101
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/383ab8cf16b75af90fd4931f3d79b4b2.pdf
43697232830515d17aa7c594cdefd9f4
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N E W Y O R K
d e c
[4
D E P A R T M E N T
Joint Senior Recital
Samantha Banton, soprano
Molly AdamsToomey,
mezzo soprano
ChaiKyou Mallinson, piano
Sunday, May, 8, 20 11
7 p.m.
Casadesus Recital Hal l
�PROGRAM
Sound the T
r
u
m
p
A
e
Sweet Moment, So Tender..........c.ccccecuuvenenen.
Henry Purcell
(1659–1695)
t
...JeanBaptiste Lully
(1632–1687)
Three BORAGE –....vinssissamsicssminrinssssmsunsexsmaseresmmmnms Fauré
Mandoline
(1845–1924)
Chanson d’amour
En priére
Tre Ariette..
ll Fervido Desidero
Dolente Immagine Di Fille Mia
Vaga Luna Che Inargenti
Aria, “Fair Robin I Love,” from Tartuffe
av
INTERMISSION
Vincenzo Bellini
(1801–1835)
.......Kirke Mechem
(1925–present)
[<4
Sestero piesni milostnych ..............ccccceeeeieeeeeceseeeeeseennennnn. Eben
Noci Mila
(1929–2007)
Summer Is Come
Unter Der Linden
Du bist min
Non Mi Mandar Messaggi
Ballade Des Dames Du Temps Jadis
Four Songs............
Widmung, Op. 25 No. 1
Die Lotosblime, Op. 25 No. 7
Der Nussbaum, Op. 25 No. 3
Marienwirmchen, Op. 79 No. 13
Aria, “Voi che Sapete,
from Le Nozze di Figaro
Robert Schumann
(1810–1856)
Wolfgang Amadeus Mozart
(1756–1791)
Duet, “Via Resti Servita,”.............ccccveeennn...... Wolfgang Amadeus Mozart
from Le Nozze di Figaro
(1756–1791)
B
O
U
T
Samantha Banton is from Westchester, New York and is
completing her B.A. degree in Music this semester under the
direction of Prof. Mary Burgess. Samantha has been a
member of the Women’s Chorus and Harpur Chorale. She
recently sang in Tales of Hoffman and Cosi fan Tutte as a
member of the TriCities Opera Chorus. In the fall of 2009
Samantha spent a semester at the University of Hawaii at
Manoa through the National Student Exchange Program.
There she studied with Dr. Maya Hoover, herself a
Binghamton graduate who studied with Prof. Burgess. In
addition to the Thursday midday concerts, Samantha has
performed at various fundraisers, banquets and competitions
around campus and around Westchester. After graduation
she plans to continue her classical voice training and apply
to grad school in the fall.
Molly AdamsToomey is from Elkton, MD, and is completing
her B.A. in music under the direction of Prof. Mary Burgess.
In addition to performing in several Midday concerts, Molly
has been a member of the chorus in TriCities Opera’s
productions of Cosi fan Tutte and The Tales of Hoffmann. In
the past, she has also sung in the chorus for the
Ardensingers’ Gilbert and Sullivan productions, as well as
with OperaDelaware. In addition to her vocal studies, Molly
also studies piano under Professor Michael Salmirs, and
accompanies students who take private voice lessons. Molly
has been a member of Women’s Chorus, and she has also
conducted that ensemble. During her time living in England,
she was a member of the King’s School Chamber choir, and
was a soloist in their performance of the Vivaldi Gloria. On
graduating, Molly will pursue her M.M. In Voice and Choral
Conducting here at Binghamton University.
�TRANSLATIONS
Mandoline
(Mandolin)
poem b y P aul Verlaine
The serenading swains
And their lovely listeners
Exchange insipid remarks
Under the singing branches.
Gabriel Fau ré
There is Thyrsis, Amyntas
And the eternal Clytander,
And there’s Damis who, for many
Cruel women, wrote many tender verses.
Their short silk vests,
Their long dresses with trains,
Their elegance, their joy
And their soft blue shadows,
Whirl around in the ecstasy
Of a moon rose and grey,
And the mandolin chatters
Among the trembling of the breeze.
Chanson d’ amour
(Song o f L ove)
poem b y Armand Silvestre
I love your eyes, I love your face,
oh my rebellious and fierce one.
I love your mouth
where my kisses will exhaust themselves.
I love your voice and the strange
gracefulness of everything you say,
oh my rebellious one, my dear angel,
my hell and my paradise!
I love all that makes you beautiful,
from your feet to your hair,
O you, to whom ascend all my desires
En Priére
(A Prayer)
poem b y Stéphan Bo rdése
If the voice of a child can reach You, O my Father,
Listen to the prayer of Jesus, on his knees before You!
If You have chosen me to teach your laws on earth,
I will know how to serve You, noble King of kings, O Light!
On my lips, Lord, place the salutary truth,
So that he who doubts should revere You!
Do not abandon me, give me the necessary gentleness,
To ease suffering, to relieve sorrow and misery!
Reveal Yourself to me, Lord, in whom I believe and hope:
For You I wish to suffer and to die on the cross at Calvary!
Vincenzo B ellini
II Fervido D esiderio
(The Ferven t Wish)
Anonymous
When will that day come when I can see again
that love the heart desires?
When will that day come when I welcome you to my breast,
beautiful flame of love, my soul?
Dolente Imm agine Di Fil le Mia
(Sorrowful Image o f M y Phyllis)
Anonymous
Sorrowful image of my Phyllis,
why do you so desolately sit beside m e?
What more d o you wish for?
Ceaseless tears have I poured on your ashes.
Do you fear of me that, forgetting the sacred vow,
I could burn with Iove’s flame for another?
Shadow of Phyllis, rest in peace,
inextinguishable is the old love.
�Vaga L una Che Inarg enti
(Lovely Moon, W ho Makes Silve r)
Anonym ous
Lovely moon, who makes silver this shore and these flowers,
and breathes to the elements the language of love;
you are the only witness of my fervent desire,
you count my throbs and sighs to her o f whom I am enamored.
Tell her too that distance cannot assuage my grief,
that if I nurture a hope it is only, yes, it is only for the future.
Tell her too that, day and night, I count the hours of sorrow,
that a flattering hope comforts me in love.
Petr Eben
Noci M ila
(Dear N ight)
Anonym ous, 1 4 ” Centur y
Dear night, why are you long,
for my dear I am filled with desire,
because it is impossible for me to speak with he r,
who can console me?
Already my heart dwells in suffering, in sadness, in longing grief.
All this is because I am parted from my dearest,
the dearest of ladies.
Dear God, let not the desire for my beloved be long!
Dear God.
Unter Der Lind en
(Under The Lin denTre e)
poem b y Walter vo n der Vogelwe ide
Under the LindenTree, on the heather,
where the two o f us made our bed,
you may still find, as we both have,
the flowers, pressed together on the grass.
By the forest, in the vale, tandaradei!
sweetly sang the nightingale.
I went to the meadow,
my truelove was already there,
there was I received as a noble lady,
so that I am constantly glad.
Did he kiss me? A thousand times: tandaradei!
see, how red m y mouth is still.
He went to make us a bed
of flowers of many kinds;
If anyone passed by, he might well smile at the sight!
By the roses, h e may well, tandaradei!
mark where I lay my head.
That I lay there, if any saw,
God forbid, I would be ashamed.
How he was with me, n o one will ever know,
except he and I, and a little bird,
who will not say anything.
Du Bist Min
(You A re Mine)
Anonym ous, 1 2 ” C entury
You are mine, I am thine, of that thou should be sure.
You are locked up in m y heart.
Lost is the little key.
You must always remain inside.
You are mine, I am thine.
Non Mi Manda r Messa ggi
(Do No t Send Me Mes sages)
Anonym ous Fo lk Poem , 13” Centur y
Do not send me messages that are false,
do not send me messages that I am guilty.
Let the messages be from your eyes when you raise them.
Let the messages be from your eyes to mine.
Look at my red lips, cheated husband,
cheated husband who does not know.
Do not send me messages.
Ballade Des Da mes Du Temps Jadis
(Ballad Of The Lad ies Of T imes Pa st)
poem b y Francois Villon
Tell me where or in what country is Flora, the beautiful Roman,
Archippa, or Thais, who was her German cousin,
Echo who speaks when there is noise on the river, on the pond,
whose beauty was more than human?
But where are the snows of yesteryear?
Where is the very wise Héloise,
for whom they castrated and made a monk
�Pierre Esbaillart at Saint Denis?
For his love was this endured.
Likewise, where is the queen wh
o c
that Buridan be thrown in a sack ommanded
in
But where are the snows o f yeste the Seine?
The queen Blanche like a lily wh ryear!
o s
Bertha o f the large feet. Beatrice ang with the voice of a siren,
, Alice, Haremburgis who held M
and Joan the good maid o f Lorrain
aine,
where are they, where, Sovereig e whom the English burned at Rouen;
n Virgin?
But where are the snows o f yester
Prince, d o not ask this week whereyear?
nothing but this refrain remains to they are, nor in this year,
“But where are the snows o f yes you:
teryear?“
Ro be rt S ch um an n
Wi dm un g
(De dic ati on )
po em by Frie dri ch Rii cke rt
Yo u my soul, you m y hear t.
you my bliss, o you my pain,
you the world in which I live;
you my heaven, in which I float,
0 you my grave, into which
I eternally cast my grief.
Yo u are rest, you are peace,
you are bestowed upon me from h
That you love me makes me wort eaven.
hy of you;
your gaze transfigures me;
you raise me lovingly above myse
lf,
my good spirit, my better self!
Die Lo tos bli im e
(The L otu s Flowe r)
po em b y H ein ric h He ine
The lotus flower is anxious in the
And she waits, dreaming, for NighSun’s radiance,
t.
The moon, her lover, awakens he
And for him she unveils her innocer with his light,
nt flowerface.
She blooms and glows and gazes
She sends forth fragrance, and w silently upwards;
eeps and trembles,
With love and Iove’s torment.
Der Nussbaum
(The N ut Tre e)
po em by J uli us Mo se n
A nut tree stands so green in fron
fragrantly and airily, spreading o t of the house.
ut its leafy branches.
Gentle winds come to caress them
They whisper, gracefully inclining their lovely blossoms.
their tender heads to kiss.
They whisper o f a maiden
who thinks night and day —
Ah, she herself knows not what!
They whisper — but who can und
They whisper of a bridegroom an erstand so soft an air?
d o f the coming year.
The maiden listens, the tree rustles
yearning, hoping, she sinks smil ;
ing into sleep and dreams.
Ma rie nwiirm ch en
(La dyb ug )
An on ym ou s
Ladybug, sit on my hand
I will do you no harm.
I only wish to see your colorful w
ings:
your colorful wings are my joy.
Ladybug, fly away,
your house is burning, your childr
The evil spider is spinning her ween are crying so much,
Ladybug, fly home, your children b around them;
are crying so.
Ladybug, fly to the neighbor’s child
ren,
They will do you no harm,
they only wish to see your colorf
ul wings,
and greet them both for me.
�Wolfgang Amadeus Mozart
Voi Che Sa pete
(You Who Know )
SUSANNA: The lady o f hon or...
MARCELLINA: The Cou nts little sweetheart...
CHERUBINO:
You who know what love is,
ladies, see if I have it in my heart.
What I’m experiencing I’ll repeat to you,
It’s new to me, I don’t understand it.
I feel a longing full of desire,
that now is delight, that now is death!
I freeze, then I feel my soul burst into flame,
and in a moment I go back to freezing.
I’m searching for something outside myself,
I don’t know who holds it, I don’t know what it is.
I sigh and moan without wishing to,
I throb and tremble without knowing.
Nor do I find peace by night or day,
but yet it pleases me to pine this way.
You who know what love is,
ladies, see if I have it in my heart.
Wolfgang Amadeus Mozart
Via Resti Servita
(Afte r You )
MARCELLINA: After you, my brilliant lady.
SUSANNA: I’d not be so bold, my spicy madam.
MARCELLINA: No, first it’s your turn.
SUSANNA: No, no, it is yours.
SUSANNA & MARCELLINA: I know my duties, I’d not be so uncivil.
MARCELLINA: Th e new bride!
SUSANNA: The love o f all Spain!...
MARCELLINA: Your qualities...
SUSANNA: Your dress...
MARCELLINA: Your position...
SUSANNA: Your age.. .
MARCELLINA: [aside] By Bacchus, I’ll take her down, If I have to sta
y
here any longer.
SUSANNA: [aside] Decrepit old witch! She makes me laugh!
— translation by Briana Sakamoto
�Binghamton University Music D epartment’s
U P C O M I N G E V E N T S
Sunday, May 8 – University Chorus with the University Symphony
Orchestra: MASSterworks – 3:00 p.m. – Osterhout Concert Theater –
$10 general public; $5 faculty/staff/seniors; free for students
Sunday, May 8 – Senior Honors Recital: Jieun Jang, piano – 7:30
p.m. – Casadesus Recital Hall – free
Tuesday, May 10 – Percussion Ensemble – 8 p.m. – Anderson Center
Chamber Hall – free
Wednesday, May 11 – Composition Seminar Concert (Loy) – 7 p.m. –
Casadesus Recital Hall – free
Thursday, May 12 – Student Recognition MidDay Concert – 1:20
p.m. – Casadesus Recital Hall – free
Friday, May 13 – Chinese Music Ensemble Class Concert – 5:00 p.m.
– Casadesus Recital Hall – free
Wednesday, May 18 – Voice Class Recital (MUS143 Chmela) – 11
a.m. – Casadesus Recital Hall – free
For ticket information, please call the
Anderson Center Box O ffice at 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
52:10:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145464">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145464</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint senior recital: Samantha Banton, Molly Adams-Toomey, May 8, 2011
Recital Tape 2011-5-8
Description
An account of the resource
Held at 1:00 p.m., May 8, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Banton, Samantha
Mallinson, Chai-Kyou
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-05-08
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/7b88c853266d246dcdaa5469653b05cb.pdf
0c8c3f518e76d73d14b458595395acd3
PDF Text
Text
State University of New York
Department of Music
JOINT STUDENT RECITAL
David Henann, trombone
Caroline Bravo, clarinet
Margaret Reitz, piano
Saturday, March 20, 2004
3:00 p.m.
Casadesus Recital Hall
�About the Performers
DAVID HEN ANN, a native of Monroe, LA, has been playing the
trombone since age eleven. Henann attended Ouachita Parish High
School where he participated in marching band and Symphonic
Winds. During school, he studied privately with Sue Anderson.
Henann also was a member of All-State Band, All-District Band,
Ark-La-Tex Band, All-South Band, Twin City Concert Band, and
the Monroe Youth Symphony. In his second year at Binghamton
University, he is a member of the Wind Ensemble, Orchestra, BU
Sinfonia, and Binghamton University Brass Quintet. Henann now
lives in Wind Gap, PA, and is a mechanical engineering major.
CAROLINE BRAVO is a native of Hopewell Junction, NY,
where she started playing the clarinet in elementary school and
studying privately with Louis Bonafati. She continued her private
study through high school with James Trainor, becoming a
NYSSMA veteran and participating in both Area All-State and
All-County. At John Jay High School, she was a member of the pit
orchestra for two years, symphonic band for three and marching
band for six. She also was a member of the Hudson Valley Council
Community Band for seven years. When not doing something
musical, Bravo likes to read, watch foreign films, shop, and play in
the snow. A junior and a history major, she plans to attend law
school. Bravo would like to thank Mr. Kieley, Dr. Perry, and all
her music teachers, past and present, for the knowledge and
experiences they have given her, as well as the encouragement to
keep playing.
MARGARET REITZ, piano, received her Bachelor and Master
of Music degrees in piano performance with accompanying
emphasis.
She attended Boston University, New England
Conservatory and Binghamton University. She has studied piano
with Jean Casadesus, Victor Rosenbaum, Seymour Fink and
Walter Ponce and accompanying with Allen Rogers. She has
accompanied throughout the United States, in England, South
America, and at the American Institute of Musical Studies in Graz,
Austria . Reitz has been on the faculty at Binghamton University
since 1991 and The Ithaca College School of Music since 1999.
�Program
Introduction and Polonaise .................................. Heinrich Barmann
Op. 25 for clarinet and piano
( 1784-1847)
Allegro agitato
Andante
Polacca
Concertino, Op. 4 ................................................... Ferdinand David
Allegro maestoso
(1810-1873)
Andante marcia funebre
Allegro Maestoso
--Intermission-Five Bagatelles .............................................................. Gerald Finzi
Prelude
(1901-1956)
Romance
Forlana
Fughetta
Sonatina for Trombone and Piano ....................... Kazimierz Serocki
Allegro
(1922-1981)
Andante Malta Sostenuto
Allegro Vivace
�Coming Events
Thursday, March 25 - Harpur Trumpet Ensemble Concert - 8:00 p.m. Casadesus Recital Hall - free
Saturday, March 27 - Cherished Friends, Cherished Songs - Soprano Mary
Burgess and pianist George Darden - 8:00 p.m. - Anderson Center Chamber
Hall - $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Thursday, April 15 - Mid-Day Concert with faculty and student performers I :20 p.m. - Casadesus Recital Hall - free
Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem
- Bruce Borton, conductor - 8:00 p.m. - Osterhaut Concert Theater - $8
general public; $6 faculty/staff/seniors; free for students
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person,
saxophone - 1:20 p.m. - Osterhaut Concert Theater - free
Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston
Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout
Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 25 - University Wind Ensemble: New Dances -Timothy Perry
and Stephen Boel, conductors - 3 :00 p.m. - Anderson Center Chamber Hall free
Tuesday, April 27 - University Percussion Ensemble - 8:00 - Ancierson
Center Chamber Hall - Free
Friday, April 30 - Flute Studio Recital - 10: 15 a.m. - Casadesus Recital Hall
-free
Wednesday, May 5 - An Evening of German Songs featuring Graduate and
Undergraduate Voice and Opera students - 8:00 p.m. - Casadesus Recital
Hall - free
Thursday, May 6 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:44:09
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251996&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251996&change_lng=en&select_viewer=metsViewer</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint student recital, March 20, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-3-20
Description
An account of the resource
Works of Bärmann, David, Finzi, Serocki. Held at 3:00 p.m., March 20, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Bravo, Caroline
Reitz, Margaret
Henann, David
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
3/20/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/78b6b00675d692cc84b6473ccf48d867.pdf
14bea3f65ad7a30fe13e1f84876e48a1
PDF Text
Text
State University of New York
Department of Music
Joint Student Recital
Jessica Bastek, piano
Juliana Maslen, piano
Saturday, May 1, 2004
3:00 p.m.
Casadesus Recital Hall
�About the Performers
JESSICA BASTEK is a senior majoring in math and economics.
She has played the piano since she was young. She studied
privately with Diane Miller during elementary school, Vivian
Graziano during middle school and Morris Borenstein during high
school. She played with the Minisink Valley band, chorus and at
All County Jazz Festivals. At Binghamton University, she studies
with Chai-Kyou Mallinson.
JULIANA MASLEN is a junior majoring in psychology and
music. She began studying piano at age seven with Charlotte
Davis. She continued her studies through high school with Marie
Balcom. At Binghamton University, she takes private piano
instruction with Chai-Kyou Mallinson and participates 1n
University Chorus. Maslen hopes to become a music therapist.
A Few Tips on Concert Etiquette
For those in the audience who are new to classical concerts, here are a few
suggestions on what to do and what not to do. Please turn offall cell phones and
pagers. Please do not talk to your neighbor (even softly), move around
excessively in your chair, rustle papers or cellophane. If you need a throat
lozenge, open it during applause only. And one more tip -- please don't applaud
between movements -- wait until the end of the piece. Follow these few simple
rules and you 'll make the concert a joy for everyone! And thank you for coming!
�Program
French Suite in G Major .................................................... J.S. Bach
Allemande
(1685-1750)
Courante
Sarabande
Gavotte
Sonata in C Minor, K 457 .......................... ....... W. A. Mozart
Allegro
(1756-1791)
Adagio
Mo/to Allegro
Jessica Bastek, piano
Intermission
Songs Without Words ......................... ..... Felix Mendelssohn
Venetian Boat Song
(1809-1847)
Spring Song
Rhythm (From Three Pieces for Piano, 1999) ......... Paul Goldstaub
Juliana Maslen, piano
Toccata (From Trois Pieces) ........................ ................... F. Poulenc
(1899-1963)
Duets ............... .......................... ............ George Gershwin
(1898-1937)
I Was Doing All Right
Slap That Bass
I Got Plenty o 'Nuttin '
Jessica Bastek, piano
Juliana Maslen, piano
�Coming Events
Thursday, May 6 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free
Thursday, May 6 - Harpur Chorale and Women's Chorus - Peter Browne
and Emily Burr, conductors - 8:00 p.m. - Anderson Center Chamber Hall free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:57:54
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253436&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253436&change_lng=en&select_viewer=metsViewer</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint student recital, May 1, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-5-1b
Description
An account of the resource
Works of Bach, Mozart, Mendelssohn, Goldstaub, Poulenc, Gershwin. Binghamton University Department of Music, Jessica Bastek, piano, Juliana Maslen, piano.
Creator
An entity primarily responsible for making the resource
Bastek, Jessica
Maslen, Julia
Date
A point or period of time associated with an event in the lifecycle of the resource
5/1/2004
Rights
Information about rights held in and over the resource
In copyright
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:10:45
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129374">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129374</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint voice recital with Ricky Nan and Max Rydqvist, May 3, 2014
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schumann, Tosti, Mozart, Schönberg, Rota, Williams, Yi, Liu, Xu. Held at 7:30 p.m., May 3, 2014, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Nan, Ricky
Isenberg, John
Rydqvist, Max
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2014-5-3
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:08
38:03
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146095">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146095</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jonathan Biggers, October 3, 2010
Recital Tape 2010-10-3
Description
An account of the resource
Works by Cook, Phillips, Locklair, Hampton, Widor
Creator
An entity primarily responsible for making the resource
Biggers, Jonathan
Campos, Frak Gabriel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-10-03
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/d6ad4fac968c2a70c996bb78b300b09f.pdf
039770b4b1105dbcf3dc24a6e272fdec
PDF Text
Text
BINGHAMTON
U N T V E R S I T: Y
Stat e Un ivers ity of N e w York
Dep artm ent of Music
Senior Recital
Jor da n Past ern ak, cla rin et
with
Ma rga ret Reitz, pia no
Satu rday, Jan ury 24, 2004
3:00 p.m .
Casadesus Recital Hall
�Program
About the Performe rs
JORDAN PASTERNA K grew up in New York City and attended
La Guardia High School of Music and Art and Performing Arts.
Pasternak studied the clarinet with Bonnie Scholl at the Mannes
College Preparatory Division, and is a clarinet performance major
at Binghamton University under the direction o f Professor Timothy
Perry. Last summer, Pasternak taught music theory in a summer
program for middle school orchestra students at The Manhattan
School of Music and in past summers, was an intern at Lincoln
Center for Jazz. This summer, Pasternak will tour Russia and
China as principal clarinet in the Long Island Youth Orchestra.
MARGAR ET R E I T Z , piano, received her Bachelor and Master
of Music degrees in piano performance with accompanying
emphasis. She attended Boston University, New England
Conservatory and Binghamton University. She has studied piano
with Jean Casadesus, Victor Rosenbaum, Seymour Fink and
Walter Ponce and accompanying with Allen Rogers. She has
accompanied throughout the United States, in England, South
America, and at the American Institute of Musical Studies in Graz,
Austria. Reitz has been on the faculty at Binghamton University
since 1991 and The Ithaca College School of Music since 1999.
Concert Fantasia on Motives
from Verdi’s Opera Rigoletto
Shepherd on the Rock
(Der Hirt auf dem Felsen
Luigi Bassi
(17661825)
Franz Schubert
(17971828)
Intermission
Time Pieces for Clarinet and Piano, op. 43 .........Robert Muczynski
(b. 1929)
Concerto for. Clarinets...
Artie Shaw
(b. 1910)
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
A Few Tips on Concert Etiquette
For those in the audience who are new to classical concerts, here are fe w
suggestions on what to do and what not to do. Please turn off all cell phones and
pagers. Please do not talk to your neighbor (even softly), move around
excessively in your chair, rustle papers or cellophane. If you need a throat
lozenge, open it during applause only. And one more tip – it’s distressing to the
performer if you applaud between movements wait until the end o f the piece.
Follow these few simple rules and you’ll make the concert a joy for everyone!
If you would like to receive mailings on future events in the music
department, please call us at 6077772592.
�Coming Events
Sunday, January 25 – University Chamber Chorus: Bach and More –
Theresa LeeWhiting, conductor – 3:00 p.m. – Trinity Memorial Church, 44
Main Street, Binghamton – free
Sunday, February 1 – An Afternoon in Vienna – Works by Brahms,
Beethoven and Schubert performed by faculty artists Patricia Sunwoo, violin;
Roberta Crawford, viola, Stephen Stalker, cello and Michael Salmirs – 3:00
p.m. – Anderson Center Chamber Hall $14 generai public; $12
faculty/staff/seniors; $6 students
Friday, February 8 – A Panoply of Pipeworks! Organist Jonathan Biggers
performing – 4:00 p.m. – First Presbyterian Church, Chenango St.,
Binghamton $14 general public; $12 faculty/staff/seniors; $6 students
Tuesday, February 10 – Messiaen Preview – A film and faculty/student
performances – 8:00 p.m. – Casadesus Recital Hall – free
i
;
Thursday, February 12 – Musica Nova Lecture/Recital: Quartet for the
End of the Time – Lecture by Paul Goldstaub with faculty performers – 8:00
p.m. – Casadesus Recital Hall $8 general public; $6 faculty/staft/seniors;
free for ct:dents
Saturday, February 21 – A Russian Fantasy for Two Pianos – featuring
Michael Salmirs and Ewa MackiewiczWolfe – 8:00 p.m. – Anderson Center
Chamber Hall $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, February 26 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Saturday, February 28 – University Symphony Orchestra Concerto and
Aria Concert – Timothy Perry, conductor 8:00 p.m. – Anderson Center
Concert Theater $8 general public; $6 faculty/staff/seniors; free for students
Thursday, March 4 MidDay Concert with faculty and student performers –
1:20 p.m. – Casadesus Recital Hall
Saturday, March 5 – A Tribute to Ezra Laderman – Pianist ChaiKyou
Mallinson, flutist Georgetta Maiolo, dancer Marlon Torres and singers
perform works by Laderman – 8:00 p.m. – Anderson Center Chamber Hall
$14 general public; $12 faculty/staff/seniors; $6 for students
Saturday, March 6 – Duke Ellington Orchestra – 8:00 p.m. – Anderson
Center Concert Theater $25 general public; $20 faculty/staff/seniors; $10
students (cosponsored by the Harpur Jazz Project)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:50:35
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE250866&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE250866&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jordan Pasternak, Senior recital, January 24, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-1-24
Description
An account of the resource
Works of Bassi, Schubert, Muczynski, Shaw.
Held at 3:00 p.m., January 24, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Pasternak, Jordan
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1/24/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/5ec425e9a417ba79acd8fb52fa8c7abf.jpg
dc99c44b32de012cbd969b7277f3b67d
https://omeka.binghamton.edu/omeka/files/original/b7e7757d95aba002fd91410051aa1512.jpg
6696804765078dc3ff935b7b9d825b01
https://omeka.binghamton.edu/omeka/files/original/6a9c1fb9c03d6c3837843285a76c4c6f.jpg
e9f59fa1132c2f8078dc74aed14c2e5a
https://omeka.binghamton.edu/omeka/files/original/c6ace72d0888476d9bee88530b716002.jpg
41764445e7221d66840628dce28a9ab6
https://omeka.binghamton.edu/omeka/files/original/1b2199f373ad5b5e0d07c8f5b28dd352.jpg
db3ca6c95953e78b6830cac4b41c7f7d
https://omeka.binghamton.edu/omeka/files/original/0b52533222988e212f0bacb5796ba44b.jpg
bf20ddb832e9c01f3ab9d4b2ddc5edc2
https://omeka.binghamton.edu/omeka/files/original/61d393a91b6eaf8830bd5761cfc0caa5.jpg
44e0b584dd11b0b31af505fc2f764d7b
https://omeka.binghamton.edu/omeka/files/original/9cb62d80269332bb853909ec019fd549.jpg
dcfbf90158893ce8995c959583651fa5
https://omeka.binghamton.edu/omeka/files/original/0b69834ad4dacf941b951afc8b0ec882.jpg
667231fe8545e8bea8f36d0d7a115285
https://omeka.binghamton.edu/omeka/files/original/be2a0bdca4dfc2317e1004a898452a8e.jpg
c9538a6b57c9e4b6dd3bbad6536a53e5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Markings in blue pencil, red pencil, and black pencil. Most markings in blue pencil throughout. Minimal markings. Most markings are blue lines, crossouts, highlights, etc.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
19cm x 12.5cm
Earlier version
Earlier version (dcterms:isVersion Of)
Juarez und Maximilian : dramatische Historie in 3 Phasen und 13 Bildern
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.151
Production(s)
May 1; 25 1925, Vienna
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Juarez und Maximilian : dramatische Historie in 3 Phasen und 13 Bildern [promptbook]
Subject
The topic of the resource
Werfel, Franz, 1890-1945. Juarez und Maximilian : dramatische Historie in 3 Phasen und 13 Bildern
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Werfel, Franz, 1890-1945
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3246
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/56754b83f7f6d7f89045cc4be0898f0b.jpg
7d8d35af50f8ea751498144f15f4f3b3
https://omeka.binghamton.edu/omeka/files/original/9ba93933221e56c06caa64d6ec837dce.jpg
bfa5734eea73a6a1a3e6d3541e7e4999
https://omeka.binghamton.edu/omeka/files/original/c0329cff6f1bc28c8e45e5cf358aaf3c.jpg
490c6b0ac5056a1d5964e7427824e3d4
https://omeka.binghamton.edu/omeka/files/original/13183387e6a07e303266f2f12bb21fb5.jpg
649cd2a0b343da1f6d85a3ad1125e744
https://omeka.binghamton.edu/omeka/files/original/3880a57b5b2a4e2510413cc93d101a29.jpg
5d4a46de21dde162c93c1e9f97d0ff90
https://omeka.binghamton.edu/omeka/files/original/c97807c5673465cd76e7ba9b0a680d3b.jpg
4c0ec26a4f588553bd27c6ed4f811b1f
https://omeka.binghamton.edu/omeka/files/original/370ef6a5cc1c5dd5b2a15e1afeda3847.jpg
beabf79791416f724bdca519b6220442
https://omeka.binghamton.edu/omeka/files/original/f2c3c84a0c87187a78870e800f948544.jpg
265b1757c6cd9bacde6a1dbd51051e53
https://omeka.binghamton.edu/omeka/files/original/8cb3a210910e2b89b01f4043b57f9e97.jpg
fdc34c8099ea23fbca7c1a646aa691f7
https://omeka.binghamton.edu/omeka/files/original/c8a0f0c1e7d77237d41fee4d80796c98.jpg
16f79cfd53bb055e3faee98ab019000e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
All text in German. Markings in black pencil. Cast list given in black pencil, as well as a list/key of page numbers.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
22cm x 15cm
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.47
Production(s)
February, 1910, Berlin
-Supporting materials: Box 2 Folder 64: Photographs
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Judith : eine Tragödie in fünf Acten [promptbook]
Subject
The topic of the resource
Hebbel, Friedrich, 1813-1863
Promptbooks
Stage directions
Deutsches Theater -- Germany
Creator
An entity primarily responsible for making the resource
Hebbel, Friedrich, 1813-1863
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3152
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Deutsches Theater zu Berlin
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/cca069aedd28d45def0c17d951ebaa0a.jpg
a07ccb641172fc10a6049542fd40fff6
https://omeka.binghamton.edu/omeka/files/original/79d00964172c4daa2bd71e66dd777fe7.jpg
5ae7d8fc333ba0c83bcf6268f07e9a6d
https://omeka.binghamton.edu/omeka/files/original/ef3fc838fbc9a05d936ed3d6e62d9e29.jpg
51898b4b78e0a84350b0548e16d88cda
https://omeka.binghamton.edu/omeka/files/original/e519c31c7c7d68be728356a128e90647.jpg
045b2ca9e6162d4510d0791beab1cdba
https://omeka.binghamton.edu/omeka/files/original/7b1bcdac40de5ccd4f7e96969c264e49.jpg
0b51d9e7a6f677c6e47cff4e0d9c6015
https://omeka.binghamton.edu/omeka/files/original/f50e4d58c8982023ac035a6c8644a827.jpg
60ce644def87096eee0bd170fba879fc
https://omeka.binghamton.edu/omeka/files/original/8dc5b0a0fd48047da7d2db7ff06915b2.jpg
26ca46576961b8250971e8743a58984d
https://omeka.binghamton.edu/omeka/files/original/e5d858ababc7ca0a42f2e6270d8c08bb.jpg
c502f40b7eb3f78fdeb831fc26cfefa7
https://omeka.binghamton.edu/omeka/files/original/caca1a90c3d8192a66d98203e294ceb4.jpg
8d3c35a376cdadd8224edd7651fe99fa
https://omeka.binghamton.edu/omeka/files/original/322099ea06b3899f59f21852a250785d.jpg
ca28cf40f53c2e5821e00fac2207647f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
All text in German. Stamped “Deutsches Theater zu Berlin.” Markings in black pen, black pencil, purple pencil, and red pencil. Includes cast list, stage sketches, directions, movements.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
21cm x 17cm
Earlier version
Earlier version (dcterms:isVersion Of)
Judith
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.46
Production(s)
Not specified.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Judith : eine Tragödie in fünf Aufzügen [promptbook]
Subject
The topic of the resource
Hebbel, Friedrich, 1813-1863
Promptbooks
Stage directions
Deutsches Theater zu Berlin -- Germany
Creator
An entity primarily responsible for making the resource
Hebbel, Friedrich, 1813-1863
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3151
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Deutsches Theater zu Berlin
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/7e2e53039d2f576d7e94425a289432ab.pdf
bc26f9c6c957d0c6733a3c9e741ba393
PDF Text
Text
BIN GH AM TO N
U N I V E R S I T Y
S T A T E UNIVERSITY
O
F NEW Y O R K
e d e
D E P A R T M E N T
JUNIOR FLUTE RECITAL
JESS ICA B IA GI OT TI
Pa ul Watrobski, cello
Jacqu eli ne Ro bins, fl u te
Ch ris tin a San ta M ari a, sop ran o
W illi am Ja mes Lawson , p iano a nd
ha rpsich ord
Friday, March 27, 20 1 5
7:30 p.m.
Casadesus Recital Hall
�B
O
PROGRAM c s
Sonata in F Major, H WV 369.
for Flute, Cello and Harpsichord
1. Larghetto
Nocturne et Allegro Scherzando.
for Flute and Piano
.Georg Friedrich Handel
(16851759)
3. Sicliana
4. Allegro
.
.
.Robett Schumann
(18101856)
3. Nicht schnell
Syrinx pou r Flute Seule .
..Claude Debussy
(18621918)
Flute Duet with Piano, Opus 37 .
World Premiere
Richard H ugunine
(b. 1953)
1nterm ission~
Variations on a Them e by Rossini. .
Frederic Chopin
from the opera, La Cenerentola for Flute and Piano (18101849)
Theme
Variation 1 Con An ima
Variation 2 Pui Lento
Variation 3 Vivo
Variation 4 Con Brio
Une Flute Invisible
.
for Flute, Soprano an d Piano
Come! An unseen flute
Sighs among the orchards.
The most peaceful song
Is the song tha t shepherds
sing.
The wind ruffles beneath the ilex
The waters’ sombre mirror .
The most joyous song
Is the song the birds sing.
.
Philippe Gaubert
(18791941)
About the Performers
J essica Bi agi o tti is a J u nior a t Bi ngha m ton Universi ty ma joring in I n tegra tive
2. Allegro
Three Romances, Opus 94
for Flute and Piano
1. Nicht schnell
2. Einfach, innig
.
.....Camille SaintSaéns
(1835192 1)
Let no care torment you.
Let us love! Let us alwayslove!
The most charming song
Is the song that lovers sing.
Neuroscience and Music Performance. She attended Smithtown High School East,
Smithtown New York, where she was Principal Flutist in the orchestra and a member of
the TriM Music Honor Society, As a member of the Long lsland Flute Club, she
performed in their Honors Flute Choir and Flute Competitions. Jessica completed all
six levels in the New York State School Music A ssociation for both piano and flute.
She was selected to take part in the Suffolk County Music Educator ’s Association
Festival and attended the Crane Youth Music Summer Program at Potsdam University.
Jessica is the Principal Fl utist of the Binghamton University Symphony Orchestra and
has perform ed each semester in the Flute Studio and Chamber Concert. In the fall of
2013, she participated in the Bingham ton University Concerto Competition. As a
music student, she has performed on Midday Recitals, Student Recognition Concerts,
and Woodwind Performance Classes . On May 9, 20 14, Jessica and Jacqueline Robins
soloed with the University String Orchestra. They performed the Concerto for Two
Flutos by Domenico Cimarosa. Additionally, Jessica is a member of the Bingham ton
University Flute Trio that has performed on First Fridays, a scholar’s luncheon at
President Stenger’s, the Oakdale M all and Willowpoint Nursing Home. Jessica is a
member of the Flute Studio of Georgetta Maiolo, and Mu Phi Epsilon, professional
music fraternity.
This past summer, as a recipient of the Harpur Fellows Grant, Jessica and her sister,
Kaitlin, implemented a month long, selfdesigned service project in Cusco, Peru. It was
titled, Mission Melody, and it served as a musical immersion p rogram crea ted to expose
children to friendship, opportunity, creativity and artistic otpression. For the past two
years, Jessica has been active as a certified nursing assistant at Elizabeth Church Nursing
Home. She is an intern in the Harpur College Physician Mentor Program and was
recently inducted into Nu Rho Psi, the Neuroscience Honor Society.
Paul Watrobski started his study of violoncello at the age of six. By ninth grade, he
completed the Suzuki m ethod and began studying a greater variety of music. Through
middle and high school Paul was a member of the Hochstein Youth Symphony
Orchestra in Rochester, NY, at one point going on tour in Germany and the Czech
Republic. Paul has also travelled to the Dominican Republic to participate in a music
exchange program, Travelling Notes, to spread the love and joy of music to those less
fortunate. in addition to studying solo and orchestral works, he perform ed in a variety
of venues as a member of various smaller ensembles including a cello quartet,
Amanticello, and a jazz trio, Pick3. During his undergradua te career at Binghamton,
Paul studied under Professor Stephen Stalker. He has contributed to numerous
ensembles including the Binghamton Symphony Orchestra, Harpur Jazz Ensemble, and
many smaller ensembles both classical and jam. He graduated in May 2014 with a BS in
computer engineering and will graduate this May widi an MS in electrical engineering
specializing in information assurance. Paul plans to continue his musical endeavors
wherever he ventures nod.
�Jacqueline Robins is a Junior at Binghamton University, majoring in m usic and
biology. Before a ttending Bingha mton University, she pa rticipated in nu merous
music p rograms, such as the Queens College P reparatory Stud ies in th e music
program (CPSM), the Skidmore Summer Flute Institute, and th e Usdan Center
for Performing Arts.
Jacqueline is principal flute in the Binghamton University Wind Symphony and
has performed on the Flute Studio and Chamber Concert each semeste r. She is
also a member of the Binghamton University Flute Trio perform ing concerts on
and off campus. In her sophomore year she and Jessica Biagiotti participated in
the University Concerto Competition. In May, 2014,Jacqueline and Jessica
soloed with the Bingham ton University String Orchestra. Jacqueline has
perform ed on the MidDay Concerts and the Honors Concer t sponsored by the
Music Department. She is a mem ber of the flute studio of George tta Maiolo.
In addition to her music studies, she is an undergraduate resear ch assistant at the
Translational Affective Neuroscience Laboratory in Clea rview Hall and a biology
tutor at the Student Athlete Success Center. She is looking forward to new and
future duet endeavors wi th Jessica Biagiorti.
Christina Santa Maria, soprano, is a senior in the Bachelor of M usic program at
Bingham ton University. Her roles include both Gretel and Hansel, respectively,
in BU’s 20 12 and 2013 productions of Humperdinck’s Hansel and Gretel, the
soprano soloist in Bach’s Christmas Oratorio with the BU Symphony Orchestra and
Chorus (‘13) and several opera scenes with the ‘Stage Techniques for the Singing
Actor’ class under the direction of Thomas Goodheart and Willie Anthony
Watters. She has perform ed with TriCities Opera as a member of the ope ra
chorus (‘11'14) and as ‘Billie ’ in the oneact com ic opera Speed Dating Tonight
(‘15). She has perform ed at venues in Italy and Austria, in addition to
appeara nces at Avery Fisher Hall, Carnegie Hall, Jazz at Lincoln Center, Madison
Square Garden with Elton John and The Barclay Cen ter with Barbra Streisand.
Christina is in the voice studio of Mary Burgess.
William James Lawson has an extensive background in music, dance, and
theater. He was one of the first graduates of New York University’s Depar tment of
Performance Studies. an innovative interdisciplinary graduate program in the
Tisch School of the Arts. For more than thirty years he has been active as a voice
coach, accompanist, and church musician. At Binghamton University he has
taught courses in music theory and diction and phonetics for singers.
He has a keen interest in dance history, which over the years has led to his
working on the staff of the New York City Balle t, as an editor a t Dance Magazine,
and as assistant to the British dance author Richard Buckle. Last semester he
taught the course Ballet: Petipa to Balanchine, and he will be continuing to teach
dance history at Binghamton University.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
44:21:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74847">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74847</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Junior flute recital with Jessica Biagiotti, Paul Watrobski, Jacqueline Robins, Christina Santa Maria, and William James Lawson
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Handel, Schumann, Debussy, Hugunine, Chopin, Saint-Saëns. Held at 7:30 p.m., March 27, 2015, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Biagiotti, Jessica
Lawson, William James
Watrobski, Paul
Robins, Jacqueline
Santa Maria, Christina
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Handel, George Frideric, 1685-1759
Schumann, Robert, 1810-1856
Debussy, Claude, 1862-1918
Hugunine, Richard
Chopin, Frédéric, 1810-1849
Saint-Saëns, Camille, 1835-1921
Date
A point or period of time associated with an event in the lifecycle of the resource
3/27/15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound