102 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 77 minutes : 27 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140899">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140899</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource [Friedheim memorial lecture/recital series] ["The evolution of a lute solo"] November 6, 2012 Description An account of the resource Works by Freidheim Held at 8:00 p.m., November 6, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Sweeny, Paul Morris Kaufman, Barbara Salasny, Christina Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/6/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a0b196db4b9973ee6712a411a1db87fb.pdf 08ef440cd46e61dedc3efca41c24ccb3 PDF Text Text BINGHAMTON UNIVERSITY STATE UNIVERSITY OF NEW YORK Co-SPONSORED BY THE BINGHAMTON UNIVERSITY MUSIC DEPARTMENT AND THE HARPUR JAZZ PROJECT JAZZ MID-DAY CONCERT WITH GUEST ARTIST MICHAEL PHILIP MOSSMAN Thursday, November 15, 2012 1:20 p.m. Osterhout Concert Theater �If you enjoy this performance, join us here at 8 p.m. for the evening concert! �PROGRAM Program selected from the following: Blues for Barretto ................................. Michael Philip Mossman Dance of Denial ................................... Michael Philip Mossman Mama Soho .......................................... Michael Philip Mossman Oclupaca .............................................. Michael Philip Mossman Quiero Ir Contigo ............. ............ ........ Michael Philip Mossman Trouble in Taipei ............ ...... ........ ... ..... Michael Philip Mossman Michael Philip Mossman - Trumpet Mike Carbone - Alto & Tenor Saxophone Mo "Reese" Taylor - Trombone Gene Cothran - Piano Tom Westcott- Bass Jorge T. Cuevas - Percussion Joe Roma - Drums H 125 YEARS OF PAS SION & PERFO RMANCE �,Binghamton University Music Department's Coming Events Thursday, November 15- Harpur Jazz Ensemble Concert with guest artist- 8:00 p.m. Osterhout Concert Theater- $6 general public; $3 faculty/staff/seniors; free for students Friday, November16- String Orchestra Concert-4:00 p.m. - Grand Corridor- free Concert Cancelled • Friday, November 16 Alumni Recital Series with Briana Sakamoto, soprano and Margaret Reitz, piano 8:00 p.m. Casadesus Recital Hall free Sunday, November 18 - Mu Phi Epsilon Fall Semester Recital- 12noon - Casadesus Recital Hall - Free Sunday, November 18 -An Enchanted Italian Evening (Italian Diction Class Recital)- 7:00 p.m. - Casadesus Recital Hall - free Thursday, November 29- Mid-Day Concert-1:20 p.m. -Fine Arts Room 21- free Friday, November 30-Flute Studio and Flute Chamber Concert- 10:15 a.m. - Casadesus Recital Hall - free Saturday, December 1 - "Holiday Concert for Organ, Brass and Percussion" featuring Jonathan Biggers and the Ithaca Brass - 4:00 p.m. - United Presbyterian Church, 42 Chenango Street, Binghamton - $9 general public; $6 faculty/staff/seniors; $3 students Sunday, December 2 - Wind Symphony Concert - 3:00 p.m. - Anderson Center Chamber Hall - $6 general public; $3 faculty/staff/seniors; free for students Tuesday, December 4 - Percussion Ensemble Concert - 8:00 p.m. - Anderson Center Chamber Hall - $6 general public; $3 faculty/staff/seniors; free for students Thursday, December 6 - Holiday Mid-Day Concert- 1:20 p.m. - Casadesus Recital Hall - free Saturday, December 8- University Symphony Orchestra- 3:00 p.m. - Osterhout Concert Theater- $6 general public; $3 faculty/staff/seniors; free for students Saturday, December 8- Master's Recital: Meghan Çakalli, soprano (tentative)- 8:00 p.m. Casadesus Recital Hall- free Sunday, December9- Hansel and Gretel-1:00 p.m.& 4:00 p.m. - Anderson Center Chamber Hall- $9 general public; $6 faculty/staff/seniors; $3 students For t ickets or to be added to our email list, visit anderson.binghamton .edu or call (607} 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit music.binghamton.edu or become a Jan on Fa cebook. If you were inspired by this performance, consider supporting the Department of Music with a financial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45 minutes : 21 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140902">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140902</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz mid-day concert with guest artist Michael Philip Mossman, November 15, 2012 Description An account of the resource Works by Mossman. Held at 1:20 p.m., November 15, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mossman, Michael Philip Carbone, Michael Taylor, Reese Cothran, Gene Westcott, Tom Cuevas, Jorge T. Roma, Joe Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/15/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c8a06e0fc652638af1e36ffb76a9bd04.pdf 149a5493402c6324eee8cb79fc0389e0 PDF Text Text BINGHAMTON U N I V E R S I T Y S I A l E U N I X / [ P M ' OF N E W Y O R K D E P A R T M E N T CoSPONSORED BY THE HARPUR JAZZ PROJECT AND THE BINGHAMTON UNIVERSITY Musrc DEPARTMENT HARPUR JAZZ ENSEMBLE DIRECTED B Y M IKE CARBONE i WITH GUE ST ARTIST M ICHAEL P HILIP MOSSMAN A ND A SPECIAL PERFO R MANCE B Y THE HARPUR J AZZ V OCAL ENSEMBLE Thursday, November 1 5, 201 2 8 :00 p.m. Osterhout Concert Theater �PROGRAM HARPUR JAZZ ENSEMBLE Fall 2012 SET 1 Can’t Stop My Leg . .R. McConnell Morocco R. Freeman arr. by G. Goodwin .L. Hooper Back In Blue Orleans The Harpur Vocal Jazz Ensemble : Over the Rainbow. Wrap Your Troubles in Dreams H. Anen & E. Y. Harburg arr. by Teena Chinn . H. Barris, T. Koehler & B. Moll arr. by Kirby Shaw The Harpur Jazz Ensemble : It’s Just Talk . .P. Metheny arr. by B. Curnow ..N. Washington & V. Young arr. by D. Rivello My Foolish Heart .. Which Craft?. GUITAR Ryan Kelly Trenton Staﬀord Dean Papadopoulos 15’ tenor Ray Hendricks 2"° tenor Mike Booher baritone PIANO Anthony Gabriele Will Sanders TRUMPETS (in al phabetical order) Mark Adler Matt Boose Ryan Ginsburg Andrew Hochler Brandon Young BASS Lucas Hennessey Jeremy Raphael Jasmine Aiken 2 ” alto Stephi Verhage 2™ alto SET 2 : F eaturin g Michael Ph ilip M o ssm an Songs selected from: A Night in Tunisia . The Dance of Denial... Hour of Darkness. Mia’s Lamplight Foxtrot Smoke Gets in Your Eyes . .D. Gillespie arr. by Michael Philip Mossman Michael Philip Mossman .Michael Philip Mossman Michael Philip Mossman O. Harbach & J. Kern arr. by Michael Philip Mossman Michael Philip Mossman Michael Philip Mossman DRUM SET Andres Castillo FLUTE Weijie Zhao TROMBONES Mo “Reese” Taylor Ryan Meehan Joseph McClean Andrew Rosenberger . 0 Coleman arr. by T. Kubis foe INTERMISSION ads’ A Song for Horace... St. Thomas Zal Mirza 1S l alto SAXOPHONES CLARINET Marcella Green JAZZ VOCAL ENSEMBLE SOPRANOS Christiana Metaxas Jessica Pyne Came Buck President Janelle Dmochowski Treasurer ALTOS: Suzanne Greene Kimberly Torres*Soloist (Somewhere Over the Rainbow) Alina Martinez Bntney Henderson BARITONE Craig Feyerabend Jonathan Eng PIANO David Schwartz Exec VP (musical director) BASS Eddie Compagnone DRUMS Ben Abbott ==ovAMAHA [ e e 12 5 YEARS O F P A S S I O N & P E R F O R M A N C E �B i n g ham t on U niversit y M usic De p art ment ’ s Coming Events M b ﬂ b ﬁ é e q ﬁ é – M W Friday, November 16 String Orchestra Concert 4:00 p.m. Grand Corridor free Concert Cancelled ‘ Sunday, November 18 – Mu Phi Epsilon Fall Semester Recital 12noon Casadesus Recital Hall Free Sunday, November 18 An Enchanted Italian Evening (Italian Diction Class Recital) 7:00 p.m. Casadesus Recital Hall free Thursday, November 29 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10: 15 a.m. Casadesus Recital Hall — free Saturday, December 1 “Holiday Concert for Organ, Brass and Percussion " featuring Jonathan Biggers and the Ithaca Brass – 4 :00 p.m. United Presbyterian Church. 42 Chenango Street, Binghamton $9 general public; $6 facult y/stali/seniors.‘ $3 students Sunday, December 2 Wind Symphony Concert 3:00 p.m. – Anderson Center Chamber Hall $6 general public; $3 tacuit y/statf/seniors; free for students Tuesday, December 4 Percussion Ensemble Concert 8:00 p. m: Anderson Center Chamber Hall $6 general public; $3 tacult y/staﬂ/seniors: free for students Thursday, December 6 Holiday MidDay Concert 1:20 p.m. Casadesus Recital Hall free Saturday, December 8 University Symphony Orchestra 3:00 p.m. Osterhout Concert Theater $6 general public; $3 tacult y/stati/seniors: free for students Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano (tentative) 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/stalT/seniors: $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 lacult y/staﬂ/seniors: $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall Free Thursday, December 13 – Harpur Chorale and Women ’s Chorus 8:00 p.m. Trinity Memorial Church. Binghamton a good will donation will be collected at the door W [8] m [] hg l W W For tickets or to be ad ded to our em ail list, visit anderson.binghamt on.edu or call (607) 777ARTS. For a complete list of our concerts c all (607) 777 25 92, visit m usicibin ghamt onedu or become a f a n on F acebook. If you were ins pired by this perfor m ance, consider sup porting the Depart ment a] M usic w it h a ﬁ n a n ci a l g ift . Your su p port hel ps t o contin ue the w ork o f students, f ac u lt y, a nd g uest arti sts a nd their contributions t o our com m unit y. Please m ake your donat ion pay able to the Binghamt on Universit y M usic Depart ment, and send your check to BU Music Depart ment, P.O. Box 6 000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50 minutes :38 seconds 58 minutes :28 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140905">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140905</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble, November 15, 2012 Description An account of the resource Works by McConnell, Freeman, Hooper, Harburg, Barris, Coleman, Mossman Held at 8:00 p.m., November 15, 2012, Osterhout Contert Theater. Creator An entity primarily responsible for making the resource Carbone, Michael Mossman, Michael Philip Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/15/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/022160bc94c36e5c7005c1c19e329284.pdf c2a831056e9b587dd04691b821fe2db0 PDF Text Text BINGHAMTON U N I V E R S I T Y STA TE UNIVERSITY OF N E W YORK wdec [4 D E P A R T M E N T T HE B INGHAMTON U NIVERSITY DEPARTMENT OF MUSIC PRESENTS THE U NIVERSITY S TRING ORCHESTRA FALL CONCERT Heather Worden Director and Conductor Friday, November 16, 2012 4:00 p.m. Grand Corridor, Fine Arts Building �PROGRAM Ouverture en Sol Mineur, Op. Il David Fabrizio Two Elegiac Melodies, Op. 34 I. Heart’s Wound (Le coeur blesse) ll. Last Spring (Dernier printemps) .Edvard Grieg Eine Kleine Nachtmusik. K. 525 . I. Allegro . Wolfgang Amadeus Mozart ll. Roma nze Sechs Landlerische Tanze. I. II. . Ludwig van Beethoven Thank you for attending and supporting our studentmusicians! UNIVERSITY STRING ORCHESTRA Heather Worden, Director Vlolln: *Won Jae Lee Elan Ashendorf Henry Savit Gianella James Michelle Quiles *Fanny Chu Julia Kenny Tak Hyerin Melanie Downing Caleb Chang +Ron Miles Cello: *Raeleen Bichler Alan Wang Danielle Koontz Kelly Mercer Peter Hiraldo +Dae Young Jung +Dennis McGee Bass. ATim Roossein Viola: *Tiﬀany Williams Tom Fuchs Alison Tuck “Principal player vBinghamlon University Professor ACommunlly player �Bing hamton Universit y M usic De part ment’s Co m ing Events M M M M M M M Sunday, November 18 Mu Phi Epsilon Fall Semester Recital 12noon Casadesus Recital Hall Free Sunday, November 18 An Enchanted Italian Evening (ltalian Diction Class Recital) 7:00 p.m. Casadesus Recital Hall free Thursday, November 2 9 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10 : 15 a.m. Casadesus Recital Hall free Saturday, December 1 “ Holiday Concert for Organ, Brass and Percussion” featuring Jonathan Biggers and the Ithaca Brass 4:00 p.m. United Presbyterian Church, 42 Chenango Street Binghamton $ 9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 2 Wind Symphony Concert 3:00 p.m. Anderson Center Chamber Hall $6 general public; $3 fawlly/staﬀ/senbrs; free for students Tuesday, December 4 Percussion Ensemble Concert 8:00 p.m. Anderson Center Chamber Hall $6 general public; $3 faculty/stafereniors; free for students Thursday, December 6 Holiday MidDay Concert 1 :20 p.m. Casadesus Recital Hall free Friday, December 7 Hansel and Gretel (school performance and civic groups) 10 :00 a.m. Anderson Center Chamber Hall call (607) 7773004 for group reservations Saturday, December 8 University Symphony Orchestra 3:00 p.m. Osterhout Concert Theater $6 general public; $3 faculty/stali/seniors; free for students Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano (tentative) 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 iaculty/stalﬂseniors; $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staf/seniors; $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall Free m [ s ] — = = } m m m m ﬁ b For tickets or to be ad ded to our email list, visit anderson.bing hamton.ed u or call (607) 777ARTS. For a complete list o f o ur concerts call ( 607) 7 7 7 25 92, visit music.bing hamton.ed u or become a f an on Facebook. If you w ere insp ired by this per for m ance, consider sup porting the De part ment of M usic w ith a ﬁn ancial gift. Your sup port helps to continue the work o f students, facult y, an d guest artists and their cont ributions to 4 our community. Please make your don ation payable to the Binghamton Universit y M usic De part ment, an d send your check to BU Music De part ment, P.O. Box 6 000, Bing hamton, N Y 1 3 9 0 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27 minutes : 49 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140916">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140916</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Department of Music presents the University String Orchestra fall concert, November 16, 2012 Description An account of the resource Works by Fabrizio, Grieg, Mozart, Beethoven Held at 4:00 p.m., November 16, 2012, Grand Corridor, Fine Arts Building. Creator An entity primarily responsible for making the resource Worde, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/16/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fa793a862b472b512ed15e31d8f719f5.pdf f4bf97844b543532f5d6bb4f86795df0 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K [4 122 5224 D E P A R T M E N T NCHANT ED A NE VENING ITALIANE Maria Cook, instructor with Molly AdamsToomey, Michael Celenta no, Emily Geller, Charlie Hyland, Hana Ryu, and Matthew Samluk Sunday, November 18, 2012 7 p.m. Casadesus Recital Hall �PROGRAM Giacomo Puccini Opening Act I . (18581924) from “La Bohéme” entano, Han a Ryu, Michael Cel Matthew Samluk, Charlie Hyl and Svegliatevi nel core . from “Giulio Cesare” Emily Geller George Frideric Handel (16851789) . Francesco Paolo Tosti (18461916) Non t’amo piu . Michael Celentan o II segreto per esser felici from “Lucrezia Borgia” Molly AdamsToo mey .Gaetano Donizetti (17971848) Renato Brogi Visione veneziana . (18731924) Charlie Hyl and ..Eduardo di Ca pua ‘O Sole Mio... (18651917) Hana Ry u . Giacomo Carissimi Vittoria, mio core! (16051674) Matthew Samluk Duetto buﬀo di due gatti, .Gioacchino Rossini MollyAdams Toomey, Emily Geller Ave Maria (17921868) .Johann Sebastian Bach/Charles Gounod arr. by Pio Capponi (1685 1750/18181893) Molly AdamsToo mey, Michael Cel entano, Emily Geller, Charlie Hyl and, Han a Ryu, Matthew Samluk �Binghamton Unive rsit y Music De part ment ’s Co min g Events m m m m m m Thursday, November 29 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10:15 a.m. Casadesus Recital Hall free Saturday, December 1 “Holiday Concert for Organ, Brass and Percussion " featuring Jonathan Biggers and the Ithaca Brass 4:00 p.m. United Presbyterian Church, 42 Chenango Sheet Binghamton $9 general public; $6 faculty/statT/seniors; $3 students Sunday, December 2 Wind Symphony Concert 3:00 p.m. Anderson Center Chamber Hall $6 general public; $3 taarlty/statT/senbrs; free for students Tuesday, Decemberl Percussion Ensemble Concert 8:00 p.m. Anderson Center Chamber Hall $6 general public; $3 faculty/staﬀ/seniors; free for students Thursday, December 6 Holiday MidDay Concert 1:20 p.m. Casadesus Recital Hall free Friday, December 7 Hansel and Gretel (school performance and civ ic groups) 10:00 a.m. Anderson Center Chamber Hall call (607) 7770004 for group reservations Saturday, December 8 University Symphony Orchestra 3:00 p.m. Osterhout Concert Theater $6 general public; $3 faculty/staﬀ/seniors; free forstudents Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano (tentative) 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staﬀ/'seniors; $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall Free Thursday, December 13 Harpur Chorale and Women’s Chorus 8:00 p.m. Trinity Memorial Church, Binghamton a good will donation will be collected at the door Friday, December 14 Nukporfe African Drumming and Dance Ensemble 7:00 p.m. Watter’s Theater $3 general public M ﬁ m m a e ﬁ w m t ﬁ ﬁ e For tickets or to be ad ded to our ema il list, visit onderson.bin ghomt on.edu or c all ( 607) 777ARTS. For a co mplete list of [ = ] — l [ = ] o ur concerts call ( 607 ) 777 2 5 92, v isit m usic.bin ghamt on.edu o r beco me a f an on Facebook. If you were inspired by this performance, consider sup porting the De part ment of M usic wit h a ﬁn ancial g ift . Your sup port help s t o continue t he w o rk o f student s, fa c ul t y, a n d g uest art i sts a n d t he ir cont rib ut ions t o E our community. Please make your d on at ion pay able to the Binghamton Universit y M usic De part ment , an d send your check to BU M usic De part ment , P.O. Box 6 000 , B in ghamt on, N Y 1 3 90 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 443 minutes :59 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An enchanted Italian evening, November 18, 2012 Description An account of the resource Works by Puccini, Handel, Tosti, Donizetti, Progi, Capua, Carissimi, Rossini, Bach Held at 7:00 p.m., November 18, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cook, Maria L Adams-Toomey, Molly Celentano, Michael Geller, Emily Hyland, Charles Ryu, Hana Samluk, Matthew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ad31a0695eac372140312392d993894b.pdf b804ed97f17f704569d92063365c7c94 PDF Text Text BINGHAMTON E R S I T Y U N I V S T A T E U N I V E R S I T Y O F N E W Y O R K e d e s T M E N T [4 D E P A R R ' / . / V = y 0 ’ 9 2 t y A ~ ) N pfan” ~ . ~ Y 1, 0 b y . fol : » ! ,4 I L ( A S 4 9 , wit s NEY T T Y L MIDDAY CONCERT Thursday, November 29, 2012 1:20 p.m. Fine Arts Building, Room 21 3 4 0 A J, Y e lap] > �PROGRAM Praeludium in Cmajor, BuxWV 137. Denise Bassen, organ Ballade ﬁir Petra. . Dietrich Buxtehude (16371707) Nebosja J. Zivkovic (b. 1962) Benjamin Ramos, marimba .Robert Schumann Variations on the name “Abegg”, op.1. Daniel Malinovsky, piano Prelude for Unaccompanied Cello . (1810 1856) . Peter Cody (MM/Composition student) Steve Stalker, cello Two Registration Studies Courante, from Partita VI in e minor ...Johann Sebastian Bach TangoEtude No. 1 (2003). (1685 1750) (trans. T. Perry) . Astor Piazzolla (1921 1992) (trans. Michel Pellegrino) Timothy Perry, clarinet Toccata and Fugue in Fmajor, BWV 540.. Johann Sebastian Bach (1685 1750) Daniel Rosenau, organ �Binghamton University Music Department’s Coming Events W W W Friday, November 30 Flute Studio and Flute Chamber Concert 10:15 a.m. Casadesus Recital Hall free Saturday, December 1 – “Holiday Concert for O rgan, Brass and Percussion” featuring Jonathan Biggers and the Ithaca Brass – 4.00 p.m. – United Presbyterian Church, 42 Chenango Street, Binghamton $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 2 – Wind Symphony Concert– 3:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Tuesday, December 4 – Percussion Ensemble Concert– 8:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬁ/seniors; free for students Thursday, D ecember6 – Holiday MidDay Concertv 1:20 p.m. – Casadesus Recital Hall free Saturday, December 8 – University Symphony Orchestra – 3:00 p.m. – Osterhout Concert Theater – $6 general public; $3 faculty/staﬀ/seniors; free for students Saturday, December 8 – Master’s Recital: Meghan Cake/Ii, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, December 9 – Hansel and Gretel – 1:00 p.m. – Anderson Center Chamber Hall – $9 general public; $6 faculty/staﬀ/seniors; $ 3 students Sunday, December 9 – Hansel and Gretel– 4:00 p.m. – Anderson Center Chamber Hall – $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 – Senior Recital: Sungkyun Ryu, p iano – 7:30 p.m. – Casadesus Recital Hall – Free Thursday, December 13 – Harpur Chorale and Women’s Chorus – 8:00 p.m. – Trinity Memorial Church, Binghamton – a good will donation will be collected at the door Friday, D ecember 14 – Nukporfe African Drumming and Dance Ensemble – 7:00 p.m. – Watter’s Theater – $3 general public E For tickets or t o be added t o our email list, visit anderson.binghamton.edu o r call (607) 777ARTS. For 11 complete list of : E o u r concerts call (607) 7772592, visit music.binghamton.edu o r become a [ a n on Fuccboak [ = ] g I/ you were inspired by this per/armunce, consider supporting the Department o f M usic with u [ inancizlgi/t. Your support helps to contrnue the work of students, /aculty, and guest artists and their contributions t o our community. Please make your donation payable t o t he Binghamton University Music Department, and send your check t o BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 449 minutes :21 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140922">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140922</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, November 29, 2012 Description An account of the resource Works by Buxtehude, Zivkovic, Schumann, Cody, Bach, Piazolla Held at 1:20 p.m., November 29, 2012, Fine Arts Building, Room 21. Creator An entity primarily responsible for making the resource Bassen, Denise Ramos, Benjamin MaliNovember sky, Daniel Perry, Timothy B. Rosenau, Daniel Cody, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48 minutes :54 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140925">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140925</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio & chamber concert from the studio of Georgetta Maiolo, November 30, 2012 Description An account of the resource Works by Telemann, John, Mozart, Vivaldi, Widor, Hindemith, Kummer, Christenson Held at 10:15 a.m., November 30, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Mallinson, Chai-Kyou Kasinski, Devin Safran, Nicole Dayan, Hagar Ralbovsky, Lindsay Biagiotti, Jessica Natale, Cara Robins, Jacqueline Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/30/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9515bade7ff2590cf590c685d25251ee.pdf 14e22301685b6ad78c40f31780fc7095 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE UNIVERSITY O F NEW YORK W Ld 0 D E P A R T M E N T HOLIDAY CONCERT Festive M usic fo r Orga n, Brass a nd Percussion J onathan Biggers, orga n Th e I thaca Brass J ulie Licata, percussion Saturday, December 1, 2012 4:00 pm United Presbyterian Church Bing/ram ton, N ew Y ork �PROGRAM Craig Phillips Toccata on Antioch (b.1961) Four pieces for Adve nt and Christmas arr. Richard Price Rejoice and be Merry Ralph VaughanWilliams Greensleeves Johannes Brahms oming o Lo, how a Rose ere bl ].S. Bach Sleepers wake, a mice is calling (Wachet auf, fuft uns die Srimme) Fantasy and Fugue on the Choral Wachet auf, ruft uns die Stimme, op.52,nr. 7 Max Reger (18734916) 81) 1NTERMISSION «3 David Conte Christmas Intrada (1L 1955) Two Pieces for Christmas Once in Royal Darid’s City Silent Night (from Die Natali, op.37) Suite for Organ, Brass and Percussion (2001) Prelude Cantilene Toccata Hymn: O Come All Ye Faithful arr. Richard Price Samuel Barber Craig Phillips (b.1961) Adeste Fideles, arr. R. Webster �CHRISTMAS 41 O Co m e. A l l Y e Fai th ful ADESTE FIDELES 6 6 . 1 0 . 5 6 wi th M u m John Franc is Wade ( c . 17401743) ‘ ‘ Francis Wade tcA 17401743) 1?“ Frederick Oakeely. 1841 H . he English Plyind. 1906 Mum T . a . 3 3 a ﬂ – H 4 ‘ r a 441 — F Je Sing, heaven . . r– : $ , — — r – — i – — I1 . . 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L A 130!“ the King Of Now in ﬂesh 4p pear trig! =: come, let . L L 1 Refrain T r + Him, ther. ﬁ ? ﬀ ,. s ﬁ — t } 4 — 3 = : L ‘ ‘_—i 7 l L A 4 1 } 4 . I $ 1 r 1 h . bove! a r e s a me 1 1 A ry give n: gl o all cll i ze ns 0! ye a” be Th e e sus, to » l _ .—. .‘ _— C—— .m . z —B y : 4 4 le hem! Beth to ee come y e, O the Lord is the Sav ior and sor A r ows with truth and to the world! 1. Joy 2. Joy to the world! 3. No more le t sins 4. H e rules the world g a r ﬀ i r r J i i ‘ r ‘ come ” p f — z : I I o p is Aur. George Frederick Handel, 1742 Arr. Lowell Mason, 1836 Isaac W ill s . 1719; al t . A i g CM with repeat ANTIOCH Ja yl!!! ﬁnd lri um M a n h o failh ﬁll. greet Thee. Born this happ)’ mom ~ ing , ’ an gels. Sing in e ! ul l l tion! L O come. all ye Yea. Lord, we 2. Smg. choirsot‘ 3 EEE Joy to the World! 40 And r' g 4 =F a and na ture sing. the curse is ders of His found. love. the sounding joy. �ABOUT T H E PERFORMERS J o n a t h a n B igge rs, hailed as “one of the most outstanding concert organists in the United States,” maintains an active career as both a professor of organ and harpsichord, and as a concert organist of the ﬁrst order. He holds the prestigious Edwin Link Endowed Professorship in Organ a nd Harpsichord at Binghamton U niversity/State University of New York, and has presented hundreds o f concerts i n concert hall, church and university settings throughout the United States, Canada, and Europe, including solo and concerto performances for several regional and national conventions of the American Guild of Organism. He has appeared as a featured soloist with orchestras in the United States, Canada, and Europe, including performances with the Atlanta Symphony Orchestra, the Minnesota Orchestra Chamber Ensemble, and the Calgary Philharmonic Orchestra, and has been featured frequently on NPR (“Pipedreams”), the Canadian Broadcast Corporation (CBC), and on Radio and Television Suisse Romande broadcasts in Geneva, Switzerland. Scott Cantrell, classical critic o f The Dallas Morning News, stated tha t Biggers’ performances demonstrate “authority and eloquence", and further stated “were there more performers like this, the organ would be far less a minority interest". Dr. Biggers studied with Russell Saunders (Eastman School of Music, DMA); Lionel Rogg (Conservatory of Music, Geneva, Switzerland; Fulbright study); ]. Warren Hutton (The University of Alabama, MM and BMus); and with Wallace Zimmerman (Atlanta, precollege); he has also worked extensively with Harold Vogel (Bremen, Germany), and with A champion of new music for the organ, he has premiered other works by notable 20th and 21st century composers, including Richard Proulx (Chicago: Concerto for Organ and Orchestra), Craig Phillips (Los Angeles: Suite for Organ, Brass and Percussion), Persis Vehar (B uﬀalo : Smmdpiece for Organ), and David Brackett (Montreal: Nightworlu for Organ solo), and others. Established in 1966, Th e I t ha ca B rass is one of the oldest existing brass quintets in America. The members of the group are all on the faculty of Ithaca College’s renowned Whalen Center for Music. The group is conversant in every style from early music to jazz, and performs for a variety of local, regional and national events. The members of the Ithaca Brass are Frank Campos and Kim Dunnick (crumpet), Alex Shuhan (horn), Harold Reynolds (trombone), and Aaron Tindall (tuba); substituting for Alex Shuhan today is Kelly Tindall on horn. J u lie L i ca ta has been teaching percussion lessons and percussion ensemble at Binghamton University since Fall 2013. Julie also serves a. Assistant Professor of Music at State University of New York, College at Oneonta. At Oneonta, Julie teaches ensembles and private lessons that span a wide range of percussion instruments and styles, and teaches a seminar course Music Cultures o f the World. Julie has received performance degrees in percussion from the University of North Texas (D.M.A.), University o f South Carolina (M.M.) and Capital University (B.M.). Arthur Poister (former Professor o f Organ a t Syracuse University). A prizewinner of dozens of competitions, he was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, one of the most prestigious music competitions for organ in the world; second prize in the 1982 American Guild of Organists National Organ Playing Competition (at National Presbyterian Church in Washington D.C.); and a unanimous ﬁrst prize in the 1990 Calgary International Organ Festival Concerto Competition, where he presented, with the Calgary Philharmonic Orchestra, the world premier performance of Snousvalker: A Concerto for Organ and Orchestra by Pulitzer prizewin ning composer Michael Colgrass. w w w This concert marks the 2 0” anniversary of D r. Jonathan Biggers appointment as Link Professor of Organ, Endowed Chair, at Binghamton University. 1 �Bingham ton University Music Department’s U P C O M I N G E VENTS Tuesday, December 4 – Percussion Ensemble Concert – 8:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Thursday, December 6 – Holiday MidDay Concert – 1:20 p. m. – Casadesus Recital Hall – free Saturday, December 8 – University Symphony Orchestra – 3:00 p.m. – Osterhout Concert Theater– $6 general public; $3 faculty/staﬀ/seniors; free for students Saturday, December 8 – Master ’s Recital : Meghan Cakalli, soprano – 8:00 p.m. – Casadesus Recital Hall free Sunday, December 9 – Hansel and Gretel – 1:00 p.m. – Anderson Center Chamber Hall – $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 – Hansel and Gretel – 4:00 p.m. – Anderson Center Chamber Hall – $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 – Senior Recital : Sungkyun Ryu, piano – 7:30 p.m. – Casadesus Recital Hall – Free Thursday, December 13 – Harpur Chorale and Women ’s Chorus – 8:00 p.m. – Trinity Memorial Church, Binghamton – a good will donation will be collected at the door Friday, December 14 Nukporfe African Drumming and Dance Ensemble – 7 :00 p.m. – Watter ’s Theater– $ 3 general public Friday, December 14 – Singing Chinese Class Recital – 7:00 p.m. – Casadesus Recital Hall Free Saturday, December 15 – “The History and Technique of Music in Video Games " with senior Matthew Gukowsky – 8:00 p.m. – Casadesus Recital Hall – free Sunday, December 16 – Master ’s Recital : Robert HeePyoung Oh, baritone – 7 :30 p.m. – Casadesus Recital Hall – free x E E — E For tickets or to be added to our email list, visit anderson.binghamton.edu or call ) 777ARTS. For a complete list of our concerts call (607) 7772592, visit (607 music.binghamton.edu or become a f a n on Facebook. If you were inspired by this performance, consider su pporting the Department of Music with a ﬁnancial g ift . Your su pport helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 69 minutes : 24 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140928">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140928</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Holiday concert festive music for organ, brass and percussion, December 1, 2012 Description An account of the resource Works by Phillips, Price, Vaughan-Williams, Brahms, Reger, Barber Held at 4:00 p.m., December 1, 2012, United Presbyterian Church, Binghamton, New York Creator An entity primarily responsible for making the resource Licata, Julie Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 12/1/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ccda20ab2acef041243495622b62d802.pdf 8b64dba5aa80c86053e737eb2547f59b PDF Text Text BINGHAMTON U N I V E R S I T Y E R S i v Y O F N E W Y O R K dee D E P A R T M E N T Binghamton University Percussion Ensemble Fall Concert JULIE L ICATA , DIRECTOR Tuesday, December 4, 2012 8:00 p.m. Anderson Center Chamber Hall �PROGRAM NOTES PROGRAM Binghamton University Percussion Ensemble . Jeﬀrey Smith (b. 1974) Opening Remarks (2001) The University of Northern Iowa Percussion Ensemble premiered Opening Remarks (2001), for marimba quartet in November 2001. Initially, the title had little signiﬁcance other than the fact that the piece could be used as an opening number. However, this piece also represents one of the composer‘s ﬁrst explorations in writing for Susan Powell Gilded Cage (1998) (b. 1971) Eric Sammut Rotation #4 (1997). (b. 1968) Devan Tracy, marimba percussion and therefore represents his “opening remarks”. One of the biggest challenges in composing for marimba is the lack of inherent sustain. In Opening Remarks, Jeﬀrey Smith overcomes this challenge by overlapping simple, but very rhythmic, individual parts together to create what sounds like a thick, sustained texture. Smith often creates interest in the melody by dividing one melodic line between the four players, and assigning melodic materials to diﬀerent players throughout the piece. The piece is written in a loose ABA form, with a short coda. .John Cage Living Room Music (1976) (1912 – 1992) To Begin Story (lyrics from Gertrude Stein’s “The World is Round,” 1939) Melody End Samuel Barber Adagio for Strings (1938) . ( 1 9 1 0 1 981) Arr. Julie Licata (b. 1980) No Exit (1997). .Lynn Glassock (b. 1946) Susan Powell is currently Associate Professor and Director of Percussion Studies in the Ohio State University School of Music. Powell’s work, Gilded Cage (1998), is written for four percussionists with similar instrumentation – toms, cymbals and brake drums. The performer’s setup, explicitly drawn out by the composer, creates a cage of instruments around which the percussionists stand. The title is a combination of two separate sources; the 19%" century popular song The Girl in the Gilded Cage, and the 20” century percussion ensemble work Third Construction by John Cage. There are numerous inﬂuences from Cage’s notable piece, including an early quote of the opening theme, here divided between the four performers and played on tomtoms. The “cage” theme is further exhibited in the way the performers create a constantly evolving visual cage with their sticks. Performers: Emily Goetz, computer science (sophomore), Rohit Karki, undeclared (sophomore), Steve Olson, mechanical engineering (sophomore), Benjamin Ramos, computer science (senior), Alexander Rava, Spanish/political science (sophomore), Tyler Steere, general management (senior), Devan Tracy, mechanical engineering (senior), Alex Valera, computer science (sophomore), Andrew Williamson, accounting/music (senior), composer well known for his chance, or indeterminate music), on the centennial of his birth we are performing Living Room Music (1976). In so many of Cage’s works, elements of the performance are left to Soloist: Devan Tracy, mechanical engineering (senior) instrumentation up to the performers. Cage states in the score that To commemorate the pivotal composer, John Cage (a 20” century happen on the concert stage, or to be determined by the performer. For Living Room Music, John Cage notated speciﬁc rhythms, but left the “any household objects or architectural elements may be used as instruments: magazines, newspaper, cardboard, table or other wooden �BIOGRAPHIES furniture, ﬂoor, wall, window pane. The melody [in the third movement] may be played on any suitable instrument: wind, string or keyboard (prepared or not). Do not use conventional beaters.” One of his intentions with this piece is to demonstrate to the audience that music can be found anywhere...if the listener is able to open their ears and minds. Our interpretation of these directions has led us to perform each movement within a diﬀerent setting in which you might ﬁnd yourself throughout the day. The next time you ﬁnd yourself in one of these settings, take a moment to listen to your surroundings and see if you can hear music in the seemingly random sounds. Adagio for Strings, a work by Samuel Barber, was originally composed as the second movement of his String Quartet, Op. 11. In 1938, Barber solidiﬁed his international stature with his arrangement of the second movement of this quartet for string orchestra. This work, among many others composed by Barber, is still widely performed today and can be found in arrangements for various types of ensembles. The slow moving lyricism of this piece is easily transferred to the marimba quartet with the right choice of mallets and very sensitive playing. In order to portray the sustaining ability of the original instrumentation, each marimba player must roll continuously throughout the piece, connecting every note with smooth transitions. Mr. Lynn Glassock received his Bachelor of Music and Master of Music from the University of North Texas. Glassock has received several awards for his compositions including winner of the Southwestern States composition contest in l973; winner of the Festival of New American Music sponsored by California State University, Sacramento in I987; and the Percussive Arts Society ﬁrst place awards in 1994 for Five Songs for Voice and Marimba; 1998 for Between the Lines; 2000 for Concerto for Percussion and Wind Ensemble; and in 2004 for Wired. No Exit, the ﬁrst prize winner of the Percussive Arts Society Composition Contest in 1997, is an aggressive, rhythmic percussion ensemble composition for eight players. The piece requires rhythmic precision and musicality on an energetic level from each performer. JULIE UCATA has been teaching percussion lessons and percussion ensemble at Binghamton University since Fall 2012. Julie also serves as Assistant Professor of Music at State University of New York, College at Oneonta. At Oneonta, Julie teaches ensembles and private lessons that span a wide range of percussion instruments and styles, and teaches a seminar course Music Cultures of the World. Julie has received performance degrees in percussion from the University of North Texas (D.M.A.), University of South Carolina (M.M.) and Capital University (B.M.). As an active performer and advocate of new music, Julie has developed relationships with many great composers, premiering and commissioning numerous works over the last ten years by composers such as Thomas Licata, Greg Dixon, Chapman Welch, Scott Comanzo, Jude Vaclavik, Steve Winstead and Brett Masteller. Signiﬁcant recent accomplishments include performances at the Society for ElectroAcoustic Music in the United States (SEAMUS), the International Computer Music Conference (ICMC), New Music Focus Week at SUNY Oneonta, New Genre Festival in Tulsa, Oklahoma, NOW Music Festival at Capital University and numerous performances at the Center for Experimental Music and Intermedia at the University of North Texas. In addition, Julie completed her D.M.A. from the University of North Texas in December 2009. Her dissertation, entitled “Physical Gesture, Spatialization, Form and Transformation in Watershed I/Ill, for Solo Percussion and RealTime Computer Spatialization by Roger Reynolds” includes several analytical approaches demonstrated through embedded video excerpts of her performances of Watershed IV. In addition to contemporary music performance and research, Julie is also active in the ﬁeld of ethnomusicology. Julie spent the summer of 2008 performing, recording and transcribing traditional drumming of the Ewe people in the Volta Region of Ghana. She is currently planning a trip to Indonesia to study Balinese and Javanese gamelan, and a return to Ghana to continue her study of various regional music and dance styles, and speciﬁcally to study Ewe master drumming. DEVAN TRACY is a senior at Binghamton University, originally from Saratoga Springs, NY. She is currently majoring in Mechanical Engineering with a minor in Sustainable Engineering. She plans on bicycling across the country and getting a job in the sustainable energy or infrastructure industry after graduation. Devan started her music career in kindergarten on the piano, but soon gave up when she realized that the musical alphabet stopped at “G.” Nonetheless, she is back in action and has participated in the BU Percussion Ensemble, Harpur Jazz Ensemble, and Nuporfke African Drumming Ensemble throughout college. During the summer, she has been seen performing with the Ryan Jenson Band, and has been working on making a self titled CD of originals. You might also ﬁnd Devan running, hiking, motorcycling, slack lining, or doing yoga. �Our OPFRv‘tv’ D117, trrgtreerrter— FaR e . , . Saint: a nd Sinner: . , 5’1‘1’1’13 r i ﬀ “ f 1 _ 2012» 2 5 0 1 3 SEASON 21mm. 5 Octcbe: ‘A‘. 2 Z: l : J (A : v = f U n i t e d P r C h u r c h 5 : 5 t g ’ Chenargo St Campus —Orebrestre— . Av. . 3 Satindor, N ov e r s b e 16 . 3012. n ox: 4 5 4 . S choo kench " American Safute [ e x o n z x n d C a r o l . for Christma: Saturday, Noversber 2131312 7 0 ; m Sunday, \c\'v:ib<123 Z C I : 3:00pm. 7 Crreri m a x 1 Street B i n g 546 Progpec moon. : C e m u mv v a n d C elebradon for Twelfth N i g h t Tay, ebmiory ” A u x """°"“"“"‘“‘ “ Saturday. January l : 211.3 ' 31“: 1 Annual STMTRA Concerto Competiton Winners { m a g n u m . 3 30.3 3 0 0 ; n: . 15612012 Febinnwl’610,ml Apnllﬁ6211011 . Serve, Binghasmsoe, . . A » , al t 10 Henry . ve r, 2» a h u m u s " ; VV’lhi r t 1 4 1 » N T Sunday, A p n l 3013 3 0 c h pe , A 3 £ 2 9 3 , 7900 J T r i n i M e r o r : 0.5.2. ( . v n y T l ’ r ﬀ ’ e a ‘ i s . Bungrar: 1131551";an o Thc‘ladnplﬁnorr 1 of Binghamton :1~1 3 “ 0 1 3 3 5 t h oSeanz , _ www.madrigalchoir.com >oWTIlTIIIO The Forum Theatre 236 Washington Street Binghamton, NY For rvrkets call 6077720400 or VISIt US o n l i n e 31 WWW tricitiesopera.com. ‘z‘t‘ r : . ( . . A , , 4 . m 4 . . . m . i . . _ . . . . ~ n . .v – n . — . . . . . , v.v. . . . ‘ N W d e M n C m m m M M n m ' General l l l G N A m T O N § Trovatcrs i miems htnmm ‘ mmwB: m Cn oia l.*Enghs Supmri 7 w w q § m ~ r m 1 t v f r v k 7 n c Z w b v l n ' ﬂ w v n – l n o a f v n u u ‘ n ﬁ Jeeelib Novo . a e , w m ~ n m v . r . n . ~ – w L A M M — m h I – a i – m u u 9 p 3 0 eooiii me . , .v u ir V171 rvnvngArr ‘ center _ ‘f \ 3 2AEddIAe eQA , . L ' 0 0 j ‘1rj,.,;7A__? } l ’ n” v ( i e 5 . 3 1 1 ' ) nz ow {535,15 KEEP"? — vW R T E 5 5 7 3 1 } 7 r — l i l ﬂ l j j b t o i e L h r l S l m G S November 9 18, 2012 December 14 16, 2012 Community theater is GREAT for the community! E y Music Director i ¥ . ( O ) ] 5 5451. 4 Sky \ é ? ? ‘ . 5“ moonl‘aortmwnvﬁholus ‘wa’ BendixBalgiey, violin 02.03.13 renownd “ y e “ ; y ‘ ﬁ t ? ’ Suing Quartet 122. 1 6 5 ‘ 1 1 5 Q H I I 1 . V e r d R equiem anice R A v r i . v r r. y r. sopranc 0 3 2 4 . 1 3 Tr i o C avat i n a M " : r’ O‘; m u PNILNARH‘IONIC Clumwaerles ,.,\.,,,\. M a n . 1‘s i n r ; tenor . EPAC Repertory Company [ Z I lieentry ETI] m C l a s s i c a l Series Stacey DJ, ,m 6 0 7 7 8 5 –8 9 0 3 — « Www.EndciotArts.com u 1 v . < Special Canter! 05.11.13 b u n w t ” {1.4 ' M 55. g’ C o n c e r t : : 1 1 7 , 4 1 1 ” .r “ w a r t . Chorus M a g i c a l M u s i c o u c t ‘ Brahms Third TTDITI “101 N’LVV u ; o [ 1 . 3 5 ; ; . vi M a r t i n e z Forteza, , 1 4 1 1 1 043 4 L Shostakovich sum Pops Serles 1 : c a 15 Holiday Brass r 5, 3 ‘ l ’ a guest A, r v , Uassics, gues t 7121’s“ r B o k“ sW ‘ s.‘., R .V y $85 A REE5?“ L510. ORDER TODAY! www.hingham mnphilhamtonicbrg 8077233931 �Binghamton University Music Department’s Coming Events W W W 6 M Thursday, December 6 Holiday MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, December 7 Hansel and Gretel (school performance and civic groups) 10:00 a.m. Anderson Center Chamber Hall call (607) 7773004 for group reservations Saturday, December 8 University City Orchestra 3:00 p.m. ~ Osterhout Concert Theater $6 general public; $3 faculty/staﬀ/seniors; free for students Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall free Thursday, December 13 Harpur Chorale and Women’s Chorus 8:00 p.m. Trinity Memorial Church, Binghamton a good will donation wil be collected at the door Friday, December 14 Nukporfe African Drumming and Dance Ensemble 7:00 p.m. Watter’s Theater $3 general admission Saturday, December 15 Master’s Recital: Brister Hay IV, tenor 3:00 p.m. Casadesus Recital Hall free Saturday, December 15 Senior Graduation Recital: Matthew Gukowsky, tuba 8:00 p.m. Casadesus Recital Hall free Sunday, December 16 Master’s Recital: Robert HeePyoung Oh, baritone 7:30 p.m. Casadesus Recital Hall free — i For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of E l Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.0. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43 minutes :59 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140931">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140931</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Percussion Ensemble fall concert, December 4, 2012 Description An account of the resource Works by Smith, Powell, Sammu, Cage, Barber. Glassock Held at 8:00 p.m., December 4, 2012, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Licata, Julie Tracy, Devan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 12/4/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/80fccd8772dd6ee7e97d570a8cb1858a.pdf af7f2cbad6f4f20ddc220f6c0235f7cc PDF Text Text BINGHAMTON U N I V E R S I T Y VERSI S TAT E O F N E W Y O R K D E P A R T M E N T O I a R _. , w i!) ﬁ s ‘ A daQ Q ’4455 A ‘m MAT B E Y , x ) A (ra W L ( ”C3 1 9o a d Q',’ q y ‘ . ’ l ’ “ § N oy a AFRI CAN DRUMMING & DANCE MID DAY CONCERT Thursday, November 8, 2012 1:20 p.m. Anderson Center Chamber H all �PROGRAM In this program we present an afternoon of dancedrumming from southern Ghana. Th ese ensembles are the collective work the Beginning and Advanced sections of African Dance (THEA 289J/389J;AFST 289J/389J) and the African Music Ensemble (MUS 143BIMUSP 2 57;AFST 188B). These courses are oﬀered each semester through the Departments of Africana Studies, Music, and Theatre Dance. V. Ghana Dance Ense mble arranged this series o f atisa movements into a performance piece, which they dubbed Togo Atsia, in recognition of their origin within Ewe groups in Togo. VI. Kpatsa. This dance comes from a neighboring group of the Ewe, known as the GaAdangbe. They share many linguistic and cultural aﬀinities with the Ewe, and these two groups have historically interacted with each other. The characteristic movement of Kpatsa is a limping gait that imitates the movements of dwarfs, a magical race of beings which inhabit rural areas in Ghana. These movements were embellished with dance combinations l. Invocation from the dance Agbekor. Agbekor is a war dance of the Ewe people of Ghana. The opening song calls the warriors to battle against the European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed. The movemen ts o f the dancers imitate moments of the battle, and follow the drum language of the lead drum,atsimevu. Il. Gahu. Gahu is a neotraditional dance that has been adopted and adapte d by the Ewe people of Ghana. It is an oﬀshoot of the Gome dance, a PanAtlantic African dance form that emerged in the 19th century from the synthesis o f European hymns a nd marches with W est African musical sensibilities. The name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and celebration. III.Sohoun, Sohoun is an EweFon sacred dance used to open a ceremony of the Yeve shrine. The original movements danced at the shrine inspired the choreography for this folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. IV.Togo Atsia. This dance piece is made up of a series of choreographed dance sequences known as atsia. These sequences are cued by drum language phrases [vugbe] played by the lead drummer on atsimevu – the tall drum leaning on the stand – which a re answered by the response drum kidi – the medium–sized drum. In the 1960s, expert choreographers and drummers in the and eventually beca me a social and recreational dance known as Kpatsa, whose name is an onomatopoeic reference to the movement of dwarfs. VII. Gota. Gota is another Ewe dance that was adapted from their linguistic c ousins the Fon of Benin. Originally it was played on diﬀerent sized gourds and calabashes, but the Ewe typically play it using their standard drum set. A popular social/recreational dance, for this piece we would like to invite members of the audience to come up and join in the dancing! ﬁ m w m w m a I f y ou like the music please fo llow our Facebook page (Nukporfe African DanceDrumming Ensemble) f o r u pcoming p erformances. We are also an SA Chartered group. and welcome students and faculty to join our group at: http://paws.binghamton.edu/organization/Nukporfe. All of the music and dance that you see today is performed by students at Binghamton University who are taking a course in the Departments of Music, Africana Studies and/or Theatre Dance. If you a re interested in leaming the dancing please register for the Beginning (THEA 289J / AFST 289J) or Advanced (THEA389J / AFST389J) sections of African Dance. If you are interested in drumming and singing, register for the African Music Ensemble (MUS 143B / AFST 188B). Don’t miss our ﬁnal performance in Watter’s Theater o n Friday, December 14, 2012 at 7:00 p.m. �Binghamton University Music D epar tment’s ﬁ w m U PC O M I N G E V E N T S w w m w w w w w m m Conc er tCanc elled we. Nevember–10 “Colorful Collaborations” Sunday, November 11 – Mu Phi Epsilon Candidate Recital 12 noon Casadesus Recital Hall Free Sunday, November 11 University Chorus, directed by Bruce Borton, and the Binghamton Philharmonic Orchestra: Verdi ’s Requiem 3 p.m. Osterhout Concert Theater Call the Binghamton Philharmonic Orchestra at (607) 7233931 for tickets Thursday, November 15 Jazz MidDay Concert with guest artist 1:20 p.m. Osterhout Concert Theater free Thursday, November 15 Harpur Jazz Ensemble Concert with guest artist 8:00 p.m. Osterhout Concert Theater $6 general public; $3 faculty/staﬀ/seniors; free for students Friday, November 16 String Orchestra Concert 4:00 p.m. Grand Corridor free Friday, November 16 Alumni Recital Series with Briana Sakamoto, soprano and Margaret Reitz, piano 8:00 p.m. Casadesus Recital Hall free Sunday, November 18 Mu Phi Epsilon Fall Semester Recital 12noon Casadesus Recital Hall Free Sunday, November 18 – An Enchanted Italian Evening (Italian Diction Class Recital) 7:00 p.m. Casadesus Recital Hall free Thursday, November 29 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10:15 a.m. Casadesus Recital Hall free for Organ, Brass and Percussion” Saturday, December 1 “Holiday Concert featuring Jonathan Biggers and the Ithaca Brass 4:00 p.m. United Presbyterian Church, 42 Chenango Street, Binghamton $9 general public; $6 faculty/staﬀ/seniors; $3 students é w m w w w w w m w w e m For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777ARTS. For a complete list of [ 5 ] — = E our concerts call (607 ) 7772592, visit musi c.binghamton.edu o r become a fa n on Facebook. If you were inspired by this performance, consider supporting the Department o f Music w i t h a ﬁnancial gift. Your s upport helps t o continue the work o f students, faculty, and guest art ists and their contribu tions to E our community. Please make your donation payable to the Binghamton University Music Department, and send your check to EU Music Department, P.O. Box 6000, Binghamton , NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. 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Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39 minutes :55 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140934">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140934</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/8/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound