1
10
1775
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https://omeka.binghamton.edu/omeka/files/original/2cdaedb5747d3d04d030c9cfd767d9f9.pdf
10abfbb7f93a377fae9333e0dfd7a989
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DONALD
C
April 16, 1971
McCALL
e 1 1 i
S
8:15 PM
t
Music Recital Hall
�P RO GRAM
Sonata in C Major, Opus 102
MEMBERS OF THE ORCHESTRA
Vio l ins :
Eric Lewis
John McLeod
Browning Cramer
Martha Str.assberger
Andrea Andros
Arthur Mannis
Violas:
Andrew Berdahl
Zelman Bokser
Cellos:
Judith Glyde
Timothy Perry
Beethoven
Andante - Allegro vivace
Adagio - Allegro vivace
Sonata in D Major, Opus 102
Beethoven
Allegro con brio
Adagio con molto sentiment d'affetto
Allegro fugato
.
Continua: Charles Brewer
Paul Hersh, pianist
FUTURE EVENTS
i n t e r m i s s i o n
Concerto in C Major
Moderato
Adagio
Allegro molto
(Cadenza by Mr. McCall)
Saturday, April 17th
8:15 PM Music Recital Hall
Steve Zank, pianist
Visiting student from
Boston Conservatory.
Sunday, April 18th 8:15 PM
Don A. Watters Theater
The Harpur Chorale,
David Buttolph, conductor
"Folk to Folk" concert
Thursday, April 22nd
4:10 PM Music Recital Hall
Student Recital
Saturday, April 24th
8:15 PM Music Recital Hall
Aristid von Wurtzler
and the New York Harp
Ensemble in concert.
Haydn
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:26:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63414
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63414"> Donald McCall, Cellist, Recital</a>
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Dublin Core
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Title
A name given to the resource
Donald McCall, Cellist, Recital, April 16, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven and Haydn. Held at 8:15 pm, April 16, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
McCall, Donald
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-4-16
Rights
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In copyright
Contributor
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Beethoven, Ludwig van, 1770-1827
Haydn, Joseph, 1732-1809
Type
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sound
Identifier
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39091020069773
39091020069724
39091020069674
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https://omeka.binghamton.edu/omeka/files/original/24e087b9ea87e1ceefe4491586af1883.pdf
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N
TO
M
A
H
G
IN
B
AT
K
OR
Y
W
E
N
OF
Y
SIT
ER
IV
STAT E UN
HARP UR COLLEGE
T H E DE PART M EN T OF M USIC
T H E H AR P U R ORC H ESTRA
wi th
TH E HARP ER C HORA LE
an d
TH E MOTET SIN GE RS
Solo ists : M ic ha el T ree
Sa m C hi an is
DA VID BUTTOLPH , Conductor
Sunday , M ay 11, 1969, 8 :1 5 p . m.
Th e Don A. Wa tte rs Th eat e r
�PR O GR AM
Walli ngf ord R iegge r
New Danc e
The Harpur Orchestra
Zoltén K odaly
Ha ry Jfinos Su ite
Prelude
Viennese M usical C loc k
Sons
The Battle and Defeat of Napolean
Intermezzo
Entrance of the E mperor and His Court
Soloist : Sam Chianis, Cimbalom
Interm iss ion
Ralph Vaughan Williams
Flos Campi
Soloist : Michael Tree, Viola
wi th
The Motet Singers
Canticle of Freedom
The Harpur Chorale and Orchest ra
Aaron Copland
wi th
The Motet Singers
Ushe ring cou rtesy of A lpha P hi Omega and Gamma Sigma Sigma
�PROGRAM NOTES
~ Wallingford R iegger
NEW DANCE =
Wallingford Riegger, one of the innovating forces in American music in the
first half of the twentieth century. has been unjustly neglected by many. His
styles of writing can probably be grouped into three categories: 1) conservative
academic style pieces, 2) pieces employing twe lvetone procedure, 3) pieces
composed for modern dance groups. into which class New Dance falls.
The orchestral setting of New Dance is taken f rom the finale of the dance
score written in 1935 for the HumphryWeidman dance group and was originally
for piano (four hands) and percussion. It is a study in rhythm based primarily
on a recurring latin figure. most aptly described as being midway between a
rhumba and a conga. The basic material goes through sundry timbre variations
while at the same time exploiting the dynamic resources of the orchestra.
HARY JANOS SUIT E Zoltan Kodély
Hungarianborn Zoltan Kodaly might best be described as a “triple threat
man” in the field of music, having achieved International status as compose r.
ethnomusicologist, and pedagogue. Along with Bela Bartok he explored and
uncovered many areas of Hungarian folk music. This intimate acquaintance with
the folk music of Hungary, Bukowina, and T ransylvania proved to be the prepon
derant influence on his late r works.
The Hdry Jdnos Suite is based on the opera of the same name. It describes
the purported adventures of a reminiscing old veteran who somewhat resembles
the legendary Baron von Munchausen in his fantastic deeds. Hary’s fanciful
hallucinations are reflected in the various movements of the suite, The time of
the story is the era of the Napoleonic wars, and the locale is imperial Vienna and
the battlef ront.
1) Prelude — According to a Hungarian legend, a sneeze before a story begins
attests to its veracity. Consequently the piece opens with a huge orchestral
sneeze. The rest of the prelude serves to set the stage for Hary’s adventu res.
2) Viennese Musical Clock – This movement depicts the famous clock surrounded
by a parade of miniature wooden soldiers.
3) song – Hiry and his sweetheart, who have come to Vienna, experience a
longing for home. The music is lyrical and employs a Hungarian folk song.
Kodaly introduces the cimbalom, an instrument common to central Europe
in this movement.
4) The Battle and Defeat of Napoleon – In his description of Hary’s encounter
with the French army, Kodaly makes interesting use of glissandi and tone
clusters in the brass.
5) Intermezzo — This piece is a Czardis, a nineteenth centu ry revival of an old
folk dance performed by soldiers in full unifor m. No new adventures are
advanced in this section.
6) Entrance of the Em peror and His Court – The music conveys Hary’s exag
gerated ideas concerning the pomp and splendor of the Viennese court. His
meeting with the Emperor F ranz marks the zenith of his career.
�FLOS CAMPI – Ralph Vaughan Williams
Flos Campi (flower of the field), inspired by the Song of Solomon was composed
in 1925 and dedicated to the great English violist, Lionel Tertis. This composi–
tion is one of Vaughan Williams’ most sensuously beautiful works. The f ree
rhapsodic flow of the solo viola throughout evokes the voice of the ancient poet,
chanting, meditative, and expostulatory. ina remarkable creation of modal poly
phonic lines and harmonies often approaching polytonality
Although the music is continuous in flow and wordless, there are six divisions,
and the composer has appended a quotation f rom the Song of Solomon over each.
I. Lento – As the lily is among thorns so is my love among the daughters . . .
stay me with flagons, comfort me with apples, for I am sick of love.
II. Andante con motto — (with viola cadenza as transition to the next section)
For lo, the winter is past — the rain is over and gone — the flowers appear
on the earth, the time of the singing of birds is come, and the voice of the
turtle is heard in our land.
Ill. Lento Allegro moderato — I sought him whom my soul loveth, but I found him
not . . . “I charge you, oh daughters of Jerusalem, if ye find my beloved, tell
him that I am sick of love” . . . Whither is thy beloved gone, O thou fairest
among women?
IV. Moderato atta marcia – Behold his bed which is Solomon’s: three score
valiant men are about it . . . They all hold swords, being expert in war.
V. Andante quasi lento (Largamento ) — (viola cadenza as transition to the next
section) Return, return oh Shulamite! Return that we may look upon thee . . .
How beautiful are thy feet with shoes, O prince’s daughter.
VI. Moderato tranquito – Set me as a seal upon thine heart.
CANTICLE OF FREEDOM Aaron Copland
Canticle of Freedom was commissioned by the Massachusetts Institute of
Technology for the dedication of its newly built (1955) Kresge Auditorium in
Cambridge, Massachusetts. The composer began work on the Canticle in Decem
ber, 1954, in Caracas, Venezuela, during a visit to that city, and completed the
original version in March, 1955. It was first performed at the dedication cere
monies on May 8, 1955.
As text, the composer chose an excerpt f rom a famous fourteenth century
Scottish poem extolling the idea of freedom. John Barbour (132071395) wrote
his “Bruce” around 1375, in the language of the Midde Scots. The words of the
poem are here give in equivalent modern English as follows:
Freedom is a noble thing!
Freedom makes man to have liking ;
Freedom all solace to man gives,
He lives at ease that freely lives.
�A noble heart may have no ease,
Nor aught beside that may him please
If Freedom fail.
For f ree liking is yearned for over all other thing,
Nor he that aye have lived f ree
May know well the mise ry,
The anger. and the wretched doom
That is coupled to foul thralldom ;
But if he have essayed it
Then throughout al l he should it wit ;
And should think f reedom more to prize
Than all the gold in world that is.
In 1967 the composer prepared for publication the present rev ised version.
The Choral Finale of the Canticle was left untouched . but the orchestral introduc
tion was somewhat shortened. This definitive version was first given by the
Atlanta Symphony Orchestra and Chorus conducted by Robert Shaw in Atlanta,
Georgia, in October, 1967.
HAR PUR C HOR A L E PERSONNEL
SOP RANOS
Audrey Adler
Elvi ra Chiccarelli
Nora Freeman
Joann Grizzanto
Bettsie Park
Donna Ri bble
Regina Sablauskas
Nancy Simpkins
Alida Stahl
Ricky Stern
Terry Tedesc hi
Linda Traver
Carol Tu bbs
Kath y Ty rrell
Linda Uh ly
Nadene V redenburgh
Jacobi Weste rhuis
Virginia Weth erbe e
Nancy Zucker
ALTOS
Gail Arnold
Sally Baron
Nancy Carlson
Nanc y Conklin
Helen Cooney
Alona Cunningham
Joyce Ellenson
Laura Finkelstein
Caro l Gil l
Debo rah Kanter
Barbara Maggs
Penn Moulton
Shir ley N ewbe rry
Susan Paisley
Simone P elzman
Lynne Rudwick
Reva Weiskopf
TENORS
Ken Davis
Bill Hopson
Donna Hallen
Accompanist
Michael Kass
Bob Kendall
Dick Mic halak
Doug Steward
Char les Seltze r
Jim Vanhart
Michael Weingarte n
BARITON ES AND
BASSES
Max Cepero
David Clark
Doug las Dorph
James D unn
Jon Erlitz
Jeff Feinsilver
Leon Fried
David Fry
Terry Howell
Steve Kotrch
David Marcus
Ira M iller
Steve Mi llheiser
John Niessen
Jim Osborne
Alan Sanders
Doug las Shadwick
Dick Squ iers
Ernie Tong
Keith Wi llcox
�HAR PUR ORC HEST RA PERSONN EL
VIOLIN
*Ralph Wade,
Concertmaster
*Mar ianne Wallenbe rg
Phyllis Costanzo
*John Mayorchak
Danie l Mowrey
Toby Har ris
Martha St rassberger
*Pamela Seversky
*Edward Pettengill,
Principal
Virginia Pantalone
Debby Davidson
Karen Voight
Sally Shaf er
*Sophie Horowitz
Douglas Diegert
Jeffrey Feinsi lver
VIOLA
*Russell Colton,
Principal
Joyce Ste lzl
*Kenneth Hollister
*Ann Ziegler
*Margaret Seward
Ira M iller
CEL LO
*Rut h Brown,
Principal
*Joseph Brin
*Jane Whitmo re
*Thomas Riis
CONTRABASS
*James Hills
*Donal O’Buck ley
*Anthony P reus
HARP
Dulcie Barlow
PICCOLO
Marsha Kadleck
FLUT E
Marsha Kadleck
Bruce Merley
Caroline Glaiber
OBOE
Geoffrey Barron
Francis Krauss
ENGLISH HORN
*Scott Eddy
C LARINET
David Marcus
Jean Schab
Eb CLARINET
Danie l Birenbaum
BASS CLARINET
Ralph Daino
CONTRAALTO
C LARINET
Susan Gregory
ALTO SAXOP HON E
Susan Eilenberg
BASSOON
Linda Crane
Louise Belsky
Douglas Epstein
HORN
Matthew Goldstein
Stu Reeve
Rosalind Powe ll
Phil Salki n
TRUMPET
*John Wi lliams
Tom Sigler
Barbara Coye
CORNET
*Delbert Cobleigh
Jack Senf t
Peter Dodge
TROMBONE
*John Baldon
Tom Demilio
Grant Sul livan
TUBA
Robe rt Wilson
TIMP AN I
William Clark
PERCUSSION
Peter Buttolph
Rick Com pton
Tim Craig
Ferris Lebous
Robe rt M irsky
PIANO
Chai Kyou Kim
CEL ESTA
Donna Hallen
PER SONN E L
MAN AGER
Edward Pettengill
MOT ET SING ERS PERSONN EL
SOPR ANOS
Harriet Johnson
Marian M itche ll
Janic e Ulangca
Phyllis LaBelle
Janet Slec hta
Judith Stickney
Louise Ulrich
CON TRA LTOS
BASSES
TENORS
Mild red Bowman John Dav idge
Philip Bailey
Kathe rine Read
Davis Fie lds
Kenneth Hollister
Ada Mae Saxton
Thomas Nytch
Fenwick Horn
Alma Sternberg
Edward Sc happert Ray Hull
Beverly Wess
Donald Weiskopff Roge r Norton
Jill Weston
Blaine Stickney
Abraham Ulangca
* Bingham ton Symphony m embe rs
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:29
23:36
19:27
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296">Harpur College Orchestra Concert</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Orchestra Concert, May 11, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Riegger, Kodály, Copland. Held at 8:15 pm, May 11, 1969, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-05-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Riegger, Wallingford, 1885-1961
Kodály, Zoltán, 1882-1967
Copland, Aaron, 1900-1990
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095661
39091020095711
39091020095877
-
https://omeka.binghamton.edu/omeka/files/original/f88d0852675cd9777498bb5fbbd7959f.pdf
69d63cf3b23cfee541c9f5054f6bdcf2
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
****** **** * **** ** * ** * ***
*
*
THE HARPUR COLLEGE SYMPHONY ORCHESTRA
*
*
conducted by
*
*
Stefan Bauer-Mengelberg
*
*
*
* * * * * * * * * * * * * * * * * * * * * * *
7:00 and 9:00 p.m.
February 24, 1972
*
*
*
*
*
*
*
*
Social Room
Student Center
�* * * * * * * * * * * * * * * **
*
*
LUDWIG VAN BEETHOVEN
*
*
*
*
(1770 -1827 )
*
*
*
*
************** *
7:00 p.m.
Publi c Dress Rehea rsal
9:00 p.m.
Perfor mance
Symphony No. 3, in E-fla t major , Op. 55 ("Ero ica")
Alleg ro con brio
Marci a funeb re: Adagi o assai
Scher zo: Alleg ro vivac e
Final e: Alleg ro molto - Paco andan te - Prest o
�THE HARPUR COLLEGE SYMPHONY ORCHESTRA
VIOLIN
Eric Lewis, Concertmaster
John McLeod, Principal,
Second Violins
David Agard
Andrea Andros
Mary Barton
Alice Click
Browning Cramer
Terie Crumbliss
Diane Feigin
Paul Friedman
Paul Goodman
Joanne Jenner
Andrew Jennings
Arthur Mannis
Oscar Maxwell
Daniel Mowrey
Robert Rozek
Mark Sokol
Martha Strassberger
Michael Sturm
Joan Tanenhaus
Debra Tanklow
Lydia Werbizky
Jeff Wheeler
VIOLA
Andrew Berdahl, Principal
Peggy Acker
Zelman Bokser
Pat Foley
John Kochanowsky
Carolyn Lohmann
Joyce Stelzl
CELLO
Judith
Rachel
Miriam
Norman
CELLO (continued)
Carolyn McIntosh
Timothy Perry
Fred Raime
BASS
Robert Taffet, Principal
Robert Ciringione
Robert Keith Kolber
Michael Sanders
FLUTE
Betsy Ross
Phyllis Wiesenthal
Valerie Vastola
OBOE
Stan Moshman
Nancy Ranger
Dorian J. Schwartz
CLARINET
Wendy Os teyée
Sheldon Berkowitz
BASSOON
Carol Shapiro
Douglas Epstein
FRENCH HORN
Janice DeWolf
Cindy Weldon
Brett Brockman
TRUMPET
Robert Lindstrom
Wendy Natter
Glyde, Principal
Abbey
Diamond
Fisher
TIMPANI
Joseph Roma
Or chestra Manager:
Browning Cramer
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:53:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63594
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63594"> Harpur College Symphony Orchestra Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Symphony Orchestra Concert, February 24, 1972
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 7:00 pm, February 24, 1972, Social Room, Student Center.
Creator
An entity primarily responsible for making the resource
Harpur College Symphony Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-2-24
Rights
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In copyright
Contributor
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Beethoven, Ludwig van, 1770-1827
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020096024
39091020096073
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Rosetta audio media
Original Format
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4 sound tape reels
Duration
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22:23
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63588
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63588"> Klenz Quartet Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Klenz Quartet Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Creator
An entity primarily responsible for making the resource
Klenz Quartet
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-1-13
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020096289
-
https://omeka.binghamton.edu/omeka/files/original/1023aa79dc0df4c09d11de17cf03ddc4.pdf
f12c905dc990fe4ebd58ad3dc8495686
PDF Text
Text
STATE UNIVE RSlTY OF N E W YORK AT BIN GHAM TON
HARPUR COLLEGE
TH E DEP ARTM ENT OF MUSIC
with the support o f the New York State (fouru‘il on the .I rls
THE NEW YORK WOODWIND QUINTE’I‘
in residence
David Glazer, clarinet
Samuel Baron, flu te
A rthur We isberg, bassoon
Ronald R oseman, oboe
Ralph Froelich. F rench horn
Sunday, A pril 2 7, 196 9, 3 :0 0 p. m.
The Don A . Watters Theate r
�PROGRAM
Divertimento in B Flat Major
Haydn
Allegro con brio
Andante
Menuet
Rondo, Allegro
Eight Etudes and a Fantasy for Woodwind Quartet
Elliot Carter
Interm iss ion
Variations on a Folk Song
Bachianas Brasileiras No. 6, for flute and bassoon
Pentagram
Jan Sweelinck
VillaLobos
Ernst Krenek
Presto
Andante
Allegretto
Moderato, Allegro
Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma
�PROGRAM NOTES
DIVERTIMENTO IN B FLAT MAJOR Haydn
The divertimento is a musical form Haydn often turned to for functional music
of the court. Unlike its predecessor (the dance suite) it is prevailingly homo
phonic. Probably the most noticeable connection between the two forms is their
rather optional number of movements. Originally scored for two oboes, two
clarinets, three bassoons, and serpent, the second movement will be recognized
as the famous St. Anthony Chorale used by Brahms in his Variations on Theme by
Haydn , op. 56.
EIGHT ETUDES AND A FANTASY FOR WOODWIND QUARTET – Elliot Carter
Certainly one of the most supreme intellects who contributes infrequent but
nonetheless monumental works to the current musical world, Elliot Carter is
a leading exponent in American music of the instrumental genre; perhaps the
leading force in new but soluable directions of comprehensibility, (at least it
is apparent that he is dedicated to an art form still concerned with a commu
nicative importance.)
Although his most recent works are of a highly complex and esoteric nature,
the Etudes, written in 1950, not only displays prophetic utilization of his mature
craftsmanship and profundity of thought, but they have also left a legacy of
certain performance and compositional techniques which are exploited fully by
todays “Avant Garde. "
After hearing the piece, a question may be raised as to whether the title
“ETUDES” refers to the actual virtuosity of performance spectaculars, (as
in the classical sense) or whether M r. Carter really had in m i ndat ype of
Com positional etude,
Etude #1 has the type of harmonic vocabulary more common to his Piano
Sonata – 1945, or The Minotaur (1947). It is somewhat alienated f rom the
vocabulary of, say, the Double Concerto or his most recent Piano Concerto.
Polychordal implications of pyrmading intervals, especially thirds and sixths
are prevalent,
A thinning out of texture occurs in Etude #2, where long solo legato lines
are combined at various immitative time spans.
Etude #3 is an interesting orchestration as well as ensemble study (in terms
of intonation and balance). A simple D major triad provides a rather vast
amount of source material for each of the woodwind colors, particularly when
these colors are redistributed among the root, third and fifth members of the
chord.
A f ractured, scattered mosaic compiled entirely of a twonote cell (which
is found at every place in each instrumental range) comprises Etude #4,
Etude #5 also makes use of extreme range, but in a more lyric manner.
High oboe and bassoon parts are combined with low flute and low clarinet
parts.
Etude #6 contains a foreshadowing of sounds used in some of the most
recent twentieth century compositions. There is an interesting use of artic
ulation as a structural reference, and many rhythmic complexities are subtly
combined with brilliant instrumental effects as well as harmonic niceties.
The note G in Etude #7 is similarly used as in Etude #4. The difference in
the two etudes is that in using only one tone, M r. Carter can successfully
experiment in combining only the pure and individual colors of each instrument,
using a basic controlling device of dynamic change.
�The last Etude is of a Passacaglia type, except that as the melodic lines go
fleeting by, various individual tones of the Passacaglia are shot out of the
texture on either end of eac h instrument’ s own extreme range.
In the Fantasy, a long theme is fugally and cannonically treated in con
junction with every technique previously heard in the Etudes. This Finale is
an amazing contrapuntal “tour de force, ” as well as a testament of justifi
cation for the esthetic behi nd the entire work.
VARIA TIONS ON A FOLK SONG – Jan Sweelinck
Jan Sweelinck was the most f amous organist of the 17th centu ry. A Neth
erlands composer, he was a prophet of the f reer contrapuntal style, and a
constant developer of the theme and va riation form. This form was undoubtedly
one of the most popular forms in the 17th centu ry.
Ernst Lubin, a contemporary composer living in New York City, trans
cribed this organ variation for the quintet, with the thought of emulating the
baroque organ, retaini ng the characteristics of its stops, and then transfer ring
these sounds to their corresponding woodwind colors.
BACHIANIS BRASIL EIRAS, NO. 6 FOR FLUTE AND BASSOON — VillaLobos
Contemporary musicologist and author of the book Introduction to Can
tem porary Music , Joseph Machlis sums up this VillaLobos piece very nic ely.
“VillaLobos was much preoccupied with what he called SINCRETISMO— the
fusion of native with outside influences. In his Bachianis Brasilerias he
created a form intended to forge a link between the a rt of his homeland and
the Western tradition. There is very little true counterpoint in these nine
suites that were written ‘in homage to the great genius of J. S. Bach.” But their
easy tunefulness has recommended them to a wide public.ll
PENTAGRA M – E rnest K renek
Mr. Krenek is a composer who has certainly gone th rough a numbe r of
“periods” and transitions; f rom jazz and post romanticism. to 12 tone pro
cedures and beyond. He has an immense output (over two hundred works) and
is well known and admired among his colleagues. Pentagram is a very ac
cessible work, even upon first hearing. Although it is dodecaphonic in assem
blage, serialization is often abandonedaseach movement progresses, causing the
entire content to be more reflective of tonal orientation than it really is.
Its four short movements evoke a wide range of emotional responses: f rom
humor and charm to an ultimate awa reness of its extreme organizational neat
ness. and f rom a type of introspective wandering, to bristling complexity,
particularly in the last movement.
The New York Woodwind Quintet, in residence at State U niversity of N ew
York (Harpu r College) Binghamton, will leave on May 12 for a two– month tour of
LatinAmerican countries under the auspices of the Cultural Presentations
Progra m of the United States State Depart ment. The countries to be visited
will be Mexico. Nicaragua, Curacao. Guyana, Surinam, Venezuela, Brazil,
Paraguay, Chile, and Columbia. This will be the third State Department tou r
for this group, which visited South America in 1956 and East Asia in 1962,
Besides presenting recitals in the major cities, the quintet will pe rform with
some orchestras and present semina rs and workshops in univers ities and
music schools.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:08
33:46
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59428">New York Woodwind Quintet Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
New York Woodwind Quintet Recital, April 27, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Haydn, Sweelinck, Villa-Lobos, Krenek. Held at 8:15 pm, April 27, 1969, Don Watters Theater.
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-04-27
Rights
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In copyright
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Sweelinck, Jan, 1562-1621
Villa-Lobos, Heitor, 1887-1959
Krenek, Ernst, 1900-1991
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095620
39091020095679
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Rosetta audio media
Original Format
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1 audio disc
Duration
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40:57:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191451">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191451</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
"Abendmusik", May 7, 2008
Recital Tape 2008-5-7
Description
An account of the resource
Translation of songs included in accompanying program.At head of title: Works of Schumann, Brahms, Schubert, Strauss, Wolf, Franz, Mendelssohn, Flotow, Mozart.Held at 8:00 p.m., May 7, 2008, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Berry, Judy
Lawson, William James
Isenberg, John
Freeman, Abigail
Lewis, LaToya
Boyd, Sibongile
McCormick-Knox, Danielle
Festa, Jessica
Montana, Heather
Truax, Jenean
Zbrzezny, Ariana
Park, Sung-Jin
Moots, Jonathan
Bentley, Ian
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-05-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
26f5c10c-7531-4b89-8c52-f50356d61b85
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
53:17:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191445">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191445</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Danza sinfonica", May 4, 2008
Recital Tape 2008-5-4
Description
An account of the resource
Works of Stamp, Barnes, Bernstein, Skalkottas, Host.Held at 3:00 p.m., May 4, 2008, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Metaxas, Kimberly
Smith, Robert
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-05-04
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
c2dfb21a-924e-4372-afff-a5760ee5a17b
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
47:57
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150498">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150498</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Echoes of the East" : orchestral orientalism, 1783-1933, March 7, 2009
Recital Tape 2009-3-7
Description
An account of the resource
Works of Mozart, Tschaikovsky, Saint-Saens, Borodin, Ravel, McPhee. Held at 8:00 p.m., March 7, 2009, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
University Symphony Orchestra
Perry, Timothy
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/104123cd050bf206293e2d409f6da49b.jpg
e8a0fcbcaa312ccabadb19baabf5af89
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Individual Poems from the Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p><span>The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' <em>Big Horror Reading Series</em>. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</span></p>
<p>The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Language
A language of the resource
English
Template: Panopto Streaming Video
For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows.
Delivery ID
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99e055cb-3ab8-4cf3-ad6d-af0b0121a663
Original Format
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1:42
Related Links
<a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821940204802">Richard Martin and Jerome Washington at Swat Sullivan's Hotel, June 20, 1990 (DVD) in Find It!</a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/lk13oi/alma990012367480204802">Modulations (book) in Find It!</a>
Featured Order
Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page
1
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Fluke of Insolvency" read by Richard Martin, June 20, 1990
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Richard Martin reads his poem "Fluke of Insolvency” from his collection <em>Modulations</em> on June 20, 1990 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series.
Creator
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Martin, Richard, 1949-
Source
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DVD created from VHS recording of the event
Publisher
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Digital publisher: Binghamton University Libraries
Rights
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In copyright
Language
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English
Contributor
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Binghamton Community Poets
Date
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1990-06-20-1
-
https://omeka.binghamton.edu/omeka/files/original/44cc08cdf2bba0846e98821b1a872bb4.jpg
cff85f91747a3b655173b44b5277482a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Individual Poems from the Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p><span>The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' <em>Big Horror Reading Series</em>. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</span></p>
<p>The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Language
A language of the resource
English
Template: Panopto Streaming Video
For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows.
Delivery ID
Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface.
13fc470b-6044-4af0-9661-af0b01219dc0
Original Format
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video
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2:30
Related Links
<a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018807030204802">Phil Sweeney, Pierre Joris, and Milton Kessler at Swat Sullivan's Hotel, March 15, 1989 (DVD) in Find It!</a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990006746390204802">The grand concourse: poems (book) in Find It!</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"God's Cigar" read by Milton Kessler, March 15, 1989
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Milton Kessler reads his poem "God’s Cigar” from his collection <em>The Grand Concourse: Poems</em> on <span ng-if="::(!$ctrl.isEmailMode())" ng-bind-html="$ctrl.highlightedText" dir="auto">March 15, 1989</span> at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series.
Creator
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Kessler, Milton
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
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Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1989-03-15