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https://omeka.binghamton.edu/omeka/files/original/9515bade7ff2590cf590c685d25251ee.pdf
14e22301685b6ad78c40f31780fc7095
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BINGHAMTON
U N I V E R S I T Y
STATE UNIVERSITY O F
NEW YORK
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D E P A R T M E N T
HOLIDAY CONCERT
Festive M usic fo r Orga n, Brass
a nd Percussion
J onathan Biggers, orga n
Th e I thaca Brass
J ulie Licata, percussion
Saturday, December 1, 2012
4:00 pm
United Presbyterian Church
Bing/ram ton, N ew Y ork
�PROGRAM
Craig Phillips
Toccata on Antioch
(b.1961)
Four pieces for Adve nt and Christmas
arr. Richard Price
Rejoice and be Merry
Ralph VaughanWilliams
Greensleeves
Johannes Brahms
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Sleepers wake, a mice is calling
(Wachet auf, fuft uns die Srimme)
Fantasy and Fugue on the Choral
Wachet auf, ruft uns die Stimme, op.52,nr. 7
Max Reger
(18734916)
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David Conte
Christmas Intrada
(1L 1955)
Two Pieces for Christmas
Once in Royal Darid’s City
Silent Night (from Die Natali, op.37)
Suite for Organ, Brass and Percussion (2001)
Prelude
Cantilene
Toccata
Hymn: O Come All Ye Faithful
arr. Richard Price
Samuel Barber
Craig Phillips
(b.1961)
Adeste Fideles, arr. R. Webster
�CHRISTMAS
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�ABOUT T H E PERFORMERS
J o n a t h a n B igge rs, hailed as “one of the most outstanding concert
organists in the United States,” maintains an active career as both a
professor of organ and harpsichord, and as a concert organist of the first
order. He holds the prestigious Edwin Link Endowed Professorship in
Organ a nd Harpsichord at Binghamton U niversity/State University of
New York, and has presented hundreds o f concerts i n concert hall, church
and university settings throughout the United States, Canada, and
Europe, including solo and concerto performances for several regional
and national conventions of the American Guild of Organism. He has
appeared as a featured soloist with orchestras in the United States,
Canada, and Europe, including performances with the Atlanta Symphony
Orchestra, the Minnesota Orchestra Chamber Ensemble, and the Calgary
Philharmonic Orchestra, and has been featured frequently on NPR
(“Pipedreams”), the Canadian Broadcast Corporation (CBC), and on
Radio and Television Suisse Romande broadcasts in Geneva, Switzerland.
Scott Cantrell, classical critic o f The Dallas Morning News, stated tha t
Biggers’ performances demonstrate “authority and eloquence", and
further stated “were there more performers like this, the organ would be
far less a minority interest".
Dr. Biggers studied with Russell Saunders (Eastman School of Music,
DMA); Lionel Rogg (Conservatory of Music, Geneva, Switzerland;
Fulbright study); ]. Warren Hutton (The University of Alabama, MM and
BMus); and with Wallace Zimmerman (Atlanta, precollege); he has also
worked extensively with Harold Vogel (Bremen, Germany), and with
A champion of new music for the organ, he has premiered other works by
notable 20th and 21st century composers, including Richard Proulx
(Chicago: Concerto for Organ and Orchestra), Craig Phillips (Los Angeles:
Suite for Organ, Brass and Percussion), Persis Vehar (B uffalo : Smmdpiece for
Organ), and David Brackett (Montreal: Nightworlu for Organ solo), and
others.
Established in 1966, Th e I t ha ca B rass is one of the oldest existing brass
quintets in America. The members of the group are all on the faculty of
Ithaca College’s renowned Whalen Center for Music. The group is
conversant in every style from early music to jazz, and performs for a
variety of local, regional and national events. The members of the Ithaca
Brass are Frank Campos and Kim Dunnick (crumpet), Alex Shuhan
(horn), Harold Reynolds (trombone), and Aaron Tindall (tuba);
substituting for Alex Shuhan today is Kelly Tindall on horn.
J u lie L i ca ta has been teaching percussion lessons and percussion
ensemble at Binghamton University since Fall 2013. Julie also serves a.
Assistant Professor of Music at State University of New York, College at
Oneonta. At Oneonta, Julie teaches ensembles and private lessons that
span a wide range of percussion instruments and styles, and teaches a
seminar course Music Cultures o f the World. Julie has received
performance degrees in percussion from the University of North Texas
(D.M.A.), University o f South Carolina (M.M.) and Capital University
(B.M.).
Arthur Poister (former Professor o f Organ a t Syracuse University). A
prizewinner of dozens of competitions, he was awarded a unanimous first
prize in the 1985 Geneva International Competition, one of the most
prestigious music competitions for organ in the world; second prize in the
1982 American Guild of Organists National Organ Playing Competition
(at National Presbyterian Church in Washington D.C.); and a unanimous
first prize in the 1990 Calgary International Organ Festival Concerto
Competition, where he presented, with the Calgary Philharmonic
Orchestra, the world premier performance of Snousvalker: A Concerto for
Organ and Orchestra by Pulitzer prizewin ning composer Michael Colgrass.
w w w
This concert marks the 2 0” anniversary of D r. Jonathan Biggers
appointment as Link Professor of Organ, Endowed Chair, at
Binghamton University.
1
�Bingham ton University Music Department’s
U P C O M I N G E VENTS
Tuesday, December 4 – Percussion Ensemble Concert – 8:00 p.m. –
Anderson Center Chamber Hall – $6 general public; $3 faculty/staff/seniors;
free for students
Thursday, December 6 – Holiday MidDay Concert – 1:20 p. m. – Casadesus
Recital Hall – free
Saturday, December 8 – University Symphony Orchestra – 3:00 p.m. –
Osterhout Concert Theater– $6 general public; $3 faculty/staff/seniors; free for
students
Saturday, December 8 – Master ’s Recital : Meghan Cakalli, soprano – 8:00
p.m. – Casadesus Recital Hall free
Sunday, December 9 – Hansel and Gretel – 1:00 p.m. – Anderson Center
Chamber Hall – $9 general public; $6 faculty/staff/seniors; $3 students
Sunday, December 9 – Hansel and Gretel – 4:00 p.m. – Anderson Center
Chamber Hall – $9 general public; $6 faculty/staff/seniors; $3 students
Sunday, December 9 – Senior Recital : Sungkyun Ryu, piano – 7:30 p.m. –
Casadesus Recital Hall – Free
Thursday, December 13 – Harpur Chorale and Women ’s Chorus – 8:00
p.m. – Trinity Memorial Church, Binghamton – a good will donation will be
collected at the door
Friday, December 14 Nukporfe African Drumming and Dance Ensemble
– 7 :00 p.m. – Watter ’s Theater– $ 3 general public
Friday, December 14 – Singing Chinese Class Recital – 7:00 p.m. –
Casadesus Recital Hall Free
Saturday, December 15 – “The History and Technique of Music in Video
Games " with senior Matthew Gukowsky – 8:00 p.m. – Casadesus Recital
Hall – free
Sunday, December 16 – Master ’s Recital : Robert HeePyoung Oh, baritone
– 7 :30 p.m. – Casadesus Recital Hall – free
x
E
E
—
E
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
) 777ARTS. For a complete list of our concerts call (607) 7772592, visit
(607
music.binghamton.edu or become a f a n on Facebook.
If you were inspired by this performance, consider su pporting the Department of
Music with a financial g ift . Your su pport helps to continue the work of students,
faculty, and guest artists and their contributions to our community. Please make
your donation payable to the Binghamton University Music Department, and send
your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902.
�
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Holiday concert festive music for organ, brass and percussion, December 1, 2012
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Works by Phillips, Price, Vaughan-Williams, Brahms, Reger, Barber Held at 4:00 p.m., December 1, 2012, United Presbyterian Church, Binghamton, New York
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BINGHAMTON
U N I V E R S I T Y
S TA T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
THE BIN G IIAM T ON UNIVERSITY M U S I C
DEPARTMENT I N CONJUNCTION W I T H
TRI CI TIES OPERA
PRESENTS
HOLIDAY
EXTRAVAGA NZA!
AMAHL
AND THE
ISITORS
NIGHTV
b y G ian Carlo Menotti
Sunday, December 4, 2011
Two Performances
A t 1:30 and 4:30 p.m.
Anderson Center Chamber Hall
�A C R E T
Director ’s Note
Welcome to Binghamton University and our production of Amahl
and the Night Visitors. In the midst of the holiday season while
experiencing the complexities of modern life, I hope you will
enjoy reflecting on the timeless and universal themes in this
opera. First seen by American audiences as a made for TV opera
in 1951 and shown annually during the holidays for many years,
the opera’s themes still resonate with contemporary audiences.
Gian Carlo Menotti draws us into the story with soaring melodies,
and strong themes of hope in the face of despair, the loving
bond between mother & son, spiritual searching, transformation
and healing. These themes speak to the humanity within each of
us. This opera tells the tale of a poor widow Mother and her
crippled son. They share what lit tle they have with three kings
who are on a spiritual journey following a star. The kings stop at
the widow’s hut and ask to be taken in for the night. The story
and colors of the music are interwoven to create a magical
atmosphere. After performing the role of King Melchior many
times, I have en joyed revisiting the story through the eyes of a
director. I hope you will enjoy our retelling of this beautiful
tale.
–Thomas Goodheart
Amahl
Matthew Goodheart
Mother
Hilerie Klein Rensi
KingKaspar .......... .......... .......... ....... ..Richard Leonberger
Brister Hay
King Me lchior ........... ..........
Charles Hyland
King Bal thazar............cccc.ccccc...........RODErt Heepyoung Oh
Page
David Schwartz
Dancing S h e p h e r d s .
Angela Kucera
K Morgan Prikazsky
Chorus of Shepherds
Women:
Christina Kompar, Kathleen Jasinskas, Kerianna Krebushevski,
Molly AdamsToomey (cover for Mother), Meghan C akalli,
Christina Santa Maria, Caitlyn Gotimer, Kaitlyn Mulligan,
Kimberly Torres
Men:
Mario Eun hwan Bae, David DeMoya, David Schwartz, Daniel
Romberger, Johnny Only, Patrick Tombs
Stage Di rector ........... ........... ........... ....Thomas Goodheart
E
E
R
I
R
I
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E
I
N Zachary
Nobile Kampler
Chorus M aster .......... .......... .......... .......... ...John Isenberg
Lighting Designer
Edward Pottorff
Assistant Director....... .......... .......... ........Christina Kompar
�~ ORCHESTRA ~
Violin I
James Hsia
Flute
Melanie Adler
Violin II
Ella Serrano
Oboe
John Lathwell
Viola
Benjamin Pochily
Clarinet
Sarah Chandler
Cello
Paul Wautrobski
Keyboard
John Isenberg
~ ARTIS T BIOGRAPHIES ~
Hilerie Klein Rensi (Mother) is a recent graduate of the Resident Artist
Training Program with TriCities Opera. She has performed 20 operatic roles
with TriCities Opera including Rosina in The Barber of Seville, Dido in Dido
and Aeneas, Cherubino in Le Nozze di Figaro, Dorabella in Cosi fan Tutte,
Nicklausse in Les Contes D ’Hoffman, Stephano in Roméo et Juliette, and The
Mother in Amahl and the Night Visitors. She has also performed with Natchez
Festival of Music, Lake George Opera, Spoleto Festival USA, Binghamton
University Orchestra, The Binghamton Downtown Singers, Hamilton College
and Community Oratorio Society, Basically Bach Ensemble, Traverse
Symphony Orchestra, Orchestra of the Southern Fingerlakes, and Cleveland
Institute of Music Orchestra. Ms. Klein Rensi has been a featured soloist in
Mendelssohn’s Elijah, Handel’s Messiah, Ein feste Burg ist unser Gott by
Bach, Mozart ’s Requiem Mass in D Minor, Bach’s Cantata BWV 132, John
Rutter’s Requiem, Mozart ’s Great Mass in C Minor, Bach’s Easter Oratorio,
Mozart ’s Litany in BFlat Major, Serenade to Music by Vaughn Williams,
Bach’s Cantata BWV 10 Meine Seel ’ Erhebt Den Herren, and Haydn’s St.
Nicolai Mass. She continues to tour her cabaret Alto on the Loose, with Pej
Reitz at the piano and this December will perform in a Christmas Gala at
Westminster Presbyterian Church in Pittsburgh, PA. She received a MM Degree
in Operatic Performance with TriCities Opera and Binghamton University and
completed her Bachelor Degree in Vocal Performance at Cleveland Institute
of Music. She is an alumna of Interlochen Arts Academy. When not on the
stage, Ms. Klein Rensi resides in Pittsburgh, PA with her husband and two
sons, while teaching private voice lessons and inspiring new young artists to
pursue their musical ambitions.
Matthew Goodheart, Boy Soprano ( Amahl). Matthew was born in New York
City into a singing family. He spent his formative years listening to lessons,
operatic rehearsals and performances, including Amahl & the Night Visitors
which was performed annually at Purchase College Conservatory of Music
where his parents were on the voice faculty. Last summer Matthew
participated in The Songe d'été en Musique Festival in Quebec and performed
on CBC radio. Matthew joined the The Parlor City Boys Choir when he was
seven and last year was invited to attend the American Boy Choir Academy
Summer Program in Princeton, New Jersey. Last December he performed the
role of Amahl in Amahl & the Night Visitors at the Anderson Center in a
Binghamton University Music Department Production. Locally he has
performed in the Nutcracker, Circus Minimus and The Dramatic Arts
Workshop at The Discovery Center. Elevenyearold Matthew is a sixth grade
honor student at St. John the Evangelist School. He is equally at home
playing sports, especially basketball & baseball.
Charles Hyland (King Melchior) (baritone) is a Binghamton native and a
graduate of the Catholic University of America, and is currently in the MM
Opera program at Binghamton and a Resident Artist at the TriCities Opera.
Most recently, Charles sang the role of Yamadori and covered the role of
Sharpless in Madama Butterfly at the TCO, and will be appearing in their
upcoming productions of Lucia di Lammermoor and The Magic Flute. Previous
roles include Masetto in Don Giovanni (with the Martina Arroyo Foundation’s
Prelude to Performance Program), Haly in L’/taliana in Algeri, Melchior in
Amahl and the Night Visitors, Papageno in The Magic Flute, Dr. Falke in Die
Fledermaus, Figaro in Le Nozze di Figaro, and Schaunard in La Boheme.
Richard Leonberger ( King Kaspar). Mr. Richard G. Leonberger is originally
from Waco, Texas, where he studied voice under Lise Uhl at McLennan
Community College. He sang lead roles in multiple operas, including Nanki
Poo in The Mikado, Tamino in The Magic Flute, and Frederic in Pirates of
Penzance, and performed as a soloist in concert works such as Mozart ’s
Requiem Mass. Mr. Leonberger eventually completed his undergraduate
education at Stephen F. Austin State University, studying under Dr. Scott
LaGraff. While at Stephen F. Austin, Mr. Leonberger continued to perform
opera roles including Jenik in The Bartered Bride, Rinuccio in Gianni Schicchi,
and Little Bat in Susannah. He has performed with multiple chorus groups
presenting master works, singing as the tenor soloist in Handel’s Messiah and
Haydn’s Lord Nelson Mass. Mr. Leonberger has performed professionally both
in the United States and abroad, and now studies at Binghamton University
under Tom Goodheart. Mr. Leonberger has sung both with TriCities Opera
�and with Binghamton University, presenting roles such as Frantz in Les Contes
d ’Hoffmann, and Goro in Madama Butterfly, and performed both at
Binghamton University’s presentation of Maciejewski’s Missa de Profundis and
most recently in Felix Mendelssohn ’s Elijah.
Robert Heepyoung O h {King Balthazar). Baritone Robert Heepyoung Oh is in
his first year as a student in the Master of Music program at Binghamton
University with a concentration in Opera. He is also a Resident Artist with the
TriCities Opera. A native of Seoul, South Korea, Mr. Oh received a Bachelor
of Music degree in voice from the Korea National University of Arts. He has
sung leading and supporting roles with the Korea Opera Company and the
University of Texas at El Paso. His most recent appearance was as the
Registrar in the TCO performance of Madama Butterfly. He was a KwangJu
1
International Vocal C ompetition winner, Korea Vocal Competition 2 ” Prize
winner, Bimok Vocal Competition 2 ” P rize winner in Korea. In the U.S. his
competition credits include the NATS Competition Rio Grande chapter Adult
Division 1** winner and Most Promising Singer Prize (201 0). Fifth Lois Alba Aria
Competition 2 ” P rize winner and Audience Choice Prize (201 0), Fifth Charles
A. Lynam Vocal Competition Semifinalist (2010) in USA. His previous oratorio
solo appearances include Weber Messe in G dur, Mozart ’s Coronation Mass,
Handel’s Messiah and Beethoven’s Symphony 9.
Brister Hay, Tenor { King Kaspar ). Brister is from Brooklyn, New York and is
currently in the MM opera program at Binghamton University. He received his
BM Vocal/ Opera degree from SUNY Purchase College Conservatory of Music
where his performances included Tamino in Die Zauberflote; Gherardo in
Gianni Schicchi and Ferrando in an abridged version of Cosi fan tutti. Brister
is a 201 0 recipient of a Clark Fellowship at Binghamton University.
Angela Kucera (Dancing Shepherd). A Binghamton native, Angela received
her Bachelor’s and Master’s of Science in Industrial and Systems Engineering
from Binghamton University. While at BU, she was a member of the Kickline
Dance Team. Angela began her ballet training at the Roberson School of
Ballet over 20 years ago and has been studying and teaching at Rafael
Griogorian ’s School of Ballet since 1998. Angela also teaches at the Southern
Tier Academy of Dance and attends classes at the Dance Connection. She
studied at the New York State Summer School of the Arts program for ballet
five consecutive summers. Angela has attended the Russian Balle t Seminar in
Scranton, PA, and the Dance Teacher Summit in NYC. With the TriCities
Opera, Angela has danced in Faust, Hansel and Gretel and La Traviata.
Angela has also danced with other local theater companies, including the
Kermidas Dance Company and SRO Produc tions III.
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K Morgan Prikazsk y (Dancing Shepherd ). A Union Endicott student, K Morgan
currently studies at the Southern Tier Academy of Dance and studies dance
privately with Carolyn Wallace and Rita Pilotti. K Morgan is a member of the
Union Endicott Tigerettes Dance Team as w ell as a member of the choir. She
has danced in various school productions, including Oklahoma! and Joseph
and the Amazing Technicolor Dreamcoat. K Morgan made her stage debut as
The Nutcracker in Rafael Grigorian ’s The Russian Nutcracker. For the past
three years, she has been a member of the United States Dance Team,
performing at Madison Square Garden, the Manhattan Center, and Times
Square. In addition to dance, K Morgan sings at Northminster Presbyterian
Church and studies voice and piano privately with Jill Smith.
Thomas Goodheart, Baritone (Director). Currently a Visiting Assistant
Professor of Voice at Binghamton University. BM, MM Manhattan School of
Music. Past voice faculty Purchase College Conservatory of Music 19992010.
Baritone Thomas Goodheart has performed over 40 leading roles in opera and
oratorio with companies throughout the United States. In New York City he
has been a soloist at Avery Fischer Hall, Merkin Concert Hall, Kaye Playhouse
and the Cathedral of St. John the Divine. He has received awards from The
Metropolitan Opera National Council, The New York State Council on the Arts,
The Joy in Singing Competition, Bel Canto Opera Foundation, The Ezio Pinza
Council for American Singers and The TriC ities Opera. He has been a
performer / teaching artist with the education departments of The New York
Philharmonic, Lincoln Center Institute and The New York Festival of Song.
Mr. Goodheart maintains a private voice studio in NYC and is on the voice
faculty of The Westchester Summer Vocal Institute and C.W. Post College at
Long Island Universit y. Last summer he was the Director of the Voice and
Opera studies program at The Songe d’été en Musique Festival in Quebec. His
students have gone on to Graduate study at The Juilliard School, Eastman
School of Music, Mannes College of Music, Indiana University, Manhattan
School of Music, Guild Hall (London, England) and The Opera Institute of
Boston University among others. His students are currently singing
professionally throughout the United States and Europe.
Zachary Nobile Kampler, (Conductor). Zachary Israel Nobile Kampler is the
Founder, Artistic Director, and Conductor of The Eastern Festival Symphony
Orchestra, which he formed at age 19. A graduate of the Juilliard PreCollege
program, he has performed in Alice Tully Hall and Juilliard Hall. Kampler has
conducted for TAB Productions (2007), Crystal Opera (2008), and Nickel City
Opera, where he has been Music Director since 2009. Previous operas include
Amahl and the Night Visitors, The Barber of Seville, La Boheme, Le Nozze di
Figaro, Pagliacci, Rigoletto, Suor Angelica, Il Tabarro, La Traviata, and
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Il Trovatore. Kampler holds a BA in music from New York University and is
currently pursuing a Master’s in Orchestral Conducting at SUNY Binghamton,
under the tutelage of Maestro Timothy Perry.
John Isenberg , (Chorus Master). John Isenberg, a native of Endicott , NY, has
served as Staff Accompanist for the TriCities Opera since 2001 , additionally
as Education Outreach Coordinator since 2005 , and as Chorus Master since the
beginning of the 20 1 0201 1 season. He holds a Bachelor’s Degree in Music and
a Master’s Degree in Italian Literature from Binghamton University. John has
developed an extensive repertoire of Opera, including Purcell, Mozart,
Donizetti , Rossini, Verdi, Puccini and Menotti. He has also accompanied and
performed many different styles and periods of sacred music and Oratorio. As
Outreach Coordinator for TCO, he has organized and accompanied over 300
performances throughout New York State and northern Pennsylvania. He has
worked with various other groups in the Binghamton area, including the
Summer Savoyards and the Binghamton Downtown Singers. John has taught
piano both privately and in classroom settings. He also taught Italian as part
of an assistantship at Binghamton University, and briefly at Broome
Community College. For twenty years he has served as organist and music
director i n various churches in the Binghamton area. John currently serves as
organist at Sarah Jane Johnson Methodist Church in Johnson City.
Christina Kompar, ( Assistant Director ). Soprano Christina Kompar, from
Greenwich, CT, i s currently a Resident Artist with TriCities Opera Company,
as well as a Master’s of Music degree candidate in Opera at Binghamton
University. During the 20102011 season, Kompar appeared as the Soprano
Soloist in the Poulenc Gloria with the Binghamton University Orchestra and
Chorus, and sang Annina in TriCities Opera’s production of La Traviata.
Kompar has also appeared with Nickel City Opera, Eastern Festival Opera,
Bronx Opera, Dell ’Arte Opera Ensemble, Troupers Light Opera, TAB
Productions, Westchester Summer Vocal Institute and New York Summer
Opera Scenes. Roles performed include Inez (I l Trovatore), Young Lover (I l
Tabarro) , Barbarina (Le Nozze di Figaro), Mabel (The Pirates of Penzance) ,
Tessa (The Gondoliers), Suor Genovieffa (Suor Angelica) , Lucy (The
Telephone), Annina (La Traviata), Die Kind (Konigskinder), and Second Spirit
(The Magic Flute). Kompar earned her Bachelor’s of Music degree from New
York University.
Special thank you to Dr. Timothy Perry, Music Department Chair, Judy Berry
and Reed Smith at TriCities Opera and Barbara Wolfe in the Theater
Departme nt at Bing hamton University for assis tance wi th the se t and
costumes for our production.
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�Binghamton University Music Department’s
U P C O M I N G E V E N T S
MidDay concerts are held on Thursdays, 1.20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Wednesday, December 7 — Comp osition Seminar C la s s
Casadesus Recital Hall — FREE
Concert / Recital — 8 PM —
Thursday, December 8 — Holiday MidDay Concert — 1:20
PM — Casadesus Recital Hall — FR EE
Thursday, December 8 — Percuss ion Ensemb le — 8 PM —
Anderson Center Chamber Hall — FREE
Friday, December 9 — Singing Chinese C la s s Recital — 7
PM — Casadesus Recital Hall — FR EE
If you enjoyed and were inspired by this performance,
please consider supporting the Department of Music with
a financial gift. Your support helps to continue the work
of students, faculty, and guest artists and their
contributions to our larger community. Please make your
donation payable to the Binghamton University Music
Department, and send to P.O. Box 6000, Binghamton, NY
13902.
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
For our full concert listing, visit music. binghamton. edu
or become a fan on Facebook.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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46:26:00
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Holiday extravaganza!: Amahl and the Night Visitors, December 4, 2011
Recital Tape 2011-12-4
Description
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Held at 1:30 AND 4:30 p.m., December 4, 2011, Anderson Cener Chamber Hall.
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Menotti, Gian Carlo
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Binghamton University Libraries
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2011-12-04
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sound
-
https://omeka.binghamton.edu/omeka/files/original/7e07492da95c68ae5f4a13385c6a9ba4.pdf
21ac090b9eaccf4a4df110c9823f24f2
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
HOLIDAY
EXTRAVAGANZA!
Heason s_Foys
University Symphony Orchestra
University W ind Symphony
Harpur Chorale
and
Women’s Chorus
Sunday, December 4, 2011
3:00 p. m.
Osterh out Concert Theater
�Deason 3
Sos
The Binghamton University Department of Music presents
Sunday. December 4 at 3 :00 P.M.
Osterhout Concert Theater
l. The University Wind Symphony
Robert Smith, Director
Sleigh Ride
. Leroy Anderson
Fantasia on Silent Night .
. Julian Bond
The Eighth Candle .
..Steven Reisteter
And the Mountains Echoed: Gloria!
Robert Longfield
Il. The Harpur Chorale
The Women’s Chorus
Peter Browne. Director
Molly AdamsToomey &
Jushin Choi. Conductors
Processional: Masters in this Hall.
.arr. Peter Browne
Glolicestershire W a s s a l l . . . . . c o v i o c l i s i s a rr. Bruce Borton
A Feaste of Madrigals
(selections will be announced)
Winter Wonderland a
r
r Peter Browne
lll. The University Symphony Orchestra
Timothy Perry. Director
March of the Toys, from “Babes in Toyland” .....................Victor Herbert
Three Dances for The Nutcracker
...
. Peter lIyich Tschaikovsky
Dance of the Sugarplum F a i r A
y r a bDance — Russian Dance
Festive Sounds of Hanukah (SINGALONQ)
arr. Holcombe/Rothrock
Maoz Tsur — MiY’Malel — Dreidel Song — $'Vivon
Hanukah. O Hanukah
A Christmas Festival (SINGALONG)
.. ..Leroy Anderson
Joy to the World — Deck the Halls —
G o dRest
Ye. ‘Merry Gentlemen
Good King Wenceslas — Hark. the Herald Angels Sing
Silent Night — Jingle Bells
Thank You for attending today’s concert — w e appreciate your support for our
studentmusicians! For complete uptodate information on Department of Music
events, please visit our web site at music.binghamton.edu
The faculty. staff and students of the Department of Music
wish you a safe and happy holiday season.
�Womens C
’ hours
The University Wind Symphony
Peter Browne. Director
Robert Smith, Director
Piccolo
Hagar Dayan
Flute
Kohar Bedonian
Andrea Dewhirst
Raquel Goldsmith
Kimberly Hom
Judy Kahn ‘11
Allysa King
Hannah Lewis
Lindsay Ralbovsky*
Nicole Safran
Recorder
Alexander Baron
Eb Clarinet
Hector Mendez
Bb Clarinet
Carrie Goodacre”
Mirim Han
Joo Won Kim
James Mayr
David Morrissey
Stephanie Scheintul
Bass Clarinet
Robin DeSantistAFM)
Carolina Montenegro
Oboe
Kimberly Muller*
H a o S u n
Alto Saxophone
Cori Berg
Nicollete Clark
Anthony DeGelorm*
Danielle Stoner
Tenor Saxophone
Kevin Acker
Kevin Clements
Stephen Kassinger*
Phillip Westcott
Baritone Saxophone
Bradley Alder
Trumpet
Jason Boniello*
Eric Engleman
Ray Futia
Casey Levine
John Marschhauser
Gregory Smaldone
Andrew Vaccaro
F
Horn
Zachary Birnbaum
Matthew McAuliffe
Molly O’Brien
Katherine Saturnino*
Natalie Rivera
Trombone
Kacie Kalies
Matthew Kratenstein
Daniel Romberger
Drew Perotti*
Sai Ravilisetty
Euphonium
Kenrick Georges
Andrew Kaufman*
Tuba
Elliott Bowen
Matthew Gukowsky
Percussion
Emily Goetz
Adam Goldenberg*
Mike McManamon
Benjamin Ramos
Alexander Rava
Tyler Steere
Alexander Valera
Graduate Assistant
James Hsia
* Denotes Principal
Jennifer Chen
Amy Conway
Janelle Dmochowski
Sheena Finlayson
Crystal Gonzalez
Samantha Grieco
Ashley Grumman
Kaitlyn Mulligan
Erika Noach
Maggie Pictor
Jessica Pyne
Susan Rosenberg
Christina Santa Maria
Ariel Schlesinger
Joanna Wallace
The Harpur Chorale
Molly AdamsToomey. Conductor
Soprano
Katie Besemer
Michelle Goldrich
Kerianna Krebushevski
Sabrina Scull
Katie Sucha
Hollie VanDerHeide
Alto
Denise Aquino
llyssa Baine
Carrie Buck
Suzanne Greene
Shoshana May
Tenor
Ari Hausman
Tomas Kerr
Josh Rovou
David Schwartz
Brandon Seabrook
Bass
Thomas Furey
Christian Martin
Gavin McClelland
Daniel Romberger
�FESTIVE SOUNDS OF HANUKAH
University Symphony Orchestra
MAOZ TSL’R (Rock of Ages)
Timothy Perry. Director
The USO employs
rotating seating;
Woodwinds, Brass and
Percussion rotate by
composition and are
listed alphabetically.
Strings rotate by concert
and are listed in seating
order.
Flute
Kaitlin Armstrong
Natalie McCreary
Oboe
Kathy Karlsen*
Clarinet
Jaclyn Adler
James Wu
Bass Clarinet
Zach Stanco
Trombone
Billy Marsiglia
Jacob Strohm
Tuba/Keyboard
Matthew Gukowsky
Percussion
Benjamin Rothschild
Andrew Williamson
Adam Goldenberg
Violin I
Gabrielle Maire
Emily Wong
Natalie Bock
Jaclyn Podd
Simon Benarie
Yuansi Du
Jeffrey Lu
Brandon Luu
Daniel Park
Jiwon Nam
Kimberly Griffin
Karen Fu
Bassoon
Paige Elliott
Natalie Spitzer
French Horn
Zack Arenstein
Matt McAuliffe
Trumpet
Kevin Hannon
Nicholas Polacco
Violin ll
Sara Sunshine
Nick Thompson
Chris Rogers
Ashley Fancher
Gregory Green
Won Jae Lee
Julia Kenny
Jin Park
Alyssa Starrantino
Viola
Daniel Rodabaugh
Mimi Nam
Kevin Christie
Jillian Chen
Daniel Rodriguez
Maeve Murray
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Eric Wuu
Felicia Scalzetti
Xander Edwards
Deborah Mariottini
Peter Hiraldo
Alan Wang
Ryan Ference
Contrabass
Kristine Beckmann
You amidthe ra ging foes
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�Binghamton University Music Department’s
UPCO MING E V E N T S
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, D ecember 8 – Holiday M idDay Con cert – 1:20 p.m.
– Casadesus Recital Hall – free
Thursday, D ecember 8 – Percussi on Ensemble – 8 p.m. –
Anderson C enter Chamber Hall – free
Friday, December 9 – Singing Chinese Cl ass Recital – 7 p.m.
– Casadesus Recital Hall – free
If y ou enjoyed and were inspired by this performance, please consider
supporting the Department of Music with a financial gift. Your support
helps to continue the work of students, faculty, and guest artists and
their contributions to our larger community. Please make your donation
payable to the Binghamton University Music Department, and send to
P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
For our full concert listing, visit music. binghamton. edu
or become a fan on Facebook.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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01:00:41
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145395">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145395</a>
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Title
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Holiday Extravaganza!: Season's Joys, December 4, 2011
Recital Tape 2011-12-4
Description
An account of the resource
Works by Anderson, Bond, Reisteter, Longfield, Browne, Borton, Herbert, Tchaikovsky, Holcombe, Rothrock. Held at 3:00 p.m., December 4, 2011, Osterhout Concert Theater.
Creator
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University Symphony Orchestra
University Wind Symphony
Harpur Chorale and Women's Chorus
Publisher
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Binghamton University Libraries
Date
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2011-12-04
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sound
-
https://omeka.binghamton.edu/omeka/files/original/41929c1d533f34814c29f9c0915cb2dc.pdf
cb3f17e09856355d7c4481799b523a0b
PDF Text
Text
BINGHAMTON
UNIVERSITY
usi
D E P A R T M E N T
HOLIDAY
MID-DAYCONCERT
Thursday, December
10, 2009
1:20 p.m.
Casadesus
Recital
Hall
�PROGRAM
Variations on "Puer nobis nascitur' ... ... .......... ... Jan Jacob van Eyck
{To Us a Son Is Born)
(1590-1657)
Timothy Perry, alto recorder
Timothy LeFebvre , baritone
Masters in this Ha/1 .. ... .... ..... ... ..:.... .. ... ... .... .... ............ William Morris
arr. Peter Browne
(1834-1896)
S'vivon .. ....... .. .... ..... ..... .... .... .. .. ........... ... ... .......... Hebrew Traditional
arr. Joshua Jacobson
Winter Wonderland ....... .. ...... ......... Felix Bernard and Richard Smith
arr. Peter Browne
(1897-1944) (1901-1935)
Joy to the World......... ............ ... ........ Isaac Watts and Lowell Mason
(1674-1748) (1792-1872)
Boar's Head Carol .......... ... ..... ...... ... ... ....... .... ..... Traditional English
arr. Peter Browne
Members of the Harpur Chorale
All the Things You Are .......... ....................................... Jerome Kern
arr. Lennnie Niehaus
(1885-1945)
Ragtime Suite ... ... ... ... ..... ... .... .... ...... ...... ... .......... ...... ... .. Scott Joplin
(1868-1917)
Something Doing
The Cascades·
Dan Fagen, soprano sax; Nathan Rose, alto sax;
Andy Block, tenor sax; Dean Papadopoulos, baritone sax
In Dulci Jubilo, from Musae Sioniae (1607) .... ..... Michael Praetorius
(In Sweet Jubilation)
(1571-1621)
Matthew Hassel, Heather Worden, Timothy Perry, clarinets
Zach Stanco, bass clarinet
Dan Fagen, soprano sax; Nathan Rose, alto sax;
Andy Block, tenor sax; Dean Papadopoulos, baritone sax
Le Sommeil de L'Enfant Jésus .......... .. .... ........ ... ....... .. Henri Busser
(Cradle Song for Christmas Eve)
Mary Burgess, soprano
William James Lawson , piano
(1872-1973)
�Felicity ..................... ............. ................................ Raymond Premru
(1934-1998)
Jingle Bells ...................................................... James Lord Pierpont
arr. Ted Blumenthal
(1822-1893)
We Wish You a Merry Christmas ...................... .. .. ........ .... Traditional
Jay Bartishevich, Bill Marsiglia, Rob Menard, trombones
Damon Dye, euphonium; Matt Gukowski, tuba
0 Holy Night ............................................................ Adolphe Adam
( 1803-1856)
Timothy LeFebvre, baritone
Mary Burgess, soprano
Jonathan Biggers, piano
Le Sommeil de L'Enfant Jésus
(Cradle Song for Christmas Eve)
The bells are ringing in the night,
Their joyous voices lead us to the Baby in the humble crib,
Lying in the fragrant hay.
Sleep, little Jesus, sleep, sweet cherub!
Your mother watches over you all through the night. Sleep.
Our hearts are full of hope;
We have faith in your love!
Rest sweetly, Jesus, dearest child! Sleep!
To God we shout our joy!
Noël! Sing we Noël!
Always we sing Noël!
Noël, the blessed feast, the day of deliverance!
A Savior is born; we kneel before him here at his feet.
Noël! Midnight all mysterious; everything sleeps around us.
Rest sweetly, Jesus, dearest Child!
Sleep, sweet cherub.
Ah, how many resplendent wings are there around you,
As the angels, dainty hands crossed,
Give shelter to your divine face.
Sleep, sweet cherub!
Noël! Noël! Noël!
�Binghamton University Music Department's
:.
UPCOMING EVENTS
Friday, December 11th Singing Chinese Class Recital, 7:00 PM,
Casadesus Recital Hall, FREE
Saturday, December 12thFaculty Fireworks: Winter Winds (with
the University Symphony Orchestra) - a gala benefit concert for the
Music Department, 8:00 PM, Osterhout Concert Theater, $$
Sunday, December 13th Master's Recital: Jenean Truax, soprano,
3:00 PM, Casadesus Recital Hall, FREE
Tuesday, December 15thMaster's Recital: Jana Kucera, soprano,
7:30 PM, Casadesus Recital Hall, FREE
Sunday, January 24th University Chamber Chorus, 3:00 PM - FREE
Trinity Memorial Church, Binghamton
For ticket information, please call the
Anderson Center Box Office at 777-ARTS.
•
'·
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
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42:45
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153832">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153832</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Holiday mid-day concert, December 10, 2009
Recital Tape 2009-12-10
Description
An account of the resource
Held at 1:20 p.m., December 10, 2009, Casadesus Recital Hall.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-12-10
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/1798b1d0c3750a2df68df0ba0da59e58.pdf
ba2ff0d7c4a3050302e5e1f2f2eb70ee
PDF Text
Text
BINGHAM TON
U N I V E R S I T Y
STATE U N I V ER S I T Y O F NEW Y O R K
D
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Th ursday, Decem ber 11, 2014
1:20 p.m.
Casadesus Recit al Hall
T
�PROGRAM
Adolphe Adam
O Holy Night ..
(18031856)
Jenny Gac, soprano
Michael Lewis, piano
Ludwig Van Beethoven
Violin Concerto in D, Op. 61..
(17 70182 7)
3. Rondo (Allegro)
Eleanor Krasner, violin
1
Margaret Reitz, piano
d 1 0 0
The Twelve Days of Christmas (1780)
0
2 0 , 0
Traditional English Carol
T he Voice Studio of Tom Goodheart
Flute Quartet
Rudolph The RedNosed Reindeer“
d ! 7 . S
]
...Johnny Marks
(19091985)
Jessica Biagiotti, flute
Eleni Florakis, flue
Michelle Li, flute
Jacqueline Robins, flute
Trombone Choir
Traditional Carols
Deck the Halls ~ O Christmas Tree ~ The First Noel
3 9 1 2 4 0
(
{ 5 L1
S
Christopher Beard, trombone
Jacob Strohm, trombone
Patrick Jones, trombone
Bradley Marquardt, trombone
Mike Sugarman, euphonium
q ua f
from Messiah.
“Comfort Ye My People”
“Ev’ry Valley Shall Be Exalted ”
“4613
.. Georg Frideric Handel
(16851759)
Jordan Schreiner, tenor
Michael Lewis, piano
What Child Is This
Arr. By James Christensen
o
.Evan Flury
(b. 1992)
ake Stamatis, baritone; Cole Tornberg, tenor
John lsenberg, piano
Stephen Stalker, cello
This Day, Will Be.
.Ernst Victor Wolff
(18861961)
g / g , ’ 1 [ 9
Georg Frideric Handel
from Messiah.
(16851759)
Rejoice Greatly, O Daughter of Jerusalem
S 7 1 5
l 3
Sleigh Ride ..
m‘ma
Meroé Adeeb, soprano
Michael Lewis, piano
Leroy Anderson
(19081975)
Margaret Reitz and , iris Bartlette, piano duet
�Binghamton U niversity Depa rtment of Music
Coming Events
e webe me a ebe a ebe meb a e mebeb
Thursday, December 11 – Har pur Ch orale a nd Women ’s Ch orus H o liday C on cer t – 7:3 0
p.m. – Trinity Memorial Church, Binghamton – a free donation will be collected at the door
Frida y, Dece mber 12 – Chinese Singing Class Rec i tal 7:30 p.m. – Casadesus Recital Hall –
free
Saturda y, Dece mber 1 3 – Italian Diction Class Re c i tal 7:30 p.m. Casadesus Recital Hall
~ free
Saturday, january 31 Musica Nova: A tribute concert i n mem ory o f P
au l R . Golds taub
~ 7:30 p.m, – Anderson Center Chamber Hall ~ TBA
Friday, February 6 TriCi ties Opera presents Rossini’s The I talia n G ir l i n A
lgiers 8:00
p.m. The Forum Theater c all (607) 7720400 for tickets
Saturday, February 7 Guest Artist: Pianist Gleb Ivanov 7:30 p.m. Anderson Center
Chamber Hall TBA
Sunday, February 8 TriCi t ies Opera presents Rossini’s The Italia n G ir l i n A lgiers – 8:00
p.m. The Forum Theater call (607) 7720400 for ticke ts
Sunday, Februa ry 15 Jonathan Biggers Lecture/R ecital Baroq ue Organ Pe rforma nce
P ractice Concert 4500 p.m. Fine Arts Room 21 $7 general public; $5
faculty/staff/seniors/A’lumn i; free for students
Th ursday, February 26– MidDay Concert – 1 :20 p.m. Casadesus Recital Hall free
Sunday, Ma rch 1 Piano & Cello Masterworks with Stephen Zank and Stephen Stalker
3:00 p.m. Anderson Center Chamber Hall $10 faculty/smff/seniors/alumn i; $5
forstudents
é b a fi b é b fi b é b é b fl fi é fi fi é fl fl é w b fl é b fi fi b
»
.
—
For tickets or to be added to our email list, visit
anderson.binghamton.edu or call (607) 777ARTS. For a comple te
list ofour concerts call (607) 77 72592, visit musictbmghnmtonredu
or become a fan on Faceboolc.
[ = ] E
If you were inspired by this performance, consider supporting the
Department of Music with a fi nancial gift. Your support helps to
continue the work of students, faculty, and guest artists and their
contributions to our community. Please make your donation
payable to the Binghamton University Music Department, and
send your check to B U Music Department, P.O. Box 6000,
Binghamton, NY 13902.
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Title
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Holiday mid-day concert, December 11, 2014
Subject
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Concerts
Instrumental music
Live sound recordings
Description
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Works by Beethoven, Flury, Handel, Wolff, Anderson. Held at 1:20 p.m., December 11, 2014, Casadesus Recital Hall.
Creator
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Gac, Jenny
Lewis, Michael
Krasner, Eleanor
Reitz, Margaret
Goodheart, Tom
Flute Quartet: Biagiotti, Jessica
Florakis, Eleni
Li, Michelle
Robins, Jacqueline
Trombone Choir: Beard, Christopher
Strohm, Jacob
Jones, Patrick
Marquardt, Bradley
Sugarman, Mike
Stamatis, Jake
Tornberg, Cole
Isenberg, John
Stalker, Stephen
Schreiner, Jordan
Adeeb, Mëroe
Bartlette, Chris
Publisher
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Binghamton University Libraries
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Beethoven, Ludwig van, 1770-1827
Flury, Evan
Handel, George Frideric, 1685-1759
Wolff, Ernst Victor
Anderson, Leroy
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12/11/14
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sound
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https://omeka.binghamton.edu/omeka/files/original/09eedeb95957f589178d32d5d11a0a31.pdf
53262d180b572e8139fa50b48c64edf3
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Text
Binghamton University Department of Music
HOLIDAY MID-DA Y CONCERT
December 8, 2005 -1:20 P.M. - Casadesus Recital Hall
Where 'er You Walk ...................................................................................................... G.F. Handel
(1685-1759)
Alexander Blitstein, tenor
Chai-Kyou Mallinson, piano
Sonata No. 1 in B flat Major. .................................................................................. Antonio Vivaldi
(1678-1741)
Largo
Allegro
Largo
Allegro
Heajung Kim, cello
Stephen Stalker, cello
Come Unto Him (from Messiah) ................................................................................... G.F. Handel
(1685-1759)
The Birthday of a King ........................................................................................... W.H. Neidlinger
(1863-1924)
Michaela Lisi, soprano
Chai-Kyou Mallinson, piano
Piano Trio in G major, KV 564 ............................................................ Wolfgang Amadeus Mozart
(1756-1791)
Andante
Allegretto
Akira Maezawa, violin
Heajung Kim, cello
Candice Che, piano
The Mermaid's Song ................................................................................................... Joseph Haydn
(1732-1809)
She never told her love
Pleasing Pains
Kathryn Boczar, mezzo-soprano
Chai-Kyou Mallinson, piano
Lullaby (1909) ......................................................................................................... Rebecca Clarke
(1886-1979)
Melody
Border
Scottish
I'll Bid My Heart Be Still .................................................................... Old
Arr. Rebecca Clarke
Roberta Crawford, viola
Michael Salmirs, piano
O Holy Night. ............................................................................................ .. .............. Adolphe Adam
(1803-1856)
Soon Young Park, baritone
Chai-Kyou Mallinson, piano
Join us for a reception following the concert - Next Mid-Day Recital will be March 2, 2006
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Title
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Holiday mid-day concert, December 8, 2005
Description
An account of the resource
Works of Handel, Vivaldi, Neidlinger, Mozart, Haydn, Clarke, Adam. Held at 1:20 p.m., December 8, 2005, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Blitstein, Alexander
Mallinson, Chai - Kyou
Kim, Heajung
Stalker, Stephen
Lisi, MIchaela
Maezawa, Akira
Che, Candice
Crawford, Roberta
Salmirs, Michael
Park, Soon Young
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Binghamton University Libraries
Date
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2005-12-8
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BINGHAM TON
UU N I E V E R S
State University of New York
[4
D E P A R T M E N T
Hommage a Casadesus
Celebrating th e life an d concert careers of th e
F irst Fam ily of P iano, R o be rt Casadesus,
an d their son J ean Casadesus
Featuring
Pianists ChaiKyou Mallinson,
Margaret Reitz and John Covelli
Saturday, March 8, 2008
8:00 p. m.
Casadesus Recital Hall
�Translations
PROGRAM
Gaspard de la Nuit is a collection of three poems by Aloysius Bertrand, and in his
composition of the same title, Ravel wrote ton e poems expressing his impressions
of these poems, the first of which is Ondine (m ermaid). In his first edition, Ravel
includes a quote of Brugnot before the lines of Ondine.
Johannes Brahms
(18331897)
Intermezzo in A major, Op.118, no.3
Rhapsody in G minor, Op. 79, No.2
Ondine
Ondine (from Gaspard de la Nuit) ............................. Maurice Ravel
(18751937)
ChaiKyou Mallinson, piano
1
0
From Six Pieces pour Deux Piano
Algerienne
Sicilienne
Francaise
Espagnole
I thought to hear a faint harmony to enchant m y sleep. And
around me, like a murmur, spread the songs interspersed
with a sad and tender voice.
Charles Brugnot Les deux Génies
Listen, listen! It is I, it is Ondine who touches with a spray the resonant panes of
your window, lit by the gloomy rays of the moon: and behold, in waterypatterned
silk robe, the mistress of the manor, who contemplates on her balcony the beautiful
starlit night and the beauteous sleeping lake.
.. Robert Casadesus
(18991972)
Each wave is a water sprite swimming in the current, each current is a path that
winds its way towards my palace, and my palace is built aqueously at the bottom of
the lake, in a triangle of fire, of earth, and of air.
ChaiKyou Mallinson,
Margaret Reitz, piano
Listen, listen! My father strokes the croaking water with a branch of green alder
tree, and my sisters caress with their arms of foam the fresh isles of grasses, of
water lilies, and of irises, or mock at the flail and bearded willow fishing with a
line.
INTERMISSION
Her song murmured, she begged me to place her ring upon my finger, signifying
my marriage with an Ondine, and to accompany her to her palace, to become a king
of the lakes.
And I replied that l loved a mortal; she pouting, vexed, shed some tears, burst into
laughter, and vanished in a sudden shower that trickled in white rivulets the length
of my blue windowpanes.
Videotape: Excerpts from “The First Family of the Piano”
(Filmed for the Bell Telephone Hour in 1967)
Introd uced by Dr. H arry B. Lincoln, professor emeritus
Concerto no.7 in F Major, K 242
Allegro
Adagio
Rondeau
.. W. A. Mozart
(1 7561 791)
Margaret Reitz, J o hn Covelli, piano
ChaiKyou Mallinson, orchestral red uction
Translations, ChaiKyou Mallinson
t t “ i t t t t t t t t t t t ‘ t t t t l ‘ t l t t t t t t fi t t t t t t i t t t
L
l
A bout the Music
A few years ago Christine Lindsay gave me a cassette tape of Jean Casadesus’
unedited performance of Brahms and Schumann’s pieces sent by Jean’s younger
brother Guy Casadesus from Paris, France. Upon listening to the magnificent tape,
1 suddenly realized how much I missed hearing Jean perform. Margaret Reitz (as a
high school student) and 1 (as a university student) both enjoyed studying with
Jean. To remember Jean and his parents, who were frequent visitors to
Binghamton University (SUNY at Binghamton, in those days), we decided to put
together a program that recalls them Jean as our adored teacher, Robert as a
composer, and all as splendid performers, friends and loving family members.
Jean loved Brahms for his rich harmony and unbridled romanticism. Hence, I
�Testimonials
decided to play the Brahms pieces. And he always enjoyed playing and also
listening to French composers. Maurice Ravel was by 24 years the senior of
Robert Casadesus, but 1 am sure that they were acquainted. So I decided to play
Ravel’s piece.
Robert Casadesus published his twopiano piece entitled “Six Pieces pour Deu x
Pianos” in 1938, with a dedication to Mademoiselle Gabrielle L’Hote (his wife
Gaby’s maiden name). Gaby lived in Algeria from 1903 to 1 911, which she often
recounted as her happy eight years. The six pieces depict the women of Algeria,
Russia, Sicily, F rance, Spain and England. Our performanc e tonight will be the
premier in this region of the four pieces we selected from this work.
Again Christine Lindsay, who was, along with h er husband Kenn eth (former head
of the Fine Arts Dept.), one of th e best friends of Jean Casadesus’ family, kindly let
me view the videotape of the “F irst Family of th e Piano” some years ago. And I
very much wanted to share the film with the audience. Dr. Harry Lincoln, who was
a colleague of Jean when he was here, generously accepted the in vitation to speak
for the film showing.
E
Some thoughts concerning J ean Casadesus and
his family at Harpur College
i
I
i
I
1
1 was privileged to join Harpur’s music faculty in 1963 where, as Professor and
Chairman, I worked very closely with President Glenn Bartle, President Bruce
Dearing, Dean Aldo Bernardo, an d Dr. Harry Lincoln to develop th e first collegiate
artistinresidenc e pro gram in the country.
The Casadesus family’s strength was not only in excellence of individual
performances but also in piano ensemble. Their famous family concert of three
concerti (Bach, Mozart and Casadesus) for three pianos was played and enjoyed on
many occasions worldwide, including a performan ce with the University Orchestra
in Watters Theater in early 1970. Part of th is concert, the Mozart Three Piano
Concerto, K 242, composed in 1 776, was at the same time composed for two
pianos (both versions are identical as to the notes sounded), and both versions were
published around the same time. Mozart and his sister Nanerl pe rformed the two
piano version in 1780. The availability of the twopiano version allows us to
commemorate that Casadesus family concert here in a hall too small for an
orchestra, freeing one of us to play the piano reduction of the orchestral parts.
Because there were relatively few music majors but great enthusiasm for music, the
Music Department invited the New York Woodwind Quintet and the Guarneri
String Quartet to visit frequently at Harpur and present their extraordinary artistry
both in concerts and in a number of open rehearsals. These were all free, and they
attracted a great many students, faculty, staff and townspeople, and really
established the leadership role of music in a liberal arts educational context, and
initiated the artistin residence concept in American colleges and universities.
Enter Jean Casadesus and his family and their residence on Leroy Street in
Binghamton beginning in the fall of 1965. At the time of h is appointment to the
Harpur music faculty he was already an internationall y acclaimed pianist who,
along with his famous parents – Robert and Gaby – represented the highest level of
pianistic achievement.
ChaiKyou Mallinson
i “ 4 N 3
LATA
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At this point it is very im portant to menti on an d em phasize that Jean brought to
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The Casadesus family – especial ly Jean, were ve ry important in the musical and
cultural life at Harpur College in the 1960’s when the then “publicly supported
Swarthmore – AKA Harpur College” was beginning to develop and expand its
artistic resources.
o
ASR
WHC
= —
Harpur/SUNYBinghamton, along with his musical and pianistic gifts, two
wonderfully outgoing persons wh ich he joyfully shared with all his colleagues and
students – in his studio, in his master classes, and on the concert stage – at Harpur
and around the world. In addition to Jean’s fulltime residence in Binghamton with
his family, Jean and his wife, Evie, also warmly embraced and were warmly
embraced by their many friends in the community. This sense of personal warmth
was also a part of Jean ’s parents’ frequent visits to the college and Binghamton.
In this short note I’ve tried to indicate the extraordinary and wonderful growth of
music at Harpur College and SUNYBinghamton in the 1960’s which was
wonderfully supported by the college and enthusiastically embraced by its music
faulty and distinguished artistsinresidence – especially Jean Casadesus.
�When I left Binghamton in 1971 to assume the deanship of Yale ’s Graduate School
of Music, one of the first distinguished artists I invited to Yale was Jean Casadesus,
who presented master classes and recitals to great acclaim and appreciation – with
a promise that he would return for repeat engagements. Tragically, his return to
Yale would never occur due to his very untimely death in Canada during a
snowstorm while on a concert tour.
All of us who knew and loved Jean and his family continue to remember fondly his
musical gifis, his love of life, and the many warm friendships he embraced at
Binghamton and beyond.
Phillip F. Nelson, Ph.D.
Professor and Chairm an, 196371
Music Department
Harpur and SUNY Binghamton
and Dean Emeritus of Music
Yale School of Music
II.
Jean Casadesus touched down on our shores like a dazzling comet. Personable and
warm, he was the opposite of the selfabsorbed, vain artiste. His modesty, his
generosity towards colleagues and others, his gift of bringing out the best in us,
were all hallmarks of his persona. In the short time he was with us he showed us
the true Gallic style of piano playing, while also illuminating and expanding our
musical horizons in endless ways.
Christine Lindsay
III.
I was one of the lucky ones admitted to Jean’s summer Master Class Series almost
40 years ago. I learned more about music and piano playing during those sessions
than I had in my whole previous life. One day, he told me that I had to decide what
I wanted to specialize in (I was pursuing a Master’s Degree in English). I opted for
music, and am now Music Director of the Theatre Dept. at B.U.
Words can hardly express the admiration and gratitude all of his students felt for
this unpretentious giant of a man. He was brilliant, generous, and full of Gallic
charm. He was a stern but gentle and articulate critic, and very empathetic towards
the idiosyncrasies of each of us. When he died, a light went out in our lives, but we
knew that his spirit would live on in all of us.
Susan J Peters
IV.
Jean was without doubt the best piano teacher I ever had. His expectations were
high, and his patient, friendly manner brought out the best in all his students. With
me, he emphasized t he importance of precise and consistent rhythm, but perhaps
best of all, he taught me how to practice productively, a skill many never learn.
We both loved cars; Jean had been a race car driver until deciding that such a
hobby could indeed be very hazardous to one’s health. I remember the
graciousness of his response to a rude gas station attendant one frigid day when
Jean had asked to borrow a wrench for some minor adjustment under the hood of
my little sports car. And in shopping for a new car his help was invaluable. Jean
was a wonderful, grac ious, fun, and gifted h uman being who will be remembered
always by all who kn ew him with fondness, admiration, and respect.
Barbara Garges
***********************
A bout th e P erform ers
CHAI KYOU MALLINSON, currently on the faculty of the Department of
Music at Binghamton University, received a B.M.d egree in Piano from Julliard,
Licence d ’Enseignement from Ecole Normale de M usique de Paris, Fran ce and a
M.A. degree from Binghamton University. Her teachers include Jean Casadesus,
JeanMichel Damase, Jules Gentil and Alton Jones. She also performed in Master
Classes by Robert Casadesus. A prize winner in the Korean National Music
Competition, she was awarded the French Government Scholarship, Tanglewood
Summer School Full Scholarship and the Fontainebleau American Conservatory
Full Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been
active as a recitalist, vocal coach, accompanist, and chamber m usic performer, as
well as an active adjudicator of piano auditions and competitions. She is a member
of the Music Teachers National Association, and of the board of judges for the
National Guild of Piano Teachers Association. She has premiered compositions of
contemporary composers including Ezra Laderman, Paul Goldstaub, Meyer
Kupferman and William Klenz. Among m any concerts she performed, three were
sponsored by the New York State Counsel on Arts. She appeared in a performance
with the Seoul Philharmonic Orchestra, which Eumag Choonch u, one of Korea’s
most respected music magazines, described as “of rare quality, moving and
lyrical.”
MARGARET REIT Z, pianist, is a native of the Binghamton area. She received
her Bachelor and Master of Music degrees in piano performance with Seymour
Fink and Walter Ponce and accompanying emphasis, studying piano with Jean
Casadesus, Victor Rosenbaum, Seymour F ink and Walter Ponce and accompanying
with Allen Rogers. She has accompanied throughout the United States, Europe and
South America: she was an official accompanist for the MTNA State and Eastern
Division Competition held at Ithaca College in 2001 and 2006, has been a guest
chamber music artist in Morges, Switzerland, attended the Northwestern
Workshop with Chicago Lyric Opera Faculty and Coaches, was an official pianist
�at the Internationa l Double Reed Competition and Convention in June 200 7 at
Ithaca College and was selected to accompany at the Interpretation of Spanish
Music Festival in G renada, Spain in July 2007, where she performed at several
concerts and masterclasses coached by Teresa Berganza. A guest artist on the
Cornell Summer Se ries this past summe r, she will perform Beethoven ’s Triple
Concerto with Binghamton Commun ity Orchestra and is nom inated for the Heart
of the Arts Award sponsored by the BC Arts Council. Ms. Reitz is currently on
the faculty at Binghamton University and Ithaca College School of Music. She is
on the Exec utive Board of the New York District M TNA organization, is past
President of the local Southern Tier Music Teachers Association and is an active
adjudicator for the National Piano Guild Organization.
While recognized as one of the more versatile conductors of his generation, JO H N
COVELLI has for most of his life been known and respected as an extra ordinary
pianistic talent. As a Ch icagoborn piano prodigy studying since age four, he was
credited in his youth with numerous concerts, broadcast recitals, special musical
awards, performances at the Chicago Music Festival, with the Chicago Symphony
at age 9; recipient of the Chicagoland Festival Award; a highly lauded allBach
concert at th e Texas Bach Festival, as well as composing prizes. As a teenager, he
was the only concert pian ist ever to w in the famous Godfrey Talent Scout P rogram
and appeared in a series of nationwide CBSTV performances. His New York
debut drew rave notices from every newspaper and major publication present
including the Times stating “This is one of the best debut recitals in our
recollection.” While conductor and soloist of the famed Seventh Army Symphony,
he was selected special musical ambassador for USIS gleaning accolades as
featured touring soloist throughout Europe. As a winner in two of Europe’s most
prestigious piano competitions the Queen Elizabeth of Brussels, and Busoni
International Piano Competition in Bolzano, Italy, John Covelli was launched from
youthful prodigy to an international performer of major standing. Critical praise
from major m usic capitals was unanimous.
Acknowledgement:
I would like to thank all the friends, colleagues, students and my family for their
warm support, specially, Christine and Kenneth L indsay, Georgetta Maiolo, Bruce
Borton (for making piano racks with his magical carpenter’s skill), Tim Perry, Amy
Keough, Jan DelliBovi, Marnie Wrighter, Cheryl McGowan, and Pamela Walker.
I also thank those who wrote wonderful articles about Jean Casadesus and his
parents.
Super special thanks go to our dear friend John Covelli for consenting to play the
Mozart Concerto with us on very short notice. When Pej and I were told at the end
of December that Wendy Lee would not be able to make the trip back here to play
the Mozart concerto from Hong Kong where she took a teaching job, John stepped
in with little hesitation!
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:06:55
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Hommage à Casadesus: celebrating the life and concert careers of the first family of piano, Robert Casadesus and their son Jean Casadesus, March 8, 2008
Recital Tape 2008-3-8
Description
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Works of Brahms, Ravel, Casadesus, Mozart.Held at 8:00 p.m., March 8, 2008, Casadesus Recital Hall.
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Casadesus, Robert
Mallinson, Chai-Kyou
Reitz, Margaret A
Covelli, John
Lincoln, Harry
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Binghamton University Libraries
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2008-03-08
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IIIF Item Metadata
UUID
05f0b495-5901-4941-aca6-359b761632d5
-
https://omeka.binghamton.edu/omeka/files/original/f45059780b1280da41dd3ab46fc44882.pdf
ab6ce465d5c18841eff490da37cb0c6a
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STATE UNIVERSITY OF NEW YORK
AT
BINGHAMTON
Harpur College
Department of Music
Stein Fischer
Conductor
PAUL JORDAN,
Organ and Celesta
October 12, 1974
Jean Casadesus R e c i ta l Hall
8 : 1 5 PM
I
R
R
R
.
.
.
�PROGRAM
HUNGARIAN SET: THE PEARLY BOUQUET (1943)
for celesta and string orchestra
IRWIN FISCHER
7
Allegretto
2.
Andante
3. Poco Allegro
4. Andantino
“Always have I inclined to the
life of a shepherd”
“Fly from my window, dear swallow”
“The stars have already
disappeared into the
coming daylight”
“Dew is sparkling on the grains
of wheat”
O
F Adagio
6. Allegro
moderato
7&8. Allegro
giocoso
v “Master, please pay me what you
owe me”
“Even lovely faces are false
“My top boots are new” and
“That lad’s a hopeless case
CONCERTO IN G MAJOR, OPUS 4, NO. 1 (1738)
for organ, strings and continuo
GEORGE FRI DERI C HANDEL
Allegro
Adagio
Allegro
INTERMISSION
CHORALE FANTASY (1938) for organ and orchestra
IRWIN FISCHER
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 sound tape reels
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36:11
20:46
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243376">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243376</a>
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Hungarian Set: The Pearly Bouquet by Irwin Fisher, October 12, 1974
Recital tape 1974 10-12
Description
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Held at 8:15 pm, October 12, 1974, Casadesus Recital Hall.
Publisher
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Binghamton University Libraries
Date
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1974-10-12
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sound
-
https://omeka.binghamton.edu/omeka/files/original/7cfd48702676b402c2ae1ece1e070e2a.pdf
2d1a11d3ab4d9955c44fc5fe83ae5099
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Text
BINGHAM TON
U N I V E R S I E X
S T A T E U
NIVERSITY O
F NEW
YORK
[4
D
E
P
A
R
v odee
T
M
E
N
T
INCURA BLE R OMANT ICS
Timothy P e rry, clarinet
Ma rga ret Reitz, p iano
Jonatha n Biggers, organ
Ma rt ha Weber, bassoon
Sarah Cha ndler, clar inet
Saturday, Se ptember 20, 2 0 1 4
7:30 p.m.
Wattcrs Theater
�8c) PROGRAM NOTES (93
80 PROG RAM (93
Adagio and Tarantella.
. Franz Schubert
(18071874)
Ernesto Cavallini was among the few virtuoso wind players whose artistry rose to
inspire a major composer during an age in which the piano, the voice and the violin
reigned supreme. Cavallini trained in Milan, and such was his command of his (by then
antiquated) sixkeyed clarinet that he was known as the “Paganini” of the instrument. His
entire career seems to have been spent as Principal Clarinet at La Scala as well as in St.
Petersburg, apparently commuting back and forth as his services were required. It was for
Cavallini that t he majority of Verdi’s clarinet parts were written, including the massive
L’Histoire du Tango
. Astor Piazzolla
IL Café 1930
(19211992)
solo and cadenza in La Forza del Denim: the longest instrumental solo line in any of
Verdi’s worlts. He left few extant works of his own, all showing the influence of the
opera. His mostperfu med work is this short Adagio and Tarentella demonstrating the
technical and tonal control he himself doubtless possessed.
JON
DunConcertina (194 78) .
Richard Strauss
(186411949)
Allegro moderato – Andante – Rondo (Allegro ma non troppo)
Piazzolla’s History of the Tango was a fourmovement suite com posed to demonstrate the
evolution of the Argentine danceform from its origins in the Bordellos of Buenos Aires
to the electronic music of today. Piazzolla composed the work for Flute and Guitarthe
duo played the earliest forms of tango around 1900 but the work has been successfully
adapted for many other instruments since its premiere in 1986. Of the second
movement, Piazzolla writes “Cafe, 1 910: This is another age of the tango. People stopped
dancing it as tlrey did in 1900, preferring instead simply to listen to it. It became more musical, and
more roma ntic. This tan go has under gone total trans format i on: the move ments are slower , with new
and often melancholy harmonies. Tango orchestras come to consist of two violins, two concertinas, a
BO INTERMISSION cs
piano, and a bass. The tango is sometimes sung as well.
The movement is one of Piazzolla’s most soulful and evocative tangos, filled with the
suggestion of powerful romantic urges that ru n the gamut from sweet to violent, closing
with an enigmatic, but likely tragic, ending.
vaeen
Fantasia da Concerto su motivi de ‘La Traviara’ .
Donato Lovreglio
Quintet in b minor, Op. 1 15.
II. Adagio
Johannes Brahms
(18331897)
Divertimento, “Il Convegno”
(1 8411 90 7)
Amilcare Ponchielli
(18341886)
F ew com positions display the tenacity of Roma nticism better tha n the difficult,
somewhat problematic, but altogether remarkable DuettCmrcertino the last orchestral
work by Richard Strauss composed in 1947 for the Viennese bassoonist Hugo
Burghauser. In 1917 Strauss had hired the 21year old into the Vienna Philharmonic and
thirty years later, with the world of Romantic Vienna twice removed by the wreckage of
two world wars a nd Burghauser struggling as an exile in N ew York, Strauss presented his
friend with a n everlasting token of their friendship by which ‘you shall dance again’. .
The gift took the form of a d uetconcertino for clarinet a nd bassoon with
accompaniment of both full string orchestra and a solo string sextet. The work is based
loosely upon a fairy tale. in which a princess (clarinet) meets a beat (bassoon) who is (of
course) an enchanted prince, and after some initial difficulties (music superimposed in
both 4/4 and 6/4 time), the prince tells his tale in an eloquent soliloquy (Andante), is
transmogrified (brief cadenzas) and the happy couple, now harmonized, do indeed dance
off in an extended rondo. That the work is a com plex and largely private metaphor for
the persons, places and times shared by Strauss and Burghauser does little to diminish its
unique formal architecture and often rapturous beauty. It is equally an expression of
nostalgic reminiscence for the past, and hope for the furure.
�TP Note: For this performance I have found i t necessary to parse the piano reduction into a new
version for piano and organ, the original published version being both musically unsatisfactory and
unplayable! Thanks to J onathan & Pej!
nu–n nu–n n nu n–u..–n n–n n–n nu n–n...–n––n–n n n n n n n n n n n nu n n n nu n n n n
While the end of the eighteenth century proved to be something of a ‘golden age’ for
solo performers on wind instruments, the collapse of court and Imperial sponsorships
created the equivalent of a ‘food desert’ for woodwinds from 18301880, during which
time the ‘beast with 88 teeth’ consumed the attention of composers and the public alike.
That woodwind virtuosity was continuing to advance in spite of the dearth of sonata and
concerto is shown in the interesting subgenre of the opera fantasia. These were works
that utilized melodies from arias and ensembles of operas while they were then in
rehearsal for their premieres. Performers would cobble together a set of episodes, each
comprising the aria (in its original form) and an accompanying virtuoso variation.
Despite the obvious theft of materials, the widespread popularity of this arrangement
seemed to suit both parties; the composers got free publicity. which heightened interest
in the upcoming premiere among the public, and the performers attached themselves to
their more famous colleagues while making themselves known and solvent through
solo performances. Lovreglio, a Neopolitan flutist arguably even more obscure than
Cavallini, is remembered for this Traviata clarinet fantasia and three more, on Maria
Stuarda, Simon Boccanegm, and Un Ballo in Maschem.
Brahms’ biographer Jan Swafford sums up the mood of Brahms’ 1891 Clarinet Quintet
as “...the evanescent sweetsadness of autumn, beauti ful in its dying.” With this work. for
the only time in his li fe, Brahms brought his compositional powers to bear on exploiting
the timbral and tonal possibilities of an instrument other than the piano. The measured
and nuanced use of the low, middle and high registers came from hours of Brahms’
listening to the artistry of Meiningen clarinetist Richard Muhlfeld. No other work of the
age comes close to capturing so completely the soul of the instrument, from infinite
sweetness to dark melancholy to cries of an anguished spirit. In a period when Brahms
was increasingly losing his dearest friends to Death’s embrace, the incomparable slow
movement of the quintet moves from heaven to earth and heaven again. The
transcendent outer sections slowly spin out the liebeslieder of Brahms’ old age. Within
in the movement’s center the passionate ember of love still burns in a sweeping,
virtuosic Gypsy style that was so often employed for Brahms’ finales. although never
expressed in a more soloistic, personal way than here. While stripped of the embracing
support of the string quartet original, the movement with piano alone lays bare what
Malcolm MacDonald called “every superrefined shade of silvergrey regret,” Brahms in
love, even to the end of days.
No doubt about it Opera, like Academia, is a tough business. Having won a
professorship at the Milan Conservatory just out of school. political ‘considerations’
deprived Amilcare Ponchielli of what might have become his career in teaching. He
struggled with several marginally successful operas unti achieving worldwide fame with
La Gioconda (with its famous ‘dance of the hours’ made immortal by Disney hippos) in
1 876. Ponchielli did finally become a professor at Milan in l 8 8 I , where he served as one
o f the teachers o f the young Mascagni and Puccini. H is gi ft for woodwind writing came
from long years of earning his living as a bandmaster in Cremona and Piacenza, d
which time he composed over 200 works for banda. This was likely the impett
writing l l C
onvegna, usually translated as “ The Meeting. ” This has recently given wa
more romantic translation as “ The Tryst”, which seems more in keeping witl
amorous moods of the almost impossibly intertwined solo parts. And of course, wh
the activities of its protagonists, the opera house is never out of sight.
T. Perry, September
n – – – – – – – – n – n – – n – n n n n n – n – – n . . – – – – – – – – – – – – – – – – – – – – – – – – – – –
8c) ABOUT THE PERFORMERS (98
Dr. Timothy Perry is now in his twentyninth season as Professor of Mu’
Binghamton University. where he is Director of Orchestral Activities, lnstrun
Conducting and Professor of Studio Clarinet. A Wisconsin native, he attende
University of WisconsinMadison as a National Merit Scholar prior to graduating
distinction from the Manhattan and Yale Schools of Music where he studied C l
with Leon Russianoff and Keith Wilson and Conducting with Szymon Goldberg,
Mauceri, Arthur Weisberg and was teaching assistant to his principal teacher,
Werner Mueller. Dr. Perry taught at Bemidji State University system in Mint
directing the Bemidji Symphony Orchestra for five years prior to joining the BU f
in 1986. I n addition to directing BU ’s University Symphony and String Orchestra
Perry also directed the BU Wind Ensemble program from 19862005 and served :
Music Director of the Binghamton Community Orchestra from 19942004; h
returned to the B C O as Music Director in Fall 20 1 4, and continues to perform a
range of orchestral. opera and musical theater repertoire as Guest Conductor with
regional and international ensembles. Since 2005 Dr. Perry has led both the Bingha
Philharmonic and Catskill Symphony orchestras in concert, and with his BU ens<
has twice collaborated with New York’s renowned Paul Taylor Dance Company as v
working as Music Director with faculty and performers of DUOC in Santiago. Chi
binational productions of West Side Story and The ThreePenny Opera. As BU’s Profes
Clarinet he is active throughout the world as soloist, chamber musician and re:
including three appearances at the world conference of the International Cl.
Association and touring for the Department of State as United States M
Ambassador for Latin America and the Caribbean. He is Past President of the Nor
Division of the College Orchestra Directors’ Association and was a featured speal
the National C OD A Conference in Fort Worth Texas in January 20 1 4.
Margaret Reitz, pianist, is a native o f the Binghamton Area. She received her Ba
and Master of Music degrees in piano performance with accompanying emphasi
attended Boston University, New England Conservatory and Binghamton Universi!
has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and '
Ponce and accompanying with Allen Rogers. She has accompanied throughoi
United States, in England, South America, Spain and at the American lnstit
Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Pr
�by the United States Information Agency in partnership with the John F. Kennedy Center
for the performing arts. She was an official accompanist for the MTNA State and Eastern
Division Competition held at Ithaca College. She has been a guest cha mber music artist
in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for
Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty
and Coaches. She was invited to the International Clarinet Conference to play a recital in
Tokyo, Japan. She was an official pianist at the International Double Reed Competition
and Convention in at Ithaca College and was invited to play at the Convention in
Birmingham, England and NYU with the Glickman Ensemble this past summer. She
recorded several CD’s with the Glickman Ensemble in Englewood, NJ. She performed
with the Glick man Ensemble on the Cornell Sum mer Series in J uly. She was selected to
accompanying at the Interpretation o f Spanish Music in conjunction with University of
Madrid in Grenada, Spain coached by Teresa Berganza and at Marines School of Music.
She was a Guest Artist playing two concerts in Granada, Spain and accompanied the
Barcelona Song Festival. She soloed with the Catskill Symphony at the Otesaga in
Cooperstown, NY under the direction of Charles Schneider. She has accompanied at The
International Spanish Music Festival in Madrid, Spain. She was the pianist for Theater
Street Productions on the Newport Music Festival Summer 2014. She is currently on the
faculty at Binghamton University since 1991 and Ithaca College School of Music since
1999 and SUNYBroome since 2014. She is the treasurer of the local District VII Music
Teachers Association and is an active adjudicator for the National Piano Guild
Organization.
Jonathan Biggers, hailed as “one of the most outstanding concert organ ists in the United
States,” maintains an active career as both a professor of organ and harpsichord, and as a
concert organist of the first order. He holds the prestigious Edwin Link Endowed
Professorship in Organ and Harpsichord at Bingham ton University (State University o f
New York), and has presented hundreds of concerts in church and university settings
throughout the United States, Canada, and Europe. Most recently, he presented the
opening concert for the National Convention of the American Guild of Organists held
in July 2010 in Washington D.C., performing for over 1600 organists. He has appeared
as a featured soloist with orchestras in both the United States and Canada, including the
Atlanta Symphony Orchestra and the Calgary Philharmonic Orchestra, and has been
featured frequently on NPR (“Pipedreams”), the Canadian Broadcast Corporation
(CBC), and on Radio and Television Suisse Romande broadcasts in Geneva, Switzerland.
Scott Cantrell, classical music critic of The Dallas News, stated that Biggers’ performances
demonstrate “authority and eloquence". and further stated “were there more performers
like this, the organ would be far less a minority interest".
Dr. Biggers studied with Russell Saunders (Eastman School of Music ; DMA); Lionel
Rogg (Conservatory of Music, Geneva, Switzerland; Fulbright study); J. Warren Hutton
( The University of Alabama; MM and BMus); and with Wallace Zimmerman (Atlanta;
precollege); he has also worked extensively with Harold Vogel (Bremen, Germany), and
with Arthur Poister (former Professor of Organ at Syracuse University). A prizewinner of
dozens o f competitions, he was notably awarded a unanimous first prize in the 1985
Geneva International Competition. one o f the most prestigious music compe titions in
the world; second prize in the 1982 American Guild of Organists National Organ
Playing Competition; and a unanimous first prize in the 1990 Calgary International
Organ Festival Concerto Competition, where he presented, with the Calgary
Philharmonic Orchestra, the world premier performance of Snowwalker: A Concerto for
Organ and Orchestra by Pulitzer prizeowinning composer Michael Colgrass. A champion
of new music for the organ, he has premiered other works by notable 20th and 21st
century composers such as Richard Proulx (Chicago: Concerto for Organ and Orchestra),
Craig Phillips (Los Angeles: Suite for Organ, Brass and Percussion), Persis Vehar (Buffalo:
Soundpiece for Organ), and David Brackett (Montréal: Nightworks for Organ solo).
Two highly acclaimed compact disc recordings of Dr. Biggers’ performances have been
released by Calcante Recordings (Sleepers Wake! A Reger Perspective, featuring five major
organ works by Romantic composer Max Reger; and Bach on the Fritts! , featuring major
organ works by Johann Sebastian Bach). Plans are also underway for the production of
several other CD releases in the future, including a recording of the complete organ
works of ].S. Bach, and a recording of organ music by Craig Phillips.
Martha Weber returned to teach bassoon at Binghamton University in 2006. She has
also taught bassoon at Hartwick College. Currently, she is the Sixth Grade Band
Director at Jennie F Snapp Middle School in the Union‘Endicort School District, where
she is a trained mentor to new teachers. I n 2 0 1 4, Ms. Weber received the Founders Day
Award for Excellence in Teaching. Ms. Weber is a Certified Adjudicator for Woodwinds
for NYSSMA. She received her Bachelor’s Degree of Music in Music Education and her
Master’s Degree in Bassoon Performance from Ithaca College. She has also done post
graduate work at the American Band College. Ms. Weber has studied bassoon with
Edward J. Gobrecht, Jr., David Ross and Julie Gregorian. Ms. Weber teaches bassoon
lessons, bassoon methods, bassoon reedmaking and small ensemble coaching at
Binghamton University. Performing experiences include the Binghamton Philharmonic,
TriCities Opera, Orchestra of the Southern Finger Lakes, Cayuga Chamber Orchestra,
Schenectady Symphony, Utica Symphony, BC Pops, Downtown Singers and various
small ensembles. She maintains membership in the National Association for Music
Educators (NAfME), New York State School Music Association (NYSSMA) and the
International Double Reed Society (IDRS) for which she has been a presenter.
Sarah Chandler is a member of the Binghamton Philharmonic, the TriCities Opera
Orchestra and the Cayuga Chamber Orchestra and has performed as substitute
clarinetist with the Glimmerglass Opera Orchestra. Her past orchestral experience
includes the Milwaukee Ballet Orchestra, the New World Symphony and the Spoleto
(Italy) Festival Orchestra. She was a prize winner at the International Clarinet Society
Competition three times and won the grand prize in 1988. She served as Lecturer of
Clarinet at Binghamton University from 2007 until 2013. She holds a BM from
Northwestern University, an MA from the University o f Iowa and an MLIS from the
University o f WisconsinMilwaukee. Her teachers include Russell Dagon, Robert
Marcellus and Clark Brody. She also has pursued a career as an academic librarian,
having most recently held positions at Binghamton University and Cornell University, in
the School o f Industrial and Labor Relations. She is proud to serve her fellow musicians
as current President of Binghamton Local 380, American Federation of Musicians and as
Delegate to the Regional Orchestra Players’ Association.
�Bi ngha m ton U niversity Music Depart ment’s
Coming Events
M a fi é o u é é o w é é – M é m a é m m é é n é é é é o
Friday, September 26 Piano blaster Class: Binghamton Philharmonic Orchestra 3:00 4:30
p.m. – Casadesus Recital Hall – free
Thursday, October] MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Thursday , October 9 – MidaDay Concert – 1:20 p.m. – Casadesus Recital Hall – free
Saturday, October 11 Family Weekend Concert (Wind Symphony, Harpur Chorale and
Womenfs Chorus) 3 p.m. Osterhout Concert Theater free
Thursday, October 16 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall free
Friday, October 1 7
University Symphony Orchestra School Performance : We Like to Move I t !
l0 a.m. Osterhout Concert Theater Call (60 7) 7773004 for reservations
Saturday, October 18 University Symphony Orchesaa: We L ike to Move I t ! 3 p.m.
Osterhout Concert Theater $10 general public; $ 7 faculty/sta /seniors/alumni; $ 5 for students
Thursday, October 2 3 – AlidDay Concert – 1:20 p.m. – Casadesus Recital Hall free
Friday, October 24 TriCities Opera presents Verdi ’s Rigoletto 8:00 p.m. The Forum Theatre
– call (607) 7720400 for tickets
Saturday, October 25 Early On : Music from Now and Then 7:30 p.m. – Fine Arts Building,
Room 2 1 2 $ 5 general public, free for students
Sunday, October 26 – TniCities Opera p resents Verdi ’s Rigoletto 8:00 p.m. The Forum Theatre
– call (607) 7720400 for tickets
Thursday, October 3 0 MidDay Concert 1:20 p.m. Casadesus Recital Hall
Sunday, No vemberZ English and American Art songs 3 :00 p.m. Phelps Mansion, 191 Court Street,
Binghamton S10 general public; BU students free with lD – for reservations call the Phelps Mansion at
(607) 7224873. This concert is cosponsored by the Binghamton University Music Department and Phelps
Mansion Museum.
M é fi n é é fl a fi é – é m m n fi fi n fi é n é fi c fi b
For tickets or io be added to our email list, visit anderson.binghamton.edu or call (607) 777ARTS.
For a complete list of our concerts call (607) 7772592. visit music.binghamton.edu or become a
fan on Facebook.
If you were inspired by this performance. consider supporting the Department of Music with a
financial gift. Your support helps to continue the work of students. faculty. and guest artists and
their contributions to our community, P lease make your donation payable to the Binghamton
University Music Depanment, and send your check to BU Music Department. P.O. Box 6000.
Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
44:41
45:24
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74924">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74924</a>
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Incurable Romantics
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Piazzolla, Strauss, Lovreglio, Brahms. Held at 7:30 p.m., September 20, 2014, Watters Theater.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Reitz, Margaret
Biggers, Jonathan
Weber, Martha
Chandler, Sarah
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Schubert, Franz, 1797-1828
Piazzolla, Astor
Strauss, Richard, 1864-1949
Lovreglio, Donato
Brahms, Johannes, 1833-1897
Date
A point or period of time associated with an event in the lifecycle of the resource
9/20/14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f3bd2f7c57b24ea5309177bc98a90255.pdf
86213bf6a4d09478b50d08cf4d2d5b85
PDF Text
Text
BINGHAMTON
U N I V E R S I Z N
STATE U N I V E R S I T Y O
F N E W Y O R K
d e c
[4
D E P A R T M E N T
“ IT ALI AN NIG HT “
CLASS RECITAL ( Maria L. Cook Ins tructor )
Monda y, Dece mber 1 3 a t 8 pm
Casade sus H a ll , BU Fine A rts Bui lding
Free ad missio n , recep tion to follow
�Christina Kompar has performed with Eastern Festival
Opera,Bronx Opera, Dell’arte Ensamble , and troupers
Light Opera Company. Former president and music
director of NYU Chamber Singers,Kompar directed the
Children’s Choir for the Eastern Festival Opera’s
production of La Boheme, where she held the position
I. ARIE from OPERA
1.I! valzer di Musetta
Soprano: Christina Kompar
“ Quando men vo......
»
from La Boheme of G. Puccini.
Cities Opera’s Resident Artist Program.
2.Aria del Duca
Questa e quella per me pari sono..... Tenore: Brister Hay
from Rigoletto of G. Verdi (18131901)
3.Aria di Nemorino
of Assistant Chorus Master. Ms. Kompar earnd her
Bachelor’s of Music Education at New York University,
and is currently pursuing a Master’s in Opera at
Binghamton University in conjunction with the Tri
Tenore: Richard Leonberger
from L’Elisir d’Amore o f G. Donizzetti (17971 848)
Brister Hay MM Opera, Bingamton
University,BM/Opera, SUNY Purchase Colloge.
Apperances: king Kaspar, Bingamton University,Amal
and the Night Visitor. Purchase Opera: Tamino in Die
Zauberflote; Gherardo in Gianni Schicchi, Ferrando in
Cosi‘ Fan Tutte. Awards: Clark Felloship, Binghamton
University.
3.L’Alba separa dalla luce l’ombra. Tenore: Brister Hay
Zachary Israel Nobile Kampler, Artistic Director and
Conductor of The Eastern Festival Symphony Orchestra.
A graduate of the Julliard PreColloge program,he has
performed in Alice Tully Hall and Julliard Hall.In addition
to studying with Maestro Vincent La Selva of the New
York Grand OperaCompany, Kampler completed three
III. Canzoni della nonna ( Grandma’s songs)
terms at the Conductors Institute at Bard College,
II. Romanze of Francesco Tosti (18461916)
1. Sogno
Soprano: Christina Kompar
2.ldeale
Tenore: Richard Leonberger
1. Fa la nanna bambin .
lstrian lullaby
Soprano : Christina Kompar.
2. Musica proibita
Tenori : Brister Hay
Of S. Gastaldon
Richard Leonberger
3. Santa Lucia (neapolitan boat song)
where he worked with Maestro Harold Faberman. In
2004, Kampler became the assistant conductor to
Maestro Salvatore Princinotti at the Stamford Yong
Artist Philharmonic and toured Italy with the orchestra
in 2006.Kampler has conducted for TAB
Production(2007), Crystal Opera(2008), and Nickel City
Opera where he has been Music Director since
2009.Kampler holds a B.A. in music from N.Y.U. and
currently pursuing a Master in Orchestral Conducting at
S.U.N.Y. Binghamton,under the tutelage of Maestro
Timothy Perry.
�Bin gha mton Un ive rsit y Mu sic Department’s
U P C O M I N G E V E N T S
F
I
M
M
M
M
M
M
M
M
É
–
Monday, December 13 — “Italian Night” Clas s Re cital (Maria Co
ok,
Instr uctor) — 8:00 p.m. — Casa desus Re cital Hall — free
Frida y, January 28 — Master Clas s with Pa ul Houghtaling from
Univ ersity
of Alabama — 9 :40 a.m. to 11:50 a .m. — C asadesus Recital H
all — free
Sun day, Jan uary 30 — U nive rsity Cha mbe r Ch orus — 3 p.m
. — Trinity
Memorial
Church, Binghamton — free
Friday, February 4 — Early On (Peter Browne, ke yboards, Barb
Kaufman, recorder, Chr istin a Sa lasny, so prano, Stephen Sta ara
Paul Sweeny, guitar) — 8 p.m. — C asadesus Recital Hall — $ lker, cello,
10 general
public; $5 faculty/staff/seniors; free for students
Thursday, February 17 — Orga nist Jona than Biggers — A Ba
ch
Cele brat ion!! Series — 8 p.m. — F A21 – $10 general publ
ic; $5
faculty/staff/seniors ; $2 students
Frid ay, February 18 — Orga nist Jona than Biggers — A Ba ch C
Series (1 1/17 repe at perform ance) — 4 p.m. — F A21 — $10 elebration!!
general public ;
$5 fa culty /staff/seniors ; $2 students
Saturday, February 19 — Mas ter’s Rec ital : Cab iria J acob sen,
mez zo
soprano — 3 p.m. — Casadesus Recital Hall — free
Thursday, February 24 — MidDay Con cert — 1:20 p.m. — Casa
desus
Recital Hall — free
Saturday, February 26 — Univ ersity Symphony Orchestra : Viv
— 3 p.m. — Osterhout Concert Thea ter — $10 general public ; $5 e Ia Fran ce
faculty/staff/seniors ; free for students
Sunday, February 27 —W ind S ymp hony Con certo and Aria
Com petit ion
— 6:30 p.m. — Casadesus Recital Hall — free
For ticket information, please call the
And erso n Ce nter B o x O ffice at 7 77A RTS .
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Bing ham ton Uni vers ity Mus ic Dep artm ent
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:18:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148235">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148235</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Italian Night Concert, December 13, 2010
Recital Tape 2010-12-13
Description
An account of the resource
Works by Musetta, Puccini, Verdi, Donizetti, Tosti, Gastaldon
Creator
An entity primarily responsible for making the resource
Kompar, Christina
Hay, Brister
Leonberger, Richard
Cook, Maria
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-13
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound