7
10
972
-
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio cassettes 2 audio discs
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51:40
26:49
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196871">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196871</a>
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Title
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Asian journey, October 26, 2007
Recital Tape 10-26-2007
Description
An account of the resource
Held at 8:00 p.m., October 26, 2007, Chamber Hall, Anderson Center. Sponsored in part by the Binghamton University Music Department.Works of Seaman, Peidong, Chinese folk songs, Qiufeng, Japanese folk songs, Korean folk songs.
Creator
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Cotten, Anne Boyer
Publisher
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Binghamton University Libraries
Date
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2007-10-26
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In copyright
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sound
IIIF Item Metadata
UUID
4f2aa28a-8131-4f7c-ade9-f8ddf63c4d75
-
https://omeka.binghamton.edu/omeka/files/original/28ab3a7ebfe48ccf39400a100920d5c4.pdf
b45dc391e4502f9f39fd6d16ec353b74
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
SAMUEL BARON
flute
CAROL BARpON
iano
AUDUBON
STRING
QUARTET
FRIDAY, APRIL 15, 1977
8:15 P. M.
CASAPESUS RECITAL HALL
�PROGRAM
SAMUEL BARON, flute
CAROL BARON, piano
THE AUDUBON STRING QUARTET
Dennis Cleveland
Janet Brady
Thomas Shaw
Doris Lederer
String Quartet in Ee Major, Opus 12...........
Felix Mendelssohn
Adagio non troppo; Allegro non tardante
Conzonetta
Andante espressivo
Molto Allegro e vivace
Sonata for Flute and Piano (1957).............
Ezra Laderman
Moderato
Allegro Molto
Fugato
Allegro
INTERMISSION
Sonata for Flute and Piano (1957)
Francis Poulenc
Allegro malincolio
Cantilena
Presto giocoso
“Celestial Bodies” (1972).........Ezra Laderman
Concerto for Flute and String Quartet
Andante; Molto Allegro
~ Adagio
Presto
presented by MEET THE CQIPOSER, a project of the
American Music Center and the New York State
Council for the Arts.
�COMING EVENTS
Saturday, April 16 at 8:15
University Chorus
Sunday, April 17 at 3:00
Jazz Ensemble
Sunday, April 17 at 8:15
Concert Series: Ponce
Saturday, April 23 at 8:15
Irene Rosenberg, piano
Sunday, April 24 at 8:15
David Hoppe, cello
Monday, April 25 at 8:15
Jay Hilfiger, conducting
Saturday, April 30 at 8:15
George Myers, violin
Sunday, May 1 at 8:15
Sara Whitmore, organ
Tuesday, May 3 at 8:15
Collegium Musicum
Wednesday, May 4 at 8:15
Paul Ketchoyian, clarinet
Thursday, May 5 at 8:–15
Composers Concert
Saturday, May 7 at 8:15
Miriam Greenberg, piano
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audiotape reels
Duration
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41:20
37:54
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333641">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333641</a>
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Title
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Audubon String Quartet, Recital, April 15, 1977
Alternative Title
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Recital tape 1977 4-15
Description
An account of the resource
Works of Mendelssohn, Laderman and Poulenc. Held at 8:15 pm, April 15, 1977, Casadesus Recital Hall.
Creator
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Audubon String Quartet
Publisher
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Binghamton University Libraries
Date
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1977-04-15
Rights
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In copyright
Type
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sound
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 sound tape reel
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10:29
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54008">Band Concert Harpur College Band Recital</a>
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Title
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Band Concert Harpur College Band. April 26, 1963
Recital Tape 1963-4-26
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
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Binghamton University Libraries
Date
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1959-04-25
Rights
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In copyright
Type
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sound
Identifier
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39091019619182
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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3 sound tape reels
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16:40
27:31
28:17
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59321
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59321"> Barbara Garges and William Lewis Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Barbara Garges and William Lewis Recital
Description
An account of the resource
Held Nov. 17, 1968, 8:15 pm, Recital Hall. Works of Liszt, Pizzetti, Poulenc.
Creator
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Garges, Barbara
Lewis, William
Publisher
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Binghamton University Libraries
Date
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1968-11-17
Rights
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In copyright
Contributor
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Liszt, Franz, 1811-1886
Pizzetti, Ildebrando, 1880-1968
Poulenc, Francis, 1899-1963
State University of New York at Binghamton. Department of Music.
Type
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sound
Identifier
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39091020094771
39091020094714
39091020094763
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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19:50
09:48
34:02
26:19
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE52596">Baroque Trio</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Baroque Trio
Recital Tape 1961-3
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1961-03
Rights
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In copyright
Type
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sound
Identifier
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39091019619083
39091019619133
-
https://omeka.binghamton.edu/omeka/files/original/695415479f9bfddad95a5dc3fc22a96c.pdf
1863e9bb9a84cf4b51c5cfa7b856f359
PDF Text
Text
Binghamton Symphonette
FRITZ WALLENBERG, Conductor
PETER MARSH, Soloist
SUNDAY, OCTOBER 1st, 1972, 7:30 P .M.
DON A. WATTERS THEATER
�PROGRAM
Branden burg Concerto No. 6 ..... . .................... . .. J . S. Bach
(16 5- 1750)
Adagio ma non troppo
Allegro
Chris tia n Ludwig, th e Ma rgrave of Bra ndenburg, commission d Bach to write
six concertos for orchestra, a n a sign men t completed in 1721. Va ri ous in strumen•
ta tion s a re used in th e different pie es. Th usua l coring is fo r a sma ll group
(th e "concertin o") in th e fo reground again t a la rger accompa nying group (th e
" ripieno"). The ixth concerto i most unu ua l in that Bach omi t· violins completely
a nd emph asizes lower trings, es pecia ll y the violas.
Violin Concerto No. 5, K. 219
W. A. Mozart
BY
JOS EPH
( J 732-1 09)
Adagio; Allegro
Largo
Allegro
CADENZAS
Symphony No. 88 .... . ... .. ......... . . . .... ..... . .... . ... J. Haydn
JOACH IM
(1756-1791)
Allegro aperto
Menuetto
Allegro con spirito
Th e Sym phony No.
was written in 17 7 a nd is proba bly the best kn own of
Hayd n's symphoni es prior to the Lo ndon gro up begun in 1791. It has th e wonderful
mixture of humour a nd ap pa rent na ivete' coupl ed with sophi sticated writin g that
endears Haydn to o ma ny listeners. The first movement exemplifies Ha ydn 's typical
treatment of sonata form by its s low, stately in trod uction fo ll owed by two closely
rela ted th emes which fo rm th e basis fo r the m a in portions of th e structure. Th e
cond movement is a song played by cello a nd oboe, follow ed by severa l va ri a tion .
In the middle of the mov ment drums a nd trumpets introdu ce a dra matic cha nge in
mood. Th e minuet is typica lly Hayd nesq ue in its peasa nt cha racte r a nd th e final e i a
m a rv el of ingrati a tin g melodic writing combined with effective contrap unta l
" working out" of the thema tic materi a ls.
Program N otes by Dr. Harry Lincoln
Adagio
Tempo di Menuetto
Mozart's duties a t th
ourt of the Archbi hop of
violin in the co urt or h tra a nd it wa natura l th a t h
at this tim f r the in tru m nt. The A Major
in 1775 by the nin eteen yea r old ompo r.
n
omp se con rto
of fiv e
mpl ted
Th e work , in t he traditi ona l thr e mov m nts , ha
evera l urpri •
Th
ol
pa rt in th first movement open with a n a ri oso, a im t impr vi ato ry in ha ra ter,
in tead o f th xpe ted fir t them . T h la t m v m n t i a n unu ua l combin a ti on
of minuet a nd rond o form in th middl
f whi ch there a pp a r a n i y a nd
humorou mel dy in "Turkish" ty le.
INTERMISSION
Ruma nian Folk Dances ............ ... ......... .... .... Bela Bartok
(I
J -1 45)
1. Da nce with
2.
3.
4.
6.
tick
Waistba nd Dan ce
Stamping Da nce
Hornpip Da ne
Rumani a n Po lka
Quick Dane
Bartok masterfully combin d hi s kn owledg a nd love fo r fo lk mu si with a eri ous
a nd ophi ti ated composit iona l techniqu . An example f thi s kill i th
et of
Rum a ni an Da ne s, ori gin a ll y writte n in 1915 fo r pia no, a nd h eard thi v ning in a
well kn own a rran g m nt fo r violin olo a nd or he tra by Zolta n zekely.
MEMBERS OF THE SYMPHONETTE
Violin
* Ra lph Wa d
* Ma ri a nn Wa llenberg
* Melba andb rg
Rev. Ri ha rd Leavi tt
* Judith Nile
• David Agard
• B tty Lou Aga rd
• hirl y ulliva n
Violas :
Ru sell Colton
Edward Pettengill
Joan Reuning
Cello :
Ruth Brown
Pa ul Ha nge n
Robert Knight
Fritz Wall n berg
Bas :
Ri chard Thomas
Flut :
Georg tta Ma iolo
Ob
ott Eddy
Da niel ros
Ba soon:
Thomas Clo er
French Horn :
Brian ternb rg
David Bann r
Trump ts:
Elmer Fa irba nk
J ohn Ha rp r
Timpani:
John Eng trom
Harpsichord
hri tine Lindsay
Personnel Manager:
Lillia n Burwasser
* Viola in the Brandenburg Concerto
We g rate fully ac kn owl edg e the generous servi ce donated by the following:
Thea ter Department, State Univer ity, Bingh a mton General Hospita l, Tripl e ities
Optimist Clubs, First-City Nationa l Bank, Friends of the Symphony, Peter Ma rsh,
Fritz Wa llenberg and the m mb rs of th e Binghamton ymphonette, Mrs. Herm a n
Burwasser, Mrs. a rlton Thomp on, Mrs. J oseph S hwa rtz, Philip Conole, WNBF,
WICZ, WK OP, WENE , WBJA , WEBO, Evening Press, Sun Bull etin , Vestal News,
Kent Drug tor , Ve tal Pl aza & Walton Mus ic House, Wa lton, N.Y.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 audiotape reels
Duration
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1:27:09
8:27
0:18
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Benefit Flood Relief Concert, Binghamton Symphony, October 1, 1972
Recital tape 1972 10-1
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Works of Bach, Mozart, Bartok, and Haydn. Held at 7:30 pm, October 1, 1972, Watters Theater.
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Binghamton Symphony
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton Philharmonic south of the border IV, March 16, 2008
Recital Tape 2008-3-16
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Title from Performances academic year 2007-2008 program.Held on March 16, 2008.
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International Contemporary Ensemble
Binghamton Philharmonic
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Text
8
B I N G H A M T O N P H I L H A R M O N I C
South o f the Border: Explorations
Sunday, March 2, 2008 3:00 p.m.
Anderson Center Chamber Hall
CoS ponsored by :
BINGHAMTON
—
L’ x 1 v E R S l T Y
—
D
E
P A
Oreesce
R
T
M
E
N
T
Makoto Nakura, marimba
Carlos SanchezGutiérrez, composerinresidence
From “12 Etudes”
No. 1, E Minor
No. 9, Fsharp Minor
Heitor VillaLobos (18871959)*
From “5 Preludes”
No. 1, E Minor
No. 2, E Major
Sylvan Lay and Pastoral Air (2007)
Moto Osada (b. 1967)
Memory of the Woods (2000)
Akemi Na ito (b. 1956)
Wink/Te’ /man/wood] (2005)
Carlos SanchezGutiérrez (b. 1964)
Intermission
Solo Violin Sonata No.1 in G Minor, BWV 1001
I Adagio
II Fugue
III Siciliano
IV Presto
J.S. Ba ch (16851750)*
Fugue from “Solo Violin Sonata”
Béla Ba rtok (18811945)*
Triple Jump (2001)
l Hop
ll Skip
III Jump
Kenji Bunch (b. 1973)
* Transcribed b y Makoto Nakura
This program is made possible by a grant from The New York State Music F und, established by the New York
State Attorney General at Rockefeller Philanthropy Advisors. General Opera ting Support is provided to the
Binghamton Philharmonic by a grant from the United Cultural Fund. a program of the B roome C ounty Arts
Council and by public funds from the New York State C ouncil o n the Arts, a state agency.
�Makoto Nakura
Marimbist Ma koto Nakura is a musician whose artistry and astonishing virtuosity has
been mesmerizing audiences all over the world.
In 1994, Makoto came from his native Jap an to become the first marimbist to win a
place on the prestigious Young Concert Artists roster. He has performed for audiences
in 40 of the 50 states, with orchestras such as the New Y ork Chamber Symphony, the
Chicago Sinfonietta, the California Symphony and, as a recital soloist, his long list o f
appearances includes Camegie’s Weill Recital Hall, New York’s 92nd Street Y,
Washington’s Kennedy Center, Seoul’s Hoam Art Hall and Tokyo’s Suntory Hall. He has
performed numerous times with the American Ballet Theater in New Y ork City, and he
has also appeared as a guest artist with The Chamber Music Society of Lincoln Center.
Mr. Nakura ha s established himself as a dedicated champion of the music of our time ,
and many lea ding young composers, including the composers on his three CDs have
written pieces for him. It is his mission to explore and expand the possibilities of the
marimba, and to demonstra te what an exciting and prov ocative vehicle it offers to
composers and what a thrilling experience t presents for audiences.
Born in Kobe. Japan, Mr. Nakura began to play the ma imba at the age of eight. He
earned both Bachelor’s and Master’s degrees from Musashino College in Tokyo and
continued his studies at the Royal Academy of Music in London
A television p ortrait of Mr. Nakura was sho wn nationally on CBS News Sunda y Mormg.
His recitals ha ve been widel y televised by KBS(Korea) a nd NHK(Japa n), as w d as
many radio stations.
His recent honors include a National Arts Festival New Artist Award from the Japanese
Agency of Cultural Affairs a nd the BMI/Ca rlos Surinach Fund Maimba Commission. He
was named a n Associate of the Royal Academy of Music in London. His first CD from
Kleos Classics Ritual Proto col and his second CD, Tsuneya Tanabe Works for Ma rimba
on Japan’s ALM Records, are devoted to works written especially for him His latest C D
from Kleos, “Triple Jump: Six orignal Pieces for Marimba” was released in November
2004.
Carlos SénchezGutiérrez
Carlos SanchezGutiérrez was born in Mexico City in 1964 and now lives in the
New York Tundra, where he teaches composition a t the Eastman School of
Music. He studied with Jacob Druckman, Martin Bresnick , Steven Mackey and
Henri Dutilleu x at Yale, Princeton and Tanglewood, resp ectively. He h as
received man y of the stand ard awards in the field (e.g. Guggenheim , Fulbright,
Koussevitzky, Fromm, American Academy of Arts and Letters.) He likes
machines with hiccups and spiders with missing legs, looks at Paul Klee’s
Notebooks everyday, hasn’t grown much since he reached adulthood at age 14,
and tries to use the same set of ears to Isten to Bach, Radiohead, Ligeti or Deep
Purple.
1
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:07:17
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Title
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Binghamton Philharmonic: South of the Border: Explorations, March 2, 2008
Recital Tape 2008-3-2
Description
An account of the resource
Works of Villa-Lobos, Osada, Naito, Sánchez-Gutiérrez, Bach, Bartók, Bunch. Held at 3:00 p.m., March 2, 2008, Anderson Center Chamber Hall.
Creator
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Makoto, Nakura
Sanchez-Gutierrez, Carlos
Publisher
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Binghamton University Libraries
Date
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2008-03-02
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sound
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e20b5d32-145f-45c9-aeef-649064460b77
-
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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18:53
19:24
22:09
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59177"> Binghamton Symphonette Concert</a>
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Title
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Binghamton Symphonette Concert
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:30 pm, August 26, 1968, Harpur College Theater. Works of Britten, Bach, and Haydn.
Creator
An entity primarily responsible for making the resource
Binghamton Symphonette
Publisher
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Binghamton University Libraries
Date
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1968-08-26
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In copyright
Contributor
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Britten, Benjamin, 1913-1976
Bach, Johann Sebastian, 1685-1750
Haydn, Joseph, 1732-1809
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
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39091020094276
39091020094326
39091020094375
-
https://omeka.binghamton.edu/omeka/files/original/b033bf91b7391dc768040c15226294be.pdf
704404240b8b3ceda933134928519243
PDF Text
Text
CE) Binghamton Symphonette
FRITZ WALLENBERG, Conductor
presents a
Concert
SOLOISTS :
Georgetta Maiolo, Flute
Marianne Wallenberg, Violin
Christine Lindsay, Harpsichord
SUNDAY, NOVEMBER 9th, 1969, 8:16 P.M.
DoN A. Wynms Tumrm
�PROGRAM
Sonata for strings in Cmajor
G . Rossini
(norill!)
Allegro
Verklaerte Nacht (Transfigured Night) op. 4 .
A . Schoenberg
(1874–1951)
Almost twenty years after his death, Arnold Schoenberg still remains
the
most controversial composer of this cen tury. H is most popular work, i
ndeed his
only composition that has found any permanent place in the instrumenta
l reper
toire, is his op. 4, Transfigured Night. Written originally as a string s
extet, it
was later arranged by the composer for atrlng orchestra, in which f
orm it is most
frequen tly perf ormed. Although its rich quasiWagnerian harmonies aand
expres
sive melodies render it continually interesting as a purely musical exp
erience, it
was conceived as a tone poem following a literary plot. Based on
a poem by
Richard
Dehmel, the story tells of a woman who confesses to her lover that she is
pregnan t with the child of another man. She tells him how, before
she me
she became so afraid that life would pass her by and she would never be t him,
come a
mother that she gave herself to a virtual stranger. Now that she has fo
und some
one she truly loves, she is full of remorse and guilt. He assures her that
their love
has transformed them both, and the child will be his. While played withou
t inter
ruption, the music falls into tw o large parts, th e first reflecting the ang
uish of
the woman, the second the comforting words of the man.
Brandenburg Concerto No. 5 in Dmajor
Allegro
Affettuoso
Allegro
. J. S. Bach
(numo)
Andante
Moderato
Because Rossini is known to the music world as a composer of comic ope
ras,
many people are not aware of the considerable amount of instrumental
and piano
muaie he composed throughout his life. These works can best
be approached,
however, if one remembers that they were written by a master composer
of comi c
operas, even his very early sonatas for strings. Although these w
orks were writ
ten when their composer was still a student, indeed still a “teenage
r,” all the
characteristics that were later to endear him to singers and audiences
alike can
be found: a light entertaining sense of humor, lyric melodies suppor
ted by the
simplest accompaniments, a. profusion of ornaments and embellishments
decorat
ing these melodies, and a brilliant approach to virtuoso display. Thus,
these oom
parativsly simple works require especially skillf ul performers and
very precise
ensemble playin g to be properly realized. As if anticipating the arias he
was later
to write for comic bass voices, there appears a tri cky passage for
double bass in
the variations that comprise th e last movement of this sonata.
Symphony No. 29 in Amajor, K. 201
. W . A. Mozart
(17661791)
Allegro moderato
Bach’s Brandenburg concertos are among the finest examples of the Baro
concerto grosso. Unlike the solo piano or violin concerto, which became que
more
popular in the latter part of the 18th century, the earlier concerto
grosso f ea
tured a group of solo instrumen ts playing against a larger ensemble. In t
his con
certo, th e string orchestra is contrasted with a trio consisting
of a flute, solo
violin, and harpsichord. In the first movement, the large ensemble
continually
restates its ma jestic opening ritornello, or f ragments of it, while th
e solo instru
ments perform elaborate and in tricate figures. A surprise occurs near th
e end of
the movement as the instrumen ts recede into the background leaving th
e harpsi
chord exposed in a dazzling cadenza. In the second movement, the large
is totall y silent, and the trio performs alone. The last movement begins ensemble
with the
solo instruments playing a f ugue, which soon expands to include
the f ull en
semble once again.
INTERMISSION
Andante
Menuetto
Allegro con spirito
By his o wn statement, Mozart considered himself first and foremo
st a com
poser o f cperas. Many m usicologists consider his contribution to the
piano con
certo to be at least of equal value musically. Interestingly, although he
composed
many more symphonies throughout his life (his first was completed wh
en he w as
eight), and although the last few are among the greatest in the entire re
pertoire,
most of the others are hardly known, and rarely perf ormed. Probabl
y the finest
of the early symphonies is this one in A, in which the composer’s
uniquely lyrle
gif ts can be felt f rom the opening bars. It is this exceptionally a
ttractive theme
that appenrs at the open ing of th e first movement that re mains th
e most memora
hle melody in the listener’s mind. The slow movement beautif ully com
bines th e
elegance of the Classic style with the seriousness of Mozart’s
music at his
best.
Program Notes by Dr. Philip Friedheim
�MEMBERS OF THE SYMPHONETTE
Violins :
Ralph Wade
Marianne Wallenberg
Melba Sandberg
Nancy Robbins
Howard Meyer
J udith Niles
Betty Lou A gard
David A gard
Violas:
Russell Colton
Edward Pettengill
Richard Brooks
Fritz Loewenstein
Oboes:
Scott Eddy
Debbie Booth
French Horns:
Brian Sternberg
George Papastrat
Cellos :
R uth Brown
Timoth y Perry
Personnel Manager:
Bass :
Donal O’Buckley
Publicity :
Mrs. Stephen Smyk
Robert Knight
Lillian Burwasser
We wish to extend our thanks to the Evening Press, The Sun Bulletin, WNBF,
WINR, WKOP, WENE, WBJA, WEBO, HiFi Record Shop, Studio Book Shop,
Kent Drug Stores, Harpur College, Philip Conole, Mrs. Joseph Schwartz, Vestal
News, and to all other friends whose support has made this concert possible.
The Friends of the Symphony cordially invite you f or a reception to meet wi th
the artists in the Green Room immediately following the concert.
BINGHAMTON SYMPHONY AND CHORAL SOCIETY
Next : JOINT CONCERT
Sunday, Dec. 7, 7 :30 p. m . Binghamton West J unior High School
Program : Edward Elgar : The Dream of Gerontius
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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39:08
25:26
22:41
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Symphonette Concert, November 9, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Schoenberg, Bach, Rossini, and Mozart. Held at 8:15 pm, November 9, 1969, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Binghamton Symphonette
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-11-09
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Schoenberg, Arnold, 1874-1951
Bach, Johann Sebastian, 1685-1750
Rossini, Gioachino, 1792-1868
Mozart, Wolfgang Amadeus, 1756-1791
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020057992
39091020057943
39091020057893