16
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2083
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Dublin Core
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Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Subject
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Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
2/23/2012
Alternative Title
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Bazin
Medium
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image/tiff
Rights Holder
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State University of New York at Binghamton
Title
A name given to the resource
Bracelet
Description
An account of the resource
Metal bracelet shaped like a horseshoe with engravings. Diameter: 8.5 cm. (3.25 in.).
Publisher
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Binghamton University Libraries
Is Part Of
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
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Box 16
Identifier
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Saeedpour 2.2011.248
-
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Dublin Core
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Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Dublin Core
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Subject
The topic of the resource
Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/20/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Bazin
Medium
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image/tiff
Rights Holder
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State University of New York at Binghamton
Title
A name given to the resource
Bracelet
Description
An account of the resource
Silver bracelet shaped like a horseshoe with engravings. Diameter: 7.5 cm. (3.75 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
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Box 17
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Saeedpour 2.2011.249
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Dublin Core
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Title
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Subject
The topic of the resource
Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/20/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Bazin
Medium
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image/tiff
Rights Holder
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State University of New York at Binghamton
Title
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Bracelet
Description
An account of the resource
Gold bracelet circle completed with a hinge. Diameter: 8.5 cm. (3.25 in.).
Publisher
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Binghamton University Libraries
Is Part Of
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
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Box 18
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Saeedpour 2.2011.250
-
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Dublin Core
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Title
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Subject
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Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
The nature or genre of the resource
Image
Date Modified
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4/18/2012
Alternative Title
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Bazin
Medium
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image/tiff
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State University of New York at Binghamton
Title
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Bracelet
Description
An account of the resource
Silver bracelet with engravings and a red square pattern. Length: 19.5 cm. (7.75 in.). Width: 3 cm. (1.25 in.).
Publisher
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Binghamton University Libraries
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
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Box 16
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Saeedpour 2.2011.268
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Title
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
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Subject
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Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
The nature or genre of the resource
Image
Date Modified
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4/18/2012
Alternative Title
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Bazin
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image/tiff
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State University of New York at Binghamton
Title
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Bracelet
Description
An account of the resource
Engraved, silver bracelet with ornaments and a missing connector. Length: 20.5 cm. (8.5 in.). Width: 2.5 cm. (1 in.).
Publisher
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Binghamton University Libraries
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
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Box 16
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Saeedpour 2.2011.269
-
https://omeka.binghamton.edu/omeka/files/original/541d8e475f61fb6e15e780e3a4710cf4.jpg
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Dublin Core
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Title
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Dublin Core
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Subject
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Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
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Image
Date Modified
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4/18/2012
Alternative Title
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Bazin
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image/tiff
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State University of New York at Binghamton
Title
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Bracelet
Description
An account of the resource
Engraved, silver bracelet with ornaments and engravings. Length: 22.5 cm. (9 in.). Width: 2.5 cm. (1 in.).
Publisher
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Binghamton University Libraries
Is Part Of
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
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Box 16
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Saeedpour 2.2011.270
-
https://omeka.binghamton.edu/omeka/files/original/fc5083c77e2481fe0220c88ebfb6d707.jpg
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Dublin Core
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Title
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Dublin Core
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Subject
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Handicraft
Bracelets
Jewelry
Women, Kurdish
Type
The nature or genre of the resource
Image
Date Modified
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4/18/2012
Alternative Title
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Bazin
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image/tiff
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State University of New York at Binghamton
Title
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Bracelet
Description
An account of the resource
Engraved, silver bracelet with multi-colored glass beads. Length: 22 cm. (8.75 in.). Width: 2.5 cm. (1 in.).
Publisher
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Binghamton University Libraries
Is Part Of
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
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Box 16
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Saeedpour 2.2011.271
-
https://omeka.binghamton.edu/omeka/files/original/0eb88300e7cdb61b25e44de97b486cb5.pdf
b4859993af5734ea4048bec4f9ebf764
PDF Text
Text
(,
UNIV
ecital
tape
00
4-.. 1
CO
BINGHAMTON
U N I \' E R S I T Y
State University of New York
Department of Music
Presents
Brahms Tragic Overture
Op. 81
Mozart Requiem
K. 626
Leslie Hochman, soprano
Lara Longsworth, mezzo soprano
Timothy Fallon, tenor
Richard Galyon, baritone
The University Chorus
The University Symphony Orchestra
Timothy Perry and
Bruce Borton, conductors
Saturday, April 17, 2004
8:00 p.rn.
Osterhout Concert Theater
�Program
Tragic Overture (Op. 81) ..................................... Johannes Brahms
( 1833-1897)
University Symphony Orchestra
Timothy Perry, conductor
Requiem .............................................. Wolfgang Amadeus Mozart
(17 56-1791 )
1. Requiem/Kyrie
2. Dies irae
3. Tuba mirum
4. Rex tremendae
5. Recordare
6. Confutatis
7. Lacrymosa
8. Domine Jesu
9. Hostias
10. Sanctus
11. Benedictus
12. Agnus Dei/Lux aeterna
Leslie Hochman, soprano; Lara Longsworth, mezzo soprano
Timothy Fallon, tenor; Richard Galyon, baritone
The University Chorus
University Symphony Orchestra
Bruce Borton, conductor
�Program Notes
Brahms Tragic Overture
The Tragic Overture, Op. 81 is Brahms' contribution to the genre
of "absolute" concert overture - that is, a work not tied to any specific
dramatic or operatic production. Brahms himself never so much as hinted
at any extra-musical associations for the overture. Issued with its
companion overture, the Academic Festival Overture Op. 80 (a fantasy
on student drinking-songs) perhaps Brahms wished to "keep faith" with
wearing the mantle of Beethoven's successor. The work is in any case
magnificent in its compressed power, mastery of variation technique and
brilliance of orchestration. The thematic material, all laid out in the first
ten bars, is I) the interval of a fourth, either open (as at the outset) or
filled in melodically and 2) two intervals of a third which span the octave
between them. The work's central section consists of a curious funeral
march cum fugato which presages similar episodes in Mahler's
symphonies by a dozen years. With the balanced outer sections, Brahms
thus creates a broad (ABA) sonata form. As to the specifics of the
tragedy - desolation, depression, anger and rage in the first thematic area;
hope, happiness or the remembrance of better times in the second theme
(in the major key) area; the crumbling of great empires, or the ravages of
fate - each listener has ample room to discover the tragic story for himor herself.
--T.Perry
Mozart Requiem
The decade leading up to 1791 saw the creation of most of
Mozart's most important compositions in all genres including chamber
music, operas, symphonies, and keyboard works. It was not until 1791,
however, that the composer returned, after a decade of inactivity, to the
composition of choral music. The summer and early autumn months
were filled with first the composition and rehearsals of his opera La
clemenza di Tito, composed for the coronation of the Emperor in Prague
and then the completion and rehearsals for The Magic Flute in Vienna. In
the midst of this intense activity, Mozart managed to compose his
Masonic Cantata, the exquisite motet Ave verum corpus, and began work
on his final composition, Requiem.
The historical circumstances surrounding the commission and
composition of the Requiem have become clouded with 200 years of
inaccuracies and theatrical fiction. The truth is perhaps less colorful but
interesting nonetheless. In the spring of 1791, Mozart was approached
�by a messenger with a letter from an anonymous patron who wished to
commission a memorial Requiem in honor of his recently deceased wife.
It was not until 1963 that music scholars discovered the true identity of
this patron as Herr Franz, Count von Walsegg, a wealthy nobleman and
amateur musician and composer who may, in fact, have hoped to pass off
the Requiem as his own composition.
Mozart set to work, only to be interrupted by his journey to
Prague and the final preparations for The Magic Flute. When he finally
was able to return to the choral work in the Fall , he was beginning to
show signs of his final illness. In spite of his progressively weakening
condition, the composer worked intensively, and was able to complete
the first movement, Requiem and Kyrie, and sketch the vocal parts and
orchestral accompaniment of the movements through Hostias. Of the
final movements, Sanctus, Benedictus, Agnus Dei, no trace survives in
Mozart's hand. Mozart died in December of 1791 leaving the work
incomplete, and the commission unfilled. Mozart' s widow, Constanze,
approached several individuals with the proposal to complete the work ,
finally persuading Mozart's pupil, Franz Xaver Stissmayr, to undertake
the task.
The question of how much of the Requiem's completion is
attributable to Mozart and how much is original to Stissmayr remains an
open debate. Contemporary accounts, including reports of Constanze
and her sister, describe Mozart in his final days singing parts of the
unfinished work with Stissmayr at his bedside, presumably receiving
instructions as to how to complete the work. Scholars have pointed out a
number of flaws in Stissmayr' s work, and several other "completions.,
have been published in recent years.
Perceived flaws notwithstanding, the Requiem represents the
pinnacle of achievement in choral composition for the composer, and
lovers of choral music can only lament the fact that Mozart's early death
came at the very moment that he seemed poised to return to choral
composition. His dramatic approach to the setting of this text set the
stage for later romantic era settings of Berlioz, Verdi , and other
nineteenth century composers. In particular, these later composers
seemed drawn to the colorful and dramatic possibilities of the Dies irae
poem which forms the heart of the Requiem liturgy. The Mozart
Requiem takes the genre clearly out of its traditional religious setting
and into the realm of true concert music.
-- Bruce Borton
�Requiem, K.626 (1791)
I. Requiem and Kyrie
Chorus and Soprano Solo
Rest eternal grant to them, 0 Lord, and let perpetual light
shine upon them. A hymn befits thee, 0 God in Zion, and to
thee a vow shall be fulfilled in Jerusalem. Hear my prayer, for
unto thee all flesh shall come. Lord have mercy. Christ have
mercy. Lord have mercy.
2. Dies irae
Chorus
Day of wrath, that day shall dissolve the world into embers, as
David prophesied with the Sybil. How great the trembling
will be, when the Judge shall come, the rigorous investigator
of all things!
3. Tuba mirum
Soloists
The trumpet, spreading its wondrous sound through the tombs
of every land, will summon all before the throne. Death will
be stunned, likewise nature, when all creation shall rise again
to answer the One judging. A written book will be brought
forth, in which all shall be contained, and from which the
world shall he judged. When therefore the Judge is seated,
whatever lies hidden shall be revealed, no wrong shall remain
unpunished. What then am I, a poor wretch, going to say?
Which protector shall I ask for, when even the just are
scarcely secure?
4. Rex tremendae
Chorus
King of terrifying majesty, who freely saves the saved: Save
me, fount of pity.
5. Record are
Soloists
Remember, merciful Jesus, that I am the cause of your
sojourn; do not cast me out on that day. Seeking me, you sat
down weary: havingsuffered the Cross, you redeemed me.
May such great labor not be in vain. Just Judge of vengeance,
grant the gift of remission before the day of reckoning. I
groan. like one who is guilty; my face blushes with guilt.
Spare your supplicant, 0 God. You who absolved Mary
(Magdalene). and heeded the thief, have also given hope to
me. My prayers arc not worthy, but Thou, good one, kindly
grant that I not burn in the everlasting fires . (irant me a
favored place among thy sheep, and separate me from the
goats, placing me at thy right hand.
�6. Confutatis
Chorus
When the accursed are confounded, consigned to the fierce
flames, call me to be with the blessed. I pray, suppliant and
kneeling, my heart contrite as if it were ashes: protect me in
my final hour.
7. Lacrymosa
Chorus
0 how tearful that day, on which the guilty shall rise from the
embers to be judged. Spare them then, 0 God. Merciful Lord
Jesus, grant them rest.
8. Domine Jesu
Chorus and Soloists
Lord Jesus Christ, King of glory, liberate the souls of all the
faithful departed from the pains of hell and from the deep pit;
deliver them from the lion's mouth; let not hell swallow them
up, let them not fall into darkness: but let Michael, the holy
standard-bearer, bring them into the holy light, which once
thou promised to Abraham and to his seed.
9. Hostias
Chorus
Sacrifices and prayers of praise, 0 Lord, we offer to thee.
Receive them, Lord, on behalf of those souls we
commemorate this day. Grant them, 0 Lord, to pass from
death unto life, which once thou promised to Abraham and to
his seed.
I 0. Sanctus
Chorus
Holy, Holy, Holy, Lord God of Hosts. Heaven and earth are
full of thy glory. Hosanna in the highest.
11. Benedictus
Soloists
Blessed is he who comes in the name of the Lord. Hosanna in
the highest.
12. Agnus Dei
Chorus and Soprano Solo
Lamb of God, who takest away the sins of the world, grant
them rest. Lamb of God, who takest away the sins of the
world, grant them rest. Lamb of God, who takest away the
sins of the world, grant them rest everlasting. Light eternal
shine on them, 0 Lord, with Thy saints forever. because Thou
art merciful. Eternal rest give unto them. 0 Lord. and let
perpetual light shine on them.
�About the Performers
Leslie Hochman is a native of Austin, Texas and is currently
pursuing a Master of Music in Opera Degree at Binghamton
University. She received a Bachelor of Music from the University
of Texas, where she performed the roles of Olympia in Les Contes
d 'Hoffmann, Gretel in Hansel and Gretel, Servilia in La Clemenza
di Tito, Mme. Silbertonen in Der Schauspieldirektor, and The
Friend in Amelia goes to the Ball. Other opera credits include
Adele in Die Fledermaus with the Austin Singers' Circle and
Blondchen in Die Entfuhrung aus dem Serail with the AustrianAmerican Mozart Academy. Oratorio credits include Handel's
Messiah at the St. Louis Catholic Church of Austin and Mozart's
Litanaie Lauretanae in churches across Austria. Leslie is currently
a resident artist at the Tri-Cities Opera. She was recently seen as
Mrs. Gobineau in Menotti's The Medium and will make her
mainstage debut this month as Suor Genovieffa in Suor Angelica.
Lara Longsworth is a mezzo-soprano from Richmond, VA . She
is a member of Tri-Cities Opera Resident Artist Training Program
and a candidate for a Master of Music in Opera at Binghamton
University. She is a graduate of VA Commomwea lth University
where she performed the roles of Cenerentola in Rossini ' s La
Cenerentola, Prince Orlofsky in Strauss' Die Fledermaus , and
Fidalma in Cimarosa's fl Matrimonio Segreto. She made her TCO
debut as the Mother in Menotti's Amahl and the Night Visitors.
Other roles with TCO include: Giovanna in Verdi's Rigoletto, the
Voice of the Mother in Offenbach ' s Les Contes d 'Hoffmann, and
Marcellina in Mozart ' s Le Nozze di Figaro. She will sing the roles
of the Monitor and the Mistress of the Novices in TCO's upcoming
performance of Puccini ' s Suor Angelica. She made her concert
debut with the Richmond Symphony Orchestra in 1997 as Carmen
in a concert performance, George Manahan conducting.
Longsworth's honors include First Place at the SE Regional and
VA State National Association of Teachers of Singing
Competition.
�Tim othy Fall on , tenor, is a native of Binghamton New York
: This
is his first season with the Tri-Cities Opera as a Master of Mus
ic
student. He recently performed his first role with the company
as
Spalazani in Les Contes d' Hoffman. He also performed the role
of
Basilio in Mozart's The Marriage of Figaro. Last summer, he
performed in the Spoleto Festival USA in Charleston, SC, with
the
Westminster Choir and sang at the Music Academy of the Wes
t in
Santa Barbara, CA under the tutelage of Marilyn Horne. Fallon
holds a B.A. degree from Westminster Choir College, Princeton
,
NJ.
Richard Galyon, baritone, is in his first season with the Tri-C
ities
Opera's Resident Artist Training Program. He was seen most
recently as Mr. Gobineau in Menotti's The Medium, following
performances of Count Almaviva in Moz art's Le Nozze di Figa
ro
and Hermann and Schlemil in Offenbach's Les Contes
d"Hoffmann, all this season at TCO. He is covering the role of
Silvio in Leoncavallo's Pagliacci this spring. Last year,Galyon
studied in the Opera Performance program at The University of
Texas at Austin. During his short stay there, he played Mr.
Gobineau in Menotti's The Medium and also was seen as Master
Spinelloccio and Pinellino in Puccini's Gianni Schicchi. He was
the featured baritone soloist for a concert performing Herbert
Howells' Requiem, among other pieces, with UT's Chamber
Singers, under the direction of James Morrow. He has studied
voice with David Small, Burt Rosevear and Gregory Oaten.
�University Symphony Orchestra
Timothy Perry, conductor
Flute
Kelsey Bauer*
Caitlynn McMullen
Kira Slocum
Karen Krause
Mark Liu
JungSun Oh
Aman da Dumo nt
Oboe
Lana Banne r
Rebec ca Rodbart*
Violin II
Christina Wan
James Leddy
Shaun a Buckm an
Lindsey Krecko
Tama ra Potap ova
Jennifer Paull
Jah-yu (Lulu) Chen
Claud ia Fathi
Sheri Zola
Karen Tang
Stephanie Mawh irt
Sarah Baird
Clari net
Caroline Bravo
Jordan Paster nak•
Bassoon
Robin Kindig
Kimberly Meeker*
French Horn
Ernie Epelman
Alfred Jacobsen*
Patrick Lokken
Greg Cecere
Trum pet
Erinn Hibbard*
Glen Widjeskog
Trom bone
David Hennan*
Jonathan Ludwin
Timpani/Percussion
Matthew Chidester*
Violin I
Morgan Kim
Sarah Steiding
Alicia Fusani
Marie Mizuno
Julia Kim
Micah Banner-Baine
Meggie Knapp
Yoh-Seung Chiu
Youlee Choi
Viola
Melissa Mattern
Kenneth Perschke
Melissa Lee
Christopher Fiore
Kerry Conw ay
Leah Rabinowitz
Christopher Trow
Cassandra Aikman
Janet levins
Cello
Ben James
Tanya Brescia
Nicholas Capon e
Emily Creo
Matthew Woolever
Michael Day
Katy Walker
Shelley Levin
Angela Wynne
Yi-Eun Park
Contrabass
Beth Bartlett
Andrew Eiche
�The University Chorus
Bruce Borton, conductor
Corry Shimer, Emily Burr, and Jennifer James,
assistant cpnductors
Peter Browne, accompanist
Soprano 1
Susan Bachman
Rebekah Baker
Nanette Borton
Martha Jane Bralla
Emily Burr
Priscilla Clark
Asali Daniel
Alison Dura
Lorrina Fuentes
MayBelle Golis
Margaret Hays
Barbara Heme
Jennifer James
Donna Lundy
Susan MacLennan
Cathie Makowka
Joyce Merwin
S. Joselle Orlando
Mary Joan Ragard
Marilyn Ross
Diane Ruocco
Gloria Salameda
Corry Shimer
Jennifer Stahl-Perkins
Barbara Thamasett
Faith Vis
Soprano 2
Cari Begeal
Patricia Caldwell
Heather Jean Chin
Hyun Choi
Joanne Corey
Sandra Czelusniak
Vadhya Elivert
Joyce Haber
Nancy Jeavons
Tiffany Jetter
Soyeo Jung
Natalie KhalatovKrimnus
Monica Lee
JoAnne Maniago
Juliana Maslen
Mary Peg Mathis
Katherine L. McCrink
Elaine McGuinness
Donna Miller
Sioux Petrow
Susan Sarzynski
Lois Wilston
April Witkes
Alto 1
Jee Yun Ahn
Melanie Andrejev
Jue Ting Chen
Maria Luisa Cook
Randi N. Cook
Barbara DeShane
Rachel Franz
Janet Frederick
Danielle Furey
Elaine Hilton
Grace Houghton
Claire Labbe
Theresa Lee-Whiting
Margit Mayberry
Anna Nicholas
Allison Pfiefer
Molly Polin
Dorothy Powell
Joyce Printz
Ruth Rajkumar
Richel Ruivivar
Jane Shear
Patricia Souder
Susan Szczotka
Katie Wolff
Linda M. Wolff
Erica Yamamoto
Alto 2
Amy Au Yeung
Kathryn Baine
Barbara Barno
Kate Bouman
Jean Bruce
Phyllis S. Burr
Jeanne Fenzel
Mary Beth Gamba
Sandra Haining
Carol Hammond
Ida Amelia Jones
Flo Koniski
Beverly Kresge
Cheryl Labban
Ethel F. Molessa
Shirley Rodgers
Lee Shepherd
Hae Lee H. Shin
Nadia Zarembo
�The University Chorus
Tenor
David Andrus
Roy Bergstraser
Joseph Boccio
David Clark
Araoye lbitoye
H.B. King
Carl Kinne
Dennis Leipold
Anne Linn
Hanbyoel Park
Ed Schappert
Floyd R. West
Paul White
Sherry Williamson
Bass 1
Toby Anderson
Ryan Bagg
Eric Bare
Ronald Bauchamp
Anthony Biconish
Sthephen M. Boel
Robert Bruce
Daniel Uan Chan
Robert Christie
Michael Darfler
Richard Dutko
Remington Gregg
James Hilton
Michael Jabo, J .D.
Bohyun Jo
Brian Jones
Daniel Keller
Tom Lamphere
Chris Longano
Edward J. Orosz
Don Powell
Alex Pullman
Brian Scott Sanderson
Richard F. Schwartz
Myron F. Shlatz
Gerry Turock
Timothy Wetherbee
Bass2
Chris Benjamin
Lance Dunning
Mark Epstein
Harry Frederick
David Hanson
Hu Huang
J. Scott Husted
Darren Klein
Michael A., Little
Ario H. Meeker
Phil Millspaugh
Christian Ritter
David L. Schriber
Donald Lee Stanley
Bob Sullivan
�Coming Events
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person,
saxophone - l :20 p.m. - Osterhout Concert Theater - free
Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston
Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout
Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 25 - University Wind Ensemble: New Dances - Timothy
Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall
- free
Tuesday, April 27 - University Percussion Ensemble - 8:00 - Anderson
Center Chamber Hall - Free
Friday, April 30 - Flute Studio Recital - I 0: 15 a.m. - Casadesus Recital Hall
- free
Wednesday, May 5 - An Evening of German Songs featuring graduate and
undergraduate voice and opera students - 8:00 p.m. - Casadesus Recital Hall
-free
Thursday, May 6 - Student Recognition Mid-Day Concert - l :20 p.m. Casadesus Recital Hall - free
Thursday, May 6 - Harpur Chorale and Women's Chorus - Peter Browne
and Emily Burr, conductors - 8:00 p.m. - Anderson Center Chamber Hall free
I
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
50:26
13:51
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253439&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253439&change_lng=en&select_viewer=metsViewer</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Brahms, Tragic Overture, Op. 81, Mozart, Requiem, K. 626, April 17, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-4-17
Description
An account of the resource
Tape 1. Brahms, Tragic overture -- tape 2. Mozart, Requiem.
Creator
An entity primarily responsible for making the resource
Hochman, Leslie
Longsworth, Lara
Fallon, Timothy
Galyom, Richard
Perry, Timothy
Borton, Bruce
Brahms, Johannes
Mozart, Wolfgang Amadeus
Date
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4/17/2004
Rights
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/bbd865544a59163f5f3276b4aae32c6a.pdf
4b329e2c3fbef393591f3f233815b0e4
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y OF N E W Y O R K
wdee
[4
D E P A R T M E N T
BRAHMs’s “REGENLIEDER”
EVOLUTlON FROM SONG TO SONATA
Janey Choi, violinist & lecturer
Michael Salmirs, piano
Mary Burgess, soprano
Tuesday, April 24, 2012
8 p.m.
Casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
Lecture: Regenlieder— The Evolution from Songs to Sonata
«8 AINTERMISSION # «5
Regenlied, op.59 no. 3.
.Johannes Brahms
Nachklang, op.59 no. 4
(18331897)
Violin Sonata No. 1 in G, op. 7 8 .
Vivace ma non troppo
Adagio – Piu Andante – Adagio
Allegro molto moderato
Johannes Brahms
Canadian violinist, Janey Choi gave her Carnegie Hall recital
debut in 1997 as a winner of the Artists International Auditions
and continues an active career performing on recital and chamber
series, on Broadway, and with such groups as the Ardelia Trio,
Ensemble X, New York City Ballet, and the Teaching Artists
Ensemble of the New York Philharmonic. The recipient of
numerous awards including the Chalmers Performing Arts Grant
from the Ontario Arts Council (Canada) and National First Prize in
the Canadian Music Competition, she has participated in such
festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in
the U.S. and Italy, Festival Musical de Santo Domingo, the Santa
Fe Opera and the Sarasota Opera.
An avid interarts and crossgenre collaborator, she is the Music
Director of Thomas/Ortiz Dance, and has performed numerous
times with the Parsons Dance Co., most notably at the Kennedy
Center in Washington, DC, and at the New Victory Theater in
Times Square. She also initiated a collaboration with the Paul
Taylor Dance Company and the Binghamton University Music
Department. Her other interests have taken her to the visual arts
world, developing and presenting an annual “Music + Art” show
commissioning artwork based on chamber works. She has
recorded and appeared with such mainstream performers as
Bono (U2) and Quincy Jones, Adele, Beyoncé, Aretha Franklin,
Enya, Elton John, JayZ, Sarah McLachlan, Lenny Kravitz, and
Kanye West, on the Grammys, MTV, Saturday Night Live, the
Today Show, at Live 8, Radio City Music Hall and Royal Albert
Hall in London, England.
Dr. Choi holds the distinction of being the youngest, and only Pre
College student ever accepted by her late mentor, Joseph Fuchs
at The Juilliard School, where she graduated from the accelerated
BM/MM program with the Joseph Fuchs Graduation Prize. Her
other major teachers include Joel Smirnoff, Victor Danchenko,
Harvey Shapiro, and Arnold Steinhardt. She attained her Doctor
�of Musical Arts degree at Rutgers University with full scholarship
and was the recipient of the Graduate Fellowship Award. Strongly
committed to education, she has been on the faculty of
Binghamton University since 2006 and is a Teaching Artist for the
New York Philharmonic and Chamber Music Society of Lincoln
Center. She has presented educational workshops for the
College Music Society National Conference, Tokyo College of
Music and Lincoln Center Institute. In her free time, she enjoys
marathon and triathlon training, playing soccer and ice hockey.
Mary Burgess, soprano, a graduate of the Curtis Institute of
Music, has been a member of the Binghamton University voice
faculty for over twenty years. Ms. Burgess made her US operatic
debut with New York City Opera while still a student at the Curtis
Institute, and subsequently appeared with Santa Fe Opera,
Washington Opera, New Orleans Opera, Nevada Opera, and
many other regional companies including TriCities Opera in
Binghamton. Her European operatic debut was at the Holland
Festival in Amsterdam; she has also performed at the Spoleto
Festival in Italy, at the Theatre Royale de la Monnaie in Brussels,
and with Dublin Grand Opera. Ms. Burgess has appeared as
soloist with more than two dozen US orchestras, including the
Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with
Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon
Rattle), and Cincinnati Symphony (Klaus Tennstedt, James
Conlon). She has been a frequent guest at such prestigious
festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom,
Casals, Chautauqua, and the Cincinnati May Festival. Her
repertory of forty roles in five languages ranges from Monteverdi
and Cavalli to Britten and Virgil Thomson. Her performances of
Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the
Omaha Symphony were filmed for broadcast by Nebraska ETV.
She has recorded for Columbia, Masterworks, CRI, Sony
Classical, and Telarc.
Pianist Michael Salmirs, a founding member and artistic director
of the Finger Lakes Chamber Ensemble, is well known as a
recitalist and chamber musician performing extensively throughout
the region. He has appeared as soloist with the Coming
Philharmonic, Binghamton University Orchestra, Cayuga
Chamber Orchestra, and has been a featured pianist on their
Sunday chamber series. As a performer of contemporary music,
he has participated in such series as Binghamton University’s
Musica Nova, Cornell University’s Ensemble X, Chiron, and has
toured and recorded for the Syracuse Society for New Music.
Salmirs studied at the New England Conservatory and Eastman
School of Music; his teachers have included pianists Leonard
Shure and Rebecca Penneys and composer Karel Husa. Salmirs
has taught at the Syracuse University School of Music and Hobart
and William Smith Colleges. He is currently a faculty member at
Binghamton University and an Affiliate Artist at Cornell University.
He maintains a private piano studio in Ithaca and enjoys teaching
students of all ages and levels.
�TRANSLATIONS
ABOUT THE SERIES
The Friedheim Memorial Series honors the memory o f Professor
REGENLIED (Rain Song; text by Groth)
Pour, pour down, rain; reawaken in me the dreams that I dreamt
in childhood when the moisture foamed in the sand! When the
weary summer sultriness fought indolently against the fresh
coolness, and the gleaming leaves dripped dew, and the fields of
grain took on a deeper blue, the fields of grain took on a deeper
blue. What bliss to stand in the downpour at such times with bare
feet, to brush against the grass and reach out and touch the foam,
or else to catch cool drops on one’s flushed face and to open
one’s childlike heart to the newly awakened scents, to open one’s
childlike heart! Like the calyxes that were dripping there, one’s
soul was wide open and breathing, like the flowers intoxicated
with fragrances, sunk in the heavenly dew. Each drop gave a thrill
of pleasure and cooled you down to your beating heart, and the
holy weaving of Creation penetrated the hidden sources of life,
penetrated the hidden sources of life. Pour, pour down, rain;
awaken my old songs, which we sang in the doorway when the
drops fell noisily outside! I would like to listen to them again, to
their sweet moist murmuring; I would like to bedew my soul gently
with that holy childlike awe, that holy childlike awe.
Nachklang (Lingering Sound; text by Groth)
Raindrops are falling from the trees into the green grass; tears
from my dulled eyes are moistening my cheeks. When the sun
shines again, the lawn becomes twice as green: my hot tears will
burn twice as fiercely on my cheeks, my hot tears will burn.
Philip Friedheim (1930–1986) whose remarkable tenure at
Binghamton University featured many memorable lecturerecitals
with faculty and guest artistperformers on major works of the
classical music tradition. We seek to recreate Phil’s special
combination of scholarship and performance that served to
deepen our understanding for — and love of — great works of
musical art. All proceeds of the series will go towards the
undergraduate scholarship funds of the Department of Music.
The 2009–2010 series opened in September 2009 with Professor
Emeritus Harry Lincoln’s remarks on J. S. Bach’s Sonata in b
minor featuring Georgetta Maiolo on flute and Jonathan Biggers
on harpsichord.
Today’s performance in the series will highlight Brahms’s
Regenlieder. Please join us as we explore Brahms’ “Regenlied &
Nachklang for voice & piano, Op.59 No.3” and “Violin Sonata No.
1 in G Major, Op.78". The favorite of his three violin sonatas,
Johannes Brahms’ “Regenlieder” (Rain Song) Sonata used
thematic material from a set of songs, the Regenlieder, composed
six years earlier. Both were presented to Clara Schumann in
difficult times and seemed to communicate beyond words, his
desire to comfort her with their melancholy beauty and enduring
spirit. Lecturer and violinist Janey Choi will bring these works to
life with pianist Michael Salmirs and soprano Mary Burgess.
�Bingh amton Unive rsity Music Department’s
M POO/Vt w q E V E NT s
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, April 26 – MidDay Conc ert – 1:20 p.m. – Casadesus Recital Hall
—
free
Thursday, April 26 –Brass Studio Recital – 8 p.m. – Casadesus Recital Hall
—
free
Friday, A pril 27 – TriCitie s Opera presents “The Magic Flute ” – 8 p.m. –
The Forum Theatre – call (607) 7720400 for tickets
Saturday, April 28 – University Sy mphony Orchest ra: The Three B’s
(Bach, B rahms a nd Beethoven) with faculty v iolinist Janey Ch oi and
oboist J ohn Lathwel l – 3 p.m. – Osterhout Concert Theater – $10 general
public; $6 faculty/staff/seniors; $3 students
Sunday, April 29 – Harpu r Chorale and Wo men’s C horus: S ing into S pring
– 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3
faculty/staff/seniors; free fo r students
Sunday, April 29 – TriCit ies Opera presen ts “The M agic Flut e” – 3 p.m. –
The Forum Theatre – call (607) 7720400 for tickets
Tuesday, May 1 – Strin g Departm ent Reci tal: Strin g Fever – 8:30 p.m. –
Casadesus Recital Hall – free
Thursday, May 3 – Jazz MidDay Concert w ith guest ar tist Mark Buselli,
trumpet – 1:20 p.m. – Osterhout Concert Theater – free
Thursday, May 3 – Harpu r Jazz Ensemb le Conce rt with guest ar tist Mark
Buselli, trumpet – 8 p.m. – Osterhout Concert Theater – $10 general public;
$6 faculty/staff/seniors; $3 students
Friday, M ay 4 – Fl ute Stud io and Flute Chamber Concert – 10:15 a.m. –
FA21 – free
Saturday, May 5 – Wind S ymphony Concert celebrates Cin co de Mayo – 3
p.m. – Anderson Center Chamber Hall – $6 general public; $3
faculty/staff/seniors; free for students
For ticket information, please call the
Anders on C enter B ox O ffice a t 7 77ART 5.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38 minutes :15 seconds
27 minutes :7 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142200">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142200</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Brahms's "Regenlieder," Evolution from song to sonata, April 24, 2012
Description
An account of the resource
Works by Brahms Held at 8:00 p.m., April 24, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Choi, Janey
Burgess, Mary
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
4/24/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/431cf96a5f7517bd6c68cde2166b70a3.jpg
77940fbb7069d510ae83d46ce71114ff
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Subject
The topic of the resource
Handicraft
Hookahs
Smoking in art
Tobacco pipes
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/20/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Nigar
Medium
The material or physical carrier of the resource.
image/tiff
Rights Holder
A person or organization owning or managing rights over the resource.
State University of New York at Binghamton
Title
A name given to the resource
Brass picture plate
Description
An account of the resource
Brass picture plate with black background and a man smoking a narghile. Length: 13.5 cm. (5.25 in.). Width: 19 cm. (7.5 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
A related resource from which the described resource is derived
Box 21
Identifier
An unambiguous reference to the resource within a given context
Saeedpour 2.2011.501
Date
A point or period of time associated with an event in the lifecycle of the resource
1960