26
10
972
-
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Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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20:02
35:36
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Friedheim memorial lecture/recital series : Schumann's Carnaval, March 17, 2011
Recital Tape 2011-3-17
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Held at 8:00 p.m., March 17, 2011, Casadesus Recital Hall.
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Mallinson, Chai-Kyou
Schumann, Robert
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Binghamton University Libraries
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2011-03-17
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sound
-
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Friedheim memorial lecture/recital, September 18, 2008
Recital Tape 2008-9-18
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Held at 8:00 p.m., September 18, 2008, Casadesus Recital Hall.
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LeFebvre, Timothy
Salmirs, Michaels
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2008-09-18
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sound
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5f8bd26e-bc12-4f32-aefb-bf00a7172041
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https://omeka.binghamton.edu/omeka/files/original/bc4bf41667cb837200006673487671e9.pdf
2eccd50445f4333cabe632a3216a3057
PDF Text
Text
BINGHAMTON
YP N I V E R S I T Y
S I T Y O F N E W Y O R K
Hiee
D E P A R T M E N T
F R I E D H E I M MEMORIAL
LECTURE/RECITAL
Johann Sebastian Bach
Sonata in b minor BWV 1 030
Harry Lincoln, Lecturer
Georgetta Maiolo, Flute
Jonathan Biggers, Harpsichord
Thursday, September 24, 2009
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
Johann Sebastian B ach
HARRY LINCOLN is a Distinguished Service Professor,
Emeritus. He holds a PhD in musicology from Northwestern University
with a specialty in Renaissance Italian music and joined Harpur College
in 1951. A founder and first president of the Binghamton Symphony
Sonata in b minor BWV 1030
Sonata in b minor.
Johann Sebastian Bach
Andante
Largo e dolce
Presto, Allegro
1685 1 750
Remarks on the Composition
Professor Emeritus Harry Lincoln
Performance
Georgette Maiolo, Flute
Jonathan Biggers, Harpsichord
ABOUT THE SERIES
The Friedheim Memorial Series honors the memory of
Professor Philip Friedheim (19301986) whose remarkable tenure at
Binghamton University featured many memorable lecturerecitals with
faculty and guest artistperformers on major works of the classical music
tradition. We seek to recreate Phil’s special combination of scholarship
and performance that served to deepen our understanding for – and love
of – great works of musical art. All proceeds of the series will go towards
the undergraduate scholarship funds of the Department of Music.
Today’s performance opens the 20092010 series with Professor
Emeritus Harry Lincoln’s remarks on J. S. Bach’s Sonata in B minor
featuring Georgette Maiolo on flute and Jonathan Biggers on
harpsichord. The next performance in the series will be held on
Thursday, March 4, 2010, and will highlight composer and music critic
Robert Schumann, who played a major role in the 19” century’s
emerging Romantic Movement. Please join us as Mobius Ensemble’s
Janey Choi (violin), Roberta Crawford (viola), Stephen Stalker (cello),
and Michael Salmirs (piano) discuss and perform three representative
works by this influential and enigmatic musician: Papillons, Op. 2,
Mérchenbilder, Op. 113, and Piano Quartet, Op. 47.
Orchestra (now the Binghamton Philharmonic), he was principal flutist in
that ensemble for ten years. His publications include editions of Italian
madrigals and early Baroque keyboard music. A pioneer in the use of
the computer for music research, he published two large thematic
indexes of Renaissance polyphony as well as reporting on this research
to meetings in Nottingham, Edinburgh, Copenhagen, Paris, Ljubliana,
Barcelona and Tokyo. He contributed articles to The New Grove
Dictionary of Music. He was active in the College Music Society,
developing the Directory of Music Faculties in USA and Canada, and
serving as national president in 19691970. He enjoys the challenge of
analyzing music for general audiences and, in retirement, has presented
lectures in the annual Lyceum program series.
GEORGETTA MAIOLO is on the faculty of Binghamton University and
Broome Community College teaching Flute and directing Flute
Ensembles. Mrs. Maiolo is the principal flutist of the Binghamton
Philharmonic Orchestra and the TriCities Opera Orchestra. In addition to
her playing positions, she concertizes as a soloist, recitalist and chamber
musician. Mrs. Maiolo is faculty advisor for Mu Phi Epsilon, Zeta Eta
Chapter at Binghamton University.
In the past, Mrs. Maiolo performed several Lecture/Recitals at
Binghamton University with Professor Philip Friedheim. It is an honor to
perform, for the Friedheim Memorial Series, the Sonata in b minor by
Johann Sabastian Bach with Professor Harry Lincoln and Professor
Jonathan Biggers.
JONATHAN BIGGERS maintains an active career as both a
Professor of Organ and as a concert organist. He is Professor of Organ
and Harpsichord at Binghamton University, and Adjunct Professor of
Organ and Harpsichord at Ithaca College. Dr. Biggers has presented
several hundred concerts in church and university settings throughout
the United States, Canada, and Europe, and has appeared with various
orchestras in North America. He has been featured on NPR, Canadian
Broadcast Corporation, and Radio Suisse Romande broadcasts.
Dr. Biggers has studied extensively with Russell Saunders
(Eastman School of Music; DMA), Lionel Rogg (Conservatory of Music,
Geneva, Switzerland; Fulbright study), J. Warren Hutton (The University
of Alabama; MM and BMus), and Wallace Zimmerman (Atlanta; pre
college), and has worked with Harold Vogel (Bremen, Germany) during a
recent sabbatical study period. He was awarded a unanimous first prize
in the 1985 Geneva International Competition, secondprize in the 1982
American Guild of Organists National Organ Playing Competition, and
�unanimously w o n the 1990 Calgary International’ Organ Festival
Concerto Competition, where he presented the world premier
performance of Snowwalker: A Concerto for Organ and Orchestra, by
Pulitzerprize winning composer Michael Colgrass. He has premiered
other works by notable composers such as Richard Proulx (Concerto for
Organ and Orchestra), Craig Phillips (Triptych for Organ, Brass and
Percussion), Persis Vehar (Soundpiece for Organ), and David Brackett
(Nightworks for Organ). Two highly acclaimed Compact Disc recordings
of his performances (“Sleepers, Wake! A Reger Perspective” and “Bach
on the Fritts!) have been issued by Calcante Recordings.
Binghamton University M usic D epartment’s
U P C O M I N G E V E N T S
Friday, S eptember 2 5 ” Fast Indian Sarod with guest artist
Rajeev Taranath, 8:00 PM, Anderson Center Chamber Hall, $$
Thursday, October 1 % MidDay Concert, 1:20 PM, Casadesus Recital Hall
FREE
idDay Concert, 1:20 PM, Casadesus Recital Hall
Thursday, October 8 ” M
FREE
October various d ates a n d ti m es 3Penny Opera with the Theatre
Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$,
call 607. 77ZART5 for dates and times
Thursday, October 1 5 ” MidDay Concert, 1:20 PM, Casadesus Rectal Hall
FREE
Sa tu rd ay, October 1 7 ” P aul Taylor Dance Company with the Binghamton
University Symphony Ordrestra, 8:00 PM, Osterhout Concert Theater, $$
Thursday, October 22™ MidDay Concert; 1:20 PM, Casadesus Recital Hall
FREE
Sa tu rd ay, October 2 4 ” Family Weekend Concert (Harpur Chorale, Women’s
Chorus and Wind Symphony), 3:00 PM, Osterhout Concert Theater, FREE
Thursday, October 2 9 ” MidDay Concert, 1:20 PM, Casadesus Recital Hall
FREE
For ticket information, please call the
Anderson Center Box O ffice a t 777ARTS.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 sound disc
Duration
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1:08:49
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152706">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152706</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Friedheim memorial lecture/recital, September 24, 2009
Recital Tape 2009-9-24
Description
An account of the resource
Works of Bach. Held at 8:00 p.m., September 24 , 2009, Casadesus Recital Hall.
Publisher
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Binghamton University Libraries
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2009-09-24
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/f6b8b8e6d2110cb4b0262e74ad61d823.pdf
a93e7a34d76689ab77bff3869935b4bf
PDF Text
Text
BINGHAMTON
M N I V E R S I Y
X
T
S T A T E U N I V E R S I T Y O F N E W Y O R K
wide
[4
D E P A R T M E N T
F R I E D H E I MM
EMORIAL
L E C T U R E / R E C I T A L
F R A N Z S C H U B E R T
Wanderer Fantasy
Alice L. Mitchell, L ectu re r
J o h n Covelli, Piano
Sunday, February I, 2009
3:00 PM
Casadesus Recital Hall
�The Binghamton University Department of Music
presents the 20082009
Philip F riedheim Memorial LectureRecital Series
ABOUT T H E PERFORMERS
F ranz Schubert ’s
ALICE MITCHELL is a native New Yorker who received her earliest music
education at the Third Street Music School Settlement and as an undergraduate
at Hunter College. She continued with graduate studies in musicology at Smith
College, as a student of Alfred Einstein and at Columbia University with Paul
Henry Lang. She has performed as a piano soloist at Town Hall, Steinway Hall,
and at the Brooklyn Academy of Music. Her publications include an edition and
translation of Carl Czemy’s Treatise on Improvisation (Op. 200), articles in the
Musical Quarterly, the Musical Heritage Review and Grove’s Dictionary, and
liner notes for Dover Publications recordings. She has served as Chair of the
Music Department, during which she initiated the joint graduate program in
opera with TriCities Opera and opened negotiations that resulted in the Link
Professorship.
Wanderer Fantasy
C major, Op. 15, D. 760
Remarks on the Text and Composition
Professor Alice L. Mitchell
Performance
John Covelli, Piano
E BBC E
C B C E C B C B B C B C B C B B CBE C
B B BC B
While recognized as one of the more versatile conductors of his generation,
JOHN COVELLI has for most o f his life been known and respected as an
extraordinary piano talent. As a Chicagobom piano prodigy studying since age
four, he was credited in his youth with numerous concerts, broadcast recitals,
special musical awards, performances at the Chicago Music Festival, with the
Chicago Symphony at age 9; reci pient of the Chicagoland Festival Award; a
highly lauded allBach concert at the Texas Bach Festival, as well as composing
prizes. A s a teenager, h e was t he on ly conce rt pianist ever to win the famous
The Friedheim Memorial Series honors the memory of Professor Philip
Friedhiem (19301986) whose remarkable tenure at Binghatmon University
featured many memorable lecturerecitals with faculty and guest artist
performers on major works of the classical music tradition. We seek to recreate
Phil’s special combination of scholarship and performance that served to deepen
our understanding for – and love of – great works of musical art. All proceeds
of the series will go towards the undergraduate scholarship funds of the
Department of Music.
The 20082009 series opened in September 2008 with Professor Emeritus
Harry Lincoln ’s analysis of Schubert ’s classic lied Der Erlkonig. (Incidentally,
Harry served as performer with Walter Ponce on one of Phil’s many programs.)
Today’s performance, as noted above, features an examination of Schu bert ’s
Wanderer Fantasy, with a lecture by Professor Alice L . Mitchell (another o f
Phil’s colleagues) and Guest Pianist John Covelli.
The third and final Friedheim concert of the 20082009 series will be on
Tuesday, April 28", and will unravel mysteries of modern music in Audible
Processes: Minimalism and Beyond with Professor Paul Schleuse lecturing.
Faculty performers include Timothy Perry, Margaret Reitz, Janey Choi, Michael
Salmirs and Ewa MackiewiczWolfe.
Godfrey Talent Scout Program and appeared in a series of nationwide CBSTV
performances. His New York debut drew rave notices from every newspaper
and major publication present including the Times stating, “This is one of the
best debut recitals in our recollection.” While conductor and soloist of the famed
Seventh Army Symphony, he was selected special musical ambassador for USIS
gleaning accolades as featured touring soloist throughout Europe. As a winner
in two o f E urope’s m ost prestigious piano com petitions t he Queen Elizabeth of
Brussels, and the Busoni International Piano Competition in Bolzano, Italy, John
Covelli was launched from youthful prodigy to an international performer of
major standing. Critical praise from major music capitals was unanimous. In
addition to solo piano concerts, the unique excitement John Covelli brings to the
dual role of conductor/pianist in a wide range of concertos from Gershwin,
Gottschalk, Shostakovitch, and Saint Saens, to Bach, Beethoven, Mozart and
more has become a special part of his international musical charisma.
(Biography © 2003 John Covelli, All rights reserved.)
�Coniz (enst
S u n d a y, Februa r y 1 5% Musica Nova: Sing a New Song,
Anderson Center Chamber Hall, 3:00 PM, $$
Saturda y, Februar y 21% A Russian Fantasy for Two Pianos with
Ewa MackiewiczWolfe and Michael Salmirs, pianists, 8:00 PM, $$,
Anderson Center Chamber Hall
Sunday , Februa ry 2 2 ™ Organist Jonathan Biggers A Bach
Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold O ut)
Tuesda y, Februar y 24°" Organist Jonathan Biggers – A Bach
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$
idDay Concert, 1:20 PM FREE
Thursda y, Febru ary 2 6 ” M
Casadesus Recital Hall
uest Artist: Dr. Hal Reynolds, trombone,
Thursda y, Februa ry 2 6 ” G
Casadesus Rectal Hall, 8:00 PM, FREE
rganist Jonathan Biggers – A Bach
Friday, Februar y 2 7 ” O
Celebrationl.l Series, Fine Arts Room 21, 8:00 PM, $$
Thursda y, March 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursda y, March 5 Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 7:30 PM, $$
Saturda y, March 7°" University Symphony Orchestra: Hearing the
Orient, Osterhout Concert Theater, 8.00 PM, $$
Wind Symphony, 3:00 PM, FREE
S u n d a y, March 8 ” University
Anderson Center Chamber Hall
oncert, 1:20 PM – FREE
Thursda y, March 1 2 ” MidDay C
Casadesus Recital Hall
For ticket information, please call the
Anderson Cente r B ox O ffice
at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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33:26
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Friedheim memorial lecture/recital: Franz Schubert, Wanderer Fantasy, February 1, 2009
Recital Tape 2009-2-1
Description
An account of the resource
Held at 3:00 p.m., February 1, 2009, Casadesus Recital Hall.
Creator
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Covelli, John
Mitchell, Alice L.
Publisher
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Binghamton University Libraries
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2009-02-01
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In copyright
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sound
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio discs
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52:17
1:04:20
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Friedheim, memorial lecture/recital, March 4, 2010
Recital Tape 2010-3-4
Description
An account of the resource
Held at 8:00 p.m., March 4, 2010, Casadesus Recital Hall.
Creator
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Choi, Janey
Crawford, Roberta
Salmirs, Michael
Stalker, Stephen
Publisher
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Binghamton University Libraries
Date
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2010-03-04
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In copyright
Type
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sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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01:10:32
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Title
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From earth to the heavens, April 29, 2007
Recital Tape 4-29-2007
Description
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Held at 7:30 p.m., Apr. 29, 2007, Anderson Center Osterhout Theater.Works of Danner, Cichy, Chance, Ticheli, Sousa, Holst, Ward.
Creator
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Smith, Robert
Linaberry, Robin
Publisher
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Binghamton University Libraries
Date
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2007-04-29
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
aa341eec-f900-4729-970f-7ee46f91b74b
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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1:13:12
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189717">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189717</a>
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Title
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From here to oblivion and back, Sept 25, 2008
Recital Tape 2008-9-25
Description
An account of the resource
Works of Muczynski, Weiner, Schumann, Jeanjean, Bernstein, Piazzolla, Ponchielli.Held at 8:00 p.m., September 25, 2008, Casadesus Recital Hall.
Creator
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Reitz, Margaret A
Stucky, Mellissa
Perry, Timothy
Publisher
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Binghamton University Libraries
Date
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2008-09-25
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
e35e9f12-22f4-4df6-966b-0c6b571082fa
-
https://omeka.binghamton.edu/omeka/files/original/867dcfa7427ea80c8e83cd6ccff1e9b0.pdf
642a552981e16566bf4bf6cd1821be91
PDF Text
Text
S T A T E U NI VER SIT Y O F NEW Y OR K A T BI N G H A M T O N
H A R P UR CO L L EG E
THE D E P A R T M E N T O F M U S I C
presents
G A B R I E L C H O D O S
pianist
S unday, M a r c h 8, 1970
3 :00 p . m .
Recital Ha l l
�P R O G R A M
GABRIEL CHODOS, P i an i s t
V a r i a t i on s i n F ma j o r , Op . 34 =––––
Bee t hoven
Sona t a i n D ma j o r , Op . 10 , No. 3 =––
Bee t haven
Young Ame r i can p i a n i s t Ga b r ie l Chodos h as won awa r ds i n
t he C as e l l a I n t e rn a t i on a l P i an o f o r t e Comp e t i t i on i n N ap les an d
t he M i chae ls Compe t i t ion i n Ch i cago, and has pe r f o rmed ex tens i ve ly
Large e mes t o
i n re c i t a l and ove r rad i o and t e le v is ion t hroughou t t he Un i ted
S t a t es and i n E urope . His many o r ches t ra l pe r f o rmances i n c l ude
Menue t t o : A l leg ro
appea rances w i t h t he Ch i cago Symphony O r ches t ra a t t he
P res t o
Ravin ia Fes t i va l .
Rondo : A l le g ro
Ba r c a r o l l e , Op . 6 0 –––– _ –– _ _ _ _ –
Chop in
A P h i Be t a Kappa i n P h i losop hy f rom t he Un i ve rs i t y o f Ca l –
i f o rn i a a t Los An ge les , Mr . Chodos a lso ho lds a Mas te r of Ar ts
i n Mus i co logy f rom t ha t Un i ve rs i t y and an Ar t is t D i p loma i n P i an o
f rom the Akade mie f ur Mus ik and dars te l lende Kunst i n V ienna,
whe re he s t ud ie d unde r a Fu lb r i g h t g ran t . His p r in c i pa l p i an o
s t ud ies we re w i t h Aube Tzerko o f Los An ge les , f o rme r ly a p up i l
I NTEFWI 551
ON
of Ar tur S chnabe l ; f ur the r ins t r uc t ion was w i t h Josef D i ck le r
o f V ienna , Leona rd Sh u re a t Aspen , and C a r l o Ze cch i a t t h e
Mozar teum l n Sa lzb u r g. Mr . Chodos s t ud ie d t heo ry and comp os i t ion
Fan tasy, Op . 17 –– –––––––––––––––– –
Schumann
Durchaus phan tas t isch und le i denscha f t l i ch vorzut ragen
M i ss i g. Du r chaus en e r g is ch .
Langsam gettagen. Durchweg l e i s e zu hal t en.
Sonata No. 2 –—– –– – –– _ _ _ _ – –
App le t on
Toccata, op . 11 _ _– – –_ _ _ _ _ – _
P rokofie v
w i t h Leonard S te in .
Mr . Chodos has f o rme r ly t augh t a t t he Un i ve rs i t y o f Ca l –
i f o rn i a a t Los An ge les and the Un i ve rs i t y o f O regon . He i s
now i n res i dence a t the S t a te Un i ve rs i t y o f New York a t B u ff a l o .
His 19 70– 71 Debu t Tour of Europe was t he cour tesy o f t he
Mar tha Ba i rd Rocke f e l ler Founda t ion .
JON APPLETON, , Compose r
Mr . Jon App le t on i s on t he mus i c f a c u l t y o f Dar tmou th Co l le ge
and i s Head o f Dar tmou th ’ s Elec t ron i c Mus i c S t ud i os .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63191
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63191"> Gabriel Chodos, Pianist, Recital</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gabriel Chodos, Pianist, Recital, March 8, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven, Chopin, Schumann, Appleton, and Prokofiev. Held at 3:00 pm, March 8, 1970 at Recital Hall
Creator
An entity primarily responsible for making the resource
Chodos, Gabriel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-3-8
Rights
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In copyright
Contributor
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Beethoven, Ludwig van, 1770-1827
Schumann, Robert, 1810-1856
Chopin, Frederic, 1810-1849
Prokofiev, Sergey, 1891-1953
Appleton, Jon H., 1939-, State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064576
39091020064626
39091020064675
39091020064725
-
https://omeka.binghamton.edu/omeka/files/original/9e8d9476e0e0ce617404cf233d897373.pdf
38a1a6bd2a5f2de399a77716e40594dd
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
d e e
D E P A R T M E N T
GERMAN LYRIC DICTION
FINAL CONCERT
JUDY BERRY, INSTRUCTOR
with
William Lawson, Accompanist
Thursday, May 10, 2012
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
Franz Schubert
. (1797 –1828)
Hugo Wolf...
(1860 –1903)
Standchen (from Schwanengesang, D. 957)
Verschwiegene Liebe (Eichendorff Lieder, no. 3)
Erlkonig (Opus 1, D. 328)
In dem Schatten meiner Locken (“Spanische Lieder”, no. 4)
Christina Kompa r
HeePyoung Oh
Abendstern (D. 806 )
Richard Strauss
(1864 –1949)
Heimliche Aufforderung (Op. 27 No. 3)
Richard G. Leon berger
Gretchen am Spinnrade (Op. 2, D. 118)
Eun Hwan Bae
Traum durch die Dammerung (Op. 29 no. 1)
Meghan Cakalli
Robert Schumann......
Seit ich ihn gesehen (from Frauenliebe und Leben, Op. 42)
Molly AdamsToomey
Molly AdamsToomey
...(1810 –1856)
Zueignung (Op. 10, No. 1)
Richard G. Leon berger
Selections from Dichterliebe, Op. 48
Johann Strauss.
Im wunderschonen Monat Mai
Aus meinen Tranen sprieRen
Die Rose, die Lilie
“Mein Herr Marquis” (from Die Fledermaus)
Ich grolle nicht
Charles Hyland
Eun Hwan Bae
..(1825 –1899)
Meghan Cakalli
�TRANSLATIONS
Sténdchen (Serena de)
(Heinrich Rellstab)
My songs quietly implore you
through the night:
down to the silent w ood
my love, come to me!
The tree tops whisper
in the light of the moon;
Don’t be afraid, my love,
no one will observe us.
Can you hearthe nightingales?
Oh! They implore you,
their sweet lament
pleads with you on my behalf.
They understand the yearning I
feel,
they know Iove’s torture.
with their silvery notes
they touch every soft heart
Let them touch yours, too,
sweet love: hear my plea!
Trembling I await you,
come, bring me bliss!
Erlkdnig
(Johann Wolfgang von Goethe)
“You dear child, come, go with
me!
Very lovely games I ’ll play with
YOU;
Some colourful flowers are on
the beach,
My mother has some golden
robes.”
“My father, my father, and don‘t
you hear
What the Elfking quietly
promises me?”
“Be calm, stay calm, my child;
The wind is rustling through
withered leaves.“
“Do you want to come with me,
pretty boy?
My daughters shall wait on you
finely;
My daughters will lead the
nightly dance,
And rock and dance and sing
you to sleep.”
“My father, my father, and don’t
you see there
The Elfking’s daughters in the
gloomy place?”
“My son, my son, I see it clearly:
There shimmer the old willows
so grey.”
his arms,
Reaches the farm with trouble
Is bitter to me.
My poor head
Is crazy to me,
My poor mind
Is torn apart.
Abendstern
My peace is gone,
My heart is heavy,
I will find it never
It horrifies the father, he swiftly
rides on,
He holds the moaning child in
and hardship;
In his arms, the child was dead.
(Evening Star)
(Johann Mayrhofer)
Why do you linger alone in the
sky, o beautiful star?
and you are so mild ;
why does the spark ling crowd
of your brothers shun your
sight?
“I am the star of true love,
and they keep far away from
Love.”
So you should go to them,
if you are love; do not delay!
Who could then withstand you,
you sweet but stubborn light?
“I sow, but see no shoot,
and so I remain here, mournful
and still.”
and never more.
For him only, I look
Out the window
Only for him do I go
Out of the house.
His tall walk,
His noble figure,
His mouth’s smile,
His eyes’ power,
And his mouth‘s
Magic flow,
His handclasp.
and ah! his kiss!
My peace is gone,
My heart is heavy,
I will find it never
and never more.
Gretchen am Spinnrade
(Gretchen at the spinning
wheel)
(from Faust by Johann
Wolfgang von Goethe)
My bosom urges itself
toward him.
Ah, might I grasp
And hold him!
“My son. why do you hide your
will use force.”
“My father, my father, he’s
grabbing me now!
My peace is gone,
My heart is heavy,
[will find it never
and never more.
And kiss him,
As I would wish.
At his kisses
I should die!
Elfiting?
The Elfking has done me some
harm!”
Where I do not have him.
That is the grave,
The whole world
Who rides, so late, through night
and wind?
It is the father with his child.
He has the boy well in his arm
He holds him safely, he keeps
him warm.
face so anxiously?”
“Father, do you not see the
The Elfking with crown and tail? ”
“My son, it’s a wisp of fog.”
“I love you, your beautiful form
entices me;
And if you’re not willing, then I
�Seit ich ihn gesehen
(Since I first saw him)
(Adalbert von Chaimsso)
Since I first saw him
I think I must be blind;
wherever I look
I see only him;
as if in a trance,
his image hovers before me,
emerging from the deepest
gloom even brighter.
All else is dark and colorless
in my surroundings:
my sisters‘ games
interest me no longer;
I would rather weep
quietly in my room.
Since I first saw him,
I think I must be blind.
Im wunderschénen Monet Mai
(In the wonderfully beautiful
month of May)
(Heinrich Heine)
In the wonderfully beautiful
month of May
When all the buds are bursting
open,
There, from my own heart,
Bursts forth my own love.
In the wonderfully beautiful
month of May
When all the birds are singing,
So have l confessed to her
My yearning and my longing.
Aus meinen Trénen sprieBen
(Many flowers spring up from
my tears)
(Heinrich Heine)
From my tears spring
many blooming flowers forth,
and my sighs become
a nightingale choir,
and if you have love for me,
child.
I’ll give you all the flowers,
and before your window shall
sound
the song of the nightingale.
Die Rose, die Lilie
(The rose, t he lily)
(Heinrich Heine)
The rose, the lily, the dove, the
sun,
I once loved them all in love’s
bliss.
I love them no more, I love only
the small, the fine, the pure, the
one;
she herself, source of all love,
is rose and lily and dove and
sun.
Verschwiegene Liebe
(Silent love)
(Josef Karl Benedikt von
Eichendorff)
Over treetops and corn
and into the splendor —
who may guess them,
who may catch up with them?
Thoughts sway,
the night is mute; thoughts run
free
Only one guesses,
one who has thought of her
by the rustling of the grove,
when no one was watching any
longer except the clouds that
flew by —
my love is silent and a s fair as
the night.
In dem Schatten meiner
Locken
(In the shadow of m y tresses)
Ich grolle nicht
(I bear no grudge)
(anon. translated into German
by Emanuel Geibel and Paul
Heyse)
I bear no grudge, even though
my heart may break.
eternally lost love!
I bear no grudge.
However you may shine in the
splendor of your diamonds.
no ray of light falls in the
darkness of your heart.
In the shadow of my tresses
My beloved has fallen asleep.
Shall I awaken him now?
Ah, no!
(Heinrich Heine)
I have long known this, I saw
you in a dream,
and saw the night within the
void of your heart,
and saw the serpent that is
eating your heart —
I saw, my love, how very
miserable you are.
Carefully I comb my ruffled
Locks, early every day;
Yet for nothing is my trouble,
For the wind makes them
disheveled yet again.
The shadows of my tresses, the
whispering of the wind,
Have lulled my darling to sleep.
Shall I awaken him now?
Ah, no!
I must listen to him complain
That he pines for me so long,
That life is given and taken
away from him
By this, my brown cheek,
And he calls me a snake;
Yet he fell asleep by me.
Shall I awaken him now?
Ah, no!
Heimliche Aufforderung
(Secret invitation)
(John Henry Mackay)
Up, raise the sparkling cup to
your lips,
And drink your heart’s fill at the
joyous feast.
And when you raise it, so wink
secretly at me,
Then I’ll smile a nd drink quietly,
as you. . ,
And quietly as I, look around at
the crowd
Of drunken revelers — don’t
think too ill of them,
No, lift the twink ling cup, filled
with wine,
And let them be happy at the
noisy meal.
But when you’ve savored the
meal, your thirst quenched,
Then quit the loud gathering’s
joyful fest,
And wander out into the garden,
to the rosebush,
There shall I await you, as often
of old.
And ere you know it shall I sink
upon your breast,
And drink your kisses, as so
often before,
And twine the rose’s splendor
into your hair.
Oh, come, you wondrous,
longedfor night!
�Traum durch die Ddmmerung
Mein Herr Marquis
(Dreaming through the
twilight)
(My dear Marquis)
(Karl Haffner and Franz
Broad meadows in the grey
twilight;
the sun’s light has died away
and the stars are moving.
Now I go to the loveliest of
women,
across the meadow in the grey
twilight,
deep into bushes of jasmine.
My dear marquis, a man like
you should better understand.
Therefore, I advise you to look
more closely at people!
(Otto Julius Bierbaum)
Through the grey twilight to the
land of love;
I do not walk quickly, I do not
hurry.
I am drawn by a faint, velvet
thread
through the grey twilight to the
land of love,
into a blue, mild light.
Zueignung
(Dedication)
(Hermann von Gilm)
Yes, you know it, dearest soul,
How I suffer far from you,
Love makes the heart sick,
Have thanks.
Once I, drinker of freedom,
Held high the amethyst beaker,
And you blessed the drink,
Have thanks.
And you exorcised the evils in it,
Until I, as I had never been
before,
Blessed, blessed sank upon
your heart,
Have thanks.
Friedrich Richard Genée)
This hand is surely far too fine,
This foot so dainty and small,
The manner of speaking I have,
My waist, my bustle,
These would never be found
On a lady’s maid!
You really must admit,
This mistake is very comical!
Yes, very comical is this matter,
So pardon me if I laugh!
With this profile in Grecian style
being a gift of nature;
If this face doesn’t say enough,
just look at my figure!
Just look through your lorgnette
at this outfit.
It seems to me that love
has clouded your eyes.
The image of your chambermaid
has quite filled your heart!
Now you see her everywhere!
This is truly a very comic
situation!
Yes very comical is this matter,
So pardon me if I laugh!
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 sound disc
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48 minutes :27 seconds
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142453">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142453</a>
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Title
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German Lyric Diction final concert, May 10, 2012
Description
An account of the resource
Works by Schubert, Schumann, Strauss Held at 8:00 p.m., May 10, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Berry, Judy
Lawson, Williams James
Oh, Hee-Pyoung
Leonberger, Richard G
Cakalli, Meghan
Adams-Toomey, Molly
Hyland, Charles
Bae, Eun Hwan
Kompar, Christina
Publisher
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Binghamton University Libraries
Date
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5/10/12
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/bb34c7a103e37aff52849ce0b8bd955f.pdf
6a07823147c7dcfb1361d972712d1cfb
PDF Text
Text
BINGHAMTON
l ' N I \' E R S I T Y
State University
of New York
German Romanic Pieces
An Evening of Chamber Music
Patricia Sunwoo, violin
David Brickman, violin
Roberta Crawford, viola
Stephen Stalker, cello
Timothy Perry, clarinet
Michael Salmirs, piano
Saturday, November 19, 2005
8:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
Adagio in E-Flat, D. 897, "Nottumo" ... .................... Franz Schubert
for Piano Trio
(1797-1828)
Patricia Sunwoo, violin
Stephen Stalker, cello
Michael Salmirs, piano
Grand Quintet in B-Flat, Op. 34 .. .. ............... Carl Maria von Weber
for Clarinet and String Quartet
( 1786-1826)
Allegro
Fantasia
Menuetto-Capriccio: Presto
Rondo: Allegro giocoso
Timothy Perry, clarinet
Patricia Sunwoo, violin
David Brickman, violin
Roberta Crawford, viola
Stephen Stalker, cello
~INTERMISSION~
Piano Quartet in A, Op. 26 .................................... Johannes Brahms
Allegro non troppo
(1833-1897)
Poco Adagio
Scherzo: Poco Allegro
Finale: Allegro
Patricia Sunwoo, violin
Roberta Crawford, viola
Stephen Stalker, cello
Michael Salmirs, piano
�ABOUT THE MUSIC
Adagio in E-flat D. 897, for Piano Trio "Notturno"
Some time during the winter of 1822-23 Schubert became seriously ill
with the symptoms of syphilis, tantamount to a death sentence in those
days. And though there were extended periods of remission, for the
remaining six years of his life his health was permanently undermined. It
is, of course, dangerous to draw too close a parallel between an artist's
life and work. Even so, it is hard to deny that much of Schubert's music
from the last years, Winterreise, the late string quartets and piano
sonatas, the C Major String Quintet is suffused with a sense of
evanescence, an awareness of impending doom. Yet amid this darkening
inner landscape, the hedonistic, characteristically Viennese spirit of
earlier works like the Trout Quintet is never entirely lost. It permeates
the lyrically exuberant Piano Trio in B-flat probably composed during
the. late summer or autumn of 1827, a time when Schubert was also
preoccupied with the last twelve songs of Winterreise.
Conjecture surrounds the B-flat Trio, as it does so many of Schubert's
works. There is no surviving manuscript and therefore no exact
dating and the composer never mentioned the work in his
correspondence with publishers. But circumstantial evidence suggests
that it was written shortly before the Trio in E-flat, D. 929, whose
autograph bears the date November 1827. An investigation of the paper
type used for the autograph score of the Notturno D. 897, long accepted
as the original, discarded slow movement for the B-flat Trio, has
revealed that it is identical with the paper used in the autumn of 1827 for
the E-flat Trio and the finished copy of Winterreise.
If the Notturno (as titled by the publisher Diabelli) was indeed the
original slow movement of the B-flat Trio, we can only guess at
Schubert's reasons for jettisoning it. But while it makes a less ready
appeal than the Andante that replaced it, it uncannily prefigures the
Adagio of the C Major String Quintet, composed the following autumn.
The two movements realize consummately the vein of timeless,
contemplative ecstasy. Like the Quintet's Adagio, the Notturno presents .
a mesmerically sustained melody in close harmony in the inner voices
(violin and cello) against a plucked accompaniment in the treble and
bass, with the piano doing a fair imitation of a harp. And as in the
Quintet the contrasting central section moves to the key of the
Neapolitan second, a semitone above the tonic: E-flat to E Major.
Finally, like that in the Quintet, the coda contains a final harmonic
shudder (with a sudden crescendo) just before the closing bars.
by Richard Wigmore
�Grand Quintet in B-Flat, Op. 34
Carl Maria von Weber (1786-1826) was a generous contributor to the
repertory of the solo clarinet through his deep and abiding friendship
with the Munich clarinetist Heinrich Baermann. In addition to tonight's
Quintet, Weber completed two concerti, a concertino, a set of variations
and the Grand Duo Concertante. Weber toured Europe as Baermann' s
accompanist, and his complete familiarity with the possibilities of the
developing instrument are echoed in the rapidity with which the clarinet
works were composed. The Concertino was written in three days, the
Variations were written on the morning of its premiere (!), and the
splendid Quintet, although written over a period of four years ( 1811-15),
occupied probably not more than two weeks of the busy composer's
time. The work is clearly intended first and foremost as a tour de force
for the solo clarinet, although the string writing is well conceived and
effective. The opening allegro is a sturdy, sunny march whose jaunty
dotted rhythms would find an echo a century later in Bela Bartok's
Contrasts. Weber's natural gifts as an opera composer are put to use in
the aria-like second movement fantasia, culminating in two extended
chromatic scales at the outer dynamic edges of possibility. The third
movement Capriccio, while listed as 'Menuetto', is very much a
Beethoven-style scherzo with its 3/4 time constantly being re-organized
into 3/8 and 3/2 structures, its complexity balanced by a sweetly naïve
trio. The finale, a galloping presto in quick 2/4 is all flash, dash and
panache in which even the improved modern clarinet is pushed to the
edges of fleet-fingered virtuosity- but all in good fun.
By Timothy Perry
Brahms Piano Quartet in A, Opus 26
The Brahms Piano quartet Opus 26 was published in 1862, along with
the G Minor Quartet, just as the young Brahms was passed over for an
appointment to become director of the Hamburg Philharmonic Society.
He moved to Vienna and it received its first performance there. It is less
often played than its partner, the G Minor Quartet or indeed, the later C
Minor Quartet. This may be related to the fact that it is longer, and a
little less "obvious" in design and temperament than either of the other
two quartets.
Although the drama and deft use of short motives which Brahms derived
from his study of the works of Beethoven are ever-present, the dolcc
parts owe more to Schubert in terms of the lighter, more lyrical quality of
the music. This is particularly obvious in his piano writing.
�The Poco Adagio is the heart of this work. The exquisite use of offset
rhythm to convey a beautiful melody, which characterizes so many of the
composer's slow movements, is used to great effect here. More ominous
material is introduced, but he returns to the lovely melody, ending the
movement as atmospherically as it was begun.
The Allegro finale, like the wild Gypsy Rondo of the G Minor
Quartet, has energetic Zigeuner elements. This is particularly evident in
the way the piano chords are syncopated against the strings in the very
opening. Brahms quotes freely from his other movements and introduces
more thematic material before he brings the work to close with one of his
trademark grand symphonic finales.
By Patricia Sunwoo
ABOUT THE PERFORMERS
Canadian-born violinist PATRICIA SUNWOO made her New York
orchestral debut in 1995, performing Alban Berg's Violin Concerto at
Alice Tully Hall, and has since been active as a recitalist and chamber
musician throughout the United States. She has won prizes from the
Canadian Music Competition, Montreal Symphony Orchestra
Competition, and CIBC Festival of Music. As a member of the Whitman
String Quartet, winner of the 1998 Walter W. Naumburg Award, she
performed to critical acclaim across the United States, France and South
America. She has recorded works of Artur Schnabel and Michael
Whalen for labels CP 2 and Arabesque Recordings, and was aired by NPR
and Japan's NHK.
Recent engagements include appearances at
Carnegie Hall's Weill Recital Hall, Corcoran Gallery in Washington,
D.C., Bard College, Meadowmount School and L'Espace Pierre Cardin
in Paris. She has worked with composers John Corigliano, Joan Tower
and George Crumb, and given premieres with the Whitman Quartet,
Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo
is also an active advocate of music education, and has been a teaching
artist for the Midori Foundation, Da Camera Society of Los Angeles and
Carnegie Hall. In 2001, she joined the faculty at Binghamton University.
Her major teachers include John Loban in Vancouver, the Juilliard String
Quartet, and Sally Thomas at the Juilliard School, where she received her
doctorate.
�STEPHEN STALKER, cellist, teaches cello and double bass at
Binghamton University. He formerly taught at Colgate University,
Mansfield University, Ithaca College, and in the Binghamton City
Schools. He has performed extensively with the Catskill Chamber
Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in
concerts at Binghamton University. He plays with the Northeastern
Pennsylvania Philharmonic and was the principal cellist of the Cayuga
Chamber Orchestra in Ithaca, NY.
TIMOTHY PERRY, clarinetist, conductor and Professor of Music,
joined the Binghamton University faculty in 1986 as director of the
orchestral and wind ensemble programs and instructor of studio
conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree
from the Yale School of Music and a B. Mus. degree from the Manhattan
School of Music. Dr. Perry's more than two hundred programs include
ten seasons as Music Director of the Binghamton Community Orchestra
and as guest conductor of both the Catskill Symphony and Binghamton
Philharmonic orchestras. Perry is widely known as a virtuoso solo and
chamber music clarinetist, touring Latin America and the Caribbean as a
United States Musical Ambassador and appearing at international
festivals in Europe and Asia. He presented his third artist recital at an
International Clarinet Conference this past summer in Tokyo.
Pianist MICHAEL SALMIRS, a founding member and artistic director
of the Finger Lakes Chamber Ensemble is well known as a recitalist and
chamber musician performing extensively throughout the region. He has
appeared as soloist with the Corning Philharmonic, Binghamton
University Orchestra, Cayuga Chamber Orchestra, and has been a
featured pianist on their Sunday chamber series. As a performer of
contemporary music, he has participated in such series as Binghamton
University's Musica Nova, Cornell University's Ensemble X, and has
toured and recorded for the Syracuse Society for New Music. Salmirs
studied at the New England Conservatory and Eastman School of Music;
his teachers have included pianists Leonard Shure and Rebecca Penncys
and composer Karel Husa. Salmirs has taught at the Syracuse University
School of Music and Hobart and William Smith Colleges. He is currently
a faculty member at Binghamton University and Affiliate Artist at
Cornell University. He maintains a private piano studio in Ithaca and
enjoys teaching students of all ages and levels.
�DAVID BRICKMAN enjoys a diverse career as soloist, chamber
player, and orchestral musician. Prior to joining the Rochester
Philharmonic Orchestra in 1989 as its principal second violinist, he was a
member of the Columbus Symphony Orchestra and associate
concertmaster of the Honolulu Symphony Orchestra. He is concertmaster
of the Rochester Chamber Orchestra, has toured the United States and
Europe with the Pittsburgh Symphony Orchestra and Lorin Maazel, and
has performed and recorded as acting concertmaster of the Milwaukee
Symphony Orchestra. Mr. Brickman plays for the Rochester Society for
Chamber Music, the Seal Bay Festival of American Chamber Music in
Vinahaven, Maine and is a founding member of the Ithaca-based Finger
Lakes Chamber Ensemble. He is a frequent soloist with the Rochester
Philharmonic and Rochester Chamber Orchestras and has appeared with
the Albany Symphony and Savannah Symphony Orchestras among
others. He is a featured soloist in a performance of Vernon Duke's jazz
standard "Autumn in New York" on the RPO's 75th Anniversary CD
and has recorded several works of 20th century chamber music for the
Milken Foundation.
l
ROBERT A CRAWFORD, violist, performs extensively as a recitalist
and chamber musician. As Associate Director and a founding member of
the Finger Lake Chamber Ensemble, Crawford has participated in
over one hundred solo, chamber, and lecture recitals presented by the
ensemble since its formation in 1990. She has performed with the
Catskill Chamber Players, appeared frequently on the Cayuga Chamber
Orchestra's Sunday Chamber Music Series and has been a guest
performer with the Ariadne String Quartet. Crawford has played with the
Portland and Syracuse symphonies and is Associate Principal Violist for
the Cayuga Chamber Orchestra. An advocate of new music, Crawford
has premiered numerous works featuring viola and has had sevetalworks
dedicated to her. She has participated in music festivals throughout the
United States and in the Caribbean and has appeared in live performance
broadcasts for public radio and television. A dedicated teacher, Crawford
has served as clinician, coach, and adjudicator for numerous music
organizations and is Director of ViolaFest at Binghamton. She has been a
guest faculty member at Phillips Academy, the Quartet Program, Ithaca
College, and the Eastman School of Music and is currently Coordinator
of Strings at Binghamton University.
�COMING EVENTS
Sunday, November 20 - Concerto & Aria Competition Auditions - 7:00
p.m. - Casadesus Recital Hall - free
Tuesday, November 29 - University Percussion Ensemble - 8:00 p.m. Anderson Center Chamber Hall - free
Thursday, December 1 - Mid-Day Concert with faculty and student
performers - 1:20 p.m. - Casadesus Recital Hall - free
Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus
Recital Hall - free
Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors;
free for students
Saturday, December 3 - Master's Recital: Erin Lahm, soprano - 5:00
p.m. - Casadesus Recital Hall - free
Sunday, December 4 - University Wind Ensemble Holiday Concert 1:00 p.m. - Oakdale Mall - free
Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free
Thursday, December 8 - Holiday Mid-Day Concert with faculty and
student performers - 1:20 p.m. - Casadesus Recital Hall - free
Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00
p.m. - Anderson Center Chamber Hall - free
Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free
Wednesday, December 14 - Master's Recital: Donald Truesdail, string
bass - Casadesus Recital Hall - free
Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00
p.m. - First Presbyterian Church, Chenango St., Binghamton - $14
general public; $12 faculty/staff/seniors; $6 students
Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson
Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6
students
l
�
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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German Romantic pieces: an evening of chamber music, November 19, 2005
Description
An account of the resource
Works of Schubert, von Weber, Brahms. Held at 8:00 p.m., November 19, 2005, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Sunwoo, Patricia
Brickman, David
Crawford, Roberta
Stalker, Stephen
Perry, Timothy
Salmirs, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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2005-11-19
Rights
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In copyright
Format
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2 audio discs