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                    <text>STATE  UNIVERSITY  OF  NEW  YORK AT BINCHAMTON

HARPUR  COLLEGE
THE  DEPARTMENT OF  MUSIC

THE  HARPUR COLLEGE

ORCHESTRA

David Buttolph, Conductor

T uesda y ,  No vem be r 3, 1970
8 : 1 5 p . m .
Do n A . Wa tte rs T hea te r

�O R C H E S T R A  P E R S O N N E L
  GRA M
P RO

Cor iolanus  Overture,  opus 62

Beethoven

Conce r to  No. 3 for P iano and Orchestra , opus 37

Beethoven

Allegro con br io
La rgo
Rondo : Allegro
Jean Casadesus, piano

Inter m ission

Conce r to  for V

.  lin and Orchestra , W 

Allegro,

/

VIOLINS

CELL]

Eric  Lewis, Concertmaster
Br own ing C r a m e r*
Ma r tha Strassbe rge r
And r ea And r os
K vitka C isyk
Ca r ol Ga rabedian

J udi th Gl yde ,  Principal
Timoth y P e r r y
Jennife r  Rae
E vel yn K a lish
Dana Schnippe r
Miriam  Dia m ond
Joani Ludka

Arthur  Mannis
Toby Ha r r is
Ann  F illey
Joanne Br ecken r idge
Peter  Kaman
Pa m ela Seve rski

John Mc C leod ,  Principal
Joan Tanenhaus
And r ea Tabba t
Debra Tank low
Jona than Leer
Ma r y Simons
Paul F r ied man
Ma r tin Gold man
Lau ra Boyd
Sa m uel Jacobs
J eﬀ F einsilve r
Mark  Friedman
VIOLAS

Rond  : 

r

i
Del ma r  ettys, violin

And r ew Be rda hl ,  Principal
Zelman Bokse r
Ca rolyn Loh man
Joyce Stelzl
Peggy Ac ke r
Adele Tannenbaum
Ric ha r d Br oo ks**
Ja n Lubinsky
DOUBL E BASS
M ic hael Sa nde rs ,  Principal
Dona l O ’Buc k ley
Robe r t Ci r ingione
Anthony P re us

F L U TES

Ca r ol Sevush
P h yllis W iesen tha l
OBOES
Geoﬀr ey Ba r r on
Daniel C r oss
Stanley Mosh man

CLARINETS
W e n d y Os teyée

Sheldon Be r kowitz
BASSOONS
Ca r ol Shapi r o
David Panicek

FRENC H HORNS
Janice De Wolfe
Ca r en Liebe r man

TRUMPETS
John Ja m es
Robe r t Lindstr om
TY M P ANI

Pete r  Buttol ph
*Pe rsonnel Manage r
**Libra r ian

�T H E  A R T I S T S

M r . Casad esus joi ned the faculty  oﬂ­Iarpur College in 1 965 as pianist

in  r esidenc e  a nd  teac hes  both  in the s tudio a nd the c lass r oo m .  He a lso

regula rl y gives  recitals on the  ca mpus.  Since 1 965 , he has appea red as a
soloist  with  the  New Yo rk  Phil ha r monic , the At lanta Sy m phony, t he New
Orleans P hil ha r monic , the Cl eveland Orches tra , the Pit tsburgh Sy mphon y
and othe rs.
Del ma r  Pettys,  violinis t  and  violist,  began  his ea rl y violin studies

wi th  A r tu r o  P e t r uc c i  in  P o r tla nd ,  Or egon .  H e  r e c e ived  h is Mast e r ’s

Degree  f rom  the J uillia rd  School  of ‘M usic wh ere he s tudied w ith Jose ph
Fuchs  and  Osca r  Shu msk y,  and  also  pursued  extensiv e cha m be r  m usic

stud ies wi th F elix Ga l i m i r .  M r . P e ttys wa s a m e m be r of th e Casa ls F est i­

va l  Orches tra.  He  has  been  a t  Ha rpu r  College  with the Lenox Str ing
Qua rtet sin ce 1969 .

FUTUR E E V E N T S
SATURDA Y,  NOVEMBE R  7, 1970, 8 :15 p. m . 
Don  A.  Watters T heater 

N EW YORK  STAT E SCHOOL  MUSIC ASSOC.
Sectional  All­State  Concert

FRIDAY,  NOVEMBER 13, 1970 , 8:15 p.m . 
Don A.  Watters T heater 

HARPUR  CO LLEGE CHORALE CONCERT­
David But tolph, Con ductor

SUNDAY, NOVEMBER  22, 1970,  3:00 p.m. 
Don A.  Wa tte rs Thea te r 

NEW  YORK  WOODWIND QUINTET
Ad m ission cha rged

SUNDAY,  DECEMBE R 6, 1970, 8:15 p.m. 

MARIA CISYK, PIAN IST

M usic Rec ita l Hall

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Browning  Creme r

Andrew  Berdahl
Carolyn  Lohmann

Ca ro l  c e r e b e dlnn

Ade le  Tannenbaum

Art hur  Mannis

1v.  Frolicsome  Finale
Brandenberg  Concerto No.  5 

VIOLAS

Ri c h a rd  Brooks

Joen  Tanenhaus

Joyce  S te l zl

Martha  S trassb e rg e r

Jan  Lubinsky

Laura  Boyd

Johann  S .   Bach

A l le gr o

Ze lmnn  Bokser

Peggy  Acke r

Ann  F l l l e y

Toby  Harris

CELLOS

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111.  A lle gro
C a r o l   Sevush,  ﬂ u t e
Er i c  Lewis ,  v l n l l n
P aul  Her sh ,  cembalo

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Dana  Schn ippe r

Jennifer  Rae

John  McLeod
Andrea  Andros
J e ﬀ r ey   Fe lnsl lve r
Pau l  Fr iedman
Joanne  Breckenridge
Andrea  Tabbat

i n t e r m i s s i o n
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Judith  Clyde

ZND  VlOLINS

Albe r t  Roussel

A l l zg ro me lt o

J oani  Ludka

M ir ia m Diamond

BASSES

Martin  Goldmen

Robert  K olber
Mi c h ae l  Sande rs  ,

Debra  Tanklow
Samue l  Jacobs

Robe r t  C i r i n g i on e

An t hony  P reus

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON

HARPUR COLLEGE
THE DEPARTMENT OF MUSIC

THE  HARPUR  COLLEGE
SYMPHONIC  BAND
Albert  Ha m m e,  Conduc tor

Tuesday, October 27, 1970
8 :1 5 p. m .
Don A. Watters Theater

�PERSONNEL

PROGRA M

Tote m  Pole Ma r c h  p

d

Eric Oster ling

Ca n tus  Choral is a nd Fugue

Fe l i x Mende lssohn

A  Jubilant  Overtu re

Piccolo

F ink lestein , La u ra 

Ba r i tone Sa x

Steinman, Charles

Flutes

Sevush, C arol 
Weisenthal, Ph y llis
Farrara, Kathy
Feinman, Dave

French Horns

Oboes

Barron, Geoﬀrey
Moshman, Stan
Cross, Daniel

DeWolfe, Janic e
Goldstein,  Matthew
Lieberman, Karen
Magrm, Robert
Levin, P er i
Dowden, Pat
Young, Pat

English Horn

Cross, Daniel

Cornets

E­ﬂa t Cla rinet

Barski, Howard

Cla rinets

Osteyée, Wendy
Berkowi tz, Sheldon
Blaze j, Daniel
Schah, Jean
Braudy, Chris
English, JoAnn
Frisch, Mike
F ischer, Judi 
Horowitz, Alan
Hordes, Jan
Rowan, Ja m es
Heckman, Steve

James, John
Sigler , Tom
Hibbard, Dave
Koenigsberg, Alan
Berke, George
Barouch, Norman

Trumpets

Lindstrom, Robert
Courtwright, Gar y
Boxer , Harold

Ba ritones

Hershkowi tz, Steve
Gorham, Kei th
Goldenberg, Harr y

T rom bones

Buttoiph, James
Clymer , Mark
Beaudreau, David
Fleck , Thomas
Blair , Kenneth
Sullivan, Grant

Tm“

Balser , Kei th
Leiden, Steven

Alfred  Reed

Dance  R hythms
Folk  Song Suite

Br uce Me r ley, G rad ua te Conduc tor

Wa l l ingford R i egge r
Ra l ph V a ugha n ­ W i l l ia m s
Br uce Mer ley, Conduc tor

Incidental  Suite

Thomas Smith

Ta rantella

Nocturne
Rondo

Intermission

Don  Camillo
Th r ee Jou rneys to a  Hol y Mountain

1.  Andante espressivo
II.  Allegro moderato
III.  Andante Ma estoso

Alto Cla rinet

Ma rcus, David
Rowan, Ja m es

Bass Cla rinet

Kasden, Cliﬀord
Basem , La r ry

Johnny Richa rds
Alan Hovhaness

Contra­Alto Cla rinet Moore, William 
Alto Sax

Tenor Sax

Eilenherg, Sue
Schad, Martha
Weinberger, Robert
D ’Egidio, Michael

Percussion

Mirsk y, Robert
Buttolph, Pe ter

Farina, Daniel
Epstein, Stanley

�FUTUR E EVEN TS
TUESDAY, NOVEMBE R 3, 1970
8:15 p.m . Don A. Wa tte rs Theater

HARPUR C OLLEGE O RCHESTR A

SATURDAY,  NOVEMBE R 7, 1970
8:15 p.m.  Don A. Wa tters Thea ter

N EW YORK SECTIONA L A L L ­ S T A T E  CONCE RT

FRIDAY, NOVEMBER  13, 1970
8:15 p.m.  Don A. Wa lters Thea ter

HARPUR C HORALE
David But tolph, Conductor

SUNDAY,  NOVEMBER 22,  1970
3:00 p.m.  Don A. Wa tters Thea ter

David But tolph , Cond uc tor

N EW Y O R K  W O O D W I N D  Q UINTET

Fall Cham ber  Music Ser ies

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC

presents

************************
*
*
*
THE HARPUR COLLEGE SYMPHONY ORCHESTRA
*
*
*
conducted
by
*
*
*
*
Stefan
Bauer-Mengelberg
*
*
*
*
*
*
************************

Thursday
December 2, 1971

8:15 p.m.
Don A. Watters Theater

�****************
*
*
* WOLFGANG AMADEUS MOZART *
*
*
(1756-1 791)
*
*
*
*
****************

Concer to in C Major, for Oboe and Orches tra, K. 314

This Concer t is dedica ted to the memory of
William J. Mitche ll, 1906-19 71.
Mr. Mitche ll came to State Univer sity of New York
at Bingham ton as a DISTINGUISHED PROFESSOR OF MUSIC from
Columb ia Univer sity in 1968. Intern ationa lly renowne d
as a schola r and teache r, he made an immeas urable and
unforg ettable contrib ution to our univer sity and community during his last three years. Colleag ues, studen ts
and friends revere the memory of this wonder ful being.

Allegro aperto
Adagio non troppo
Rondo: Allegr etto
Ronald Rosema n, solois t

Eine kleine Nachtm usik, in G major, for String s, K. 525
Allegro
Romanze: Andante
Menuet to: Allegr etto
Rondo: Allegro

INTERMISSION

Concer to No. 27, in B-flat major, for Piano
and Orches tra, K. 595
Allegro
Larghe tto
Allegro
Jean Casade sus, solois t

�THE HARPUR COLLEGE SYMPHONY ORCHESTRA
VIOLIN
Eric Lewis, Concertmast er
John McLeod, Principal,
Second Violins
Andrea Andros
Mary Barton
Alice Click
Browning Cramer
Diane Feigin
Paul Friedman
Joanne Jenner
Andrew Jennings
Arthur Mannis
Oscar Maxwell
Daniel Mowery
Robert Rozek
Mark Sokol
Martha Strassberge r
Michael Sturm
Joan Tanenhaus
Debra Tanklow
Lydia Werbizky
VIOLA
Andrew Berdahl,Pri ncipal
Peggy Acker
Zelman Bokser
Pat Foley
John Kochanowsky
Carolyn Lohman
Joyce Stetzl
Willy Sucre
Orchestra Manager:

CELLO
Judith Glyde, Principal
Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
Jennifer Rae
Fred Raime
BASS
Robert Keith Kolber,
Principal
Michael Sanders
Robert Scott Taffet
FLUTE
Betsy Ross
OBOE
Stan Moshman
Dorian J. Schwartz
BASSOON
Carol Shapiro
Douglas Epstein
FRENCH HORN
Janice DeWolf
Cindy Weldon

Browning Cramer

�</text>
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                    <text>STATE UNIVERSITY OF NEW

YORK
AT

BINGHAMTON

Harpur College
Department of Music

Alfred

Clinton

Morris,

conductor

DON A. WATTERS THEATER
FEBRUARY 20, 1975 at 8:15 PM

�2

THE HARPUR SYMPHONY ORCHESTRA
FIRST VIOLINS

BASSES

HORNS

Mary Reynolds
Mary Barton
Gregory Fulkerson
Andrea Andros
Elmar Oliveira
George Myers
Robert Provell
Paul Goodman
Lydia Werbizky
Oscar Maxwell

Richard Thomas
Michael Sanders
Debra Neu
Dominique Hyatt
Donal O'Buckley

Brian Sternberg
Martin Burki
Kenneth Weissman
Kenneth Steiger

soloists
BARBARA GARGES and DAVID HEISS*

TRUMPETS
FLUTES
Sharon Kosakoff
Jane Gottlieb
Merrell Weiss

Steve Winans
Allan Winans
Alfred Szymaniak
David Bespalko

PICCOLO

TROMBONES

Merrell Weiss

Michael Williamson
Richard Gower
Roger Keagle

SECOND VIOLINS
Jean Puleo
Rosa Campa
Bruce Berg
Susan Mitchell
Janet Brady
Alexandra Werbizky
Paul Childs
Cordula Rosow

ALFRED CLINTON MORRIS, conductor

ORGAN SONATA NO. 14, K. 329
Barbara Garges, organ

OBOES
Eliot Friedman
Geoffrey Barron
Janet Ziebur

TUBA

ROCOCO VARIATIONS
FOR CELLO AND ORCHESTRA
David Heiss, cello

WOLFGANG AMADEUS
MOZART
(1?56-1?91)
PETER ILYICH
TCHAIKOWSKY
(1840-1893)

Tom Wood

VIOLAS
Judy Geist
Geoffrey Brooks
Larry Bradford
Barbara Gorin
John Dexter
Carol Isaacson
Sandra Robbins
Jeanne Woodruff

ENGLISH HORN
Geoffrey Barron

Nancy Julius

CLARINETS

TYMPANI

Paul Ketchoyian
Anne Stern

Kent Oldfield
PERCUSSION

CELLOS
BASSOONS
Craig Weaver
Holly Wilson
Tom Shaw
Seth Jacobs
Steven Stalker
Myra Greenstein
Dan McIntosh
Howard Cohen
Tracy Slack

HARP

Louis Papastrat
Lois Chantry

Keith Martens
Laurie Goodheim
Roy Weinberger
PERSONNEL MANAGER
Geoffrey Barron

INTERM ISSION

SYMPHONY NO. 32 IN G MAJOR
K. 318 (in overture form)

WOLFGANG AMADEUS
MOZART

Allegro spiritoso
Andante
Allegro spiritoso
CAPRICCIO ITALIEN

PETER ILYICH
TCHAIKOWSKY

*Winner of the Second Concerto Competition

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC

HARPUR COLLEGE SYMPHONY ORCHESTRA
STEFAN BAUER-MENGELBERG, conductor

Sunday, Oct. 31, 1971 - 8:15 PM
Don A. Watters Theater

�ORCHESTRA

PROGRAM
Fingal's Cave Overture
("The Hebrides")

Felix Mendelssohn
(1809-1847)

Symphony No. 8. in G major, Op. 88

Antonin Dvorak
(1841-1904)

Allegro con brio
Adagio
Allegretto grazioso
Allegro, ma non troppo
IN TE RMI S S ION
Concerto No. 1, ind minor, for Piano and Orchestra, Op. 15
Johannes Brahams
(1833-189 7)
Maestoso
Adagio
Rondo: Allegro non troppo
Paul Hersh, soloist

VIOLIN
FLUTE
Eric Lewis, Concertmaster
Betsy Ross
John McLeod, Principal 1 second violin
Valerie Vastola
Andros
Andrea
Piccolo
Barton
Mary
Valerie Vastola
William Bergman
OBOE
Click
Alice
Stan Moshman
Cramer
Browning
Dorian J . . Scwartz
Feigin
Diane
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Dorian J. Schwartz
Paul Goodman
CLARINET
Joanne Jenner
Wendy Osteyee
Andrew Jennings
Berkowitz
Sheldon
Mannis
Arthur
BASSOON
Oscar Maxwell
Carol Shapiro
Daniel Mowery
Douglas Epstein
Robert Rozek.
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Mark Sokol
Janice DeWolf
Martha Strassberger
Cindy Weldon
Michael Sturm
Brett Brackman
Joan Tanenhaus
Stuart Reeve
Debra Tank.low:
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Lydia Werbizky
Robert E. Lindstrom
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Dave Hibbard
Andrew Berdahl, Principal
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Mike Rosen
Zelman Bok.ser
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Pat Foley
Grant Sullivan
John Kochanowsky
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Keith Balser
Joyce Stetzl
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Joseph A. Roma, Jr.
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Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
J ennifeer Rae
Fred Raime
BASS
Robert Keith Kolber
Michael Sanders
Robert Scott Taffet

�</text>
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                    <text>CONCERT
THE HARPUR COLLEGE
WIND ENSEMBLE

�OFNEW

STATE UNI VEHSITY

YORK AT BINCHAMTON

Tl-I E DEPAHTMENT OF M USI C presents
TI·IE

Harpur College Wind Ensemble
ROBERT

WERNE
.R, Conductor

SU ND AY, FEBH UAHY 5, 1967, 8: 15 P.M.
l·IAllP UR T H EAT ER

PROGRAM

Norwegian March .................................... Johannes Hanssen

"Valdres"

First Suite in þÿE&amp;m
.............................................. .................... Gustav Holst
Chaconne, Intermezzo, March
.... Louis Jadin

Symphonic for Band .
T ra.uersinfo nie .

...................................... Richard Wagner

Chester O verture ......................................................... William Schuman
-

INTERMISSION

-

. . Vittorio Giannini

Fantasia for Band .

Serenade No. 12 in C Minor ...................... Wolfgang Amadeus
Allegro, Andante, Minuetto in Canonc, Allegro

Mozart

David Vittam and Geoffrey Barron - Oboe
Candace Duncan and Arthur Abrahams - C larinet
Tim Sm ith and Faith \ Vagncr - French hom
Steve Walker and Dennis Williams - Bassoon
Incantation

and Dance ........................................ John Barnes Chance

evening's

performers
witol thebe held

in A RECEPTION honoring this
the Faculty Lounge adjacent
follo wi11g the concert. The audience is cordially invited to attend.

�PROGRAM NOTES
The Wind Ensemble as we know it today came into being through
the efforts of Frederick Fennell at the Eastman School of Music in
t he early 1950's. Mr. Fennell crea ted a wind and percussion organization with a basic instrumentation from which all ty pes of wind and
percussion ensembles could be derived in almost countless combinations. Basically the instrumentation of this wind group is the same
as that which developed in the late Nineteenth Century as the wind
and percussion section of the large romantic symphony orchestra. By
the use of various combinations within the \Vind Ensemble the conductor has at his disposal the resources, with but few exceptions, for
all the great music written fo r wind instruments from the Sixteenth
Century to the form idable contributions of our leading contemporary
composers.
The literature
serenade of

for th e Wind Ensemble is virtual ly limitless and it

Mozart, early band

military
of Hanssen and

music of Jadin a and Wagner, the
examples of

composer Holst,
strains
the marchin
Schuman

This

medium reflected by the compositions of
to wind and
offers the listen
cussion playing which can now have appeal even fo r the music critic
who fo nncrly may have denounced bands fo r their unwield iness or
saccharine pedestrian taste. T he \Vind Ensemble is not a replacement
for the traditional Concert Band, but rather an important supplemen t
to the American band program which seeks a vital means of musical
expression.
With this rationale for the Wind Ensemble our program was
chosen to show some of the diversified approaches, through the centuries, in writing for wind instruments. At the tum of the Twentieth
Century, the wind band began to change its idiom from one of

primarily military and functionalintended
ceremonial music

major works in
this newly evolving literature was the First Suite for Band in þÿE&amp;m
by
Gustav Holst, composed in 1909. AJI of the musical material for the
three movements is taken from the opening Chaconne theme. Its
development throughout the composition shows a composer of un-

the

common technique who
with
applies
awareness
skill. It is more
than fi tting that this work has been called "the authentic projenitor
and fo undation stone of the modern repertoire of concert music for
band."
The Symphonic fo r Band by Jadin is a product of the Fren ch
Revolutionary period in which the wind music showed a combination

of its military background
and the existing classical style.like
Quitethe
un- Viennese class

�th.is time this "Symphonic" turns out to be no more than a one movement sonata fo nn . It was written for a small wind band as typical of
the period. In contrast, the Trauersinfonie of Richard Wagner com•
posed in 1844, fo r the fu neral cortege of Carl Maria von Weber, uses
a much larger wind ensemble than utilized by Jadin. This music based
composed

Century.

directly for the

stands as one of the few significant works

T he Serenade in C minor is an unusually profound work by comparison wi th most of the other works in this fo rm written for wind
instruments by either Mozart or his contemporaries. It was written
in July, 1784, th e same month as his "Haffner'' Sym phony. 1t is interesting to note that some of the most deeply moving music that Mozaart
ever wrote was written in the key of C minor and it tJ1crefore must

notby accident thathe turned toTheused with t key
instruments
in

telling
writing thi Serenade.
to achieve an interplay of both a very stringent quality, particularly
his Mozartian
lyrical motifs. The Serenade
is scored for pairs of
instruments as they were used in the classical symphony orcl1estra.
The remainder of the program is devoted to three contemporary
works. The Fantasia fo r Band is perfonned in memoriam of Vittorio
Giannini who died November 28, 1966. Mr. Giannini was a composer
and music educator of the first order. His effect upon t he band music
of the past decade has been of importance in bringing to this literature a significant number of compositions in the dramatic neo-romantic
tradition. This Fantasia composed in 1962 is a good example of hi s
works fo r band .
Both the Chester Overture and the Incantation and Dance make
effective use of tJ1e percussion section for striking tone colors and
rhythmic effects. The fonner is based on a tune appeari ng in 1778
in a book of tunes and anthems composed by William Billings.
Chester became the most popular song of the American Hcvolution,
being sung arou nd the campfires of the Continen tal Anny and played
by fifers on the march. It was the unofficial national antJ1cm of the
Revolutionary pe riod .
The final work is a product of tJ1e Ford Foundation Young Composer's Project and was written fo r the Greensboro, North Carolina
Senior High School Band where Mr. Chance was a composer in residence. Hs use of the tona l resources of the entire wind and percussion
spectrum in the modem band are exceptional. Its relationship to the
Rite of Spring must be more than accidental in its dependence on
the polyrhythms and elementary hannonizations of th.is style known
as "primitivism."
Program notes by Robert Werner

�WIND ENSEMBLE PEHSONNEL
l'iccolo

Kadleck, Marsha
Flute

Kadleck, Marsha
Shulman, Barry
Gira, Debbio
Fintushel,
Eliot
Kadum, Jo Anne
Oboe
Eddy, Scott
Barron, Geoffrey
Bassoon

Arnold, Thomas
Williams, Dennis
þÿE&amp;m
Clarin et
Duncan, Candace
Clarinet
Abrahams, Arthur
Duncan, Candace
Hymes, Allan
Joffee, Monte
Wurtzel, Gary
Knox, Nancy
Noel, Paul
Villani, Susan
Rejszel, Rosemary
Todd, Joyce
Alto Clarinet
Halpern, Judy
Limbacher, Honda
Bass Clarinet
Kingsbury, James
Alto Saxophone
Shapot, Susan
Blakesly, Trudy
Tenor Saxophone

Marion, Edward

Baritone Saxophone

Fry, David
Cornet

Williams, John
Kaplan, Nathan
Boor, Peter
Utter, Glenn
Trumpet

Dutcher, Douglas
Jacobson, Craig
French horn
Maragus, Nick
Smith, Tim
Wagner, Faith
Bogusky, Joyce
Baritone

Baldon, John
Beach, Ole
Trombone

Starr, Michael
Sprague, Andrew
Sullivan, Grant
String Bass
Blanton, Lynn
Tuba

Leiden, Steven
Smith, Bill
Prensky, Stephen
Timpani

Crowe, David
Percussion
Granger, Christian
Ale...:andcr, Donald
Cordon, Jeff
Mallinson, Gary

�</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20318">
                <text>Harpur College Wind Ensemble Recital, February 5, 1967</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20319">
                <text>Concerts </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20320">
                <text>Works of Hanssen, Wagner, Schuman, Mozart. Held at 8:15 pm, February 5, 1967, Harpur College Theater.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20321">
                <text>Harpur College Wind Ensemble</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="20322">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20323">
                <text>1967-02-05</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20324">
                <text>In copyright&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20325">
                <text>Hanssen, Johannes, 1874-1967 </text>
              </elementText>
              <elementText elementTextId="20326">
                <text>  Wagner, Richard, 1813-1883 </text>
              </elementText>
              <elementText elementTextId="20327">
                <text> Schumann, Robert, 1810-1856 </text>
              </elementText>
              <elementText elementTextId="20328">
                <text> Mozart, Wolfgang Amadeus, 1756-1791 </text>
              </elementText>
              <elementText elementTextId="20329">
                <text> State University of New York at Binghamton. Department of Music.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20330">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="20331">
                <text>Harpur College Wind Ensemble Recital.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
