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https://omeka.binghamton.edu/omeka/files/original/f283f81cf1ba3a8895c1468618eeaf56.pdf
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C C
HO
RN
I C
S E
T R
MT
A
s
December 10, 1965
8:15 P.M.
�PROGRAM
0 CO ME EMMA UEL
Arrang
III
nl
by D 11/D B TTOLPH
GO TELL IT ON THE MO U 1TA I
. rrang m nl by JOI! 1 W. WOR
MICHAEL T RCEOt , T eno r olo
AVE MA RIA
TOM
TORIA
OCE T LAMB
Arrangem ent b I R HALL B RT/I l OMEW
HARP R OLLE E 1E '
L EE L B
Magnificat
Alan Hovhaness
FFE R, op rano
RR, ontrallo
KE, T nor
RD MYER. , Ba
CELESTIAL
FA FARE
AG IFI CAT ( horu )
ET EXSULTAVIT ( T enor)
QUIA RE SPEX IT (Soprano)
OMN ES GE ERAT I O S (Women'
horu )
QUIA FECI T MIHI MAG A ( Ba
and horu)
ET I SERI CO RDIA ( oprano)
FECIT POT E T I AM ( ontralto)
ESU RI E TES I PLE IT BO I S ( T nor and M n'
SUSEPIT I SRAEL (W om n'
horu )
and horu )
SI CUT LOCUT US EST ( Ba
GLORI A PATR I (Choru )
HAR PU R COLLEGE CHO IR
and membe rs o f the R EPE RTO IR E
Dir cted b D
I
horu )
RCH STRA
L. B TT LP !/
INTERMISSION
(Ten Minut es)
I mme di atl
following in termi ssion
r. Ho han ss will
address th_e audience brief! speaking abo ut th
1agnifi ai.
and epl ai ni ng hi s int enti ons.
We hope ou wi II enjoy e en mo re th rep at p rformance
which follows.
Magnificat
( Rep eat ed)
Alan Hovhaness
Virail Thomson offered an extremely perceptive estimate of the
talents of Alan Hovhaness when he wrolc in the New York
Herald Tribune on February 8, 1947 :
" He writes in the early Christian, the medieval and the mod •
ern Armenian techniques, possibly even a little in 1hc pre-Chris1ian manner of that ancient and cultivated people. He observes
the ancient rules and imitates wi1h m o dviolins
e r na sizeable
selection of near-Eastern stringed instruments. He even extends
the orienta l grammar or composition to include, as it may well
have done in Greek times, held notes against which florid melodics expand al ease and even quintal counterpoin1
"It remains oriental and classical, nevcr1hcless, in structure.
The music is at times strophic in phraseology and emo tionally
con1inuous, never climactic . Each piece is like a long roll of
hand-made wall paper. hs mo1ionless quality is a lillle hypnotic.
There is resemblance here , too , 10 the early urcmonial pieces
of Erik Sa1ie - 1he 'Mass For The Poor', the ' Prelude To The
Heroic Gate o f Heaven ·, and 1he Rosicrucian Fanfares. Its expressive function is predominantly religious, ceremonial, incantory, its spiritual co n1cn1 of the purcsl . 11 is oriental fro m
1hc right side o f the railway track."
The music of Alan Hovhaness has developed richly in lhe eleven
years since Mr. Thomson penned this tribute and yet it is still
essentially serviceable in pin -pointing the strangely beautiful, individu :11 gift of this composer. One or two points no longer seem
accurate - as, for example, the estimate 1ha t Mr. Hovhancss'
music is "never climactic''. Mr . Hovhaness has moved o n from
there, hut 1hc overall approach noted hy Mr. Thomson remains
1hc same.
The composer's "orientalism " ( in no way to be confused with
the term so often appl ie d to the techniques o r ma ny Russian mu,icians from Glinka o n ) has no qua lity of faddism about i1. T o
begin wi1h , it is part o f his heritage through his Armenian father .
( He was born in Somerville, Massachusetts, where his father was
a chem is1ry professo r. His mother was of Sco11ish extraction.)
Although he wasraised in a 1horo ughly American background
and even resisted, as a child, whatever a11emp1s h is father made
10 help him iden1i(y with his cullural legacy, Mr. Hovhanen
eventually came 10 ii as his love of old music, art , and a rchitecture developed antiquari a n tastes. H is stud ies o f ancienl Armenian (and later 0 1hcr near-Eastern and 1hen Easle rn ) c uhure
were given impetus when he became organist in Boston's Armen fan church and was exposed 10 the occasio nall y ageless modes
and monody of traditional liturgical Armenian music.
The " orientalism" was a hard-won, carefully -tho ught-out expres1ion, 100. Mr. Hovhaness was trained in music in Boston in the
usual s1rict , academic fashion. He s1 udied piano wilh Adelaide
Proctor and Heinrich Gebhard , composition at the Conservatory under Frederick Converse. By the early " Thirties (when
he wa.5 in his early twenties), he had already composed an impressive body of music which had drawn not a little admiration
in Boston music circles. His spiritual mentor seemed to be Sibelius and his mu.sic supposedly was marked by "a pronou nced
Finnish accent ". He traveled off to Finland at one point and
af1er his return seemed even mo re destined to become some1hing of "the America n Sibelius" . And , then he took serious
stock of himself, undoub1edl y aided in his dec ision by his growing interest in Eastern c ul1urc . He decided to destroy all o f his
music up to that time - a diffic ult decision, one imagines, since
this material included no less than two ambitious symphonies
and several full-length operas, over a thousand wo rks in all.
The destruction was ruthless and complete : little trace o r this
music exists now.
Then began the serious study of Oriental styles and techniques,
the experimentation wilhin these styles and techniques, and 1hc
attempt to fuse them with certain traditional forms or our own
music. There was necessary, 100, a period of "digestion",
in
which the materia of oriental music could be bsorbcd and
blended so that, say, a mode (rom Armenian so urces might be
blended with a rhythmical structure from Ind ia n sources for
working within a classicalwestern canonic form. Mr. Hovhaness'
success at his task is exemplified impressively by 1he music
which has resulted (rom hi• work . Few composers today seem
so capable so consistently of making music of such real beauty,
such intense personal expressiveness, such profc;>und spiritual
effect.
�THE HARPUR COLLEGE CHOIR
First T enors: Paul Dieke, Zane Kalter, R y Go rdon. eco nd T eno r: J ohn
Bennethum, Harvey Bo rnfield , Ben Erlitz, Al a n Ha rdy pre id ent, Terry Ho well
Baritones: James Baldwin, Davi d Crowe, Russel I Fuller, Micha el Pawlicki .
Jack Sp e rling, Bob Whitney, Keith Wilcox. Bass e s: Da nny Du s hman , Stephen Foulk,
Seth Kasten, Steve Walker, Pete r Wenz sec retary. Fi rs t oprano: Virginia Baker,
Marcia Burnett, Malita Frogate, Rosemary Gruss, Sydel! Horowitz, Eli zabet h Robbins,
J essica Roth, Alida Sta hl, Kathle en Zaslovsky. Seco nd So prano: Carol Anth o ny,
Millicent Conklin, J oanne Grizzanto, Su e Jurkowski , Mary Mo rr iso n, Chrystyna Prytula,
Alice Stitelman,, Cynthia Stone vi ce pres id ent and acco mpaini l . Fir t A lto s : Elaine
Bolton, Michelle Gibson, Cynthia Gilchrist, ancy Kliban, Linda Lewis, Christine
Livingston. Carol McAvoy. Se cond Altos: Emoke B e recz, Linda Fishkin, Margaret
Jackson librarian, J ay ne Kaplan, Ellen Leinwand li brari an, Mel a nie o rd en,
Pam el a Starr.
HARPUR COLLEGE MEN 'S GLEE CLUB
First T enor: Roy Gordon, Zane Kalter pres iden t, Mike Sturgeon. econd T enor:
J ohn Benneth um, David Crowe, Al an Hardy treasure, Andy Willinger. B ari tone : Ma rc
B ainer, Davi d Colman, Demnis Fenichel, Fred F orman, Bill Grossman , Alan Metri c k,
J ack Sperling, Bob Whitney, J effrey Gimprick . B asses : Bob Cancro, Chri s C ancro,
Danny Dushman v ice pres id ent, B urt E delstein , J o hn Harris o n, Alan Sturd eva nt,
Buzz Waterston.
THE HARP UR RE PERTOIRE ORCHESTRA
Vio lin· : David Einfeldt con certmas te r, Patrici a Isham, Francin e adeau, Dav id Rajn s ,
Kathy Co x, Ire ne Wetzelbe rg prin cipal, Alida St ahl, Ru th Ril ey, Sall y Sh a fe r, Ruth Rili ,
Kay ·c. R obe rts. Violas: Edward Pettergill princip le, Ke nneth Holliste r, L a ur a Erin ger.
Val e ry Ga rabedian . Ce ll os: Odile Nade au principal, Christ in e Li vingston , Becky O 'Conn o r,
Kath y Gruber. Basses : Bill Wills, Philip Sh a rpst een. Harp: L i se adeau . Oboe : Kenneth
Anderson,
Elle n Schwarz. French Homs: J o hn E vanso hn, Da le Whitman . Trump et : David
Hurd, Cra ig Jacobson. Trombone: J ohn Baldon . Percus ion : Lanny Levine , Vi cki \V ol .
Librarian:Can dace Duncan .
This program s ponsored by the Convocati ons Committee and t he Depa rtm e nt o f Music.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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40:10
41:12
17:18
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54351">Christmas Concert Harpur College Choir Recital</a>
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Title
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Christmas Concert Harpur College Choir
Recital Tape 1965-12-10
Subject
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Concerts
Instrumental music
Live sound recordings
Description
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O Come Emmanuel, Go tell it on the mountain, Ave Maria, Little Innocent Lamb, Magnificat / Alan Hovhaness
Creator
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Harpur College Choir
Publisher
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Binghamton University Libraries
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Hovhaness, Alan, 1911-2000
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1965-12-10
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sound
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Christmas Concert Harpur College Choir Recital Tape 1965-12-10.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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5 sound tape reels
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42:01
22:20
15:21
27:50
31:15
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54674">Christmas Concert Harpur College Choir Rectial</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christmas Concert Harpur College Choir
Recital Tape 1966-12-4
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Antonio Vivaldi, Andrea Gabrieli, David L. Buttolph, Randall Thompson, Richard Kountz, Johann Sebastian Bach, Alan Hovhaness. Held Dec. 4, 1966, Harpur College Theater.
Creator
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Harpur College Choir
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Binghamton University Libraries
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1966-12-4
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In copyright
Type
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sound
Identifier
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39091020058990
39091020059048
39091019619679
39091019619729
39091019619778
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https://omeka.binghamton.edu/omeka/files/original/57ad13f8329371f802fd5e4298e22960.pdf
72506a8d56673d489954fa92b4f82329
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
C HRISTOPHER M
ORGAN L O Y
COMPOSER/ PIANIST
S a t ur d a y , A p ri l 2.7, 2.016
8 : 00 pm.
( a sa des us R
ec i t a l H a l l
�FROGKAM
Sonatina #3 in g minor D408 . .
Allegro guisto
Andante
Menuetto
Allegro moderato
Selected Songs
F. Schubert
Two Songs on Poems of Walt Whitman
How sweet the silent backward tracings
. . . . . C .M. Loy
Af ter the Dazzle of Day
William Hurley, vi olin
Christopher Morgan Loy, piano
W.A. Mozart
Three Songs.. .
Das Veilchen
Als Luise die Brief e
Ridente la calma
Selected Piano Works
Voices of the Woods, Op. 13, no. 5
ln Memorium : Jamie Cannon, O p. 56, no. 6
Kerianna Krebushevski, soprano
C.M. Loy, piano
C.M. Loy
Homage to Steven Stucky, Op. 56, no. 7
Inner Lights (Sona ta for Violin and Piano)", Op. 58 ......C M. Loy
C.M. Loy, piano
Lento reflective, Allegro assai, Allegro
Flowingly
Allegro
G. Faure
Selected Songs
Chanson d ’amore
Apres un réve
Kerianna Krebushevski, soprano
C.M. Loy, piano
®INTERMISSIONe3
William Hurley, vi olin
C.M. Loy, piano
*Premiere performance
�NOTES ON THE MUSIC
Sonatina in G Minor
Franz Schubert composed three violin works commonly called the
“sonatinas” during the spring of 1816 when he was 19 years of age.
Schubert called these works sonatas, and they remained in manuscript
form during his lifetime. When Anton Diabelli published them in 1836,
he named them sonatinas in order t o a cquire the amateur market.
These works are straightforward, beautiful and elegant and have
remained a favorite with violinists and pianists since Schubert and his
friends first performed them. The Sonatina in G Minor is dramatic and
lyrical and the dialogue between the violin and piano is fun.
Voices of the Woods
Felix FernandezMadrid, a friend and colleague who has a great love for
usic, commissioned Seven Piano Pieces in 1984. He wanted a set of
piano pieces for his musical interests and enjoyment. “Voices of the
Woods”, the fifth piece of the set, conveys the restlessness and
sometimes forbidding nature of a mysterious forest.
Homages and Fantasies is a set of eight piano pieces premiered in
Ithaca on November 19, 2011. The following two works are extracted
from this set.
In Memoriam: Jamie Cannon
Jamie Cannon was a great friend. We were roommates when I lived in
downtown Detroit. He was an exceptional artist and craftsman, and
with my compositional work and Jamie’s artwork, producti vity in the
apartment was significant. When I received the news of his passing, I
sa t down i n sorrow to remember him and to pay homage to him. This
piece came forth. Throughout the composition there are moments of
reflection and remembrance interrupted by sudden bursts of anguish.
In Memoriam. ends with the main theme modulated up a step and
continuing upward to an enigmatic resolution.
Homage to Steven Stucky
In this homage to one of the foremost American composers, I set out to
honor his vibrant palette of harmonic coloration, while main taining my
own musical energy. The piec e is i n a standard ternary form. The fi rs t
part exhibits extended triadic harmony, which is one of Stucky’s
hallmarks, and the middle sec tion displays a musical portrai t of Steven
Stucky’s name. I have had the pleasure of working with Steven Stucky
and felt this set of Homages and Fantasies wouldn’t be complete
without honoring him.
Inner Lights
l composed Inner Lights (Sonata for Violin and Piano) in 2012. It
portrays the act of revealing the Light within us. The following quote
served as inspiration:
“The Light that is begotten of the Life which has been begotten of
Love, is a radiance: i t is the radiance within with a soul. Light is the
effect of magnetic action; i t is a manifestation of magnetic power.”
Life ’s Mysteries Unveiled by John Todd Ferrier
Lento reflectivo, Allegro assai, Allegro
The opening theme stated by the violin, represents the dual motion
(ascending and descending) of Light from the Divine, as well as a call to
the Light within each of us. When the piano joins the call, harmony
ensues. The fast, jagged rhythms signal a transition t o daytoday
activities that interrupt harmony. The contra sting music that follows in
5/4 time is lyrical and hopeful, encouraging continued effort on the
path of spiritual initiation. After a return to the theme of ra pid music,
the movement ends with a quote of the original opening theme.
Flowing
This movement begins with an intricate passage by the piano, which
provides the sound palette for the high floating melody of the violin.
The melodic stream i s contemplative and serene. An agitated middle
section suspends the medita tive a ttributes of this movement, but the
music soon returns to the flowing lines of the beginning.
Allegro
The final movement is a celebration of joy and grati tude. The violin ’s
firs t theme has the feeling of exuberance, and the highspirited energy
is maintained throughout the movement ’s several connected thema tic
sections.
ABOUT THE PERFORMERS
KERIANNA KREBUSHEVSKI is a Junior at Binghamton University
pursuing a Bachelor of Music Degree in Voice. During her time here in
Binghamton, Kerianna has performed the role of the firs t spirit in Tri
Cities Opera Company’s production of Mozart ’s Die Zaubeflcite, and in
the chorus for their productions of Puccini’s La Boheme and Verdi’s Il
Trovatore. She is currently in the chorus for Cavalleria Rusticana and
Pagliacci (Mascagni/Leoncavallo). Last semester, Kerianna also
performed the role of Gretel in Humperdinck’s Hansel and Gretel,
performed by the University’s Opera Workshop class. Currently she is
preparing for her Junior Recital, which will take place on May 10, 2013
a t Casadesus Recital Hall in the Fine Arts building a t Binghamton
University. This summer Kerianna will be traveling to ltaly for the
month of June to study voice and the Italia n language with the “Si
parla, si Canta” program, organized by Benton Hess. She is very excited
to see Italy for the firs t time and to further her studies.
�ABOUT THE PERFORMERS (CONT.)
Violinist WILLIAM HURLEY is an Ithacaba sed performer and teacher. In
tha t capacity, he frequently finds himself a t the Community Sc hool of
Music and Arts, Cornell University, The Binghamton Philharmonic, The
TriCities Opera Orchestra, and somewha t less frequently with the
Cayuga Chamber Orchestra, and The Orchestra o f the Southern Finger
Lakes. He has found himself, in the pas t, wi th orches tras and chamber
ensembles in GA, SC , WV, MD, PA, and AK. Serendipity has landed him
with a fine group of students and a lovely and talented crowd of
colleagues with whom to collaborate. In the chamber arena, he is a
member of DO (violin duo), Three (piano trio), The Amity String
Quartet, various New Violin Family incarnations, Music ’s Recrea tion,
partners guitarist Matthew Ocone, and fondly remembers the DeVere
String Quartet, The Archus S tring Trio, and various and sundry other
collabora tions. New things are always i n the works, and ideas are
welcome. Otherwise, he is an apprentice with Luthier Robert Spear,
serves on the board of Music ’s Recrea tion, plays Irish fiddle, gardens
voracious ly, and a lternately helps, confuses, a nd frightens the local
string community in his capacity as “the string guy” a t Hickey’s Music,
where he has worked for some considerable time. He lives and
meanders in the Danby area.
CHRISTOPHER MORGAN LOY has presented annual recita ls in Ithaca
featuring his new works since 1989. His compositions include works for
piano, chamber ensembles, chamber orchestra , full orchestra, and
chorus. He has received more than 25 commissions from individuals
and organizations since the 1980’s. Loy’s music has been premiered in
Cleveland, Detroit, Houston, New York, San Francisco, San Antonio and
Ithaca. He earned the Doctorate of Musical Arts degree from Cornell
University in 1993. He has received grants from New York State’s M eet
the Composer fund, the Gund Foundation, and the Cornell Council on
the Creative Arts. In 1998, 2001 and 2008, he received the New York
State Council on the Arts Decentraliza tion Program Grant to compose
his Serenade, a work for soprano, violin, bassoon and harpsichord, his
String Qu artet #1 and Poet ic Rejuvenations, a largescale work for
five players and poet/narrator. Loy serves as Professor of Theory and
Compositi on a t Binghamton University and teaches piano and
compositi on a t the Community Sc hool of Music and Arts (CSMA). He is
organist/ pianist a t the First Baptist Church in Ithaca.
TRANSLATIONS
Fauré
Chanson d ’nmore
I love your eyes, I love your face,
0 my rebellious, o my fierce one,
I love your eyes, I love your lips
Where my kisses will exhaust
themselves.
I love your voice, I love the strange
Gracefulness of everything that
you say,
0 my rebellious one, o my dear
angel,
My inferno and my paradise!
I love your eyes, I love your face,
I love everything that makes you
beautiful,
From your feet to your hair,
0 you, to whom ascend a ll my
desires!
Aprés un réve
In a slumber charmed by your
image
I dreamed of happiness, ardent
mirage;
Your eyes were more tender, your
voice pure and clear.
You were radiant like a sky
brightened by sunrise ;
You were c alling me, and I left the
earth
To flee wit h you towards the light ;
The skies opened their clouds for
us,
Splendors unknown, glimpses of
divine ligh t. . .
Alas! Alas sad awakening from
dreams!
I call to you, oh night, give me
back your illusions;
Return, return with your radiance,
Return, oh mysterious night!
Loy
Two Songs on poetry of Walt
Whitman is the first set of songs I
composed. Iwas moved by the
simplicity of the poems and set
them accor dingly.
How Sweet the Silent Backward
Tracings
How sweet the silent backward
tracings!
The wanderings as in dreams the
meditation of old times resumed ~
Their loves, joys, persons, voyages.
Af ter the Da zzle of Day
After the dazzle of day is gone
Only the dark, dark night shows to
my eyes the stars
After the clangor of organ
majestic, or chorus, or perfect
band
Silent athwart my soul, moves the
symphony true.
Mozart
Das Veilchen
A violet grew in the meadow, bent
over and unrecognized,
It was a lovable violet . A young
shepherdess came by with a light
step and cheerful mood, through
the meadow, and she sang.
The violet thought, “Ah, i f only I
were the prettiest flower in all of
Nature,
just for a li ttle while, until that
darling would pick me and press
me fla t on her bosom, ah, just for
a quarter hour. ”
But a h, the girl came and did not
notice the violet.
She trampled the poor violet!
It sank down and died, and yet it
was happy :
“If I must die, at least I am killed
by her feet . ”
The poor violet! It was a lovable
violet.
�But alas, the man who wrote you,
Als Luise die Briefe
may perhaps burn for a long time
yet
Born of a fiery imagination,
brought into the world in an hour
in my heart.
o f r apture, go t o destruction, you
children of melancholy!
You owe your existence to flames ;
Ridente Ia calma
Calmness is smiling in my soul; no
trace of anger or fear remains.
now I give you back to flames
along with all of the adoring songs,
because, alas he did not sing only
You will arrive at any moment, my
dear, to tie the bonds of marriage
tha t are so welcome to my heart.
to me.
You catch fire, and soon, you dear
ones, there will be no trace of you.
Binghamton University Music Department ’s
Coming Events
M
M
M
M
M
M
t
b
M
é
é
Sunday, April 28 – Senior Recital : David Gaita, piano – 7:30 p.m. –
Casadesus Recital Hall – free
Sunday, April 28 – TriCities Opera presents Mascagni ’s “CAVALLERIA
RUSTICANA” and Leoncavallo’s “PAGLIACCI™ 3:00 p.m. – The Forum Theatre
– call (607) 7720400 for tickets
Tuesday, A pril 30 – Per cussion Ensemble Concert – 8:00 p.m. – Anderson
Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for
students
Wednesday, May 1 – Percussion Recital : Devan Tracy and Andres Castillo
– 8:00 p.m. – Casadesus Recital Hall – free
Thursday, May 2 – MidDay Concert – 1:20 p.m. – Anderson Center Chamber
Hall – free
Thursday, May 2 – Opera Scenes – 8:00 p.m. – Anderson Center Chamber Hall
– $6 general public; $3 faculty/staff/seniors; free for students
Friday, May 3 – Music from the Seminar (Christopher Loy ’s Class) – 7 p.m. –
Casadesus Recital Hall – free
Saturday, May 4 – Master’s Recital : Molly AdamsToomey, mezzosoprano
– 8 p.m. – Casadesus Recital Hall – free
M M M fi M M b M fi n r b ‘
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
(607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit
music.binghamton.edu or become a fan on Facebook.
if you were inspired by this performance, consider supporting
_
. ' E the Department of Music with a financial gilt. Your support helps
E
to continue the work of students, faculty, and guest artists and
their contributions to our community. Please make your
donation payable to the Binghamton University Music
E
:
Department, and send your check to BU Music Department,
P.O. Box 6000, Binghamton, NY 13902.
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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1 audio disc
Duration
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1:06:05
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130163">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130163</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christopher Morgan Loy, recital, April 27, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Loy, Faure, Mozart. Held at 8:00 p.m., April 27, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Loy, Christopher Morgan
Hurley, William
Krebushevski, Kerianna
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-27
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/e0ead8dba93033f317be436deb56e88c.jpg
7248851fc3677ed38180222cf38716a6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
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Dublin Core
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Subject
The topic of the resource
Handicraft
Tobacco pipes
Cigarettes
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/20/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Darcigere
Medium
The material or physical carrier of the resource.
image/tiff
Rights Holder
A person or organization owning or managing rights over the resource.
State University of New York at Binghamton
Title
A name given to the resource
Cigarette holder
Description
An account of the resource
Cigarette holder with carved figures. Material: wood. Length: 9.5 cm. (3.75 in.). Width: 1 cm. (.375 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
A related resource from which the described resource is derived
Box 20
Identifier
An unambiguous reference to the resource within a given context
Saeedpour 2.2011.475
Date
A point or period of time associated with an event in the lifecycle of the resource
1953
-
https://omeka.binghamton.edu/omeka/files/original/69d1edf84d4486df74b98d11bf3d6c5b.jpg
b72023bd704217497d78145e482a3d69
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Subject
The topic of the resource
Handicraft
Tobacco pipes
Cigarettes
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/20/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Darcigere
Medium
The material or physical carrier of the resource.
image/tiff
Rights Holder
A person or organization owning or managing rights over the resource.
State University of New York at Binghamton
Title
A name given to the resource
Cigarette holder
Description
An account of the resource
Large cigarette holder with dark end. Material: wood. Length: 8.7 cm. (3.5 in.). Width: .8 cm. (.3 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
A related resource from which the described resource is derived
Box 20
Identifier
An unambiguous reference to the resource within a given context
Saeedpour 2.2011.476
Date
A point or period of time associated with an event in the lifecycle of the resource
1953
-
https://omeka.binghamton.edu/omeka/files/original/5b11b753448bafd02456edd07a8c9e38.jpg
fb723e7c8d94477beb2037e993b4b507
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Subject
The topic of the resource
Handicraft
Tobacco pipes
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/19/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Darcigere
Medium
The material or physical carrier of the resource.
image/tiff
Rights Holder
A person or organization owning or managing rights over the resource.
State University of New York at Binghamton
Title
A name given to the resource
Cigarette holder
Description
An account of the resource
Carved cigarette holder with geometric designs. Material: wood. Length: 26 cm. (10.25 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
A related resource from which the described resource is derived
Box 20
Identifier
An unambiguous reference to the resource within a given context
Saeedpour 2.2011.507
-
https://omeka.binghamton.edu/omeka/files/original/d23e299a35647971a63ca6921ce92f2c.jpg
201cf4e819d510dbe93b3509a5288101
Dublin Core
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Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Subject
The topic of the resource
Handicraft
Tobacco pipes
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/19/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Darcigere
Medium
The material or physical carrier of the resource.
image/tiff
Rights Holder
A person or organization owning or managing rights over the resource.
State University of New York at Binghamton
Title
A name given to the resource
Cigarette holder
Description
An account of the resource
Cigarette holder with carved geometric pattern. Material: wood. Length: 45.2 cm. (17.8 in.). Width 1 cm. (.4 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
A related resource from which the described resource is derived
Box 19
Identifier
An unambiguous reference to the resource within a given context
Saeedpour 2.2011.528
-
https://omeka.binghamton.edu/omeka/files/original/3e728e156f8e7b080f14c2338aa143e6.jpg
010b6aac363f795d2415682e01fd9b2e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Description
An account of the resource
Vera Beaudin Saeedpour started the Kurdish Heritage Foundation, Kurdish Library and Kurdish Museum all out of her home in Brooklyn, NY in the early 1980s. The Vera Beaudin Saeedpour Kurdish Library and Museum Collection was donated to Binghamton University Libraries in February 2011. The evolution of the library/museum is evident through her correspondences with politicians, universities, Kurdish friends, writers, and people of all different backgrounds. The collection contains more than 3,000 books, journals and newspapers in Kurdish and other languages. The collection also holds artifacts, costumes, maps, photographs, artwork and other unique materials. Items include a nineteenth-century traveler's account of Kurdistan, nineteenth-century maps, jewelry including necklaces, headpieces, bracelets, and belts, musical instruments and recorded music, as well as weavings, crafts, carpets and other textile art. Saeedpour also established numerous events to celebrate different aspects of the Kurdish culture. Photographs and records from these events can be found throughout the collection.<br /><br /><a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/76" target="_blank" rel="noopener" title="Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid">Vera Beaudin Saeedpour Kurdish Library & Museum Collection Finding Aid</a>
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Subject
The topic of the resource
Handicraft
Tobacco pipes
Type
The nature or genre of the resource
Image
Date Modified
Date on which the resource was changed.
4/19/2012
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Darcigere
Medium
The material or physical carrier of the resource.
image/tiff
Rights Holder
A person or organization owning or managing rights over the resource.
State University of New York at Binghamton
Title
A name given to the resource
Cigarette holder
Description
An account of the resource
Cigarette holder with a mauve-colored fabric and black and red markings on the ends. Material: wood. Length: 34.5 cm. (13.5 in.). Circumference: 6.5 cm. (2.5 in.).
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Is Part Of
A related resource in which the described resource is physically or logically included.
Vera Beaudin Saeedpour Kurdish Library & Museum Collection
Source
A related resource from which the described resource is derived
Box 19
Identifier
An unambiguous reference to the resource within a given context
Saeedpour 2.2011.554
-
https://omeka.binghamton.edu/omeka/files/original/564d5155bc1a62c54262ffe13c705a93.pdf
3da855c49968aa0388f4cb29df87f072
PDF Text
Text
LINLVN J y '“
—
t e c
U N I V E R S I T Y
~
)
o
BINGHAMTON
h
H
w
I
A
State University of New York
Depart ment of Music
UNIVERSITY WIND ENSEMB LE
Timothy Perry, Conductor
Stephen Boel, Associate Conductor
Cinematic Signatures III :
G rea t W hite Wa y to the Silver Screen
Sunday, Feb ruary 27, 2005
3:00 p.m.
Anderson Center Cham ber Hall
�The Binghamton University Department of Music presents the
University Wind Ensemble
Dr. Timothy Perry, Director
Stephen Boel, Associate Conductor
Cinematic Signatures lll: Musical Movies
Sunday 3:00 p.m.
Chamber Hall
Febniary 27, 2005
Program
Anderson Center for the Arts
Overture to Guys and Dolls (1955).................... Frank Loessing
Arr. Philip Lang
Three–cornered Tune – I’ve Never Been in Love Before
A Bushel and a Peck – Guys and Dolls
An American in Paris (1951)...........
George Gershwin
Arr. Jerry Brubaker
South Pacific ( 1 9 csv c
5siv8rsase)seis. «ee.......Richard Rodgers
Arr. Philip Lang
Some Enchanted Evening – A Wonderful Guy
Bali Ha’i There is Nothin’ Like A Dame
The Music Man (1962)....................
Meredith Willson
Arr. Alfred Reed
The Wells Fargo Wagon.– ‘Till There Was You
SeventySix Trombones
My Fair Lady (1964)
Frederick Loewe
Arr. C . Paul Herfunh
On the Street Where You Live – With a Little Bit of Luck
l’ve Grown Accustomed to her Face – I Could Have Danced All Night
Fiddler on the Roof(1971). . .. . .. .. Sheldon Harnick and Jerry Bock
Arr. Bob Lowden
Tradition – Matchmaker – Do You Love Me? – Miracle of Miracles
Sunrise, Sunset – I f Were a Rich Man –To Life
Les Miserables (1987)
. .. . .. . .. . .. . .. . ClaudeMichel Schonberg
Arr. Warren Barker
At the End of the Day I Dreamed a Dream Master of the House
On My Own – Do You Hear the People Sing?
Phantom of the Opera (2004) .................Andrew Lloyd Webber
Think of Me – Angel of Music The Phantom of the Opera
Arr. Warren Barker
All I As k of You – The Point of N o Return – The Music of the Night
University Wind Ensemble
Timothy Perry, Director
Stephen Boel, Associate Director
Piccolo
Amy Forgacs
Flute
Joanna Hunt
Nicole Kalisz
Subin Lim
Elise Martingale
Lauren Silinonte
Valerie Spiller
Clarinet
Heather Boland
Alice Choi
Shanika Cooper
Colin Edmunds
Michelle Grexer
Simon Hawk
Andrew Hsu
Andrei Lee
Bass Clarinet
Joshua Schaier
Christopher Strub
Alto Saxophone
Emily Alkiewicz
Amy Natiella
Tenor Saxophone
Kevin Kneifel
Trumpet
Mark Alfes
Garret Clark
Philip Deitz
Derek Ersbak
Thomas Osa
Steven Pan
Andrew Sanfratello
French Horn
Megan Caruso
Greg Cecere
Patrick Lokken
Alfred Jacobsen
Trombone
Jamie Cepler
David Hennan
David Ricotta
Baritone/Euphonium
John Testa
Richard Mokan
Tuba
Erik Appleyard
Dan Gallagher
Percussion
Christopher Jacobson
Baritone Saxophone
Joe Sobel
A i Karasawa
Spencer Lo
Christine Jackson
Mark Turley
String Bass
Chris Zavala
Keyboard
Robert Magee
�Coming Events
Thu rsday, March 3 – MidDay Concert with faculty and student performers –
1:20 p.m. Casadesus Recital Hall free
Satu rday, March 5 – Master’s Recital – Leslie Hochman, Sop rano – 3:00
p.m. – Casadesus Recital Hall – free
Satu rday, March 5 – University Sym phony Orchestra – Around the Horn –
8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public;
$7 faculty/staff/seniors; free for students
Sunday, March 6 – Musica Nova with Patricia Sunwoo, violin and Ewa
MackiewiczWolfe, piano 3:00 p.m. – Casadesus Recital Hall $10 general
public; $7 faculty/staff/seniors; free for students
Th u rsday, March 1 0 – MidDay Concert with faculty and student performers
1:20 p.m. – Casadesus Recital Hall free
Satu rday, March 1 2 Master’s Recital – Timothy Fallon, tenor – 3:00 p.m.
Casadesus Recital Hall – free
Satu rday, March 1 2 – Master’s Recital – Jo d y Schum, piano – 8:00 p.m. –
Casadesus Recital Hall – free
Sunday, March 1 3 – Harpu r Chorale and Women ’s Chorus Concert – 3:00
p.m. – Anderson Center Chamber Hall free
Th u rsday, March 1 7 – MidDay Concert with faculty and student performers
–l :20 p.m. ~ Casadesus Recital Hall – free
Thursday, March 31 – MidDay Concert with faculty and student performers
– 1 :20 p.m. – Casadesus Recital Hall – free
Sunday, April 3 O rganist Jon a than Bi ggers – Music for O rgan and
Strings – 4:00 p.m. First Presbyterian Church, Binghamton $15 general
public; $13 faculty/staff/seniors; $7students
Sunday, A p ril 3 – Ha rpu r Tru m pet Ensem ble an d Studio Concert – 7:30
p.m. – Casadesus Recital Hall – free
Thu rsday, April 7 – MidDay Concert with faculty and student performers –
1:20 p.m. – Casadesus Recital Hall – free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:01:39
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cinematic Signatures III: great white way to the silver screen, February 27, 2005
Description
An account of the resource
Works of Loessing, Gershwin, Rodgers, Willson, Loewe, Harnick and Bock, Schönberg, Webber. Held at 3:00 p.m., February 27, 2005, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Boel, Stephen
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-2-27
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/83bc57e04fe3b99146de41a58640d751.pdf
edca317cca6ac9cda8c8612918228c63
PDF Text
Text
BINGHA MTON
U N I V E R S I T Y
State University of N e w York
is
UNIV RRC
Yap
2506
s‘ .< ‘
1
C
zed e
D E P A R T M E N T
D
C LAR INET S TUD IO
R ECIT AL
Students of Timot hy Perry
Assisted by Margaret Reitz, piano
and Nicole Hsu, piano
Sunday, November 19, 2006
7:30 p.m.
Casadesus Recital Hall
�The Binghamton University Department of Music presents a
Trio No. 1 in C major
I.
Allegro
Cla rine t Studio Recital Fall’2006
Suite for T hree Clari nets. ..
Overture
Andante allegro
Minuet
G F Handel
Trio MaDaLi
Lisa Carpinane, Dang Yoon Shin, and Maggie Venti
The clarinet was ‘i nvented’ in Nuremberg about the year 1700 fr
om an
existing singlereed instrument, the chalumeau. Handel inclu
ded it in a few of his
operas and in this larger m ultimovement suite. The part writing
for early clarinets .
was more like that for horns and trumpets than it is like other w
oodwinds, as the
name ‘clarinetto’ m eant ‘small t rumpet’.
Concerto No.1 in G minor, Op. 73. . . . . . . . . . . .Car1 Maria von Webe
Allegro
r
Heather Boland & Margaret Reitz
Weber (17861826) wrote most if his seven major clarinet solo
s for his own use as
accompanist to the great virtuoso Heinrich Baermann, with wh
om he toured
throughout Europe in the period 181216. This F minor concert
o was the first
written in the new ‘Romantic’ style, with extremes of range, d
ynamics and timbre
used to heighten the tragic emotional theme of the work.
Invention
CEENRENSED.S. Bach
Rondeau.. ...... ...... ...... ...... ...... ...... .
J.P. Rameau
Klarinightmare
Kyle Doyle, Mark Norman & Richard Silvagni
....... ...Jacques Bouffil
Sine Nomine Trio
Dan Zaccharini, Brenna Daugherty and Christa Heschke
Jacques Bouffil created the first sets of original clarinet trios for
use of
players in early 19"®century Paris. Each of the eight trios has three
movements,
highly virtuosic writing for all three parts, and a decidedly clas
sical character
reminiscent of Mozart and Haydn.
Scaramouche
Allegro
Moderato
Braziliera
...... ....Darius Milhaud
Gregg Ackerman & Margaret Reitz
Milhaud contributed several important solo works for clarinet
which draw
on French, Brazilian and American models, as all were places i
n which he resided
and taught during his long career. Scaramouche, (the name is fro
m a historical novel
by Rafael Sa batini published in 1921) was originally composed
for saxophone, but
was immediately transcri bed by the compose r and published for
clarinet and piano.
Ceux de Village
La Garde Champetre (Village policemen)
Le Curé (Parish priest)
La Chatelaine (Lady of the manor)
Le Chatelaine (Lord of the manor)
...... ....Yvonnes Desportes
Ouatuor Ananvme
Melissa Klepper, Heather O ’Gara, Jillian Stark, Kristin Weis
s
The pure tone of the clarinet lends itself wonderfully to the cou
nterpoint of
Baroque music. Eugene Gay, former Professor of Clarinet at the
Conservatoire de
Musique in Paris, released several volumes of Baroque transcripti
ons such as these.
All have become beloved staples of clarinet ensem bles througho
ut the world.
Yvonne Desportes (19071993) was one of the most respected
and prolific
composers of clarinet chamber music in the latter 20” century. Thi
s set on
‘characters of the village ’ is the first of three. Desportes delights
in witty and
colorf ul character depictions, spiced with occasionally piquant
dissonances.
Fantasia on Rossini ’s ‘Una voce poco fa’ . ...... ...... ..Ivan Mi
ller
Alex Vincenzi & Nicole Hsu
Pocket Sonata No.1.
Ivan Muller, a native of Estonia, was not only a virtuoso player a
nd composer but
also a designer who developed one of the two primary systems of
keywork used in
modern clarinets. T he ‘Muller’ system evolv ed into modern ‘Ge
rman’ system
clarinets and the ‘Albert’ system common until 1950 in the U.S.
His operatic
fantasies we re popular with players and public alike, with Ros
sini the favorite donor
of thematic material.
Improvisation
Blues
In Rhythm
...... ...Alec Templeton
Bethany Bonhof and Margaret Reitz
Alec Templeton, a respected British jazz pianist who was blind
from birth, created
two ‘pocket’ (for their brevity) sonatas for clarinet. Composed i
n the early 1950’s
they helped usher in an age of jazzinfluenced works for clari
net and piano.
�Tuesday, N ovem ber 28 – U niversity P ercussion E nsem ble – 8:00 p.m.
– Anderson Center Chamber Hall – free
Thursday, Novem ber 30 – MidDay Co ncert – 1:20 p.m. – Casadesus
Recital Hall – free
F riday, Decem ber 1 – Fl ute Studio Recital – 10:15 a.m. – Casadesus
Recital Hall – free
F riday, Decem ber 1 – Eli zabethan Mad rigal Feaste – 6:30 p.m. – Old
Union Hall – Tickets: $38 general public; $20 students with ID
Saturday, Decem ber 2 – Flute Ensem ble Recital 12 noon – Casadesus
Recital Hall free
Saturday, Decem ber 2 – El izabethan Mad rigal Recital – 6:30 p.m.
Old Union Hall – Tickets: $38 general public; $20 students with ID
Sunday, D ecem ber 3 – Un iversity Sy mphony O rchestra – 3:00 p.m. –
Osterhout Concert Theater $9 general public ; $7 faculty/staff/seniors;
free for students
Thursday, Decem ber 7 – Jazz Mid Day Concert with g uest artist,
Bruce Joh nstone – 1:20 p.m. – Osterhout Concert Theater – free
Thursday, Decem ber 7 Jazz Ensem ble with guest artist, Bru ce
Johnstone – 8:00 p.m. – Osterhout Concert Theater $9 general public;
$7 faculty/staff/seniors ; free for st udents
Saturday, Decem ber 9 – Master ’s Recital : Katrina Cox, sopra no –
8:00 p.m. – Casadesus Recital Hall – free
Sunday, Jan uary 28 – Bach Again : Jonathan Biggers, o rganist – 4 :00
p.m. First Presbyterian Church, Binghamton $15 general public; $13
faculty/staff/seniors; free for students
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
59:53:00
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clarinet studio recital, students of Timothy Perry, November 19, 2006
Recital Tape 2006-11-19b
Description
An account of the resource
Held at 7:30 p.m., Nov. 19, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Carpinone, LIsa
Shin, Dong Yoon
Venti, Maggie
Boland, Heather
Doyle, Kyle
Norman, Mark
Silvagni, Richard
Vincenzi, Alex
Zaccharini, Dan
Dougherty, Brenna
Heschke, Christa
Ackerman, Gregg
Klepper, Melissa
O'Gara, Heather
Stark, Jillian
Weiss, Kristin
Bonhof, Bethany
Reitz, Margaret A
Hsu, Nicole
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-11-19
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
de839bef-6af8-4cb7-9ddb-5a7ad6f6b10d