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                    <text>Winter Series - First Recital
Sunday,

oven,ber 14, 1965

PROGRAM

STRING QUARTET
in D Major, Op. 20 #4

HAYD

Allegro di molto
Un poco adagio affettuoso
M enuetto.

All egretto alla zingarese

Presto scherzando

STRI G QUARTET #11

KIRCH ER

Alle gro ma non troppo
Ad agio
Divertim ento and Trio
Adagio

INT ERMISSIO

QUARTET in A Minor
Op . 51, No. 2
Allegro non troppo
Andante moderato
Quasi Minuetto, moderato
Allegretto vivace
Finale.

1965-66

All egro non assai

BRAHMS

�NOTES by Patricia Isham
■ H aydn' s s ix Op . 20 qua rtets ma rk a turn ing point in his chambe r mus i c. He r e hi s
o wn pe rsonal style begins to take s hape with
a bala nced mixture of polyphoni c and hom ophoni c t exture s . Op. 20 #4 opens with a r e ite r at ed three -not e figur e whi ch fo rms the
basi c motive of thi s monothe ma ti c s onata fo rm movement. Haydn also introduces a
fals e r ecapitulation, a n identifying devi ce of
his late r s onata-form move ment s . The
second m ove m e nt is in the me and va ri ation
fo rm, the first variation being devote d to an
o rna m e nted dialogue between s econd violin
a nd vi ola, the s econd t o embellishme nts by
the ce llo, the third t o triplet orname nta tion
by the first violin , and the fourth t o an exten s ion of the them e through syncopation a nd
o rna m e ntation in all the voi ces. The Menue tto, alla zingar es e , i s cha r act e r ized by a
two -beat me lodi c patte r n whi chi sfitt edinto
the triple met e r through skillful syncopa tions a nd a cce nts on eve r y s econd beat. The
fourth movement r eturns t o s onata -allegr o
fo rm prese nting contra sting theme s , the
fir s t a peas a nt-like dance figure, the second
m a r ch-like in characte r , and i ntroducing
still a nothe r them e in the development sec tion. The four string instrume nts pa rtake
a lmost equally of m elodi c m at e rial and e nte r
into contrapuntal inte rplay i n a ll m ove ment s.

se ve r a l wo r ks for vi olin and piano, a piano
t r io, and a s econd qua r tet. His st yle is cha r acte rize d by chromaticism , s et within a
fr a mewo rk of s wiftly cha nging moods and
rh ythmic pat terns . He us e s the m ode rn
idio matic s t r ing device s fr eque ntl y em ployed by Bartok, Be r g, a nd othe r s, su ch as
snapped pi zzi cati , po r tam e nti, colle gno, and
a ll t ypes of gli ssandi, but has expe ri me nted
onl y s li ghtl y with the 12 -tone r ow. T he fou r
m ovement s of the qua r tet are fu r t he r di vided
into seven sections , a lt e r nating in te mpi , fo r
t he opening a llegro is inter r upted by an
andant e whi ch anti c ipate s the mat e ri a l of the
a dagio, and the fina l adagi o conclude s with
an a lle gr o . In Aaron Copland' s r e vie w of this
wo r k, he write s that Ki r chne r ha s "a c r ea tive ur ge s o vital as to burst a ll bonds of
o r dina r y control. It is the 'out- of-c ont r ol '
quality t hat give s an y o ne of his wo r ks e no r m ous excitement. To date it would see m t o
me t hat that is his pr in cipa l claim to origi nality; the da r ingly fr e e stru ctural or ga ni zati on of his com po sitions .n And furt he r
"the impr essi on ca rri ed a way fr om a Kir chne r pe r fo r mance is one of ha ving mad e co ntact not me r e ly with a compos e r but with a
highl y s e nti e nt human be ing; of a ma n who
c r eates his musi c out of the spec ial climate
of toda y' s uns ettl ed wo rld ."

■ Leon Kirchne r ' s First String Qua r tet ,
dedicated to Roge r Se ssions , was written i n
1949 a nd first pe r fo rmed in 1950. Kirchne r ,
bor n in 1919 in Brookl yn, s tudied mainl y at
the Unive rsit y of Califor nia, Be rkeley, unde r Elkus, Se ssions , Bloch, a nd Schonbe r g,
a nd afte r completing his MA degr ee i n 1947,
he ente r ed the tea ching profession . He has
b een the r ecipie nt of s eve r a l gr ants, including a Guggenheim F ellowship , an a war d fr om
t he Nationa l Institute of Art s and Lette rs ,
a nd a Fromm F oundation commission . His
c hamb e r works include, be sides the qua r tet,

■ In 1873 at t he age of fort y Bra hms com pos ed the fir st t wo of his t hree existing
s tri ng qua r tets, afte r des troying ove r two
do zen pr evi ous attempts . He had bee n inhi bit ed in t he writ ing of string qua r tets and
s ymphonie s by the gr e at pr e cede nts found in
the wo rks of Beethove n. The Quart et in A
Mino r had been intended fo r his fr iend, the
violi ni st J oseph J oachim, and included s ev e r al devices that we r e meaningful only to t he
t wo of them . As a student J oa chim had chos en t he motto F r e i aber Einsam (fr e e but
(Continued)

�State University of New York at Binghamton, HARPUR COLLEGE
The Department of Music presents

THE GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
violin

Mi chae l Tre e
viola

John Dalley
violin

Dav id Saye r
cell o

RECITALS O SE A SO N 1965-66
SUMMER SERIES

WINTER SERIES

SPRING SERIES

Sunday, August 1
Sunday, August 8
Sunday, August 15
Sunday, August 22
Sunday, Octob er 10

Sunday, No ve mb er 14
Sunday, Decemb er 5
Sunday, January 2
Sunday, January 9

Sunda y, February 13
Monda y, March 28
Sunda y, April 3
Sunday, April 10

All performan ces at 8:15 p.m . in th e Harpur Coll ege Th eater.
Late com er s will be s eated after the first quartet.

Ush erin g co urtes y of Al pha Phi Omega

OPEN REHEARSALS

The publi c is cordially in vi ted to att end th e qu artet's rehea rs als, held
the day prior to each recital, at 3 p.m., in th e musi c room (CA-183) nea r th e th eat er.

NOTES Continued
a l one) - FAE - for hi mse lf whi le Brahms
had se lected F rei ab er Froh (fr e e but happ y)
-- F A F . Thus in r e m emb r an ce of thei r
friends hip Brahms constructed the them e of
t he fir st mo vement out of t hese two mottos ,
using t he notes f a e andininve r si onfaf, i. e .
a f a , thus a rriving at t he notes a fa e . T he ir
co mmon inte r est in writing canons was also
r efl ecte d i n t he va r ious types of canons
whi ch appear thr oughout this wo rk, as fo r
e xamp le, t he mir r or canon in the coda of the
fi r s t m ovement and the canon near the end

of the fourth m ove me nt. A s li ght mi s unde rstanding be t wee n the fri ends later led
Brahms to change the ded icati on befo r e pub l ication to a Dr. Bi ll r oth. Ident ifyi ng cha ra cte risti cs of Bra hrn ' s s t yle ca n be r e cognized in this wo rk in hi s use of com pl ex
rhythms , su ch a s the two notes played aga ins t
thr ee in the first move me nt , the cha ngi ng
m etri ca l s che m es in the third move ment,
and the num e r ous exa m ple s of syncopati on,
a nd in his fr eque nt pa iri ng of voi ces i n pa r al le l thirds and sixths .

Cover Des ign by El ai ne Luc as

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                    <text>BINGHAMTON
UNIVERSES?

State University of New York
’

1 

D

2 

E

P

A

R

T

M

W INTER CONCERT

\N  L V
—

with
Women ’s C ho rus

K ristina R uﬀo, cond uctor
Assisted by
Jody Schum. piano
and
Mary Schappert. harp

Harpur Chorale

Peter Browne.  cond uctor

Saturday, March  17, 2007
8:00 p.m.
Anderson Center  ( ‘hamber Hall

E

N

T

�PROGRAM

TRANSLATIONS

I.

I.

Women ’s Chorus
Kristina Ruﬀo, conductor
Jody Schum, piano
Oddi  Ol lpe p i m i cmsi nd ia i l is  i

: 

r

i

s

Odi  Odi

“Untold millions of people run  and run. constantly seeking, grow
desperate and die looking for the light that is within them.”

.. Tamil Song
A rr by Stephen Hatﬁeld

1

Herbstlied
(Aut u m n Song)

Oh. how soon the c ycle ends,
Spring turns into wintertime!
Oh how soon all happiness
Turns to sad silence!

.. T raditional Celtic
“Am. by  David Fanshawe

C H E  D I E

The last sounds soon fade!
The last songbirds are soon ﬂown!
The last green is soon gone!
They all want to return home!

Felix Mendelssohn

Hetbstlicd 

(1809­1847)

Choral Hymns from the Rig­lula
Group l l l :  For Women ’s Voices &amp; Harp

Oh. how soon the c ycle ends,
Merriness turns to longing sorrow.

. Gustav Holst
(l874­ l 934)

Were you a dream, you thoughts o f love?
Sweet as spring and fast disappearing?
Only one thing will never wane :

l.  Hymn to the Dawn
2.  Hymn to the Waters
3.  Hymn to the Vena (The Sun Rising Through the Mist)
4.  Hymn to the Travellers
Las Amallllas

The longing that never goes.

Ah, how soon the c ycle ends!
Oh how soon all happiness
Turns to sad silence!

Las Amarillas
The yellow calandras ﬂy from the cactus
No longer w ill the cardinals sing happily
To the song na na
To the song na no

Traditional Mexican
Stephen Hatﬁeld

WINTERMISSIONOS

}

Because the tress on the hillside have not come back to li fe
For that the calandras will either sing or crush their nests.
You are small and beautiful and l love you just the way you are
You are like a little rose from the coast of Guerrero
Everybody has their own farewell, but there’s non like this one
F our t imes ﬁ v e  i s t went y, three t imes se v en 1s t went y ­one.

�11.

H a rp u r Chorale

Peter Browne. conductor

Now é  T e m p o . . .  aiviinelaitaie  a
Fugitiva Mia Speranza 

Translations

i

i

. Marco C
  orl
(d.c. 1530)

Non 6 Tempo

There’s no time for  idle waiting.

Sixth Evening Service 
l.  Magniﬁcat 

Thomas Weelkes
(1576­1623)

Jaclyn Hochreiter, Lynsey Zuar. A llison Metcal fe; sopranos
Sophie Nusinov, Corinne l’aull and Jennifer Paull; altos
Alexander Blitstein. tenor; Adam Hess, bass

ll.  Nunc Dimittis
Rachel Newby, Emily Creo, Sophie Nusinov; altos

The BIuebird...........cowiviiamessisinse 
n i a : Charles Villiers Stanford
 
( l852­ 1924)

. A rthur Sullivan
(1842­ l 900)

Echoes

Cantique de Jean Racine........................ecccosureeeunnene... Gabriel Fauré
(1845­1924)
DUMCIUE  i s riniprvsssrasirmionsisssiersiissastpasisasessnasseserarty Fauré

from Requiem

Eliazabeth Sterling, violin

Hamba LuLu. 

Oh What a Beautiful City 

ZuL u Wedding Song
arr. by Mike Brewer

Spiritual arr. by Jeﬀrey Webb

Whether calm or stormy weather,
See the moment as it happens
B e  l l  rising or abating.

Fugiti va M ia Spera nza
Hope, you cannot escape me ever.
Though you may think you are leaving ;
You’ll remain with me with no more grieving,
Feters so strong you cannot sever.
I know full well all your displeasure
In my unhappy condition.
Secking a far richer treasure

Is your heart ’s ultimate mission;
I shall not heed your petition.

Cantique de J ea n Racine
Word equal to the most high, our sole hope, eternal day of
the earth and heavens, o f the peaceful night. we break the silence.
Divine Saviour, cast your eyes on us!  Shed on us the ﬁre o f your
powerful grace, so that all hell ﬂees at the sound of your voice,
disperse the sleep o f languishing soul that drives it to forget your
 
laws! O Christ be favorable to this faithful people now gathered
together to bless you.  Receive the songs that they oﬀer to your
immortal glory that they may ret urn in total joy.

Sanctus
Holy, Holy, Holy
Lord God of Hosts.
Heaven and earth are full of thy glory.
Hosanna in the highest.
Hamba L ulu
Go Lulu, listen to all the things they are telling you.

�Woman ’s Chorus

ABOUT T H E  PERFORMERS

?

Women ’s Chorus

Sop rano I

K R I S T IN A  RUFFO  1s  a  graduate  choral  conducting  student  at
Binghamton Universit y.  She received her BA  from Ithaca College
in Music  Education.  This  is  her  second  semester  conducting  the
Women’s Chorus and is very proud of their success as an ensemble.
She is a member of the University Chorus, and also teaches a sight
singing class to help students improve in their reading abilities and
conﬁdence in singing. She is also involved in an African Drumming
class  with  Professor  James  Burns.  She  was  awarded  the  Keeler
Scholarship  this  year  that  has  helped  her  continue  with  her
education.  During  the  day,  she  teaches  full­time  at  the  Maine­
Endwell High School and is director of the Mixed Chorus, Madrigal
Choir,  and  Quartet,  as  well  as teaching  a  theory  course.  Kristina
resides in Binghamton, NY with her husband and is looking forward
to a successful semester with the Women ’s Chorus.

&gt;

Sop rano II

Boccuzzi, Dina
Bose, Anjuli
Choi, Esther
Espinosa­Thomas, Eliza
Haigney, Stephanie
Hassfurter, Katherine
Havener, Crista
Indovino, Shaina
Manukian, Denise

J O D Y  S C H U M   is  a  versatile  pianist,  organist  and  vocal  coach
originally  from  Windsor,  NY.  Currently  on  faculty  at  SUN Y
Cortland and Binghamton University, he also is resident pianist with
Tri­ Cities Opera in  Binghamton, NY.  Mr. Schum  has performed
with  the  Binghamton  University  Symphony  Orchestra,  Tri­Cities
Opera  and  on  numerous  solo  and  collaborative  recitals  at
Bi ngha m ton  Uni versit y. 

Murphy, Maria

Pouchic, Priscilla
Press, Amanda
Wallach, Jaclyn
Welby, Kate

H is  most  recent  engagement  was

performing  and  studying  on  fellowship  with  the  International
Institute  of  Vocal  A rts  in  Chiari,  Italy  last  summer.  Upcoming
engagements  include  a  sacred  music  concert  with  soprano  Julia
Ebner  and  a  recital  with  baritone  Timothy  LeFebvre  at  Elebash
Recital Hall in New York City.  Mr. Schum is Music Director at the
First United Methodist Church of Endicott, N Y.

Cheng, Hiu Nam Wien
Cohen, Rebecca
Epstein, Jodi
Haines, Alex
Karp, Jillian
Kucera, Jana
Liebowitz, Liann
Rabideau, Erin
Sones, Melissa
Winnett, Desiree

­

q­

Alto I

Bass, Desiree
Colah, Perin
Groteke, Laura
Maughan, Carly
Navarette, Katherine
Weiss, Elisa

Alto l l

Barbanell, Danielle
Blake, Daron
Caruso, Alicia
Courage, Katherine
Golden, Sarah
Wong, Randall

�Translatio ns
Non é Tempo

There’s no time for idle waiting,
Whether calm or stormy weather,
See the moment as it happens
Be it rising or abating.

Fugitiva Mia S pera nza
Hope, you cannot escape me e ver,
Though you may think you are leaving;
You’ll remain with me with no more grieving,
Feters so strong you cannot se ver.
I know full wel l all your displeasure
p
ln my unhappy condition. 
Seeking a far richer treasure
I s  your heart ’s ultimate miss ion;
l shall not heed your petition.
Cantique de J ea n Racine
Word equal to the most high, our sole hope, cternal day of
the earth and heavens, of the peaceful night, we break the silence.
Divine Saviour, cast your eyes on us!  Shed on us the ﬁre of your
powerful grace, so that all hel l ﬂees at the so und of your vo ice,
disperse the sleep of a languishing soul that d rives it to forget your
laws! O Christ be favorable to this faithful people now gathe red
together to bless you.  Receive the so ngs that they oﬀer to your
i m mortal glory th at t hey ma y ret urn in total joy .

Sanctus
Holy, Holy, Holy
Lord God of Hosts.
Heaven and carth are full ot ’thy glory.
Hosanna in the highest.

Halnba Lulu

Go Lulu, listen to all the thing s they are telling you.

1
l

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                    <text>BINGHAMTON

U N I V E R S I T Y
STATE  UNIVERSIT Y  O F  NEW YORK

zed eC

D E P A R T M E N T

Sho

red

W
nd i Symphony
PRESENTS

AMERICAN
VA R I AT I O N S

HONORING VETERANS AND ACTIVE MILI TARY

FEATURN
IG

THE BU SAXOPHONE ENSEMBLE
Sunday, December 5, 2010
3:00 PM
Anderson Center Chamber Hall

�The Musicians
Robert G. Smith,

Piccolo

Music Director and Conductor

Kathleen Spelman

Rebecca Falik

Program
The Star­Spangled Banner................... .......... ..arr. Jack Stamp
A love song for our country

(b. 1954)

commando March......................ccceeeeeenennen.....Samuel Barber
(1910­1981)

legy ForA Young American()..........................Ro nald LoPresti
(1933­1985)

\ Gathering of Angels. 

Jared Spears
(b. 1936)

:termal Father, Strong To  Save. 

..Claude T.  Smith
(1932­1987)

­ Intermission ­
’ a s t i m e :  Salute to Baseball.............................. ...Jack Stamp
(b. 1954)

itephen Foster Revisited

. Stephen Foster
o 

The BU Saxophone Ensemble

(1826­1864)
arr. Bill Holcomb

Christopher Murdock, soprano saxophone
Andrew Block, Alex Horspool, alto saxophones
Bradley Alder, Raymond Hendricks, tenor saxophones
Dean Papadopoulus, baritone saxophone
Professor April Lucas, director

’ariations on “America”. . ...... . 
Composed for organ in 1891

. 

Flute I
E m i l y  Morris, principal

Mark Zhuang
Lindsay Ralbovsky
Kathleen Spelman

3Clarinet
rd Bb 

Kevin Hannon, principal

B b  Bass Clarinet
Carolina Montenegro

2nd Bb Trumpet
Nick Quackenbush
Peter Schwarz

Eb Alto Saxophone I
Chris Murdock, principal
Lauren Ross­Hixson

Flute II
Raquel Goldsmith
Judy Kahn
Kimberly Horn
Rebecca Falik

E b  Alto Saxophone II

Christina Peregine

Anthony DeGelorma

RECORDER

Alexander Baron

Oboe
Kimberly Muller
Sun Hao

1st Bb Clarinet
Kerry Goodacre, co­principal
Jaclyn Adler, co­principal
Sophia Schneiderman

Alex Horspool

Charles Ives

( 1874­1 
 
9 54)

Orchestral transcription by Wm. Schuman(1963)
Wind Band transcription by Wm. Rhoads

he Stars and Stripes Forevever................. ....John Philip Sousa
(1854­1932)

Olivia Santoro

3rd B b  Trumpet

Samuel Weintraub
Brian Lee
John Marschhauser

Russell Feinstein
Kevin Koes
Bb Tenor Saxophone
Bradley Alder
Eric Seaman
Stephen Kassinger

EBaritone
b 

Saxophone
Dean Papadopoulus
Toni Bruno

F 
Horn

Carrie Buck

2nd B b  Clarinet
Mark Dello Stritto
Abbey Cohen
Vanessa Kay

1st Bb Trumpet

David Morrissey
Gregory Norman

Trombone
Drew Perotti

Trombone
Derek Moran

Trombone

Matthew Kratenstein

Euphonium

Andrew Kaufman
TUBA
Matthew Gukowsky

Percussion
Benjamin Ramos
Mike McManamon
Rose Steenstra
John Erdman
Adam Goldenberg

�ROBERT G. S MITH is Music Director and Conductor of the University Wind Symphony.  Prof.
Smith also teaches advanced instrumental conducting and graduate wind conducting at BU.  His
career includes 32 years as a public school music educator. He conducts the annual Triple Cities
TubaChristmas and is former conductor of the Maine Community Band, the oldest band of its kind
in the United States. He has guest conducted all­county bands throughout New York State. Among
other ensembles Smith has conducted are the Goshen College(IND) Wind Ensemble and Orchestra,
The United States Army Ground Forces Band(GA), the  Southern Tier Concert Band(NY) and the
Vestal Community Band(NY).  An active performer, he currently plays principal euphonium with
the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass
sextet.  Smith is past president of the Broome County Music Educators Association and recipient of
the 2005 BCMEA Distinguished Service Award.  Professional memberships include The Broome
County Music Educators Association, the New York State School Music Association, the Music
Educators National Conference, The National Band Association, The Association of Concert Bands,
The Conductors Guild, The World Association of Symphonic Bands and Ensembles, The College
Band Directors National Association and the International Tuba and Euphonium Association.

Comnig “Censt

Sunday, December 5 – Violin Recital: Janey Choi, violin, Michael Salmirs, piano
and guest artist Rebecca Ansel, violin – 7:30 p.m. – Casadesus Recital Hall –­
$10 general public; $5 faculty/staﬀ/seniors; $2 students

Thursday, December 9 – Jazz Mid­Day Concert with guest artist – 1:20 p.m. –
Osterhout Concert Theater – free (Co­sponsored by the Binghamton University
Music Department and the Harpur Jazz Project)
Thursday, December 9 – Harpur Jazz Ensemble Concert with guest artist – 8
p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staﬀ/seniors;
free for students (Co­sponsored by the Binghamton University Music Department I
and the Harpur Jazz Project)

Friday, December 10 – Singing Chinese Class Recital joined by the Beginning
Chinese Flute Class – 7 p.m. – Casadesus Recital Hall ­ free
Saturday, December 11 – Amahl and the Night Visitors – 3 p.m. &amp; 5 p.m. –

Anderson Center Chamber Hall – $8 adults; $5 students ($25 maximum for
families with 2 adults and 4 children)
' Sunday, December 12 – Amahl and the Night Visitors – 3 p.m. &amp; 5 p.m. –
Anderson Center Chamber Hall – $8 adults; $5 students ($25 maximum for
families with 2 adults and 4 children)

Monday, December 13 – “Italian Night” Class Recital (Maria Cook, Instructor) –
8:00 p.m. – Casadesus Recital Hall – free

For ticket information, please call the
Anderson Center B ox  O ﬀice at 7 77­ARTS.

�</text>
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                    <text>WI L L I A M

L E WI S

t e n o r

with
BARBA RA

GARGE S

p i an o

Sunday , May 9, 19 71
3:00

PM

Music Recital Hall

�PRO GR AM
Future Events

I

Trois Psalmes
Sunday, May 9th, 8:15 PM
Don A. Watters Theater

Lenox String Quartet
Chamber Music Series.
Admission.

Tuesday, May 11th, 8:15 PM
UU Social Room

Harpur College Orchestra.
David Buttolph, conductor.
Paul Knoeffler, pianist.

Wednesday, May 12th, 8:15 PM
Music Recital Hall.

An Evening of Contemporary
Music. Works of student and
faculty composers.

Thursday, May 13th, 8:15 PM
Music Recital Hall

Voice Studio Recital. Students
of Roberta Schlosser and
William Lewis.

Sunday, May 14th, 8:15 PM
Music Recital Hall

Diana Berde, pianist.
Senior Recital.

Saturday, May 15th, 2:00 PM
Lecture Hall I

Jazz Concert. Harpur Jazz
Workshop, Albert Hannne,
director.

Sunday, May 16th, 3:00 PM
Music Recital Hall

Kathleen Tyrrell, mezzo
soprano. Junior Honors
Recital.

Sunday, May 16th, 8:15 PM
Music Recital Hall

Elizabeth Korte, pianist.

Arthur Honegger
II

Comment, Disaient-ils
O, quand je dors
Enfant, si j'etais Roi

Franz List

III

Tel jour, telle nuit
(cycle of nine songs)
i

,Francis Poulenc

n t e r mi s s

i

o n

IV
Pain
Myth
Love

William Lewis

V

Song of Orpheus

William Klenz

Como
Hush
The Peddler

[.

.

. snow.

. .]
VI

Outside this House
(from "Vanessa")

Samuel Barber

�</text>
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                    <text>STATE UNIVERSITY OF NEW  YORK  AT BINGHAMTON

HARPUR COLLEGE
THE DEPARTMENT OF  MUSIC

WILLIAM  LEWIS, tenor
DAPHNE  PAYNE,  soprano
Barbara  Garges, pianist
Sunday,  December 7, 1969 

8 :15 p.m. 

T he Recital Hall

PROGRA M

I
Sound  an Alarm (Judas  Maccaba eus ) 

Handel

11

Die  Stadt
Fischermadchen
Der  Atlas 

Schubert  (Heine)
HI

Du bist wie eine Blume
Am Rhein im schonen Strome
Die Loreley 

Liszt (Heine)

IV
Aria:  Falke, du wiedergef undener (Die Frau ohne Schatten)  R. Strauss

Intermission
V

“La Perichole”
A Spaniard knows the way of love (duet)
My lords and ladies, I salute you (aria)
Above  my  lif e  and  everything (duet) 

Oﬀenbach

VI

“Street Scene”

Remember that I care (duet) 

Weill

VII

“ Candide ”

G litter and be gay  (aria)

My love  (aria)
Oh!  happy  we  (duet) 

Bernstein

FUTURE  EVENTS
FRIDAY,  DE C E M BE R 12, 8 :15 p. m. 
Music Recital Hall 
N o Charge 
‘CONT E MPORARY MUSIC’ 
Sarah Law rence Chorus 

WE DN ESDAY, DE C E M BE R 17,  8 :15 p.m.
Don  A.  Watters T heater 
No  Charge
‘CHRISTMAS CONCE RT ’
Harpur  Chorale and Orchest ra

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                    <text>STATE  UNIVE RSITY OF N E W  YORK  AT BIN GH AMTO N

HARPU R COLLEGE
TH E DEP ARTM ENT O F  MUSIC
present s

W IL LIAM   L E W I S  –  T E N O R
Barbara  Garges –  a cc o mpa n i st
May 4, 1969 

8 :15 p. m. 

Recital H all

PROGRAM
Della sua pace 
II mio tesoro inta nto

Moza rt

(f rom “Do n Giovanni ”)

Comment,  disaient­ils
Oh!  Quand je  dors 
E nf ant, Si j’ etais roi

Liszt

K ling
Winterwe ihe  op.48 
Winterlie be

Richard Strauss

Carl  Ma r ia von W e be r
Du rch d ie Walde r 
(scena and aria f rom  “ Der Frei schutz”)

Intermission
A .  Honegge r

T rois Psa umes 
Rain has fallen .  . .
Love cam e to us .  . . 
Gentle lady . . .
1. 
2. 
3. 
4. 

Gordon E merson
(texts by James J oyce)

Ja, das A lles auf E hr
We r uns get raut ? 
In dieser Nacht
Ja, das A lles auf  Ehr
(f rom “De r  Zigeuner baron”)

Johann Strauss

Ushe r ing  cou rtesy  of  Al pha  P hi  Omega a nd Ga m ma Sigm a Sigma

A  RECEPT ION  will  be  held  immediately  following the conc ert.  It
will  be located th rough the double g lass door s ad jacent to the Reci tal
Hall.  A ll a re invite d to atten d.

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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Binghamton University Libraries</text>
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            <name>Date</name>
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                <text>1969-05-04</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>In copyright&#13;
</text>
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                <text>Mozart, Wolfgang Amadeus, 1756-1791 </text>
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                <text> Liszt, Franz, 1811-1866 </text>
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                <text> Strauss, Richard, 1864-1949 </text>
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                <text> Honegger, Arthur, 1892-1955 </text>
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                <text> State University of New York at Binghamton. Department of Music</text>
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            <name>Type</name>
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                <text>sound</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="21647">
                <text>39091020095778 </text>
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                <text> 39091020095828</text>
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