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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
ON
HARPUR COLLEGE
The Department of Music

presents
1

the

GUARNERI
STRING

QUARTET
1

Thursday, October 13, 1977
8:15 P.M,

WATTERS THEATER

�Schubert
Quartet in i Major
1813,
of
This piece,written during November
old
years
sixteen
was
was composed when Schubert
ﬁrst
and was his seventh string quartet. The
movement, Allegro moderato, opens with a theme
based on a three-note motive that will permeate
the entire work. Second is a brilliant Scherzo,
with a droning central trio section for contrast,
the whole played Prestissimo . After the gentle
and graceful slow movement,Adagio, cames the
ﬁnale, Allegro, built in part of passages in a
galloping rhythm which Schubert later used to
close many of his greatest works.
Lutoslawski
Quartet (1964)
Lutoslawski’s String Quartet, written in
1964, was commissioned by the Swedish Radio for
the 10th anniversary of a Stockholm concert
series. The formal progress of the work is arti–
culated such that what has gone before takes on,
in retrospect, the function of a prelude to what
succeeds it. Thus, the two movements have the
relationship to one another of introduction and
principle section. The violin solo which opens
the work appears at ﬁrst to be the exposition
of a principle musical idea, until suddenly the
presentation of a more powerful ﬁgure indicates
this to be the real principle theme, converting
what has gone before into a brief introduction.
Brahms
Quartet in A Minor
The Quartets of Opus 51 date from the summer
of 1873. The A Minor Quartet is stern in expres–
sion, but not in an over–intellectual way. It is
extraordinarily uniﬁed, and particularly note–
worthy is the melodic material used so eloquently
by the composer. Each instrument is allowed its
characteristic expressivity, and the resultant
warmth and richness of color conveyed by Brahms
through his complete command of instrumental
resources, aﬀords a sense of unity and fulﬁll–
ment quite unique in chamber music.

THE GUARNERI STRING QUARTET

Arnold Steinhardt, violin
John Dalley, violin

Michael Tree, viola
David Soyer, cello

PROGRAM
Quartet in E° Major (1813)

Schubert

Allegro moderato
Scherzo: Prestisissimo
Adagio
Allegro

Quartet (1964)
Introductory movement
Main movement

Lutoslawski

&gt;

*kkkk

INTERMISSION
Kkk kk

Quartet in A Minor, Op.51, No.2
Allegro non troppo
Andante moderato

Brahms

Quasi minuetto: Moderato
Allegro non assat

The Guarneri String Quartet records exclusively on
RCA Red Seal Records.

�*kkkkkkkk

COMING EVENTS

LEO KRAFT
MEET THE COMPOSER
8:15 P.M.
Tuesday, October 25
Casadesus Recital Hall

MEET THE COMPOSER
Tuesday, November 8

ROGER REYNOLDS
8:15 P.M.

kkkkkkkk

d

y

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                    <text>BINGHAMTON
VG

U N I V E R S I T Y

State University of  New York

De part men t of Mus ic

G uest Artist

Ma rin a L om azo v, p ian o

Satu rday, Novem ber 6, 2004
8:00 p .m.
Anderson C enter Cham ber Ha ll

�Program

About t h e Performer
Praised  by  critics  as  “a  diva  of  the  piano”  (The  Salt  Lake  City  Tribune),  “a
mesmerizing risk­taker” (The Plain  Dealer, Cleveland), and  “simply spectacular”
(International Music Foundation Website, Chicago), dynam ic Ukrainian­American
pianist Marina Lomazov has established herself as one of the most passionate and
charismatic performers on the concert scene today. Her performances in North and
South Americas, Europe, Japan, and Russia have prompted several reviewers to call
her “one of the best young pianists in America today.”

Lomazov  has  been  awarded  top  prizes  in  several  of  the  world’s  major  piano
competitions  including  Cleveland  (Silver  Medal),  Gina  Bachauer  (Outstanding
Female Performer), William Kapell (Carmen Sasmore Prize) and Hilton Head (First
Prize).  She  has  appeared  with  the  Boston  Pops, Rochester  Philharmonic, Graz
Hochschulorchester, Ohio Chamber Orchestra, Missouri Chamber Orchestra, South
Carolina Philharmonic, and Spokane Symphony Orchestra, to name a few. She has
performed in Weill Hall, Merkin Hall, Steinway Hall, and Rockefeller University
(New  York  City),  Symphony  Hall  and  Steinert  Hall  (Boston),  Abravenel  Hall
(Utah), Lyon de Opera (France), Theatro Sao Pedro (Brazil).
Before  immigrating t o  the  United  States  in  1990,  Marina  studied  at  the  Kiev
Conservatory, where she became the youngest First Prize winner of the All­Kiev
Piano  Competition.  Lomazov  holds  degrees  from  the  Juilliard  School  and  the
Eastman  School  of  Music,  the  latter  granting  her  the  highly  coveted  Artist’s
Certiﬁcate – an honor the inst itution has not bestowed upon  a pianist for nearly two
decades.  Her  principal  teachers  include  Natalya  Antonova,  Barry  Snyder,  and
Jerome Lowenthal.
Lomazov is a frequent guest artist at music festivals across the United States and

abroad including Moulin d’Andé Arts Festival in  France, the Chautauqua Music
Festival (NY), the Northwest Piano Festival (OR), the Wassermann Piano festival
(UT), and the Grand Teton  Music Festival (WY). She has been featured on the
“Bravo” Canada cable channel, and her live performances are broadcast regularly
on public radio stations including such programs as NPR’s “Performance Today”,
“Young Artist  Showcase” on New York’s  WQXR, “Morning Pro Musica” and
“Classics in the Morning " on Boston’s WGBH, Dame Myra Hess concert series on
Chicago’s WFMT.
Lomazov is an Assistant Professor of Piano of the faculty at the University of South
Carolina School of Music, where she is also the Artistic Director of the Southeastern
Piano Festival. In summer of 2003, Lomazov joined the artist Faculty of the Brevard
Music Center.

Modest Moussorgsky
Pictures at an Exhibition .
(1839­1881)
p
Promenade 
l. Gnome
2. The Old Castle
3. Tuileries (Children’s Quarrel After Playing)
4. Oxen (The Oxcart)
5. Ballet of the Unhatched Chicks
6. Two Jews, One Rich and the Other Poor
Promenade
7. Limoges.  The Market (The Big News)
8. Catacombs.  Roman Sepulchre
(Con mortuis in lingua mortus)
9. The Hut on Chicken Legs (Baba Yaga)
10. The Great Gate (in the Capital, Kiev)

­­Intermission­­
Variations (2003)..

Image, Book I ..
1. Reﬂets dans l’eau
2. Hommage a Rameau
3. Mouvement

Andante spianato and Grande........................
Polonaise brillante, Op. 2 2

...John Fitz Rogers
(b. 1963)

Claude Debussy
(1862­1918)

Frédéric Chopin

(1810­1849)

�Com ing Events
Sunday, N ovember  7 –  University Wind  Ensemble : Amer­A rcana – 3 :00
p.m. – Anderson Center Chamber Hall – free
Friday, N ovember  12  –  T rio  Amici  –  Stephen  Stalker  and  Hakan  Tayga­
Hromek, cellists and Margaret  Reitz, piano – 8:00 p.m. – Casadesus Recital
Hall ­ $10 general public; $7 faculty/staﬀ/seniors; free for students

Satu rday, November 13 – ViolaFest ’2004 – All­day workshop for violists of
all  levels  featuring  afternoon  concerts,  guest  artist  performan ces  TBA  –
Concerts are free; information about the workshop will be announced at a later
:
date. 
Sunday,  Novembe r  14  –  University  Chorus  –  “How  Can  I  Keep  from
Singing” – 3:00 p.m. –  Anderson  Center Osterhout Concert Theater ­ $10
general public; $7 faculty/staﬀ/seniors; free for students
Thu rsday, November 18  —Jazz Mid ­Day Con cert with guest artist – 1:20 p.m.
– Anderson Center Osterhout Concert Theater – free
Thu rsday, November 1 8  – An Eve ning of La tin Jazz w ith the Ha r pu r Jazz
Ensemble  and  guest  artists  –  8:00  p.m.  –  Anderson  Center  Osterhout
Concert Theater ­ $1 0 general public; $7 faculty/staﬀ/seniors; free for students

Sunday, N ovember 2 1 – Charl es Ives Re membered – An afternoon of song
and  chamber  music  –  3:00  p.m. –  Anderson  Center  Chamber  Hall  ­  $15
general public; $13 faculty/staﬀ/seniors; $7 students  '
J

l

J
}

Thursday,  December  2  –  Mid­Day  Concert  with  faculty  and  student
performers – 1:20 p.m. – Casadesus Recital Hall – free for students
Thursday, December 2  – Studen t Perform ance of  Elizabethan Mad rigal
Dinner – 6 :30 p.m. – Mandela Room of University Union – $16
Friday, December 3 – Elizabethan Mad rigal Dinn er – 6:30 p.m. – Mandela
Room of the University Union ­ $35
Satu rday, December 4 ­ Elizabethan Mad rigal Dinn er – 6:30 p.m. – Mandela
Room of the University Union ­ $35

�</text>
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x /  {
\

/

 

b .

ly

yoy
SYY

BINGHAMTON
U N I V E R S I T Y

State University of N ew York

Department of Music

Guest Artist

Timothy Olsen
organ

Sunday, October 10, 2004
4 :00 p.m.
First Presbyterian Chu rch

�PROGR AM

Tr uly, then, I have no complaint,
For though she be fair and fairer,
There is none so fair as she
In my heart.

Introduction and Passacaglia............................................ Max Reger
(1873­1916)

[11. Upon a High Place

I stood upon a high place,
And saw, below, many devils
Running, leaping,
And carousing in sin.
One looked up, grinning,
And said: “Comrade! Brother!”

Onder een linde groen ...  ...................Jan Pieterszoon Sweelinck
(“Under the Green Linden”)
(1562­1621)
Nun komm, der Heiden Heiland
BWV 659

...Johann Sebastian Bach
(1685­1750)

Prelude and Fugue in E­ﬂat ..........................Johann Sebastian Bach
BWV 552

C

a

r

m

e

n

G

e

o

r

g

e s Bizet
 
(1838­1875)

* * = I = * * * * * * * * * * * * * * * * * * * * * * * * * *

­­Intermission­­

ABOUT THE PERFO RMER

Symphonie III, op. 28

. Louis Vierne
(1870­1937)

Prélude, Fugue et Variation

. César Franck
(1822­1890)

Allegro Maestoso

Three Pieces for Organ (2000)....
(Based on poetry of Stephen Crane)
I.  Black Riders

Black riders came from the sea.
There was clang and clang of spear and shield,
And clash and clash of hoof and heel,
Wild shouts and the wave of hair
In the rush upon the wind:
Thus the ride Sin.

II.  Here and There
I looked here;
I looked there:
Nowhere could I see my love.
And—this time—
She was in my heart.

.. Aaron Travers
(b. 1975)

TIMOTHY OLSEN is professor of organ and harpsichord at Ithaca College,
Ithaca,  NY,  where  he  also  teaches  in  the  theory  department.  Olsen  is
concurrently serving as A cting University Organist  of Cornell  University for
two years, 2003­2005, as sabbatical replacement for A nnette Richards.
A native of Frost, Minnesota, Olsen began his study o f the organ at the age of 13
with Sandra Krumholz of Fairmont, MN, and went on to further study with Peter
Nygaard at Concordia College in Moorhead MN, where he received a Bachelor
of Music degree in 1997.  Before graduating, he was chosen to perform as solo
organist with the Concordia College Orchestra.  Olsen is ﬁnishing his doctoral
studies  as  a  student  of  David  Higgs  at  the  Eastman  School  of  Music  in
Rochester, NY, where he  received the Master of Music in Organ Performance
and Literature in 2000. From 1999­2002, Olsen was Professor Higgs’ teaching
assistant. He will also receive the Master of Arts Degree in Theory Pedagogy in
the  Fall  of 2004.  Olsen  served  on  the  faculty  of the  Eastman  Community
Education  Division  and  was  a  teaching  assistant  in  the  Eastman  theory
department. He also served as sabbatical replacement for Jonathan Biggers as
Organ  Instructor  at  Binghamton  University  in  the  Fall  of  2003.
Olsen is the ﬁrst­prize winner of the 2002 National Young Artists Competition
in Organ Performance sponsored by the American Guild of Organists. As part of
the ﬁrst­prize,  Olsen has concertized across the United States under the concert
management of Karen McFarlane Artists, and has recorded a compact disc on
the NAXOS label. In addition to his many concerts, Olsen recently has been
featured on Minnesota Public Radio’s Pipedreams.

�Coming Events
Thursday, O ctober 1 4 – Mid­Day Concert featuring faculty performers –
1 :20 p.m. – Casadesus Recital Hall – free
Friday, Octo ber 1 5 – Child ren ’s Concert – Carnival of the Animals –
University  Symphony  Orchestra ­­  an  introduction  to  the  orchestra,
Saint­Saens’ Carnival of the Animals with piano soloists, art and poetry –
9:30 a.m. ­ Anderson Center Osterhout Concert Theater – all tickets $4
(Co­sponsored  by  Press and  Sun­Bulletin).  This perform ance is  for
school groups.

Saturday, October 1 6 – Child ren ’s Concert : Carnival of the Animals –
University Symphony O rchestra  – an  introduction  to the orchestra,
Saint­Saens’ Carnival of the Animals with piano soloists, art and poetry
and a visit from the Ross Park Zoo mobile ­ 3:00 p.m. – Anderson Center
Osterhout Concert Theater – all tickets $5 (Co­sponsored by the Press and
Sun Bulletin)
Thursday,  October  2 1  ­  Mid­Day  Concert  with  faculty  and  student
performers – 1 :20 p.m. – Casadesus Recital Hall – free
Thursday,  October  2 1  –  Czech  Mates  –  Chamber  music  by  Czech
composers  Martinu,  Dvorak,  Husa  and  Janacek  performed  by  music
faculty, in association with the exhibit “The Prague P roject” – 8:00 p.m. –
Roberson  Museum  and  Science  Center  ­  $15  general  public;  $13
faculty/staﬀ/seniors; $7 students 
:
I

Satu rday,  October  23  –  Family  Weekend  Concert :  Harpur  Chorale,
Women ’s Chorus, University Wind Ensemble  – 4 :00 p.m. ­  Anderson
Center Osterhout Concert Theater – free

Thursday,  October  28 ­­  Mid­Day  Concert  with  faculty  and  student
performers – 1:20 p.m. ­­ Casadesus Recital Hall
Thursday, November  4  –  Mid­Day Co ncert  with  faculty  and  student
performers – 1 :20 p.m. – Casadesus Recital Hall
Saturday, November  6  –  Guest  Artist :  Marina  Lomazov, p ianist  –
Silver  Medalist  of  the  Cleveland  Piano  Competition  –  8:00  p.m.  –
Anderson  Center  Chamber  Hall  ­  $15  general  public;  $13
faculty/staﬀ/seniors; $7 students

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                    <text>BINGHAMTON
OU  N I V E R S E K I T Y
S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K

oide e
[4

D E P A R T M E N T

GUEST ORGAN
CONCERT
CARLA EDWARDS

Co­Sponsored by the Bin ghamton  Chapter
of the A merican G uild of O rganists

Su nday, Ap ril 15, 20 12

4:00 p.m .
Un ited Pres byterian Church
Bingham ton, New York

�PROGRAM

ABOUT THE PER FORMER

Festive Proclamation . 

.Samuel Adler
(b. 1928)

Chorale­Prelude : 

.. Jo han n Sebastian Bach

Wachet au f, raft uns die S timme, BW’V 64 5 

(1685­1750)

Chorale­Partita on. 
Wachet auf, ruft uns die Stimme, op.8, no.2 

Hugo Distler
(1908–1942)

I.  Toccata
II.  Bicinium
III.  Fugue

C a r l a  E d w a r d s  is Professor of Organ and  Harpsichord  at De Pauw

University in Greencastle, Indiana.  She received her Bachelor o f M
  usic
degree with highest distinction from The University of Kansas, a Master
of Music  degree  from  the  University of Alabama, and  her  Doctor of
Musical  Arts degree  from  Indiana University.  She  has  studied with
Larry Smith, Delores Bruch, James Moeser, Catharine Crozier, Robert

Noehren, Michael Schneider, and J. Warren Hutton.

Passacaglia quasi Toccata na tema EACH .. 

..Milos Sokola
(1913­1976)

&amp;  INTERMISSION a s

A Triptych of Fugues 

...Gerald Near
(l). 1942)

I.  Lively, with dash
II.  Slowly, expressively
III.  Broadly
Choralvorspiele fur Orgel, op.67.. 

. Max Reger
(1873­1916)

Wie schon leucht ’t uns der Morgenstern
Jesus, meine Zuversicht
Herzlich tut mich verlangen
Meinen Jesum lass ich nicht
Vom Himmel hoch, da komm ich her

Prélude et Fugue sur le nom d’Alain, op.7.

.Maurice Duruﬂé
(1902­1986)

+ G uilbault­Thérien Organ, 1996 *

Dr. Edwards has been featured several times on the nationally syndicated
radio program Pipedreams, and she has performed in England, Italy, and
Finland.  Nationally, she  was a  featured artist at the  1994 American
Guild of Organists National Convention held in Dallas; the 1997 AGO
Region V Convention held in Evansville, Indiana; the 2001 AGO Region
V  convention  held  in  Ft.  Wayne,  Indiana;  and  at  the  2007  Organ
Historical Society National Convention held in Indianapolis.  She has
performed as a concerto soloist with the  Virginia Symphony, and has
recently  presented  a  solo  organ  concert  at  the  2008  AGO  National
Convention  held  in  Minneapolis,  Minnesota.  Most  recently,  she
presented a solo organ concert at the Region V AGO Convention, held in
June 2011 in Lexington, Kentucky.
Dr. Edwards has recorded two CDs on the Calcante Recordings label,
two  CDs  with  the  Del’auw  University  Band,  one  CD  of  works  for
soprano/organ with Professor Caroline Smith (vocal faculty at DePauw
University). and has recently recorded a solo organ CD on the Hellmuth
Wolﬀ organ at DePauw University.

�gbam tan University Music Departm en t’s
Bin 

UPCOMING E V E N T S
a5» 

{3­64 5­64 5­6t3’6t5’

Mid­Day concerts are held on Thursdays, 1:20 PM  in Casadesus Recital Hall unless
otherwise noted and are FRE E

Saturday, April 14 – Robert Smith, e uphonium, presents “El
Bombardino” with Margaret Re itz, piano –  3 p.m. – Casadesus Recital
Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students
Sunday, April 15 – Africanaise: An even ing of African Inspired
Compositions — 3 p.m. – Anderson Center Chamber Hall – $10 genera
public; $6 faculty/staﬀ/seniors; $3 studen ts
Sunday, April 15 – G uest Organist Carla Edwards – 4 p.m. –  First
Presbyterian Church, Binghamton – $10 general public; $6 faculty/staﬀ,
seniors; $3 students
Thursday, April 19 — M id­Day Concert –  1:20 p.m. – Casadesus Recita
Hall – free
Friday, April 20 — U n ive rsity St ring Orchest ra — 4 :00 p.m. – G rand
Corridor – free
Saturday, April 21 — J unior Recital: Matthew G ukowsky, tuba — 8:00
p.m. – Casadesus Recital Hall – free
Sunday, April 22 – Un ive rsity Chorus: Haydn’s “Lord Nelson Mass” –
3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/
staﬀ/seniors; $3 students

For ticket information, please call the
A nd ama n  Can t er  Box Oﬀi ce at 7 7 7 ­AR T S
To see all events, please visit mus i c.bi ngbamtan.e du
Become a fan on Facebook by visiting
Binghamton University Music Department

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                    <text>BINGHAMTON
U N I V E R S I T Y

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State University of  New York

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Binghamton University Department of Music

H A L L O W E E N  MID­DAY CONCERT
October 26, 2006 ­ 1:20 p.m. – Casadesus Recital Hall

Les oiseaux dans la Char mille (Doll Song).................................................]acques Oﬀenbach
(1819­1880)
From Les Contes D’Hoﬀmann 
The poet Hoﬀma nn has come to the house of the inventor Spalanzani to become his
Apprentice.  He falls in love with a lovely creature he meets there not realizing she is
a mechanical doll and a creation of this master.  Spalanzani introduces the doll at a
reception and speaks of her musical accomplishments.

Amy DeLeo, soprano
Chai­Kyou Mallinson, piano
...... Lucy Simon

How Could I Ever Know“?
from The Secret Garden

The musical is based on the novel of the same name written by Frances Burnett
It takes place in England, 1906. The main character Mary is sent to live with her Uncle
Archibald after her parents succumb to Cholera. Archibald’s wife, Lily, died years
before in childbirth, and left behind her husband and her son Collin, who has been
conﬁned to bed as he is crippled. This particular song is sung at the very end of the
musical, before the ﬁnale. Archibald has left the home for the Continent. While he is

away, Mary is to be sent to a boarding school by Archibald’s brother Neville, who was
in love with Lily while she was alive and is now trying to take Archibald’s home from
him. Mary sends Archibald a letter urging him to come home. While he is debating
what he should do, Lily comes to him as a ghost and sings “How Could I Ever Know,
convincing him to return home.

Jessica Barkley, soprano
Chai­Kyou Mallinson, piano
Dies Irae (chant from the Mass for the Dead).

Anonymous (13™ century)

Paul Schleuse, tenor
a .

Danse Macabre, op. 40 from Poéme Symphonique...................ccoeeuruunneen....... Camille Saint Saens
(1835­1921)
(Transcribed by the composer for piano duet) 
Danse Macabre (Dance of Death) is the third of Saint­Saéns’s four symphonic poems. The
image of Death as a ﬁddler is portrayed in this work. Death appears at midnight every year on
Halloween, and calls forth the dead from their graves to dance for him while he plays his ﬁddle.
The skeletons dance until the ﬁrst break of dawn. With the cock’s crow, they must disperse and
vanish until next year. First performed in 1874, this work is based on a French poem by Henry
Cazalis, with the following English translation:
Zig,Zig,Zig Death in a cadence
Striking with his heel a tomb
Death at Midnight plays a dance tun e
Zig Zig Zig on his violin

�The winter wind blows and the night is dark
Moans are heard in the linden trees
Through the gloom white skeletons pass
Running and leaping in their shrouds
Zig Zig Zig each one is frisking
The bones of the dancers are heard to crack
But hist of a sudden they quit the round
They push forward, they ﬂy; the cock has crowed.

Chai­Kyou Mallinson, piano
Wendy Lee, piano
0

Ah!  Spietato! (Ah! Cruel One!)  . 
from Amadigi 

. 

. 

. 

... George Frederic Handel
(1685­1759)

In this aria, Melissa, who is a sorceress, has caught
Amadigi trying to escape from her prison.  She is angered by the fact that Amadigi is not
moved by her aﬀection.  Melissa makes him realize that he will pay for betraying her loving
soul.

Katrina Cox, soprano
Chai­Kyou Mallinson, piano

The Black S
from The Medium 

w

a

n Gian Carlo Menotti  
(b. 1911)

Act I ­ A fake séance has just taken place in the parlor room of the medium, Madame Flora’s
home. She becomes terriﬁed when she feels a phantom hand clutching her throat and out of fear,
forces all guests to leave at once. Madame Flora blames their mute servant boy, Toby for
playing such a cruel joke on her. In order to calm her drunken nerves, her daughter, Monica
sings her this dark lullaby.

Miriam Wright, soprano
Chai­Kyou Mallinson, piano

1l
I

l

i

lI

]

  oger Quilter
Weep you no mote . . . . e c c e e e s p e n r e n e e e e e g r u a m d i p r e s e s r s R
(1877­1953)
Alex Blitstein, tenor
Chai­Kyou Mallinson, piano
The Green Eyed Dragon.........ccceeeenirieeninenenesenesiesesesesseesesseseeesesneneeeneenennenn. Wolseley Charles
(b. 1880)
Mary Aimoniotis, soprano
Chai­Kyou Mallinson, piano
Le Bal (The Ball) from Jeux d’ERfants...........ccccoecevevenecicenieneninenenesesiesneeeeneenee.. George Bizet
(1838­1875)
Composed in 1871, J eux d’Enfants (Children’s Games) is a set of twelve vignettes for piano,
four hands. A delightful collection that displays the composer’s homage to childhood, these
lyrical and colorful pieces describe various children’s activities. Le Bal (The Ball) is the last
one in this set.

l
§

l
l

Chai­Kyou Mallinson, piano
Wendy Lee, piano

li
I

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                    <text>BING HAM TON
U N I V E R S I T Y
S T A T E   U N l V E R S I T Y   O F  N E W   Y O R K

D

E

[4

W
P

A

R

T

M

E

HARMONY CLUB
F a nd  ra i s er  C o n c e r t

Celeb rating Ado lphe Sax

Th ursday, April 2 , 2015

7:30 p.m.

Casadesus Rec ital Ha ll

N

0
T

�80  P ROG RAM  (93
Suite for Five Saxophones
From “Fuenfstimmigte Blasende Musik ” (1685) . 
1.  Intrada 
II.  Sarabande
III.  Bal

Joha nn Pezel
(1639­1694)

Nicholas Follett, Danielle Stoner, sopra no saxophone
Stephanie Ve rhage, Julia D unnigan, alto saxophone
Benjamin Va nDerAa, Crystal Fisher, tenor saxophone
Darin Mihalik, Daniel Gross, baritone saxophone
4

Introduction and Comments

Rhapsody in  Blue (1925) 

..George Gershwin

Symphony No. 2 (1907).

.Serge Rachmaniof

Symphony No. 3 “Scottish ” (1942)

Felix Mendelssohn
(1808–1847)
. Ferde Grofe

Grand Canyon Suite. 

Th e  Sorcerer’s Apprentice (1897) ..

The Saxophone Fdhily
Syrinx (1913) ... 

..Claude Debussy
Nicholas Follett, alto saxophone

(1862­1918)

i

The Nutcracker Ballet (189 2) .

Symphony N o. VI (1939)
Symphony Fa ntastique (1830)..

Orchestral Excerpts
. Traditional
Arr. Ralph Martino

Danielle Stoner, soprano saxophone
Stephanie Ve rhage, alto saxophone
Benjamin VanDerAa, tenor saxophone
Darin Mihalik, baritone saxophone
Rossini a la carte (Medley)

Eb Soprano, Bb  Soprano, and Bass Clarine ts

Concerto in F (1925) .

Adolphe Sax, A Short History

Americana Suite.. 

Orchestral Excerpts to be chosen from the following:

..Gioacchino Rossini
Arr. Rolf Sch neebiegl

Nicholas Follett, soprano saxophone
Crystal Fishe r, tenor saxophone
Julia Dunnigan, alto saxophone
Daniel Gross. baritone saxophone

Till Eulenspiegel’s Merry P ranks (1894­95)

(1898­1937)

(1873­1943)

(1892­1972)

..George Gershwin
(1898­1937)

Paul Dukas
(1865­1935)

.. Antonio Vivald i

(1678­1741)

Dmitri Shosta kovich

(19061975)

Hector Berlioz

(1802­1869)

Richard Strauss

(1864­1949)

Soprano, Alto, Tenor and Baritone Saxophone
American in  Paris.. 
Original Orchestration
Rhapsody in Blue .. 

..George Gershwin
(1898­1937)
..George Gershwin

(18984937)

Lieutenant Kijé .

Sergei Prokoﬁev

Bolero (1928) ..

. Maurice Ravel

Symphonic Dances from  .. 
“West Side Story” (1957) 

(1891­1953)

(1875­1937)

.. Leonard Be rnstein
(1918­1990)

�L’arlésienne, Second Suite. 

(18384875)

The Plow that Broke the Plains (1940).

.Virgil Thomson

(18824961)

Danielle Stoner
Danielle  is a senio r with a double major in  integrative neuroscience and
music.  She is a graduate of Rube n A Cirillo High School in Walworth,
NY.  Recently named the National Residence Hall Honora ry’s Febr uary
2015 Smdent of the Month for her service to the Binghamton University
and surro unding communi ty, Miss Stoner is also a past president of Mu
Phi  Epsilon  and  is  music  director  of  Newman  House  (the  campus
Catholic Church).  Danielle  is a  2014­2015  recipient of the Gardner­
Stéwart  Memoria l Schola rship fro m  the  Bingham ton  Universi ty Music
Department.  She is a member of the U niversity Saxophone Quartet and
the Harp ur Jazz E nsemble and plans to attend medical school with hopes
of becom ing a neu rologist.

(19061975)

Stephan ie Verha ge

(1896­1989)

Porgy and Bess

..George Gershwin

(18981937)

Tableaux d’une exposition. 
.Modest Mussorgs ky
(Pictures at an Exhibition) 
' 
(1839­1881)
Orchestration by Maurice Ravel (1875­1937)

Hary Janos Suite (1926). 
l 

British Folk Music Settings N r. 12 .. 

Age of Gold.. 

.. Zolton Kodalv
(1882­1967)

1 

..Percy G rainger

2

La création du monde.. 
(The Creation of the World) 
is

About the Performers

.George Bizet

.Dimitri Shostakovich
* 

.Darius Milhaud
(1892­19 74)

Stephi  is  a  junior  with  a  double  major  in  Psychology  and  PPL
(Philosophy, Polit ics and  Law) and  is also a  music m inor.  Stephi  is a
graduate of Williamsville North  High School in  East Amherst, NY.  A
member of Phi Be ta Kappa Honor Society and Mu Ph i Epsilon, Stephi is
planning to attend law school after graduation.
Benjami n VanDe rAa
Ben is a  freshman majoring in engineering.  He is a graduate o f Acton
Boxborough Reg ional High School in Massachusetts.  Ben is a member
of the B inghamton University Saxophone  Quartet and the Harpur Jazz
Ensemble.  After pu rsuing a post grad uate degree, he would like to work
for a com pany tha t builds cars or bo ats.

Darin Mihalik
Darin is a senior physics major.  He is a graduate of Patchogue­Medfo rd
High School in NY.  A recent recipien t of the Robert Pe nﬁeld Award in
Physics,  Darin  is a member of the Phi Be ta Kappa  Honor Society.  He
will pursue a doctorate at Stony Brook in the fall in Condensed Matter
Physics a nd hopes to have a career in Coun ter­Terro rism.

�Nicholas Follett
Nicholas is a graduate saxophone performa nce major  from the studio of
April Lucas.  He holds a Bachelor of Music Education from  Mansﬁeld
University in PA. and is currently a membe r of the No rwich H igh School
Field Band staﬀ where he is the instructor of music for winds a nd brass.
As a subst itute teacher in several area school districts, Nick really enjoys
working  with  kids  and  hopes  to  have  a  career  as  a  music  educator.
Nicholas is currently p reparing to ﬁll a long­term mater nity leave position
as a third grade E I A  teacher in the Norwich City School District. He is
also working on  a second master’s degree  in  literacy and  is  an alumni
from Norwich H igh School in Norwich, NY.
J ulia Dunn igan
Julia  is  a  graduate  of  North  Rockland  High  School  in  NY  and  a
sophomore  at  Binghamton  University  studying  mathematics  and
economics. She works as the  Multimedia  Promotions Assistant at  Late
Nite  Binghamton  and  is  the  Fellowship  Chair  for  the  Binghamton
Chapter  of  Circle  K  International.  In  addition  to  the  University
Saxophone Quartet,  she perfor ms with the BU Wind Symphony. She
hopes to become an ac tua ry after graduating fro m BU.
Crystal Fisher
Crystal  is a  graduate  of Vestal  H igh School  in  Vestal, NY .  Now, an
undeclared  freshman  with  an  interest  in  music  and  science,  she
participates  in  the  University  Saxophone  Quart  and  the  BU  Wind
Symphony.  No matter what direction her fu ture takes her, she ho pes to
always part icipate in a musical ensemble.
Daniel Gross
Dan is a graduate of East Meadow High School in NY.  He is a junior
majoring  in  history.  Dan  is  a  member  of  the  University  Saxophone
Quartet and the Wind Symphony.  He hopes to have a  career with the
National Park Service after grad uation.

A sincere “ Thank Yo u” to the H armony Club of Binghamton fo r all the
awards, encourageme nt, and opportunities they have given  to so many
deserving h igh school  students.  Harmony C lub award winning students
are  just  like  the  performers   in  this  evenings‘  concert,  they  are  not
necessarily music ma jors, but loved music  in high school and continued
to participa te in music programs in their chosen colleges and universities.
Harmony Club, we sincerely appreciate your support!
Thank  you  to  Mu  Phi  Epsilon  for  your  help  in  the  logistics  of  this
evenings’ p rogram  and  for your continued service  and  participatio h  in
the ﬁeld of music to o ur University and our Commun ity!
If you would like to help support the Harmony Club  in their eﬀorts to
provide awards to deserving high school sen iors, there will be someone at
the desk be fore and after our program to accept your d onations.
Karen Fu, piano
a – a t on e Q t p o e t – t e – n e ’ e – o – o ono t t t n t – o e o o o o onnng t a a

�Bi nghamt on Un ivers ity Mus ic Departme  n t’s
Com i ng Events
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Th ursday, April 2 ­  Mid­Day Con cert ­ 1 :20 p.m. – Casadesus Recita l Hall – free

Th ursday. April 16 ­  Mid­Day Con cert ­ 1:20 p.m. ­  Fine Arts Building, Room 2 1 ­  free
Th ursday. April 16 ­  Faculty Recital: Zachary Sweet, cello and Michael Sa lmirs, piano ­  7:30
p.m.  ­  Casadesus  Recital  Hall  ­  $7  general  public;  $5  faculty/staﬀ/seniors/alumn i;  Free  for
students
Friday, April 17 ­  Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, ﬂ ute ­  5
p.m. ­  Casadesus Recital Hall ­ free 
i
Friday, April 17 – Tri­Cit ies Opera presents Gounod ’s Faust ­  8 p.m. – The  Forum Theater ­
c all (607) 7 72­0400 for tickets

Saturday, Ap ril  17  ­  Joint  Recital: Sophomore Natasha Talukdar, piano and Senior Annie
Tao, piano ­ 3 :00 p.m. ­  Casadesus Recital Hall ­  free
Saturday, A pril 18 ­  Senior Recital: Christina Santa Maria, soprano – 7 :30 p.m. ­  Casadesus
Recital Hall ­  free
Sunday,  April 19 ­  Tri­Cities Opera presents Gounod’s Faust – 3 p.m. – The Forum Theater ­
c all (607) 7 7 2­0400 for tickets
Sunday, April 19 ­  Guest Artist : Organist Craig Philips – 4 p.m. ­  United Presbyterian Church

­  $10 general public; $7 facu lty/staﬀ/senio rs/alumni; $5 for students

Tuesday,  April  2 1  –  St ring  Fever  (String  Classes a nd  Stud io String  Recital)  ­  7 :30  p.m.  –

Casadesus Recital Hall ­  Free

Th ursday, April  23  ­  Ha rpur Jazz  Ensemble Co ncert with saxophonist  Camille Th urman ­
7:30 p.m. ­  Osterhout Co ncert Theater ­ $7 general  public; $5 fac ulty/staﬀ/sen iors/alumni; free
for students

e w w w w b n ﬁ w w w é n ﬁ i w a a n é b
E

a

—

f

I 

E

 

For  tickets or to  be  added  to  our email list,  visit  anderson.binghamton.edu or  call

(607) 
 
777­ART’S,  For a complete list of our  concerts  call (607)  777­2592, visit
music.binghamton.edu or become a fan on Faceboolt.

I f  you were  inspired  by  this  performance,  consider suppo rting  the  Department  of
Music with a  ﬁnancial gift,  Your sup port  helps  to continue  the work of  students,
faculty,  and  guest artists and  their  contributions  to  our community.  Please  make

your donation payable to  the Binghamton University Music  Department, and  send

your check to B U M
  usic Department, P.O. Box 6000, Binghamton, N Y  1 3902.
k o k

�</text>
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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   UN I V E R S I T Y  OF  NE W  YORK

[4

w d e c

D E P A R T M E N T

Harmony Club
Fundraiser Concert

Thursday, April 1 1, 20 13

7:30 p.m.

Casadesus Recital Hall

�PROGRAM
. W. A. Mozart

ln uomini, in soldati. 

( 1 7 56 ­ 1 791)
arr. by Benjamin Britten
( 19 13­1976)

from Cosi Fan Tutte 
The last rose ofsummer. 

Caitlin Gotimer, soprano
Chai­Kyou Mallinson, piano
Sonata No. 2 in B­ﬂat minor, Op. 35 . 
Grave – doppio mwimento 
Daniel Malinovsky, piano
11  Barcaiolo

Heart, we will forget him,. 
from Twelve Poems of Emily Dickinson 
Widmung, Op. 25, No. 1 . 

Christina Santa Maria, soprano
Chai­Kyou Mallinson, piano
Nigun . 
from the Ball Shem Suite 
Elea nor Krasner, violin
Chai­Kyou Mallinson, piano

. Fr éi éric Chopin
( 1810–1849)

Gacta no Donizetti
( 1872­19 15)
Aaron Copland
(1900­1990)
Robert Schumann

( 18104856)

Ernest Bloch
( 1880 ­ 1959)

Caitlin Gotimer, soprano
Christina Sa nta Maria, soprano
Chai­Kyou Mallinson, piano

A &lt; I N T E R M I S S I O N  m4

(b.  1 9 26)

Andante sostenuto 

Allegro vivo

William Marsiglia, trombone

Chai­Kyou Mallinson, piano
.Domenico Scarlatti
(1685­1757)
comp/arr. Heiner Wiberry

Sonata No. 44 .  
arr. Fred Hemke 
Ulla In Africa. 

The Binghamton University Saxophone Quartet
Danielle Smner, soprano saxophone
Veronica Mantilla, alto saxophone

(b. 1944)

Christopher Murdock. tenor saxophone
Ph il  Wes tc ot t, bari tone saxophone

Sonata 1 
Cantabile 

Spiritoso e staccato a Tempo Moderato

Ernst Galliard
(1687­1749)

Largo e Staccato
Hornpipe a l’inglese:  Allegro e Staccato
Vivace
Zachary Stanco, bass clarinet
Chai­Kyou Mallinson, piano

October Night (movement 1)

,Michae1 Burritt
(b.1962)

Benjamin Ramos, marimba
Gioachino Rossini

D l le t t o  b u ﬀ o d  i  d u e g  a t t i

.Jacques Casterede

Sonatine for Trombone and Piano. 

(1792 ­ 1868)

. Raymond Premru

Felicity.

(1934­1998)

Daniel Speer

Sonata No, 1 

( 1636­1 707)

Allegro 

William Marsiglia, trombone
Chris Beard, Gary Bennett, trombone

If you or you know someone who would like to make an additional donation,
checks can be made payable to the Harmony Club and mailed to Mary Chen,
Treasurer, Harmony Club, #1 3, 4 Oak St., Binghamron, NY  13905.

�STUDIO STARS
C hris Beard: Freshman; Computer Science major, enjoys sailing; from the studio of

Donald Robertson.
  e n ne t t :  Senior; Chemistry major/ M usic minor; interested in composition; from the
Gar y B

studio of Donald Robertson.

Caitlin Goti mer: Sophomore; Vocal Performance major; Resident Artist in Dickinson;
from the studio of Thomas Goodheanrt.
Elea n or  Krasner: Freshman; English and Music majors; from the studios of Janey Choi
and Peter Rovit.

Dan iel M alinovsky: Sophomore, Financial Engineer major, loves to travel and would like
to go abroad to study in Italy; from the studio of Jinah Lee.
Veron ica M antilla: Sophomore; Chemistry major;  Member of Student Conduct  Board

and Undergraduate Art History  Association; loves architecture;  from the studio of  April
Lucas.
Willia m M arsiglia: Senior; Biochemistry and M usic majors; works in a chemistry lab;
from the studio of Donald Robertson.

C h risto pher M urdock: Junior, Accounting Major; bowls  for BU Intramural  Bowling
League; from the studio of April Lucas.

Be n ja mi n j os hua Ra mos: Senior; Computer Science major; mentors at the Boys and
Girls Club of Binghamton; Webmaster 20 1 1 ­  20 12 ; member of the Society of  Asian
Scientists and Engineers; Outreach Chair 201 I ­ 20 1 2; from the studio of Julie Licata.
Christina Santa M aria: Sophomore; Vocal Performance and Linguistics major; President
of Mu Phi Epsilon, the professional coeducational music fraternity at Binghamton
University; from the studio of Mary Burgess.
Zachary S ta nco:  Senior; English and Philosophy majors; writes for the Opinion section of

the school paper; from the studio of Sarah Chandler.

Dan ielle S t o ner :  Sophomore; Music and Integrative Neuro Science majors; active in  the
professional  music fraternity  Mu  Phi  E psilon;  plays  in  the  pit  band  for the  Binghamton

University Theatre musicals; from the studio of April Lucas.

P h i l  Westcott: Senior; English­Creative Writing and M usic majors; General Manager of

BU free format radio station WHRW; intern for WSKG Community Conversations radio
show, from the studio of April Lucas.

Special thanks to pianist Chai­Kyou Mallinson &amp;
coordinator Stephen Stalker.

�</text>
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                    <text>STAT E UNI VERSITY OF NEW  YORK  AT BINGHA MTON

HARP UR COLLEG E
T H E DEP ARTM ENT O F  MUSIC

T H E HA RPU R C HORALE &amp; O RC H EST RA

MEN ’S GLEE CLUB
WOM EN’S CHORUS

Sunda y, A pril 13, 1969, 8 :15 p. m.
T he Don A . W atte rs T hea te r

�PR OGRA M
UNE CANTA T E  DE  NOEL

PR OGRA M  NOTES
A rthur Honegger

Donald Miller, Baritone Solo
Treble Choi r
Harpur Chorale and Orchestra

A rthur  Honegger  composed  the  Cantata  de Noel  during the tall and winter of 1953 while
recuperating  f rom  an  illness.  The  work  was  commissioned by Paul Sacher for the 25th
anniversary  of  the  Basle  Chamber Orchestra  and was  given its premiere by that conductor
and orchest ra on Decem ber 18th of the same year.
Opening wi th Psalm 130, De P raﬁmdis,the Cantata moves toward a potpourri of Christmas
carols, artf ully  woven  together  and  culminating  in  the  Latin hymns, Gloria in Excelsis Deo

lnterm iss ion

and Laudate Domimm.

CHANTEYS

arr. Marsha ll Bartholomew

SPIRITUALS
DE  WIN D  BLOW  OVER  MY SHOULDER
I  COULDN ’T  HEAH  NOBODY  P RAY
HE ’S GOT  THE WHOL E WORLD IN  HIS HANDS
(Jim Osborne, soloist)

a r r. Ma rshall Ba rtholomew
a r r. Ma rshall Ba rtholomew
a r r. Fenno Heath

A S OF F TO T H E SOU TH ’A RD WE GO
AWAY TO RIO
A–ROVING
SHENANDOAH

T RADITIONA L SONGS
ERIE CANA L (Bob Kendall, tenor soloist)
AURA LEE  (Terry Howell, baritone soloist)
THE SCOTC HMAN
AJ, LUCKA . LUCKA SIROKA
Men’s Glee Club

American Folk Song
T raditional

a r r. Joseph Canteloube

COME SLEEP
BARBARA A LLEN (Alida Stahl, soloist)
MOUNTAIN NIGHTS
Women’s Chorus

Robert Starer
arr. Katherine Davis
Zoltan Kodaly

Piano, Donna Hallen
Drums, Steve Millheise r

The  genesis  of  the  Cantate  de  Noel  dates  back to 1940 when Honegger was setting to
music  the  ﬁrst  portion  oi‘  La  Passion de  Selzach as it was conceived by the poet, Caesa r
von  Arx,  which  began  with  the  episode  of  the Nativity of Christ.  “It is this pa rt of the
work,”  writes  the  composer,  “which  has  served  me as the basis for the Cantate de Noel,
not  without  undergoing  in  the  course  of  its  writing a nu mber of necessary changes.  The
ﬁrst  chorus,  the  12th  Century  plainsong  Vent Emmanuel,  brings the anguished appeal of
humanity to  the Saviou r . ‘
In answer to this cry, the archangel announces to the shepherds the coming of the Messiah.
We  then hear Freu Dich, O Israel; the  16th  Century air,  Es Ist  Ein Reis Enlspmngen;  the
French  folksong,  ll Est Ne  Le Divin Enfant; Van Himmel Bach, Ikr Engelein Kommt; and the
famous  Die  Heilige  Nacht, melody  by  Franz  G ruber  — all intermingled and terminating in
Psalm 117, Laudate Dominum,.  An orchestral postlude concludes the work.
The Cantate  de  Noel  is scored  for  double  woodwinds, 4 horns, 3 trumpets, 3 trombones,
ha rp, organ, s trings, bari tone solo, a nd two choruses (mixed and children).

f rom Yale U niversity
Bohemian Marching Song

LOU  BAYLERO  (chant de Be rgers de Haute­Auvergne)
(Phyllis Costanzo, Soloist)
Harpur Chorale

DIDN ’T M Y LORD DE LI VE R DAN I EL
SH A DRA CK

A CHRISTMAS CANTA TA — Honegger

arr. Walter Ehret
Robert MaeGimsey

Bass, Steve Kotrch

NURSERY­ROUND f rom the musical, FAN NY
IT’S A SIMP LE LITTLE SYSTEM, f rom the musical, BELLS  ARE  RINGING
(Shandor is sung by Jim Osborne)

Harold Rome
Jules Styne

Harpur Chorale

Ushering courtesy of A lpha Phi Omega and Gam ma Sigma Sigma

THE  HARPUR  CHORA LE
The  Harpur Chorale is a group of 61 voices composed of a Men’s Glee Club and a Women’s
Chorus, with each group singing a representative choral repertoi re.  The Chorale ’s member­
ship is dra wn f rom both music ma jors and general college students and was founded in 1964.
The  Chorale  and  Women’s  Chorus are  under  the di rection of David L. But tolph.  The Men’s
Glee  Club  is  under  the  direction  of  Philip  F. Nelson.  The groups have, in recent years,
toured  the  Long  Island  area,  Western  New  York  State, and Canada.  Most of the  members
of the Harpur Chorale are residents of New York State.

Oﬀicers
T e r r y H o w e l l . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P resident
S a l l y B a r o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Libra ri a n
Wa rdrobe
NancySimp kins
Secretary

T RINIT Y  ME MORIA L  CHURCH  JUNI OR  CHOIR  — BOY  T RE BL ES
Jack Hooton, Director
Thomas A rnold
G rant Best

David Brown

Craig Dykstra
Kent Heald
Kim Ha r rison, Depu ty Head T reble

Matthew Joggerst

Barry McDevitt
Joseph Pilotti
David Purd y, Head T reble
Scott Purdy
Thomas Rincker
James Sage
F rederick Shumaker

David Stibe r

James Trucker
Jeﬀrey Usas

Keith Walte r
Christopher Whitmore

Jonathan Whitmore
Paul Whitne y

�T HE  HARPUR  C HORA L E  PERSONNEL
WOMEN ’S  CHORUS
SOP RA N OS 

Audrey Adler 
Elvira Chiccarelli 
Phyllis Costanzo 
Nora  F reeman 
Joann G rizzanto 
Linda Holgers 
Bettsie Park 
Donna Ribble 
Regina Sablauskas 
Nancy Simpkins 
Alida Stahl 
Ricky Stern 
Terry Tedeschi 
Linda T raver 
Ca rol Tubbs 
Kathy Tyrrell 

L inda Uhly
Nadene V redenburgh

Jacobi Westerhuis
Vi rginia Wetherbee
Nancy Zucker

MEN ’S  GL EE  C L U
 B

ALTOS

TENORS 

Gail Arnold
Sally Baron
Nancy Carlson
Helen Cooney
Alona Cuningham
Joyce Ellenson
Laura Finkelstein
Carol Gill
Debby Kanter
Barbara Maggs
Penn Moulton
Shi rley Newberry
Susan Paisley
Simone Pel zman
Lynne Rudwick
Reva Weiskopf

Donna Hallen,
Accompanist

‘ 

BARITONES &amp;
BASSES

Ken Davis
Bill Hopson
Michael Kass
Bob Kendall
Dick Michalak
Doug Steward
Jim Vanhart
MichaelWeingarten

Max Cepero
David Clark
Douglas Dorph
Jon Erlitz
Jeﬀ  Feinsilver

Leon Fried
David Fry
Terry Howell
Steve Kotrch
David Marcus
Ira Miller

Steve Millheiser
John Niessen
Jim Osborne
Alan Sanders

Douglas Shadwick
Dick Squiers
Ernie Tong

Chai­Kyou Kim
Accompanist

Keith  Willcox

T HE  HARPUR  ORC HEST RA  PE RSONNE L
VIOLIN
*Ralph Wade, Concertmaster
*Melba Sandberg
*Daniel Mowrey
*John Mayorchak
*Richa rd Leavitt
Toby Harris
Ma rtha Strassberger
*Pamela Seversky
*Edward Pettengill, P rincipal
Vi rginia Pantalone
Debby Davidson
Sally Shaf e r

‘Sophie Horowit z
Douglas Diegert
Karen Voight
VIOLA

*Russell Colton, P rincipal
Joyce Stel zl
‘Kenneth Hollister
*Ann Ziegler
*Ma rga ret Sewa rd

‘Binghamton Symphony members

CELLO
*Ruth Brown, Principal
David Howard 
*Jane Whitmore
*Thomas Riis
CONT RABASS
*Richa rd Thomas, P rincipal
*James Hills
*Anthony P reus
Dayle Sherba

ORGAN
Jack Hooton
HARP
Katherine Eliot
FLUTE
Ma rsha Kadleck
Bruce Merley
Glaiber
OBOE
Geoﬀrey Ba r ron
F ran K rauss

CLARINET
David Marcus
Jean Schab
BASSOON
Louise Belsky
Douglas Epstein
HORN
Matthew Goldstein
Stu Reeve
Rosalind Powell
P hil Salkin

TRUMPET
Deibert Cobleigh
Tom Sigler
Peter Dodge
TROMBONE
John Baldon
Tom Demilio
G rant Sullivan
PERSONNEL MANAGER
Edwa rd Pettengill

�</text>
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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59185"&gt;Harpur Chorale &amp;amp; Orchestra Concert&lt;/a&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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