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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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                  <text>&lt;strong&gt;&lt;em&gt;Who is Max Reinhardt?&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;The celebrated &lt;span&gt;Austrian t&lt;/span&gt;heater director &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"&gt;Max Reinhardt&lt;/a&gt;, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;What is a prompt book?&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Why are his important?&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Acknowledgements&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.</text>
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                  <text>&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2877"&gt;Full Display and German Transcription of Max Reinhardt's&lt;/a&gt;&lt;em&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2877"&gt; Reigen Promptbook&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"&gt;&lt;span&gt;Max Reinhardt Archives and Library&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;amp;tab=DigitalCollections&amp;amp;search_scope=DigitalCollections&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;offset=0"&gt;Max Reinhardt Collection Photographs&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline"&gt;The Life and Times of Theater Director Max Reinhardt&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters"&gt;The Theaters of Max Reinhardt&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Jean Green,&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Binghamton University Students: &lt;br /&gt;Madelynn Cullings&lt;br /&gt;Kashawn Hernandez&lt;br /&gt;Aanyah Jhonson-Whyte&lt;br /&gt;Marisa Joseph&lt;br /&gt;Bethany Maloney&lt;br /&gt;Ashleigh Marie Sherman&lt;br /&gt;Thomas Tegtmeier&lt;br /&gt;Joseph Vitale</text>
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throughout the promptbook have to do with staging, actor movements, etc&#13;
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              <text>December 29, 1912, Tatrafüred, Slovakia; December 31, 1912, Tatrafüred; January 1913 (city unspecified); January 23, 1928, New York. (As indicated by notes within promptbook.)&#13;
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                <text>Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. </text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK 

AT 

BINGHAMTON

Harpur College
Department of Music

Lecture­Demonstration

Cliﬀord Athorn

A p r i l  2 5 ,   1974  a t  8 : 1 5  p . m .
Casadesus  R e c i t a l   H a l l

�PROGRAM
BRANDENBURG  CONCERTO  #5  (BWV  1050) 

J.S.  BACH

Jane  Hawkins,  piano
Cordy  Rosow,  violin
Elizabeth  West,  ﬂute

INTERMISSION
RUMANIAN  FOLK  DANCES (1917) 
I 
Joc  cu  bata
II  Braul
III  Pe  loc
IV  Buciumeana
\ 
Poarga  Romaneasca
VI  Maruntel
VII  Maruntel

BELA  BARTOK

ADAGIO  FOR  STRINGS (Op.  11) 

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                    <text>STATE  UNIVERSITY OF NEW YORK AT  BINGHAMTON

HARPUR  COLLEGE
THE  DEPARTMENT  OF  MUSIC
with the su pport of the New York State Council on the Arts
Presents

THE  LENOX  STRING  QUARTET
in residence

Peter  Marsh,  violin 
Delmar Pettys, violin, viola 

Paul Hersh, viola, piano
Donald  McCall,  cello

and

THE  NEW  YORK  WOODWIND  QUINTET
in residence
Thomas  Nyfenger,  ﬂute 
David  Glazier, clarinet
Ronald Roseman, oboe 
Arthur Weisberg, bassoon
Ralph  Froelich, French  horn

The  Don  A.  Watters  Theater
Sunday,  August  3,  1969

8 : 15 p.m.

�PROGR AM

Quartet in E  Flat Major, Op. 33, No. 2 

Haydn

Allegro moderato, cantabile
Scherzo, Allegro
Largo sostenuto
Presto

Studies.

Debussy

Quartet  in  G  Minor,  Op. 10 
Animé et trés décidé
Assez vif et bien rythmé
Andantino, doucement  expressif
Tres modéré –­­ Trés mo uvementé et avec passion

Milhaud

Cortége
Aubade
Jongleurs
La  Maousinglade
Joutes sur L’arc
Chasse a Valabre
Madrigal — Nocturne
Kleine  Kamermusik, Op. 24,  No.  2 

Lustig
Walzer. Durchweg leise
Ruhig und einfach
Schnelle
Sehr lebhaft

Among the hundreds of concerts of Lenox Qua rtet history were numerous
New York appearances and recitals a t the University of California and  at  the
Spoleto, Aspen, Stanford, Ravinia, and Lincoln Center Festivals.
I n  1962  the  members  of  Lenox  Quartet  were  appointed  Artists­in­
Residence at Grinnell College, a position  they held until  July, 1969 when they
became  full  time  facul ty  members  and  Quartet­in­Residence  a t Harpur  C01­
lege, State  University of  New York  at Binghamton.

Intermission

La Cheminée du roi R ené 

The  Lenox  Quartet  takes  i ts  name  f rom  the  town  in  Massachuse t ts
where  it  was  founded  in  1958 while  its members were on  the  facul ty of  The
Berkshire Center  (Tnnglewood Summer  Festival). During four summers, while
on  the  staﬀ  of  the  Com position  Department,  they  were  involved  with  the
Fromm  Foundation’s  contem porary  music  program.  This  Foundation  was
crucial  i n  th e  su pport  of  th e  Qua rte t  in  its  early  years,  including  concerts
featuring  ﬁrst  performances  of  new  com positions at  the  New School  of  New
York and at  the University of Chicago. The Fromm Founda tion also supported
the  Quartet’s  residencies  at  the  Princeton  Seminars  in  Advanced  Musical

The New York Woodwind Quintet. Since 1952 the New York Woodwind
Quintet  has  maintained  its  position  of  preeminence  in  the  ﬁeld  of  chamber
music  through  its  numerous  concerts  in  the  United  States  and  abroad,  its
radio  and  television  appearances,  and  its highly  praised  recordings.  The  New
York  Woodwind Quintet  is an ensemble of  established solo artists well  known
to  the  musical  world.  The  collaboration  of  these  artists  has  resulted  in  an
ensemble  which  has  prompted  many  critics  to  classify  the  Quintet  in  the
highest  category  of  chamber  music  performance  together  with  the  Budapest
and  Juilliard  String Quartets.  They have  recently  returned  from  their second
State Department  tour of  South  America. The New York  Woodwind Quintet
has  been  in  residence  a t  Harpur  College since  1967  and  each  member  is on
the  faculty  of  the  Music  Department.

Hindemith
Ice cold punch  will be served outside near  the main entrance to  the Fine
Arts Building. The audience is cordially invited to share in this f ree refreshment.

The Art Gallery will be open during Intermission.

�</text>
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                    <text>STATE 

UNIVERSITY  OF 1 

 TA BINGH AMTO N

70” 

HARPUR  COLLEGE
THE  DEPARTMENT  OF  MUSIC

Presents
THE  LENOX  STRING  QUART ET
i n  residence
Paul  Hersh,  vio la ,  plano
Peter  Mareh,  v io l in 
Delma r Pe ttys,   v io l in ,  vio la  Dona ld  McCa ll,  cel lo
wi th

THE  NEW  YORK  WOODWIND  QUINTET
i n  residence

Thomas  Ny f enger ,  ﬂ u t e  
Ralph   Froe lich,   Frenc h  horn 

David   G lazer ,  c larine t
Arthur  Weinberg,  bassoon

GUEST  ARTIST,  ALVIN  BREHM
doub le  bass

8 :15 P .M. 

The Don  A .  Hatt ers Theater 

* " £   kx 

fk 

 *
%

Monday,  October  27,  1969
7” 

Q ’ “ '  ' _ ­ " “ ”  " '

PROGRAM

Mozar t

Flute  Quar tet  i n  D  Ma jor,  K .   285 
Alleg ro
Adag io
Rondo

Bartok

S tr ing Q uar tet  No .   3 
Prima  parte  (moderato)
Seconds parte  (alle g ro)
Ricap i tu lazio ne  de l la pr ima parte  (moderato)
In termi ssion

Beethoven

Septe t ,  E  Ma jor,  Op .  20 
t t a k ’ k t  

.

'

ttan  Schoo l  of  Music
ALVIN  BREHM  i s  current ly  on  the  f acult y  of  the  Manha
s  wi t h whom  he  has
Group
 
and an  Ar t is t– in–Residence at  SUNY  a t  S tonybrook.
t ivals,  New York
Fes
ls 
Casa
perf ormed  inc lude  the  Budapes t  S tring   Quar tet , 
composer  h is
a 
As 
 
Ph i lharmon ic,  and T he  Contemporary  Chamber  Ensemble.
ia t ion,
Assoc
tral 
s
works  have  been  comm issioned  by  the Na t ional   Orche
Wind  Quin tet ,
ic 
on
lharm
i
h
Amer ican  Brass  Qu in te t ,  Composers­Théa ter  and  the P
s 
 such  place as  Carnegie
Perf ormances  of  these  works  have  been  presented  in
on  Community  Concert
Ha l l , Town Ba l l  and  Carnegie  Reci tal H a l l as  wa l l as 
e  and  the  Far  East,
Tours and  S tate  Depar tment  Tours  throu ghout  Europ

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                    <text>THE LENOX STRING QUARTET
in residence
Peter Marsh, violin
Delmar Pettys, violin, viola

Paul Hersh, viola, piano
Donald McCall, cello

SPRING CHAMBERMUSIC SERIES

Wednesday, March 10, 1971
8:15 p.m.
Don A. Watters Theater

�PROGRAM
Joseph Haydn

Quartet in C Major, Opus 54, No. 2
Vivace
Adagio
Menuetto (Allegretto)
Adagio - Presto - Adagio

String Trio (1946)

Arnold Schoenberg

i n t e r mi s s

i

Quartet in D minor, Opus posth .
("Death and the Maiden")

o n

Franz Schubert

Allegro
Andante
Scherzo (Allegro molto)
Presto

FUTURE EVENTS

Thursday, March 11
Recital Hall, ?:00 p. m.

Open rehearsal by members of the New York
Woodwind Quintet and
Chr istine Lindsay .

Friday, March 12
Watters The ater, 8: 15 p . m.

An Evening of Baroque
Chamber Music by the
above performers.

Sunday, Mar ch 14
Watters Theater, 8: 15 p. m.

College Wind Ensemble
Winter Concert . Albert
Hamme , conductor.

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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>1960's - present</text>
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                  <text>Binghamton University Music Department Tape Recordings</text>
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                  <text>Concerts ; Instrumental music ; Live sound recordings</text>
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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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                  <text>In copyright.</text>
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              <text> 3 sound tape reels</text>
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              <text>24:50 </text>
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              <text> 40:27</text>
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          <description>Streaming URL</description>
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              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59535"&gt;Lenox String Quartet Recital&lt;/a&gt;</text>
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          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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                <text>Lenox String Quartet Recital </text>
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                <text>Works of Mozart, Zonn, and Beethoven.  Held at 8:15 pm, October 19, 1969, Don A. Waters Theater.</text>
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                <text>Binghamton University Libraries</text>
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                <text>Mozart, Wolfgang Amadeus, 1756-1791 </text>
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                <text> Beethoven, Ludwig van, 1770-1827 </text>
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                <text> State University of New York at Binghamton. Department of Music.</text>
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