105
10
1775
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1960's - present
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Binghamton University Chorus Haydn: Missa in Angustiis
Mozart: selections from Vespearae solennes de confessor, K.339, April 22, 2012
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Works by Haydn, Mozart Held at 3:00 p.m., April 22, 2012, Osterhout Concert Theater.
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MacLennan, Susan
Starks, Kathy
Gleason, James
Messing, Randy
Borton, Bruce
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Binghamton University Libraries
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4/22/12
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sound
-
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Senior honors lecture recital, Matt Gukowsky, April 21, 2012
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Works by Gukowksky, Soule, Shimomura, Kondo Held at 8:00 p.m., April 21, 2012, Casadesus Recital Hall.
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Gukowsky, Matthew
Reitz, Margaret
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https://omeka.binghamton.edu/omeka/files/original/bbd865544a59163f5f3276b4aae32c6a.pdf
4b329e2c3fbef393591f3f233815b0e4
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y OF N E W Y O R K
wdee
[4
D E P A R T M E N T
BRAHMs’s “REGENLIEDER”
EVOLUTlON FROM SONG TO SONATA
Janey Choi, violinist & lecturer
Michael Salmirs, piano
Mary Burgess, soprano
Tuesday, April 24, 2012
8 p.m.
Casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
Lecture: Regenlieder— The Evolution from Songs to Sonata
«8 AINTERMISSION # «5
Regenlied, op.59 no. 3.
.Johannes Brahms
Nachklang, op.59 no. 4
(18331897)
Violin Sonata No. 1 in G, op. 7 8 .
Vivace ma non troppo
Adagio – Piu Andante – Adagio
Allegro molto moderato
Johannes Brahms
Canadian violinist, Janey Choi gave her Carnegie Hall recital
debut in 1997 as a winner of the Artists International Auditions
and continues an active career performing on recital and chamber
series, on Broadway, and with such groups as the Ardelia Trio,
Ensemble X, New York City Ballet, and the Teaching Artists
Ensemble of the New York Philharmonic. The recipient of
numerous awards including the Chalmers Performing Arts Grant
from the Ontario Arts Council (Canada) and National First Prize in
the Canadian Music Competition, she has participated in such
festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in
the U.S. and Italy, Festival Musical de Santo Domingo, the Santa
Fe Opera and the Sarasota Opera.
An avid interarts and crossgenre collaborator, she is the Music
Director of Thomas/Ortiz Dance, and has performed numerous
times with the Parsons Dance Co., most notably at the Kennedy
Center in Washington, DC, and at the New Victory Theater in
Times Square. She also initiated a collaboration with the Paul
Taylor Dance Company and the Binghamton University Music
Department. Her other interests have taken her to the visual arts
world, developing and presenting an annual “Music + Art” show
commissioning artwork based on chamber works. She has
recorded and appeared with such mainstream performers as
Bono (U2) and Quincy Jones, Adele, Beyoncé, Aretha Franklin,
Enya, Elton John, JayZ, Sarah McLachlan, Lenny Kravitz, and
Kanye West, on the Grammys, MTV, Saturday Night Live, the
Today Show, at Live 8, Radio City Music Hall and Royal Albert
Hall in London, England.
Dr. Choi holds the distinction of being the youngest, and only Pre
College student ever accepted by her late mentor, Joseph Fuchs
at The Juilliard School, where she graduated from the accelerated
BM/MM program with the Joseph Fuchs Graduation Prize. Her
other major teachers include Joel Smirnoff, Victor Danchenko,
Harvey Shapiro, and Arnold Steinhardt. She attained her Doctor
�of Musical Arts degree at Rutgers University with full scholarship
and was the recipient of the Graduate Fellowship Award. Strongly
committed to education, she has been on the faculty of
Binghamton University since 2006 and is a Teaching Artist for the
New York Philharmonic and Chamber Music Society of Lincoln
Center. She has presented educational workshops for the
College Music Society National Conference, Tokyo College of
Music and Lincoln Center Institute. In her free time, she enjoys
marathon and triathlon training, playing soccer and ice hockey.
Mary Burgess, soprano, a graduate of the Curtis Institute of
Music, has been a member of the Binghamton University voice
faculty for over twenty years. Ms. Burgess made her US operatic
debut with New York City Opera while still a student at the Curtis
Institute, and subsequently appeared with Santa Fe Opera,
Washington Opera, New Orleans Opera, Nevada Opera, and
many other regional companies including TriCities Opera in
Binghamton. Her European operatic debut was at the Holland
Festival in Amsterdam; she has also performed at the Spoleto
Festival in Italy, at the Theatre Royale de la Monnaie in Brussels,
and with Dublin Grand Opera. Ms. Burgess has appeared as
soloist with more than two dozen US orchestras, including the
Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with
Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon
Rattle), and Cincinnati Symphony (Klaus Tennstedt, James
Conlon). She has been a frequent guest at such prestigious
festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom,
Casals, Chautauqua, and the Cincinnati May Festival. Her
repertory of forty roles in five languages ranges from Monteverdi
and Cavalli to Britten and Virgil Thomson. Her performances of
Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the
Omaha Symphony were filmed for broadcast by Nebraska ETV.
She has recorded for Columbia, Masterworks, CRI, Sony
Classical, and Telarc.
Pianist Michael Salmirs, a founding member and artistic director
of the Finger Lakes Chamber Ensemble, is well known as a
recitalist and chamber musician performing extensively throughout
the region. He has appeared as soloist with the Coming
Philharmonic, Binghamton University Orchestra, Cayuga
Chamber Orchestra, and has been a featured pianist on their
Sunday chamber series. As a performer of contemporary music,
he has participated in such series as Binghamton University’s
Musica Nova, Cornell University’s Ensemble X, Chiron, and has
toured and recorded for the Syracuse Society for New Music.
Salmirs studied at the New England Conservatory and Eastman
School of Music; his teachers have included pianists Leonard
Shure and Rebecca Penneys and composer Karel Husa. Salmirs
has taught at the Syracuse University School of Music and Hobart
and William Smith Colleges. He is currently a faculty member at
Binghamton University and an Affiliate Artist at Cornell University.
He maintains a private piano studio in Ithaca and enjoys teaching
students of all ages and levels.
�TRANSLATIONS
ABOUT THE SERIES
The Friedheim Memorial Series honors the memory o f Professor
REGENLIED (Rain Song; text by Groth)
Pour, pour down, rain; reawaken in me the dreams that I dreamt
in childhood when the moisture foamed in the sand! When the
weary summer sultriness fought indolently against the fresh
coolness, and the gleaming leaves dripped dew, and the fields of
grain took on a deeper blue, the fields of grain took on a deeper
blue. What bliss to stand in the downpour at such times with bare
feet, to brush against the grass and reach out and touch the foam,
or else to catch cool drops on one’s flushed face and to open
one’s childlike heart to the newly awakened scents, to open one’s
childlike heart! Like the calyxes that were dripping there, one’s
soul was wide open and breathing, like the flowers intoxicated
with fragrances, sunk in the heavenly dew. Each drop gave a thrill
of pleasure and cooled you down to your beating heart, and the
holy weaving of Creation penetrated the hidden sources of life,
penetrated the hidden sources of life. Pour, pour down, rain;
awaken my old songs, which we sang in the doorway when the
drops fell noisily outside! I would like to listen to them again, to
their sweet moist murmuring; I would like to bedew my soul gently
with that holy childlike awe, that holy childlike awe.
Nachklang (Lingering Sound; text by Groth)
Raindrops are falling from the trees into the green grass; tears
from my dulled eyes are moistening my cheeks. When the sun
shines again, the lawn becomes twice as green: my hot tears will
burn twice as fiercely on my cheeks, my hot tears will burn.
Philip Friedheim (1930–1986) whose remarkable tenure at
Binghamton University featured many memorable lecturerecitals
with faculty and guest artistperformers on major works of the
classical music tradition. We seek to recreate Phil’s special
combination of scholarship and performance that served to
deepen our understanding for — and love of — great works of
musical art. All proceeds of the series will go towards the
undergraduate scholarship funds of the Department of Music.
The 2009–2010 series opened in September 2009 with Professor
Emeritus Harry Lincoln’s remarks on J. S. Bach’s Sonata in b
minor featuring Georgetta Maiolo on flute and Jonathan Biggers
on harpsichord.
Today’s performance in the series will highlight Brahms’s
Regenlieder. Please join us as we explore Brahms’ “Regenlied &
Nachklang for voice & piano, Op.59 No.3” and “Violin Sonata No.
1 in G Major, Op.78". The favorite of his three violin sonatas,
Johannes Brahms’ “Regenlieder” (Rain Song) Sonata used
thematic material from a set of songs, the Regenlieder, composed
six years earlier. Both were presented to Clara Schumann in
difficult times and seemed to communicate beyond words, his
desire to comfort her with their melancholy beauty and enduring
spirit. Lecturer and violinist Janey Choi will bring these works to
life with pianist Michael Salmirs and soprano Mary Burgess.
�Bingh amton Unive rsity Music Department’s
M POO/Vt w q E V E NT s
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, April 26 – MidDay Conc ert – 1:20 p.m. – Casadesus Recital Hall
—
free
Thursday, April 26 –Brass Studio Recital – 8 p.m. – Casadesus Recital Hall
—
free
Friday, A pril 27 – TriCitie s Opera presents “The Magic Flute ” – 8 p.m. –
The Forum Theatre – call (607) 7720400 for tickets
Saturday, April 28 – University Sy mphony Orchest ra: The Three B’s
(Bach, B rahms a nd Beethoven) with faculty v iolinist Janey Ch oi and
oboist J ohn Lathwel l – 3 p.m. – Osterhout Concert Theater – $10 general
public; $6 faculty/staff/seniors; $3 students
Sunday, April 29 – Harpu r Chorale and Wo men’s C horus: S ing into S pring
– 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3
faculty/staff/seniors; free fo r students
Sunday, April 29 – TriCit ies Opera presen ts “The M agic Flut e” – 3 p.m. –
The Forum Theatre – call (607) 7720400 for tickets
Tuesday, May 1 – Strin g Departm ent Reci tal: Strin g Fever – 8:30 p.m. –
Casadesus Recital Hall – free
Thursday, May 3 – Jazz MidDay Concert w ith guest ar tist Mark Buselli,
trumpet – 1:20 p.m. – Osterhout Concert Theater – free
Thursday, May 3 – Harpu r Jazz Ensemb le Conce rt with guest ar tist Mark
Buselli, trumpet – 8 p.m. – Osterhout Concert Theater – $10 general public;
$6 faculty/staff/seniors; $3 students
Friday, M ay 4 – Fl ute Stud io and Flute Chamber Concert – 10:15 a.m. –
FA21 – free
Saturday, May 5 – Wind S ymphony Concert celebrates Cin co de Mayo – 3
p.m. – Anderson Center Chamber Hall – $6 general public; $3
faculty/staff/seniors; free for students
For ticket information, please call the
Anders on C enter B ox O ffice a t 7 77ART 5.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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38 minutes :15 seconds
27 minutes :7 seconds
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Brahms's "Regenlieder," Evolution from song to sonata, April 24, 2012
Description
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Works by Brahms Held at 8:00 p.m., April 24, 2012, Casadesus Recital Hall.
Creator
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Choi, Janey
Burgess, Mary
Publisher
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Binghamton University Libraries
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4/24/12
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In copyright
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sound
-
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Thursday mid-day concert, April 26, 2012
Description
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Works by Weissenborn, Pachelbel, Bach, Shaw, Gershwin, Gates, Popper Held at 1:20 p.m., April 26, Casadesus Recital Hall.
Creator
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Elliot, Paige
Reits, Margaret
Ng, Samantha
Mallinson, Chai-Kyou
Saturnino, Kathryn
Arenstein, Zachary
Birnbaum, Zachary
McAuliffe, Matthew
Stoner, Danielle
Westcott, Phillip
Matthews, Paul
Booher, Michael
Edwards, Xander
Wuu, Eric
Watrobski, Paul
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Binghamton University Libraries
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4/26/12
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https://omeka.binghamton.edu/omeka/files/original/63a9c10a4c47666b93515d1e0606e889.pdf
d7e3a0e6f73b8d0f4734db811fc0f8a4
PDF Text
Text
INGHAMTON
B
U N I V E R S I T Y
STATE U N I V E R S I T Y O F N E W Y O R K
wdee
[4
D E P A R T M E N T
S ING I N T O
SPRING
Women’s Chorus
Jushin Choi, conductor
Har pur Chorale
Peter Browne, conductor
Sunday, April 29, 2012
3:00 p. m .
Anderson Center Chamber Hall
�PROGRAM
SPRING SONGS
Women’s Chorus
Jushin Choi, conductor
Peter Browne, piano
F or the Beauty of the Earth .
Early in the Spring
FrfilingsgIaube.
John Rutter
. Traditional English
.
Arr. Ralph Vaughan Williams
Franz Schubert
Arr. Bruce Borton
Die linden Litfte sind crwacht, The gentle winds are awakened.
Sie sausein und wehen Tag und Nacht, they murmur and waft day and night
Sie schaffen an allen Enden. They create in every comer.
0 frischer Duft, o neuer Klang! Oh fresh scent, oh new sound!
Nun. armes Herze, sei nicht bang! Now, poor heart, fear not!
Nun muss sich allcs, alles wenden. Now everything, everything must change.
Die Welt wird schoner mitjcdem Tag,
Man weiss nicht, was noch werden mag,
Das Blithen will nicht enden.
Es blitht das fernste, tie fste Tal:
Nun, armes Herz, vergiss derQuai!
Nun muss sich alles, alles wenden.
— Ludwig Uhland
The world grows more beautiful every day.
One does not know what may yet happen,
The blooming doesn’t want to end.
The farthest, deepest valley blooms:
Now poor heart, forget your pain!
Now everything. everything must change.
(Translated by Hyde Flippo)
ChingARing Chaw.
Traditional American
Arr. Aaron Copland
The Water is Wide
Traditional Ameri can
Arr. Luigi Zaninelli
A Tisket, ATasket
Ella Fitzgerald and Al Feldman
Arr. David J. Elliott
�SETTINGS OF SHAKESPEARE
WOMEN’S CHORUS
Jushin Choir, conductor
Harpur Chorale
Peter Browne, conductor
Full Fathom Five .
Charles Wood
Shall I Compare T hee.“
Bruce Barton
to a Summer’s Day
.Christian Martin
Walls of Glass ..
Jushin Choi, piano
The Silver Swan ..
..Orlando Gibbons
The Silver Swan ..
..Paul Goldstaub
Stephanie Naru, Carrie Buck
Brandon Seabrook, Daniel Romberger, soloists
Came Be My Love...
It Was a Lover and His Lass
Alto
Amy Conway
Soprano
Michaela Andriatch
.Relly Raffman
John Rutter
Ashley Grumman
Erika Noach
Maggie Pictor
Alida Cooke
Crystal Gonzalez
Jennifer Micceri
Susan Rosenberg
Joanna Wallace
Wei Jie Zhao
Kaitlyn Mulligan
Megan Orcutt
Jessica Pyne
Ariel Schlesinger
Fangling Zeng
HARPUR CHORALE
Peter Browne, conductor
Soprano
Michelle Goldrich
Stephanie Naru
Sabrina Scull
Katherine Sucha
Samantha van Adelsberg
Hollie VanDerHeide
Tenor
Ari Hausman
Ricky Nan
Joshua Rovou
David Schwartz
Brandon Seabrook
Alto
Denise Aquino
Carrie Buck
Suzanne Greene
Bass
David Clark
Thomas J. Furey
Pak Lok Pio Lau
Christian Martin
Daniel Romberger
David Stern
Shoshana May
Katherine Moscowitch
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�Binghamton University Music Department’s
MPOOMllK/q E V E N TS
MidDa y concerts are held on Thursdays, 1:20 PM in Casadesus ReC/ta/
Ha/l unless otherwise noted and are FREE
Tuesday, May 1 – String Department Recital: String Fever 8:30 p.m. –
Casadesus Recital Hall – free
Thursday, May 3 – Jazz MidDay Concert with guest artist Mark Buselli,
trumpet – 1:20 p.m. – Osterhout Concert Theater – free
Thursday, May 3 – Harpur Jazz Ensemble Concert with guest artist Mark
Buselli, trumpet – 8 p.m. – Osterhout Concert Theater – $10 general public;
$6 faculty/staff/seniors; $3 students
Friday, May 4 – Flute Studio and Flute Chamber Concert – 10:15 a.m. –
FA21 – free
Saturday, May 5 – Wind Symphony Concert celebrates Cinco de Mayo – 3
p.m. – Anderson Center Chamber Hall – $6 general public ; $3
faculty/staff/seniors; free for students
Tuesday, May 8 – Composition Seminar Class Recital – 8:00 p.m. –
Watter’s Theater free
Wednesday, May 9 – Student Conductor’s Concert 7:30 p.m. – Anderson
Center Chamber Hall free
Thursday, May 10 – Student Recognition MidDay Concert – 1:20 p.m. –
Casadesus Recital Hall – free
Thursday, May 10 – German Lyric Diction Class Recital – 8 p.m. –
Casadesus Recital Hall – free
Thursday, May 1 0 – Percussion Ensemble – 8 p.m. – Watters Theater – free
Saturday, May 12 – Senior Recital: Mark Rossnagel, organ – 4:30 p.m. –
First Presbyterian Church, Binghamton – free
For ticket information, please call the
Anderson Center Box Office at 777ARTS.
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Sing into Spring, April 29, 2012
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Works by Rutter, Williams, Schubert, Copland, Zaninello, Fitzgerald, Wood, Martin, Goldstaub, Raffman Held at 3:00 p.m., April 29, 2012, Anderson Center Chamber Hall.
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Choi, Justin
Browne, Peter
Harpur Chorale
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Binghamton University Music Department Tape Recordings
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Flute studio and flute chamber concert, May 4, 2012
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Works by Telemann, Lewallen, Faure, Zahnhausen, Matthews, Kummer Held at 10:15 a.m., May 4, 2012, Casadesus Recital Hall.
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Dayan, Hagar
Reitz, Margaret
Belle, Yoeli
Goldsmith, Raquel
Dewhirst, Andrea
McCreary, Natalie
Ralbovsky, Lindsay
Baron, Alexander
Maiolo, Georgetta
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5/4/12
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In copyright
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sound
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Composition seminar studio recital : music from the seminar, May 8, 2012
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Works by Martin, Cody, Baine, Mayr Held at 8:30 p.m., May 8, 2012, Watters Auditorium.
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Martin, Christian
Lawson, William James
Baron, Alexander
Polacco, Nicholas
Arenstein, Zachary
Strohm, Jacob
Gukowsky, Matthew
Goldstaub, Paul
Baine, Ilyssa
Lathwell, John
Perry, Timothy
Micceri, Jennifer
Adams-Toomey, Molly
Sucha, Kathryn
Rovou, Joshua
Furrey, Thomas
Harris, Jibron
Berg, Alex
Ford, Elizabeth
Gonzolez, Crystal
Kupfer, Nicole
Levine, David
Mayr, James
Meyer, Lindsey
Forzano, Michael
Mones, Mike
Romberger, Daniel
Weinstein, Daniel
Zhao, Jonatham
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Student conductors' concert, May 9, 2012
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Works by Kowalaski, Bartok, Copland, Nelson, Massenet, Grieg, Purcell, Siennicki, Brahms Held at 7:30 p.m., May 9, 2012, Chamber Hall.
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Rozner, Raquel
Sockell, Alex
Lau, Pak Lok Pio
Aquino, Denise
Micceri, Jennifer
Martin, Christian
Scalzetti, Felicia
Westcott, Phillip
Marsiglia, William
Pochily, Benjamin
Rossnagel, Mark
Georges, Kenrick
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Student recognition mid-day concert, May 10, 2012
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Works by Reicha, Handel, Leclair, Stout, Clarke, Verdi Held at 1:20 p.m., May 10, 2012, Casadesus Recital Hall.
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Arenstein, Zachary
McAuliffe, Matthew
Birnbaum, Zackary
Cakalli, Meghan
Lee, ü, Hsia, Tienen
Lawson, William James
Foley-Reynolds, Chilton
Jasinskas, Kathleen
Goldenberg, Adam
Jacobsen, Cabiria
Rossnagel, Mark
Kampler, Zachary
Pochliy, Benjamin l Reitz, Margaret
Kompar, Christina
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https://omeka.binghamton.edu/omeka/files/original/9e8d9476e0e0ce617404cf233d897373.pdf
38a1a6bd2a5f2de399a77716e40594dd
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
d e e
D E P A R T M E N T
GERMAN LYRIC DICTION
FINAL CONCERT
JUDY BERRY, INSTRUCTOR
with
William Lawson, Accompanist
Thursday, May 10, 2012
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
Franz Schubert
. (1797 –1828)
Hugo Wolf...
(1860 –1903)
Standchen (from Schwanengesang, D. 957)
Verschwiegene Liebe (Eichendorff Lieder, no. 3)
Erlkonig (Opus 1, D. 328)
In dem Schatten meiner Locken (“Spanische Lieder”, no. 4)
Christina Kompa r
HeePyoung Oh
Abendstern (D. 806 )
Richard Strauss
(1864 –1949)
Heimliche Aufforderung (Op. 27 No. 3)
Richard G. Leon berger
Gretchen am Spinnrade (Op. 2, D. 118)
Eun Hwan Bae
Traum durch die Dammerung (Op. 29 no. 1)
Meghan Cakalli
Robert Schumann......
Seit ich ihn gesehen (from Frauenliebe und Leben, Op. 42)
Molly AdamsToomey
Molly AdamsToomey
...(1810 –1856)
Zueignung (Op. 10, No. 1)
Richard G. Leon berger
Selections from Dichterliebe, Op. 48
Johann Strauss.
Im wunderschonen Monat Mai
Aus meinen Tranen sprieRen
Die Rose, die Lilie
“Mein Herr Marquis” (from Die Fledermaus)
Ich grolle nicht
Charles Hyland
Eun Hwan Bae
..(1825 –1899)
Meghan Cakalli
�TRANSLATIONS
Sténdchen (Serena de)
(Heinrich Rellstab)
My songs quietly implore you
through the night:
down to the silent w ood
my love, come to me!
The tree tops whisper
in the light of the moon;
Don’t be afraid, my love,
no one will observe us.
Can you hearthe nightingales?
Oh! They implore you,
their sweet lament
pleads with you on my behalf.
They understand the yearning I
feel,
they know Iove’s torture.
with their silvery notes
they touch every soft heart
Let them touch yours, too,
sweet love: hear my plea!
Trembling I await you,
come, bring me bliss!
Erlkdnig
(Johann Wolfgang von Goethe)
“You dear child, come, go with
me!
Very lovely games I ’ll play with
YOU;
Some colourful flowers are on
the beach,
My mother has some golden
robes.”
“My father, my father, and don‘t
you hear
What the Elfking quietly
promises me?”
“Be calm, stay calm, my child;
The wind is rustling through
withered leaves.“
“Do you want to come with me,
pretty boy?
My daughters shall wait on you
finely;
My daughters will lead the
nightly dance,
And rock and dance and sing
you to sleep.”
“My father, my father, and don’t
you see there
The Elfking’s daughters in the
gloomy place?”
“My son, my son, I see it clearly:
There shimmer the old willows
so grey.”
his arms,
Reaches the farm with trouble
Is bitter to me.
My poor head
Is crazy to me,
My poor mind
Is torn apart.
Abendstern
My peace is gone,
My heart is heavy,
I will find it never
It horrifies the father, he swiftly
rides on,
He holds the moaning child in
and hardship;
In his arms, the child was dead.
(Evening Star)
(Johann Mayrhofer)
Why do you linger alone in the
sky, o beautiful star?
and you are so mild ;
why does the spark ling crowd
of your brothers shun your
sight?
“I am the star of true love,
and they keep far away from
Love.”
So you should go to them,
if you are love; do not delay!
Who could then withstand you,
you sweet but stubborn light?
“I sow, but see no shoot,
and so I remain here, mournful
and still.”
and never more.
For him only, I look
Out the window
Only for him do I go
Out of the house.
His tall walk,
His noble figure,
His mouth’s smile,
His eyes’ power,
And his mouth‘s
Magic flow,
His handclasp.
and ah! his kiss!
My peace is gone,
My heart is heavy,
I will find it never
and never more.
Gretchen am Spinnrade
(Gretchen at the spinning
wheel)
(from Faust by Johann
Wolfgang von Goethe)
My bosom urges itself
toward him.
Ah, might I grasp
And hold him!
“My son. why do you hide your
will use force.”
“My father, my father, he’s
grabbing me now!
My peace is gone,
My heart is heavy,
[will find it never
and never more.
And kiss him,
As I would wish.
At his kisses
I should die!
Elfiting?
The Elfking has done me some
harm!”
Where I do not have him.
That is the grave,
The whole world
Who rides, so late, through night
and wind?
It is the father with his child.
He has the boy well in his arm
He holds him safely, he keeps
him warm.
face so anxiously?”
“Father, do you not see the
The Elfking with crown and tail? ”
“My son, it’s a wisp of fog.”
“I love you, your beautiful form
entices me;
And if you’re not willing, then I
�Seit ich ihn gesehen
(Since I first saw him)
(Adalbert von Chaimsso)
Since I first saw him
I think I must be blind;
wherever I look
I see only him;
as if in a trance,
his image hovers before me,
emerging from the deepest
gloom even brighter.
All else is dark and colorless
in my surroundings:
my sisters‘ games
interest me no longer;
I would rather weep
quietly in my room.
Since I first saw him,
I think I must be blind.
Im wunderschénen Monet Mai
(In the wonderfully beautiful
month of May)
(Heinrich Heine)
In the wonderfully beautiful
month of May
When all the buds are bursting
open,
There, from my own heart,
Bursts forth my own love.
In the wonderfully beautiful
month of May
When all the birds are singing,
So have l confessed to her
My yearning and my longing.
Aus meinen Trénen sprieBen
(Many flowers spring up from
my tears)
(Heinrich Heine)
From my tears spring
many blooming flowers forth,
and my sighs become
a nightingale choir,
and if you have love for me,
child.
I’ll give you all the flowers,
and before your window shall
sound
the song of the nightingale.
Die Rose, die Lilie
(The rose, t he lily)
(Heinrich Heine)
The rose, the lily, the dove, the
sun,
I once loved them all in love’s
bliss.
I love them no more, I love only
the small, the fine, the pure, the
one;
she herself, source of all love,
is rose and lily and dove and
sun.
Verschwiegene Liebe
(Silent love)
(Josef Karl Benedikt von
Eichendorff)
Over treetops and corn
and into the splendor —
who may guess them,
who may catch up with them?
Thoughts sway,
the night is mute; thoughts run
free
Only one guesses,
one who has thought of her
by the rustling of the grove,
when no one was watching any
longer except the clouds that
flew by —
my love is silent and a s fair as
the night.
In dem Schatten meiner
Locken
(In the shadow of m y tresses)
Ich grolle nicht
(I bear no grudge)
(anon. translated into German
by Emanuel Geibel and Paul
Heyse)
I bear no grudge, even though
my heart may break.
eternally lost love!
I bear no grudge.
However you may shine in the
splendor of your diamonds.
no ray of light falls in the
darkness of your heart.
In the shadow of my tresses
My beloved has fallen asleep.
Shall I awaken him now?
Ah, no!
(Heinrich Heine)
I have long known this, I saw
you in a dream,
and saw the night within the
void of your heart,
and saw the serpent that is
eating your heart —
I saw, my love, how very
miserable you are.
Carefully I comb my ruffled
Locks, early every day;
Yet for nothing is my trouble,
For the wind makes them
disheveled yet again.
The shadows of my tresses, the
whispering of the wind,
Have lulled my darling to sleep.
Shall I awaken him now?
Ah, no!
I must listen to him complain
That he pines for me so long,
That life is given and taken
away from him
By this, my brown cheek,
And he calls me a snake;
Yet he fell asleep by me.
Shall I awaken him now?
Ah, no!
Heimliche Aufforderung
(Secret invitation)
(John Henry Mackay)
Up, raise the sparkling cup to
your lips,
And drink your heart’s fill at the
joyous feast.
And when you raise it, so wink
secretly at me,
Then I’ll smile a nd drink quietly,
as you. . ,
And quietly as I, look around at
the crowd
Of drunken revelers — don’t
think too ill of them,
No, lift the twink ling cup, filled
with wine,
And let them be happy at the
noisy meal.
But when you’ve savored the
meal, your thirst quenched,
Then quit the loud gathering’s
joyful fest,
And wander out into the garden,
to the rosebush,
There shall I await you, as often
of old.
And ere you know it shall I sink
upon your breast,
And drink your kisses, as so
often before,
And twine the rose’s splendor
into your hair.
Oh, come, you wondrous,
longedfor night!
�Traum durch die Ddmmerung
Mein Herr Marquis
(Dreaming through the
twilight)
(My dear Marquis)
(Karl Haffner and Franz
Broad meadows in the grey
twilight;
the sun’s light has died away
and the stars are moving.
Now I go to the loveliest of
women,
across the meadow in the grey
twilight,
deep into bushes of jasmine.
My dear marquis, a man like
you should better understand.
Therefore, I advise you to look
more closely at people!
(Otto Julius Bierbaum)
Through the grey twilight to the
land of love;
I do not walk quickly, I do not
hurry.
I am drawn by a faint, velvet
thread
through the grey twilight to the
land of love,
into a blue, mild light.
Zueignung
(Dedication)
(Hermann von Gilm)
Yes, you know it, dearest soul,
How I suffer far from you,
Love makes the heart sick,
Have thanks.
Once I, drinker of freedom,
Held high the amethyst beaker,
And you blessed the drink,
Have thanks.
And you exorcised the evils in it,
Until I, as I had never been
before,
Blessed, blessed sank upon
your heart,
Have thanks.
Friedrich Richard Genée)
This hand is surely far too fine,
This foot so dainty and small,
The manner of speaking I have,
My waist, my bustle,
These would never be found
On a lady’s maid!
You really must admit,
This mistake is very comical!
Yes, very comical is this matter,
So pardon me if I laugh!
With this profile in Grecian style
being a gift of nature;
If this face doesn’t say enough,
just look at my figure!
Just look through your lorgnette
at this outfit.
It seems to me that love
has clouded your eyes.
The image of your chambermaid
has quite filled your heart!
Now you see her everywhere!
This is truly a very comic
situation!
Yes very comical is this matter,
So pardon me if I laugh!
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
48 minutes :27 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142453">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142453</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
German Lyric Diction final concert, May 10, 2012
Description
An account of the resource
Works by Schubert, Schumann, Strauss Held at 8:00 p.m., May 10, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Berry, Judy
Lawson, Williams James
Oh, Hee-Pyoung
Leonberger, Richard G
Cakalli, Meghan
Adams-Toomey, Molly
Hyland, Charles
Bae, Eun Hwan
Kompar, Christina
Publisher
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Binghamton University Libraries
Date
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5/10/12
Rights
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In copyright
Type
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sound