100
10
1775
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Information about rights held in and over the resource
In copyright.
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2 audio cassettes 2 audio discs
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51:40
26:49
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196871">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196871</a>
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Title
A name given to the resource
Asian journey, October 26, 2007
Recital Tape 10-26-2007
Description
An account of the resource
Held at 8:00 p.m., October 26, 2007, Chamber Hall, Anderson Center. Sponsored in part by the Binghamton University Music Department.Works of Seaman, Peidong, Chinese folk songs, Qiufeng, Japanese folk songs, Korean folk songs.
Creator
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Cotten, Anne Boyer
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-10-26
Rights
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In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
4f2aa28a-8131-4f7c-ade9-f8ddf63c4d75
-
https://omeka.binghamton.edu/omeka/files/original/c5abb48f406737a8cc817c5b34e32824.pdf
b87e0f46fa2ae420a83dff8628dd8b63
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
N x “l f ’
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2
X
A
Y
D E P A R T M E N T
,
f ; , L B INGHAMTON UNIVERSITY
MUSIC DEPARTMENT
AND
INDIAN P ERFORMIN G ARTS
S OCIETY O F B I N G H A M T O N
PRESENT
AN E VENING O F H INDUSTA NI
CLASSICAL MUSIC
FEATURIN G:
KAIVALYA K UMAR , VOCAL
with
Sham Kan e, tabla
Ravindra Katoti, Harmoni um
Wednesday October 31, 2007
7:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
singing will be extremely fast and virtuosic. The whole performance
Note: In Indian Classical Music, the performer will announce the
of khyal may last from 2040 minutes depending on the inspiration
of the artist.
chance to choose pieces which reflect the mood of the event and the
feelings of the artists. Nevertheless, the performance will follow this
basic format:
Most bada khyal bandish are set in tintal, a 16beat cycle divided
into 4 sets of 4 beats (4/4/4/4). Its notation in stressed (X=clap) and
unstressed (O=wave) beats is:
specific program at the time o f performance t o allow them the
Khyal (Raga to be announced)
I. Alap
II. Bada Khyal usually in tintal
III. Chota Khyal usually in ektal
One or more ‘light’ classical pieces to conclude see below.
Hindustani Classical Music
The origins of Indian classical music can be traced to the Vedas, a
set of four texts that comprise the foundation of the Hi ndu religion,
and were passed down orally until around 1500 BC when they
began to be written down. The texts comprise hymns, which not
only aided memorization, but also provided the foundation of Indian
music. In the first few centuries AD, the sage Bharata compiled a
treatise on music, dance, and theatre that provided the theoretical
foundations for future directions in Indian composition. Bharata
outlined the organization of rhythm and meter into cycles made up
of groupings of beats now referred to as tala. Every composition is
set to a particular tala cycle made up of stressed and unstressed
beats. Knowledgeable audience members may externalize the tala
by a system of claps (tali) representing the Strong beats, and waves
(khali) representing the weak beats. The tala cycles for each of the
pieces tonight have been notated below.
Bharata also formulated the concept of raga, which is the melodic
system underlying Hindustani music. Ragas consist of a scale, as
well as a set of musical rules governing choice and emphasis of
pitches, melodic motion, and ornamentation. Ragas normally are
associated with certain times of day and/or seasons of the year.
Bharata related each raga, to a specific rasa, or emotion. The eight
rasa are love, humor, anger, compassion, valor, wonder, disgust,
and fear. The term raga means ‘color’, and ragas are supposed to
I $ 2 9 8
y
&
g
B
l
TEE R E E e Nn
L
I x o ] x
Most chota khyal bandish are in ektal, a 12 beat cycle divided into 6
sets of 2 beats (2/2/2/2/2/2). Its notation is:
1
X
2
l
3
4 1 5 1
a
HERE
1
A
J X
J O 1 X
[ X
EEE
&
‘Light’ Classical Pieces
After an intense performance of khyal, both performers and
audience normally wind down the intense emotional level by
enjoying one or more light classical pieces. These allow the
performer to draw on popular melodies from folk and religious
sources, which do not have the same type of demanding structures
as khyal. Some possible genres the artist might choose from include:
Thumri, a genre of “light” classical music that evolved from songs
performed to accompany erotic dances by courtesans to a more
serious style that came to accompany the kathak classical dance
during the period of about 17701870 A.D. Eventually in the court
of Nawab Wajid Ali Shah of Lucknow (r. 18471856) thumri was
elevated to a court genre that featured female singers who
entertained male audiences in a manner similar to the Japanese
Geisha. In the early 20” century the courtesan tradition fell into
disrepute, under the pressures of the British colonial regime as well
as in the eyes of the largely Westerneducated Indian middleclass.
Thumri singers could no longer support themselves, so khyal
performers took over the artistic singing of thumri. Th umri bandish
�ABOUT THE MUSIC
Khyal
Khyal (‘imagination’) is the most frequently performed genre of
Hindustani vocal music. It was developed in the early decades of the
18™ century by the musician Nyamat Khan in the court of the
Mughal Emperor Muhammad Shah (r. 17191748). Compared to
Dhrupad, the other more ancient genre of vocal music, khyal
features greater use of improvisation, including rapid melodic runs,
known as tan, and this facet was perhaps responsible for its name,
loosely translated as ‘imagination’. This increased use of
improvisation is believed to have been drawn from Muslim
devotional hymns known as gawwali. In contemporary
performance, the Khyal is considered the main event, and is ofien
followed by some “light” classical genres such as Thumri and
Bhajan to wind the performance down.
Khyal compositions, known as bandish, are made up of a few lines
of text set to the melodic rules of the raga, and the metric rules of
the tala. There are only two sections, the ascending (sthayi), where
the melody ascends the scale, and the descending (antara), where
the melodic motion descends the scale. From this minimal kernel of
precomposed material, the artist must develop the piece with
extensive improvisation using both the syllables of the text, solfa
type syllables (known as sargam), as well as pure vowel sounds. In
this way, khyal may be cautiously compared to a Jazz composition,
where a singer will sing the regular piece straight through and then
use scatsinging to improvise before returning to the original
composition.
In performance, the singer usually begins with an alap, an
unmetered, introductory improvisation that is meant to introduce the
notes and melodic rules of the raga. During this portion, which may
last from 30 seconds up to 5 minutes, the tabla drummer does not
play as it is in free rhythm. This is then followed with a bandish in
slowmedium tempo known as bada khyal (‘big khyal’). The bada
khyal will be in a tala cycle, highlighted by the entrance of the
drummer. Following this composition, without a pause, will be a
different bandish in a fast tempo and in a different tala, known as
chota khyal (‘small khyal ’). By the end of the chota khyal the
tones is tuned to a specific note o f the raga, and thus contributes to
and complements the melody. The larger drum, played with the
other hand, is called bayan and is made of metal. It has covers a
lower range than the other drum. The playing technique for both
drums involves extensive use of the fingers and palms in various
configurations to create a wide variety of different sounds. On the
bayan the heel of the hand is also used to apply pressure, in a sliding
motion, so that the pitch is changed during the sound’s decay.
Sham Kane has accompanied many legendary Indian musicians
including Ali Akbar Khan, and has also worked in fusion groups
such as blues saxophonist John Handy’s group which included Ali
Akbar Khan and L. Subramaniam.
Ravindra KatotiHarmoni um
The harmonium is not a native Indian instrument, but was imported
from Europe during the 1 9” century. It is a reed organ with hand
pumped bellows. Although it is a relatively recent introduction, it
has spread throughout the subcontinent. Today, it is used in virtually
every musical genre except the south Indian classical music, which
uses extensive microtonal notes that cannot be played on a fixed
pitch instrument. While the keyboard is European, the Indian
harmonium has added a number of extra drone reeds.
Born in a family of music lovers in the year 1969, Ravindra started
learning Hindustani classical Harmonium at the age of eight. Since
then he has been the disciple of Pandit Rambhau Bijapure, a
Harmonium exponent of our times. The blessings and guidance of
his Guru, and his own sincere efforts have molded him into a
versatile and brilliant Harmonium player. Ravindra has also
established himself as an able accompanist and received acclaim
from many of the top performing vocalists, organizers and
connoisseurs as well. He has several cassettes and CDs to his credit.
He has performed throughout the country and abroad, both as a
soloist and an accompanist. He has accompanied many of the top
ranking vocalists of the country including Dr. Gangubai Hangal, Pt.
Bhimsen Joshi, Pt. Jasaraj, and Pt. Yashavantbua Joshi, Pt. Ajoy
Chakraborty, Pt. Ganapati Bhat, Ustad Rashid Khan, Smt. Ashwini
Bhide, Smt. Shubha Mudgal and Smt. Jayashree Patnekar.
�Comin g Even ts
Thursday, Novem ber 1 – MidDay Concert – 1 :20 p.m. – Casadesus
Recital Hall – free
Friday, Novem ber 2 M aster ’s Recital – Daniel Sofer, piano – 8:00 p.m.
– Casadesus Recital Hall – free
Saturday, Novem ber 3 – C larinet Trio Recital – 8:00 p.m. – Casadesus
Recital Hall – free
Thursday, Novem ber 8 MidDay Concert – 1 :20 p.m. – Casadesus
Recital Hall free
Thursday, Novem ber 8 – Binghamton Baroque Ensem ble – 8:00 p.m.
Casadesus Recital Hall – $9 general public; $7 faculty/staff/seniors; $1 for
students
Saturday, Novem ber 10 – U niversity Chorus : Words and Music – 8:00
p.m. Anderson Center Concert Theater – free
Thursday, Novem ber 1 5 – Jazz MidDay Concert with bassist Tony
Marino – 1:20 p.m. – Osterhout Concert Theater – free
Th ursday, N ovem ber 1 5 – Har p ur Jazz M idDay Co ncert with bassist
Tony Marino – 8:00 p.m. – Osterhout Concert Theater $9 general public;
$ 7 faculty/staff/seniors; free for students
Friday, N ovem ber 1 6 – Viola Plus! Ro berta Cra wford Viola Recital –
8:00 p.m. – Casadesus Recital Hall $9 general public; $7
faculty/staff/seniors; $1 for students
Sunday, Novem ber 1 8 – Conce rto Competition Auditions – 7:00 p.m. –
Casadesus Recital Hall – free
Thursday, Novem ber 29 – MidDay Concert – 1 :20 p.m. – Casadesus
Recital Hall – free
Friday, Novem ber 30 – Flute Stud io Recital – 10:30 a.m. – Casadesus
Recital Hall – free
Saturday, Decem ber 1 – F lute Ensem ble Recital – 12 noon – Casadesus
Recital Hall free
Saturday, Decem ber 1 – Reunion Recital : Aaron Nicholson, baritone
and Todd Robinson, bassbarit one – 8:00 p.m. – Anderson Center
Chamber Hall $15 general public; $13 faculty/staff/seniors; $7 students
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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Original Format
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2 audio cassettes 3 audio discs
Duration
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55:35
1:06:15
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196875">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196875</a>
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Dublin Core
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Title
A name given to the resource
An evening of Hindustani classical music featuring Kaivalya Kumar, vocal, October 31, 2007
Recital Tape 10-31-2007
Description
An account of the resource
Held at 7:00 p.m., October 31, 2007, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Kane, Sham
Katoti, Ravindra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-10-31
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
5e4ab33e-3bd1-4fcd-bf51-525b9ea27e34
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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1 audio disc
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49:20:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196862">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196862</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday mid-day concert, November 1, 2007
Recital Tape 11-1-2007
Description
An account of the resource
Held at 1:20 p.m., November 1, 2007, Casadesus Recital Hall.At head of title: Binghamton University Music Department.Works of Chaminade, Browne, Rosauro, Chopin.
Creator
An entity primarily responsible for making the resource
Leo, Erica
Reitz, Margaret
Browne, Peter
Lehman, Stephanie
Hsu, Nicole
Mackiewicz-Wolfe, Ewa
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-01
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
c0864c75-36e9-4329-9244-a5665004446a
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: Universal Viewer / Rosetta
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1 audio disc
Duration
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32:50:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196868">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196868</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
An evening of clarinet music Gregg Ackerman, Bethany Bonhoff, Alexander Vincenzi, November 3, 2007,
Recital Tape 11-3-2007
Description
An account of the resource
Held at 8:00 p.m., November 3, 2007, Casadesus Recital Hall. Works of Weber, Reade, Crusell, Strauss.
Creator
An entity primarily responsible for making the resource
Ackerman, Gregg
Bonhoff, bethany
Vincenzi, Alex
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-03
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
751b807a-ede1-4c52-a90c-f7362f451157
-
https://omeka.binghamton.edu/omeka/files/original/8a238f81bc18efa45dfc50b4dc719588.pdf
4ac4e3776be414203653ed2dd9238b8c
PDF Text
Text
TON
BINGHAM
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U N I V
State University of New York
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MIDDAY CONCERT
8
Thursday, November X 2007
1:20 p.m.
Casadesus Recital Hall
�– wmv pru gian we present an
afternoon o f dancedrumming
from
southern Ghana. These ensem
bles are the collective work
the
Beginning and Advanced sectio
ns of African Dance (THEA
289J/389J;AFST 289J/389J) and
both sections of the African Mu
sic
Ensemble (M US 143B/MUSP 2
57;AFST 188B). These courses
are
off
Ad vanced African Dance /A fric
IV.
ered each semester through the De
partments of Africana Studies,
Music, and Theatre Dance.
Be ginnin g A fri can Dance /A fric
I.
II.
an Music Ensem ble Section I
Gahu. Gahu is a neotradition
al dan
adopted and adapted by the Ewe p ce that has been
eople of Ghana. It is
an offshoot of the Gome dance,
a PanAtlantic African
dance form that emerged in t
he 19™
synthesis of European hymns and century from the
marches with West
African musical sensibilities. T
he name Gahu suggests
an airplane, and represents local
ex
technology and culture. The song periences with new
s are often humorous
and fun, suggesting themes of co
urtship and celebration.
Kpatsa. This dance comes from
a neighboring group of
the Ewe, known as the GaAdan
gbe. They share many
linguistic and cultural affinities w
ith the Ewe, and these
two groups have historically inte
racted with each other.
The characteristic movement of
Kpatsa is a limping gait
that im itates the movements o f d
warfs, a m agical race of
beings which inhabit rural are
as
movements were embellished wit in Ghana. These
h dance combinations
and eventually became a social a
nd recreational dance
known as Kpatsa, whose nam
e is an onomatopoeic
reference to the mo
vem ent of dwarfs.
III.
’
Sikyi. This dance is another neo–
contemporary dance of
the Akan people of southern and
central Ghana. Sikyi,
pronounced see chee, forms the
rhythmic foundation of
Ghanaian Highlife music, the pr
imary style of popular
music in Ghana.
V.
an Music Ensem ble Section I
Ag bekor. Agbekor is a war danc
e o f the Ewe people of
. Ghana. As the drummers and
dancers proceed to the
stage in traditional fashion, the
y sing
calls the warriors to battle against t a war song that
he European colonial
powers. The second song memori
alizes the great warrior
Kundo who led warriors into bat
tle and has been killed.
This was originally a war dance o
f the Ewe people. The
mo vem ents im itat e m om ents o
f th e battl e, and follow the
drum language o f the lead drum,
atsimevu.
Sohoun. Sohoun is an EweFon
sacred dance used to
open a ceremony of the Yeve
shrine. The original
movements danced at the
shrine inspired the
choreography for this folkloric
version, created by Dr.
Opoku for the Ghana Dance En
sem ble.
* * * * t * * * * * * *
* * * * * # * * * * * *
* * * * * * * * * *
PERFORMERS
Dances Directed and Choreograph
Pierrette Aboadji, Department of T ed by
heatre Dance
B E G I N N I N G DANCECLASS
Kerleen Beaubrun, Maryam Belly
, Treval Blair, Susan Chen,
Leena Daniel, Lleny De La C ruz
, Lauren Fredericks, Delphine
Hyppolite, Jacinta James, Mo
renike Jegede, Angelito Jusay,
Ghita Laghrari, Kayla Lewis,
Qing Lin, Adrienne Martian,
Sheena O ’Connor, Katiusca Ortiz
, Tamara Pitter, Rubi Ramirez,
Larissa Reyes, Ebony Richardson
, Sultana Rosario, Ceion Scott,
Lauren Scott, Ashley Titus, Geral
dine Toussant, Diana Trochez,
Krystal Velez, Mariah Watson,
Maame Wentum, Jessica Wilks,
Tamara Williams
�A D V A N C E D DANCECL ASS
Wales Cruz, Latoya
Alexandria Blackman, Tristin Cadle,
tuska Im perial, Laura
Foster, Lisa Gil, Sasha Gordon, Ka
t, Marcel March, Anne
Johnson, Tyshema Kindell, Latoya Knigh
rre, Paul Reyes, Pamela
Mulcahy, Angela Perrier, Vanessa Pie
on, Coralina Urena,
rch
To
th
rdi
Ga
s,
are
Su
ly
ber
im
K
na,
Santa
Weeks
Elba Vandunk, Sabina Virgilio, Casandra
Drumming directed and arranged by and Africana Studies
James Burns, Departments of Music
AFRICAN MUSIC ENSEMBLE SECTION I
ler, Hannah Wittmer,
Trevor Ellis, Brad Koegel, Kim Kreid
Samuel Young, Asuno Udoh.
AFRICAN MUSIC ENSEMBLE SECTION I I
eaton Rood, Theodore
Starleana Holmes, SungHoon Hwang, K
y, Caroline Todman
Trembinski, Amber Rivers, Samuel Yagg
>
GAN
AND
Mixed)
GROUPS/
Ee
' e m
e
°
n u
Sedeed d d )
e M o n w h i n e .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
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33:03:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196879">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196879</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday mid-day concert, November 8, 2007
Recital Tape 11-8-2007
Description
An account of the resource
Held at 1:20 p.m., November 8, 2007, Casadesus Recital Hall. Traditional dance-drumming pieces from southern Ghana.
Creator
An entity primarily responsible for making the resource
Aboadji, Pierrette
Burns, James
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-08
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
5f3e7cd3-772a-47e2-8ad4-ffb627bd9375
-
https://omeka.binghamton.edu/omeka/files/original/51241034fa64fbe7bbd116b81b0ad095.pdf
0eef9b0d526586699fd8b1e57affc49a
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of N ew York
\
’
l \ . _
V
Yang
D E P A R T M E N T
V I O L A PLUS!
Roberta C rawford, viola
with
Jan ey Choi, violin
Stephen Stalker, cello
Michael Salm i rs, piano
November 16, 2007
8:00 pm
Casadesus Recital Hall
�ABOUT T HE PERFORMERS
PROGRA M
Five for the Flowers Near the River
Stephen Paulus
(b. 1949)
The riverside flowers are driving me crazy
A few here where the river is deep and bamboos quiet
Flowers engulfing the path, thousands weighing the branches
Butterflies move pause move pause, It ’s a dance
You flowers have pity on a whitehaired man
Sonata No. 2 in Eflat, Op. 120............................... Johannes Brahms
(1833–1897)
Allegro amabile
Allegro appassionato
Andante con moto
WINTERMISSION®3
Trio for Violin, Viola and Cello.....................Ludw ig van Beeth oven
(17701827 )
in Eflat, Op. 3
Allegro con brio
Andante
Menuetto: Allegretto
Adagio
Menuetto: Moderato
Finale: Allegro
ROBERTA CRAWFORD, violist, performs extensively as a recitalist
and chamber musician. A s associate director and a founding member of
the Finger Lake Chamber Ensemble, Ms. Crawford has participated in
over one hundred solo, chamber, and lecturerecital s presented by the
ensemble since its formation in 1990. She has performed with the Catskill
Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s
Sunday Chamber Music Series and has been a guest artist with the
Ariadne String Quartet. Ms. Craw ford’s orchestral experience includes
performances with the Portland and Syracuse symphonies as well as the
Skaneateles Festival Orchestra, and she has served as principal violist for
the Cayuga C hamber Orch estra. An adv ocate of new music, Ms. C rawford
has premiered numerous works featuring viola and has been the dedicatee
o f several works written speci fically for her. She has participated in music
festivals throughout the United States and in the Caribbean and has
appeared in l ive performance broadcasts for public radio and telev ision. A
dedicated teacher, Ms. Crawford has served as clinician, coach, and
adjudicator for numerous music organizations, as Director of ViolaFest at
Binghamton and is an artist faculty member with NYASTA ’s String
Institute at Ithaca College. She has been a guest faculty member at Phillips
Academy, the Quartet Program, Ithaca College, and th e Eastman School
of Music and is Coordinator o f Strings at Binghamton Uni versity
Canadianborn violinist JA NEY C H O I joined the faculty of Binghamton
University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at
Rutgers University, studying with Arnold Steinhardt, and holds her
Bachelor and Masters degrees from The Juilliard School where her major
teachers were Joseph Fuchs and Joel Sm irnoff. She gave her Carnegie Hall
recital debut in 1997 as a winner of the Artists International Auditions and
continues an active perform ing career as a recitalist, chamber, and orchestral
musician throughout the country and abroad. She has participated in such
festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the
Spoleto Festi vals, Festival Musical de Santo Domingo, the Santa Fe Opera
and the Sarasota Opera. An avid interarts and crossgenre collaborator, she
is the Music Director of Thomas/Ortiz Dance, and has performed numerous
times with the Parsons Dance Co. at the Kennedy Center in Washington,
D.C. She has recorded and appeared with such mainstream performers as
Bono and Quincy Jones, Enya, Elton John, Sarah McLachlan, Lisa Loeb,
Kanye West, JayZ and Beyoncé. Ms. Choi is a Teaching Artist for the New
York Philharmonic, Lincoln Center Institute, Chamber Music Society of
Lincoln Center and the Bloomingdale School of Music in New York City.
�Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players
appeared at Weill Recital Hall, premiering a set of four string quartets by Henry
Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the
complete Beethoven Trio cycle at SUNY Binghamton. He performed with Solisti
New York on their Alaskan cruise of the Inner Passage from Vancouver to
Juneau. As a member of the Madison String Quartet, he was a finalist in the
Naumberg Chamber Music Competition in New York City and the Evian
lntemational String Quartet Competition in Evian, France. He has performed in
many recital appearances with pianist, Michael Salmirs. He performs regularly
with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at
Binghamton University. He is a past president of the New York State Chapter o f
the American String Teachers Association and was Strings Chair for the New
York State School Music Association. He is a founder of the Southern Tier
Music Teachers Association and the Binghamton Cello Festival. He is a graduate
of the Manhattan School of Music in New York City
Pianist MICHAEL SALMIRS, a founding member and artistic director of the
Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber
musician. He has appeared as soloist with the Corning Philharmonic, Binghamton
University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured
pianist on their Sunday Chamber Series. In addition to performing most of the
standard chamber music repertoire for strings and piano, he has premiered
numerous solo and chamber works, and recently gave the world premieres o f
David Liptak ’s and Marek Harris’ Piano Quintets. He has also participated in
such contemporary music series as Binghamton University ’s Musica Nova,
Cornell University ’s Ensemble X, Chiron, and has toured and recorded for the
Syracuse Society for New Music.
{
n
I ’ .
: §
a new weekly series
efaturing art and artiety
fohte local regia.
stay tuned ty WSKG T17
wrskg.org
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:19:58
7:07
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
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Viola Plus! Roberta Crawford, viola. November 16, 2007
Recital Tape 11-16-2007
Description
An account of the resource
Held at 8:00 p.m., November 16, 2007, Casadesus Recital Hall. Works of Paulus, Brahms, Beethoven.
Creator
An entity primarily responsible for making the resource
Choi, Janey
Stalker, Stephen
Salmirs, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
2bc164be-ce9e-401a-8149-650173079b8e
-
https://omeka.binghamton.edu/omeka/files/original/27a7ecf6a9d427f5f7c17e3f3030cb59.pdf
c309d2ea32d8c599df76e4865f803824
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of N ew York
A
t
“
\
[4
B . E B P A R T M
E N T
Binghamton University Orchestra
Concerto & Aria Competition 20078
Casadesus Recital Hall
7:00 p.m.
Sunday, November 18, 2007
�
:
g
Bingha
mton U niversit
y Orchestra
C o nc e r t o & A r i a Co m p etitio n 200 7 8
Sunday, November 18. 2007
Casadesus Recital Hall
Division I W oodwinds, Brass & Percussion
Stephanie Lehman
Ney Rosauro: Marimba Concerto, mvts. 2 &4
Matthew Hassell
C.M. von Weber: Clarinet Concerto #2, mvt. 3
Diana Amari & Alexa Weinberg
P.H. Telemann : Suite in F Major for Two Horns
Mvts. 1,2 & 5
Erica Leo
Cecile Chaminade: Concertino for Flute
Division 3: Strings
Eris Chang: Viadla
Mozart: Concerto #3, G Major K. 216, m v t
Elizabeth Sterling, Violin
Lalo: Symphonie Espagnole, mvt 1
Sarah Sterling, Viola
Hindemith: Trauermusik
Griffin Sarg
8ent, Violin
fi
De Beriot. Scene de Ballet
Jennifer Chen, Cello
Bruch: Kol Nidrei
Nicole HsienYu Hsu
Division 4: K eyboards
Chopin: Concerto #2 in F minor, mvt I
R o bert M u l ler
arisennuuu"ttun“t“tuna“uuutnuuunuuuuu
Di visio n 2 V o c al
La Toya Lewis , Soprano
Bizet ’s ‘Carmen’: Micaela ‘s aria “Je dis...”
Audience:
Silence please – we are recording for the competitors.
Enter and Leave the Hall through the back door.only between competitors.
No talking or writing; Please, Silence all electronics!!
Jonathan M oots , Baritone
Thanks to our Judges, faculty and student participants.
F.J. Haydn: Horn Concerto # I in D. mvt. 1
Mozart: “Alcandro lo confesso ’ K 51 2
,
Sung Jin Park, Soprano
Donizetti/Don Pasquale: ‘Quel guardo il cavaliere '
Ariana Zbrzezny, Mezzosoprano
Rossini: ‘Cruda Sorte ’
Abigail Freeman, Soprano
Mozart: Vorrei spiegarvi, O Dio. K. 418
Intermission – ten minutes
The Winners ’ Concert with the University Orchestra will be Saturday evening,
March 1%, 2008 at 8:00 m
p in the Osterhout Theater.
e
�Coming
“Crents
Th u rsday, No vem ber 29 – MidDay Concert – 1 :20 p.m. – Casadesus
Recital Hall – free
Friday, N ovem ber 30 – Flute Stud io Recital – 10:30 a.m. – Casadesus
Recital Hall – free
Satu rday, Decem ber 1 – Fl ute Ensem ble Recita l – 12 noo n – Casadesus
Recital Hall – free
Satu rday, Decem ber 1 – Reunion Recital : Aa ron Nicho lson, baritone
and Todd Robinson, bassba ritone – 8:00 p.m. – Anderson Center
Chamber Hall $1 5 general public; $13 faculty/staff/seniors; $7 students
Sunday, Decem ber 2 – U niversity O rchest ra : Sounds Behind the Celluloid
– 3:00 p.m . Anderson Center Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Tuesday, Decem ber 4 – Pe rcussion E nsemble – 8:00 p.m. Anderson Center
Chamber Hall – free
Th u rsday, Decem ber 6 – M idDay Co ncert – 1 :20 p.m. – Casadesus Recital
Hall – free
Thursday, Decem ber 6 – Ha rpu r Chorale and Wom en ’s Chorus – 8:00 p.m.
– Trinity Memorial Ch urch, Binghamton – free
Friday, December 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall –
free
Sunday, Decem ber 9 – W ind Sym phony – 7 :30 – Anderson Center Chamber
Hall – free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 audio cassettes 3 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:14:00
57:47
45:08
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196886">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196886</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton University Orchestra concerto and aria competition 2007-8, November 3, 2007
Recital Tape 11-18-2007
Description
An account of the resource
Held at 7:00 p.m., November 18, 2007, Casadesus Recital Hall. Works of Rosauro, Weber, Telemann, Chaminade, Haydn, Bizet, Mozart, Donizetti, Rossini, Lalo, Hindemith, Beriot, Bruch, Chopin.
Creator
An entity primarily responsible for making the resource
Lehman, Stephanie
Hassell, Matthew
Amari, Diana
Weinberg, Alexa
Leo, Erica
Muller, Rob
Lewis, LaToya
Moots, Jonathan
Park, Sung-Jin
Zbrzezny, Ariana
Freeman, Abigail
Chang, Erin
Sterling, Elizabeth
Sterling, Sarah
Sargent, Griffin
Chen, Jennifer
Hsien-Yu Hsu, Nicole
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-18
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
dfde5906-934f-4f59-8040-ee5438fe7a24
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound cassette 1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39:16:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196865">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196865</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, Thursday, November 29, 2007
Recital Tape 11-29-2007
Description
An account of the resource
Held at 1:20 p.m., November 29, 2007, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Parnes, David
Reitz, Margaret
Maezawa, Akira
Sargent, Griffin
Sterling, Sarah
Chen, Jeniifer
Agar, Holly
DeGroote, Caleb
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-29
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
ccda6f89-fece-42a4-a208-8fefc5341055
-
https://omeka.binghamton.edu/omeka/files/original/d43c3ec58e82ef1f931e59a2a77599fc.pdf
41e8aa2c6c8c5167b29b8cdb9eef6a83
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
0
\ . L
Cee:
~
Z 5 i rC’
P
~
J
E
P A R
I M
E N T
~
\ \ —T e
i
Flute Studio Recital
Students of Geo rgetta Maiolo
Friday, November 30, 2007
10:15 a.m.
Casadesus Recital Hall
�Program
Concertino, Opus.107
Sonatina for Flute and Piano
1. Allegretto graziolo
2. Andantino sognando
3. Allegro giocoso
Erica Leo, F lute
Mrs. Margaret Reitz, Piano
.........Eldin Burton
(b.1913)
Andante Pastoral
Melissa Voldan, Flute
Mrs. Margaret Reitz, Piano
Sonata for Flute and Piano
1. Allegro malincolico
2. Cantilena
3. Presto giocoso
Cecile Chaminade
eeeeeeeeer. Paul Taffanel
(18441908)
Ju Hyang Shon, Flute
Mrs. Margaret Reitz, Piano
....Francis Poulenc
(18991963)
Sonata in F Major
1. Adagio
2. Allegro
3. Largo
Valerie Spiller, Flute
Mrs. Margaret Reitz, Piano
4. Allegro
..........Benedetto Marcello
(16861739)
Brittany Smith, Flute
Mrs. Margaret Reitz, Piano
Sonate fur Flote und Klavier...........
Heiter bewegt
Paul Hindemith
(18951963)
Erica Leo, Flute
Mrs. Margaret Reitz, Piano
Offertoire, Opus 12
..Johannes Donjon
Anthony Chen, Flute
Eun Young Baek, Piano
(18571944)
(18391912)
�Coming
‘Crents
Satur day, December 1 – Flute Ensemble Recital – 12 noon – Casadesus
Recital Hall – free
Satur day, December 1 – Reunion Recital: Aaron Nicholson, baritone
and Todd Robin son, bassb ariton e – 8:00 p.m. – Anderson Center
Chamber Hall $15 general public; $13 faculty/staff/seniors; $7 students
Sunday, December 2 – University Or chestr a: Sounds Behind the Celluloid –
3:00 p.m. Anderson Center Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Tuesd ay, December 4 – Percussion Ensemble – 8:00 p.m. Anderson Center
Chamber Hall – free
Thurs day, December 6 – MidDay Concert – 1:20 p.m. – Casadesus Recital
Hall – free
Thurs day, December 6 – Harpu r Cho rale an d Women’s C horus – 8:00 p.m.
– Trinity Memorial Church, Binghamton – free
Friday, December 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall –
free
Sunday, December 9 – Wind Symphony – 7:30 – Anderson Center Chamber
Hall free
* * * * * * * * * * * * * * * * * * * * *
Spring 2008
Sunday, Feb ruary 10 – Romance, Fan tasy, Tragedy – 3:00 p.m. – Anderson
Center Chamber Hall $15 general public; $13 faculty/staff/seniors; $7 students
Sunday, Feb ruary 17 – A Tango for Two: Guest Organists Annette Richards
and David Yearsley – 4:00 p.m. – First Presbyterian Church, Binghamton.
$15 general public; $13 faculty/staff/seniors; $7 students
Friday, Feb ruary 22 – Master’s Recit al: La Toya Lewis, s opran o – 8:00 p.m.
– Casadesus Recital Hall – free
Sunday, Feb ruary 24 – Musica Nova – 3:00 p.m. – Anderson Center Chamber
Hall $9 general public; $7 faculty/staff/seniors; free for students
E——
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
54:04:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196817">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196817</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flute studio recital students of Georgetta Maiolo, November 20, 2007
Recital Tape 11-30-2007
Description
An account of the resource
Held at 10:15 a.m., November 30, 2007, Casadesus Recital Hall. Works of Burton, Poulenc, Hindemith, Donjon, Chaminade, Taffanel, Marcello.
Creator
An entity primarily responsible for making the resource
Maiolo, Georgetta
Voldan, Melissa
Reitz, Margaret
Spiller, Valerie
Leo, Erica
Chen, Anthony
Baek, Eun Young
Shon, Ju-Hyang
Smith, Brittany
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-11-30
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
28d23f76-aba9-49dd-bb65-00f3e1f6b0d3
-
https://omeka.binghamton.edu/omeka/files/original/5be7e5f21531a0ae9d7ab5946a4ca77c.pdf
c6dd921aadbcb8ac826a519521f18281
PDF Text
Text
BINGHAMTON
UNILV:ERSITY
State University of New York
wi d e
[4
B
E P A R T M E N T
Flute Ensemble
Georgetta Maiolo, director
Saturday, December 1, 2007
12:00 noon
Casadesus Recital Hall
�P rog ram
Andante Canta bile..................................... Peter Ilyich Tchaikovsky
(18401893)
Arranged by Jennifer Higdon
Prelude and Rondo...............ccon nivicncssacsesesso.
ANDES McGinty
(b.1945)
The Nutcracker Suite
Miniature Overture
March
Dance of the Sugar Plum Fairy
Arab Dance
Dance of the Mirlitons
Waltz of the F lowers
Peter Ilyich Tchaikovsky
(18401893)
Arranged by Michael Axtell
On Eagles’ Wings
Monochrome I
Jared Spears
(b. 1930)
P
e
t
e
r Schickele
(b.1935)
The Fairest of the Fair.................ccccccieeeeeenceecee.....JOhN Philip Sousa
(18541932)
Arr. by Ricky Lombardo
Let it Snow
Julie Styne and Sammy Cahn
Arranged by James Christensen
We Wish You a Merry Christmas..... Arranged by Ricky Lombardo
Mem bers of the Bi nghamton Un iversity Flute Ensem ble
Anthony Chen
Juliette Guarino
Rachelle Haddad
Sarah Harper
Leah Hays
Judy Kahn
Katherine Navarette
Jaclyn Scott
Valerie Spiller
Melissa Voldan
�Coming
‘Crents
Satu rday, Decem ber 1 – Reunion Recital : Aaron Nicholson, baritone
and Todd Robinson, bassbaritone – 8:00 p.m. – Anderson Center
Chamber Hall $15 general public; $13 faculty/staff/seniors; $7 students
Sunday, Decem ber 2 – University Orchest ra : Sounds Behind the Celluloid –
3:00 p.m. Anderson Center Concert Theater $9 general public; $7
faculty/staff/sen iors; free for students
Tuesday, Dece m ber 4 – Percussion Ensemble – 8:00 p.m. Anderson Center
Chamber Hall – free
Thu rsday, Decem ber 6 – MidDa y Concert 1 :20 p.m. – Casadesus Recital
Hall free
Thursday, Decem ber 6 – Harpur Chorale and Women’s Chorus – 8:00 p.m.
– Trinity Memorial Church, Binghamton – free
Friday, Decem ber 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall –
free
Sunday, Decem ber 9 – Wind Sym phony – 7:30 – Anderson Center Chamber
Hall free
# * t * # * * # * * # # * # * # * * * * *
Sp ring 2008
Sunday, February 10 – Romance, Fantasy, T ragedy – 3:00 p.m. – Anderson
Center Chamber Hall $15 general public; $13 faculty/staff/seniors; $7 students
Sunday, Fe brua ry 1 7 – A Tango for Two: Guest Or ganists An nette Richards
and David Yea rsley – 4 :00 p.m. – First Presbyterian Church, Binghamton.
$15 general public; $13 faculty/staff/seniors; $7 students
Friday, Fe brua ry 22 – Master ’s Recital : LaToya Lewis, sop rano – 8:00 p.m.
– Casadesus Recital Hall – free
Sunday, Febru ary 24 – Musica Nova – 3:00 p.m. – Anderson Center Chamber
Hall $9 general public; $7 faculty/staff/seniors; free for students
Satu rday, March 1 – University O rchest ra : Top Talent (Concerto
Com petition Winne rs) – 8:00 p.m. – Osterhout Concert Theater $9 general
public; $7 facul ty/staff/seniors; free for students
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
28:48:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196898">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196898</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flute Ensemble, December 1, 2007
Recital Tape 12-1-2007
Description
An account of the resource
Held at 12:00 p.m., December 1, 2007, Casadesus Recital Hall. Works of Tchaikovsky, Higdon, McGinty, Spears, Schickele, Sousa, Cahn, Lombardo.
Creator
An entity primarily responsible for making the resource
Maiolo, Georgetta
Chen, Anthony
Guarino, Juliett
Haddad, Rachelle
Harper, Sarah
Hays, Leah
Khan, Judy
Navarette, Katherine
Spiller, Valerie
Voldan, Melissa
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-12-01
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
2e7e69ea-6a70-40d5-8d8a-62cf7a3dfeb5