and golden I was huntsman and herdsman. the calves
Sang to my born. the foxes on the hills barked clear and cold,
And the sabbath rang slowly In the pebbles of the holy streams.

 
n Duke
o
J
t
r
a
(1899­1984
Arranged for chorus by Rachelle Brisson
h

(Premiere performance of this arrangement. completed Spring, 2010)

Kyrie
Sanctus
Benedictus
Agnus Dei

John Corigliano
(b. 1938)

Michelle Anderson, Cheryl Jacobson,
Andrew Fuller, Daniel Romberger, solo quartet

James Hsia, Ella Serrano, violins

I Carry Your H

(1960)

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over. I ran my heedless ways.
My wishes raced through the house high hay
And nothing I cared. at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden Follow him out of grace.
Nothing l cared. in the lamb white days. that time would take me
Up to the swallow thronged loﬁ by the shadow of my hand.
In the moon that is always rising. Nor that riding to sleep
I should hear him ﬂy with the high ﬁelds
And wake to the farm forever ﬂed from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
­­Dylan Thomas

�section the male lover determines that his female companion “needs her sleep
more than his amorous advances.”

NOTES O N  T H E  MUSIC
Youth is full of pleasance, age is full of care. . .
Youth is wild, and age is tame. (William Shakespeare)

Time is the great arbiter of quali ty in the arts. an d genius in musi c is most often

recognized and acknowledged only aﬂer the passage of a great deal of it.  In the
normal course of events, one would expect to ﬁnd a composer’s greatest

creations only a fter a certain ma turation process ­­ the middle to late years.  Yet
genius is frequently found in eve n the earliest com positions of the true greats as

we can see in today’s performance of works by t he twenty­seven­year­old
Brahms, the nineteen­year­old Schubert, and the seventeen­year­old Haydn.

Johannes Brahms interest in choral music spanned his entire career.  His most
well­known choral work, Ein deutsches Requiem , was composed near the
middle of his life, but the motets, part songs, and folk song arrangements were
written from his early years in Hamburg to the last decade of his life in the
1890’s.  The opus 29 motets (there are two of them) were written in 1859­60 for
local Hamburg choirs.  The fugal middle section demonstrates his admiration of
the music of the past, most notably that of J.S. Ba ch.  However, in the Ldndler­
like  third section. one can also hear traces of the German folk music which he
so admired and spent much of his life collecting and arranging.

l
l

The two Debussy choral works presented provide another opportunity to hear
works from the beginning and end of a brilliant creative career.  Debussy
composed the short cantata, Salut Printemps. as an attempt to win the Prix de
Rome in 1881.  Having encount ered signiﬁcant diﬀiculties in his earlier
harmony studies at the Paris Conservatoire over his penchant for parallel
fourths and ﬁfths, he followed the advice of his composition teacher. Guiraud,
and curtailed his innovative creative urges and attempted a style that would be
more conventional and pleasing to the judges.  The work failed to win the prize
in 1881, but Debussy was successful two years later with his cantata L ‘enfant
prodigue.

Most of Mozart ’s sacred choral music dates from his early years as composer in
service to the Archbishop of Salzburg, Hieronymus, Count Colloredo.  It is
always to be regretted that for al most a decade. when the composer was
enjoying his most productive years in Vienna, he abandoned sacred choral
composition. In 1 791, his last yea r, he returned to this genre for two ﬁnal
masterpieces. th e exquisite motet Ave verum corpus, and his uncompleted
Requiem.  The motet was written for Anton Stoll, a village teacher and
choirrnaster at Baden.  Mozart composed in an intentionally simple style
beﬁtting the modest resources of the village church.
Very little is known of Schubert ’s inspiration for or the circumstances
surrounding the composition of Christ ist erstanden (also known as Chor der
Engel or “Chorus of Angels”) a text found in Pa rt 1, Act 1, Scene 1 of Goethe’s
Faust.  We do know that Schubert was familiar with Faust as early as 1 814
(age 17) because the composer’s famous song for voice and piano. Gretchen
am Spinnrade, dates from that ti me.  The choral work was not published until
1839, long after Schubert ’s death in 1828.
­­ Bruce Borton
Schubert composed Stidndchen ( Serenade) in 182 7, less than a year before his
death in 1828. and the ﬁrst performance was given in August of that year. The
poem by Grillparzer is divided into three sections. The ﬁrst section describes a
male visitor atte mpting to wake his female companion. The second section talks
about friendship and love. The poem concludes by observing that it is easier to
ﬁnd gold than it  is to ﬁnd a person that is “Gracious and kind.” In this last

The poet was commissioned by a friend to write t his poem to celebrate the
birthday of his wife. Grillparzer contacted Schube rt and he quickly agreed to
compose the music. When Grillparzer saw the ﬁrst version for men ’s voices and
soloist, he said, “no Schubert. I can’t use it, as this is supposed to be a
celebration for Gosmar’s female friends.” Schube rt changed the work from male
voices to female voices and on A ugust 1 1, 182 7, a group of Miss Gosmar ’s
female friends sang Standchen to her while in a garden. “The vision of a female
ensemble serenading a girlfriend with a poem written from a male standpoint
must have been a bit strange and certainly humorous.”
­­ Siobhan Sculley

The year 1915 found Debussy suﬀering from te rminal cancer and deeply
aﬀected by recent events of the war in which the Kaiser’s army had ravaged
and occupied much of Belgium, Poland. and Serbia.  Days before undergoing
surgery to remove his colon, he wrote the words and music for this emotional
little song expressing the tragedy though the eyes of an orphaned child.
Originally writte n for solo voice and piano, in 19 16 he rearranged the piece for
children’s chorus.  He died later that year, making this choral work his ﬁnal
work for voice.
­­ Bruce Borton

l
l

Franz Joseph Ha ydn was born in  1732 in Rohrau, Austria. Betwee n 1749­1750,
Haydn composed the Missa Brevis in F major.  It is one of his earliest known
compositions. During this time, he was a freelance musician, teacher, and
composer.
The text in his Missa Brevis follows the ordinary of the Catholic Mass, which
includes the Kyrie. Gloria, Credo. Sanctus, Benedictus and Agnus Dei, but set
in very brief and economical fashion.  The two longest text movements. the
Gloria and Credo. last only 1‘30 and 2‘30 respectively in part due to his
employment of a technique called “telescoping”, a process in which several
 
lines of text are sung simultaneously.  This allows the quick delivery o f long
The
and. 
ssible to underst
text. although resulting in text that is nearly impo

�performing forces include SATB chorus, two soprano soloists, and a very small
orchestra of violins 1 and 2, and basso continuo.
The overall harmonic structure and form of this work are simple.  The form of
the piece resembles Concerto Grosso style, with alternating solo, tutti, solo.
tutti. The simple structure aligns with the ideals of the Catholic Church in the
1750’s. Pope Benedict XIV desired liturgical music that focused on the
religious intention as opposed to operatic style.

Towards the end of Haydn ’s life (1805), the manuscript of the mass was found
in the Servite Monastery at Rossau. Haydn was elated when he rediscovered this
work and found that he enjoyed “the melody and certain youthful ﬁre“.
­­Siobhan Sculley
“First steps” are frequently taken during student years, and Binghamton
University has been witness to a number of ﬁrst steps over the years.  Rachelle
Brisson came to Binghamton University as a graduate student in 2009­2010.
She is a graduate of Mansﬁeld University and is currently a resident of Owego,
New York.  In the spring of 2010, Ms. Brisson was a student in Bruce Borton ’s
Choral Arranging class and completed her arrangement of John Duke‘s solo
song, i carry your heart, a setting of an e.e. cummings poem, as a ﬁnal class
project.  Today it receives its premiere performance.

Jeﬀrey Webb completed his Master of Music in Choral Conducting degree at
Binghamton University in May, 2001.  While at Binghamton. Jeﬀ conducted
the Women’s Chorus, performed with Harpur Chorale and Uni versity Chorus,
and assisted with the choral program.  The Missa Brevis in A­Flat was one of
several composition and arranging projects completed during his Binghamton
years.  It received its premiere performance by the Harpur Chorale in May.
2001.  Webb now is an assistant professor at the University of Pittsburgh­
Johnstown and is music director of the Blair Concert Chorale, a community
chamber chorus.
John Corigliano is one of America ’s foremost living composers.  His
symphonies, chamber music, ﬁlm scores and keyboard works have enjoyed
wide acclaim and won the composer a Pulitzer Prize in 2001 for his Symphony
No. 2.  His vocal works follow the lyric tradition of Samuel Barber.  Fern Hill
is his earliest published choral work, written soon after his graduation from
Manhattan School of Music.  The Dylan Thomas poem itself is perfectly
appropriate for today’s program rhapsodizing the glories of youth from the
viewpoint of old age.  Conjuring images of the Welsh poet ’s childhood
summers on his aunt ’s farm. the poem describes being “prince of the apple
towns. . .green and carefree, famous among the barns. .  In the end, however.
time leads him from these happy times, and ﬁnally holds him “green and
dying” but still singing “in my chains like the sea.”

THE UNIVERSITY CHORUS

Bruce Borton, conductor
Siobhan Sculley, student conductor
Peter Browne and William Lawson, accompanists
Soprano 1
Michelle Anderson
Susan Bachman
Brittany L. Bory
Lorrina Fuentes

Mary Gilda
MayBelle Golis
Margaret Hays

Sayuri lto

Susan MacLennan
Cathie Makowka
Mary Barb Martin
Susan Rosenberg
Marilyn Ross
Ligita Roznere
Gloria Salamida
Siobhan Sculley
Barbara Alhart Simon
Barbara Thamasett
Soprano 2
Sarina Barrera
Ency Burhans
Patricia Caldwell
Rachel Christian
Jenna Cooley
Joanne Corey

Christina Cussen
Barbara Herne
Sioux Petrow
Kelly Pueschel
Nuzhat Quaderi
Megan L. Roppolo
Susan Sarzynski
Jennifer Walsh
Lois Wilston
N. Ewa Wu
Alto 1
Carolyn E. Blake
Nanette Borton
Maria Luisa Cook
Carole Dickinson
Jayde Doetschman
Michelle Doherty
Tahnee Fallis
Diane A. Ferraccioli
Amanda Grode
Olivia Hon
Sylvia Horowitz
Grace Houghton
Cheryl Jacobson
Joan Kellam
Claire Labbe
*Choir president
TChoir secretary

Pat Labzentis
Adina Lowy*
Margit Mayberry
Katherine Moscowitch
Greta Myers
Anna Nicholas
Joyce Printz
Mary Schuster
Jane Shear
Sarah Szalasnyt
Susan Szczotka
Susan S. Waring
Mary Woestman
Caitlin Worm

Alto 2
Kathryn Baine

Lois P. Bare
Anna Bitterbaum
Kate Bouman
Phyllis S. Burr
Jeanne Fenzel
Ida Amelia Jones
Janice Lee
Hallie Marks
Ethel F. Molessa
Shirley Rodgers

�Tenor
Barbara Barno
Brad Bennett
Martin Bidney
Kevin D’ Andria
Kevin Doherty
Andrew Fuller
H. B. King
Carl Kinne
Dennis Leipold
David W. Martin
Kevin Mootoo
Justin Padilla
Brian Presser
Carlton Sackett Jr.
Sherry Williamson

Bass 1
Eric Bare
Ronald Beauchamp
Nick DeFeo
Richard Dutko
Benjamin Elling
Russell Feinstein
Michael Jabo, J.D.
Tom Lamphere
Christian Martin
David Mizrahi
Edward J. Orosz
Joshua Perry
Mike Pontera
Myron F. Shlatz
William Clark Snyder
Shane Thorn

Bass 2
Michael Brenner
Carl Bugaiski
Jushin Choi
David DeMoya
Mark Epstein
Adam Geier
David Hanson
Pak Lok Pio Lau
Michael Little
Sean Marrin
Arlo H. Meeker
Joseph E. Nelson
Daniel Romberger
David L. Schriber
Donald Lee Stanley
Bob Sullivan

’  Bipghagntonw

{ﬁg  C 0 : 1 1 " ! q u  _,
‘O fc h e st r a
\‘ " 
ee)

The Binghamton Gommunity Orchestra
2010­2011 SEASON  SCHEDULE
Saturday, April 9, 2011, 7pm
Sunday, November 21, 2010, 7pm 
Helen foley Theatre 
at Binghamton High School 
Binghamton Community ﬂrchestm 
with the Binghamton Youth 

Sarah Jane Johnson Church
Johnson City, AY
Annual STMTA  Winners Concert
Tim Perry, Conductor

Symphomy Orchestra 

Frieda Abdo,  Soprano

Barry Peters, Conductor

For more information:

www.BCOrchestra.com, conductor@BCOrchestra.com or 607 759­9004

The Binghamton University Chorus has been performing major works for chorus and
orchestra since 1971.  Its 125+ members include university students, faculty, staﬀ, and a

large and loyal group of community singers from throughout the Southern Tier and
northern Pennsylvania.  With representatives of all ages and singing experience, it is the
most diverse of all of the ensembles at the University.  lts repertoire has included
virtually all the major choral works in the standard repertoire including the major works
of Bach, Beethoven, Brahms. Verdi, Mendelssohn, Mozart, Haydn, and a sizable
number of twentieth and twenty­ﬁrst century composers.  They perform regularly with
the Binghamton University Symphony and the Binghamton Philharmonic including
recent performances of Brahms Ein deursches Requiem  and Beethoven Symphony No. 9
under conductor José­Luis Novo.

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Something Old

Something N e w

A C o mm u n i ty  Si ng w i t h  Alice Pa rk e r

Saturday, October 16  2010, 3 :00 p m
Furst Presbrtenan C   ,h 42 Chenango Street. Binghamton, NY

F ol k So n g I nspi rat i ons

Directed br  fume  Bover Cotten
Sunday, Oc tobe: 17, 201 0 ,  4:00 p m
T umty Memoual Episcopal Church,  44 Mam Street, B:

NY

L esso ns  a n d  Ca rols for C h ri s u n a s

11 0.4 00 pm
Saturday,  Novem ber  27, 201 0, 73:0  p m &amp; Sunday, Now
Church of t he H ol r Truuty, 346 Prospect Street,  Binghamton,  NY
C h o ra l  jo u rn e ys :  D e p a rt u r e s,  Dest i n a t i o ns  a n d  D r e a m s

Led hr.  Bruce Borton,  ­ '  '*:e for Artistic Director
Sunday,  March 20,  20 11 , 4:00 p m
vtenan Church,  42 C henango St e e t ,  Binghamton,  NY
Furst P, 

Ali‘s F ai r : So n gs  o f L o ve &amp; W a r

L e d by James N iblock, candidate for Artistic Di rector

aday,  h i m­l l  2011,  4:00 pm

 ts P r e s b rt e s i a n   Church , 42 Ci nango Street, Binghamton, N Y

(D

T h e  M a d ri g a l  C h o i r  o f  B i n g h a m t o n   «  201 0­2011  + 33rd Season  1 KEEIIZZITN

For ticket information visit www.madrigalchoir.com or call 607­729–4767

�G 

N I G  

(eles

Thursday, November 1 8 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital
Hall – free

Thursday, November 18 – Fried heim Memorial Lecture/Recital Series:

Claudio Monteverdi, II lamento d ’ Arianna ( Paul Schleuse, spea ker ;
C h rist i na Salasny, soprano ; And re w Wal kling, cello a n d  Pa ul Sweeny,
guitar ) – 8 p.m. ~ Casadesus Recital Hall – $5 general public; free for students

(1 00 student tickets available)

F ri da y, Novem ber 1 9 – O rganist J o n a t ha n Biggers : A Bach Celebration ~ 8
p.m. – FA2 1 – $10 general public: $5 faculty/staﬀ/seniors; $2 students
Saturda y, Novem ber 20 – Prof. Ti mot h y C hee k (U ni versity of Michigan )
Masterclass on Czech diction a n d  vocal l it e rature – 1 0 a.m. – 1 2 noon and 2 ­

4 p.m. – Casadesus Recital Hall – free

Sunday, November 21 – Czech Vocal Music : Ma ry Burgess, soprano ;

Ti moth y Le Feb v re, baritone ; guest a rt ist Ti moth y C hee k, piano – 3 p.m. –
Anderson Center Cham ber Hall – $ 1 5 general public : $ 1 0 faculty/staﬀ/seniors;

$5 students

T uesday, Novem ber 23 – Percussion E nsem ble – 8 p.m. – Anderson Center
Chamber Hall – free
Wednesda y, Decem ber 1 – Lecture/Recital with J ie un J a n g,  piano – 8 p.m. –

Casadesus Recital Hall – free

Thursday, Decem ber 2 – Holiday Mid­Day Concert – 1 :20 p.m. – Casadesus
Recital Hall – free
Th ursda y, Decem ber 2 – H a r p u r  C hora l e &amp; Women ’s C ho rus – 8 p.m. –
Trinity Memorial Church. Binghamton – free

F riday, December 3 ~ Flute Studio a nd Flute C ham ber Concert – 10:30 a.m.
­ Casadesus Recital Hall – free
Saturday, December 4 – University Symphony O rchestra : America ’s Inner
Life ­ 3 p.m. – Osterhout Concert Theater – $10 general public: $5
faculty/staﬀiseniors: free for students (Group rate $8 per person)

For ticket information, please call the A nderson Box Oﬀice at
7 7 7­ ,4 R TS.

�</text>
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                    <text>UNIV

BINGHAMTON
UNIVERSITY
State University of New York

Department of Music

Flute Ensemble
Georgetta Maiolo, director

Saturday, April 30, 2005
12:00 noon
Casadesus Recital Hall

�Program
Advent Music, Opus 8, No. 1............. ........ T. Donley Thomas
1. Prelude on "In Dulci Jubilo"
(b. 1929)
2. Interlude
3. Postlude on "Valet Will Ich Dir Geben
Marche Miniature ..................................... Peter Ilyitch Tchaikovsky
(1840-1893)
Arranged-by Arthur Ephross
Londonderry Air ............................... Arranged by Ricky Lompardo
Introduction to the Flute Family &amp; Childhood Favorites
Arranged by Ricky Lombardo
Chanson Triste ......................................... Peter Ilyitch Tchaikovsky
(1840-1893)
Arranged by Clair W. Johnson
Selections from the opera "Carmen" .......................... Georges Bizet
Introduction
(1840-1893)
The changing of the Guard
Masques ................................... ................................. Anne McGinty
(b. 1945)
The Pink Panther. ................................... ................... Henry Mancini
The Pink Panther Theme
(b. 1924-1994)
Shades of Sennett
Arranged by Amy Rice-Young
When The Saints Go Marching In .... Arranged by Ricky Lombardo

�About the Director
GEORGETTA MAIOLO is a member of the faculty of Binghamton
University and Broome Community College, teaching Flute and directing Flute
Ensembles. From 1977 to 1996, she held the position of Assistant Professor of
Flute at Ithaca College, Ithaca, New York. She also taught flute at West
Virginia University, Morgantown, West Virginia.

Mrs. Maiolo is a graduate of Duquesne University, Pittsburgh, Pennsylvania and
attended graduate school at West Virginia University, Morgantown, West
Virginia. She studied with Bernard Goldberg, principal flutist of the Pittsburgh
Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At
the age of 15, she made her solo debut with the Pittsburgh Symphony. Mrs.
Maiolo is the recipient of numerous honors, including the NCMEA National
Music Award, the Pittsburgh Tuesday Musical Club, the Enola M. Lewis
Scholarship and the Mu Phi Epsilon Sterling Achievement Award.
Mrs. Maiolo is the principal flutist of the Binghamton Philharmonic Orchestra,
Tri-Cities Opera Orchestra, Southern Tier Concert Band and Downtown Singers
Orchestra. In addition to her playing positions, she concertizes as a soloist,
recitalist and chamber musician. In 1983, Mrs. Maiolo was honored to conduct
the NYSSMA All-State Flute Choir. She served as the flute chairperson for the
NYSSMA Manual from 1981 to 2001. She is a "clinician" for the Selmer
Company.

Binghamton University Flute Ensemble
Stephanie Dodge
Michelle Grossman
Leah Hays
Stephanie Holleran
Joanna Hunt
Kelley Kimball
Nicole Lean
Caitlynn McMullen
Manessha Lal
Lauren Silinonte
Kira Slocum
Valerie Spiller
Meghan Tate
Jennifer Weintraub

�COMING EVENTS
Saturday, April 30 - Master's Recital: Amber Alarcon, mezzo-soprano 8:00 p.m. - Casadesus Recital Hall - free
Sunday, May 1 - University Wind Ensemble - We Band of Brothers - 3:00
p.m. - Anderson Center Chamber Hall - free
Sunday, May 1 - Junior Recital: Melissa Mattern, viola - 7:30 p.m. Casadesus Recital Hall - free
Monday, May 2 - Master's Recital: Robin Kindig, bassoon - 8:00 p.m. Casadesus Recital Hall- 8:00 p.m. - free
Wednesday, May 4 - Student Conductors' Concert - 8:00 p.m. - Watters
Theater - free
Thursday, May 5 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free
Thursday, May 5-:- Harpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall- free
Saturday, May 7 - Master's Recital: Theresa Perrone, clarinet- 3:00 p.m. Casadesus Recital Hall - free
Saturday, May 7 - Student Recital: Christina Wan, violin - 8:00 p.m. Casadesus Recital Hall - free
Sunday, May 8 - Student Saxophone Quartet - 3:00 p.m. - Casadesus Recital
Hall-free
Thursday, May 12 - Master's Recital: Donald Truesdail, string bass - 8:00
p.m. - Casadesus Recital Hall - free

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                    <text>BINGHAMTON
UNILV:ERSITY

State University of  New York

wi d e
[4

B

E P  A R T M E N T

Flute Ensemble
Georgetta Maiolo, director

Saturday, December 1, 2007
12:00 noon
Casadesus Recital Hall

�P rog ram
Andante Canta bile..................................... Peter Ilyich Tchaikovsky
(1840­1893)
Arranged by Jennifer Higdon

Prelude and Rondo...............ccon nivicncssacsesesso. 
ANDES  McGinty
(b.1945)
The Nutcracker Suite 
Miniature Overture 
March 
Dance of the Sugar Plum Fairy
Arab Dance
Dance of the Mirlitons
Waltz of the F lowers

Peter Ilyich Tchaikovsky
(1840­1893)
Arranged by Michael Axtell

On Eagles’ Wings 
Monochrome I

Jared Spears
(b. 1930)
P

e

t

e

r Schickele
 
(b.1935)

The Fairest of the Fair.................ccccccieeeeeenceecee.....JOhN Philip Sousa
(1854­1932)
Arr. by Ricky Lombardo
Let it Snow 

Julie Styne and Sammy Cahn
Arranged by James Christensen

We Wish You a Merry Christmas..... Arranged by Ricky Lombardo

Mem bers of the Bi nghamton Un iversity Flute Ensem ble
Anthony Chen
Juliette Guarino
Rachelle Haddad
Sarah Harper
Leah Hays
Judy Kahn
Katherine Navarette
Jaclyn Scott
Valerie Spiller
Melissa Voldan

�Coming 

‘Crents

Satu rday, Decem ber 1  – Reunion  Recital :  Aaron  Nicholson, baritone
and  Todd  Robinson,  bass­baritone  –  8:00  p.m.  –  Anderson  Center
Chamber Hall ­ $15 general public; $13 faculty/staﬀ/seniors; $7 students
Sunday, Decem ber 2 – University Orchest ra : Sounds Behind the Celluloid –
3:00 p.m. ­ Anderson Center Concert Theater ­ $9 general public; $7
faculty/staﬀ/sen iors; free for students

Tuesday, Dece m ber 4 – Percussion Ensemble – 8:00 p.m. ­ Anderson Center
Chamber Hall – free
Thu rsday, Decem ber 6 – Mid­Da y Concert ­­ 1 :20 p.m. – Casadesus Recital
Hall ­ free

Thursday, Decem ber 6 – Harpur Chorale and Women’s Chorus – 8:00 p.m.
– Trinity Memorial Church, Binghamton – free
Friday, Decem ber 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall –
free
Sunday, Decem ber 9 – Wind Sym phony – 7:30 – Anderson Center Chamber
Hall ­ free
# * t * # * * # * * # # * # * # * * * * *

Sp ring 2008
Sunday, February 10 – Romance, Fantasy, T ragedy – 3:00 p.m. – Anderson
Center Chamber Hall ­ $15 general public; $13 faculty/staﬀ/seniors; $7 students
Sunday, Fe brua ry 1 7 – A Tango for Two: Guest Or ganists An nette Richards
and David Yea rsley – 4 :00 p.m. – First Presbyterian Church, Binghamton. ­
$15 general public; $13 faculty/staﬀ/seniors; $7 students
Friday, Fe brua ry 22 – Master ’s Recital : LaToya Lewis, sop rano – 8:00 p.m.
– Casadesus Recital Hall – free

Sunday, Febru ary 24 – Musica Nova – 3:00 p.m. – Anderson Center Chamber
Hall ­ $9 general public; $7 faculty/staﬀ/seniors; free for students
Satu rday, March 1 – University O rchest ra : Top Talent (Concerto
Com petition Winne rs) – 8:00 p.m. – Osterhout Concert Theater ­ $9 general
public; $7 facul ty/staﬀ/seniors; free for students

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