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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K

wdee
(4

D E P A R T M E N T

A H O L I D A Y
CHORAL C ONCERT

THE WOMEN’S CHORUS

Bruce Borton, conductor
Jushin Choi, graduate student conductor
William Lawson, pianist

T HE H ARPUR CHORALE

Peter Browne, conductor and organist

Thursday, December 2 " ,  2010
8:00 p.m.
Trinity Memorial Church
Binghamton, New York

�PROGRAM
L

III.

Peter Warlock
(1894–1930)

Tyrley, Tvrlow (Three Carols)...........................

Stephen Paulus
(b.1949)

Hallelu

.. Traditional Latvian
Arr. Andrejs Jansons

Two Latvian Carols

Maria Wiegenlied..................................................

Jushjn Choi, conductor
B

e Bells

Z. Randall Stroope
(b.1953)

There is no Rose

Traditional Yiddish
Arr. Elliot Levine

Three Channukah Songs

Mi zeh hidlik

Boruch ate, zingt der tate

Gut yon­tef aykh kinder

Mark Rossnagel, organ

ti

..........Morten Lauridsen

O magnum Mysterium

(b. 1943)

o

.. William Mathias
(1934–1992)

A Babe is Born............

Max Reger
(1873–1916)
M. Leontovitch
(1877­192 1 )

 

4

Chanukah Prayer for Children 

Adam Hess, bass

i

4,

j

4
i

i

Ryan Brechmacher and
Ian Pomerantz

Baruch Cohon
Arr. W. Ellen Fleischmann

Al HaNisim 

Good King Wenceslas...............................

1

I

The Twelve Days After Christ mas

II.
Improvisation on  “Adeste Fidelis

Peter Browne, organ

Marcel Dupre
(1886–1971 )

from Piae Cantiones
Arr. Reginald Jacques
( 1 894–1 969)

Nuala Gaﬀey, soprano
Alexander Turo, baritone
Good King Kong Looked Out 

Th e Women ’s Chorus
Bruce Borton, conductor
William Lawson, piano

Antonio Vivaldi
(1680–1743)

Gloria in Excelsis Deo (Gloria in Dma) 

Th e Ha r pur Chorale
Peter Browne, conductor

P.D.Q. Bach
( 1 808­1742)?

Frederick Silver
(b.1936)

�S
TRANSLAT IONS 
Ziemas svet ki sa brauk usi
Lo, behold a sleigh is coming, stall ion prancing, bells jingling.
Hurry, children, wait no more, Winterfest is at the door.
Look and see how nobly dressed is the steed of Winterfest:
Golden reins and ribbons streaming, diamonds in the bridle.
O ’er the hilltop God is slowly riding, gently guiding,
Light the way with ﬁres. Bring him into your humble dwelling.
Balts sniedzins snieg uz sku jinam
A gentle snow is on the ground, on bush and tree.
The sleigh bells jingle and I am happy.
Tonight I feel my spirit ﬂy into the heavens
Where angels sing on golden clouds and pearly seas.
Tonight I feel that I could be like the heavenly angels,
And shine like sta rs above the worl d and those I love.
I am happy as a child can be, surro unded by family.
I am ﬁnely dressed for Christmas E ve and feeling blessed.
I feel content and whole, my heart is ﬁlled with delight.
Will it always be this way? Or will it change?

G ut yontef aykh, k inder
We come to you children, with gre etings heartfelt:
a dreidel, a candl e, and Chanukah gelt.

l
l
~

O magnum Mysterium
O great mystery and wondrous sacrament,

That animals should see the new­born Lord lying in their manger!
Blessed is the Virgin whose womb
Was worthy to bear the Lord Jesus Christ. Alleluia!

AI  HaNisim
For the miracles and the wonders,
For the redemption and the battles t hat you made for our forefathers,
In those days at this time.

M i  ze hidlik

Boruch ate, zing t d e r t at e

“Blessed art Thou ” the father sings as he lights the candles.
And the mild. del icate light falls upon his pale face.
A ﬁre that ’s holy and precious shines in his eyes:
And this stooped, tired man begins to stand erect.
And it seems to me — and we believe it  —
There still is som ething here, there remains much to love.
The hour is a hol y one.
Old sounds, long forgotten?  But no, they are still resounding.
Sing father, “Boruch Ate. .  I am still your child.

Gloria in excelsis
Glory to God in the Highest.
Chan ukah P rayer
Maoz tzur  Rock of ages.
Y’shuati l’cha naeh  let our song praise
L ‘shabeiach  your saving powe r.

M a ri a Wiegenlied
Mary sits in the rose bower, rocking her Jesus Child,
Softly through the foliage the warm wind of summer blows.
At her feet there sings a brightly­pl umaged bird:
Go, sweet child, to sleep, go now to sleep!
Lovely is your sm ile. lovelier your slumber’s joy,
Lay your weary l ittle head close to your mother’s breast,
Go, sweet child, to sleep, go now to sleep!

Who is it who has lit these thin candles like stars abo ve.
The children themselves know that today is Chanukah.
Every happy candle, every dear candle, burns, hints, sparkles.
The children stand around and thei r joy is boundless.

I am a dreidel, I lose and I win,
With a nun and a gimel a hey and a shin.
I am a candle, I burn and give light,
To brighten this dark world for us on this night,
I ’m Chanukah gelt, you can keep me to day
But tomorrow to poor friends please give me away.
We come to you children . . .

I

1

�T H E  WOMEN’S CHORUS
Bruce Borton, conductor

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Orchestra

William Lawson, performance pianist
Jushin Choi, student conductor and rehearsal accompanist
Elyssa Ackerman
Molly Adams­Toomey
Sophie Bass
Carrie Buck
Jiaying Cheng
Meredith Collins
Rebecca Dinhofer
Annie Ferro
Sheena Finlayson
Samantha Grieco
Ashley Grumman

Briana Hanson
Ashley Koo
Bora Lim
Stephanie Naru
Jessica Pyne
Hayley Rein
Julia Rose
Christine Scherer
Siobhan Sculley
Hyeyon Seo
Hannah Wentz

The Binghamton Community Orchestra
2010­2011 SEASON  SCHEDULE
Saturday, April 9, 2011, 7pm
Sunday, November 21. 2010, 7pm 

Helen foley Theatre 
at Binghamton High School 

Sarah Jane Johnson Church
Johnson City, NY

with the Binghamton Youth 
Symphony Drchestra 
Barry Peters. Conductor

Tim Perry, Conductor
Frieda Abdo, Soprano

Binghamton Community Orchestra 

Annual STMIA Winners Concert

For more information:
www.BCOrchestra.com, conductor@BCOrchestra.com or 607 759­9004

T H E  HARPUR CH ORALE
Peter Browne, c onductor

Women

Men

Michele Aronson
llyssa Baine
Samantha Banton
Katie Besemer
Tahnee Fallis
Eliana Frim
Nuala Gaﬀcy
Alexandra Kirby
Kerianna Krebushevski
Yiting Liang
Marisa Sweeney
Samantha VanAdelsberg
Mookey Van Orden

Adam Demetros
Brian Evans
David Frey

Matthew Francis Gawors
Ariel Hausman
Adam Hess
Tomas Kerr
Gabriel Lotto
Gavin McClelland
Glenn Parker
Mark Rossnagel
Joshua Rovou
Joshua Setren
Leander Tanner
Alexander Turo

l
I

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So met hing O l d

Som ethi ng N ew

A C om m un i ty Si ng wi t h Alice Pa rker
Sarurday, October 16,  2010, 3:00 pm

First P resbvtenan Church, 42 Chenango Street, B 

mton, N Y

Fol k S on g I nsp i rat i ons

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Durected by Anne Borer 

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S  it’  , October 17,  2010,  4:00 ¢
Trinity M e m on a l Episcopal  C . . .  . ‘ 44 Maun Street, Bingh am ton, N Y

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L essons a n d  Carols for C h rist m as

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Saturday, November 2 7, 2010, ­ . .  p  &amp; Sunday, November
h  ‘ie Hole­I ’m.  " '  346 P rospect Street  Bingl
C1 

2010, 4:00 p m

C hora l J our neys : D e pa rt u res. D esti nations a n d  D rea ms

Led by Bruce Borton.  candidate for Arasuc  Director
aday, . Luci: 20,  2011,  4:00 A
go S J  ...B_  '
,  42 Ch 
resb  .  mm. Ch
F  A 

All’s Fair : Songs of  Love &amp; War

Led by James 

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Nibloc k, candidate for Artist ic Di s

v, Mar 22  2011, 4 :   pm

Pies 

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42C

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The Madrigal Choir of Bingham ton  + 2010­2011 + 33rd Season 
For ticket information visit www.madr igalchoir.com or c all 607­729­4767
4

�Bingham ton Universit y M usic D epartmen t’s

   CCvents
2v
C o na

Friday, December 3 — F lute Studio and  Flute Chamber  Concert — 10:30 a.m. —
Casadesus Recital Hall — free

Friday, December 3 –­  Composer’s Concert (students of Christopher Loy) — 8 p.m.
— Casadesus Recital Hall – free

Saturday, December 4 — University Symphony Orchestra : America’s Inner Life —
3 p.m. ­– Osterhout Concert Theater — $10 general public; $5 faculty/staﬀ/seniors; free
for students (Group rate $8 per person)

Sunday, December 5 — W ind Symphony : American Variations, honoring veterans
and serving military — 3 p.m. — Anderson Center Chamber Hall –­  free
Sunday, December 5 — Violin Recital : Janey Choi, violin, Michael Salmirs, piano
and guest artis t Rebecca Anse l, violin — 7:30 p.m. — Casadesus Recital Hall — $10
general public; $5 faculty/staﬀ/seniors; $2 students
Thursday, Dece mber 9 — Jazz Mid­Day Concert with guest artis t — 1:20 p.m. —
Osterhout Concert Theater — free (Co­sponsored by the Binghamton University Music
Department and the Harpur Jazz Project)
Thursday, December 9 — Harpur Jazz Ensemble Concert w ith guest artist — 8
p.m. — Osterhout Concert Theater — $10 general public ; $5 faculty/staﬀ/seniors ; free
for students (Co­sponsored by the Binghamton University Music Department and the

Harpur Jazz Project)
Friday, December 10 — S inging Chinese Class Recital joined by the Beginning

Chinese Flute C lass — 7 p.m. — Casadesus Recital Hall — free
Saturday, December 11 — Amahl and the N ight Visitors — 3 p.m. &amp; 5 p.m. —
Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families
with 2 adults and 4 children)
Sunday, December 12 — Amahl and the Night Visitors — 3  p.m. &amp; 5 p.m. —
Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families
with 2 adults and 4 children)
Monday, December 13 — “Italian Night” C lass Recital (Maria Cook, Instructor) —
8:00 p.m. — Casadesus Recital Hall — free

For ticket information,
 .
  ­AR TS
please call the Anderso n Box Oﬀice at 7 77

�</text>
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                    <text>V A

U

f&lt;&lt;tt.\

al

tape

2003

5-3

c_ COL
SPE

BINGHAMTON
U N I V E R S I T Y

State University of New York

Department of Music

HARPUR CHORALE
Peter Browne, conductor
WOMEN'S CHORUS
Jane True, conductor

Saturday, May 3, 2003
3:00 p.m.
Trinity Memorial Church, Binghamton

�Program
Harpur Chorale

I.
Jubilate Deo .................................................................. Orlando di Lasso
(1530-1594)

Ave Verum Corpus ............. ................................................. W.A. Mozart
(1758-1791)

Sanctus ............. .................................................... Johann Sebastian Bach
(1685-1750)

II.
Rejoice in the Lamb ...................................................... Benjamin Britten
(1913-1976)
Jennifer Lucia, soprano
Deanna Bunal, alto
Josh McMahon, tenor
Christopher Waterstraat, bass
John Novak, organ

III.
0 How Amiable ............................................... Ralph Vaughan Williams
(1872-1958)
Praise Ye the Lord ................................................................. John Rutter
(b. 1945)
John Soto, baritone

�Women's Chorus
IV.

Laudate pueri Dominum ........................... Felix Mendelssohn-Bartholdy
Opus 39, No. 2
(1809-1847)
Messe Basse ......... ............................................................... Gabriel Fauré
Kyrie
(1845-1924)
Sanctus
Benedictus
Agnus Dei
How Can I Keep From Singing ......................................... Arr. Jane True
Jane True, conductor

�About The Performers
PETER BROWNE, conductor of the Harpur Chorale, is a graduate of Bard

College, and received his MM degree from Binghamton University in 1980. He was
an organ performance major at both institutions, serving as chapel organist during
his student years at Bard. While at Binghamton University, he studied organ with
Paul Jordan and Searle Wright, and choral conducting with David Buttolph. He has
done additional coursework at Westminster Choir College and several other schools.
In 1994, he was awarded a fellowship to study choral conducting with Sir David
Willcocks, former music director of King's College Chapel, Cambridge, and the Bach
Choir of London. Browne has served as a church musician in Pennsylvania,
Connecticut, and New York, and has been organist-choir director at Trinity Episcopal
Church in Binghamton since 1981. He was interim choral director at Binghamton
University in 1986-87, and continues as accompanist for the University Chorus. He
has appeared as a conductor, soloist, and accompanist in the eastern U.S.
Harpur Chorale
Soprano
Hila Bezalel
Johanna
Blackstone
Samantha LaDue
Jennifer Lucia
Jane True
Emily Y anisko

Alto
Shannon Ahn
Deanna Bunal
Amali Cowan
Emily Mangino
Pamela Schrage
Rebeccah Socoloff
Megan Westfall
Sarah Williams
Alexis Witek
Amy Wolff

Tenor
William Duffy
Martin Goldman
Seung Lee
Joshua McMahon
Santosh Varghese
Christopher Tartaro
Ozzie Bute

Bass
Michael Boxer
Mark Ceci
Benjamin Darfler
Michael Mondazzi
John Resser
Joseph Salina
Christopher Waterstraat

JANE TRUE, conductor of the Women's Chorus, is a graduate

assistant in the University's Department of Music.
Woman's Chorus
Soprano I
Nicole Casale
Jennifer Curiano
Laura DeCarlo
Jenny Gill
Meaghan Hait
Cheryl Hill
Wendy Schneider
Bonnie Streigold
Regina Zimmers

Alto I
Melissa Balfus
Naomi Boyarsky
Emily Creo
Han-Ni Jang
Michelle Katz
Eva Kiviat
Ramayee
Periakaruppan
Valerie Stepien

Soprano II
Rachel Herman
Aine Mccaughey
Catherine McDonald
Debra Menter
Kate Metzler
Jamie Mittleman
Hilary Parry
Maria Puntillo
Jessica Rios
Segaal Schorr

Kathy Kim, rehearsal pianist

Jesslyn Shafer
Irene Strong
Jennifer Walsh

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

HARPUR  COLLEGE
THE  DEPARTMENT OF  MUSIC

THE HARPUR CHORALE
DAVID  BUTTOLPH, Conductor

Wednesday, April 15, 1970
8 :15 p. m.

The Don A. Watter s Theater

�PR OGRA M
T he  Lord of the Dance 
Max Lede rhaus
Nancy Carlson, Contralto solo
Char les Feldman and Ira Mille r, guitars

Psalm 74 v. 19

Johann Sebastian Bach

Psalm  13  (opus 27)

Didn ’t My Lord Deliver Daniel 

a r r . Walter E hret

Johannes Brahms

Psalm 83 :1

Alan Hovhaness

Intermission

Ave Maria

Serge Rachmaninoﬀ

Kyrie et Agnus Del

Jean Langlais

(f rom Missa in Simplicitate)

G loria, Sanctus et Benedictus

Karl Korte

(from Mass for Youth)

VI
EXCE R PTS f rom CARMINA BURANA 
Assisted by:

Assisted by. Jack Hooton, Organist

Tim pani 

—  David C rowe

Percussion  –  Peter Buttolph, Rick Compton
Ferris Lebous, Robert Mirsky
i

PRIMO VERE

III
Four  A rms, Two N ecks, One Wreathing

Come  Sleep

Thomas Weelkes

Robert  Starer

A rgentine Folk Dance

3.  Veris leta facles
5.  Ecce gratum
7.  Floret silva

Alberto G inastera

11

IN TA BERNA
14.  In taberna quando sumus

IV
A mo, A mas, I Love a Lass

Shenandoah

Little Innocent Lamb
Sometimes I Feel Like a Motherless Child

ill

arrangements  by
Marshall  Bartholomew
arr. Fenno Heath

Carl Orﬀ

Accom panisis­  Donna Hallen and Joseph Kotylo

COURS D’ A MOURS
20.  Veni, veni, venias
2 2.  Tempus est iocundum
2 5.  O  F o r tuna

�PR OGRAM N OTES

PSALM 74 v. 19
Du  wollest  dem  Feinde  nicht  gehen
die Seele delner Turtletauben.

Veris leta facies (Conti nued)

Johann Sebastian Bach
Deliver  not  to  the  multitude  of  the
wicked the Soul of Thy  T urtledove.

PSALM XIII  OPUS 27
Herr,  wie  lange wilist  du  mein  so gar

ve rgessen']  Wie  lange  ver birgest  du
deln Antlltz var mlr?

Wie  lange  snll  ich  sorgen  in  meiner

Seele,  und  mich  lingsten  in  melnem

Herzen tagllch?
Wie  lange  soll  sich  mein  Felnd  ﬁber

mich erheben?

Schsue  doch  und  erhare  mich,  Herr
mein Gott.

Johannes Brahms
Lord,  How  long  wilt  Thou  iorget  me?
How  long,  wilt  Thou  hide  Thy  face
from  me?
How  long  shall  I  seek  counsel  within

my  Soul,  having  sorrow  in  my  heart
daily?
How  long  shall  mine  enemies  t riumph

o’er me ?
Hear  and  consider  me O  Lord my God.

E rleuchte  meine  Augen, dass ich nieht,

Mine  eyes,  O  Lord  enlighten,  lest  I
sleep the sleep of deatb.

meln  micht ig worden und meine Wide r ­
sacher slch nlcht f reuen, dass ich nlede r ­

vailed  against  him,  lest  they  re joice
when I am moved.

dass ich nicht im Tode entscnlaie ;
Dass  nlcht  meln  Felnd  ruhme, er  sei

liege.

Ich  hoﬀe  auber  dsrauf,  dass  du  so

gnadig  hist;  mein  Herz  f reuet  slch,
dass du so gerns hilf st.
Ich  w i l l  dem  Herren  singen  dass  er
so wohl an mlr thut.

Lest  my  foes  say  that  we  have pre–

But  I  have  eve r  trusted  in  Thy  great

mercy  Lord,  my  heart  shall  re joice

i n  T hy salvation.

And  I  will  praise  the  Almighty,  He
has dealt kindly with me.

Carl Orﬀ

C ARM! NA BURANA

(18 95 —)

Cantiones  profanae cantoribus et

iam stipatur ﬂore.
Zephyrue nectareo
spirans in odore.
Certatim pro bravio
curramus in amore.

Cytharizat cantico
dulc is Philomena,

ﬂore rident varlo
prata iam serena.
salit cetus avium
silve per amena,
chorus promlt virglnum
lam gnudia mllieaa.

Ecce gratum
Ecce gratum
et optatum
ver reducit gaudia;
purpuratum
ﬂoret pratum,

sol serenat omnla.
Iam lam cedant tristial
Estas redit,
nunc recedit
hiemis sevitia.
lam liquesclt
et decrescit
grando, nix et cetera;
bruma fugit
et lam suglt
ver estatls ubera;

llll mens eat misera

chorls cantandae comitantibus

instrumentis atque imaginibus magicis.

In 1847 J.A. Schmeller published a thirteenth­centu rymanuscriptcolleotlon of songs

which had originated in a  monastery in the foothills  of the Bavarian nlps, and to which

he  gave  the title Carmina Burana  or  “Songs of Benediktbeuern,” alter the name of  the
monastery.  Carl Orﬀ came  across  the  edition in 1935, and ﬁnished composing the
score  in  the  following  year ;  the  ﬁr st performance was in F rankfurt­am­Main on
J une 8, 1937.

The  poems,  written  by wandering scholars, fu r the most part before the year 12 00,
include  love  songs,  d rinking songs, and songs in praise of the vagabond o rder  (all in–

tended  as dance­songs),  as  well as rec ruiting songs for the Crusades, complaints on
fortune,  attacks  on  aimony, and various other topical poems.  Carl Orﬀ has arranged
selections  from the  texts into three groups ; the invocation to fortune, which precedes
the ﬁr s t group, i s  repeated at the very end of the work.

Program notes by Michael Ki mbell
I –  PRIMO VERE  Veris leta facies
Veris leta facies
mundo propinatur,
hiemalis acies
victa lam fugatur,
i n  vestitu v arlo
Flora principatur,
nemorum dulei sono
que cantu celebratur.

Flore fusus gremio
Phebus novo more
risum dat, hoe vario

qui nec vlvlt
nec lascivit
sub entitle dextera.
Gloriantur
et letantur
in melle dulcerlinls,
qui conantur
ut utantur
premio Cupidinis;
simus {ussu Cyprldls
gloriantes

et letantes

pares esse Parlrlls.

sound of the woods,

reigns Flora,
who i s  celebrated with song.

piled high with blossoms.

Zepher is blowing
with nectar­like fragrance.

L et us make haste i n  loving,

vying for the prize.
Sweet Philomena sings
her song as on a lyre ;

the ﬁelds, now fair, are s mlling

with many­colored ﬂowers;
a covey of birds ﬂies up
through the pleasant places of the wood ;
a bevy of maidens
gives loys of a thousand kinds.

Behold, the welcome
and long­yearned–for
spring brings back joy;
the encarmined
meadow is in bloom.
the sun makes everything  bright.
Now let sadness be put as ide!
The summer is returning,
and now the ferocity
of winter is retreating.
Now the hall, snow
and the rest
are melting and disappear ing ;
the winter is ﬂeeing,
the spring is already
suckling the breasts of summer ;
He has a wretched mind,
* who does not live
and does not wanton
under the aegis of summe r.
They glory
and rejoice
in the honey of sweetness
who make every eﬂort
to en joy
the rewards of Cupid ;

let us, at the command of Venus.

be proud
and glad

to be the equals of Paris.

Floret silva
Floret silva nobills

The gladsome face of spr ing
comes as a gif t to the world,
the battle –line of winte r
is already conquered and  put to ﬂigh t;
now, in bright garb, with t he sweet

Phoebus smiles anew,
gnrlandad with ﬂowers
in her lap, which is already

ﬂoribus et tollls.
Ubi est antiquus
meus amicus ?

Hine equitavit.

E ia, quis me amabit?

Floret silva undique ;
nach mime gesellen ist mir we.

Gruonet der wald allentha lben,

The noble forest is in bloom
with ﬂowers and leaves.
“Where is

my old–time f riend ?*

“He has ridden away.”
“Eia, who will love me?”
The forest is everywhere in bloom;
“For my mate I am yea rning.
T he wood is greening on all sides,

�Flovet silva (Continued)
wo ist mln geselle alse lange ?
Der i s t  gerltten hinnen,
O we, wer sol mich mi nnen ?

where is my mate all t hls tim&gt;?"
“He has ridden away.”
“Alas, who will love m e ?

ll –  IN TABERNA  In taberna quando sumu s
In taberna quando sumus
When we are in the tave rn
non curamus quid sit humus,
we care not wha t is earth,
sed ad ludum properam us,
but hasten to the game
cui semper insudamus.
over which we always s weat.
Quid ngatur in taberna,
What goes on in the tavern,
ubl nummus est pincerna,
where money is the wine­giver,
hoc est opus ut queratur,
this is what we must seek ;
s i  quid loquar, audiatur.
if  I say anything, let it be heard.
Quidnm ludunt, quldam bihunt,

quidam indiscrete vivun t,

Sed in ludo qul morantu r,
e x his quldam denudantu r,
quldnm lbl vest iuntur,

quidam saccis induuntu r.
lbi nullus timet mortem,
sed pro Baccho mittunt  sortem:

Some men play, some d rink,
some live undistinguish edly.
But of those who keep on gambling,

of them some are stripped naked,
some get their clothes there
and some go clad in sa cks.
There no­one fears death,

ex hsc hibunt libertini;

but they gamble for Bac chus :
First the dice are throw n for wine,
f rom this the libertines drink :
they drink once for the  prisoners,

quater pro Christianis cunetis,

four times for all Christians,

sexies pro sororibus vanis,
septies pro mllltibus silvanis.

seven times for the for est soldiers.

P rimo pro nummata vini ,

semel bibunt pro captivis,
post hec bibunt ter pro  vlvi s ,

qulnquies pro ﬂdelibus defunctis,

Octies pro f ratribus perversls.

noniens pro monachis dispersis,

decies pro navigantibus,
undec ies pro discordantibus,
duodecies pro penitentibus,

tredecies pro iter ngentihus.

Tam pro papa quam pro  rege

bibunt omnes sine lege .
Bibit hera, bitet herus,
bibit miles, blblt clerus,
blbit ille, blblt  illa,

bibit servus cum aneill s,
bibit velox, hlblt piger,

biblt albus, biblt niger,
bibit constans, blblt vagus,
bibit rudls, blblt magus.
Bibit pauper et egrolus,

blbit exul e t ignotus,
bibit puer, bibit canus,
bihit presul e t decanus,
blbil soror, bibit f rater,
blblt anus, bibit mater,
blblt lsta, blblt ille,
blhunt centum, bibunt m ille.
Parum sexcente nummate
durant, cum immodera te

bibunt omnes sine meta.

Quamvis bibant mente l eta,
s ic nos rodunt omnes gentes
et sic erimus egentes.
Qul nos rodunt coniunda ntur
e!  cum justis non sc ribantur.

af ter this they drink thrice for the living,

ﬁve times for all faithf ul departed,
s ix  times for the boastful sisters,

Eight times for the sinf ul brethren,
nine times for the dispe rsed banks,
ten times for those at sea,

eleven times for those at odds,
twelve times for the penitent,
thi rteen times for those o n the road.
For Pope and King alik e
all d rink without restraint.
T he mist ress d rinks, the master d rinks,
the soldier and the clergyman.
the man d rinks, the woman d rinks,
the se rvant d rinks with the maid,
the quick man d rinks, the lazy man d rinks,
the white man and the black,
the resolute and the inconstant,
the simple and the wise .
The poor man d rinks and the sick,

the exiled and the unknown,

the youngster drinks and the oldster,
the bishop and the deacon,
the sister drinks, the brother drinks,
the grandmother and th e mother,
women d rink and men d rink,
by the hundreds and the thousands.
Six hund red coins will not last  long enough,
when all d rink unrestrainedly
and without limit.
Though they d rink with a glad heart,

yet all people scold us
and thus we shall be needy.

May those who nag at us be confounded,
and may they not be ins cribed among the just.

111  ­—  COURS D‘AMOURS  Veni, i/Em’

Veni, v e n ,  venias ;
ne me mori facias.
Hyrca, nazaza, trillirlv os.
Puichrn tibi facies,
ocuiorum sales,
capillorum series,
0 quam clara species!
Rosa ruhicundior.
lilio candidior,
omnibus formosior,
sminer in te gloriorl

Come, come, come;

don ’t make me di e.

Hyrca, nazaza, trillirivos.
Beautiful is your face,

the piercing glance of  your eyes,

the arrangement of your hair,
oh whata splendid ﬁgur e!

Redder than the rose,
whiter than the lily,
more shapely than all others,
I always glory in youl

Tempus est iacundum

Tempus est iocundum,
o vitgines;
modo congaudete,
vos iuvenes.

0,0,0,

totus ﬂoreo;
lam amore virginali
totus ardeo;
novus, nevus amor est

quo pereo.

Mea me confortat
promissio,
mea me deportat

negatia.
Tempore hrumnli
vir pntiens,

animo vernali

lasciviens.
Mea mecum ludlt

virginitas,

mea me detruclit
simplicitas.
Veni, domicella,
cum gaudio,

veni, veni, pulchra,

iam pereo.

The season is joyful,
o maidens;

now re joice together,
you lads .
0,0,0,

I am all a–blooming ;

l am already all aﬂame
with virginal love ;
it is a new, new love

of which I am perishing.
It makes me happy
to promise,
it makes me sad
to refuse.
In the winter season,

man is a suﬀerer ;

with the spirit of  pring

he is wmton.
My maidenhood
plays upon me,
my  naiveté
puts me uiL
Come, damsel,
with joy,

come, come, fair one,
1 am already dying.

0 Fortuna
0  Fortuna

velut luna
statu vlr llbﬂls,
semper crescis
aut dectescis'.

vita detestabilis
nunc obdurat
et tunc curat
ludo mentis aciem;
egestatem,
potestatem

dissolvit u t glaciem.

Sara immanis

O Fortune,
like the moon
changeable in state,
you are always waxing
or waning;

abominable lif e

ﬁrst treats harshly
and then cares tenderly,
whimsically, for the desires of the mind;
lndigence

and power

it melts away like ice.
Overpowering

et inanis,

and empty chance,

status malus,
vana salus,

an evil state,
a ﬁ c kle  well–being.
always liable to change ,

rota tu volubilis,
semper dissolubilis,

you are a turning wheel,

�O Fortuna (Continued)
obumbrata

overshadowed
and veiled
you trample on me, too;
now, as for sport,
I bare my back
to your wickedness.

et velata
michi quoque niteris ;
nunc per ludum
dorsum nudum
fero tui sceleris.
Sors salutis

The chance of well–being

et virtutis
michi nunc contraria,
est aﬀectus
et defectus
semper in angaria.
Hac in hora
sine mora
corde pulsum tangite ;
quod per sortem
sternit fortem,
mecum omnes plangitel

and of strength,
now averse to me,
is a granting

and a denial,
but always in f rustration.
In this hour,

without delay,
strike the lyre ;

because, through chance,
Fortune lays low the strong—
weep, all, with mel

THE  HARPUR  CHORALE
President
Vice­President
Treasurer

Librarian

OFFICERS
Robert Kendall
Assist, Librarians
Nancy Simpkins
Michael Kass
Wardrobe Mistress
Ira Miller

Denise Juliano
John Niessen
Linda Uhly

PERSONNEL

Donna Hallen, Accompanist
WOMEN ’S  CHORUS
1st SOPRANOS

2nd SOPRANOS

1st ALTOS

2nd ALTOS

Susan Ball

Audrey Adler
Donna Hallen
Lise Schmidt
Laurie Siegal
Nancy Simpkins
Nadene Vredenberg
Jacoba Westerhuis
Carol Winslow

Wendy Bishop
Mary Conklin
Laura Finkelstein
Marjorie Graber
Susan Hoﬀmeister
Ellen Holtzman
Allison Jameson
Evelyn Kalish
Debra Kanter
Barbara Maggs
Simone Pelzman
Janet Stecher
Nancy Weeks

Sally Baron
Kathryn Bassin
Elizabeth Cohen
Carol Gill
Denise Juliano
Rita Mitchell
Shirley Newberry
Reva Weiskopf

Gaye Butler

Elvira Chiccarelli

Katherine Crowe
Carol  Flamm
Beverly Penn
Donna Ribble
Ricky Stern
Terry Tedeschi
Linda Uhly

MEN’S  GLEE  CLUB

TENORS
Peter Albert
Bryan Burdick
Keith Gorham

Michael Kass
Robert Kendall

Paul  Langland
Charles Seltzer
Douglas Steward
James  Van  Hart
Michael Weingarten

BARITONES
William Moore
Gary Corliss
Douglas Dorph
James Osborne
David Feder
Douglas  Shadwick
Jeﬀrey Feinsilver Ronald Smith
Thomas Sutter
Leon Fried
Max Lopez–Cepero  David Swanda
Ernest Tong

BASSES
Richard Axt
Ronald Caveglia
James Elniski
Charles Feldman
Ira Miller
Steven Millheiser
Kenneth Morgan
John Niessen
Richard Squiers

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                    <text>State University of New York at Binghamton
Harpur College
The Department of Music

THE HARPUR CHORALE

Sunday, November 21, 1971, 4:00 P.M.
The University Union

�PROGRAM

NACH DIR, HERR, VERLANGET MICH ( Canta ta 150)
Diane Krasin ski, Sopran o Solo
1.
2.
3.
4.
5.
6.
7.

J.S. Bach
(1685- 1750)

FREOOME - FREEDOM

Sinfon ia
Chorus
Aria
Chorus
Trio
Chorus
Chorus

Elliot Carter
(b 1908- )

Coleri dge-Ta ylor Perkin son
(b. 1936- )

Eugen ia Falins ki, Contr alto Solo
Barba ra Savage , Piano
Rober t Kolbe r, Bass
Joseph Roma, Drums

Instru menta lists

PSALM THIRTEEN

(premi ère)

Karl Korte
(b-192 8)

For mixed chorus with synthe sized and proces sed sound
Gregor y Matthe ws, Tape Opera tor
MAGNI FI CAT
For mixed chorus a cappe lla

Sergei Rachm aninof f
(1873- 1943)

MY LORD WHAT A MORNIN'

Harry Burlei gh
(1866- 1949)

EVERY TIME I FEEL THE SPIRIT
Philip Wu

Willia m Dawson
(b 1901- )

Intermission
THE CREATION

THE HARMONY OF MORNING
For Women's Chorus
Woodwind Quint et, Piano and String s

(A Rock Canta ta)

Beverl y Penn, Sopran o Solo
Terry Harte r, Richar d Toulso n, Tenors
Barbar a Wild, Piano
Eric Lench ner, Guitar
Robert Taffe t, Bass Guitar
Joseph Roma, Drums

Violin s
Eric Lewis , Rober t Rosek, Andrea Andros
John McLeod, Joanna Jenne r, Mary Barton
Violas
Andrew Berda hl, Patric ia Foley, Edward Petten gill
Celli
Judith Glyde, Frede rick Raimi
Bass
Micha el Sande rs
Flute
Valeri e Vasto la
Oboe
Dan Cross

David Bobro witz
and Stephe n Porter

Clarin et
Sheldo n Berkow itz
Bassoo n
Carol Shapir o
French Horn
Janice DeWolfe
Piano
Claire Howard

�THE HARPUR CHORALE
David L. Buttolph, Director
Fred Thayer, Graduate Assistant

The Women's Chorus
Maria Bartolotto
Linda Finn
Carol Flamm
Diane Krasinski
Beverly Penn
Doryce Penn
Alice Weintraub
Carol Weir

Jill Borenstein
Ellie Chiccarelli
Kathy Denmark
Eugenia Falinski
Linda Lockwood
She rri Strichman
Maria Theodore
Linda Uhly
Susan Winnett

Joan Appleton
Ka ren Fung
Carol Gill
Sue Ho ffmeis t e r
Allison Jameson
Debbie Kanter
Nancy Lazeski
Ann Marsland
Barbara Savage
Janet Stecher
Barbara Wild
Stacie Williams

The Men's Chorus
John Evans
Terry Harter
Mike Kass
Nino Lama
Fritz Rath
Richard Toulson

Marc Berman
Tim Dungan
Leon Fried
Gregory Gibbs
Keith Gorham
Bob Halliday
Bob Kendall
Mitchel Mendelson
Russell Senti

James Elniski
Jon Krieger
Gary Levine
Ira Miller

Ken Morgan
Bruce Sabecek
Philip Wu

Officers
Nino Lama . .
Gary Levine.
Barbara Wild
James Elniski.
Susan Winnett.
Carol Weir . .
Allison Jameson .
Richard Toulson.
Janet Stecher. .

President
V.P. of Men's Chorus
V.P . of Women's Chorus
Secretary of Men's Chorus
Secretary of Women's Chorus
Treasurer
Librarian
Wardrobe
Tour Manager
Next Choral Concert

The Harpur Men's Chorus and The Oneonta State University Women' s Chorus in a
combined concert: Sunday, December 5, 1971, 4:00 P.M. in the University Union.

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

HARPUR  COLLEGE
THE  DEPARTMENT  OF  MUSIC

THE
HARPUR CHORALE
DAVID  BUTTOLPH,  direct or

Saturday,  November  13, 1976
8:15  P..  M.
Don  A.  Watters  Theater

�&lt;
\ 

7 

7 

7

7

,

 

THE  HARPUR  CHORALE
DAVID  BUTTOLPH,  d i re c t o r
THE  BARBERSHOP  QUARTET

PROGRAM
Matt  Passe
Peter  Horvath

I
HOSANNA  TO THE  SON  OF  DAVID.
AVE  VERUM  CORPUS.  .  .  .  .  .  .
AVE  MARIA.  .  .  .  .  .  .  .  .  .
SING,  O  BARREN.  .  .  .  .  .  .  .

.Thomas  Weelkes
William  Byrd
.Igor  Stravinsky
Paul  Ben–Haim

Lisa  Griﬀin,soprano
Susan  Glass, alto
John  Kimble,  Nick  O’Donohoe,  Matt  Pass, tenors
James  Kie, John  Parry,  baritones
Richard  Briggs,  Tom  Gutherz,  basses
PRELUDIO  NO.  22,  Bk.l,WellTemperedClavier...J.  S. Bach
(transcribed  for  chorus  by  Villa  Lobos)
.William  Dawson
OH, WHAT  A BEAUTIFUL  CIIEY'.
Susan  Glass, alto
UBI  CARITAS.  .  .  .  .  .  .  .  .  .  .  .  .  .  « .  .Maurice  Daruﬂé

I
T
SONG  OF  PEACE. 

. .Vingeant  Persichetti
Men’s  Chorus

Dan  Lotto, accompanist
KYRIE  ET  GLORIA  (Missa  in  Simplicitate).  .  .Jean  Langlais
Women’s  Chorus
PSALM  I3.  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . Robert  Starer
Nancy  Roper, soprano

Emily  Parker, accompanist

II

Richard  Wiebe
Tom  Gutherz

FUM,  FUM, FUM  (Catalan).  .  .  .  .  .  .  .  .  Joaquin  Nin–Culmell

TWO  TRADITIONAL  CUBAN  SONGS.  .  . .  .  . .  Joaquin  Nin–Culmell
OIDA  A  LA  PULPA
DONDE  ESTA  LA  MA  TEODORA?
IN  STILLER  NACHT.  .  .  .  .  .  .  .  .  .  .  .  .Johannes  Brahms
I  JOHN  SAW  THE  HOLY  NUMBER.  .  .  .  .  .  . .John  W.  Work

Lorraine  Knapp, soprano
Stuart  Silverman, tenor
LET  US  BREAK  BREAD  TOGETHER.  .  .  .  .  . .  Harold  Montague
Nancy  Roper, soprano

Richard  Wiebe,  baritone
CHINDIA  (Romanian).  .  .  .  .  .  .  .  .  .  .  .Alexandru  Pagcanu
THE  SPRINGTIME  OF  THE  YEAR.  .  .  .  .  .  .  .Vaughan  Williams

ON  THE  MORROW.  .  .  .  .  .  .  .  .  .  .  .  .  .  Samuel  Gaines
 I
T HEAR  A  VOICE  A–PRAYIN'.  .
  .  .  .  .  .  .  .Houston  Bright

RIDE  T H E   C H A R I O P : .  .  .  .  .  .  .  .  .  .  .  .Henry  Smith
= 

. 

w

—

 

E

= 

THE  MADRIGAL  CHOIR

R

E

 a

n

s

hs
id  ­

MON  COEUR  SE  RECOMMANDE  A  VOUS.  .  .  .  .  .  . Orlando  di  Lasso
APRIL  IS  IN  MY  MISTRESS’  FACE.  .  .  .  .  .  . .Thomas  Morley
PUISQUE  TOUT  PASSE. 
.  .  . Paul  Hindemith
GEESE  ON  THE  WATER. 
.  .  . Bohuslav  Martinu

—

—

­ w  .

“

  .»__......a..a.. 

— 

S E A T  IP 

. . .  

.  ,

�E

E

PERSONNEL
SOPRANOS

ALTOS
Barucco,  Linda
*Benjamin,  Jill
Bernstein,  Ellen
Carter,  Cindy
*Glass,  Susan
Hathorn,  Emily
*Lawson,  Sue
Murphy,  Dollye
Parker,  Emily
*Schoomaker,  Beth
Sperber,  Meg
Sussman, Jeanie

Domser,  Michelle
*Green,  Teresa
*Griﬀin, Lisa
Kimble,  Robyn
*Knapp,  Lorraine
Osborn,  Wendy
Roper,  Nancy
Ulrich,  Louise
Vitaliano,  Lori

TENORS

BASSES
*Briggs,  Richard
Gutherz,  Tom
Horvath,  Peter
*Kie, James
*Lotto,  Dam
Parry, John
Pierce,  Michael
Wiebe,  Richard

Farrell, Joshua
Kimble, John
*Lutvak, Steve
*0’Donohoe, Nicholas
Ossias,  Richard
Pass,  Matt
*Pearl, Stuart
Silverman,  Stuart

OFFICERS
President
Secretary
Treasurer
Ass ’t  Tour  Managers

Home  Area  Manager
Librarian
Publicity
Wardrobe

John  Kimble
Cindy  Carter
Emily  Parker
Stuart Silverman
Richard  Wiebe
Peter  Horvath
Sue  Lawson
Meg  Sperber
Richard  Briggs
Beth  Schoomaker

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
THE DEPARTMENTOF MUSIC

presents
THE HARPUR COLLEGE BRASS ENSEMBLE
Sam Chianis, director
and

a Special Performance of DAVID HARVEY'S New vork
GLORIA

by

THE BAINBRIDGE GUILFORD CENTRAL SCHOOL
CHOIR AND ORCHESTRA

Roy H. Stock, conductor

Tuesday, May 4, 1971
8:15 PM
Lecture Hall I

�THE HARPUR COLLEGE BRASS ENSEMBLE
Sam

Chianis, Director

THE BAINBRIDGE GUILFORD CENTRAL SCHOOL
CHOIR AND ORCHESTRA

Vaclav Nehybel

under the direction of Mr. Roy H. Stock

Mutations from Bach

Samuel Barber

with Mr. E. !Eynold Johnson, tenor soloist

Suite for Brass
March
Blues
Reel

Leonard Lebow

Designs for Brass

GLORIA

by David Harvey

Introduction and Allegro

Robert Beadell

I.
II.
III.
IV.

v.

VI.

Personnel
Trumpets

Trombones

Thomas Sigler
Gary Courtright
George Berke
Wendy Natter
Bob Lindstran

David Beaudreau
Dennis Martin
Jim Buttolph
Tan Fleck

Baritone
French

Horns
Steven Hershkowitz

Steven Kliewer
Robert M c G r i l l
Pat o:::,...iden

Tuba
M=l Camberiati

"Intrata"
Gloria
Laudamus Te
Domine Deus
Qui Sedes
CUm Sancto Spiri tu

Notes
Traditionally, the Gloria has been one of the most
exciting parts of the Mass.
The setting here is
one of extreme individuality and personal view.
The "Intrata" forecasts a strange, mysterious shadow,
moving quickly into atonement, and finally to a
spirited exaltation. The "Gloria" movement reflects
the stalwart piety of the Mass itself. The "Laudamus
Te" contrasts with a spontaneity of congregational
praise, adoration, and wonderment. The mood shifts
into the "Domine Deus"to one of quiet servitude as
the tenor soloist intones the plea for mercy, and
reception of prayer. The trumpets'' proclamation of
stature resolves into the calm of assurance and the
undisputed faith.

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                    <text>vox

�.

· •

. : •..

.

• • .:

;

. . ..

.

�State Univer sity o f New York at Binghamton
Department of Music presents
HARPUR

COLLEGE C HOIR and G L E E CL UB
Harpur Theater

8:15 p .m

PROGRAM

L ob: Mein' Seel', Den
Magnificat in G minor
Alice Hayes,
Alida Stahl, s oprano soli
CHOI R

';:'

Down

Brothers Sing'
Stopping
Ry Woods
Among The Dead Men

Ralph

Fa Una Canzone

11on Coeur Se Re commande A \'ous
Lasciate Mi 'lorirc
Revecy \lcnir Du Printans
CHOIR

J.S.

Bach
Vivaldi

Edward Grieg
Randal l Th ompson
Va ughan Wil iams
Orazio Ve cchi
Orlando
di Las so
Claudio Monteverdi
Claude Le Jeune

/\ TERMISSION

The Spring Time of The Year
Ralph Vaughan Williams
B onnie Ran T he Burnie
Doun
Eric Smith
Béla Bartók
Four Slov,,k Folk Songs

Whup ' Jamboree
Robert Shaw - Parker
Haul Away, Joe
Robe rt Shaw - P arke r
What Shall We Do With A Drunken Sailor
\lar shall Bartholomew
GLEE CLUB
Mountain

Nights

Psalm of David
Alida Stahl, soprano solo
Geographical Fugue
CHOIR
La s Agachadas
CHOIRAND GLEE C L UA

Zoltan Kodaly
Robert Starer
Ernst T och

Aaron Copland

�II ARPl ' R COLLEGE CHOIR
Mr. David Buttolph, Director
Ellen Leinwand, Accompanist

President
Executiive Secretary
Librarian
Robe Mistress
Stage Manager

James Baldwin
Carol Anthony
Margaret Jackson
Marsha Kadleck
David Crowe

SOPR
I NOS

ALTOS

-, ENORS

Carol Anthony
Vi r_1sinia Baker
Candace Bergan
Judith Elterman
Joanne Grizzanto
Rosemary Gruss
Alice Hayes
Sue Jurkowski
Alida Stahl
Marcy Walter

Sara Baron
Elaine Bolton
Mary Brock
Nancy Car lson
Jeanne Cook
Linda Fishk.in
Margaret Jackson
Christine Livingstone

John Bennethum
!.ee Connor
Ben Erlitz
Roy Gordon
Terry Howell

Jim Baldwin
David Crowe
Stephen Foulk
Steve Walker
Keith Willcox

HARPUR COLLEGEGLEECLUB
Mr. Dennis Williams, Di rector
Donna Ha llen. Accompani s t
TENORS

BARITONES

Wi lliam

Clemente D' Alessio
Dominic Defazio
lrvin Schwartz
Edwin R. Squiers
John Witmer

Ahroon
Frederick Forman
Roy Gordon
Alan Katz
Jon Paul Robbin s

Paul Darnel l
Peter Lewis
Stevan Millheiser
Alan Sanders
Ronald Vandervall

There u•ill be a RECEPTION in the Faculty Lounge
fo r the membe rs of the Harpur College Choir. and Glee
Club . follow ing their performance

�</text>
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                <text>Binghamton University Libraries</text>
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                <text>1967-03-10</text>
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                <text>In copyright&#13;
</text>
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                <text>Bach, Johann Sebastian, 1685-1750 </text>
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                <text> Bartók, Béla, 1881-1945 </text>
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                <text> Monteverdi, Claudio, 1567-1643 </text>
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                <text> State University of New York at Binghamton. Department of Music.</text>
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                <text>Harpur College Choir Recital.pdf</text>
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