100
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/d81dc38c5811350da93dcd5a7c8dc5fe.pdf
7a6849fc65618df325b0a36cf7020f16
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
Mozart’s
THE MARRIAGE OF FIGARO
by
Students of the Opera Workshop
Thursday, May 14, 1970
Friday, May 15, 1970
8 :15 p. m.
Recital Hall
�PROGRAM
CAST
Act. 1 Scene 1.
(An upstairs bedroom)
Duettino
Duettino
Cavatina
Figaro and Susanna
Figaro and Susanna
Figaro
Aria
Duettino
Aria
Terzetto
Bartolo
Marcellina and Susanna
Cherubino
Count, Basilio and Susanna
Aria
Figaro
Act 1. Scene 2.
(Boudoir of the Countess)
9.
10.
11.
12.
Cavatina
Arietta
Terzetto
Duettino
Countess
Cherubino
Count, Countess and Susanna
Susanna and Cherubino
Tinie — Now
Place – A manor hous e in Spain
COUNT ALMAVIVA
Baritone
COUNT ESS ALMAVIVA
Soprano
Beverly Pe nn
Toby Jean Manker
SUSANNA, her chambermaid
Soprano
Alida Stahl
Grace Martin
FIGARO, valet to the Count
Bass–baritone
CHERUBINO, the Count’s page
Mezzo–soprano
Ter rence Howell
James Osborne
Nancy Carlson
BASILIO, music master
Tenor
Charles Seltzer
DON CURZIO, a judge
Tenor
Charles Seltzer
BARTOLO, a doctor from Seville
Bass
Thomas Strain
BARBARINA, his daughter
Soprano
Stage Director
Donna Ribble
(Conductor, Thursday performance)
William Lewis
Musical Preparation
Roberta Schlosser
(Conductor, Friday performance)
Intermission
Coach and Accompanist
Barbara Garges
Act II. Scene 1.
(Count ’s chambers)
13. Recitative and Aria
14. Sestetto
1 5. Recitative and Aria
16. Duettino
Count
Mnrcellina, Figaro, Bartolo,
Don Curzio, Count and Susanna
Countess
Susanna and Countess
PROGRAM NOTES
Mozart’s “Marriage of Figaro” should be executed with elaborate
costumes, scenery and orchestra to completely do i t justice. We have
neither the time nor the resources at the moment for such a venture ;
so we decided to experiment.
Act II. Scene 2.
(The garden)
1 7. Cavatina
1 8. Recitative and Aria
1 9. Recitative and Aria
20. Finale of Act IV
Bar barina
Figaro
Susanna
Cherubino, Countess, Count
Susanna, Figaro, Barbarina,
Marcellina, Bartolo, Don Curzio
Our young artists f unctionbestinafa rnilia r environment ; so we decided
to perform the work in the present, in contemporary dress allowing the
player to develop his or her character naturally and easily relate to an
acting situation without slighting the vocally ma jestic Mozartan line.
We have inserted a minimum of spoken dialogue to establish the con
tinuity of an ext remely complicated plot and enable us to reach the ma jor
arias, duets and ensembles with alacrity. Certain details of the story
are omitted purposely so that we all will have again the opportunity to
hear and enjoy the musical heart of the “Marriage of Figaro” in onethird
its usual performance time.
William L . Lewis, Director
Opera Workshop
�P rogram of Le Marriage de Figaro — Beaumarchais
Figaro, steward at the castle of Aguas Frescas, has borrowed ten
thousand f rancs f rom Marceline, housekeeper of the same castle, and has
given her a note promising to repay the money at a certain time or to
marry her if he should default. Meanwhile, very much in love with
Suzanna, Countess Almaviva’s young chambermaid, he prepares to marry
her ; for the Count, himself enamored of young Suzanna, has favored this
marriage in the hope that a dowry he has promised to give her would en
able him to obtain from her in secret her yielding to the droit du seigneur,
a right that he had renounced for the benefit of his servants when he was
married. This little domestic intrigue is conducted on behalf of the Count
by the rather unscrupulous Basile, musicmaster of the castle. But the
young and virtuous Suzanne believes herself obliged to apprise her mis
tress and her betrothed of the Count’s gallant intentions, and the Countess,
Suzanne, and Figaro band together to foil the plans of the lord of the
manor. A small page, beloved by everyone at the castle but mischievous
and overheated, like all precocious lads of thirteen or fourteen, slips
saucily away from his master and by his liveliness and perpetual thought
lessness more than once involuntarily places obstacles in the way of the
Count’s progress, at the same time getting himself into hot water, which
leads to some very effective incidents inthe p iece . . . The Count, finally
perceiving that he is being made the victim, but unable to imagine how it
is being done, resolves upon vengeance by favoring Marceline’s claims.
Thus, desperate because he cannot make the young woman his mistress,
he tries to marry the old one to Figaro, who is disgusted by all this. But
at the moment when Almaviva believes himself avenged, when, as first
magistrate of Andalusia, he condemns Figaro to marry Marceline that day
or pay the ten thousand francs —which Figaro cannot possibly do –, it is
revealed that Marceline is Figaro’s unknown mother. This ruins all of the
Count’s plans and he cannot flatter himself that he is either fortunate or
avenged. During this time, the Countess, who has not given up the hope of
winning back her unfaithful spouse by catching him at fault, has arranged
with Suzanne that the latter pretend to grant the Count a rendezvous at last
in the garden, and that the wif e appear there in place of the mistress. But
an unforeseen incident apprises Figaro of the rendezvous granted by his
fiancée. Furious because be believes himself deceived, he hides at the ap
pointed spot, in order to surprise the Count with Suzanne. While he is
still raging, he is himself pleasantly surprised to discover that the whole
affair is only a game between the Countess and her chambermaid for the
purpose of fooling the Count ; he finally joins in the game goodhumoredly ;
Almaviva, convicted of unfaithfulness by his wife, throws himself at her
feet, begs her forgiveness, which she laughingly grants him, and Figaro
marries Suzanne.’
7Eugene Lintihac, Histoire générale du theatre en F rance , Pavis, n.d., IV,
414–16
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:02:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63258
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63258"> Mozart's Marriage of Figaro by Students of the Opera Workshop</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mozart's Marriage of Figaro by Students of the Opera Workshop, May 14, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 8:15 pm, May 14, 1970, Recital Hall.
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-14
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607021
39091019606866
39091019606916
-
https://omeka.binghamton.edu/omeka/files/original/a090414b907d1f1225d31ba2d283bd29.pdf
20387db617fd07a33ade360b6486cb13
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE LENOX STRING QUARTET
in residence
Peter M arsh, vio lin
D elmar Pettys, violin, viola
Monday, May 11, 1970
Paul H ersh, viola, piano
Donald M cCall, cello
8:15 p.m.
Don A. Watters Theater
PROGRA M
Quartet in F Major, opus 18 No. 1
Beethoven
Allegro con brio
Adagio (Affettuoso ed appassionato)
Scherzo (Allegro nolto)
Allegro
Quartet No. 2 (premiere performance)
Calabro
Lento assai
Adagio
Allegro
Intermission
Quartet No. 1, opus 7 (1907)
Bart6k
Lento
Allegretto
Allegro vivace
over
�PROGRAM NOTES
LOUIS CALABRO
Born Nov. 1, 1926, Brooklyn, N. Y.
U. S. Paratroups 1944-46
Juilliard School of Music 1948-53
Taught Bennington College since 1955
Prizes:
Richard Rodgers Scholarship in Composition 1953 (first recipient)
Alice Ditson Award for Chamber Music 1953
Guggenheim Fellowships: 1954 and again in 1959
Commissions:
Jacksonville Symphony (First Symphony)
Philadelphia Art Alliance (for choral work, Rain Has Fallen)
Music In Our Time (Violin Sonata)
Walter Trampler (Viola Sonata)
Harpur College (Second String Quartet)
Works include all areas of chamber, choral and symphonic works.
Latest Work:
An oratorio for chorus and orchestra, "Latitude 15. 09°N (Longitude
108.5° E)" - to be premiered May 24, 1970, at the Mount Anthony
High School in Bennington
Recent Performance:
The premiere of "Environments," for solo clarinet and brass ensemble, on April 1, 1970, at Bennington College.
Tonight is the premiere of the Second String Quartet, by the Lenox String
Quartet, at Harpur College of the State University at Binghamton, N. Y.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
55:22:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63253"> Lenox String Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lenox String Quartet Recital, May 11, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven, Calabro, Bartók. Held at 8:15 pm, May 11, 1970, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
van Beethoven, Ludwig, 1770-1827
Bartók, Béla, 1881-1945
Calabro, Louis
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607039
39091019607088
39091019606973
-
https://omeka.binghamton.edu/omeka/files/original/8c02e639e82def351e48ed51c3c19878.pdf
3c3383068062ec7f3e9f1197412b4dae
PDF Text
Text
Q M E V E N I N G @ F ’
@ R E E K F ® E K M @ @ fl @
A N D E Q N @ E
MAY 9 , 1970
8:15 PM :
<2}
'
THE
c
“
4
4
b]oO
% w
fl y 3
9
'
RECITAL M u B
NY
A w
b ( 7 40 0V. ’
‘ 9 Jw
4 ” “ 1 d
& ,
1 ” a K ES ?
p
d
{f
Lu
Q
W
)
4 o
Q
F a w n h i m 5 »
“YT
�D A N C E R S
Rowena Robertson
Saul Stahl
Mark Weinheim er
Jacoba Westerhuis
Stephanie Zunno
Bunny Mednick
Marcey Meinwald
Barbara Moskowitz
Sandy Orzelek
Barry Polsky
I N S T R U M E N T A L I S T S
Cimbalom
Sotirios Chianis
Def i
Sue Estler
Clarinet
Dumbek
Contrabass
Else Jones
Guitar
Tom Uhring
Abraham Shophet
Dan Birenbaum
Laouto
Else Jones
V O C A L I S T
Kathleen Tyrrell, Soprano
�S TAT E UNIVERSITY OF NEW YORK
BINGHAMTON
D E P A R TM EN T OF M U S I C
–PRESENTS —
AN EVENW O
F GREEK FOLK MUSIC
and
DANCE
K L E P H T IK O
T he m os t popular c ategory of f olk songs throughout c entral and
southern Greec e i s the Klephtiko. Its highly expres sive m e lod y set
in f ree m eter truly r efle c ts the village pastoral way of lif e.
KALAMATIANOS HOROS
Kathleen Tyrrell, soprano
The Kalam atiano, danc ed in all regions of Gre ec e, i s a highly
spirited dance in whic h the leader displays his m any intricate steps
and ac robatic leaps . Both the danc e and m usic are set in 7 / 8 m eter
divided : 3 + 2 + 2. The title of this Kalam atiano song is Aegiotis sa
(Aegean Maiden ) and the text, in translation, begins :
“I pas s by your door, beautif ul Aegean m aiden,
And I pass by your neig hborhood
m aid en with your beauty spo ts and dark eyes,
Why are you always c ry ing ? ”
NIZAMIKOS
F rom the nothern regions of Greece i s the f olk danc e known as
the Niz am ikos . The m usic i s highly c haracteristic of m ost Greek
f olk m usic (A B f orm ) and the strongly played drum m ing patterns
are an integral part of both the m usic and the danc e.
�TRATA
The Trata danc e com es f rom the eastern shores of the Pelop onnesus
where s m all fis hing villages can be f ound in great numbers. The dance
represents the people pulling in the seines.
Kathleen Tyr rell, soprano
POGONISSIO
The northw estern area of Greec e i s an extrem ely w ealthy f olkloristic
region. Mu c h of the m usic is pentatonic in nature and the danc es tend to
quite stately, rhythm ic ally strong and danc ed at a relatively s lo w tem po.
This particular danc e alternates the c haracteristic s lo w tem po with the
m ore live ly tem po f ound in other parts of Greec e. In trans lation, the text
of the song begins :
“Let m e becom e a basil plant at your window
And I ’ ll rem ain a bachelor f or your pleasure. "
ZEIBEKIKOS HOROS
From the eastern Aegean Islands as f rom the Cyclades com es the ever
“ W
popular Zeibekiko danc e. Danced either in solo or in pair s, it is extrem ely
expres sive and m ost of the m ovem ents are im provised by the perf orm er(s ).
The m usic i s set to a 9 / 4 m eter (4 + 5) and the tem po i s s lo w .
Rowena Robertson and Stephani e Zunno
DUMBEK SOLO
Abraham Shophet, Dumbek
BALLOS NISIOTIKOS
Though the Ballos i s a popular is land f olk danc e w ith a song text set in
a romantic idiom, only the m usic is presented here. Of all the folk m usic
of Greece, the Ballos is the m ost “Western'', The Ballos is a m ulti sec
tional com position and always set in m eter 2 / 4.
PENTOZALI
The Pentozali (literally : five s teps ) i s a highly traditional f olk dance
f rom the is land of Crete. Its tem po begins live ly and as the danc e prog res ses
the spirit becom es even livelier,
�KARAGOUN A
Kathleen Tyrrell, soprano
In habiting the broad plain s of Thes saly are the Karagounid hes . They
contin ue to retain their ric h cultu ral f olk tradition s, costum es, way of
lif e and espec ially their c haracteristi c songs and danc es . The tem po of
the dance altern ates f rom slow to f ast.
SOUSTA
The Sousta is especiall y com m on in the isl ands of the southern Ae gean
(nam ely : The Dodecanese and th e island of Crete), A live ly dance wit h s m all
intric ate steps, the Sousta i s a f avorite at w eddings, nam e days, and other
celebrations where villa ge people gather to hav e a day (or several day s) of
eating, d rinking and danc ing. The s ty le of this So usta is d efinite ly Cretan.
Saul Stahl, Principal dancer
S TON APA NO MAHALA
Kathleen Tyrrell, soprano
This f olk song an d ac com panying dan c e i s a true f avorite in th e northern
regions of Greece. The text m ost vividly reflects the spirit of village lif e :
On the ston e covered thr eshing floor , violins and drums sound
So that the b ride may dance with her Mother in law
In the village abov e, violins and drums are a lso heard
The earthen oven is bri ghtly glowing, ready for the wedding cakes
So the brid e and the M other in la w m ay enjoy the m .
TSAMIKOS HOROS
In all of Greece no d ance is as h eroic and m as culine as th e Tsam iko..
Though the basic steps of the danc e are m aintained by the group o f dancers,
it i s the leader that i s f ree to displ ay abilities in the f orm of leaps, turns,
fli p s and other ac robatics. It i s in the Tsam iko also, that the prin cipal in
strum entalist sho ws his skill in the form of f ree im provisation .
Saul Stahl, Principal dancer
NEVE R ON S UNDA Y
Mus ic by Manos Had jidakis
DANCE FROM “ZORBA ”
Kathleen Tyrrell, soprano
Music by M ikis Theodo rakis
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:14:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63249
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63249">Evening of Greek Folk Music and Dance</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCoverContinuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evening of Greek Folk Music and Dance, May 9, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 8:15 pm, May 9, 1970, Recital Hall.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-9
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019606924
39091019606817
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:46:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63245
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63245">The Russian East European Program Presents the Vocal Music of Tchaikovsky</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Russian East European Program Presents the Vocal Music of Tchaikovsky
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Vocal music of Tchaikovsky. Held at 8:15 pm, May 6, 1970, University Art Gallery.
Creator
An entity primarily responsible for making the resource
Russian East European Program
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-6
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Tchaikovsky, Peter Ilich, 1840-1893
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019606981
39091019606874
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:24:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63241
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63241"> Recital Peter Marsh, Violin: Christine Lindsay, Harpsichord</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital Peter Marsh, Violin: Christine Lindsay, Harpsichord
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of J.S. Bach. Held at 8:15 pm, May 5, 1970, Recital Hall
Creator
An entity primarily responsible for making the resource
Marsh, Peter
Lindsay, Christine
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-5
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019606932
39091019607047
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:38:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63237">Peter Marsh, Violin and Christine Lindsay, Harpsichord Recital </a><a> </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Peter Marsh, Violin and Christine Lindsay, Harpsichord Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of J.S. Bach. Held at 8:15 pm, May 4, 1970, Recital Hall
Creator
An entity primarily responsible for making the resource
Marsh, Peter
Lindsay, Christine
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-4
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607096
39091019606825
-
https://omeka.binghamton.edu/omeka/files/original/c41337730972fa0cc912a1140d1008a8.pdf
0ec28a7d25d6040dbec8d561e83042da
PDF Text
Text
$5!
a).
Q
�b . . ‘ “ ‘ > ’
E
T
E
‘ M . » – , w . " f
Concert of Rena issance Music by the
ENSEMBLE CLAUDE GERVAISE
of Montréal
at the Art Gallery of the State Univers ity of New York at Binghamton
presented i n con junction w ith
the Fourth Annual Conference in Medieval Studies
of the CENTER FOR MEDIEVAL AND EARLY RENAISSANCE STUDIES
Saturday, May 2, 1970, 20:30
�CLAUDE GERVAISE was active as a musician in the 1550 era
in Paris. He had some forty songs (15411557) and 3 books of Danceries
(15501555) published by Attaignant and Du Chemin.
The Ensemble considers him an author of charming dances
reflect ing the enthusiastic spirit preva lent during the Renaissance.
f
A
"
’
v
P
V
»
—
~
"
"
i
,
.
=
1
.
2
;
‘
_
,
Q
~
—
,
»
'
a
E
,
'
~
r
r
h
E
e
os
M
—
.
‘
z
.
�Aux Dépcns d’E $1 I s NN
n R o o s it, Marchand Li.
braire, qui vend la Mufique du Monde la plus cor
re&e, acqui s’engage deladonner i meilleur mar
ché que qui que ce foit , quand meme il de
vroit la donner pour rien,
�Ins t ruments of the Ens emb le
Flutes a beg; soprani
:
7
alt i
: 10
sopran in i
:
:
tenores
:
basses
basse grave :
5
2
1
2
v i o les de gambe : 3
cornemus e
f1dt e t ravers i ere
t r i ang le
: 3
tambouri ne
b l o c + ba g uet t es
c loches
ép i net t e
h arpe c e l t i que
anches , éc ouv il lons
5
cromorne s
ch alumeaux : 2
ch alemi e
dulc i ane
h autbois de Poi tou
c or net a b ouqui n
mus et t e
piffaro
bombarde
h autb ois
luth
Ins t ruments de f o lk lore
Indes
: 1 f1dte
1 h autbois doub le
Y oug os lavi a
: l i j e r i c a
g uz l i
sw i n ala
Amer i que du S ud : 3 fll i t e s a b e e ( bambou ) p i k i n ds
1 kena
P ales t i ne
A
J amai que
: 1 ch alume au doub le
A
\
u
1 fl u t e t ravers . i ere de bambo
.
A
1 fl u t e t ravers i c re ( mat ér i aux modernes )
Ch i na
: 1 f18te ‘a bec
Jerus alem
: 1 h autbois doub le
1 h autbois
Cret e
Europe ( XI Xe s i e c le )
1 fi f r e
\
2 p i c c o l i
2 fll i t es t ravers i eres
1 c l ar i n e t t e
�ENSEMBLE CLAUDE GERVAISE
The Ens emb le i s a group o f mus i c i ans , s ingers as w e l l as
i ns t rument al is ts , w e l l versed and t rai ned i n the st udy and int er~
pret at i on of the mus i c of the Renaissance .
To ac complish i t s purpos es , a c o l le c t i on of ins t ruments of th e
peri od , some authent i c , others reconst ruct ed , has been ass emb led
and i s cons t ant ly be i ng enlarged . The members of the Ens emb le have
s t udi ed the h is tory and evaluat i on of the inst ruments of t h i s
c o l le c t i on , probably the most complet e i n Canada . Approx imat ely
ei ghty ins t ruments have been c o l le c t ed , pr i n c ipal ly woodwinds and
s t r i ngs ; the group are on ly begi nn i ng t o c o l le c t examples of brass
inst ruments .
The pr i n c ipal t exts o f theoret i c i ans of th e peri od , such as
Gaf ur i us , Mersenne , Praetor i us , Arbeau, S al i n as , e t c . , as w e l l as
numerous other h is t or i c al documents i n c ludi ng composers , ins t ruments
and mus i c al t ext s , have been brought together and f orm the bas is of
st udy .
Furthermore , s everal members of th e Ens emb le have recei ved
t rai n i ng i n the paleography of mus i c al t exts so as t o permi t them
dire c t ac cess t o t h e manus c r ipt sourc es .
The mus i c i ans , ei ght een i n number at the moment , are f or the most
part recruit ed f rom the un i vers ity commun ity or f rom persons att ached
i n some f ash i on t o the Un i vers ity of Mont re al .
The Ens emb le has been per f orming on a regular bas is s ince 1967.
Concerts , i n c ludi ng a f ew of an educ at i on al nat ure , have
reg ularly been o ff e r e d t o a vari ety of audi ences throughout Canada .
�EN S EM B L E CL AUD E G ER V A I S E
A DEMONSTR ATION OF MUSICAL INSTRUMENTS OF THE RENAISSANCE
presented in c on junct ion w ith the Fourth Annual Conference in Medieval Studies of the
CENTER FOR MEDIEVAL AND EARLY RENAI SSANCE STUD IES
1 . Recorders and German flute
petit jeu: Ga uote pour les Flustes douces
grand jeu: Ai r de cour pour les Flustes d’Allemand
2. Chalumeaux
Bransle d’Esc osse
Henri le JEUNE
Estienne du TERTRE
3. Hautbois de Poitou, shawn, dulcian
Dit Ie bourguignon
Gl i occhi tuoi ( villanesca)
T. CIMELLO
4. Pastoral oboe (musette, piffaro and bombarde)
Saltarello
Cornet a bouquin
Gaillarde
Tielman SUSATO
. Cornemuse
dance
. Sourdine
dance
Crumhorns
Si je perdu mon amy
Die Post
Tielman SUSATO
. Luth
Kemp’s Jig
10. Spinet
,
I f love now re igned
11. Celtic harp, viols, etc.
Henry VIII
Hoboeckentanz
Tielman SUSATO
J
O
Fm
I
o 4r y
o 4°
�M US IC I ANS
Director: Gi lles PLANTE
Francois BARRE
Colette CHEVALIER
Michel DESROCHES
Diane DUGUAY
Matthieu DUGUAY
Jean GAGNE
Monique GRENIER
Joseph GUILMETTE
Louise LAGACE
Yves MOUGEOT
Alain NONAT
Marcel OTIS
Gilles PLANTE
LéoPaul RODRIGUE
Dujka SMOJE
Guy SOUCIE
Marie TRUDEL
�P RO G R A M
. Margaretha
Erasmus WID M ANN
i
i , dulc ian, percuss
hautbois de Poitou, corn
:
et a bouquin
ion
. Suite de danses
courante
recorder, ch alumeau, v iols, bells, percussion
1 34
157 216
Michael PRAETORIUS
15711612
ballet
recorders, v iols, spinet
volte
recorders, v iols, chalumeau, dulc ian, percuss ion
bourrées ll l
recorders, v iols, crumhorn, cha lumeau, dulc ian, percuss ion
. Cest grant pla is ir
chanson
voices
transcription of the chan son b y Pierre ATT AINGNANT
spinet
tourdion
recorders
abeth’s Ga
.
.
. Queen Elis
i llard
Iuth
. Tant que v ivray
voice, recorder, Iuth
John DOWLA
ND
75637626
Claud in de SERMISY
c . 14901562
Text: Cléme nt Marat
. Stat ein me sk in was junck ; [Residuum]
hautbois de Poitou, shaw n, crumhorn , dulc ian
. Le jour s ’endort
:
voice, recor
der, celt ,
ic harp
. Taunder na ken
recorder, v iols, crumhorn, celt ic harp
Guillaume DUFAY
c. 14001474
Henry V III
�. Green groweth the hol l y
Henry V III
voice, recorders
1 0. My Lady Carey’ s Dompe
c. 1525
spinet
1 1 . Villancicos
Lo que queda es lo seguro
Paséisme aor’ a lla, serrana
IO, a lto bien s in revés ...!
hautbois de Poit ou, crumhorn, ch alumeau
[Pedro de ESCOB AR]
1514
12. Pourquoy done ne fringuerons nous
ronde
recorders
chanson
voices
13. 0 amica mea
recorders
Tielman SUSATO
155 7
P ASSEREAU
c. 1510
Thomas MORLEY
155 7 7603
14. Rompelt ier (Rumfeltiere)
crumhorns, voices
1 5. Suite de danses
Pavane d ‘Angleterre and Ga i llarde
recorders, percussion
ronde
recorders, percussion
Schafertanz and Nachtanz
recorders, v iols, percussion
ronde
recorders , percuss ion
Claude GERVAISE
Hoboeckentanz
recorders, hautbois de Poitou, crumhorn, v iols, chalumeau dulc ian, celtic
harp, lut h, percussion
16. Vitrum nostrum g loriosum
1540
�S O U R CES
. Musika/ischen Tugends piegel, 1613.
. C. Terps ichore, Musarum Aoniarum Quinta, 1612.
. Chanson and Transcript ion : Pierre ATTAINGNANT, D ixneuf chansons musica
les reduictes en la tabulature des Orgues Espinettes Manic ordions, et telz
semb lab les instrument z mus icaulx , Paris, 1530 (1 531).
Tourdion : Pierre ATTAINGNANT, Second liure [de danceries) contenant trois
Gail/ardes, trois Pavanes, v ingt trois Bran/es, Tant gays, Simples, Que dou
b les, Douze basses dances, & Neuf tourdions, Paris, 1547.7.
. Ottav iano dei PETRUCCI, Harmonice musices odhecat on A., Venice, 1501.
. London, British Museum, Additional MS 31922, fol . 82v84.
9. London, British Museum, Additional MS 31922, fol . 37v38.
1 0. London, British Museum, Roy. App. 58.
1 1 . Cancionero Mus ical de Palacio cancionero Barbieri , Madrid, Bib l, del Pal.
Real, 2.1.5.
12. Ronde : Tielman SUSATO, Het derde musyck, Antwerp, 1 551 .
Chanson : ATTAINGNANT and GARDANE (editions from 1 5331 548).
13. Thomas MORLEY , A Plaine & Easie Intr oduct ion t o Pract ice// Mus ic ke, 1597.
1 4. Ottav iano dei PETRUCCI, Harmonice mus ices odhecat on A., Ven ice, 1501.
1 5. Pavane and Gai llarde : Pierre ATTAINGNANT, Troisieme livre de danceries,
Paris, 1556.
Ronde, Schafertanz and Nachtanz, ronde, Hoboeckentanz : Tielman SUSATO,
Het derde musyck, Antwerp, 1 551 .
16.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:42:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63233
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63233">Concert of Renaissance Music by the Ensemble Claude Gervaise of Montreal</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert of Renaissance Music by the Ensemble Claude Gervaise of Montreal
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Widmann, Praetorius, Dowland, Dufay. Held at 8:30 pm, May 2, 1970, Art Gallery, SUNY Binghamton
Creator
An entity primarily responsible for making the resource
Ensemble Claude-Gervaise
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-2
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Widmann, Erasmus, 1572-1634
Praetorius, Michael, 1571-1621
Dowland, John, 1563-1626
Dufay, Guillaume,1397-1474
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019606882
39091019606999
-
https://omeka.binghamton.edu/omeka/files/original/3273ee8d0928e10c9d00ff427aa11388.pdf
8706eca2839b40676aa0f870e3093f22
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE HARPUR ORCHESTRA
David Buttolph, Conductor
Wednesday, April 29, 1970
8 :15 p. m.
The Don A. Watters Theater
�ORCHESTRA PERSONNEL
VIOLINS
Phylis Costanzo,
Concertmistress
*Ralph Wade
Martha Strassberger
Lor raine F ink
Carol Pettys
Douglas Diegert
Richard Luskin
Jonathan Leer
*John Mayorchak
*Pamela Severski,
P rincipal
Paul Friedman
Mancy Peschko
E lizabeth Nicolacopoulos
Samuel Jacobs
Jeffrey Feinsilver
‘Sophie Horowitz
Sally Shafer
VIOLAS
Joyce Stelzl,
P rincipal
*Russel Colton
Carolyn Lohman
Richard Brooks
Miriam G ilbert
Deborah Reed
“Ann Ziegler
Ira Miller
CELLOS
Timothy Perry,
Principal
*Ruth Brown
Miriam Diamond
Dana Schnipper
Evelyn Kalish
Cynthia Dicker
Vicki Fox
CONTRABASS
*Donal O’Buckley,
P rincipal
Dayle Sherba
*James Hills
Jim Kuenzli
FLUTES
Marsha Kadleck
Carol Sevush
Caroline Glaiber
FRENCH HORNS
Matthew Goldstein
*Bruce Sternberg
Stuart Reeve
Steven Kliewer
*George Pappastra t
James Hoskins
TRUMPETS
Thomas Sigler
William Lockwood
Joseph Lindstrom
OBOES
Geoffrey Bar ron
Patricia Emery
ENGLISH HORN
Scott Eddy
TROM BONES
Mark Clymer
James Buttolph
G rant Sullivan
James Baldon
CLARINETS
TUBA
David Marcus
Daniel Blazej
Peter Fredell
BASS CLARINET
Ralph Daino
CONTRA ALTO
CLARINET
William Moore
BASSOONS
Thomas Closser
David Bell
*Binghamton
Symphony
member
TIMPANI
David Crowe
PERCUSSION
Peter Buttolph
Richard Compton
Ferris Lebous
Robert Mirsky
HARP
Dulcie Barlow
PERSONNEL
MANAGER
Paul Knoeffler
The music for this occasion is provided by a grant f rom the Music Perf ormance
Trust Funds (Jerome H. Adler, T rustee), a public service organization created and
financed by the Recording Industries under agreements with the American Fed
eration of Musicians.
�P ROGRAM
CAP RICCIO ESPAGN OL
RimskyKorsakow
Alborada
Variazioni
Alborada
Scena e canto git ano
F andango Asturiano
P RE LU DE , ARIA, FINALE (U.S. PREMIERE )
William Mathias
Allegro moderat o e pesante
Adagio sostenuto, sempre cantab ile
Poco allegro
By ar rangement with Oxford University P ress,
200 Madison Ave . N. Y. C.
RHAPSODY FOR CIMBALOM
Eugene Zador
SAM CHIANIS, Guest Artist
Intermission
DIVERTIMENTO FOR PLANO AN D STRINGS
Dominick Argent o
Veloce e giocoso
Moderato cantab ile
Allegro energico
E LIZABE TH KORTE, Pianist
SYMP HONIC ME TAMORP HOSIS
On Themes of Carl Maria von Weber (1943)
Allegro
Turandot, scherzo
Andantino
Marsch
Paul Hindemith
�PROGRAM N OTES
lVIL L IA M M A T
H IAS
William was born in Carmarthenshi re, Wales in 19 34 and studied at the
Royal Academy of Music in Lo ndon.
He has had commissions f rom the festival committees of Llandaff, St.
David’s (Cardiff), the Welsh Committee of the Arts Council, a nd the Royal
National E isteddfod and c ommissions f rom the BBC.
Mathias has written music f or the church, f or orchestra, thre e piano
concertos, works for string orchest ra, for harp, string qua rtet, music
for organ, and a violin sonata .
EUGENE Z ADOR
Eugene Zador (b. 1894) was born in Hungary and studied composition
with Max Rege r and musicology with Albert and Schering. He ea rned his
Doctor of Philosophy degree i n 1921.
A very p rolific compose r in all medium s (opera, balle t, symphony, sum –
phonic poem, c hamber music, and song), M r. Zador now mak es his home
in southern Ca lifornia.
The Rhapsody was written in 1969 andgiven its premiere in Los Angeles.
The musical fla vor is unmista kably Hungarian and the composer expertly
exploits all the idiomat ic techniques of the Hungarian cimbalom.
Mr. Zador ’s Rhapsody is be ing given its E astern premiere this evening.
DOMINICK AR GENTO
Argento, born in York, Pa. in 1927, received both bachelor ’s and master ’s
degrees in com position f rom the Peabod y Conservatory and his doctorate
f rom the Eastm an School where he studied with Be rnard Rogers a nd Howard
Hanson. He studied with Luigi Dallapic cola in Florence, Italy on a Full
bright Fellows hip in 1951 and returnedto Flo rence for further studies as a
Guggenheim Fellow in 195758 and 1964 –65. Since 1957, he has been a
member of the faculty of the Departme nt of Music, University of Minnesota.
PA U L HINDEMITH
The Sym phonic Metaniovphosis On The mes of Carl Maria von Web er was
Continued next p age
�completed in 1943. Hindemith has explained that as none of the fragments
on which he bases the work represent Weber at his best, in his opinion,
he has not hesitated to make thematic alterat ions to fi t his requirements.
The themes for the fir st, thi rd and fourth movements are drawn from
Weber ’s Music for Piano, Fou r Hands, The principal theme of the Scherzo
is a genuine Chinese melody which Weber came across in Rousseau’s
Dictionary of Music and which he used in his incidental music fo r a
production of Schiller ’s play Turandot , based on an Oriental subject.
A B OUT T HE ARTIST S
ELIZABETH KORTE
Mrs. Elizabeth Korte studied and received her B.S. and M.S. in music at
Julliard School of Music, and performed a solo New York recital upon
completion of her degree work. She has played numerous solo recitals
throughout the East and has performed with t he Oklahoma City Symphony
Orchestra, the Albuquerque Symphony Orchestra and the Brevard Music
Cente r Symphony. Recently, she appeared with the Buffalo Symphony at
SUNY in their performance of Roef Lieberman’s Concerto for Jazz Band
and Symphony. On April 12, she performed in a recital at SUNY Bing
hamton with Albert Hamme of the SUNY Binghamton f aculty. E lizabeth
Korte also has performed and recorded Matrix for woodwind quintet
and piano. This number was composed by Mr. Karl Korte and recorded
for CRI label. Mrs. Korte also teaches privately in the Binghamton area.
SOTIRIOS (SA M) C HIANIS
Born in Santa Barbara, California (1926), Mr. Chianis received his
musical education at L ong Beach State College (California) and earned his
Ph. D. degree in Ethnomusicology from the University of California
a t Los Angeles.
He studied cimbalom with Spyros Stamos of San Francisco. For several
years before coming to SUNY Binghamton, he served as a studio music ian
with ma jor motion picture and TV studios in Hollywood and has p layed
under the batons of sev eral distinguished composers and conductors such
as Pier re Boulez, Miklos Rosz a, Manos Hadzidakis, Lalo Schfrin, Quincy
Jones, etc. M r. Chianis is currently on the music f aculty at SUNY
Binghamton.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
48:30:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63228
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63228">The Harpur College Orchestra</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCoverContinuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Harpur College Orchestra, April 29, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Rimsky-Korsakow, Mathias, Zador, Argento, Hindemith. Held at 8:15 pm, April 29, 1970 at Don Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-29
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Rimsky-Korsakov, Nikolai, 1844-1908
Mathias, William
Zador, Eugene, 1894-1977
Argento, Dominick, 1927-
Hindemith, Paul, 1895-1963
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091029606940
39091019607104
39091019606833
-
https://omeka.binghamton.edu/omeka/files/original/9e0d33e3081aa78b1abb9ca7b63eb2d9.pdf
0ae640ac0b7077bffba99101ddde9e3e
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE LENOX STRING QUARTET
Peter Marsh, violin
Delmar Pettys, violin, viola
Paul Hersh, viola, piano
Donald McCall, cello
and
THE new YORK WOODWIND QUINTET
Thomas Nyfenger, flute
Ronald Roseman, ob oe
David Glazer, clarinet
Arthur Weisberg, bassoon
Ralph Froelich, French horn
RONALD ROSEMAN, O boe Soloist
PAUL HERSH, Piano Soloist
Monday, April 27, 1970
8 :15
Don A . Watters Theater
PROGRAM
Quartet in F Ma jor, K. 370, for oboe and strings
Allegro
Adagio
Allegro ma non troppo
Partita for Wind Quintet
Introduction and Theme
Variation
Interlude
Gigue
Coda
.
Mozart
Fine
Intermission
Quartet in E flat m a jor, op. 33, no. 2 (“ The Joke ”)
Allegro moderato, cantabile
Haydn
Scherzo (Allegro)
Largo sostenuto
P resto
Quintet in E fl at ma jor f or piano, oboe, clar inet,
horn in E flat and bassoon, opus 16
G raveallegro ma no n troppo
Andante cantabile
Rondoallegro ma non troppo
Beethoven
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:08:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63223
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63223">The Lenox String Quartet and New York Woodwind Quintet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lenox String Quartet and New York Woodwind Quintet Recital, April 27, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Fine, Haydn, Beethoven. Held at 8:15 pm, April 27, 1970, Don A. Watters Theater
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-27
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Fine, Irving, 1914-1962
Haydn, Joseph, 1732-1809
Beethoven, Ludwig van, 1770-1827
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064295
39091020064345
39091020064394
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:14
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220"> Donna Hallen, Pianist, Senior Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Donna Hallen, Pianist, Senior Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Debussy, and Beethoven. Held at 3:00 pm, April 26, 1970, Recital Hall
Creator
An entity primarily responsible for making the resource
Hallen, Donna
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-26
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Debussy, Claude, 1862-1918
Beethoven, Ludwig van, 1770-1827
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064246