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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON

HARPUR COLLEGE
THE DEPARTMENT OF MUSIC

THE  NEW  YORK  WOODWIND  QUINTET
in residence
Thomas  Nyfenger,  ﬂute 
David  Glazer,  clarinet
Ronald Roscman, oboe 
Arthur Weisberg, bassoon
Ralph  Froelich,  French  horn

with

THE  LENOX  STRING  QUARTET
in residence
Peter  Marsh,  violin 
Delmar Pettys, violin, viola 

Paul Hersh, viola, piano
Donald McCall, cello

assisted by Alvin Brehm ,  d ouble ba s s

Sunda y, Nove m ber 22 , 1970 

8 :15 p. m . 

Don A . Wa tters Thea ter

P R OGRAM
 

Qua r tet  i n E  Flat Ma jor , Opus 8, No. 2 
A llegro Mode ra to

Ka r l Sta m i t z

Andante
Rondo

Sum mer  Music for Woodwind Quintet 
Quintet  No. 2 
Andante con moto
A llegro com m odo
Adagio
Vivace

Samuel Bar ber
Alvin  Etler

Inte rm iss ion
Nonette  i n F , Opus 31 
Allegro
Sche r zo : A llegro
Adagio
F inale : V ivace

Ludwig Spoh r

�FUTURE E V E N T S
MONDAY, NOVEMBER 23, 1970
8:15 p. m . Student Center Social Room

THE HARPUR CHORALE
David  Buttolph,  Condu c tor

SUNDAY, DECEMBER 6, 1970
8.15 p. m . Music  Reci tal Hall

MARIA CISYK, FACULTY  PIANlST
Solo Reci tal

THURSDAY,  DECEMBER 10, 1970
FRIDAY, DECEMBER 11, 1970
8:15 p.m. Music Recital Hall

OPERA WORKSHOP PRODUCTION
William  Lewis and Rober ta
Schlosser, directors

SUNDAY, DECEMBER 13, 1970
3:00 p.m. Student Center Social Room

JAZZ WORKSHOP CONCERT
Albert Hamme, director

WEDNESDAY, DECEMBER 16, 1970
8:15 p. m . Don A. Watters Theater

SPECIAL CHRISTMAS CONCERT
including singing with audience
participation.

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC

THE NEW YORK WOODWIND QUINTET
in residence
T homas Nyfenger, flute
David Glazer, clarinet
Ronald Roseman, oboe
Arthur Weisberg, bassoon
Ralph Froelich, French horn
Sunday, March 15, 1970

3:00 p. m.

Don A. Watters Theater

PROGRA M

Divertimento in D Major
Andante marcia
Allegro
Menuetto
Siciliano (Andante)
Menuetto
Finale (Prestissimo)

Michael Haydn

Quintet, Op. 71
Adagio, Allegro
Adagio
Minuetto
Rondo

Ludwig van Beethoven

Intermission
Concerto in G Minor for Flute, Oboe and Bassoon
Allegro ma cantabile
Largo
Allegro non molto

Antonio Vivaldi

Permutazioni Cinque (1958)

Matyas Seiber

Woodwind Quintet (1948)
Allegretto
Allegro giccoso

Elliott Carter

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Concert of Rena issance Music by the
ENSEMBLE CLAUDE GERVAISE

of Montréal

at the Art Gallery of the State Univers ity of New York at Binghamton
presented i n  con junction w ith

the Fourth Annual Conference in Medieval Studies
of the CENTER FOR MEDIEVAL AND EARLY RENAISSANCE STUDIES
Saturday, May 2, 1970, 20:30

�CLAUDE GERVAISE was active as a musician in the 1550 era
in Paris. He had some forty songs (1541­1557) and 3 books of Danceries
(1550­1555) published by Attaignant and Du Chemin.
The  Ensemble  considers  him  an  author  of  charming  dances
reﬂect ing the enthusiastic spirit preva lent during the Renaissance.
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braire,  qui vend la Muﬁque du Monde la  plus cor­
re&amp;e, acqui s’engage deladonner i meilleur mar­
ché que qui que ce foit , quand meme il de­
vroit la donner pour rien,

�Ins t ruments  of  the  Ens emb le

Flutes  a beg;  soprani 

: 

7

alt i 

:  10

sopran in i 

: 

: 
tenores 
: 
basses 
basse  grave  : 

5
2
1
2
v i o les  de  gambe  :  3
cornemus e
f1dt e  t ravers i ere
t r i ang le
:  3
tambouri ne 
b l o c   +  ba g uet t es
c loches
ép i net t e
h arpe  c e l t i que
anches ,  éc ouv il lons

5 
cromorne s 
ch alumeaux   :  2 
ch alemi e 
dulc i ane 
h autbois  de  Poi tou 
c or net  a  b ouqui n 
mus et t e 
piﬀaro 
bombarde  
h autb ois 
luth
Ins t ruments  de  f o lk lore

Indes 

:  1  f1dte
1 h autbois  doub le

Y oug os lavi a 

:  l i j e r i c a 

g uz l i 

sw i n ala

Amer i que  du S ud  :  3  ﬂl i t e s  a  b e e  ( bambou )  p i k i n ds
1  kena

P ales t i ne 
A

J amai que 

:  1  ch alume au  doub le
A 

\

u
1  ﬂ u t e  t ravers . i ere  de bambo
.
A 
1  ﬂ u t e  t ravers i c re  ( mat ér i aux  modernes )

Ch i na 

:  1  f18te  ‘a  bec

Jerus alem 

:  1  h autbois  doub le
1  h autbois

Cret e 

Europe  ( XI Xe  s i e c le )
1  ﬁ f r e
\
2  p i c c o l i 
2  ﬂl i t es  t ravers i eres
1  c l ar i n e t t e

�ENSEMBLE  CLAUDE  GERVAISE

The  Ens emb le  i s   a  group  o f  mus i c i ans ,  s ingers  as  w e l l  as
i ns t rument al is ts ,  w e l l  versed  and  t rai ned  i n  the  st udy  and  int er~
pret at i on  of  the  mus i c  of  the  Renaissance .
To  ac complish  i t s   purpos es ,  a  c o l le c t i on  of  ins t ruments  of  th e
peri od ,  some  authent i c ,  others  reconst ruct ed ,  has  been  ass emb led
and  i s   cons t ant ly  be i ng  enlarged .  The  members  of  the  Ens emb le  have
s t udi ed  the  h is tory  and  evaluat i on  of  the  inst ruments  of  t h i s
c o l le c t i on ,  probably  the  most  complet e  i n  Canada .  Approx imat ely
ei ghty  ins t ruments  have been  c o l le c t ed ,  pr i n c ipal ly woodwinds  and
s t r i ngs ;  the  group  are  on ly  begi nn i ng  t o  c o l le c t  examples  of  brass
inst ruments .
The  pr i n c ipal  t exts  o f  theoret i c i ans  of  th e  peri od ,  such  as
Gaf ur i us ,  Mersenne ,  Praetor i us ,  Arbeau,  S al i n as ,  e t c . ,   as  w e l l  as
numerous  other h is t or i c al  documents  i n c ludi ng  composers ,  ins t ruments
and  mus i c al  t ext s ,  have  been  brought  together  and  f orm  the  bas is  of
st udy .
Furthermore ,  s everal  members  of  th e Ens emb le  have  recei ved
t rai n i ng  i n  the paleography  of  mus i c al  t exts  so  as  t o  permi t  them
dire c t  ac cess  t o  t h e  manus c r ipt  sourc es .
The  mus i c i ans ,  ei ght een  i n  number  at  the  moment ,  are  f or  the  most
part  recruit ed  f rom  the  un i vers ity  commun ity  or  f rom persons  att ached
i n  some  f ash i on  t o the  Un i vers ity  of  Mont re al .
The  Ens emb le  has  been  per f orming  on  a  regular bas is  s ince  1967.
Concerts ,  i n c ludi ng  a  f ew  of  an  educ at i on al nat ure ,  have
reg ularly  been  o ﬀ e r e d  t o a  vari ety  of  audi ences  throughout  Canada .

�EN S EM B L E  CL AUD E G ER V A I S E
A DEMONSTR ATION OF MUSICAL INSTRUMENTS OF THE RENAISSANCE

presented in c on junct ion w ith the Fourth Annual Conference in Medieval Studies of  the
CENTER FOR MEDIEVAL AND EARLY RENAI SSANCE STUD IES

1 .  Recorders and German ﬂute
petit jeu: Ga uote pour les Flustes douces 
grand jeu: Ai r de cour pour les Flustes d’Allemand
2.  Chalumeaux

Bransle d’Esc osse 

Henri le JEUNE

Estienne du TERTRE

3.  Hautbois de Poitou, shawn, dulcian
Dit Ie bourguignon
Gl i occhi tuoi ( villanesca) 

T. CIMELLO

4.  Pastoral oboe (musette, piﬀaro and bombarde)
Saltarello

Cornet a bouquin
Gaillarde

Tielman SUSATO

.  Cornemuse

dance
.  Sourdine

dance
Crumhorns

Si je perdu mon amy
Die Post

Tielman SUSATO

.  Luth
Kemp’s Jig

10. Spinet 

,
I f love now re igned

11. Celtic harp, viols, etc.

Henry VIII

Hoboeckentanz

Tielman SUSATO

J

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Fm
I

o 4r y

o  4°

�M US IC I ANS
Director: Gi lles PLANTE

Francois BARRE
Colette CHEVALIER
Michel DESROCHES
Diane DUGUAY
Matthieu DUGUAY
Jean GAGNE
Monique GRENIER
Joseph GUILMETTE
Louise LAGACE
Yves MOUGEOT
Alain NONAT
Marcel OTIS
Gilles PLANTE
Léo­Paul RODRIGUE
Dujka SMOJE
Guy SOUCIE
Marie TRUDEL

�P RO G R A M
. Margaretha  

Erasmus WID M ANN

i 
i  , dulc ian, percuss
hautbois de Poitou, corn
: 
et a bouquin
ion 
. Suite de danses 
courante
recorder, ch alumeau, v iols, bells, percussion

1  34
157 2­16

Michael PRAETORIUS
1571­1612

ballet
recorders, v iols, spinet

volte
recorders, v iols, chalumeau, dulc ian, percuss ion
bourrées l­l l
recorders, v iols, crumhorn, cha lumeau, dulc ian, percuss ion
. Cest grant  pla is ir
chanson
voices
transcription of the chan son b y Pierre ATT AINGNANT
spinet
tourdion
recorders

­ abeth’s Ga
. 
. 
. Queen Elis
i llard 
Iuth
. Tant que v ivray
voice, recorder, Iuth 

John DOWLA
ND
7563­7626

Claud in de SERMISY
c . 1490­1562
Text: Cléme nt Marat

. Stat ein me sk in was junck ; [Residuum]
hautbois de Poitou, shaw n, crumhorn , dulc ian

. Le  jour  s ’endort 
: 
voice, recor
der, celt , 
ic harp
. Taunder na ken 
recorder, v iols, crumhorn, celt ic harp

Guillaume DUFAY
c. 1400­1474
Henry V III

�. Green groweth the hol l y

Henry V III

voice, recorders

1 0. My Lady Carey’ s Dompe

c. 1525

spinet

1 1 . Villancicos
Lo que queda es lo seguro
Paséisme aor’ a lla, serrana
IO, a lto bien s in revés ...!
hautbois de Poit ou, crumhorn, ch alumeau

[Pedro de ESCOB AR]

1514

12. Pourquoy done ne fringuerons nous
ronde
recorders
chanson
voices

13. 0  amica mea
recorders

Tielman SUSATO

155 7

P ASSEREAU

c. 1510

Thomas MORLEY

155 7­ 7603

14. Rompelt ier (Rumfeltiere)
crumhorns, voices
1 5. Suite de danses
Pavane d ‘Angleterre and Ga i llarde
recorders, percussion
ronde
recorders, percussion
Schafertanz and Nachtanz
recorders, v iols, percussion
ronde
recorders , percuss ion

Claude GERVAISE

Hoboeckentanz
recorders, hautbois de Poitou, crumhorn, v iols, chalumeau dulc ian, celtic
harp, lut h, percussion

16. Vitrum nostrum g loriosum

1540

�S O U R CES
. Musika/ischen Tugends piegel, 1613.
. C. Terps ichore, Musarum Aoniarum Quinta, 1612.
. Chanson and Transcript ion : Pierre  ATTAINGNANT, D ixneuf  chansons  musica­
les  reduictes  en  la  tabulature  des  Orgues  Espinettes  Manic ordions,  et  telz
semb lab les instrument z mus icaulx , Paris, 1530 (1 531).
Tourdion :  Pierre  ATTAINGNANT,  Second  liure  [de  danceries)  contenant  trois
Gail/ardes, trois  Pavanes, v ingt  trois  Bran/es,  Tant  gays, Simples, Que dou­
b les, Douze basses dances, &amp; Neuf tourdions, Paris, 1547.7.

. Ottav iano  dei  PETRUCCI,  Harmonice  musices  odhecat on  A.,  Venice, 1501.

. London, British Museum, Additional MS 31922, fol . 82v­84.

9. London, British Museum, Additional MS 31922, fol . 37v­38.
1 0. London, British Museum, Roy. App. 58.
1 1 . Cancionero Mus ical de  Palacio ­ cancionero Barbieri ­,  Madrid, Bib l, del Pal.
Real, 2.1.5.

12. Ronde : Tielman SUSATO, Het derde musyck, Antwerp, 1 551 .
Chanson : ATTAINGNANT and GARDANE (editions from 1 533­1 548).

13. Thomas  MORLEY ,  A  Plaine  &amp; Easie  Intr oduct ion t o Pract ice//  Mus ic ke, 1597.
1 4. Ottav iano  dei  PETRUCCI,  Harmonice  mus ices  odhecat on  A.,  Ven ice, 1501.
1 5. Pavane  and  Gai llarde :  Pierre  ATTAINGNANT,  Troisieme  livre  de  danceries,
Paris, 1556.
Ronde,  Schafertanz  and  Nachtanz, ronde,  Hoboeckentanz :  Tielman  SUSATO,
Het derde musyck, Antwerp, 1 551 .

16.

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                    <text>BACH
PARTITAS FOR
PARTITAS FOR
SOLO VIOLIN
SOLO VIOLIN

PETER MARSH,
PETER MARSH,
VIOLIN
VIOLIN
SEPTEMBER
and 25th. 8:15 pm
8:15 pm
4 t h  and 25th. 
SEPTEMBER 224th
MUSIC RECITAL HALL
MUSIC RECITAL HALL

STATE
UNIVERSITY OF NEW YORK AT BINGHAMTON
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
THE
DEPARTMENT OF MUSIC
THE DEPARTMENT OF MUSIC

�LECTURE -- RECITAL
THURSDAY, SEPTEMBER 24, 1970

RECITAL
FRIDAY, SEPTEMBER 25, 1970
PROGRAM

J. S. Bach

Partita No. 1 in b minor
Allenmande
Double
Corrente
Double (Presto)
Sarabande
Double
Bourée
Double

J . S. Bach

Partita No. 2 in d minor
Allemande
Corrente
Sarabande
Giga
Ciacona

FUTURE EVENTS
SUNDAY, September 27 at 8: 15 PM in the Don Watters theater the second of the
Fall Chamber Music Series concerts will feature the NEW YORK WOODWIND
QUINTET.
SATURDAY, October 3 at 8:15 PM in the Don Watters theater the Fall Chamber
Music Series will present PAUL HERSH in a concert of piano music.
On October 15, 16, 17 and October 22, 23 and 24 the LENOX STRING QUARTET
will present a special series of performances of the Beethoven string quartets.
The concerts wi 11 be held in the Music Recital Hal I at 8: 15 PM . Tickets wi 11 be
on sale the week preceeding the first concerts. Watch the local newspapers and
the Campus newspaper for further information about tickets.

Intermission

Partita No. 3 in E major
Preludio
Louré
Gavotte en Rondeau
Menuet I
Menuet 11
Bourée
Gigue

J. S. Bach

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC

HARPUR COLLEGE SYMPHONY ORCHESTRA
STEFAN BAUER-MENGELBERG, conductor

Sunday, Oct. 31, 1971 - 8:15 PM
Don A. Watters Theater

�ORCHESTRA

PROGRAM
Fingal's Cave Overture
("The Hebrides")

Felix Mendelssohn
(1809-1847)

Symphony No. 8. in G major, Op. 88

Antonin Dvorak
(1841-1904)

Allegro con brio
Adagio
Allegretto grazioso
Allegro, ma non troppo
IN TE RMI S S ION
Concerto No. 1, ind minor, for Piano and Orchestra, Op. 15
Johannes Brahams
(1833-189 7)
Maestoso
Adagio
Rondo: Allegro non troppo
Paul Hersh, soloist

VIOLIN
FLUTE
Eric Lewis, Concertmaster
Betsy Ross
John McLeod, Principal 1 second violin
Valerie Vastola
Andros
Andrea
Piccolo
Barton
Mary
Valerie Vastola
William Bergman
OBOE
Click
Alice
Stan Moshman
Cramer
Browning
Dorian J . . Scwartz
Feigin
Diane
ENGLISH NORN
Paul Friedman
Dorian J. Schwartz
Paul Goodman
CLARINET
Joanne Jenner
Wendy Osteyee
Andrew Jennings
Berkowitz
Sheldon
Mannis
Arthur
BASSOON
Oscar Maxwell
Carol Shapiro
Daniel Mowery
Douglas Epstein
Robert Rozek.
FRENCH HORN
Mark Sokol
Janice DeWolf
Martha Strassberger
Cindy Weldon
Michael Sturm
Brett Brackman
Joan Tanenhaus
Stuart Reeve
Debra Tank.low:
TRUMPET
Lydia Werbizky
Robert E. Lindstrom
VIOLA
Dave Hibbard
Andrew Berdahl, Principal
TROMBONE
Peggy Ack.er
Mike Rosen
Zelman Bok.ser
Dave Beaudreau
Pat Foley
Grant Sullivan
John Kochanowsky
TUBA
Carolyn Lohman
Keith Balser
Joyce Stetzl
TIMPANI
Willy Sucre
Joseph A. Roma, Jr.
CELLO
Judith Glyde, Principal
Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
J ennifeer Rae
Fred Raime
BASS
Robert Keith Kolber
Michael Sanders
Robert Scott Taffet

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                    <text>E L I ZABE T H

KORT E

p i a n i s t

Music by Contempo rary American Composers

Sunday, May 16, 1971
8: 15 PM

Music Recital Hall

�The Artist
PROGRAM
Four Inventions

Ulysses Kaye

Andante moderate
Scherzando
Larghetto
Allegro
Two Preludes

Kent Kennan

Nocturne in E
Ninth Piano Sonata, Opus 58

Norman Dello Joio
Vincent Persichetti

(Moderato--allegro agilite--larghetto-allegro risoluto)

i n t e r m i s s i o n

At the age of 13 Elizabeth Korte was the
winner of the North Carolina state-wide competition. She went on to Juilliard School of Music
as a scholarship student, where she earned her
BS and MS degrees. She has studied with Alton
Jones, Ernest Hutcheson, Leonid Hambro, Julius
Herford. After a solo debut in New York City
Mrs. Korte appeared as soloist wi·th the Oklahoma
City Symphony, the Albuquerque Symphony and the
Brevard Music Festival Orchestras. She has accompanied for Anna Moffo and for . the Phoenix
Chamber Opera. In 1969 she performed in Binghamton
with the Buffalo Philharmonic. With the New York
Woodwind Quintet she has performed Karl Korte's
Matrix at SUNY Binghamton and at Columbia University, besides recording the same piece for CRI.
She is currently teaching privately in Binghamton
but has also taught at Russell Sage College, Emma
Willard School and SUNY at Binghamton.
The Composers

Aria (from Five Piano Pieces)

Peter Mennin

Syncopations

Sol Berkowitz

Etude

Mel Powell

Libby's Piece*
Prelude for a Pensive Pupil

Jack Martin
Peggy Glanville-Hicks

Allegro Giocoso
*Written especially for this program.

Leo Kraft

Ulysses Kaye
Born in Tucson, Arizona, Ulysses Kaye is a graduate of the Eastman School and he later studied with
Hindemith at Yale. He has won numerous prizes and awards including the Ditson Fellowship at Columbia
and two fellowships at the American Academy in Rome.
He is now teaching in New York City.
Kent Kennan
Since 1957, Kent Kennan has taught composition
orchestration and other facets of music at the University of Texas. A native of Wisconsin, he attended the
University of Michigan, the Eastman School and the
University of Rochester. He was the winner of the 1936
Prix de Rome.
Norman Dello Joio
Mr. Dello Joio was born in New York City. He
studied composition with Hindemith and has been organist and choir master in several New York churches. He
is currently chairman of the Contemporary Music Project.

�Vincent Persichetti
Born in Philadelphia, Vincent Persichetti received his musical training at the Curtis Institute.
He is now head of the composition department at the
Juilliard School of Music.
Peter Mennin
Currently President of the Juilliard School,
Mr. Mennin has been teaching there since 1947. He
was born in Erie, Pennsylvania.
Sol Berkowitz
Composer and pianist Sol Berkowitz was born in
Warren Ohio. Since 1960 he has written mostly for
theater and television. He did the scores for Miss
Emily Adam and Nowhere to Go but Up, ballet music
for The Unsinkable Molly Brown and music for The Garry
Moore Show and The Entertainers.
Mel Powell
Mr. Powell was born in New York and studied
composition with Hindemith. Etude was written to
celebrate the birth of Yehudi Wyner's son in 1957.
Jack Martin
Well known in the area, and now a resident of
Binghamton, Mr. Martin spent many years in New Orleans
and New York composing, arranging and teaching. He
was orchestrator for Alec Wilder and Columbia Records.
Libby's Piece is self-explanatory.
Peggy Glanville-Hicks
Miss Glanville-Hicks composes and writes about
modern composers. In 1955 she won an award from the
National Institute of Arts and Letters and in 1957
a Guggenheim Fellowship.
Leo Kraft
Mr. Kraft was born in Brooklyn. He studied at
Queens College and later, was the recipient of a
Fulbright Fellowship, with Nadia Boulanger in Paris.
Since 1947 he has been a member of the faculty at
Queens College, where he is Associate Professor of
Music.

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                    <text>�A SALUTE TO
WORLD MUSIC AND FRIENDSHIP

The Brno Academic Choir comes to us thanks to the cooperation
of Lincoln Center For The Performing Arts which is sponsoring
the Third Internati onal University Choral F estival at
Philharmonic Hall April 23 through 30, 1972.

Th e Mu sic Department wishes to ex press its apprec iati on for th e
great interes t and supp ort shown by so many mem bers of the
surroundin g co mmunit y with out wh ose joint e fforts this sponsorship wo uld hardly have bee n possible.

T ogeth er we welco me th e Brno Academic Ch oir on th is first sto p
of th eir tour whi ch , with th e oth er fifteen participating choru ses,
will coll ectively to tal 125 performances at un iversities in twentytwo states before th e F estival Concerts begin.

1

�BRNO ACADEMI C C HO IR
(Czechoslovakia)

Translations and Notes

Lubomír Mátl, Co ndu cto r
EUGEN SU HON (b . 190 )
CZE H M D IEVAL HORA LE
(early 12 th ce ntur y)
ANO N. ( 15th ce ntur y )
BOH US LAV MATEJ CERNOH RSKY
( 1684 - 1742 )
JA C BU GAL LU (1550 -1591 )

NIN D V RAK ( 184 1-1904 )

AN T

(b . 1929 )

PETR EBE
VZ - N ZAMEC

ÍK (b . 1939 )
I

H

DM ITRI

IMI R WE R ER (b . 19 37 )

VLA

I LA D

D I LA

( I 32- 159 4 )

F lk
Arr. P TR

Na li piva staréh

þÿd("In N:,1urc" )
V þÿpYío
n o ngs Fill ed My Heart")
Napadly þÿ p í s ("
þÿVeerní lcs ("When Evening omes")
þÿVybhla bri, a ("U p p ran g a Birch Tree ")
Id en Harvest")
Zitné po le ( "
Ubi caritas et a mo r (" Wh ere L ve

IK LAL

T

Odsouzeným (''To Th sc

Bonj ur 111 0 11 coe u r (" Hell M y Heart")
M. 1 n a. mi a a r. ("Dear Maid. My L ve" )
ng
ho

K

k lo þÿHradiaa
(" Round the T o wn o Hradiste")

Trávnice
Bo•il cký mo tek
("The Liu l Brid e

( 17 7 -1 5 1)

d r i ekLittlle
þÿ ` e ("Th

(b . 19 11 )

wallow " )

Pro ri þÿ v t r u(''A ainst the Wind ' ')
nám (" Th e Wo rld Bel n s
þÿvt þÿpatYí
ndrá•

P ETR þÿXEZ þÿÍEK (b . 193
J

f Bas il e " )

So lo ,,' c m Zalyetn m
ightingale")
( '' Fl cc1in

J A þÿ Á E K( I 54 -19 28 )

LE

e n1 c n ed" )

Milostné madrigaly ( "'Mad riga ls of Love" ) :
Te n p1a í z pev ("The Birds Singing")
Ani to nc bc (" ot ven 1h c Heaven")
win the M rning" )
Videl j sc m zrána ("I

LAV JE™EK( 1906 -1942 )

JAR

S 1O

ngs:

Z þÿI
þÿXE:

VI

xists")

Impro m ptu s

Arr . KAR EL H RAD IL

ALEXA D R AL IAIJI

Id Bee r" )

lmpr pcria ("' Lamenta ti o ns" )
Harmoniae morales (''Moral Melodies" ) :
di, tibi si qua pios
, Fortuna p te ns

LAV K FRO

Arr. JA R

(" Pou r o ut

Ptajó sc. ptajó
I I j cd cn gajdo•!
(" nc e Th e re Was a Fidd ler'' )

EFB ART E K (b . 19 1 )

songs of weeping and woe? Now with
the moonligh t on the dew , gone are
You Are
the songs which sadden or console
How beautiful you are, my native
me. Now as I'm waiting for another
that
s
land . Lovely are th e mountain
, I'm hoping they'll again 611
dawn
sky
the
lovelier
and
,
you
surround
over those fine mountain s . I bless you , my soul.
When Evening Comes: Wh en evening
welcome you , while my eyes shed
, chimes fill the forest, from
comes
grateful tears.
all the birds beneath their cover.
MEDIEV AL CHORAL E: Lord, Be
Cuckoos are calling here and yonder;
Merciful With Us
the nightingal e addresses his love .
This chorale is probably the oldest
Branches are sprinkled there in the
Czech folk spiritual preserved until
forest with songs of Iove for al.I who
th e prese nt time , on the text: "Lord ,
listen . Big silver moon shines in the
take mercy on us; Jesus Christus,
heavens , with silver threads that
take mercy on us! Saviour of all th e
glow and glisten, carrying dreams
wo rld , redeem us ! Listen, Lord , to
with ev'ry fiber: dreams full of
our voices, give all of us life and
myst'ry now are dancing. Only a
peace in the co untry . Kyri e eleison.
lonely deer is watching, and gaily
and quietly prancing. Now all is still
ANON.: Pour out Old Beer
within the forest. Now every bird is
A Czech medieval drunkard 's song ,
soundly sleeping-. Cuckoos are muted ,
in th e form of a three -voice canon.
nightingal es hushed , while in dreamJACOBU S GALLUS : Harm on iae
land their silence they kee p. Even the
Morales
deer is now reposing, and till th e
Di, tibi si qua pios: This madrigal admorning no one will stir. Night has
vi ses us to admire th e young, bea uti drawn her velvet curt ain , and all of
ful, and happ y girl. The tex t is from
th e world is in slumber.
Virgil.
Up Sprang a Birch Tree: Up spran g
0 , Fo rtuna poten.s: Here th e poet
a birch tree ove rni ght , like a lamb
celeb rates, and also curses , inconwh o dashes from sight o ut to the
stant happin ess.
pasture gree n an d cl ear, telling the
th at Spring is here. Way up to
world
ature
:
In
K
Á
X
O
ANTONI N þÿ D V
heave n sprang th e tree , so th at all the
Songs Filled My Heart: Songs filled
forest wo uld see his gracefu l fo rm
my hea rt o ne lovely day. How co uld
st
like a toy - - and all the fo rest
Ju
was
l kn ow they wo uld be calling?
for joy. Then as th e time of
never
jumped
dew
hill·
the
n
o
up
dew
e
th
like
Spring begins, air has the sound of
warn s us before falling . Nature is
violins. Air dipped in perfume travels
sparkling heavenl y , just as a child is
if
ow
kn
l
n
our wa y, and all th e wo rld is young
ca
How
.
happy, glowi ng
and gay. Soon ev'ry tree dresses in
th ese are songs of joy , or merely
EUGEN SUCHON : How Beautiful

Fu ga

T E RMI

V I H (b . 1906 )

TAK

Aká si mi krásná ( " How Beautiful Yo u Are" )
Hos p din e, po mi lju ny
(" L rd, Ile Merci fu l With Us ")

I

Us" )

2

3

�In Nature (cont.)
þÿDVOXÁK:
green: each is a splendid king or
queen. And al l th e bran ch es, gay
with birds, happily c hat ter with new
words. J o inin g th e merry sprin gtime
feast, travel each bird and ev' ry
beast, from ev'ry corner, far a nd near,
telling the world that Spring is here.
Golden Harvest: Gold n harves t ,
go lde n h arves t : corn is growing
merrily, merrily , merrily. Blades
resemble gay musicians swingin g,
way ing, every wh ere, everyw here,
every wh e re. J oyfu l breezes dance
around so ra pidly , whirlin g, twirling,
rapidly , rapidl y, rap idl y. Sun shin e
covers all, ki ss in g a nd cm bracing
bl ades and bl o s ms gro win g up ,
growing up , growi ng up. Quai ls and
cric kets in th e cornfields li e o n
rid ges whi perin g, whi speri ng, whi peri ng. Bees and butterflies in the
flowers whisper: wh o i hiding th ere,
hiding there , hidin g th ere? Golden
harve t: th e field ripen , corn i
growing merrily, merrily merr il y .
Now my o ul i like a ha rvc t. Song
are gro win g ev ' ry wh ere ev' rywh ere ,
ev' ry wh ere.
(En gli sh ver io n by Peggy im on )
PETR EBE : Where Love Ex ists

DMITRI SHOSTAKOVICH: To Those
Sentenced
In a da rk cell wh e re it is hard to
brea th e, t wo prisoners lived through
their last days. Priso ners, bro th ers,
wh o will come in here afte r o ur
dea th , remember us when you see
two dark shado ws flash be twee n
these wall s . Rccoll ect th ose who
sacrificed their lives.

VLADIMIR WERNER: Madrigals f
Love
The e ·ttin gs of Czech tran slatio ns
of th e lo ve poe t ry of the l tali an
Rena issan ce p et M. M. Boiardo are
by a yo un g Brno co mp ose r. The
madri gals sin g of th e beau t y o f the
beloved woman: her ap pearance, her
love, a nd her love lin e s.

Hell o my he ar t , hell o my swee t li fe ,
hell o li ght of my eye, hell o my wect
friend; eh , hell o my turtl e do ve, my
da inti ne , hell o my plea ur e, my
love, my fre h pring, my oft new
fl wer. My weet ple a ure , my soft
yo un g dove, my sparro w , m y graceful
turtle d ov , h ll o my ge ntl e re bel.

0: Mato na,
mia cara

Dear maid , I'm your boy , and want
to in g yo u a s ng und er th wind ow.
Do n don d o n diri-diri -d n. Plea
hear h w we ll ] an sing. l li k you
and wan t t bey ur swee th eart .
Do n , d o n d n diri -diri-do n. Se nd
me o ut t o hunt with th e fal on. l U
brin g yo u a snipe as fat as a kidn ey .
Do n d o n , d o n , diri -diri -don . If I can
sing no be tte r, le t me tell you that 1
do n 't kn o w Pe trarch or the Helicon .
Do n , d o n do n diri-diri-don. l f you

EVZEN ZÁME þÿNÍK: I mpromptu s
þÿ Z á m e n í ka, yo ung Brno o mp se r,
makes use he re of th e vowels and
conso nants of th e zech language in
an untraditional way.
4

heart; the youth quivers in th e wind
as a blade o f grass ; winter fre ezes the
face a nd the sun burn s it. Like a wave
in a storm , joy ru shes by ; e ven all beloved of hi s so ul is un faithful.

ORLANDO DI LASSO: Echo Song
Hola 1 Hea r that fine ech o ! Call ! he
will give an answer! Ha, ha , ha , ha ,
ha ! Will give an ans we r! Our good
co mpa ni o n! No w har ke n! We wan t
to have you sin g us gay ly a ballad!
Wh erefore? We say yes! I say no 1
Beca use I will no t! But why not,
pray ? lt is not my pl ea ur e !
Ho ld yo ur tong ue, th e n! Hold your
to ngue ! Yo u laggard lo ut! We sco rn
you! We try no mo re! We leave you!
Goodbye, fine ec h o! Res t in quiet !
Quiet! Quiet I No w be sil c n t ! Now be
il e nt ! iJent !

NIKOLA LEONTOVIC: The Little
Swallow
A littl e swall o w calls o n th e peasa nt
and a ks him to go and see after his
sheep, for they have go ne as tray .

JAROSLAV JEZEK: Against the
Wind and Th e World Belongs to Us
Th ese are th e th eme so ngs fr o m the
tw o socia ll y-e ngaged films o f th e
. a me na mes of th e 30' . ln the first,
th e auth o rs Vo kovec a nd Weri ch ay
th a t progre s in society is achieved
through th e fight aga in st things
which ha ve bee n o utlived ; in th e
second , th ey sin g a bo ut youth and
o ptimism , to whi ch th e wo rld
b elo ngs .

ORLANDO DI LA . 0 : Bonjour mon
coeur

ORLA DO DI LA

This wo rk , by the mo t ac kn owledged
re pre e ntat ive of th e co n temp rary
midd le-age d ge nera rio n f z ch
com po er , i a etting of th e c horale
anti fony: ' Wh ere I ve e i ts the
Lo rd tays too. The Lord love lin k
all of us."

love me, I won 't act ungrac iou sly ,
and shall ki ss you all night long and
dance in wild joy. Don , do n , don ,
diri -diri -don .

FOLK SONGS

LEOS JANACEK: Ondrás

PETR REZNICEK : Round the Town
of Hradiste

The titl e i a Chri stian na me. T he
o ng dea l with a young rebel, a ort
of Czech R bin Hood , wh o took
from th e rich a nd di tributed their
pro pe rty to th e poor.

A girl lame nts for a los t love.
:
Trávnice
JARO LAV þÿ K O F R O G
Hay m akin g gi rl s sing ove r th e vall ey.

KAREL HR.ADIL : The Little Bridge
of Bosilec

þÿXEZ

se, ptajó
:
Ptajó
þÿ Í E K
PETR
The title is a fo lk expression. A lad
leave his house for the war, a nd his
girl pe rsuade him n t to go and
not to di e.

A j oll y fo lk o ng re minding girl no t
to believe any promi ses ma de by
yo un g me n.

ALEXANDER ALIABIEV: Fleeting
ightingale

JOSEF BÁRTEK: Once There Was a
Fiddler

Yo uth has vani hed like a fleeting
ni ghtingale, th e go lde n age that wa
has disappeared· young strength has
wa ted with th e body. Sad thoughts
have co ngealed th e bl ood in his

A so ng ab o ut a fiddler wh o , although

he was very poor, never los t hi s good
tempe r whiJ e wand erin g fr o m o ne
village to anot h er.
5

�Lubo mír MÁTL, Conduc tor
-+-tiet

BRIEF BAC KGR O UN DS iait--

LUB OMI R o Acad e
Choi r since 1963 ,
was born ni Brn cond uctor of the Brno Acad emic
as a mem ber of
was born in Brno . His first chora l expe rienc e was
ed organ at th e
the well-know n Brno Child ren 's Choi r. He studi
th e cting und
Brno Conse rv atory and holds two degrees fr om
uctin g unde r
Ac adem y of Mu sic in Brno , wh ere he studied cond
nic Choi r.
Jose f Vese lka, cond uctor of th e Pragu e Philh armo
so wo rks with
Mr. þÿ á e lkectures at th e and with Ac ade my. He al
.
Oper a in Brno and with Czec hosl ovak ian R adi o
th e

Ten o r

So pr a n o

Sta nislav BARÁK
J a reslav CACE K
R.ad e k KRUL
þÿ Z d e n kLAUDÁT
J a n MAR KVAR T
F ra ntisek þÿ P O L Á E K
STUDENÍK
þÿJiYí
Pe tr —KA ROHL ÍD
Stanislav þÿTESAX
Pavel VEJN AR

Ire na BURI ANOV Á
J armil a þÿ H A N Á K O V Á
Ga bri ela J ELE NO V
Eva þÿ K U B Í K O V
Ma ri e AXOVÁ
Ly di e ÁTEOVÁ
J irina þÿPEG ÁZOV Á
O
Mary la ra R þÿ U } I K
D rah em ira LÍKOVÁ
Ba rb e ra TRHL ÍKOV Á

Ba s

A lt o

BRNO ACADEMIC CHOIR
mem be rs fr om
Brno Acad emic Choi r , form ed in 1950 , draws its
e Brno
all depa rtme nts of th e Univ ersity o f Brn o and th

Lib use TU—KOVÁ
l va na BA OV KO V
Hana CINK O VA
Jirin a G RUE NWA L DO V

Tec hni cal Colle ge.
poly phon y and
The Ch oir's reper to ire ranges fro m R enaissance
is noted for its
baroq ue mu sic to co ntem p orary work s. Th e group
mu sic.
interp re tati ons of Bo hemi an an d Mo ravia n fo lk
rm s th ro ugho ut
perfo
,
est
fin
ia's
Th e Cho ir , one o f Czec ho lovak
ati onal
E urope an d has wo n pri zes at a numb er o f intern
ces with
rman
perfo
many
rches tra and brT he gr oup h as given
orchestra and broa dcas ts regul arl y.

J a na ADERO
J ana MADE RO VA
Na d a MA RK ESO V
ÍKOVÁ
a
þÿDaHþÿOVA
Eva PL AN ETO V
Pavla POLOVÁ

AL COLLEGE
UNIVERSITY OF BRNO AND BRNO TECHNIC
nd larges t city, was
T he Unive rsity of Brn o in Czec hoslovak ia's s co
Czec h o I vaki an
fo und din 1919 foll owin g th e crea ti o n f th e new
law.p hil osoR publi c. It co n it of facu lties f m di c in e, ci-nc
ph y and ed ucati o n.
ti n betw een
Brno Tech n ical C li ege th re ult fa n amalgama
) and th e Cz ch
th e Ge rman Tech ni al Facul t 99 u ncled in 1849
var ie ty f
Tech ni cal Fac ult (fo un d din 1899 ) ffe r a wide
cour es in engi nee rin g and t ch ni cal su bjec ts.
vakia n highe r
T he two in stitut i o ns play lea din g rol in Czec hoslo
Brn o as th e ce nter
edu ca ti n and co ntrib ut to th e im porta nce of
of Mora via n cultu ral li fe and ac tivity.
6

Š

J an þÿBEZDÍEK
Jaromír HEGE R
Behu slav KLÍMA
AN
K
þÿYíKOCI
Vl as timil KOCM AN
Lib e r MAR KE S
Ludvík PRO SEK
J arosla v RÁBL
Petr SOBO TKA
Hanu• —AM ÁNEK

E

V IadimLr STEF L - Journey Manager

h

r

Mary Blah a
Dia ne Bla ha
Lin da Ki ely
Carol Ke pi
all y Kri zka
An as t az ia Le ay
La uri e MerraJJ
Re na ta Ozve ld
Dia ne Te pe ncik
7

�Host Commi ttee for BRNO ACADEMIC CHOIR
Host Chairman . ...... . . ..... . . . ... David Buttolp h
Accom modati ons . ...... ...... ..... Mildred Valenta
Special Arrang emen ts ... . .. . .... .. . William Merrall
Musical Enterta inment
( The Interna tionals) . ...... ..... George Kotrch
Tickets . . ...... . ..... . ..... . ..... Fred Thayer
Ushers ...... ...... .... . ...... ... Olga Blaha
Publici ty . ...... . . ..... . . ...... .. Helen Landry
Poster Display .. ... .. ...... .. . .... Lillian Babicek
House Manager . . ..... ...... .. .. ... Dan Farina
Perform ance Facility ...... ...... .. David Hender son
(SUNY Men's Gym)
Host Institutions (Community)
Czechoslovak Society of Americ a, Lodge Endico tt
Miss Mildred Valenta , preside nt
Czecho slovak Society of America, Lodge Twin City Star
Mr. Steven Valusek , Secreta ry-Trea surer

The Moravian Club
Mr. Stanley Blaha preside nt
Sokol Women 's Lodge 15
Mrs. Roxane Misata, preside nt
Sokol Lodge 36
Mr. Frank Ch etko , preside nt
HOSTS FOR THE BRNO CHOIR

Mr. and Mrs. Joseph N. Antal
Mr. and Mrs. John Blaha
Mr. and Mrs. Frank Chetko
Mr. and Mrs. Milton Hasak
Mr. and Mrs. Louis Kizale
Mr. and Mrs. Domini c Kolodz ej
Mr. and Mrs. Frank Koncak
Mr. and Mrs. Peter Kotasek
Mr. and Mrs. Joseph Kotrc
Mr. and Mrs.

Mr. and Mrs. George Kotrch
Mr. and Mrs. Frank Lesay
Mrs. Mary Padyku la
Mr. and Mrs. Fred A. Sabace k
Mr. and Mrs. Joseph Svobod a
Mr. and Mrs. William R . Tomece k
Mr. and Mrs. Paul Topenc ik
Mr. and Mrs. Paul A. Topenc ik
Mr. and Mrs. Steven J. Valusek
Frank Vanek
8

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
WALTER PONCE, piano
Sun., April 9 - 8:15
Recital Hall
PROGRAM
major
Sonata in þÿB&amp;m
Molto moderato
Andante sostenuto
Scherzo: Allegro vivace con delicatezza
Allegro ma non troppo

Schubert

INTERMISSION
major, Op. 110
Sonata in þÿA&amp;m
Moderato cantabile molto espressivo
Allegro molto
Adagio ma non troppo-Arioso dolenteFuga: Allegro ma non troppo-L'istesso Tempo
di Arioso-L'istesso Tempo della Fuga _poi a
poi di nouvo vivente

Beethoven

Sonata
Allegro Marcato
Presto Misterioso
Adagio Molto Appasionato
Ruvido Ed Ostinato

Ginastera

�</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="40303">
                <text>1/2/73</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="40304">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="40305">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
