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https://omeka.binghamton.edu/omeka/files/original/4df973174209097cf0a9514935d467f9.pdf
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BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
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LINK ORGAN SERIES
B IN G H AM T ON UNIVERSITY
AND
T H E B IN G H AM T ON CHAPTER
AMERICAN G U I L D O F O RGANISTS
Bruce Neswick
Organist
Sunday, November 8, 2009
4:00 pm
F i r st P resbyterian Church
Binghamton, Ne w York
A
�ABOUT T H E P ER F O RM ER
& PROGRAM zg
BRUCE NESWICK is the recentlyappointed Director of Music at the
Cathedral of St. John the Divine in New York City, having previously
Toccata (1940)
Leo Sowerby
(18951968)
\
and as Organist and Choirmaster at Christ Church Cathedral in
Lexington, Kentucky; Holy Trinity Anglican Church in Geneva,
Switzerland; and St. Paul’s Cathedral in Buffalo, New York.
Siciliano for a High Ceremony (1953)............ Herbert Howells
(18921983)
:
Choral I in Emajor (1890) ...........
Active in the field of church music, Mr. Neswick holds the Fellowship
degree from the Royal School of Church Music, for whom he has
conducted several courses for boy and girl choristers. He has served on
the faculties of and performed for several church music conferences,
including Master Schola, the Mississippi Conference, the Association of
Anglican Musicians, Westminster Choir College Summer Session, the
Montreat and Westminster Conferences of the Presbyterian Association
of Musicians, the Disciples of Christ Musicians, the Conference of
Lutheran Church Musicians, the Sewanee Church Music Conference,
Organ Alive! and the Evergreen Conferen ce.
. ........César Franck
(18221890)
& INTERMISSION « x
Improvisation in Four Movements
(based upon hymn tunes of the Church Year)
~ GuilbaultThe’rien Organ, 1996 –
served as the Canon for Music at the Cathedral of St. Philip, Atlanta;
and, prior to that, as the Assistant OrganistChoirmaste r for the Girl
Choristers at Washi ngton National Cathedral and Director of Music at
St. Albans School for Boys and the National Cathedral School for Girls;
I
Mr. Neswick has been commissioned to compose for seve ral performers
and churches throughout the United States, and his organ and choral
music is published by Paracle te, AugsburgFortress, Selah, Vivace, Hope,
Plymouth and St. James’ presses. His skill at improvisa tion garnered him
three first prizes fro m the 1989 San Anselmo Organ Festival; the 1990
American Guild of Organists’ National Convention in Boston; and the
1992 Rochette Concours at the Conservatoire de Musique in Geneva,
Switzerland.
A graduate of Pacific Lutheran University and of the Yale School of
Music and Institute of Sacred Music, Mr. Neswick’s teachers have
included Robert Baker, David Dahl, Gerre Hancock, Margaret Irwin
Brandon and Lionel Rogg. A Fellow of the Ame rican Guild of Organ ists,
Mr. Neswick has served the Guild in many capacities, including chapter
dean, regional convention chair, regional education coordinator, member
�o f t he na tiona l no m i na t i ng co m m i ttee a n d m e m be r o f t h e na tiona l
Fu tu re Concerts in t he Link Organ Series
As a recitalist, Mr. Neswick has performed extensively throughout the
United States and Eu rope and has been a featured performer a t national
and regional conventions of the American Guild of Organists. In 1994,
he played the opening convocation for the national AGO convention
held in Dallas, Texas, and he was a featured art ist at the national AG O
convention in Seattle in 2000. He is represented by Phillip Truckenbrod
Concert Artists.
A B a c h Celebration: T h e Complete Orga n Works
improvisation competition committee.
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Organ enthusiasts will be pleased to know the next concert of
the series “A Bach Celebration: The Complete Organ Works” will
be presented by Dr. Jonathan Biggers on Sunday afternoon,
December 6 at 4p m on the new Hellmuth Wolff organ located
in Fine Arts Room 21 at Binghamton University. This concert
will be repeated on Thursday evening, December 10 at 8pm,
and will feature organ music written by Bach for the Advent
and Christmas seasons. Two further Bach concerts will be
presented during t he Spring semeste r, the first on Febr uary 7 at
4pm in Fine Arts Room 21 at Binghamton University (this
concert will be re peated on Tuesda y, February 9 at 8pm), and
the last on Sunday, March 21, at 4pm at First Presbyterian
Church in downtown Binghamton. March 21 also happens to
be the date of JS. Bach ’s 260th birthday!
Tickets for these future concerts are available from the
Anderson Center Box Office at Binghamton University by
telephoning 7 7 7ARTS. Tickets for the co ncerts presented at
First Presbyterian Church are also available at the entrance to
the church on the day of the perfor mance. We regret that we
cannot guarantee ticket availability past 90 for each of the
performances held in Fine Arts Room 2 1 due to space
restrictions in the facility, so purchase your tickets well in
advance for those particular concerts!
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For tickets call, (607) 777ARTS by Mon., Nov. 23".
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Sunday, December 6 ,
4 p.m. a t Fine Ar t Bldg R m 2 1 , B U
Second Year Series: I’ebrmary 7 , March 21, 2010
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
cert, 1:20 PM FREE
Thursday, November 1 2 ” MidDay Con
Casadesus Recital Hall
Saturday, Novembe r 1 4 ”1 Student Clarinet Recital: Sarah Fenster, clarinet
& Dan Fagen, alto saxophone, 7:00 PM, Casadesus Recital Hall, FREE
Sunday, Novembe r 1 5% Binghamton Philharmonic and the Binghamton _
University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM,
Osterhout Concert The ater, (for tickets, call BPO at 607. 723 3931)
Sunday, Novembe r 1 5 ” C oncerto and Aria Competition, 6:30 PM,
Casadesus Recital Hall, FREE
cert, 1:20 PM FREE
Thursday, Novembe r 1 9 ” MidDay Con
Casadesus Recital Hall
Saturday, Novembe r 21°" Master Recital: Julie Williams, soprano, 8:00
PM, Casadesus Recital Hall, FREE
al: Ashley Maynard, soprano, 3:00
Sunday, Novembe r 2 2 ” Master Recit
PM, Casadesus Recital Hall, FREE
MidDay Concert with Tony Kadleck,
Thursday, Decembe r 3 ° Jazz
trumpet, 1:2 0 PM, Casadesus Recital Hall, FREE
Ensemble Concert with Tony
Thursday, Decembe r 3 ° Harpur Jazz
Kadleck, tru mpet (cosponsored by the Harpur Jazz Ensemble and the Binghamton University
Department of Music), 8:00 PM, Osterhout Concert Theater, $$ (FREE for students)
and Flute Chamber Concert, 10:15 AM,
Friday, Decembe r 4 ” Flute Studio
Casadesus Recital Hall, FREE
Madrigal Feaste (Harpur Chorale and
Friday, Decembe r 4 ” Elizabethan
Women’s Chorus), 6:30 PM, Old Union Hall, $$
al: Susan Amisano, soprano,
Friday, Decembe r 4 ” Master Recit
8:00 PM, Casadesus Recital Hall, FREE
Saturday, Decembe r 5%" Flizabethan Madrigal Feaste (Harpur Chorale and
Women’s Chorus), 6:30 PM, Old Union Hall, $$
For ticket information, please call the
Anderson C enter B o x O ffice at 777ARTS.
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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Original Format
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2 sound discs
Duration
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40:11
30:24
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154586">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154586</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Bruce Neswick Link organ series concert, November 8, 2009
Recital Tape 2009-11-08
Description
An account of the resource
Held November 8, 2009.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Neswick, Bruce
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-11-08
Rights
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In copyright
Type
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sound
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Dublin Core
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Title
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Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
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In copyright
Contributor
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Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Consistent notes throughout the promptbook. Various dialogue notes, stage directions, sketches scattered throughout book. Notes in purple pen, black pen, blue pencil, red pencil, and black pencil.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
28.5cm x 16.5cm
Earlier version
Earlier version (dcterms:isVersion Of)
Le Bourgeois gentilhomme
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.82
Production(s)
February 28, 1918, Berlin
March, 1918 (city unspecified)
March 9, 1918, Berlin
-Supporting materials (for all Berlin productions): Box 3 Folder 63: Photographs
March 1918, Salzburg
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Bürger als Edelmann [promptbook]
Subject
The topic of the resource
Molière, 1622-1673. Bourgeois gentilhomme -- Translations into German
Promptbooks
Stage directions
Creator
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Molière, 1622-1673
Publisher
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Binghamton University Libraries
Date
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1900s
Contributor
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Reinhardt, Max, 1873-1943
Language
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German
Identifier
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R 3177
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Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
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Original Format
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2 audio discs
Duration
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49 minutes : 35 seconds
48 minutes :01 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140217">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140217</a>
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Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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By Gershwin, by George! October 20, 2012
Description
An account of the resource
Works by Whitney, Grofe, Perry, Bennett Held at 3:00 p.m., October 20, 2012, Osterhout Concert Theater.
Creator
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Perry, Timothy
Salmirs, Michael
Mller Goodheart, Jean
Goodheart, Thomas
Chandler, Sarah
Publisher
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Binghamton University Libraries
Date
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10/20/12
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In copyright
Type
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sound
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Title
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
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Handicraft
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Image
Date Modified
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4/19/2012
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Qalibȋ kȇk u kulȋçe
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image/tiff
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State University of New York at Binghamton
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Cake mold
Description
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Length: 23 cm. (9 in.). Width: 4.5 cm. (1.75 in. ).
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Binghamton University Libraries
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
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Box 19
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Saeedpour 2.2011.524
-
https://omeka.binghamton.edu/omeka/files/original/01f3497de784db468b4b0ec68bb2c332.jpg
0fa09bc42fbd9c1828f5b4be95a747bc
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Subject
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Image
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4/24/2012
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Qalibȋ kȇk
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image/tiff
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State University of New York at Binghamton
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Cake mold
Description
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Wooden paddle-like object with three separate carved designs. Material: wood. Length: 24 cm. (9.4 in.). Width: 5 cm. (2 in.).
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Binghamton University Libraries
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Vera Beaudin Saeedpour Kurdish Library & Museum Collection
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Box 19
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Saeedpour 2.2011.534
-
https://omeka.binghamton.edu/omeka/files/original/02bb8b20e91454d5305b1bef864fb359.pdf
3020bd75d45a061efbba1b4d127a28b8
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
The
Catskill
Woodwind
Quintet
Sunday
October 1 0 , 1976
G S PPM,
Casadesus R e c i t a l H a l l
�PROGRAM
*kkkkkk
Trois Pieces Breves
Allegro
Jacques Ibert
Andante
ASSEZ Lent: Allegro scherzando
The C a t s k i l l Woodwind Q uint et
************* ************* ***
J u l i a Hasbrouck C l ay, hor n
F l oy d Heber t , fl u t e
Frank Holden, bassoon
David Nietham er, c l a r i n e t
Rene P r i n s , oboe
Q u i n t e t g minor, Op.56 No.?
Allegretto
Andante
Menuett
AlLegho
Quintet 11 (1957)
: Andante con moto
Allegro commodo
Adagio
Franz Danzi
A l v i n E t e n
:
Vivace
INTERMISSION
Partita fon Woodwind Quintet
Introduction and Theme
Variation
Interlude
Gigue
Coda
Suite
Prelude
Blues
Toccata
Trving Fine
Gunther Schuller
pi
=
�COMING EVENTS
kkkhhkkhhkkkk
Oct.23, Sun. Concert Series – Toby Appel
Nov. 6, Sat. Concert Series–Seymour Fink, Delmar Pettys
Nov. 8, Mon. Harpur Symphony
Nov.13, Sat. Harpur Chorale ‘
Nov.14, Sun. Jazz Ensemble (3:00 p.m.)
Nov.14, Sun. Concert Series – Peter Marsh and Friends
Dec. 4, Sat. University Chorus & Orchestra Bicentennial
Dec. 9, Thur. Collegium Musicum (University Union)
Dec.12, Sun. Concert Series – Laredo, Robinson, Ponce
Dec.13, Mon. Wind Ensemble
_—
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audiotape reels
Duration
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39:13
23:02
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333534">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333534</a>
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Title
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Catskill Wind Quartet, Recital, October 10, 1976
Alternative Title
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Recital tape 1976 10-10
Description
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Works of Ibert, Danzi, Fine, and Schuller. Held on October 10, 1976.
Creator
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Catskill Wind Quartet
Publisher
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Binghamton University Libraries
Date
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1976-10-10
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/aa300d62f25e0b46223a5e86fa530bc5.pdf
940476b0c3005d11efaa73c2ee08b64e
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
The
Catskill
A
Wo
A o dw i n d
Quintet’
-
t
THURSDAY
APRIL 14, 1977
8:15 P. M,
CASADESUS RECITAL HALL
\
»
B l, J a
�i
sdy
PROGRAI
~~
Kleine Kammermusik §Urn glng BLHser..
Paul Hindemith
Lustig. MUssig schnelle Vierntel
Walzer. Durchweg Sehr Leise
Ruhig und einfach. Achtel
Schnefle Vierntel
Sehr Lebhaft
THE CATSKILL WOODWIND QUINTET
Quintet i n D Major, Opus 91, Number 3 . .
Anton Reicha
Lento: Allegro assai
Adagio
Menuetto
Finale: Allegretto
Julia Hasbrouck Clay, horn
Floyd Hebert, fl u t e
Frank Holden, bassoon
David Niethamer, clarinet
Rene Prins, oboe
(oa
\5
- - - INTERMISSION - - -
“Pour Le Con A n gl a i s " . . . . . . . . . . . . . . A n t o n Reicha
Andante arioso
Adagio
L d
Andante
Q U A R L E E s
5 1 0 0 6
5
3
5
5
5
1
0
s a 0 n i s
J
e
a
n
F
r
Andante Thanquillo: ALLegno a s s a l
Presto
Theme and Variations
Tempo d i marcela grancese
a
n
c
a
i
x
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 audiotape reels
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43:04
26:18
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637</a>
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Catskill Woodwind Quintet, Recital, April 14, 1977
Alternative Title
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Recital tape 1977 4-14
Description
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Works of Hindemith, Reicha and Francaix. Held at 8:15 pm, April 14, 1977, Casadesus Recital Hall.
Creator
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Catskill Woodwind Quintet
Publisher
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Binghamton University Libraries
Date
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1977-04-14
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/92f82251ae3155099f36b7df9ff47e33.pdf
c9e50263534476627ad7cabbb8e6573c
PDF Text
Text
UN i
fe
-
a 0
g, . r 9
BIN
U N I V E R
N
Y
State University of New York
Department of Music
Chamber Music Masterpieces
Patricia Sunwoo, violin
Roberta Crawford, viola
Stephen Stalker, cello
Mary Burgess, soprano
Michael Salmirs, piano
with guest artist
Rebecca Ansel, violin
April 10, 2005
3:00 p.m.
Anderson Center Chamber Hall
�Program
String Quartet in D Major, Op. 20, No. 4.........Franz Joseph Haydn
(1732-1809)
Allegro di molto
Un poco adagio affettuoso
Menuetto: Allegretto alla zingarese
Presto scherzando
Rebecca Ansel, violin; Patricia Sunwoo, violin
Roberta Crawford, viola; Stephen Stalker, cello
Seven Romances on Poems
of Alexander Blok, Op. 127
Dmitri Shostakovich
(1906-1975)
1. Ophelia’s song
2. Hamayun, the prophetic bird
3. We were together
4. The city is asleep
5. The storm
6. Secret signs
7. Music
Ma ry Burgess, soprano; Michael Salmirs, piano
Patricia Sunwoo, violin, Stephen Stalker, cello
--Intermission-Piano Quintet in F Minor...
Molto moderato quasi lento—Allegro
César Franck
(1822-1890)
Lento, con molto sentimento
Allegro non troppo, ma con fuoco
Rebecca Ansel, violin ; Patricia Sunwoo, violin
Roberta Crawford, viola ; Stephen Stalker, cello
Michael Salmirs, piano
�Program Notes
String Quartet Op. 20, No. 4 in D major
Haydn’s six Opus 20 string quartets are known as the “Sun”
Quartets because of the publisher’s emblem (a rising Sun) on the
title page of the 1772 edition. Among his most frequently
performed chamber works, these quartets are representative of the
mature composer, writing a steady supply of music to be
performed at the Esterhazy court.
The opening Allegro di molto is both fresh and lyrical: in the
development section, the four instruments converse with one
another in triplet runs. The Un poco Adagio affetuoso, in the
parallel minor key is a theme with variations which feature each
instrument in turn: it is followed by a bright Menuetto in D major,
with “gypsy” cross-accents and syncopation. The quartet closes
with a typical, high-spirited Haydn rondo.
Shostakovich: Seven Romances on Poems of Alexander Blok,
Op. 127
Written in 1967 when Shostakovich was recovering from a heart
attack, the Seven Romances were commissioned by cellist
Mstislav Rostropovich and dedicated to Rostropovich’s wife, the
soprano Galina Vishnevskaya. They were premiered in October of
that year at the Moscow Conservatory, the performance marking
the 50th anniversary of the October Revolution. The original
performers were Rostropovich, Vishnevskaya, violinist David
Oistrakh, and pianist Mieczyslaw Vainberg.
The poetic texts by the highly influential, early 20th Century poet
Alexander Blok are almost relentlessly dark and pessimistic. Near
the end of a difficult life and facing what may have seemed like
imminent death, Shostakovich (who lived until 1975) chose poems
that demonstrated Blok’s grim prescience of coming catastrophes.
His musical settings make it clear that he expected nothing better
in the future. Nevertheless, the last song movingly finds the
composer (and poet) offering up his final “passion” to Music,
“empress of the universe,” from her “unworthy slave.”
l
�In her memoirs, Vishnevskaya wrote of the cycle: “This work of
agonizing beauty occupies a unique place in Shostakovich’s
oeuvre. He wrote it in the hospital after his heart attack, after his
confrontation with death and return to life. He seems to survey his
life journey as if from the vault of the heavens, and he addresses
himself to those spiritual values for whose sake alone life is worth
living.”
¢
l
Franck : Piano Quintet in F Minor
César Franck was 57 when he completed his Piano Quintet. It was
the first piece of chamber music he had written in 30 years, and its
romantic mood contrasted with Franck’s earlier work. The choice
of medium is explained by the recent launching of the Société
Nationale de Musique, which set as its goal to promote chamber
music.
As for the mood, the likely explanation is Franck’s infatuation with
his student Augusta Holmes, a beautiful and gifted woman 25
years his junior. The novelties of the work were not lost on the
audience of the first performance. The premiere left some
unpleasant memories: the piano part was played by Camille SaintSaéns, who was Franck’s rival and had little affinity for the
emotional intensity of the piece. When the performance was
finished Saint-Saéns left the stage rather abruptly, leaving the
manuscript on the piano in a gesture everyone interpreted as very
ill mannered. Another person who was appalled by the new work
was Frank’s wife Félicité, who had no doubts about the inspiration
behind it. Frank based nearly all of his mature works on musical
ideas that recur in all the movements, a technique he had learned
primarily from Franz Liszt.
4
l
�l
About the Performers
Violinist REBECCA ANSEL earned her BM from Rice University and her
MM and DMA from the University of Michigan, where she served as a teaching
assistant for five years. Her primary teachers were Kathleen Winkler and Paul
Kantor. Her summers have been spent at numerous music festivals including
Aspen, Bowdoin, Music Academy of the West, Brandeis and Taos, where she
had the opportunity to work with the American, Brentano, Takacs, Chicago and
Lydian string quartets. Dr. Ansel previously taught at Ohio State University,
Blue Lake Fine Arts Camp, the Rocky Mountain Summer Conservatory and the
ASTA String Institute at Ithaca College. She is currently Assistant Professor of
Violin at Ithaca College, where she is also a member of the Ariadne String
Quartet. Additionally, she is on the faculty of The Adriatic Chamber Music
Festival in Bonefro Italy. Dr Ansel is an active recitalist and has performed with
many ensembles in Ann Arbor, Michigan, the Iris Chamber Orchestra in
Memphis, Tennessee, Pro Musica Chamber Orchestra and the Columbus Bach
Ensemble in Ohio, The Roycroft Chamber Players in East Aurora, NY and the
Cayuga Chamber Orchestra and Ensemble X in Ithaca, NY.
Canadian-born violinist PATRICIA SUNWOO made her New York orchestral
debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and
has since been active as a recitalist and chamber musician throughout the United
States. She has won prizes from the Canadian Music Competitions, Montreal
Symphony Orchestra Competition, and CIBC Festival of Music. As a member
of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg
Award, she performed to critical acclaim across the United States, France and
South America, recorded works of Artur Schnabel and Michael Whalen for
labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK.
Recent engagements include appearances at the Carnegie Hall’s Weill Recital
Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount
School and L’Espace Pierre Cardin in Paris. She has worked with composers
John Corigliano, Joan Tower and George Crumb, and given premieres with the
Whitman Quartet, Metamorphosen Chamber Orchestra and new music
ensembles. Sunwoo is also an active advocate of music education, and has been
a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles
and Carnegie Hall. In 2001, she joined the faculty at Binghamton University.
Her major teachers include John Loban in Vancouver, the Juilliard String
Quartet, and Sally Thomas at the Juilliard School, where she received her
doctorate.
;
�ROBERTA CRAWFORD, violist, performs extensively as a recitalist and
chamber musician. As Associate Director and a founding member of the Finger
Lake Chamber Ensemble, Crawford has participated in over one-hundred solo,
chamber, and lecture-recitals presented by the ensemble since its formation in
1990. She has performed with the Catskill Chamber Players, appeared
frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series
and has been a guest performer with the Ariadne String Quartet. Crawford has
played with the Portland and Syracuse symphonies and is Associate Principal
Violist for the Cayuga Chamber Orchestra. An advocate of new music,
Crawford has premiered numerous works featuring viola and has had several
works dedicated to her. She has participated in music festivals throughout the
United States and in the Caribbean and has appeared in live performance
broadcasts for public radio and television. A dedicated teacher, Crawford has
served as clinician, coach, and adjudicator for numerous music organizations
and is Director of ViolaFest at Binghamton. She has been a guest faculty
member at Phillips Academy, the Quartet Program, Ithaca College, and the
Eastman School of Music and is currently Coordinator of Strings at Binghamton
University
"
[
STEPHEN STALKER, cello, has performed in chamber groups throughout the
United States and Europe. As a member of the Madison Quartet, he performed
in the U.S., France, Germany and Switzerland, recorded for the Orion and
Musical Heritage Society labels, was a finalist in the Evian International String
Quartet Competition and the Naumberg Chamber Music Competition, and was
an Artist-in-Residence at Colgate University. Since 1980, he has played in the
Catskill Chamber Players, performing and premiering many compositions by
prominent American composers, including the world premiere of the late string
quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York
City. He has performed the complete Beethoven Trio cycle with colleagues at
Binghamton University. He performed with Solisti New York on their Alaskan
cruise of the Inner Passage from Vancouver to Juneau and toured Greece with
the Schenectady Philharmonic. He teaches cello and double bass at Binghamton
University.
A
l
�MARY BURGESS, associate professor of voice at Binghamton University,
recently celebrated the fortieth anniversary of her New York City Opera debut,
which occurred while she was still an undergraduate at the Curtis Institute of
Music in Philadelphia. Her European operatic debut at the Holland Festival, in
the title role of Cavalli’s L’Erismena, brought engagements at the Spoleto
Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several
consecutive seasons in leading roles at Dublin Grand Opera in Ireland. Her
repertoire of thirty-eight roles in five languages includes six which she has
performed in Binghamton at Tri-Cities Opera: Madama Butterfly, La Traviata,
Tosca, Marguerite in Faust, The Merry Widow, and Norma. A frequent soloist
with orchestras, Burgess has appeared with more than two dozen U.S.
orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland
Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon
Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has
been a frequent guest at such festivals as Ravinia, Aspen, Blossom, Casals,
Chautauqua, and the Cincinnati May Festival. In August 1996, at Monadnock
Music Festival in New Hampshire, Burgess made a critically acclaimed debut in
the role of Susan B. Anthony in Virgil Thomson’s The Mother of Us All,
honoring the centenary of his birth. She returned to Monadnock Festival in
August 1997 as Violetta in a gala concert performance of Verdi’s La Traviata,
. prompting the Boston Herald to comment: “...she negotiated Ah, fors’e lui and
Sempre libera with warmth and specificity of expression. She also produced
beautiful, floaty pianissimos in the aria. More importantly, she had a minutely
detailed conception of the character and the role that informed her singing. It
was a revelation to watch her.”
Pianist MICHAEL SALMIRS, a founding member and artistic director of the
Finger Lakes Chamber Ensemble is well known as a recitalist and chamber
musician performing extensively throughout the region. He has appeared as
soloist with the Corning Philharmonic, Binghamton University Orchestra,
Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday
chamber series. As a performer of contemporary music, he has participated in
such series as Binghamton University’s Musica Nova, Cornell University’s
Ensemble X, and has toured and recorded for the Syracuse Society for New
Music. Salmirs studied at the New England Conservatory and Eastman School
of Music; his teachers have included pianists Leonard Shure and Rebecca
Penneys and composer Karel Husa. Salmirs has taught at the Syracuse
University School of Music and Hobart and William Smith Colleges. He is
currently a faculty member at Binghamton University and Affiliate Artist at
Cornell University. He maintains a private piano studio in Ithaca and enjoys
teaching students of all ages and levels. This season, Salmirs will perform
Poulenc’s Aubade with the Cayuga Chamber Orchestra.
�COMING EVENTS
Wednesday, April 13 – Master ’s Recital : Jennifer Perkins, soprano – 8:00
p.m. – Casadesus Recital Hall – free
Thursday, April 14 – Mid-Day Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Thursday, April 14 – Senior Honor’s Recital: Nancy Schneider, piano –
8:00 p.m. - Casadesus Recital Hall – free
Friday, April 15 – Student Recital : Sut-Han Che, piano – 8:00 p.m. Casadesus Recital Hall – free
Saturday, April 16 – Senior Honor’s Recital: Talitha Phillips, string bass –
3:00 p.m. – Casadesus Recital Hall – free
Saturday, April 16 -- University Chorus and Orchestra – Coronation and
Confrontation – 8:00 p.m. – Anderson Center Osterhout Theater - $10
general public; $7 faculty/staff/seniors; free for students
Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. –
Casadesus Recital Hall – free
Tuesday, April 1 9 – Student Brass Quintet – 8:00 p.m. ~ Casadesus Recital
Hall – free
Thursday, April 21 – Mid-Day Jazz Concert with guest artist artist - 1 :20 p.m.
– Anderson Center Osterhout Concert Theater – free
Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 1 :20 p.m. –
Anderson Center Osterhout Concert Theater - $10 general public; $7
faculty/staff/seniors; free for students
Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson
Center Chamber Hall – free
Thursday, April 28 – Mid-Day Concert with guest artist artist - 1:20 p.m. –
Casadesus Recital Hall – free
Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus
Recital Hall – free
Saturday, April 30 – Senior Honor ’s Recital : Deanna Bunal, mezzo-soprano
– 3 p.m. – Casadesus Recital Hall – free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
50:34;38:09
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en</a>
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chamber music masterpieces, April 10, 2005
Description
An account of the resource
Works of Haydn, Shostakovich, Franck. Held at 3:00 p.m., April 10, 2005, Anderson Chamber Hall.
Creator
An entity primarily responsible for making the resource
Sunwoo, Patricia
Crawford, Roberta
Stalker, Stephen
Burgess, Mary
Salmirs, Michael
Ansel, Rebecca
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-4-10
Rights
Information about rights held in and over the resource
In copyright
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (104 min.) sound, color
4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
104 min.
Collection
Big horror reading series (Binghamton Community Poets)
Date of Digitization
7/12/22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243926">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243926</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
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Charles Bernstein with "Open Mike" at the Amsterdam December 7, 1993
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings from Charles Bernstein at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions before the featured poet. The event was held on December 7, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Bernstein, Charles, 1950-
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1993/12/07
Rights
Information about rights held in and over the resource
In copyright
Language
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English
Type
The nature or genre of the resource
Moving Image
Identifier
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PS615 B56 1993 12-7
Format
The file format, physical medium, or dimensions of the resource
video/mp4
-
https://omeka.binghamton.edu/omeka/files/original/1c983d4682bb6689bec07ba4099da87c.pdf
3f6b1afb7413d26745294374053ffb57
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presen ts
Cha r les Brewer, Harps ichord
Sa t . , Dec . 11, – 1 9 71 – 8 : 1 5
Rec i t a l Ha l l
�PROGRAM
Ga l l ia rd
Anon. (The Mul l ine r Book ca. 1555)
Pavane
Louis Couperin , ca . 1626– 1661 (Pa rvi l le MS)
Four p ieces f rom the “ In tabola tura Nova D i Ba l l i ” (Ven ice, 1551)
Pass ’ e mezo nouvo (I , I I , I I I )
Sa l ta re l lo d e l Re
Pavana ‘ F us i ’
Moneghima Gag l ia rda
Pavana Lachrymae
John Dowland , 1562– 1626
set by W i l l iam Byrd, 154 3– 1623
( F i t zw i l l iam V i r g ina l Book, CXXI )
Suonata p r ima,
‘
Johann Kuhnau, 1660– 1 722
I l Comba t t imen to tra David e Go l ia t h
(The F igh t be tween Dav id and Go l ia t h)
(1) Go l ia t h ’ s s tamp ing and ran t ing
(2) The t remb l ing of the Is rae l i t es , and thei r prayer
to God a t the s ig h t of t h is horr id enemy
(3) The s tead f as tness o f David , h is urge to crush the
g ian t ’ s boas t f u l d efian c e , and h is c h i l d l ike t rus t
i n God ’s help
(4) The cha l leng ing words exchang ed between David and
Go l ia t h, and the fi g h t i ts e l f , i n which the stone
i s s lung in to Go l ia th ’ s forehead , by which he i s
f e l led and even k i l led
(5) The fl i g h t of the P h i l is t ines , as we l l as how the
Is rae l i t es chase them and s lay them by the sword
(6) The re jo ic ing o f the Is rae l i t es a t t h is V ic tory
(7) The concert to the g lo ry of David , performed by
the women i n cho irs
(8) And fi n a l l y the general happ iness which shows
i ts e l f i n an abundance of danc ing a f ro l ic king
(S i x B ib l ic a l Sonatas f or Keyboard, 1 700)
INTERMISSION
In Nomine
SpanyBle r Tancz
Hopper dancz
Doctor John B u l l , ca . 1562– 1628
( F i t zw i l l iam V i r g ina l Book, XXXVII )
Hans Weck, ca. 1510
Four P ieces f rom the Keyboard P ub l ica t ions of P ie rre A t ta ingnan t ,
. 1 55 2
Chanson "Cel le q u i ma tan t pourmen e'– C laudin (Dixneu f dChansor
Pavane, Ga i l la rde (Quatorze ga i l la rdes , neuf pa rmes . . . 1530)
,
15 29)
Chanson "Tant que vivray "– C laudin (V ing te t Cinq Chansons , . . .
1530)
O Rosa Be l la
John Duns tab le, ca . 1370– 1453
(Buxheim Organ Book, ca . 14 70)
My Lady Cakeys Dompe
Anon. (B r i t ish Museum, R . App . 5 8, ca . 15 1C
Cen to P a r t i t e sopra Passaca g l i
G i ro lamo Fresc oba ldi, 158 3– 164 3
(Toccate d ’ In t a ro la t u ra . . . , Lib ro P r imo, 16 37)
Concerto Op . 3, No. 1 2
An ton io V i va l d i
t ransc ribed f o r so lo Keyboard by J . S . Bach
Harps ichords
“ French", 2 manuals , 2 x 8' , 1x4!”
“ I ta l ian " , 1 manua l, 2x8 ’
“ V i rg ina ls , 1 manua l, 1x8 ”
W i l l i a m Dowd , 1 9 6 8
W i l l iam Dowd, 1968
Derwood Crocker , 1 965
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:27:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569"> Charles Brewer, Harpsichord, Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Options:
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
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'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Brewer, Harpsichord, Recital, December 11, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Dowland, Kuhnau, Weck, Dunstable. Held at 8:15 pm, Dec. 11, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Brewer, Charles
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-12-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Dowland, John, 1563-1626
Kuhnau, Johann, 1660-1722
Weck, Hans, 1495-1536
Dunstable, John, 1390-1453
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020073742
39091020073692
39091020073643