2 10 1775 https://omeka.binghamton.edu/omeka/files/original/80124f502f2e1df0c16d8ba8a6cbe591.jpg bee78416fc6c7e1c2bbca20fdbb3897a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:02 URL <iframe width="720" height="405" style="border: 1px solid #464646;" src="https://binghamton.hosted.panopto.com/Panopto/Pages/Embed.aspx?id=e4b34ab6-f262-44a4-b4ff-aee600f36755&autoplay=false&offerviewer=true&showtitle=true&showbrand=true&captions=false&interactivity=all" allowfullscreen="allowfullscreen" allow="autoplay"></iframe> Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. e4b34ab6-f262-44a4-b4ff-aee600f36755 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821950204802">Barney Bush, Jerome Rothenberg, and Martin Bidney at Swat Sullivan's Hotel, May 6, 1987 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990011269800204802">My horse and a jukebox (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "I See the Fusing" read by Barney Bush, May 6, 1987 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Barney Bush reads his poem "I See the Fusing" from his collection My Horse and a Jukebox on May 6, 1987 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Bush, Barney Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1987-05-06 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Source A related resource from which the described resource is derived DVD created from VHS recording of the event Contributor An entity responsible for making contributions to the resource Binghamton Community Poets https://omeka.binghamton.edu/omeka/files/original/1cbcb0785775733b16be84b648f97680.jpg 4d0fa13e2c30b5d33678055ac22e9acb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 2c5d08d7-038b-4775-9076-af0b01218df4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:36 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821810204802">David Bosnick and Liz Rosenberg with "open mike" at Benlin's, May 12, 1992 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990003939480204802">The fire music (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "In the End We Are All Light" read by Liz Rosenberg, May 12, 1992 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Liz Rosenberg reads her poem "In the End We Are All Light” from her collection Fire Music on May 12, 1992 at Benlin's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Rosenberg, Liz Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1992-05-12 https://omeka.binghamton.edu/omeka/files/original/e979e832e4c1a115a48a762994f80d02.jpg 64e989009e55e3aeb356eb201fc89d50 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. d8d2acd0-74db-451d-9926-af0b01218d99 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3:18 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821940204802">Richard Martin and Jerome Washington at Swat Sullivan's Hotel, June 20, 1990 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990002628790204802">Bright spot in the yard (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Juanito" read by Jerome Washington, June 20, 1990 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Jerome Washington reads his poem "Juanito” from his collection A Bright Spot in the Yard on June 20, 1990 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Washington, Jerome Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1990-06-20-2 https://omeka.binghamton.edu/omeka/files/original/63340737a8425a0fbac46cc1e2339ce1.jpg 043fe04e7f33fa535cba6759eb8e6394 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 4658a917-ef7d-408e-8a65-af0b0120c803 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3:00 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990019130670204802">Ritch Keppler, Suzanne Cleary and Donald Peterson at Benlin's, May 21, 1991 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990015079700204802">Keeping Time (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Madame Beaumont" read by Suzanne Cleary, May 21, 1991. Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Suzanne Cleary reads her poem "Madame Beaumont” from her collection Keeping Time on May 21, 1991 at Benlin's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Cleary, Suzanne Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1991-05-21 https://omeka.binghamton.edu/omeka/files/original/f99c43f9e07e3e9e08b55cfb22cfc4f8.pdf 455ed61fe4ca303b8e626b587419b017 PDF Text Text \ 1 < ;‘ C N U N I V hRC 1 R e c , \' 1, E‘ . "\ l B INGHAMTON LT N I V E R S I T ~ . 17.511, State University of New York Department of Music “Maestro Mayhem!” Conductors Johanna Blackstone Eva George Al J acobsen Vitaliy Maystru k Talitha Phillips John Resser Jody Schum I rene Strong Sarah Williams Emily Yanisko Undergraduate Conducting Students of Timothy P e rry and Bruce Borton Featuring the University Symphony O rchestra & University Chamber Chorus Jennifer Lucia, soprano Dennis Leipold, tenor Christopher Waterstraat, bass Thursday, May 8, 2003 8:00 p.m. Anderson Center Chamber Hall �Program L University Symphony O rchestra The Montagues and Capulets........................................................Serge Prokoﬁev (18911953) From Romeo and Juliet, op. 64 Arr. Edmund J. Siennicki Johanna Blackstone, conductor Edvard Grieg ( l 843 l 907) Lyric Suite, op. 54........ II. Ganger/Norwegian Rustic March IV. Troldtog/March of the Dwarfs Jody Schum, conductor Camille SaintSaéns (18351921) Bacchanale From Samson and Delilah, op. 47 Arr. Merle J. Isaac Al Jacobsen, conductor II. University Chamber Chorus Homeward B O U N Sarah Williams, conductor C E B O A T S (b. 1939) Ain’a That Good News ...........................................AfroAmerican Spiritual Irene Strong, conductor Arr. William L. Dawson �Plovi Barko ...Croatian Folk Song Arranged by Talitha Phillips Talitha Phillips, conductor 1 1 III. University Chamber Chorus Strings of the University Symphony O rchestra Jennifer Lucia, soprano Dennis Leipold, tenor Christopher Waterstraat, bass l Mass No.2 in G major, D.J61........ccoi0iikdummnsnmriaabnanz Peter Schubert (17971828) I. Kyrie II. Gloria Emily Yanisko, conductor III. Credo Eva George, conductor IV. Sanctus V. Benedictus Vitaliy Maystruk, conductor VI. Agnus Dei John Reeser, conductor �Program Notes The ballet Romeo and Juliet premiered at the Kirov Theatre in Leningrad on January 1 1, 1940. It was written for the Kirov Ballet troupe in 1935. Prokoﬁev, Lavrosky (choreographer), Ulanova (prima ballerina), and the orchestra had some diﬀiculty agreeing on how Prokoﬁev’s “strange” music should be envisioned and performed. However, it is clear that Prokoﬁev created a spectacular work full of lush harmony and unforgettable melodies. Tonight’s selection portrays the feud between the Montagues and Capulets. Johanna Blackstone Edvard Grieg, a Norwegian born composer, is best known for his incidental music to Peer Gynt. He was also an accomplished composer in lyric pieces for piano, his many songs, and the wellknown Piano Concerto in A minor. His Lyric Suite is an orchestrated version of his ﬁfth set of Lyrische S tucke (Lyric Pieces) for piano, of which he composed ten sets. Selfregarded as a Romantic nationalist composer, G rieg incorporated Norwegian folk tunes into many of his works, which is evident in the title of the second movement of the Lyric Suite: Norwegian Rustic March. Jody Schum SaintSaens’ grand opera, Samson and Delilah, premiered on December 2, 1877 at the Hofttheartre in Weimar, Germany. As operas based on biblical settings were not popular at this time, it would take a couple decades for its premiere in Paris, after which it would become SaintSaéns’ most performed operatic work. The selection heard tonight is from the third act after Samson has been deceived by Delilah and captured by the Philistines. In celebration of his capture, the Philistines hold a drunken celebration and dance the lively and exotic Bacchanale. In depicting the middleeastern setting of the opera, SaintSaéns employs minor and augmented seconds in the seductive second subject of the dance. Finally, the full force of the percussion and brass enter bringing the piece to an exhilarating conclusion. Al Iacobsen Carl Strommen was born in 1939 and was graduated from the City College of New York. He lives on Long Island and works as a professor of Theory and Composition at the C.W. Post campus of Long Island University. This strophic song, as indicated by the title Homeward Bound, conveys the feelings of a man as he is going home to be with his loved ones. Sarah Williams �A in 'a That Good News, published in 1937, is an AfroAmerican spiritual arranged by William L. Dawson. This version was dedicated “To my friend Dr. Robert Russa Moton, President Emeritus, Tuskegee Institute.” A second version was published in 1 940 with added music, speciﬁcally in the middle section. This is a strophic piece with three versus. Irene Strong Plovi Barko is a Croatian fol k song from the Adriatic Coast. Though the author of the text is unknown, Mary Cay Brass was the ﬁrst to arrange the song for a cappela chorus. The arrangement heard tonight is by its conductor, Talitha Phillips, which is based on the original Brass version. Talitha Phillips The Mass No.2, G major was composed in 1815 when F . Schubert taught in his father’s school. That year, Schubert composed more music than in any other year of his life. Among those works are two masses, two symphonies, a piano sonata, numerous dances for piano, a string quartet, much choral music and some 145 songs. The G major Mass is the shortest o f all Schubert’s masses. The fact that it took him six days to write is reﬂected in both brevity and its simplicity, but also in its scoring for an orchestra composed of only strings and organ. The Kyrie at once sets the tone with its easy ﬂu ency, the almost Mozartian naturalness with which the phrases and cadences go past. It is in the spirited D major Gloria that one ﬁrst becomes awar e that habits o f instrumental structure seem to drive the i nvention, the text being ﬁtted as best it can. In the Credo, the ‘Cruciﬁxus’ is marked by long notes in unison as the orchestra stamps on, now in B minor. There is a turn to bright D major for an ‘Et resurrexit’ that adapts the opening theme. The Sanctus is imposing but brief, ‘Osanna’ being a separate section, fugally initiated, that matches the ‘Sanctus’ itself exactly in length. For the Benedictus, Schubert interestingly revives the scheme that had served him well in the Mass in F. Conciseness and expressiveness are reconciled in another neat and compact plan for the Agnus Dei. Accordingly, he casts the movement in three segments, using the same music for each but in diﬀerent keys. By a series of carefully planned modulations within and between segments, a close’is reached in G major, the frame key of the work. Schubert used some counterpoint in his Mass. Much of the writing is homophonic, but he supplied the traditional fugal endings where expected. In Schubert’s masses, the apparent omission of portions of the standard liturgical text are not an indication of his personal beliefs; undoubtedly, he set the text with which he was familiar. Vitaliy Maystruk �Student Conductors Johanna Blackstone, from Binghamton, is a junior, double majoring in music/theatre with a concentration in voice performance. She participates in Harpur Chorale, TriCities Opera Chorus, and Repertory Company. She is studying voice with Mary Burgess. She cowrote and performed the music for the main stage production of Hamlet, and coorganized Italian Night. Eva George is a senior graduating in May with a BA in music. Her primary interests are conducting and vocal pedagogy. She performs at the TiAhwaga Performing Arts Center where she is the Assistant Musical Director for Grease. Eva started and directs the children’s choir at St. Patrick’s Church in Owego, NY. Her aspiration is to teach music in the near future and pursue her master’s degree. A1 Jacobsen, a resident of New City, NY, is a junior, where he is a double major seeking a BA in music and BS in business management. He is a section French horn member of the BU. Orchestra and studies horn with Brian Sternberg. He is also the founder and music director of the BU Sinfonia. Vitaliy Maystru k is a voice major studying with Eapen Leubner. He was born in Kiev, Ukraine and graduated from the Ukrainian Culture College with a degree in choral conducting and management of leisure activities. He came to the U.S. in 1997 as a student at the Bible College at Cincinnati, Ohio. He is a junior at BU and plans to pursue a master’s degree in conducting. Talitha Given Phillips is a sophomore BMus candidate from New York City. She studies double bass under the direction of Michael Carbone and Steve the of treasurer the as serves She Stalker. Harpur Jazz Project, plays in the Harpur Jazz Ensemble, and often plays electric bass at Intervarsity Christian Fellowship. John Reeser is a junior and is originally from New Berlin, NY. He is pursuing a BA in music with a concentration in conducting. His musical activities include(d): Harpur Jazz Ensemble, University Chorus, Harpur Chorale, and is a charter member of the BU Sinfonia. His career plans include composing music for the video game industry. Jody Schum is a junior and is pursuing a BMus in piano performance. He studies with Michael Salmirs. In May 2002, Schum was awarded the John M. and Marcella M. Keeler Scholarship in Music in recognition of his work. Schum also studies/enjoys vocal accompanying, chamber music, and voice. Since October 2001, Schum has served as resident organist and pianist at the First United Methodist Church of Endicott, NY. ) ) �Q Q I rene Strong, from Owego, NY, is a junior and music major with a concentration in voice and conducting. She is studying voice with Hilerie Klein (TriCities Opera Co.). She has participated in University Chorus and Women’s Chorus, the Binghamton Madrigal Choir, and is a member of the BU Sinfonia. She teaches beginning voice lessons and directs the youth choir at the Lounsberry Methodist Church. Sarah Williams is a senior and a native of Oxford, NY. She is pursuing her BA in music and minoring in History. She sings in the Harpur Chorale and is the music director for the Harpur Harpeggios. After graduating, she hopes to receive her Master’s in Music Education and a chorus teacher. Emily Yanisko, from Olney, MD, is a ﬁfthyear music and computer science double major with a minor in math. She studies choral singing with Peter Browne. She has participated in University Chorus, Women’s Chorus, and Harpur Choral. Next year, she will enter a Master’s of Education/Teacher Certiﬁcation program at the University of Maryland. Soloists Jennifer Lucia, soprano, is a junior at Binghamton University pursuing a BMus in voice. She studies voice with Mary Burgess and has also studied with Judy Berry and Rachel von Hindman. In February, she performed a trio recital with Johanna Blackston and Samantha LaDue and on May 1 1, will give her junior recital. She is also a member of the Harpur Chorale. Dennis Leipold, tenor, is a graduate of SUNY Fredonia, and has done graduate work at Ithaca College and the Peabody Conservatory. A member of the University Chorus for more than twenty years, he is active both as a vocalist and an instrumentalist. He has also performed as a recorder soloist with the Binghamton Community Orchestra. A former Lecturer in Music at the University, Leipold has for the past twentynine years been a member of the music faculty in the UnionEndicott Central School District. i Christopher N. Waterstraat, bass, is pursuing his MM degrees in both vocal performance and conducting at Binghamton University. Waterstraat studies voice I { with Professor Mary Burgess and Judy Berry. He obtained an undergraduate degree in Music Education from Syracuse University. While at SU, he was involved in the opera workshop and in the chorus for Syracuse Opera. Waterstraat is in the Resident Artist Training Program for TriCities Opera in Binghamton, and has participated in the TCO chorus since Fall 2001. �Translations Plovi Barko, Croa tian Folk Song Sail, ship! The sea is deep In the ship is Anka Your eyes are as deep as the sea (refrain) Anka, dear Anka, My heart and soul! Mass No. 2 in G M ajor, Schubert KYRIE (sung in Greek) Lord have mercy. Christ have mercy. Lord have mercy. G L O R I A (sung in Latin) Glory be to God on high, and on Earth peace to men of good will. We praise thee, we bless thee, we adore thee, we glorify thee, We give thee thanks for thy great glory, O Lord God, King of heaven, God the Father Almighty. O Lord, the only begotten Son, Jesus Christ. O Lord God, Lamb of God, Son of the Father. Thou who takest away the sins of the world, have mercy on us. Thou who takest away the sins of the world, receive our prayer. Thou who sittest at the right hand of the Father, have mercy on us. For thou art holy, Thou only art Lord. Thou only art most high, O Jesus Christ, With the Holy Ghost, in the glory of God the Father. Amen. CREDO (sung in Latin) I believe in one God, Father Almighty, maker of heaven and earth and of all things visible and invisible. And in one Lord Jesus Christ, the onlybegotten Son of God, born of the Father before all ages. God of God, light of light, true God of true God, being of one substance with the Father, by whom all things were made. Who for us men and for our salvation came down from heaven. And was made incarnate by the Holy Ghost of the Virgin Mary, and was made man. And was cruciﬁed for us under Pontius Pilate. He suﬀered and was buried. And the third day, He rose again according to the Scriptures. And ascended into heaven, and sitteth on the right hand o f the Father. And He shall come again with glory to judge the quick and the dead; of whose kingdom there shall be no end. And in the Holy Ghost, Lord and giver. of life, who proceedeth from the Father and the Son. Who, together with Father and the Son, is worshiped and gloriﬁed; who spoke through the prophets. I acknowledge on baptism for the remission of the sins of the dead, and the life of the world to come. Amen. v l . SANCTUS (sung in Latin) Holy, holy, holy, Lord God of Hosts. The heavens and earth are full of thy glory. Hosanna in the highest. BENEDICTUS (sung in Latin) Blessed is he who comes in the name of the Lord. Hosanna in the highest. AGNUS DEI (sung in Latin) Lamb of God, who takest away the sins of the world, have mercy on us. Lamb of God, who takest away the sins of the world, have mercy on us. Lamb of God, who takest away the sins of the world, give us peace l l l �Unive rsity Symphony O rchest ra Violin I Alicia F usani, ‘ coconcert mistress Sarah Steiding, coconcert mistress Christine Wan Jean Gaﬀney Sheri Zola Rosemary Gaeta Jennifer Paull Gloria Chen Julia Kim Lauren Moscowitch Lucy Sun Julie Cserhalmi Violin II Morgan Kim Tamara Potapova Meghan O’Loughlin ' Samara Cohen Claude Pal Heather Sheiman Shauna Buckman Miriam Reznik Sarah Park Viola Suzanna Chhim Brian Fang 1 . Kenneth Perschke Victoria Leung Melissa Mattern Leah Robinowitz Janet Ievins Alice Scimia Cello Alex W iesendanger Emily Creo Andrea Rico JeongSun Oh Alex Kim Angela Wynne John Yu Andrew Lavery Alexis Witek Tanya Brescia Katy Walker Matthew Woolever Bass Noah Lauzon Adam Schechter Flute a n d Piccolo Crystal Allard Kelsey Bauer Caitlynn McMullen Kira Slocum Oboe Anya Stockburger Danielle Furey Clarine t Jordan Pasternak Lauren Hughes Bass Cl arinet Michae l Cohn Bassoo n Kimberly Meeker Stephanie Eisenberg Horn Sarah Berloe Patrick Lokken Thomas Mellin Trump et Erinn Hibbard Michael McKeon Tromb one Sean Kassof Stephen Sorscher Bass Tu ba Brad Davis Timpa ni Matthew Chedister �i �University Chamb er Chorus Soprano Elizabeth Ellis Maybelle Golis Margaret Hays Barbara Heme Donna Lundy Susan MacLennan Paula Mitra Sue Petrow Kelly Pueschel Marilyn Ross Sue Sarzynski Jane Shear Faith Vis Alto Lois Bare Barbara Bamo Sarah Craig Jeanne Fenzel Janet Frederick Anna Nicholas Theresa Lee Whiting Nancy McGee Ethel Molessa Joyce Printz Colleen Reardon Shirley Zhou Tenor H.B. King Dennis Leipold Ed Schappert Matthew C. Varghese Floyd West Sherry Williamson Bass Frank Ammirata Ronald Beauchamp Bruce Borton Peter Browne Harry Frederick David Hanson J. Scott Husted David L. Schriber l k I �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:56:48 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253382&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253382&change_lng=en&select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Maestro May-hem!", May 8, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003-5-8b Description An account of the resource Works of Prokofiev, Grieg, Saint-Saëns, Strommen, an Africo-American spiritual, a Croatian folk song, Schubert. Accompanying program includes translations of some works. Held at 8:00 p.m., May 8, 2003, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Blackstone, Johanna George, Eva Jacobsen, Alfred Maystruck, Vitaliy Philips, Talitha Schum, Jody Strong, Irene Williams, Sarah Yanisko, Emily Perry, Timothy Borton, Bruce Lucia, Jennifer Leipold, Dennis Waterstraat, Christopher Resser, John Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 5/8/2003 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/33dc78d7d1fd827f5a9177f5a4472a02.jpg 67ffdc18f68c28153fcf7dc351920aaf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. cda29a37-58f0-4f2e-baf5-af0b00f55335 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2:04 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma9937103213204802">Phil Sweeney and Lance Henson at Swat Sullivan's Hotel, April 25, 1990 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990011779680204802">Strong heart song (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Oklahoma Twilights" read by Lance Henson, April 25, 1990 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Creator An entity primarily responsible for making the resource Henson, Lance Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Description An account of the resource Lance Henson reads his poem "Oklahoma Twilights” from his collection Strong Heart Song on April 25, 1990 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1990-04-25 https://omeka.binghamton.edu/omeka/files/original/4e372659074d3d9e4b3a0ba64c2657a1.jpg b71f7226492aa733e69d1a62ba0efadb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. de1d4b6c-e54c-4964-b527-af0b01216a54 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 4:35 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990019273180204802">Diane Di Prima at Swat Sullivan's Hotel, April 28, 1988 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma9936987935604802">Revolutionary Letters (book) in Find It!</a> Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 4 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Revolutionary Letter #75 (Rant)" read by Diane di Prima, April 28, 1988 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Diane di Prima reads her poem "Revolutionary Letter #75 (Rant)” from her collection Revolutionary Letters on April 28, 1988 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Di Prima, Diane Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1988-04-28 https://omeka.binghamton.edu/omeka/files/original/7fd3eee4e13be0d04be3a8e05be45c8d.pdf 07a03d7add71f892737c0501e64b41f5 PDF Text Text BINGHAMTON ' N l \ l1 R N l T \ State University of New York de c [4 D E P A R T M E N T 20072008 C H A M B E R S E R I E S “ T H E ORIENT EXPRESS” T I M O T H Y PERRY, C L A R I N E T M ARGARET REITZ, P IANO Assisted by Janey Cho i, Violin Stephen Stalker, Violoncello Ivy Gaibel, MezzoSo prano Saturday Evening at 8:00 September 8, 2007 A nderson Cent er Chamber Hall �l PROGRAM Solo de Concours (1899) . . . . . . . .+ . . André Messager (18531929) Aria: ‘Parto, ma tu ben m io’ (Clemenza di Tito). . . . W.A. Mozart (1 7561 7 91 ) Ivy Gaibel, MezzoSoprano Adagio from Violin Concerto. . . . . . .J. Brahms, arr. Langenus (18331897) Contrasts for Violin, Clarinet and P ia no . . . . . . . Bela Bartok I. Verbunkos II. Piheno 111. Sebes (1881 1945) Janey C hoi, Violin WINTERMISSIO N®3 Marko Tajcevic Seven Balkan Da nces . . . I Con moto II. Rustico IV Sostenuto e cantabile V. Allegro ritmico VI. Allegretto III. Vivo VII. Allegro, quasi pesante ( 1 9001 984) This evening’s program is a travelogue in sound, tracing the route of that most famous of luxury trains, the Orient Express, which ran – at least in its earlier years – from Paris through Vienna and Budapest into the Balkans and ended in Constantinople (presentday Istanbul). This theme appealed to me bec ause i t i s also a route that runs to the outer reaches o f the world of the clarinet, before it gives way to doublereed instruments such as the Turkish zurna and the Indian shehnai. You will, I think, be able to follow the changes in this son ic scenery as well – how melody, harmony, rhythm and form transmute as West becomes East. We open with a c lassic solo de concours (contest solo) by the Parisian composer Andre Messager (18531929). Messager studied for a time with SaintSaens and held the important post as organist of St. Sulpice, but excelled in ballets and operatic works. A highly respected conductor, he directed the orchestra o f the Conservatoire d u Musique, and appeared on the podium o f the Opera Comique in Paris as wel l as Covent Garden in London. Messager’s Solo de Concours, while adhering to the formula stipulated for these examination pieces, is one o f the best o f its kind. I t begins with a principal theme quickly dissolving into virtuoso passagework ; a singing slow section in the clarinet ’s diﬀicult ‘throat tones’ leads to a dramatic and ﬂorid cadenza; and a return o f the main theme concludes in an eﬀervescent coda which might have served as a ﬁnale to one of the composer’s ballets. Like Paris, Vienna was an imperial capital ci ty whose vast resources brought the best composers to test their skill in the most demanding of musical communities. Unlike the French, the German clarinetist and composer has always been concerned ﬁrst with beauty of timbre and subtlety of phrasing, with virtuoso technical possibilities a distinct second. First, we present M ozart ’s aria ‘Parto, m a t u ben m i o ’ for basset clarinet Stephen Stalker, Violoncello and soprano from his ﬁnal stage work, L a Clemenza di Tito. In his ﬁnal months of life, com pleting the Clarinet Concerto aside th e opera, Mozart Per egiV er b u n k......................L eoWeiner (1885196 0) Hristiankova Kop anitsa . . . . . . . . About the Music Ivo Papasov, arr. Perry (b. 1952) seems to fully disc over the clarinet a s the truest dramat ic substitute for and partner to the female voice. The aria’s several moods, from revenge to compassion to selfsacriﬁce, are brilliantly distributed from voice to instrument, making full use of the basset clarinet’s extended low range to provide lines of enormous sweep and power. �For our second Viennese work we jump forward almost a century for the rarely heard transcription of the Adagio from Brahms’ Violin Concerto by the Belgian/American clarinetist G ustave Langenus. Langenus was to clarinet transcription what Fritz Kreisler was to works for violin – a master player and teacher whose complete knowledge of his instrument brings out new and wonderful levels of beauty from the originals. The movement is one of Brahms® most pure and profound. Of course the composer, ever selfdeprecating, described it as ‘feeble’, and Sarasate refused to play it because he didn’t want to “stand around while the oboe played the only melody in the piece.” No problem here – Langenus lets the clarinet do both. Bartok, here we hear the individual melodies retained as miniatures, a set o f several verses with short interludes that get their interest from the constant variation o f orchestration. Each movement thus retains its 1 1 Just as the Rhine separates French from German sound, the Danube moving east towards Budapest marks a new soundscape, one ﬁrmly in the Slavic orbit. Formal traditions give way to folk inﬂuence ever more strongly now, with the clarinet (and violin) as folk melodists par excellence. Harmonies simplify, but rhythms become ever more complex. We close the ﬁrst half with Bela Bartok ’s great Contrasts for Violin, Clarinet and Piano. This incredible potpourri of Hungarian folk tunes (with some Rumanian and Bulgarian inﬂuences) opens with a Verbunkos dance whose marchlike theme betrays its use for recruiting soldiers who have had a bit too much to drink. One might imagine the unhappy new recruit awaking during the clarinet’s closing cadenza. The second movement, entitled Pihené (relaxation) seems nearly motionless by In the music of Leo Weiner we ﬁnd again the attempt to blend the folk (here, Magyar ‘Gypsy’) tradition with a bit more formal rigor, no doubt inﬂuenced by Weiner’s position as a Professor of Theory in Budapest. This Peregi Verbunk is true to Magyar form and style with its linked slow and fast sections, and the writing for both clarinet and piano is superbly crafted. Diﬀicult, yes, but Weiner’s music is always interesting and represents a ﬁne marriage of classical and folkbased traditions. Music reﬂects our world, and sometimes as the world changes new and exciting musics are developed. On the outer frontier of the European clarinet comes the source for our last piece, a bit of Bulgarian Svatbarska muzika, or “wedding music,” This existed in a tamer traditional form until the 1970’s when increasingly antiauthoritarian sentiments brought western jazz and rock elements into the mix. Mixed with native Gypsy, Magyar, Bulgarian and Turkish melodic elements, Balkan musicians produced an electric new genre that exploded worldwide with Ivo Papasov and Yuri Yunakov ’s 1991 CD Balkanology. We ﬁnish our musical journey, in an insanely fast meter of 11/8 (2+2+3+2+2) with a short example of this manic musical cry for joy and freedom, Hristiankova Kopanitsa. N.B. As none of us are as yet experts, we perform a transcribed version of the improvised solos. Actually, you may get some improvisation anyway. Welcome to the East, and have a pleasant trip home! com parison, but with all the m ystery and tension we come to expect from Bartok’s other pieces of “night music ’. The set ﬁnishes with a Sebes (fast dance) whose folk credentials are assured by the use of a violin “mistuned’ (scordatura) in folk style for the opening bars. This is highenergy dance music, and a break is provided in the middle with a slower section in (8+5)/8, or thirteeneight time (!) Once rested, however, the manic pace resumes and runs to the end. One diﬀiculty of performing music from beyond Vienna and Prague is the relative paucity of published materials as we move increasingly to unwritten folk performance. A ll of Eastern Europe has undiscovered treasures which are only slowly coming to light for western players. Marko Tajcevic ’s Seven Balkan Dances, originally composed for solo piano in 1927 and later arranged for Clarinet, Cello and Piano. are an excellent case in point. Tajcevic draws upon the songs and dances of his native Serbia, but rather than building a complex formal structure as does character, and we can better appreciate their shifting meters and increasingly oriental timbres. Timothy Perry Aug 2007 or �ABOUT T H E PERFORMERS TIMOTHY PERRY, conductor and clarinetist, is Professor of Music and currently Chair of the Department of Music for Binghamton University. A graduate of the Manhattan and Yale Schools of Music, Dr. Perry joined the Binghamton University faculty in 1986, becoming Professor of Music in 2002 and receiving the Chancellor’s Award for Creative Activities in 2005. As Conductor Dr. Perry has directed the University Orchestra since 1986, directed the University Wind Ensemble from 19862005 and led the Binghamton Community Orchestra from 19942004. In MayJune 2007 he conducted the joint Music/Theater production of West Side Story in Santiago, Chile. Widely known as a clarinetist in virtuoso solo and chamber music, he toured Latin America and the Caribbean as a United States Musical Ambassador and has presented recitals at three world conferences of the International Clarinet Association. His recent clarinet appearances include a July program at Cornell University, an upcoming appearance at Ithaca College, and a week of both Clarinet and Conducting Master Classes at the Universidad Nacional de Columbia (Bogota) in October 2007. MARGARET REITZ, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with Seymour Fink and Walter Ponce and accompanying emphasis, studying piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, Europe and South America: she was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001 and 2006, has been a guest chamber music artist in Morges, Switzerland, attended the Northwestern Workshop with Chicago Lyric Opera Faculty and Coaches, was an oﬀicial pianist at the International Double Reed Competition and Convention in June 2007 at Ithaca College and was selected to accompany at the Interpretation of Spanish Music Festival in Grenada, Spain in July 2007, where she performed at several concerts and masterclasses coached by Teresa Berganza. A guest artist on the Cornell Summer Series this past summer, she will perform Beethoven’s Triple Concerto with Binghamton Community Orchestra and is nominated for the Heart of the Arts Award sponsored by the BC Arts Council. Ms. Reitz is currently on the faculty at Binghamton University and Ithaca College School of Music. She is on the Executive Board of the New York District MTNA organization, is past President of the local Southern Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. Canadianborn violinist J A N E Y CHOI joined the faculty of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers University, studying with Arnold Steinhardt, and holds her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Smirnoﬀ. She gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues a n active perform ing career as a recitalist, chamber, and orchestral musician throughout the country and abroad. She has participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the Spoleto Festivals, Festival Musical de Santo Domingo, the Santa 7 Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. at the Kennedy Center in Washington, D.C. She has recorded and appeared with such mainstream performers as Bono and Quincy Jones, Enya, Elton John, Sarah McLachlan, Lisa Loeb, Kanye West, JayZ and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, Chamber Music Society of Lincoln Center and the Bloomingdale School of Music in New York City. l 5 STEPHEN STALKER, cellist, joined the faculty of Binghamton University in 1982. He is a graduate of the Manhattan School of Music in New York City. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College and for the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, where he has presented Meet the Composer concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb and premiered a set of four string quartets by Henry Brant at Weil Recital Hall. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and performed the complete Beethoven Trio cycle with violinist Janet Brady and pianist Walter Ponce. He performed with Solisti New York, and as a member of the Madison String Quartet was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian International String Quartet Competition in Evian, France. A past president of the New York State Chapter of the American String Teachers Association, Mr. Stalker is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival and was past Strings Chair for the New York State School Music Association. IVY GAIBEL, mezzosoprano most recently performed at the Spoleto, USA festival in Chartleston, SC in Kurt Weill’s The Rise and Fall of the City of Mahagonny. Ms. Gaibel is a graduate of the TriCities Opera Resident Artist Training Program, where she performed numerous roles including her “precocious” Cherubino in Le Nozze di Figaro and Nicklausse in Les Contes D’Hoﬀmann. Her TCO performance of Dido in Dido and Aeneas was noted as “beautifully performed with exquisite phrasing.” Ms. Gaibel made her debut at Syracuse Opera in 2004 and was awarded Artist of the Year in a supporting role. Since then she has been an active performer on the main stage as well as the ensemble, including her role as Mercedes in Syracuse Opera’s 2007 production of Carmen. Performance Awards include First Place,National Association of the Teachers of Singing, 2001 and the George L. Hinman Award from TriCities Opera 2004. In the Summer of 2006 Ms. Gaibel was a member of Des Moines Metro Opera’s Apprentice Artist Program. She has appeared with many regional orchestras including the Binghamton Philharmonic and the Orchestra of the Southern Finger lakes. This year Ms. Gaibel will be Assistant Professor of Voice at Ithaca College. She has upcoming engagements with the Binghamton Baroque Ensemble and numerous recital appearances in the area. �P art o, m a t u be n m io : Translation: I leave but you, my beloved , will ret urn to me in peace ; I will be what most pleases you; what you want, I’ll do. Look at me and I’ll forget everything, and I’ll rush to avenge you ; Give only a glance and the deed by me will be done. Ah, what power, oh Gods did you bestow on Beauty! * # * * * * t t i t ﬁ ttttttt l ttt i tt ﬁ tt i tttttt $ tttt ﬁ tttttt ﬁ # # * * * # * * * * * * * * * # * Comin g Musi c Events Sunday, Septem ber 9 – A Sonic Blast : Thrilling Works for Organ, Brass and Percussion – 4:00 p.m. – Frist Presbyterian Church, Binghamton $15 general public ; $13 fac ulty/staﬀ/seniors; $7 students Sunday, Septem ber 30 – Romanti cism Unleashed : A facu lty recital by cellist St ephen Stalker – 3 :00 p.m. – Casadesus Recital Hall $9 general public; $ 7 faculty/staﬀ/sen iors; $1 students Th ursday, October 4 – MidDay Conc ert 1 :20 p.m. – Casadesus Recital Hall – free Th ursday, October 1 1 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Sunday, October 1 4 – University Or chestra : Suite D iversions – 3 :00 p.m. – Anderson Center Concert Theater $9 general public; $7 faculty/staﬀ/senio rs; free fo r student s Th ursday, October 1 8 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free F riday, October 1 9 – Sunday, Octobe r 21 – New York State Music Teachers Association (NY SMTA) – Anderson Center Chamber Hall and Casadesus – free Sunday, Octobe r 20 – Family W eekend C oncert – 3:00 p.m. – Osterhout Concert Theater – free Th ursday, Octo ber 2 5 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Th ursday, October 2 5 – Jazz Scholarship Con cert (In memor of Ro bert Terrell) – 8:00 p.m. – Osterhout Concert Theater $1 8 general public ; $16 faculty/staﬀ/seniors; $ 10 students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:00:02 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196856">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196856</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Orient Express," September 8, 2007 Recital Tape 9-8-2007 Description An account of the resource Held at 8:00 p.m., September 8, 2007, Anderson Center Chamber Hall. Works of Messager, Mozart, Brahms, Bartok, Tajcevic, Weiner, Papaosv. Creator An entity primarily responsible for making the resource Perry, Timothy Reitz, Margaret Choi, Janey Stalker, Stephen Gaibel, Ivy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-08-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID c59dce28-dbe5-41cc-9c93-9af2d32865ef https://omeka.binghamton.edu/omeka/files/original/54c898d9ac4d655bb18b15a81a3d9a4c.jpg d100eded8a663cac9fb9c6e1f9b23282 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 9cefdf8e-a27a-401e-b3bb-af0b01216648 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:58 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821360204802">Robert Creeley with the Binghamton Community Poets at Mad Murphy's, September 15, 1992 (DVD) on Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018403570204802">Selected poems, 1945-2005 (book) on Find It!</a> Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 3 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Rain" read by Robert Creeley, September 15, 1992 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Robert Creeley reads his poem "The Rain” from his collection Selected Poems on September 15, 1992 at Mad Murphy's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Creeley, Robert Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1992-09-15 https://omeka.binghamton.edu/omeka/files/original/338c9fb4d78d7b8355bcc0bc1869b69d.jpg e57a3e1b99da4250acfe079dca2d6b47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. cc15bba2-35ad-4c26-9ba3-af0b01218d48 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:58 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990019472670204802">Wally Butts and Lloyd Van Brunt with "open mike" at Benlin's, June 11, 1991 (DVD) on Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990011691210204802">Working firewood for the night: poems (book) on Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Stars Like Minstrels Sing to Blake" read by Lloyd Van Brunt, June 11, 1991 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Lloyd Van Brunt reads his poem "The Stars Like Minstrels Sing to Blake” from his collection Working Firewood for the Night: Poems on June 11, 1991 at Benlin's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Van Brunt, H. L., 1936- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1991-06-11