5 10 972 https://omeka.binghamton.edu/omeka/files/original/8c4fde6e8ebdf5b35a2054f3eafac04a.pdf e256969310a423c24455ee214fe170d2 PDF Text Text BINGHAMTON U N E  V E R S I T Y STATE  U N I V E E S I T Y   O F  NEW  Y O R K v de o [4 D E P A R T M E N T Master ’s Kecit d flmancfa Chmela, soprano with Dan Ibeling, tenor and Margaret Reitz, piano Saturday, February 20, 2010 8:00 p.m. Casadesus Recital Hall �George  Frideric  Handel’s opera, Alciria, premiered in  London  at  the  new theatre at Covent Garden in 1735.  It ran for two seasons, but was not performed again until 1957, when  Franco Zeffirelli revived the work for Joan Sutherland.  Many arias from early Program Tornami a vagheggiar from Alcina.  .George Friderick Handel (1685­1759) Villanelle, Op. 7, no.1 ..  Sérénade .. Hector Berlioz (1803­1869) Victor Hugo Le Charme, Op.2, no.2. Extase . Four Moravian Duets, Op.20. I.  Promeny II.  Rozlouéeni III. Chudoba IV. Vufe sohaj, vuie (1802­1885) Ernest Chausson (1855­1899) ........Henri Duparc (1848­1933) .Antonin Dvordk (1841­1904) Selige Nacht . Six Elizabethan Songs . I.  Spring II.  Sleep III. Winter IV. Dirge V. Diaphenia VI. Hymn Tornami a vagheggiar  Tornami a vagheggiar Tornami a vagheggiar Te solo vuol ulnar Quest’ anima delel Caro mio bene  Return to me to look upon (me) with love My faithful soul wishes to love only you G i l t i donai il  mio cor Fido sara ‘I  mio amor Mai ti sard crudel Cara mia speme (Return to me to look upon w ith love) My dear beloved Already to you I gave my heart Faithful will be my love 1 will never be cruel to you My dear hope These French songs descri be love in four ways. “Villanelle” is from the larger work titled Les Nuits d'été (Summer Nights) with poetry by Théophile Gautier (181 1­1872).  Berlioz wrote this cycle between 1840­1841 for voice and piano.  While he wrote orchestration for one of the pieces in  1843, he  didn‘t begin orchestrating the remaining three until 1856.  “Sérénade” was composed by Gounod in 1857 with text by Victor Hugo (1802­ 1885). “Le Charme” is from Chausson’s Sept Melodies, Op.2 (7 melod ies for voice and piano), composed from 1879­1882, with the text for “Le Charme” written by Armand Silvestre (1837­1901).  “Extase” was composed by Duparc in  1874 with text by Jean Lahor (1840­1909).  Dupatc was extremely sel f­critical and destroyed many of his works before they were released to public.  Only 16 of his songs remain in circulation today, all of them composed between 1868 and 1884. Villanelle Quand viendra Ia saison nouvelle, Quand auront disparu les froids, Tous les deux nous irons, ma belle, wINTERMISSIONoa Nocturne.  operas are not integrated into the plot and thus can be moved around, exchanged, and even removed from a production without affecting the plot.  A director would assign arias based on a singer’s strengths.  “Tornami a vagheggiar” has been sung by both the title role, Alcina, and also by the character Morgana.  While the stories were important, more attention was given to the instrumentation. . Joseph Marx (1882­1964) Joseph Marx (1882­1964) .Dominick Argento (b. I 927) Pour cueillir le mugue aux bois Sous nos pieds égrénant les perles Qie I’on voit au matin trembler, Nous irons écouter lea merles siffler. Le printemps est venu, ma belle, C’ast le mois des amants beni. Et I’oiseau satinmt son aile, Dit sea vers au rebord du nid. Oh! Viens donc sur ce banc de mousse Pour parler de nos beaux a mours, et dismoi de la voix si deuce, toujours! Loin, bien loin égarant nos courses, Faisons fuir Ie lapin cache, Et le daim, au miroir dea sources Admirant son grand bois penche; Puis chez nous, tout heureux, tout aises, En panniers, en lacant nos doigts Revenons. rapportant des fraises des boisl Villanelle When comes the season new, Whai vanished the cold, We shall go together, my beautiful, To ytha the  lilies inthe woods. Our feet scattering pearls of dew That are seen at morning trembling, We shall go to hear the blackbirds warblmg The spring has come, my beautiful, I t  is the month otloveis blessed, And the bird preening its wing, Sings a refrain on the edge of the nest. OhI Come then to this bank ofmoss To talk of the delights of our love, And say to me in your sweet voice, forever! Far, very far, straying from our paths, Let us put to flight the hidden rabbit, And the deer, in the mirror ofthe springs Adminng its great bending antlers, Then towards home, quite happy, quite contented, With interlaced fingers for baskets Let us return, bringing the strawberries from the woods! �Sérénade Quand tu chantes bercee Le soir entre mas bras Entends­tu ma paisee Qui te repaid tout bas Ton doux chant me rappelle Les plus beaux de mesjours Ah! Chantez ma belle toujours! Quand tu ris sur ta boudte L’amour s’epnouit SWltalyousingu­iled érénade (Seernade) lntheevminginmylrm Doyouhearmythoudus Thatanswerywverysoftly Yoursweetsongranindsmeof “fliemostbeauiful ofmydays Ah! Singmybeautihilt‘weval When you laugh, on your lips The love blossoms Et soudain le farouche Soupgon s’evanouit Ah! Le rire fidéle Prouve un coeur sans detours Ah! Riez ma belle toujours! And suddenly the bitter Suspicion vanishes Ah! The laughter faithful Shows a heart without guile Ah! Laugh my beautiful forever! Quand tu dors calme et pure Duns I’ombre sous mes yeux Ton haleine murmure Des mots harmonieux Ton beau corps se révéle What you sleep, calm and pure In the shade beneath my gaze Your breath murmurs With words harmonious Your lovely body is revealed Without veil and without finery Ah! Sleep my beautiful forever! Le Charme Quand ton sourire me surprit, Je sentis frémir tout mon étre, Mais ce qui domptait mon esprit, Je ne puis d’abord Ie connaitre. Le Charme (T he Charm) Sans voile et sans atours Ah! Dormez ma belle toujours! Quand ton regard tombs sur moi, Je sentis mon ame se fondre, Mais ce que serait cet emoi, Je ne pus d’abord en repondre. Ce qui me vainquit d jamais, Ce fut un plus douloureux charme; Et je n’ai su queje  t’aimais, Qu’en voyant ta premiere lat­me Extase When your smile surprised me, 1 felt quiver all my being, But that which tamed my spirit, 1 could not at first recognize. When your glance fell on me, 1 felt my soul melt, But that which was this emotion. I could not at first reply. That which me vanquished forever, That was a more sorrowful charm; And I only knew that I loved you, When I saw your first tear. [Extase (Ecstasy) Sur un lys pale Mon coeur dort D’un sommeil doux Comme la mort On a lily pale My bean is sleeping In a sleep sweet As the death. .. Mort exquise Death exquisite, Mort parfumee Death perfumed Du  souffle de la bienaimée By the breath ofthewell loved Sur ton sein pale Onyoursweetbruslpale Myheartsleeps Mon coeur dort D’un sommeil doux Comme la mort lnasleepsweet Aslheduth Antonin Dvol‘ik‘s Moravian Duets, op. 20 was written during 1875­1876 for soprano (or alto), and tenor.  The texts for each of the four songs are drawn from traditional Czech folk songs. In each ofthese, the text is a dialogue between a boy and a girl but is sung as one continuing line of text by both singers, rather than exchanged as a dialogue. No.1 Promény Darmo se ty trapis, mfij mily synetku, Nenosim tebe, No.1 Transformations In vain you pine, My clear sweaheart, [don‘t carry you, A j i  tvoja nebudu ani jednu hodini. [don’t carry you in my heart; And I won’t beyours For even one hrmr. copak sobe mysli3, ma mila panenko, Whatevuareyouthinking Mydeargirl, Rozmilé srdenko; Darlingsweethfltt; Nenosim v srdeelru, Dyt ’ sit ty  to moje Foryouaremy A ty musi§ byt ma Lebo mi t& Pan Bah da Andyoumuflbemine, (khlordfiodwillgiveywtome No2 . Rozlouceni NaISvl­g Farewell Zatot‘. se mng, galanetko, Na dobro noc do kola! A ja se ti nezatotim, Ja musim j lt  do pola. Do poletka sireho, Nevidét tam Zidného. Jenom vtaeka sokolitka, Pana Boha sameho Zatoe sat ty, galanetko, Zatoc sa okolo miia, Jako vtatek larabuek okolo pha! Udéel j koel tko,moaj, Moaj, gaalnetko, Bude$ moja No.3 Chudoba Ach, co je to za slavitek, Co talr pelove, p&kné zpiva? Ach, to je muj najmilejsl, Ze mne se vysmiva. Ty se ze mne nevysmivej, Z chudobnej siroty. Twirl around me, sweahean. In a   circle as a ‘good night! And I won‘t twirl around you. I must go to the field. To the wide little field, Where no one is in sight; Only a little falcon And the Lord God himself. Twirl, sweetheart, Twirl around me, Like a little hawk Around a tree trunk! Make a little c ircle, Circle, my sweetheart, You will be mine No.3 Poverty Ah, what is that, like a nightingale, What so nicely, nicely sings? Ah, that is my  cleared, At me he mocks. Don’t mock me, Chot’ ja oer­rum hdnych pawl, Ani bdne Saty. A poor orphan, For I don’t have any money, Nor any clothes. Ty se ze mne nevysmivej, Z chudobnej siroty, Don‘t mock me, a poor orphan, Ani zadne Saty. Not any clothes. Jenom ten vinek zeleny, Kery mam na hlavé, Only this wreath green, Kery mam na sob! Which I have on myself. Chot‘ ja nernarn hdnych penéz, A etn jeden Suranedek, For I don’t have any money, Which I have on my head, And this one dress, �No.4 Vure Sohaj, vure Vule sahaj, vule V zelenym hohote, Pohani’ konieka Po hedbavne Knife No.4 H e  plows, the belavedplmvx (The Last Wish) He plows, the beloved plows In green hill, He drives little horse With silk reins. Ta snare hcdbavné na pole strhand, nevet, mila, nevel‘, sak je laska plana. That rein of silk Rips on the field, Don ’t believe, dear, For his love is  false Never, milé, never, Don’t believe, dear, don‘t believe For you shouldn‘t believe A false boy  who will go to the army. (Der letzte wunsch) A Sak nemas kerno Suhajek falesné Pojede na vojno. Debech mela kona, Sama bech s hemjela, Aspon bech vidéla, Kde bech zahynula.   ad a horse,  lrlh I would go alone with him, At least I would see Where I would die. A zahynu­li ja, Zahyneme vobé, Jenom nas poloite   ill die, And i fl w we will both die, Just put us in one grave. Do jedneho hroba, Do jedné trohlice, Bodé vo nas plakat In one grave, In one coffin, The girls from Bystrc will weep for us Do  jednoho hmbat Bestrcké devcice. Selige Nacht lm Arm der Liebe schliefen wir selig ein. Am offnen Fenster lauschte der Sommerwind, und uns’rer Atemzuge Frieden trug er hrnaus in die helle Mondnacht. Und aus dem Garten tasteie zagend sich ein Rosenduft an uns’rer Liebe Bett l l Sflfl duflende Lindenblnte in quellender Juninacht. Eme Wonne aus meinem Gemilite ist mir in Sinnen erwacht. Als klange vor meinen Ohren Spring, the sweet Spring, is the year’s pleasant king; Then blooms each thing, then maids dance in a ring. Cold, doth not sting, the pretty birds to sing, Cuckoo, jug­jug, pu­wee, to­wittz­woo’ The palm and may make country houses GAY, Lambs frisk and play,the shepherd pipes all Sweetly fragrant linden­blossoms In the flowing June­night. A feeling of delight in my heart Is  awakened in my consciousness als tone, die lange verloren, die Jugend leise mn’lck Sflfl duftende Lindenblilte in quellender luninacht Eine Wonne aus meinem Gemme ist mir zu Schmerzen erwacht Sweetly fragrant linden­blossoms In the flowing June­night. A feeling ofdelight in my heart Turns to pain within me day. And we hear ay birds tune this merry lay, Cuckoo,jug­jug, pu­wee, to­witta­woo! . i I Asleep we blissfully fell. At the open window Listened the summer wind, And out breaths Peacefulness carried it out Into the bright moon light. And out of the garden Crept cautiously A scent o f r oses To our love bed And gave us wonderful dreams. Dreams of intoxication So rich with yearning. Dominick Argento earned his Bachelor’s and Master’s degrees at Peabody Conservatory and went on to  fulfill a Ph.D. from the Eastman School of Music. In 1957, Nicholas DiVirgiIio, a friend and fellow student of Argento’s from Eastman, wrote Argento asking him to compose some songs for his graduation recital.  “I went to the bookstore...and from the limited number of volumes of English poetry they had, I  chose a group of six poems of the Elizabethan era to  set.  The Elizabethan Songs – the very first work I composed upon finishing graduate school – has turned out to be my most performed piece.  At present there are at least seven recordings (four American, one English, one German,  and  one  Australian),  several  of  them  done  with  the  baroque  ensemble arrangement (which I prefer) instead of the original piano accompaniment.” Thomas Nash (1567­1601) Nocturne   in my ears  As i f rang  softly the song cfhappiness,  echoing softly, the long lost song ofyouth  leise das Lied vorn G lick, Traume des Rausches So reich an Sehnsucht. 1. Spring By the time ofhis death at age 82, Joseph Marx had written 150 Lieder in addition to his many orchestral, chamber, choral, piano, and organ works.  Marx spent 43 years as a professor, during which he taught 1255 students composition, harmony and counterpoint. In an interview, Marx stated that he wrote lieder because “it was the fashionable thing to do.”  He wrote “Nocturne” in 1911 and “Selige Nacht” in 1912, both set to text by the German poet and dramatist, Otto Erich Hartleben (1 864­1 905). Nocturne und gab uris wundervolle Trnume Selige Nacht (Blessed Night) In the arm of love The fields breath sweet, the daisies kiss our feet Young lovers meet, old wives a­sunning sit, In  every street these tunes our ears do greet Cuckoo, ju­jug, pu­wee, To­witta­woo! Spring‘ the sweet Spring’ 11. Sleep Sam uel Daniel (1562­1691) From Delia Sonnet XLV. Care­charmer sleep, son of the sable Night, Brother to Death, In si ent darkness born, Relieve my anguish and restore thy light; With dark forgetting of my care return And let the day be time enough to morn, The shipwreck of my ill­adventured youth: Let waking eyes suffice to wail their scorn, Without the torment of the night’s untruth Cease, dreams, the images of day­desires, To model forth the passions of the morrow: Never let rising Stm approve you liars, To add more grief to aggravate my sorrow: Still let me sleep, embracing clouds in vain; And never wake to feel the day’s disdain. 111. Winter Wllliam Shakespeare (1568­1616) From “Love’i Labour’s Lost” When icicles hang by the wall, And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail; When blood is nipt and ways be foul, Then nightly sings the starring owl, Tuwhitl Tuwhoo! A merry note! While greasy Joan Doth keel the pot When all aloud the wind doth blow, And coughing drowns the person’s saw, And birds sit brooding in the snow, And Marian’s nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the starring owl, Tuwhit! Tuwhool A merry note! While greasy Joan doth keel the pot �IV. Dirge ‘Wiliam Shakespeare (1568­1616) Come away, come away, Death Andin udcypvuslemebeln id; Fly away, Fly away, breath Iam slain by a fair cruel maid. My shroud ofwhite stuck all with yew, O prepare it! Mypcrtot’death,monesomie Did share it Not  a flower, not a flower sweet On my black coffin let there be strown; Not a friend, not a friend greet My poor corpse where by bones shall be thrown A thousand thousand sighs to save, Lay me, o where Sad true lovers never find my grave To weep there! V. Diaphenia Henry Constable (15552­16102) Diaphenia, like the dnffidown dilly, Whiteas lhesulL fairas Ihelily, Heigh ho, how do I love thee! I do love thee as my lambs Are beloved of their damns! How blest were I if thou would’st prove me! Dinpheniu like the spreading roses, That in thy sweets all sweets encloses, Fair sweet, how I do love thee! I do love thee as each flower loves the sun’s live­giving power, For dead, thy breath to  life might move me. Diaphenia like to all things blessed When all thy praises are expressed Dear joy, how I do love thee! As the birds do love the spring, Or the bees their careful king: Then in requite, sweet virgin, love me! Abou t the Performers: VI. Hymn Ben Joh nson (1572­1637) Queen and huntress, chaste and fair, Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep Hesperus entreats thy light, Goddess excellently bright Earth, let not thy envious shade Dare itself to interpose; Cynthia’s shining orb was made Heaven to clear when day did close Bless us than with wished sighL Goddess excellently bright. Lay thy bow of pearl apart, And thy crystal­shining quiver, Give unto the flying hart Space to breathe, how shun soever, Thou that mak’st a day ol’nighL Goddess excellently bright. flmanda Chmela, soprano Originally from  Lindenhurst. New York, Ms Chmela is  currently pursuing a Master’s in Opera Performance under the direction of Mary Burgess. She is also a member of the Tri­Cities Opera Resident Artist Training Program.  Roles with Tri­Cities include Gretel (Hansel and Gretel), Barbarina (Le Nozze di Figaro), Ms.  Pinkerton  (The  Old  Maid  and the  Thief), Page  (Amalfl  and the  Night Visitors), and  Page (Rigoletto).  Upcoming performances include the role of Ciesca (Gianni Schicchi), and as the soprano soloist in Honegger’s King David with the Binghamton University Chorus and Orchestra.  During the summer of 2009, she performed with the CRS Barn Studio as Edith (Pirates of Penzance) and with the Summer Savoyards as Josephine (H MS Pinafore). Ms. Chmela received her undergraduate degree in Musical Theatre from SUNY Fredonia where she stud ied under Julie Newell.  She performed the roles of Ann (A Little Night Music), the Sandman (Hansel and Gretel), and Mrs. Cratchit (A Christmas Carol), in addition to several scenes programs, a commence ment eve concert, and performance trips to both Italy (2008) and Japan (2006). Dankflfieling, tenor Dan Ibeling is from Roselle, Illinois, and is currently pursuing his Masters of Opera  degree  with  Binghamton  University  under  the  direction  of  Profs. Skrabalak and Sicilian, and is also a member of the Tri­Cities Opera Resident Artist Training Program . Over the last two seasons, he has appeared as Borsa in Rigaletta, Kaspar in Amahl and the Night Visitors, Don Curzio in  Le nozze di Figaro, and Spoletta in Tosca.  Upcoming performances include the title role in Honegger’s King David with the Binghamton University Chorus and Orchestra, and Gherardo in Gianni Schicchi at TCO.  Dan has also been an apprentice with the  Des Metro Opera, and spent a summer  in  Graz, Austria studying at  the American Institute of Musical Studies.  Dan received his B.A. in Music from the   evada, Las Vegas. University o fN Margaret Reitz, pianist Ms. Reitz is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston  University, New England Conservatory and Binghamton University.  She  has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in  England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria.  She was a winner of the Artistic Ambassadors Program by  the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She  was an official accom panist  for  the MTNA  State and Eastern  Divrsion Competition held at Ithaca College. She has bee n a guest chamber music artist in �Morges,  Switzerland.  She  also  was selected  to  attend  the  Accompanying Workshop  for  Singers  and  Pianists  held  at  Northwestern  University  with Chicago  Lyric  Opera  Faculty  and Coaches.  She  was  recently  invited  to  the International Clarinet Con ference to play a recital in Tok yo, Japan. She was  a guest artist on the Cornell Summer Series.  She was an official pianist at  the lntemational  Double Reed  Competition  and  Convention  in 2007  at  Ithaca College and was invited to play the 2009 Convention in Birmingham, England with  the  Glickman  Ensemble.  She  was  selected  to  accompanying  at  the Interpretation o f  Spanish Music in  conjunction with University o f  Madrid in Grenada, Spain coached by  Teresa Berganza and at Marines School o f  Music summer 2008.  She was a Guest Artist playing two concerts in Granada, Spain this past summer and accom panied the Barcelona Song F estival in July.  She is the pianist for Theater Street Productions performing concerts in Lenox, Mass and Newport Rhode Island this fall. She is currently on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization,  She  is President of the  local District VII Music Teachers Association and is  an active adjudicator for the National Piano Guild Organization. Musica Nova Coordina ted by  Mary Burgess and Timothy LeFebvre w ith pianis ts  Margaret Reitz and  William J a mes  La w son N ew  Composto ins for Vocie Binghamton University Music Department ’s UPCOMING E V E N TS aS  D e a s Sunday, February 21” Mus/ca Nova: New Combos/hons for Voice ­ 3:00 PM, Anderson Center Chamber Hall, $$ Satur day, February 2 7 ”  Master’s Rec/[ah Daniel [be/lug, tenor, 8:00 PM, Casadesus Recital Hall, FREE Thursday, March 4 ”  Mid­Day Concert, 1 :20 PM  – FREE Casadesus Recital Hall Thursday, March 4 ”  Friedheim Memonla/ Lecture/Recital Series: Schumann (Mobius), 8:00 PM, Casadesus Recital Hall, $$ (FREE for students, 100 maximum tickets) Satur day, March 6 ”  University Symphony Orchestra: Concerto & Aria Concert, 8:00 PM, Osterhout Concert meater, $$ (FREE for students) Sunday, M arch 7 ” '  Wind Symphony, 3:00 PM ­ FREE Anderson Center Chamber Hall Thursday, March 11‘" Mid­De y Concert, 1 :20 PM  – FREE Casadesus Recital Hall Sunday, March 1 4 ”  Ewa Mackiewla­ Wolfe: 1810 – 2010, A Chop/n Celebration, 3:00 PM, Anderson Center Chamber Hall, $$ Thursday, March 1 8 ”  Mid­0a y Concert, 1:20 PM  FREE Casadesus Recital Hall 7  Thursday, March 1 8 ”  Harpur Chorale and Women s’  Chums, 8:00 PM, Anderson Center Chamber Hall, FREE Sun, Fepruarrill  y  at 30m BINGHAMTON  ” " ‘ " ‘ ‘ ‘ ‘ '  '  Anderson Center Chamber Hall For tickets. call (607) 777­ARTS.  S u a For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music. binghamton. edu Become a fan on Facebook by visit/fig Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:19:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145162">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145162</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amanda Chmela, master's recital, February 20, 2010 Recital Tape 2010-2-20 Description An account of the resource Works by Handel, Berlioz, Hector, Hugo, Chausson, Duparc, Dvorak, Marx, Argento. Held at 8:00 p.m., February 20, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Chmela, Amanda Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-02-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:29 40:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243584">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243584</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amici Quartet, recital, March 17, 1973 Recital Tape 1973-3-17 Description An account of the resource Works of Mozart, Marisi, Webern and Beethoven. Held at 8:15 pm, March 17, 1973, Recital Hall. Creator An entity primarily responsible for making the resource Amici Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/17/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150501">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150501</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An afternoon with Debussy : a senior honors recital, April 25, 2009 Recital Tape 2009-4-25 Description An account of the resource Works of Debussy. Held at 3:00 p.m., April 25 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Reitz, Margaret Sterling, Elizabeth Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/41acb8c0d7b5b550d9b6b2cf862c1c61.pdf aefbd744ccc894766950e1dc61438d76 PDF Text Text BINGHAMTON U N I V E R S I T Y State University  of  N ew York ONIV AeC a  q...‘ a  O N e d e 0 1 “i“ W   D E P A R T M E 1 = \ 2 N T “AN AMERICAN TOUR” steC  C o l – ~~ The —e  ­ — ­ — ­ – — — m o  o Wind “Snsemble a e   D Jessica Williamson Associate Conductor Robert Smith Music Dire ctor and Conductor featuring Emily Alkiewicz, alto saxophone Amy Natiela, alto saxophone Sunday, November 12, 2006 3 :00 p.m. Anderson Center Chamber Hall �PROGRAM 4 Jessica Willia mson, associat e conductor Black Granite (1996)  James Hosay (b.1959) Chester (1957)  W1ll1am Schuman (1910­1992) Yosemite Autumn (2004) ............ ......cc............M .....  ark Camphouse (b. 1954) Tribute to Rudy W iedoeft (1893­1940) ............arr.Gunther Schuller I. Valse Erica (1917)  (b.1925) II. Saxarella (1923) III. Saxophobia ( 1920) Emily Alkiewicz, alto saxophone Amy Natiela, alto saxophone = INTERMISS ION Robert Smith, conductor Rocky Point Holiday (1969)....................ccceeuveen.........RONn Nelson (b. 1929) Zion (L998)  ADA  Welcher  » (b.1948) The Stars and Stripes Forever! (18 97) .................Jo hn Philip Sousa (1854­1932) �FLUTE Sarah Harper Julie Liao Sara Shafer Jennifer Weintraub* PICCOL O ALTO SAXOPHONE Emily Alkiewicz .  Amy Natiela* Katherine Navarette TENOR SAXOPHONE Melissa Voldan Steven Inganamort OBOE BARITONE SAXOPHONE Ephraim Atkinson CLARINET Marissa Roe Lisa Carpinone Kyle Doyle Christa Heschke Melissa Klepper Andrei Lee Mark Norman Richard Silvagni Dong Soon Shin Jillian Stark Maggie Venti Daniel Zaccarini* TRUMPE T BASS CL ARINET TROMBONE Heather O’Gara CONTRABASS CLARIN ET Lisa Eppich+ Thomas Osa+ Sinan Pan+ Andrew Sanfratello+ EUPHONIUM Matt Sanders TUBA  : Daniel Brisk@ Katherine Winchell* PIANO Karmi Knight­Winnig TIMPAN I Caleb DeGroote PERCUSSION Chris Jacobson* Jana Kucera Subin Lim Kelly Tufo F HORN Megan Caruso+ Robert Muller+ Mateusz Rek William Stallsmith+ Harris Brenner* Chris Chen Richard Mokan Kristen Weiss fi * Principal + Co­Principals @ Graduate Conductor ABOUT THE  MUSIC Black Granite b y James L. Hosay Black Granite wa s inspired by the honor and courage displayed by the men and women o f the U.S. Armed Forces during the Vietnam War.  Many of them gave their lives to prot ect our c ountry w ithout re gard to political o r cultural agendas . This march was dedicated to all those that gave their lives and whose sacrifices and heroic deeds went unsung. ­ James  L.  Hosay  was born  in  Nashville, Tennessee and  was raised  in  Norfolk, Virginia.  After high school, Hosay joined the United  States Army as a trumpet �player.  He eventually landed a job as a Staff Arranger for th e U.S. Army.  He was  called  upon  to  write  arrangements  for  many  famous  artists,  foreign dignitaries and the President of the  United  States. During  his  military career, Hosay received two Meritorious Service Medals and two Army Commendation Medals. Chester by William Schuman l l Chester  was originally the  third  movement of an orchestral  work  called  New England Tritych: Three Pieces after William Billings.  Schuman based this work on William Billings because he was a prominent figure in American music and served as a teacher, conductor, composer, publisher and promoter of music.  The tune from Chester was composed by Billings and included in a book of tunes and anthems called The Singing Master ’s Assistant around the time of the American Revolution.  Chester  was  so  popular  that  it  became  known  throughout  the colonies and was sung around the campfires of the Continental Army.  The words to this popular tune capture the spirit of courage and freedom. Let tyrants shake their iron rod, And Slav’ry clank her galling chains We fear them note, We trust in God New England’s God forever reigns The Foe comes on with haughty strides Our troops advance with martial noise, Their Vet’rans flee, before our Youths, And Gen’rals yield to beardless Boys. What grateful Off’ring shall we bring? What shall we render to this Lord? Loud Hallelujah let’ us sing, And praise His Name on Ev’ry Chord. Yosemite Autumn by Mark Camphouse Mark Camphouse wrote Yosemite Autumn after being inspired by the beauty and grandeur of Yosemite National Park while on vacation with  his family. In the published score, Camphouse writes: “How could any human not be profoundly moved by such stunning beauty?  How could any American not take immense pride in our nation being so richly blessed with such an abundance of natural beauty?” Camphouse portrays these feelings in his music, hoping that his audience with be able to see the “glow of life” that he saw in Yosemite. 1 h Mark  Camphouse,  born  in  Oak  Park  Illinois,  began  composing at  the  age  of seventeen.  Since then, he has published fifteen works for band that are frequently performed all over the world.  Camphouse is currently Professor of Music and Director of Bands at Racliff University in Virginia. �Tribute to Rudy Wiedoeft, arranged by Gunther Schuller Tribute to  Rudy  Wiedoeft, arranged by Gunther  Schuller, was inspired  by the virtuostic  compositions  of  Rudy  Wiedoeft.  The  movements,  “Valse  Erica,” “Saxarella,”  and  “Saxophobia”  are  all  original  compositions by Weidoeft  that Schuller has arranged for concert band. Rudy  Wiedoeft  was  born in  Detroit,  Michigan  and  began  playing  violin  and clarinet at a very young age. He switched to the saxophone soon after moving to New York City; at  that time, the saxophone  was still  very new.  He quickly became known as a virtuoso saxophone player and popularized the saxophone in the United States. He also introduced the C­melody saxophone to mass audiences and later recorded on the B­flat soprano saxophone as well. Rocky Point H o l i d a y  Ron Nelson Born in Joliet, Illinois, Ron Nelson began studying piano at age 6 and changed to organ at age  12. A concerto  for piano and band  written at age  17 led to  his acceptance at the Eastman School of Music. His composition teachers include Howard Hanson, Bernard Rogers and Tony Aubin. In 1956, he joined the Brown University music faculty, serving as chairman from 1963 to 1973 and upon his retirement in 1993 was named professor emeritus. Nelson’s diverse forms and styles make his works difficult to categorize. His music can be light, exuberant and  extroverted  or  somber,  profound  and  personal.  Nelson’s  prolific  output includes two operas, a mass, a cantata, an oratorio, television and film music, 90 choral  works, and over 40 instrumental works, half of which were written for wind band. Rocky Point Holiday was commissioned in 1969 and was Nelson’s first major composition  for  wind  band.  Conductor  Frank  Bencriscutto  wanted  an “Americana” work to open his University of Minnesota Concert Band’s tour of Russia. The transparent orchestration was a result of Nelson hearing the Eastman Wind Ensemble under Fennell and has been said to mark a change in the general philosophy of wind band scoring. The piece was written during a vacation at the Rocky Point, Rhode Island seaside resort. Zion by Dan Welcher Born in Rochester, N.Y., Dan Welcher is one of the most­played composers of his generation  having  written  more  than  100  works.  A  bassoonist  and  pianist,  he carned degrees from the Eastman School of Music and the Manhattan School of Music. He was principal bassoonist with the Louisville Orchestra and served as assistant conductor of the Austin Symphony Orchestra from 1980 to 1990. He has conducted the premier of over  120 new works.  Welcher  has taught theory and �composition  at  The  University  of  Louisville,  the  Aspen  Music  Festival  and currently  holds  the  Lee  Hage  Jamail  Professorship  in  Composition  at  the University of Texas at Austin. Zion is the last in a series of  three works for wind ensemble that  includes The Yellowstone Fires and Arches. Collectively called Three Places In The West, they draw their inspiration from the national parks in the western United States. They reflect the feelings the composer had while in the parks rather than being literally descriptive.  Dedicated  to  the  memory  of  Aaron  Copeland,  Zion  was commissioned in 1994 by the wind ensembles o f the University of Oklahoma, The University of Texas and the University of Texas at Austin. I [YA l 3 5 { The Stars a nd Stripes For ever!  by John Philip Sousa John Philip Sousa was a conductor, a composer, an arranger, and a businessman as  well  as  a  patriot.  Born  in  1854  in  Washington,  D.C.,  Sousa ’s  parents encouraged  his  interest  in  music.  He studied  piano,  flute, comet, euphonium, trombone,  alto  horn,  theory,  harmony  and  voice  along  with  his  primary instrument, the violin. His father was a trombonist in the U.S. Marine Band and Sousa was allowed to occasionally rehearse with the band becoming an apprentice musician in the Marine Corps at age 13. He was appointed leader of the Marine Band in 1880 and after 12 years in that position organized his own professional band. The Sousa Band was famous in the U.S., Canada and Europe performing at at the Paris Exposition in 1910, making 4 European tours and world tour in 191 1. Although  most  well  know  as  the  “March  King,”  Sousa  is  credited  with  15 operettas, 136 marches, 2 descriptive pieces, 70 songs, 7 other vocal works, 11 waltzes,  12  dance  pieces,  14  humoresques,  27  band  fantasies,  3  orchestra fantasies, 6 incidental pieces, 4 overtures, 2 concert pieces, 4 instrumental solos, 12 trumpet and d rum pieces and over 300 arrangements and transcriptions. “Aboard the Teutonic, as it steamed out of the harbor on my return from Europe in 1896, came one of the most vivid incidents of my career. As I paced the deck, absorbed  in  thought, suddenly  I  began  to  sense  the  rhythmic  beat  of  a  band playing  within  my  brain.  It  kept  on  ceaselessly,  playing,  playing,  playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re­echoing the most distinct melody. I did not transfer a note of that music to paper while I was on the steamer, but when we reached the shore, I set down the measures that my brain­band had been playing for me, and not a note of it  was ever changed. The composition is known the world over as “The Stars and Stripes Forever” a nd is probably my most popular march.” ­ John Philip Sousa ‘i‘ J4 �ABOUT THE PERFORMERS ROBERT G . SMITH  holds a Bachelor of  Science. in Music Education from Hartwick College, a Master of Music in Conducting from Bingha mton University and is a candidate for the Doctor of Musical Arts in Music Education from Boston University. Prof. Smith studied conducting with F rederick Fay Swift, Thurston Dox, Timothy Perry, Robin  Linaberry, Jo hn Graulty and Mariusz  Smolij.  He conducts the annual Triple Cities TubaChristmas and is the former conductor of the Maine Community Band, the oldest band of its kind in the United States. He has guest  conducted all­county and community bands throughout central New York as well as the Goshen College (IND) Wind Ensemble and Orchestra. An active performer, he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet. Professor Smith is the immed iate past president of the Broome Co unty Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award. Professional memberships include : The Broome County Music Educators Association, the New York State School Music Association, the Music Educators National Conference, The National Band Association, The Association of Concert Bands, The Conductors Guild, The World Association of Symphonic Bands and Ensembles, The College Band Directors National Association and the International Tuba and Euphonium Association. JESSICA W ILLIAMSO N holds a Bachelor of Music in Music Education from SUNY College at Fredonia and is currently a candidate for the Master of Music in Conducting from the University of Binghamton. Her conducting teachers include: Timothy Perry, Patrick Jones, David Rudge and Rudolph Emilson. Jessica is the director of the Whitney  Point Middle School Concert Band, Sixth Grade Band and Jazz Band. She has performed with the Long Island Winds, the Southern Tier Concert Band and with the EVEA Youth Commission of Germany. Memberships include New York State  School Music Association, the National Association of Music Educators and the Broome­County Music Educators Association. Mrs. Williamson’s performance is in pa rtial satisfaction of the requirements for the Master o f Music degree in Conducting. EMILY AL KIEWICZ is from Hopewell Junction, NY.  She has been a member of the Binghamton University Wind Ensemble for 3 years.  She is also a member of  the  Binghamton  University  Saxophone  Quartet.  Emily  studied  with  Jim Trainor and  Steven Kieley during junior high and high school, she now st udies under  April  Lucas.  Emily  is  graduating  in  May  2007  and  seeks  a  BA  in sociology. �Coming  “Cents Thursday, Novem ber 16 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital hall ­ free F riday, November 17 – Trio Amici – 8:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Sunday, November 19 – Music of the World : Afrika ­­ Music and Dance – 3 :00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Sunday, November  19 –  Clarinet  Studio  Recital  –  7:30  p.m.  –  Casadesus Recital Hall – free Tuesday,  November  28 ­­  University  Percussion  Ensem ble  –  8:00  p.m.  – Anderson Center Chamber Hall – free Thursday, November 30 – Mid­Day Concert ­­ 1 :20 p.m. – Casadesus Recital Hall ­ free F riday, Decem ber 1 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, December 1 – Elizabethan Madrigal Feaste – 6:30 p.m. – Old Union Hall – Tickets:  $38 general public; $20 students with ID Saturday, December 2 – Flute Ensemble Recital ­ 12 noon – Casadesus Recital Hall ­ free Saturday, December  2  –  Elizabethan  Madrigal  Recital  –  6:30  p.m.  ­ Old Union Hall – Tickets:  $38 general public; $20 students with ID Sunday,  December  3  –  University  Symphony  Orchestra  –  3:00  p.m.  – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Thursday, Decem ber  7  –  Ja zz Mid  Day  Concert  with  guest  artist,  Bruce Johnstone – 1 :20 p.m. – Osterhout Concert Theater – free Thursday, Decem ber 7 ­ Ja zz Ensem ble with guest artist, Bruce Johnstone – 8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students ] � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:49:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204933">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204933</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An American Tour, November 12, 2006 Recital Tape 2006-11-12 Description An account of the resource Works of Hosay, Schuman, Sousa, Camphouse, Schuller, Nelson. Held at 3:00 p.m., Nov. 12, 2006, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Williamson, Jessica Smith, Robert Alkiewicz, Emily Natiella, Amy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID d0c10766-eec3-47af-acb6-d1551782ac2c https://omeka.binghamton.edu/omeka/files/original/fa793a862b472b512ed15e31d8f719f5.pdf f4bf97844b543532f5d6bb4f86795df0 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F  N E W  Y O R K [4 122 5224 D E P A R T M E N T   NCHANT ED A NE   VENING ITALIANE Maria Cook, instructor with Molly Adams­Toomey, Michael Celenta no, Emily Geller, Charlie Hyland, Hana Ryu, and Matthew Samluk Sunday, November 18, 2012 7 p.m. Casadesus Recital Hall �PROGRAM Giacomo Puccini Opening Act I .  (1858­1924) from “La Bohéme”  entano, Han a Ryu, Michael Cel Matthew Samluk, Charlie Hyl and Svegliatevi nel core .  from “Giulio Cesare”  Emily Geller George Frideric Handel (1685­1789) . Francesco Paolo Tosti (1846­1916) Non t’amo piu .  Michael Celentan o II segreto per esser felici  from “Lucrezia Borgia”  Molly Adams­Too mey .Gaetano Donizetti (1797­1848) Renato Brogi Visione veneziana  . (1873­1924) Charlie Hyl and ..Eduardo di Ca pua ‘O Sole Mio...  (1865­1917) Hana Ry u . Giacomo Carissimi Vittoria, mio core! (1605­1674) Matthew Samluk Duetto buffo di due gatti, .Gioacchino Rossini MollyAdams­ Toomey, Emily Geller Ave Maria  (1792­1868) .Johann Sebastian Bach/Charles Gounod arr. by Pio Capponi (1685 ­ 1750/1818­1893) Molly Adams­Too mey, Michael Cel entano, Emily Geller, Charlie Hyl and, Han a Ryu, Matthew Samluk �Binghamton Unive rsit y Music De part ment ’s Co min g Events m m m m m m Thursday, November 29 ­ Mid­Day Concert­ 1:20 p.m. ­ Fine Arts Room 21 ­ free Friday, November 30 ­ Flute Studio and Flute Chamber Concert­ 10:15 a.m. ­ Casadesus Recital Hall ­ free Saturday, December 1 ­ “Holiday Concert for Organ, Brass and Percussion " featuring Jonathan Biggers and the Ithaca Brass ­ 4:00 p.m. ­ United Presbyterian Church, 42 Chenango Sheet Binghamton ­ $9 general public; $6 faculty/statT/seniors; $3 students Sunday, December 2 ­ Wind Symphony Concert ­ 3:00 p.m. ­ Anderson Center Chamber Hall ­ $6 general public; $3 taarlty/statT/senbrs; free for students Tuesday, Decemberl ­ Percussion Ensemble Concert­ 8:00 p.m. ­ Anderson Center Chamber Hall ­ $6 general public; $3 faculty/staff/seniors; free for students Thursday, December 6 ­ Holiday Mid­Day Concert­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, December 7 ­ Hansel and Gretel (school performance and civ ic groups) ­ 10:00 a.m. ­ Anderson Center Chamber Hall­ call (607) 7770004 for group reservations Saturday, December 8 ­ University Symphony Orchestra ­ 3:00 p.m. ­ Osterhout Concert Theater­ $6 general public; $3 faculty/staff/seniors; free forstudents Saturday, December 8 ­ Master’s Recital: Meghan Cakalli, soprano (tentative) ­ 8:00 p.m. ­ Casadesus Recital Hall­ free Sunday, December 9 ­ Hansel and Gretel ­ 1:00 p.m. ­ Anderson Center Chamber Hall ­ $9 general public; $6 faculty/staff/'seniors; $3 students Sunday, December 9 ­ Hansel and Gretel­ 4:00 p.m. ­ Anderson Center Chamber Hall­ $9 general public; $6 faculty/staff/seniors; $3 students Sunday, December 9 ­ Senior Recital: Sungkyun Ryu, piano ­ 7:30 p.m. ­ Casadesus Recital Hall ­ Free Thursday, December 13 ­ Harpur Chorale and Women’s Chorus ­ 8:00 p.m. ­ Trinity Memorial Church, Binghamton ­ a good will donation will be collected at the door Friday, December 14 ­ Nukporfe African Drumming and Dance Ensemble ­ 7:00 p.m. ­ Watter’s Theater ­ $3 general public M ­ fi m m a e ­ fi w m t fi fi e For  tickets  or  to  be  ad ded  to  our  ema il  list,  visit onderson.bin ghomt on.edu or c all ( 607) 777­ARTS. For a co mplete list of   [ = ] —  l  [ = ]   o ur concerts call ( 607 ) 777 ­2 5 92, v isit m usic.bin ghamt on.edu o r  beco me a f an  on Facebook. If  you  were  inspired  by  this  performance,  consider  sup porting  the De part ment of M usic wit h a fin ancial g ift . Your sup port help s t o continue t he w o rk o f  student s, fa c ul t y, a n d  g uest art i sts a n d  t he ir cont rib ut ions t o E  our community. Please make your d on at ion pay able to the Binghamton Universit y  M usic  De part ment ,  an d   send  your  check  to  BU  M usic De part ment , P.O. Box 6 000 ,  B in ghamt on, N Y 1  3 90 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 443 minutes :59 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An enchanted Italian evening, November 18, 2012 Description An account of the resource Works by Puccini, Handel, Tosti, Donizetti, Progi, Capua, Carissimi, Rossini, Bach Held at 7:00 p.m., November 18, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cook, Maria L Adams-Toomey, Molly Celentano, Michael Geller, Emily Hyland, Charles Ryu, Hana Samluk, Matthew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/121f28bdef5bcda36ac9c0b5bb74583b.pdf 7c3993465621801919838d0f99c92658 PDF Text Text I y) N31 N   Q  ¢ BING HAM TON \ 3 ) ¢ 2  U N I V E R S I T Y ' % ¥  r ’ State University of New York De partme nt of M usic   nglish Legacy : AnE Work s for  Viola with Robe rta C rawfo rd, viola assisted by Ma ry Burgess, soprano Micha el Salm irs, piano F riday, October 31, 2003 8 :00 p.m. Casadesus Recital Hall �P rogram Studies in English Folksong .....................Ralph Vaughan Williams Adagio (1872­1958) Andante sostenuto Larghetto Lento Roberta C rawford, viola Michael Salm irs, piano Piling, .... Frank Bridge (1879­1941) Roberta C rawford, viola Michael Salm irs, piano Two Songs ... lf My Complaints Could Passions Move Flow, My Tears Lacrimae .  John Dowland (1563­1626) Mary Burgess, soprano Michael Salm irs, piano Lachrymae, O p. 48........... .....Benjamin Britten (1913­1976) Roberta Craw ford, viola ' Michael Salm irs, piano Sonata for Viola and Piano Impetuoso Vivace Adagio Roberta Craw ford, viola Michael Salm irs, piano .. Rebecca Clarke (1886­1979) �About the Perform ers ROBERTA CRAWFORD  enjoys an active career  as a recitalist and chamber musician.  As  Associate  Director  and  founding  member  of the  Finger  Lakes Chamber Ensemble, Crawford has participated in more than one hundred solo, chamber, and lecture­recitals presented by the ensemble since its formation in 1990.  She  has  performed  with  the  Catskill  Chamber  Players,  appeared frequently on the Cayuga Chamber Orchestra’s  Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and has served  as principal violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written specifically for her. She has participated in music festivals throughout  the  United  States and  in  the  Caribbean and has appeared in  live performance  broadcasts  for  public  radio  and  television.  A dedicated teacher, Crawford has served as clinician, coach and adjudicator for a numerous  music organizations  and  is  co­director  of  the  NYASTA  ViolaFest,  hosted  by Binghamton  University.  She  has  been  a  guest  faculty  member  at  Phillips Academy,  the  Quartet  Program,  Ithaca  College  and  the  Eastman  School  of Music and is Coordinator o f Strings at Binghamton Un iversity. Pianist MICHAEL SALM IRS, a founding member and artistic director of the Finger  Lakes Chamber  Ensemble , is well  known  as a  recitalist and chamber musician  performing  extensively throughout  the  region.  He  has appeared  as soloist  with  the  Corning  Philharmonic,  Binghamton  University  Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has  toured  and  recorded  for  the  Syracuse  Society  for  New  Music.  Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers  have  included  pianists  Leonard  Shure  and  Rebecca  Penneys  and composer Karel Husa. Salmirs has taught at the Syracuse University School o f Music  and  Hobart  and  William  Smith  Colleges  He  is  a  faculty member  at Binghamton University and Affiliate Artist at Cornell University. He maintains a private piano studio in  Ithaca and enjoys teaching students of all ages and levels.  In  May,  Salmirs  will  perform  Poulenc’s  Aubade  with  the  Cayuga Chamber Orchestra. �MARY BURGESS, associate  professor  of voice  at  Binghamton  University, recently  celebrated  the  thirty­fifth anniversary  of her  New  York  City Opera debut, which occurred while she was an undergraduate at the Curtis Institute of Music in Philadelphia.  Her European operatic debut at the Holland Festival, in the  title  role  of  Cavalli’s  L’Erismena,  brought  engagements  at  the  Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several consecutive seasons in  leading roles at Dublin Grand Opera in  Ireland.  Her repertoire of thirty­eight  roles  in  five  languages includes six, which  she  has performed in Binghamton at Tri­Cities Opera:  Madama Butterfly, La Traviata, Tosca, Marguerite in Faust, The Merry Widow, and most recently, Norma.  A frequent soloist with orchestras, Burgess has appeared with more than two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon).  She has been a  frequent  guest at  such  festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival.  In August 1996, at Monadnock Music Festival in New Hampshire, Burgess made a critically acclaimed debut in the  role  of Susan  B. Anthony  in  Virgil  Thomson’s  The  Mother  of Us  All, honoring the centenary of his birth.  She  returned to Monadnock  Festival  in August 1997 as Violetta in a gala concert performance of Verdi ’s La T raviata. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Coming Events Thursday,  November  6  –  Mid­Day  Concert  with  faculty  and  student performers – 1 :20 p.m. – Casadesus Recital Hall – free Saturday,  November  8  –  Contrasts :  An  Evening  of  Chamber  Music Treasures with guest artists from Belgium – 8:00 p.m. – Anderson Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students Thursday,  November  13  ­­  Mid­Day  Concert  with  faculty  and  student performers – 1 :20 p.m. – Casadesus Recital Hall – free Thursday, November 13 – Pharaoh ’s Daughter – A six­piece electric groove ensemble that  blends Jewish  music with world beat – 8 p.m. – Anderson Center  Chamber  Hall  –  $14  general  public;  $12  faculty/staff/seniors;  $6 students (Co­sponsored by Hillel at Binghamton) Saturday,  November  1 5  –  University  Chorus  with  the  Binghamton Philharmonic  –  Rachmaninoff’s  The  Bells  –  8  p.m.  –  Anderson  Center Concert Theater – Contact the Binghamton Philharmonic for tickets � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:54:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253409&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253409&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An English Legacy: works for viola, October 31, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003-10-31 Description An account of the resource Works by Vaughan Williams, Bridge, Dowland, Britten, Clarke. Held at 8:00 p.m., October 31, 2003, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Crawford, Roberta Burgess, Mary Salmirs, Michael Date A point or period of time associated with an event in the lifecycle of the resource 10/31/2003 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/186e4e58c17eeddaeff6bea670830a4a.pdf bdab289726dd88c6364b4063a627ab7d PDF Text Text BINGHAMTON U N I V E R S T I X S T A T E   U N I V E R S I T Y  O F  N E W  Y O R K d e e [4 B E F A  R T M   E N T AN E VENING O F  A FRICAN D ANCE P rese nted by : T h e N u k porfe Africa n Da nce–D rum mi ng Ensemble, Bin gham ton University Directed by J a mes Bu rns a n d  P ierrette Aboad ji Friday, May 8, 2009 8 p.m. Casadesus Recital Hall �PROGRAM wINTERMISSION¢3 In  this  program  we  present  an  evening  of  dance­drumming  from  southern Ghana.  The  Nukporfe  Dance­Drumming ensemble is  made  up  of advanced drummers  and  dancers  who  have progressed  through  various  introductory courses  including  the  Beginning  and  Advanced  sections  of  African  Dance (THEA  289J/389J;AFST 289J/389J) and  the African  Music  Ensemble  (MUS 143B/AFST  188B).  These  courses  are  ofiered  each  semester  through  the commonly used to  open dance performances throughout southern Ghana, Togo and Benin. I. Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the  European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed. This was originally a war dance of the Ewe people. The movements imitate moments of the battle, and follow the drum language of the lead drum, atsimevu. VII. Togo Atsia. This dance piece is made up of a series of choreographed dance  sequences  known  as  atsia. These  sequences  are  cued  by  drum language phrases [vugbe] played by the lead drummer on atsimevu – the tall drum leaning on the stand – which are answered by the response drum kidi –  the  medium–sized  drum.  In  the  19605,  expert  choreographers  and drummers  in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisd movements into a performance piece, which they dubbed Togo Atsia, in recognition of their source within Ewe groups in Togo. Departments of Africana Studies, Music, and Theatre Dance. II. Kinka. Kinka is a funeral dance of the southern Ewe. It  only uses one basic movement so that regular members of the community can participate in the dance. III. Kpatsa. This dance comes from a neighboring group of the Ewe, known as the Ga­Adangbe. They share many linguistic and cultural affinities with the Ewe, and these two groups have historically interacted with each other. T he characteristic movement of Kpatsa is a limping gait that imitates t he movements of dwarfs, a magical race of beings which inhabit rural areas in Ghana. These movements were embellished with dance combinations and eventually became a social and recreational dance known as Kpatsa, whose name is an onomatopoeic reference to the movement of dwarfs. IV. Adzokpa  ‘Ele  ‘lodo – ge matso ’ [It is tired, let it fall and I will pick it up!]. In southern Ewe drumming, an adzokpa is an interlude to the main dance(s) consisting of a drum language conversation between the lead drum and the chorus. The lead drum intones the first part of the conversation (before the hyphen) and the chorus intones the second part. The adzokpa presented here is a humorous quip about to a woman’s big buttocks, the drums say, ‘let it fall, we will catch it!” V. Gahu. Gahu is a neo­traditional dance that has been adopted and adapted by the Ewe people of Ghana. It  is an offshoot of the Gome dance, a Pan­ Atlantic  African  dance  form that  emerged  in  the  19” century from  the synthesis  of  European  hymns and  marches  with  West  African  musical sensibilities. The  name Gahu suggests an airplane, and  represents local experiences  with  new  technology  and  culture.  The  songs  are  often humorous and fun, suggesting themes of courtship and celebration. VI. Invocational Song “Hunye de". A music performance typically begins wit h a n invocation consisting of o ne o r m ore songs normally used to notify t he spirits a n d a ncest ors t hat t hey a re goi ng t o pe rfo rm . T h e  p rese nt so ng is VIII. Adzokpa  ‘Kpo towo gbo  d ’asi mado lo, adzianye vi, d ’asi mado lo ’ [Go back home, my love, let me sleep!]. This adzokpa is another humorous tale of an exhausted lover, who begs their partner for a moment of rest.  It could be spoken from the male or female point of view. IX. Sohoun. Sohoun is an Ewe­Fon sacred dance used to open a ceremony of the Yeve shrine. The original movements danced at the shrine inspired the choreography for this folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. X. Sikyi. This dance is another neo­contemporary dance of the Akan people of southern  and  central  Ghana.  Sikyi,  pronounced  see  chee,  forms the rhythmic  foundation  of  Ghanaian  Highlife  music,  the  primary style  of popular music in Ghana. X1.  Gota. Gota  is a  Fon dance that  is  played for  many different social occasions.  lts  original  version  is  played  on  gourds  rather  than  drums; however, the Ewe have transferred it  on to their standard drum set. It  was also choreographed by the Ghana Dance Ensemble. We would like to invite members of the audience to come up and participate in this dance. �ABOUT T H E  PERFORME RS Dances Directed and Choreographed by Pierrette Aboadji, Department of Theatre Dance Professor Aboadji is a Ghanaian performer and teacher of A frican dance.  As  a  performer,  she has  been  a  member  of the Ghana Dance Ensemble since 1995; as a  teacher, she is a lecturer in African dance at Binghamton University. Da ncers : Tamara  Pitter,  Amber  Ri vers,  Evelyn  Quist,  Latoya  Jean­ Baptiste, Genev a Johnson, Marcel March, Aarong Lee, Tinesha Feiton,  Emmy  Alba,  Vera  Adutwumwaah ,  Janet  Addae, Bernice Osei,  Megan  Buah, Michelle Nusinov, Lau ren G use, Marissa Schwa rtz, Fatima Nagaya, K risten Donaphin Drumming directed and arranged by James Burns, Departments of Music and Africana Studies Professor James Burns is an ethnomusicologist in the Depart ments of  Africana  Studies  and  Music  at  Binghamton  University.  His research focuses on music in West Africa and the Diaspora. D rum m e rs : Samuel  Young, Keaton Rood, Samuel Yaggy, Wayne Papke, Sacha Sigelma n­Schwartz, M elanie Clark, A lexander Crave r, Graham Feltha m, Randy Benje nk, Thomas Elefante r x E .  “ f “   lk  Elli”: _f. ‘ 4 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:02:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150679">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150679</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of African dance, May 8, 2009 Recital Tape 2009-5-8 Description An account of the resource Traditional dance-drumming pieces from southern Ghana. Held at 8:00 p.m., May 8, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble, Burns, James Aboadji, Pierrette Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6536b120b174d8132c7d74a44425f220.pdf 8b62be7b44f7bf7aa5b5ba373076ac36 PDF Text Text AN EVENIN:; OF BAROQUE CHAMBER MUSIC Friday, March 12, 1971 8:15 p.m. Don A. Watters Theater �PROGRAM Trio Sonata in G Major J. J. Quantz (for flute, oboe and continua) J. P. Rameau Les Tendres Plaintes La Triomphante Gavotte and Six Doubles Andante Allegro Un poco largo Vivace G. P. Telemann Quartett in D Minor Sonata No. 5 J.E. Galliard (for Bassoon and continua) Adagio Allegro e spiritoso Alla Siciliana Allegro Assai Sonata in E Minor (for flute and continuo) Three Pieces for Harpsichord Andante Vivace Largo Allegro J.M. Leclair Adagio Allegro ma poco Sarabande Allegro THE ARTISTS Members of the New York Woodwind Quintet: Thomas Nyfenger, flute Ronald Roseman, oboe Arthur Weisberg, bassoon INTERMIS S ION Sonata in G Major (for oboe and continua) Andante Allegro Adagio Minuetto G. Sammartini Guest artist: Christine Lindsay, harpsichord � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:21:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63400 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63400">An Evening of Baroque Chamber Music with Members of the New York Woodwind Quintet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Baroque Chamber Music with Members of the New York Woodwind Quintet, March 12, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Quantz, Galliard, Leclair, Sammartini. Held at 8:15 pm, March 12, 1971, Don A. Watters Theater Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-3-12 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Quantz, Johann Joachim, 1697-1773 Galliard, Johann Ernst, 1687-1747 Leclair, Jean-Marie, 1697-1764 Sammartini, Giovanni Battista, 1700 or 1701-1775, composer Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020069914 39091020069864 https://omeka.binghamton.edu/omeka/files/original/81f3f09da64043db7d5659d726e078cc.pdf c8d59bd682c734360c1fb6a1aa7c67c7 PDF Text Text NEWYORK AT BINGHAMTON S'Vfl'E UNIVERSITY THE DEPARTMENT MUSIC OF CHAMBER MUSIC in the Pufcmnance of ChamberMusic Seminar by MBnbers of the Lenox Quartet AN EVENING Se Saturday, June 26, 1971 8 :15 p.m. nc.i A. tters ter PROGRAM Quartetin E-flat jor, K. 428 Allegro non troppo Andante con moto violin Lewis, Le Roy Carol Anderson, violin Qi artet Mary Ellen &drq, viola Sarah HarUhorne, cello 76, No. 5 o Major, Op. in Menuetto(Allegro) (Presto ) Finale . , viola Perry, Timothy cello Martha Strassberger, violin Browning Cramer, violin Qartat in F Modéré - Tres doux rythmé ez - Très vifs As Joanna Jenner, uest, ra W ba ra B ar INTERMI i.ffga, Op. 44 in E-flat Major for Piano and Allegro triW.Aute In modod 'una Marcia WI\ poco largamente) Scherzo (Moltovivace) Allegro, ma nontaJppo Quintet Robert Rozek, Andrea Birczak, Patricia Foley, Vivian King, Diana Wan, Schumann � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:59 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63511 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63511">An Evening of Chamber Music by Members of the Lenox String Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Chamber Music by Members of the Lenox String Quartet, June 26, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Haydn, Ravel, and Schumann. Held at 8:15 pm, June 26, 1971, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-6-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Haydn, Joseph, 1732-1809 Ravel, Maurice, 1875-1937 Schumann, Robert, 1810-1856 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073270 39091020073221 39091020073767 39091020073718 https://omeka.binghamton.edu/omeka/files/original/e2f852d339d46d3a42ce81a10f79034d.pdf f2a001a0d8d476277258b2a5696017b3 PDF Text Text Y OF N EWYORKAT S TATE U NIVERSIT BINGH AM N F MUSIC Monda Jun y, 28, 1971e 28, 8:15 P. M. Don Al legro con brii o Adagio Bl Te ma: Pria .f! llegro Watters br l' 'impegno ch'io A. (Allegre tto) energico Lynn Case, vi Ellen Bridger, Betty Woo , , , olin cello piano INTERMISSION _________________ ________ Str ing Quartet I Lebhaft No. und i in sehr :JQr Seh r r langsam III Finale - Aube.. st 16 C, Op. (1921) e n ergisch lebhaft Mark Andrew John Norm an violin Sokol, Jenning Kochanowski, Fisher s, violin viola viola Theater � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:10:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63517 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63517">An Evening of Chamber Music by Members of the Lenox String Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Evening of Chamber Music by Members of the Lenox String Quartet, June 28, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Brahms, and Hindemith. Held at 8:15 pm, June 28, 1971, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-6-28 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Brahms, Johannes, 1833-1897 Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073379 39091020073320