1
10
972
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https://omeka.binghamton.edu/omeka/files/original/ed2e883f67959182a88b2050bdbc9294.pdf
f4b3e67657538e501071e8d3a2c752b9
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•
•
Ha·r pur Coll,e ge Orchestra
w
I
May 21, 1965
Note iS
----·- -,
Vivaldi is remembered today chi,e fly fo,r his i.nstrumental works., ·b,u t he was a
prolifi,c ,c ,o mposer in all genres. a brilliant violinist, and the p,rofessor of vio,l in
and ma.estro dei co,ncerti. (fro:m 1.716) at the Ospitale della Pi,e ta in V•e nic,e (a ·conservatory
fo,r foundling girls),.. It was in the latter capacity that he composed his numero·u s co,n certi
gros.s i, concerti ripieni, an,d solo, concerto,s. (,o v,e r 40 0)·, for h,e had to, provide his students
c,o ntinuously with fresh. material.. The C•o n.certo in E. Minor, found in manuscript in
Turin,, demonstrates a. half-way point b,etween t.he c,o ncerto grosso with its-two o,p posing
g .r oup,s and t .h.e opera_,o vertur,e or sinfonia,, for it has, neither solo parts n.o r introduces
an opera. Thus it falls in a. category designated by Vivaldi as a. con,c erto ripieno•, in
which the fo,u r string sections are ,e ,q ually bal.ance•d and poly·p ho:n ically used. The first
an,d last movements, of this parti cular wor·k. a.re very contrapunt.a l, while th.e se,c ,o n.d mo,v e ment is lyric an.d..homophonic. A. proof of the individuality and. pro,v ,o cativ,e character
o,J Vivaldi 1·s works lies in the fact th.at ,J . S. Bach later u,s ed many of them as raw material
for his ,o·w n compositions . Vi va1di himself o,f ten us·e d his own them.e s mo,re than once and
anoth.e :r concerto of .h is •o pens with a theme very similar to the first theme ,o f the first
movement in this wo.r k. His themes are often characterize·d by repeated notes while· .hi.s
gen,e ral style is ide:n tifiable by its rh.y thmi.c drive a.n d. vitality.
1
w ·ag.n ,e r composed the Siegfried Idyll in 1870 as a b,i rthday p:res.ent to his wife Cosima
and it was perf',o r:m ed. as a ,s erenade by a sm.a ll or,c hestr.a on the stairway ,o,f their home.
One of the few pi,e c,e s of 11 absolute" music Wagner-- wrote, it is 'b ased on two the.m es he had
written ,e arlier in 1864 and had intended for a string quartet . The pie,c e is scored fo,r
strings,. flut.e, oboe~ 'b,a soon, trumpet,, 2 clarinets, and 2 ho,rns,, and is delicately an.d
intricately orche strated. Although. written i.11 one movem.e nt it has several .s ,e ctions
·p resenting a vart-ety of moo,ds an.d textures.
One of the most prolific composers flourisl1ing ,d uring the first half of the eighteenth
ce11tury, Georg Philipp Telemann (1681-1767), composed over 170 concertos, besides
numerous other works ranging fr,o m. ope ras to fantasias for solo violin. His fame as a
com.p ose.r and particularly .a ,s a ,c ontrapuntalist spread throughout E·urope, and twi,c e· he was
given precedence over Bach in b,eing off,e r,e d positio,n s. (It was o.n ly after he and a second
choice ha.d refused the coveted post of twon music dir,e ctor and cantor of the Thomassch.ule
a.t L •e·ipzig th.a t Bach was offered this position . ) Telema.n.n . serv,e ,d a.t Ha.m.b,u.rg fr,o m 1721
until his ,d eath as town music di.rector, composing and directing operas) passionsJ cantatas., an,d. v.a rious ch.a mber ensembles. His w·orks reflect many diverse influences inclu.ding the orn.a te Italia.n opera 1 the French suite 1, tl1e polyphonic ,c oncert,o gro:s so, and
the simpler, folk-like d.iv·e rtiment!:>. This c·o ncerto d:e rives its form from the B.a roque
S·o nata da. cch i.esa o,r church sonata with four· mo·v ements of .a .lternating tempi , th,e first
and third being ,s low, th.e fo,rmer in duple and th,e latter in. triple m ,e ter. It also ,c ontains
elements of the concerto gro,ss,o , in wh.ich two groups of different siz•e are contrasted;: here
the oboe takes the place of the smaller g·roup (con.c ertino,),, wh.i.ch is pitted against th·e
main b,ody of strings (the ripieno),.
Haydn co,m pose,ci the Symp,h ony No. 99 in 1793-94 ,d u.r in.g the inte.r im between his two
t .r ips to Lon,d o.n . This wa.s the ,s eventh of the so-call ed. "London Symph.o,n ies 0 --Nos . 93-104- •-·
written fo,r th.e imp,ressario Salomon, who had .a rrang,e d Haydn's visit to London an.d conducted his con.c ert series there. It is the first symph.o.n y in which H.a ydn used the clarinet
altho·u gh 'h e ha,d used it pr,e viou.s ly in oth,e r works. Th·e first movement o,p,e ns with a slow
·introducti.,o n followed by an allegro in so,n .a ta :form... The ,s ec.on,d theme upon whic.h the
development se ,c tion is based proves to b,e ,o f great,e r significance tha.n the ftrst theme,. and.
th.e recapitulatto:n continu,e s to dev,e lop and expand this subj•e ct m .a tter. Th•e second. movement is cast in a de,e per, .m :o.r e meditative mo,o dt co,n trastin.g sharply with th,e gayj, folklike quality of the minuet . The contrapuntal ,c har.a cter of the last movement,, calling fo·r
fugue -like ii.mitati,o n at breathless spe·ed. forms a fittin.g and joyful climax to the work.
1
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur Co,I le ge·
***Th•e Ha.r pur Colleg·e Orchestra***
Fritz. Wa.llenberg, Condu,c tor
F ril day,. Ma.y 21
8:15 P . M.
Harpur Theater
�•
The Harpur Coll,e ge ,o rchestra
____P'ROGRAM
________ ___
_____
Violin I
F ,e nimore, P 'a ula - Concerlma.s t,e r
Is.ham., Patricia
Prytula, Christine
,
,
C ,o n ,c e rto in e •- min ,o r for strin.g ,s . . . . . . . . Ant onto Vival ,d i
(1678 - 17',41)
. ·R obb,ins, N:ancy
1
•
Bas,s.
Duroche., Leo,
Flutes
Jack.s on, :M argaret
Wallenb,,e rg,, Marianne
Walls, Anita
Cohn, Debbi.e
,Q boe
'
Allegr ,o, moderato
Andante
Allegro
Siegfried Idyll.
lil!f,
•111
ll!llli
i l o i ! 1 1 j j1 ll!l
•ji;
1• 1
..
•
1111 1
19111
'• • ' I ., ,• •
Richard Wa ,g ner
(18,13 ... 188 .3 )
1
Conc ,e rto for ·O boe and strings in •e -minor ...
,G eorge Philipp Telemann
(16, 81 ... 1767)
Andante
Violin. II
Blauser, Henry
Duda,, G.r ances
Gaylord, Anne
Gothe lf, 1S arah
Grup:s m.ith, ,Q,e,o rg,e
Loewenstein., Fr'itz
Pow·a.zek., Irene
Viola
Colto•n , .R usse 11
C•o lt,o n, Mart'h.a
Sajor·, Laurie·
-
Cello,
Battin, William
Grub,er, Kathy
Livings.tone .,, Christin':!
Zimmerm.a n. Susan
Allegr ,o m •o lt ,o,
Largo
Mohn, Abigail
S,t olarc.y k, Ri cha.rd
Clarinet
- A--.; .rt
_-' h ur
A-._b rah_ams,
Duncan,. Candy
.
- ~--:
--
··1,··
1
_-
--- -1,
-
B assoon
Walk.e r, Stephen
Eddy, Scott
Fren.c h Hor.n
Evansohn, Jo,h n
McC,o o,1, Martha
Trumpet
Mayer, .J ack
Backlund, Fr,e d
Timp.a ni .
lac.o v,a z z.i, F rar1k
Alle ,g ro
Continuio
Ro•b bins,, Do,n ald
Ha:r psicho•r d: Courtes,y of Do,n ald Robbins
Solo•is.t: .L aila Storch
INTERMISS,I ON
Sym ·p hony No .
99
.,
l ll
e -flat m.a.jor.
. t ; t , 1 1•
• i . ••
. Joseph Haydn
(173 .2 - 18 09)
1
Adagio; Vivace assai
Ad ago
Me,nuetto Allegrett ,o
Vivace
•
I
�
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Concert, 1965-05-21
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Works by Vivaldi, Wagner, Telemann, and Haydn.
Creator
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Harpur College Orchestra
Publisher
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Binghamton University Libraries
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Vivaldi, Antonio, 1678-1741 ; Wagner, Richard, 1813-1883 ; Telemann, Georg Philipp, 1681-1767 ; Haydn, Joseph, 1732-1809 ; State University of New York at Binghamton. Department of Music
Date
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1965-05-21
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This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton
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sound
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39091019618952 ; 39091019619000
-
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Harpur College Orchestra, May 21, 1965
Recital Tape 1965-5-21
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Vivaldi, Wagner, Telemann, and Haydn.
Creator
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Harpur College Orchestra
Publisher
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Binghamton University Libraries
Contributor
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Vivaldi, Antonio, 1678-1741
Wagner, Richard, 1813-1883
Telemann, Georg Philipp, 1681-1767
Haydn, Joseph, 1732-1809
State University of New York at Binghamton. Department of Music
Date
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5/21/65
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Type
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sound
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39091019618952
39091019619000
-
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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06:21
14:01
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE52592">Alma Mater Harpur College Recital</a>
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Alma Mater Harpur College, January 21, 1960
Recital Tape 1960-1-21
Subject
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Concerts
Instrumental music
Live sound recordings
Publisher
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Binghamton University Libraries
Date
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1960-01-21
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sound
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39091019618986
39091019619034
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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19:50
09:48
34:02
26:19
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE52596">Baroque Trio</a>
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Baroque Trio
Recital Tape 1961-3
Subject
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Concerts
Instrumental music
Live sound recordings
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Harpur College Orchestra
Publisher
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Binghamton University Libraries
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1961-03
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39091019619083
39091019619133
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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10:29
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Band Concert Harpur College Band. April 26, 1963
Recital Tape 1963-4-26
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
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Binghamton University Libraries
Date
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1959-04-25
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In copyright
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sound
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39091019619182
-
https://omeka.binghamton.edu/omeka/files/original/6e7e0e47c2a0cf1ce6520e065ee49696.pdf
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The Music Faculty of Harpur College
presents
a short recital
Harpur College Theatre
4:30 P.M.
Monday, August 26, 1963
Frederick Crane – Bass
Philip Friedheim Piano
Patricia Isham Violin
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Luke Havergal l
the S1dense of Might ............................ Sergei Rachmaninef?
S 1
The Coming of Spring
a
—
Sonata for violin and plano in B fl a t K. 454 ..................
Largo Allegro
Andante
Allegretto
Hosart
Mrs. Isham and Mr. Friedheim
i al 3.
BO
Aria “Italia, Italia” from L’Amore dei tre Re .......... Italo Montemezzi
Mr. Crane and Mr, Friedheim
bh.
as
Sonata no. 1 for violin and plano ....................... Darius Milhaud
Lent et robuste = Anime
Tres lent
Tres rhythmé, joyeux
Mrs. Isham and Mr. Friedheim
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Mr, Crane and Mr, Friedheim
2.
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�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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A Short Recital Music Faculty of Harpur College, August 26, 1963
Recital Tape 1963-8-26
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
A Short Recital by the Music Faculty of Harpur College. Works of John Duke, Sergei Rachmaninoff, Mozart, Italo Montemessi and Darius Milhaud performed by Frederick Crane, Philip Friedheim, and Patricia Isham. Held at Harpur College Theatre.
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Crane, Frederick
Friedheim, Philip
Isham, Patricia
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Binghamton University Libraries
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Duke, John, 1899-1984
Rachmaninoff, Sergei
Mozart, Wolfgang Amadeus, 1756-1791
Montemezzi, Italo
Milhaud, Darius
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1963-08-26
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sound
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39091019619232
-
https://omeka.binghamton.edu/omeka/files/original/d366a10cc2a74efcb5bf149dac61652b.pdf
b768a73eed006f80cc4d3ebd2adde828
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STATE UNIVERSITY OF NEW YORK
HARPUR COLLEGE
CONVOCATIONS COMMITTEE
and
DEPARTMENT OF MUSIC
Present
Pianist
PROGRAM
Variations on a Theme by Anselm Huttenbrenner - Schubert
Suite for Piano - Lou Harrison (1917)
(Written for and dedicated to Frances Mullen Yates)
...... Intermission ..... .
Concord Sonata - Charles Ives (18 74 - 1954)
Emerson
Hawthorne
The Alcotts
Thoreau
Thursday Evening
April 16th
8:15P.M.
SOCIAL ROOM - STUDENT CENTER
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Recital, Frances Mullen Yates
Recital Tape 1964-4-16
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Concerts
Instrumental music
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Works by Schubert, Harrison and Ives.
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Yates, Frances Mullen
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Schubert, Franz, 1797-1828
Harrison, Lou
Ives, Charles
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1964-04-16
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39091019619281
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Haydn Recital
Recital Tape 1964-8-4
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1964-08-04
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39091019619331
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https://omeka.binghamton.edu/omeka/files/original/86de71d7fe652afae44618e3eeac3ae9.pdf
88a19058dc6973ae69b80b8c3d02b028
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MDT-1
State University of New York
Harpur College
DEPARTMENT OF MUSIC
Student Recital
Music Rehearsal Room
October 15, 1964
4:30 P.M.
Sonata in Cm, Op. 10, No . 1 (Beethoven)
1st movement Allegro molto econ brio
May Night (Palmgren)
Mrs. Alberta Weisz, pianist
Prelude No. 8 in Ebm (J. S. Bach)
Impromptu in Ab (Schubert)
Ellen Leinwand, pianist
The Little Sheperd (Debussy)
Jeffrey Gimurich, pianist
___________________________________________________
THE HARPUR CHAMBER ENSEMBLE
Five German Dance Movements in four Parts
I. Valentin Hausmann (1599)
II. Johann Staden (1618)
III. Melchior Franck (1604)
IV. Johann Staden (1618)
V . Melchior Franck (1604)
Solo Cantata No. 8 "Mein Herz is bereit" (Buxtehude)
Clifford Myers, bass
Hymn and Fuguing Tune No. 2 for String Orchestra (Henry Cowell)
__________________________________________________
Members of the Ensemble
Violins
Patricia Isham
Paula Fenimore
Anita Walls
Anne Gaylord
Frances Duda
Viola
Howard Isham
Continuo
Robert Whitney
Cellos
Christine Livingston
Kathy Gruber
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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14:00
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Student Recital
Recital Tape 1964-10-15
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Beethoven, Bach, Schubert, Debussy performed by students: Patricia Isham, Paula Fenimore, Anita Walls, Anne Gaylord, Frances Duda, Howard Isham, Robert Whitney, Christine Livingston, Kathy Gruber.
Creator
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Isham, Patricia
Fenimore, Paula
Walls, Anita
Gaylord, Anne
Duda, Frances
Isham, Howard
Whitney, Robert
Livingston, Christine
Gruber, Kathy
Publisher
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Binghamton University Libraries
Contributor
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Beethoven, Ludwig van, 1770-1827
Bach, Johann Sebastian, 1685-1750
Schubert, Franz, 1797-1828
Debussy, Claude, 1862-1918
State University of New York at Binghamton. Department of Music
Date
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1964-10-15
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Student Recital Recital Tape 1964-10-15.pdf
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https://omeka.binghamton.edu/omeka/files/original/8aea77f3689347eaa96bd9f648882b6b.pdf
bae8daab762c9aee697008abfaa22832
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WP-112
About the Harpur Trio:
As members of the Harpur College Music Department, each
artist brings to the trio a unique training and background.
Patricia Isham, who holds degrees from Pomona College and
Columbia University, studied with William Kroll and Alexander
Schneider.
Myron Fink, well known as both composer and pianist, studied
at the University of Illinois with Burrill Phillips in Composition and
Stanley Fletcher in Piano.
Equally proficient as performer and musicologist, Dr. Harry
Lincoln holds degrees from Macalester College and Northwestern
University.
_________________________________
Announcements:
Friday, Nov. 20
Krainis Baroque Trio
Sunday, Nov. 29
Quarneri String Quartet
Sunday, Dec. 6
Quarneri String Quartet
Monday, Dec . 14
Christmas Program
(College Choir and Men's Glee Club)
__________________________________________
A reception for the Harpur Trio will be held immediately
following the concert in the Faculty Lounge, adjacent to
the Theater. Everyone is cordially invited.
THE HARPUR TRIO
Patricia Isham, Violin
Harry Lincoln, Flute
Myron Fink, Piano
November 7, 1964
8:15 P. M.
Harpur Theater
�
PROGRAM
Trio Sonata in C minor -------------------------J.J. Quantz
(1697-1773)
Andante moderato
Allegro
Larghetto
Vivace
Sonata in A, Op. 47 (Kreutzer ) for piano and violin--------Beethoven
(1770-1827)
Adagio sostenuto - Presto
Andante con Variazioni
Finale. Presto
****Intermission****
Jeux. Sonatina for flute and piano --------------J. Ibert
(b. 1890)
Animé
Tendre
Trio in Bb- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -C. P. E. Bach
(1714-1788)
Allegro
Adagio, ma non troppo
Allegretto
PROGRAM NOTES
The two trios by J. J. Quantz and C. P. E. Bach represent different
characteristic aspects of pre-classic music. Both men were employed
by Frederick the Great at Potsdam and Berlin, Quantz from
1728-177 3, and Bach from 1738-1767. They were composing during a
time of transition, when the "learned" and polyphonic style of the Baroque
was giving way to the new formal and expressive devices, ushering in the
Classical period. The trio sonata is a characteristic Baroque form in
which two treble instruments, either alike or of differing timbres, are
supported by a continuo, consisting of harpsichord and cello. The two
works on tonight's program may be played on two violins, two flutes or two
oboes, or any combination of these instruments. In Charles Burney's
account of his visit to Potsdam, he describes Quantz's music as "simple
and natural" but of a style that was in vogue forty years earlier. Bach,
according to Burney's description, is "rich in invention, taste, and learning,"
but richest in "expression." Quantz's Trio-Sonata represents the Baroque
tradition of the "church sonata" with its four movements alternating between
slow and fast tempi and its highly imitative interplay between the two solo
voices. Bach's three-movement trio lays a greater stress on "Empfindsamkeit"--
in which expression and sensitivity play the primary role.
The "Kreutzer" Sonata of Beethoven was first performed in 1803 by
the English violinist George Bridgetower with Beethoven at the piano. The
first two movements had evidently been sketched earlier in the year. At
the first performance the violinist was obliged to play from Beethoven's
own manuscript while the piano part was non-existent except for an occasional
jotting. The third movement had been composed the previous year for an
earlier sonata, Op. 31, No. 1, but had been laid aside as being too imposing
a movement for that work. When the sonata was published in 1805, Beethoven
dedicated it to Rudolph Kreutzer, with the remark that since the "sonata
was written for a thoroughly capable violinist, the dedication to him (Kreutzer)
is all the more appropriate." The sonata begins with an adagio introduction
stated by the unaccompanied violin---a unique device among Beethoven's
violin sonatas. The first movement in sonata-form is punctuated with
cadences extended by cadenza-like elaborations. In the second movement
both instruments play an equal role in spinning out the variations. Although
the first movement with the exception of the introduction is in A minor, the
third movement returns to the key of A major, as in the introduction, and
the work closes in brilliance and gaiety.
Early twentieth-century French composers have contributed greatly
to the flute repertoire. Ibert's Jeux, in spite of the subtitle Sonatina, is
rhapsodic in character . The first movement is characterized by a lively,
disjunct theme in 5/8 meter. The opening lyrical material of the second
movement is built to a climax by means of a canon between the two instruments.
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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28:53
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Harpur Trio Recital
Recital Tape 1964-11-7
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Quantz, Beethoven, C.P.E. Bach, performed by Patricia Isham, violin, Harry Lincoln, flute, Myron Fink, piano.
Creator
An entity primarily responsible for making the resource
Harpur Trio
Isham, Patricia
Lincoln, Harry
Fink, Myron
Publisher
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Binghamton University Libraries
Contributor
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Quantz, Johann Joachim, 1697-1773
Beethoven, Ludwig van, 1770-1827
Bach, Carl Philipp Emanuel, 1714-1788
State University of New York at Binghamton. Department of Music
Date
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1964-11-07
Rights
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In copyright
Type
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sound
Identifier
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Harpur Trio Recital Recital Tape 1964-11-7.pdf