106 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191457">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191457</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Winter lights", December 6, 2008 Recital Tape 2008-12-6 Description An account of the resource Works of Strauss, Vivaldi, Tschaikovsky, Williams, Anderson.Held at 8:00 p.m., December 6, 2008, Osterhout Concert Theater, Anderson Center for the Arts. Creator An entity primarily responsible for making the resource Perry. Timothy Borton, Bruce Choi, Janey LeFebvre, Timothy Seletsky, Robin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-12-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID ef5ade62-8e1c-4f57-80de-22d71bb0569e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:17:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189702">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189702</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Singing Chinese class recital, December 12, 2008 Recital Tape 2008-12-12 Description An account of the resource Chinese folk and art songs.Held at 7:00 p.m., December 12, 2008 Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Yi Xiao Moy, Corbett Su, Kevin JIan, Siyan Lin, Qi Lu Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-12-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 91c26656-364d-43fd-b7fd-05f04a1c69f9 https://omeka.binghamton.edu/omeka/files/original/5aa4741e22c1dae3940758fce648fb4f.pdf ab24d69d7aeb83dca2f1e5be200cf01f PDF Text Text BINGHAM TON UN I V E R S I T Y S T A T E   U N I V E R S I T Y   O F   N E W  Y O R K wodec [4 B E E P  A R T M E N T A L M O S T  A L L  AMERICAN TRIO Janey Choi, Violin Ha kan Tayga­H romek, Cello Chai­Kyou Mallinson, Piano Saturday, Jan uary 31, 2009 8:00 p.m. Anderson Center Chamber Hall �PROGRAM I J Piano Trio in G major,  Andanti no con m oto allegro  Claude Debussy (1862­1 918) Café Music  Allegro  Andante moderato Presto Paul Schoenfipld (b. 1947) Scherzo * Intermezzo: Moderato con brio Andante espressivo Finale : Appassionato WINTERMISSIONC3 Roots II (selected movements)......  Incantation  Dance in Congo Square Sorrow Song Jubflee .......David N. Ba ker, Jr. (b. 1931 ) This concert is sponsored by the Broome County Arts Council in addition to Binghamton University Music Department sponsorship. �ABOUT TH E MUSIC One  could  not  find a more  celebrated  African­American  composer  on  the The title “Almost All American Trio” refers both to the program content and to the background o f the performers (see “About the  Performers” below).  We wanted to emphasize contemporary American composers representing diverse cultures, but of course an earlier Eu ropean work was needed for balance. The G Ma jor Piano Trio is the only work Debussy wrote in this form, written at the age of eighteen, when he was still groping to discover his eventual very distinctive style.  At the time, he was in service to M me. Nadejda von  Meck, Tchaikovsky’s  patroness,  upon  the  recommendation  of  his  piano  teacher, Antoine Marmontel.  He was hired to join Madame and her children on  their travels, give piano lessons to her chi ldren, accompany the singing of her twenty­ seven­year­old daughter, and play d uets with herself.  Not long later, a violinist and cellist joined the entourage at the Villa Oppenheim in Florence, and this trio was required to pe rform nightly, which gave Debussy the impetus to compose in this form. Madame ended his employment when, as a brash twenty­year­old, he proposed marriage to her fifteen­year­old daughter. academic scene than the composer of Roots II, David Nathaniel Ba ker, Jr., a native of Indianapolis, IN.  At the School of  Music at Indiana University, he holds the title of Distinguished Professor, where for years he has chaired the l l’ former  vice  president  o f   th e  International  Association  of  Jazz  Educators, president of the National Jazz Service Organization, and senior consultant for music programs for the Smithsonian Institution, and has given past service to many other music organizations.  His awards inc lude Down Beat Magazine’s New Star Award (for trombone­playing) and Lifetime Achievement A ward, Jazz Education Hall of Fame Award, the National Association of Jazz Educators Hall of  Fame  Award,  and  the  National  Endowment  for  the  Arts  American  Jazz Masters Award. Roots II (1992) is an outgrowth of Roots (1978), both of which were composed for the Beaux A rts Trio.  Roots II  comprises a wide variety of styles which Portions o f the score remained in autograph in private hands (some portions evidently revisions) until the 1980 ’s when they came to the Pierpont Morgan Library (New York) and the University of Michigan  School  of Music (Ann Arbor).  These have been assembled to prod uce the present score, now available for general use (for more detail, see the Preface to the Henle edition).  In this work one finds intermittent flashes of what finally emerged as Debussy ’s mature style,  against  a  background  showing  influences  of  Schumann,  Franck,  and Delibes. Paul Schoenfield, composer of Ca fé Music, began studying piano at age six, and wrote his first composition the following year.  At age 22, he received the Doctor  of  Musical  Arts  from  the  University  of  Arizona  where  he  studied composition  with  Robert  Muczynski.  He  has  won  many awards  from  such organizations as the National Endowment for the Arts, the Rockefeller Fund, the Bush Foundation, the Ohio Arts Council, and Chamber Music America, to name a few, and he has received numerous commissions from orchestras and artists around the world.  He currently resides in Israel.  About Café Music he writes: “The idea to perform Café Music first came to me in 1985 afier sitting in one night  for  the  pianist  at  Murray’s  restaurant  in  Minneapolis.  Murray’s employs a house trio which plays entertaining dinner music in a wide variety o f  s tyles.  My intention was to write a kind o f  high­class dinner music which could be played at a restaurant, but might also (just barely) find its way into a concert hall.  The work draws on many types of music played by the trio at Murray’s.  For  example,  early  20”  century  American,  Viennese,  light classical, gypsy, and Broadway styles are all represented.  A paraphrase of a beautiful  Hasidic  melody  is  incorporated  in  the second  movement.  Café Music  was  commissioned  by  the  St.  Paul  Chamber  Orchestra  and  was premiered in January 1987.” Jazz Department. He has written more than 2000 compositions, of which more than 500 were commissioned. Mr. Baker serves as  the conductor and artistic director o f  the Smithsonian Jazz Masterworks Orchestra. He i s president and Baker  describes:  “Work  songs,  field  hollers,  blues, ragtime,  boogie  woogie, rhythm & blues, spirituals, gospel songs, calypso, rock & roll, rap and of course jazz . . . In composing this work, I made use of some of the musical features common to these varied styles, among them rhythmic preeminence, the spirit and attitude of the blues call and response, the ostinato, and certain  musical forms, harmonic  and melodic materials.” The  first and third movements are borrowed from the original Roots. “Incantation” evokes the sinister and mesmerizing quality of voodoo rites. “Dance in Congo Square” is essentially a calypso.  Congo Square refers to Place Congo,  where  slaves  gathered  to  celebrate  their  holidays,  denying  for  the moment with thei r gaiety the harsh  reality of their ex istence. [ \ “Sorrow song” grew out of  “spirituals, laments, and church house moans.  It is the plaintive cry of a downtrodden people”. But at the end  you will  hear the gently dissonant music evaporating into thin air, as if we are liberated from the sorrow. The fourth movement, “Boogie Woogie”, is omitted from this performance. The finale, “Jubilee", refers to a C hristmas time dance, clearly expressing pure joy.  After extensive jazz improvisation, the opening theme returns, building up to a frenzied outburst. �ABOUT THE PER FORMERS Canadian­born  violinist  JANEY  CHOI  joined  the  faculty  of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers Un iversity, studying with Arnold Steinhardt, and holds her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Sm irnoff.  She gave her Carnegie  Hall  recital  debut  in  1997  as  a  winner  of  the  Artists International Auditions a nd continues an  active perform ing career as a recitalist, chamber, and orchestral musician throughout the country and abroad. She is the recipient of numerous awards including the Ontario Arts Council’s Chalmers Performing Arts Training G rant, and First Prize in the National Finals of the Canadian Music Competition.  Ms. Choi has participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk,  Taos,  the  Spoleto  Festivals,  Festival  Musical  de  Santo Domingo, the Santa Fe Opera and the Sarasota Ope ra. An avid inter­arts and cross­genre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the  Parsons Dance Co. at the Kennedy Center in Washington, D.C.  She has recorded and appeared with  such  mainstream  performers as Bono  and  Quincy  Jones,  Enya, Elton  John,  Sarah  McLachlan,  Lisa  Loeb,  Kanye  West,  Jay­Z  and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, C hamber Music Society of  Lincoln Center and the Bloomingdale School of Music in New York City. Cellist HAKAN TAYGA ­HROMEK was trained in music performance at  Ithaca  College,  SUNY  Purchase, and  Binghamton  University.  His teachers include Peter Wiley, Marion Feldman, Daniel Phillips, Stephen Stalker, Einar Jeff Holm, and  Fritz  Wallenberg.  He  has attended the International  Congress  of Strings,  Round  Top  International  Festival, Chamber  Music  at  the  92nd  Street  Y­NYC,  Spoleto  Music  Festival, Skaneateles Festival, and the Kenai Penninsula Music Festival In Alaska. An active performer, Mr Hromek is principal cellist of the Binghamton Philharmonic,  Tri­Cities  Opera  Orchestra, and  The  Orchestra  of  the Southern Finger Lakes. He has also performed with the Cayuga Chamber Orchestra, Bach Works in NYC, and the Syracuse Symphony. During the summer of 2006, Mr. Hromek completed his fourth season as cellist in the  DeVere  Quartet,  which  serves  as  resident  quartet  for  the  Kenai Peninsula  Festival  in  Alaska  and  at  present  is  cellist  for  the  Novo Quartet. An avid chamber musician, Mr. Hromek enjoys collaborating in a cello and piano duo on a regular basis with Margaret Reitz and various local artists in the Central New York area. CHAI­KYOU  MALLINSON,  currently  on  the  faculty  of  the Department of Music at Bingharnton University, received a B.M.degree in Piano from Julliard, Li cence d ’Enseignement from Ecol e Normale de Musique  de  Paris,  France  and  a  M.A.  degree  from  Binghamton University. Her teachers include Jean Casadesus, Jean­Michel Damase, Jules Gentil and Alton Jones. She also performed in Master Classes by Robert  Casadesus.  A  prize  winner  in  the  Korean  National  Music Competition,  she  was  awarded  the  French  Government  Scholarship, Tanglewood  Summer School  Full  Scholarship and the Fontainebleau American Conservatory Full  Scholarship. She gave a debut Recital  in Carnegie Recital  Hall and has been active as a recitalist, vocal coach, accompanist,  and  chamber  music  performer,  as  well  as  an  active adjudicator of piano auditions and competitions.  She is a member of the Music Teachers National Association, and of the board of judges for the National Guild of Piano Teachers Association. She has premiered compositions of contemporary composers including Ezra Laderman, Paul Goldstaub, Meyer Kupferman and William Klenz. Among many concerts she performed, three were sponsored by the New York State Council  on Arts. She appeared in  a  performance with the Seoul Philharmonic Orch estra, which Eumag Choonchu, one of Korea’s most respected music magazines, described as “of rare quality, moving and lyrical.”  She was awarded an Individual Artist Award 2008­2009 by the Broome County (NY) Arts Council. Among  many  concerts  at  BU  that  she  has  proposed,  organized  and performed (in collaboration with other artists) are a concert celebrating the  works  of former  Binghamton  University  Composer  in  Residence Ezra Laderman in anticipation of his receipt of an h onorary Doctorate in 2004 (for which she had recommended him), a concert of songs (2006) with Tim  LeFebvre, with interpretations choreographed and danced by Galumpha, “Homage a Casadesus” (2008), a conce rt honoring the “First Family  of  Piano”,  the  Casadesus  family,  and  commemorating  Jean Casadesus’  years  at  BU,  and  three  concerts  for  piano  trio.  As  a performer she appeared twice with the Binghamton University Orchestra, as harpsichordist in the Bach Fifth Brandenburg Concerto (2000), and as pianist in the Mozart Concerto for Two Pianos, K. 365 (2004). �Sunday, February 1 % Friedheim Memorial Lecture/Recital: Schubert Wanderer Fantasy, Casadesus Recital Hall, 3:00 PM, $$ Sunday, February 1 5% Musica Nova: Sing a New Song, Anderson Center Chamber Hall, 3:00 PM, $$ Saturday,  February 21% A Russian Fantasy for Two Pianos with Ewa Mackiewicz­Wolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall Sunday, February 22™ Organist Jonathan Biggers ­ A Bach Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)   rganist Jonathan Biggers – A Bach Tu esday, February 2 4 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ cert, 1:20 PM ­ FREE   Thursday, February 2 6 Mid­Day Con Casadesus Recital Hall : Dr. Hal Reynolds, trombone,   Thursday, February 2 6 Guest Artist Casadesus Rectal Hall, 8:00 PM, FREE Friday, February 27°" Organist Jonathan Biggers ­ A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, March 5% Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 7:30 PM, $$ ymphony Orchestra: Hearing the   Saturday,  March 7 ” University S Orient, Osterhout Concert Theater, 8:00 PM, $$ ind Symphony, 3:00 PM, FREE   Sunday, March 8 ” University W Anderson Center Chamber Hall For ticket information, please call the Anderson  Center Box O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiocassette 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152242">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152242</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Almost All American Trio, January, 31, 2009 Recital Tape 2009-1-31 Description An account of the resource Works of Debussy, Schoenfield, Baker. Held at 8:00 p.m., Jan., 31, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Choi, Janey Tayga-Hromek, Hakan Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-01-31 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f6b8b8e6d2110cb4b0262e74ad61d823.pdf a93e7a34d76689ab77bff3869935b4bf PDF Text Text BINGHAMTON M N  I V E R S I Y X T   S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K wide [4 D E P A R T M E N T F R I E D H E I MM   EMORIAL L E C T U R E  / R E C I T A L F R A N Z  S C H U B E R T Wanderer Fantasy Alice L. Mitchell, L ectu re r J o h n Covelli, Piano Sunday, February I, 2009 3:00 PM Casadesus Recital Hall �The Binghamton University Department of Music presents the 2008­2009 Philip F riedheim Memorial Lecture­Recital Series ABOUT T H E  PERFORMERS F ranz Schubert ’s ALICE MITCHELL is a native New Yorker who received her earliest music education at the Third Street Music School Settlement and as an undergraduate at Hunter College. She continued with graduate studies in musicology at Smith College, as a student of Alfred Einstein and at Columbia University with Paul Henry Lang. She has performed as a piano soloist at Town Hall, Steinway Hall, and at the Brooklyn Academy of Music. Her publications include an edition and translation of Carl Czemy’s Treatise on Improvisation (Op. 200), articles in the Musical Quarterly, the Musical Heritage Review and Grove’s Dictionary, and liner  notes for Dover Publications  recordings. She has served as Chair of the Music  Department, during which  she  initiated  the joint  graduate program  in opera with Tri­Cities Opera and opened negotiations that resulted in  the Link Professorship. Wanderer Fantasy C major, Op. 15, D.  760 Remarks on the Text and Composition Professor Alice L. Mitchell Performance John Covelli, Piano E BBC E     C B C E C B C B B C B C B C B B CBE C B B BC B While recognized as one  of the  more  versatile conductors of his generation, JOHN COVELLI has for most o f his  life  been  known and  respected as an extraordinary piano talent.  As a Chicago­bom piano prodigy studying since age four, he was credited in his youth  with numerous concerts, broadcast recitals, special  musical awards, performances at the Chicago Music Festival, with the Chicago Symphony at age 9; reci pient of the Chicagoland  Festival  Award; a highly lauded all­Bach concert at the Texas Bach Festival, as well as composing prizes. A s  a teenager, h e  was t he on ly conce rt pianist ever to win the famous The Friedheim Memorial Series honors the memory of Professor Philip Friedhiem  (1930­1986)  whose  remarkable  tenure  at  Binghatmon  University featured  many  memorable  lecture­recitals  with  faculty  and  guest  artist­ performers on major works of the classical music tradition.  We seek to recreate Phil’s special combination of scholarship and performance that served to deepen our understanding for – and love of – great works of musical art.  All proceeds of  the  series  will  go  towards  the  undergraduate  scholarship  funds  of  the Department of Music. The 2008­2009 series opened  in  September 2008 with  Professor  Emeritus Harry Lincoln ’s analysis of Schubert ’s classic lied Der Erlkonig.  (Incidentally, Harry served as performer with Walter Ponce on one of Phil’s many programs.) Today’s performance, as noted above, features an examination of Schu bert ’s Wanderer Fantasy, with a lecture  by Professor Alice L .  Mitchell (another o f Phil’s colleagues) and Guest Pianist John Covelli. The third  and  final  Friedheim  concert of the 2008­2009 series  will  be on Tuesday, April  28", and  will  unravel  mysteries of modern  music  in  Audible Processes:  Minimalism  and  Beyond  with  Professor  Paul  Schleuse  lecturing. Faculty performers include Timothy Perry, Margaret Reitz, Janey Choi, Michael Salmirs and Ewa Mackiewicz­Wolfe. Godfrey Talent Scout Program and appeared in a series of nationwide CBS­TV performances.  His New York debut drew rave notices from every newspaper and major publication present including the Times stating, “This is one of the best debut recitals in our recollection.” While conductor and soloist of the famed Seventh Army Symphony, he was selected special musical ambassador for USIS gleaning accolades as featured touring soloist throughout Europe.  As a winner in two o f E urope’s m ost prestigious piano com petitions ­ t he Queen Elizabeth of Brussels, and the Busoni International Piano Competition in Bolzano, Italy, John Covelli  was launched  from  youthful  prodigy to an  international  performer of major standing. Critical  praise from major music capitals was unanimous.  In addition to solo piano concerts, the unique excitement John Covelli brings to the dual  role of conductor/pianist  in  a wide range of concertos ­ from  Gershwin, Gottschalk, Shostakovitch, and  Saint  Saens, to  Bach, Beethoven, Mozart and more  ­has  become  a  special  part  of  his  international  musical  charisma. (Biography © 2003 John Covelli, All rights reserved.) �Coniz  (enst S u n d a y,  Februa r y 1 5% Musica Nova: Sing a New Song, Anderson Center Chamber Hall, 3:00 PM, $$ Saturda y, Februar y 21% A Russian Fantasy for Two Pianos with Ewa Mackiewicz­Wolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall Sunday , Februa ry 2 2 ™  Organist Jonathan Biggers ­ A Bach Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold O ut) Tuesda y, Februar y 24°" Organist Jonathan Biggers – A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$   id­Day Concert, 1:20 PM ­ FREE Thursda y, Febru ary 2 6 ” M Casadesus Recital Hall   uest Artist: Dr. Hal Reynolds, trombone, Thursda y, Februa ry 2 6 ” G Casadesus Rectal Hall, 8:00 PM, FREE   rganist Jonathan Biggers – A Bach Friday, Februar y 2 7 ” O Celebrationl.l Series, Fine Arts Room 21, 8:00 PM, $$ Thursda y, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursda y, March 5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 7:30 PM, $$ Saturda y, March 7°" University Symphony Orchestra: Hearing the Orient, Osterhout Concert Theater, 8.00 PM, $$  Wind Symphony, 3:00 PM, FREE   S u n d a y,  March 8 ” University Anderson Center Chamber Hall oncert, 1:20 PM – FREE   Thursda y, March 1 2 ” Mid­Day C Casadesus Recital Hall For ticket information, please call the Anderson Cente r B ox  O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiocassette 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital: Franz Schubert, Wanderer Fantasy, February 1, 2009 Recital Tape 2009-2-1 Description An account of the resource Held at 3:00 p.m., February 1, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Covelli, John Mitchell, Alice L. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f868a73734eb8abc3da6d6314e5302f7.pdf 25694e32d62b815c9df39a10ce9b1e8c PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K wee [4 D E P A R T M E N T li \ M USICA N OVA with Timothy LeFebvre, baritone M a ry  Burgess, soprano Michael Salmirs, piano Margaret Reitz, piano C hristopher Morgan Loy, composer and piano Daniel Fabricius, percussion Stephanie Le hman, percussion Sibongile Boyd, soprano Jenni fer Groves, soprano Heather Montana, soprano Tomek Regulski, composer Martin Bidney, translator Paul Goldstaub, composer and conductor Sunday, F ebruary I5, 2009 3:00 p.m. Chamber Hall Anderson Center for the Performing Arts �PROGRAM Jake Heggie (b. 1961) Paper Wings Bedtime Story Paper Wings Mitten Smitten A Route to the Sky Mary Burgess, soprano Michael Salmirs, piano Tomek Regulski (b. 1985) The Glance  Heather Montana, soprano Stephanie Lehman, percussion Margaret Reitz, piano l Ned Rorem (b. 1923) In a Gondola Pippa ’s Song Sibongile Boyd, soprano Margaret Reitz, piano Take Me Back from “Our Town Ned Rorem Jennifer Groves, soprano Margaret Reitz, piano Christopher Morgan Loy from Four Spirituals Volume I  Sometimes I Feel Like A Motherless Child  (op.38, no.1) Didn’t My Lord Deliver Daniel?  (op.38, no.2) l from Two Spirituals Volume V Great Day  (op.52, no.2) Sibongile Boyd, soprano Christopher Morgan Loy, piano INTERMISSION �l Every Evening  (premiere pe rformance h h Paul Goldstaub (b. 1947) Bedtime Story Soun, soun, beni, beni, soun, so un, beni doun.  Ah! It was a cold, cold night­­so cold, we had a fire. A cold, cold night.  We sat and talked. All was safe and good. Then, something happened. Something soft went by­­ A second’s wait­­­­ “Nothing there.  It must have been a dream.” Again a breeze, a tiny move­­ What could it have been? At last we looked and there, There stood a girl no more than three, A blanket on her head, her eyes­­­ She thought we couldn’t see. Ah, but who?  Oh, who was that girl? Oh, child, it was you! Oh, magic, magic child! You stayed­­­we smiled­­­ Lisa. Translated from the Russi an by Martin Bidney, based on Konstantin Balmont ’s translations of Spanish folk songs. Timothy LeFebvre, baritone Margaret Reitz, piano Daniel Fabricius, percussion Stephanie Le hman, percussion Sibongile Boyd, soprano Jennifer Groves, soprano Heather Montana, soprano Paul Goldstaub, conductor Martin Bidney, who taught for 35 years at Binghamton University, has translated, from the Russian, K. D. Balmont ’s Love and Hate: Spanish Folk Songs (19 11 ), the source of the vocal texts chosen by Paul Goldstaub for his song cycle.  Prof. Bidney earned an M.A. in Slavic Litera tures at Harvard before ta king the Ph.D. in English at Indiana University, and a fourth of his 90 articles ha ve dealt with Russian authors.  He writes a poem (usually a sonnet) every day of his life and sings in the U niversity Chorus; he’s also a classical violinist and folk fiddler playing in Celtic and klezmer and other traditions. The brevity and energy of the micro­poems, combined with their melodic sweetness, makes them a pure  delight to read either in Russian or in Spanish.  As Emanuel Geibel’s translation of Iberian verses led to the wonderful Hispanisches Liederbuch composed by Hugo Wolf a century ago, so the English renderer of these little folk gems has felt honored to work with a highly imaginative composer of the present day. Paper Wings When I was young, I lived in G reece with my mother. That’s right, Greece. We lived in a house, a house with a great big balcony. And Signorina, Signorina, Signorina was my nanny. One day, Signorina made me wings out of paper­­ That’s right, pa per wings. And for days and days I pretended to fly, to fly, Over the rooftops of Athens. Mitten Smitten . My uncle Tim, he once gave me some mittens. They were from “lndya,” and very special. But I was small and I’d never seen anything like them. Where were the fingers? I put them on.....Strange... �A Route to the Sky ! 1 My mother taught me to fly, not even knowing she had done so. I climbed on the roof, a complicated route to the sky­­ But the firemen got me  down, Oh, the firemen got me down! Lisa was eight when she climbed through a window Out onto the roof, Oh!  When I saw how she’d done it I nearly fainted. So I went out after her.  “Lisa, don’t move!” Then we were both stuck. Two trucks an ambulance, Two station wagons of  rescue teams came to t he house. And the firemen got us down, Oh, the firemen go us down! Pippa ’s Song The year ‘s at the spring, And day ‘s at the morn; Morning ‘s at seven; The hillside ‘s dew­pea rl’d ; The lark ‘s on the wing ; The snail ‘s on the thorn; God ‘s in His heaven, All ‘s right with the world. v ­ Frederica von Stade ­ Robert Browning Take Me Back Take me back. Take me back up the hill. Take me back to my grave. Wait! One more look. Goodbye. Goodbye, world. Goodbye Grover’s Corners. Mama, Papa, goodbye. Goodbye to ticking clocks, to mama ’s hollyhocks, to coffee and food, to gratitude. Goodbye, goodbye world. Goodbye to ironed dresses, to George’s sweet caresses, to my wedding ring, oh ev’ry thing. Goodbye. Goodbye, world. Does anybody ever realize life while they live it, every minute of it, every moment of it? Oh, earth, you are too magical for anyone to know your miracle! Oh, take me back. Take me back up the hill. Take me back up the hill. The Glance Up ahead, I know, he felt it stirring in himself already, the glance, The darting thing in the pile of rocks, Already in him, there, shiny in the rubble, hissing Did you want to remain Completely unharmed?­ The point­of­view darting in him, shiny head in the ash­heap, Hissing Once upon a time, and then Turn now darling give me that look, That perfect shot, give me that place where I ’m erased. . .. The thing, he must have wondered, could it be put to rest, there, in the Glance ­ Jorie Graham Excerpt from  “Orpheus and Eurydice” Sometimes I Feel Like A Motherless Child In a Gondola The moth’s kiss, first! Kiss me as if you made me believe You were not sure, this eve, How my face, your flower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide ope I burst. The bee’s kiss, now! Kiss me as if you enter’d gay My heart at some noonday, A bud that dares not disallow The claim, so all is render’d up, And passively its shatter’d cup Over your head to sleep I bow. ’ Sometimes I feel like a motherless child a long way from home. Sometimes I feel like I ’m almost gone along way from home. Sometimes I feel like a motherless child a long way from home. �Every Evening Didn ’t My Lord Deliver Daniel? If I knew, my dearest life, The rose falls asleep, Your heart and mine Took counsel together And both have decided They can’t live apart. Into the well of envy I lowered myself to drink. I drank my fill of en vy, But thirst I will always have. Great Day Your eyes are azure. Your eyes are blesséd. My own look and pray And they ask for yo ur mercy. I fell in love at night. The moon told me a lie. If ever I fall in love again – Only at daytime, in sunlight. Great Day! Great Day the joyous marching God’s gonna build up Zion’s walls. You are the pink of April And you the rose of May, The moon of January, And I beneath your spell. When I got the message That you do not love me, Don’t suppose I drowned myself, The water was too cold. You’re brighter than the sun so bright, More white than whitest snow. You are the Alexandrian rose That blooms the year around. Just go, I do not love you, My love is gone for good. I ’ve swept you from my heart With a clean­sweeping broom. Sing a song, and I’ll sing too, Little bird on greening bough, Sing a song, and I’ll sing too, Everyone should sing that loves. Out of my sight! I loathe you as much as A mortal sin. If I possessed a thousand lives I ’d give them to you all at once. I ’ve only one life ­ take it, But take it a thousand times. Oh, if God would hear me, And if stones could wail ­ And if you could only know: Revenge ­ how much I crave it! Hurray, you looked at me! Hurray, I looked at you! Hurray, you love me now! Hurray, now I love you! Morning ­ there I am, at Mass, Praying in the church, Offering my gratitude For being rid of you. Sleep, my little baby, You are barely seen, Sleep, my little star Shining before the dawn. Yes, it’s true I loved you, right. Stupid to deny it.  If you Live to be a hundred, though, To me you are a corpse. Didn’t my Lord deliver Daniel and why not every man? That you ’re listening to me, Like a nightingale I ’d sing Till the morning rays arise. He delivered Daniel from the lion’s den, Jonah from the belly of the whale. And the Hebrew children from the fiery fumace, and why not every man? The wind blows east and the wind blows west, it blows like the judgment day and every poor soul that never did pray will be glad to pray that day. I set my foot on the gospel ship, the ship it began to sail. It landed me over on Canaan’s shore and I’ll never come back any more. Didn’t my Lord deliver Daniel and why not every man? Chariot rode on the mountain top My God spoke and the chariot stopped. This is the day of Jubilee The Lord has said that this will be. Oh­sing with joy and praise His name Heaven’s Love is ours to claim. We want the brave hearted in our band To march out boldly in the land. We love the Lord for He is good He’ll free us like He said He would. Great Day! God’s gonna build a Great Day! 0 Gleaming with dew. Night ’s coming on : Sleep, my child. Away from my eyes, �I don’t have anything of yours, And if I did I ’d toss the thing into the fire So it would burn. ABOUT T H E  PERFOR MERS T I M O T H Y  L E F E B V R E ,  baritone,  has  appeared  in  concert  with  the The shoes that I wore out I tossed into the mud. If someone wants to put them on, l hl } What is that to  me? Go and tell your mother To comb your hair and wash you, Give you milk again, and food, And bring you up to be a man. I thought that love Was but a toy, But now I see You go through death. I can’t see in the window now The things I sa w before. The window I am looking through Opens on loneliness. Vermont  Symphony,  Minnesota  Symphony,  Syracuse  Symphony,  American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival.  He has also a ppeared in  concert at New York’s Camegie Hall and Alice Tully Hall.  Mr. LeFebvre is a winner of the  New  York  Liederkranz  Vocal  Competition.  Other  awards  include  the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions.  LeFebvre’s operatic experience includes leading roles with San Francisco Opera, Tri­Cities Opera, Sarasota  Opera, Chattanooga  Symphony and Opera, Syra cuse Opera, Indianapolis Opera, and Ope ra Theater of Pittsburgh.  LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently on the faculty at Binghamton Unive rsity. M A R Y  B U R G E S S ,  soprano, a graduate of the Curtis Institute of Music, I live without life, To live such a life. Alive, I ’m not living. Living, I die. Do not kill me, do not kill, Let me live.  Let me live. Let me pass, let me pass Through the achings of this world. Every evening I know I will feel your eyes shine, And I’ll know every evening that you will feel mine. And so, truly the moon, in the nearness of night, Will be mirror for us, in oblivion’s light! ­Konstantin Balmont translated by Martin Bidney l } has been a member of the Binghamton University voice faculty for over twenty years.  Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the C urtis Institute, and subsequently appeared with Santa Fe Opera, Washington Ope ra, New Orleans Opera, Nevada Opera, and many other  regional  companies  including  Tri­Cities  Opera  in  Binghamton.  Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and with Dublin Grand Opera.  Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the  Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony  (Sir  Simon  Rattle),  and  Cincinnati  Symphony  (Klaus  Tennstedt, James Conlon).  She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival.  Her repertory of forty roles in five languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson.  Her performances of Britten’s Les Illuminations and Mahle r’s Symphony No. 2 with the Omaha Symphony were filmed for broadcast by  Nebraska ETV.  She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. �Pianist M I C H A E L  SALMIR S, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well kno wn as a recitalist and chamber musician.  He  has  appeared  as  soloist  with  the  Corning  Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music  repertoire  for strings and piano, he  has premiered  numerous solo  and  chamber  works, and  recently  gave  the  world premieres of works by David Liptak, Marek Harris and Paul Goldstaub. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell  University’s Ensemble  X, Chiron, and  has toured and recorded for the Syracuse Society for New Music. M A R G A R E T  ( P E J )  R E I T Z ,  pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston  University, New England Conservatory and Binghamton University. She has accompanied throughout the United  States,  in  England,  South  America, and  at  the  American  Institute  of Musical  Studies in  Graz, Austria.  She  was  an  official  accompanist  for  the MTNA State and Eastern Division Competition held at Ithaca College in 2001 and  again  2006.  She  has  been  a  guest  chamber  music  artist  in  Morges, Switzerland.  She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches.  She was an official pianist at the International  Double Reed  Competition  and  Convention  in  2007  at  Ithaca  College.  She  has  been asked  to  play  a  concert  this summer with  the  Glickman  Trio  in  the  United Kingdom  at  the  IDRS  Convention.  She  was  selected  to  accompany  at  the Interpretation of Spanish Music conference, coached by Teresa Berganza, at the University of Madrid in July 2007, and at Mannes School of Music, 2008.  She will be in residence at the Barcelona Festival of Song this summer in Spain as coach/accompanist.  She is currently on the  faculty at  Binghamton University (since 1991) and Ithaca College School of Music (since 1999). DANIEL FABRICI US, percussion, has been a member of the Binghamton University faculty since 1992. He holds degrees from Mansfield University and Ithaca College where he studied percussion with Richard Talbot and Gordon Stout. In addition to his work at  BU, he has served as Director of Bands at Owego Free Academy since 1989.  He has been a member of the Binghamton Philharmonic percussion section since 1982, and also performs in popular, rock, jazz,  and  other  styles.  He  has  played  as  a  free­lance  percussionist, accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothe rs, and Ella Fitzgerald.  He is highly regarded in the region as a percussion soloist and ensemble player and has collaborated many times with Binghamton University organ professor Jonathan Biggers and with the Ithaca Brass.  He has served the New  York  State  School  Music  Association  as  an  All­State  Percussion adjudicator  for  many  years  and  has  presented  many  percussion  or  music education clinics at state conventions and confere nces. S T E P H A N I E  L E H M A N ,  percussion, is in her second year at Binghamton University as a graduate teaching assistant while finishing her Masters degree in percussion  performance.  Here  at  Binghamton,  she  is  very  fortunate  to  be studying percussion under Dan Fabricius.  Originally from Baldwin, NY she graduated  from  University  of  Delaware  with  a  Bachelors  degree  in  music education with a concentration in percussion.  In Delaware she had the privilege of studying privately with Harvey Price, Jim  Ancona and Orlando Cotto. At Binghamton  she  teaches  fellow  students,  while  practicing  and  performing percussion  and  vocal  jazz.  Last  year,  Stephanie  competed  in  Binghamton’s concerto competition and was the winner in the Winds, Brass, and Percussion Division.  She cannot thank all of her teachers, family, friends and loved ones enough for all of their help and support throughout her musical career. �S I B O N G I L E  BOYD, soprano, hailed  for her  “lyrical and  warm singing voice” (Hudson Valley Times Herald­Record – July 29, 2008) and a cum laude graduate of Harvard University, made her operatic debut with Harvard’s Dunster House Opera as Yvette in Puccini ’s La Rondine and later appeared as Barbarina in Mozart ’s Le Nozze di Figaro.  She performed opera roles with the  Shaker Mountain Performing Arts Festival, Natchez Festival of Music, and Cantiamo Opera, and gave recital and chamber performances at the Brooklyn Muse um of Art,  the  Sumner  Muse um (Washington  DC),  and  the  Merck  Concert  Series (appearing with the Manchester String Quartet).  In 2007, Ms. Boyd sang the role of Blonde in Opera Company of Brooklyn’s production of Die Entfiihrung aus dem Serail after making her company debut as Monica in The Medium in 2006.  Ms.  Boyd is in  her second  year in  the  Master of Music  program at Binghamton University, where she performed the roles of Gabriel and E ve in Haydn ’s  The  Creation.  Recent  performances  include  Zerlina  in  Delaware Valley  Opera ’s  production  of Don  Giovanni  and  her  solo  recital  debut  at Bargemusic (Brooklyn, NY) featuring the works of Fauré, Ravel, Mozart, and Rorem.  Ms. Boyd will be appearing at the Dweck Center for Contemporary Culture (Brooklyn Public Library) in February 2009, presenting a solo recital of spirituals. J E N N I F E R  G R O V E S ,  soprano, is in her first year of the Master of Music in Opera program at Binghamton U niversity. She has recently appeared  with Tri­Cities Opera in their 60” Anniversary Gala as the Second Lady (The Magic Flute). Other TCO credits this season include the Page in both Amahl and the Night Visitors and Rigoletto. Ms. Groves graduated in Spring 2008 from S UNY Geneseo with a BA in Vocal Performance and Interpersonal Communication. Ms. Groves has performed with Merc ury Opera Rochester in La Bohéme, Amahl and the Night Visitors, Norma, and L ’elisir d ’Amore. Other credits include solo recitals in  Geneseo, NY and  Pawling,  NY. Upcoming  performances include Miss Pinkerton in Menotti’s Old Maid and the Thief with Tri­Cities Opera. H E A T H E R  M O N T A N A ,  soprano,  hails  from  Utica,  N Y , where  her warm, fresh voice has been pleasing audiences for years. Ms. Montana, a cum laude graduate of Hamilton College, is currently pursuing a Master of  Music degree in Vocal Performance at Binghamton University, where she studies with Timothy  LeFebvre.  She  has most  recently  appeared  as  Buttercup  in  H.M.S. Pinafore (Earlville Opera House, Earlville NY), and as Kate in Kiss Me, Kate! (Hamilton College, Clinton NY). Ms. Montana has also been heard as Bazzard in Drood: The Mystery of Edwin Drood and as Fiametta in  The Gondoliers at Hamilton College, where she was a member of the College Choir, College Hill Singers and Oratorio Society. She has appeared recently as a recital soloist  for Utica  Monday  Night’s  Classical  Performance  series  at  the  Stanley  Theater. Winner of first prize at the Central New York/ Finger Lakes Regional National Association of Teachers of Singing  Competition and at  the  B#  Musical Club scholarship competition, Ms. Montana  was the soprano soloist  in  Messiah  in Rome, NY. ABOUT THE COMPOSERS T O M E K   R E G U L S K I   is  a  second  year  Master  of  Music  student  at Binghamton University, studying music composition in the studio of Dr. Paul Goldstaub.  His song, “The Glance,” is receiving its third performance today. Premiered in April 2008 during an online web conference between composition students at BU and the Manhattan School of Music, its first public performance was in October 2008 in Casadesus Recital  Hall.  Tomek  received  his BA  in Music at Hartwick College, studying composition under Dr. Thomas Licata.  His thesis  composition,  “Beauty  Lost,”  was  the  second  place  recipient  of  the prestigious Freedman Prize, a competition open to all students in their senior year, for which Mr. Regulski received a $3,000 grant for hiring professional musicians  to  perform  the  composition  at  his  senior  recital.  In  addition  to studying composition, Tomek has been studying Hindustani Classical Music on the sitar  for three years under the guidance of Acharya Roop Verma.  As  a culmination of his studies he is giving a recital on Saturday, May 9 at 8:00 p.m. in Casadesus Recital Hall. C H RI S T O P H E R  M O R G A N  LOY, composer–pianist, has a catalog of compositions  which  includes  works  for  piano,  voice,  chamber  ensembles, chamber orchestra, full orchestra, and chorus. He earned the Doctor of Musical Arts in  composition  from  Cornell  University in  Ithaca, New York  in  1993. Since the 1980’s Loy has received over 25 commissions from members of the Detroit Symphony Orchestra, St. Paul ’s Episcopal Church in Cleveland Heights, the  Sage  Chapel  Choir  of  Cornell  University  in  Ithaca,  individuals  and professional  musicians.  In  1998, 2001  and 2008, he  received the New York State  Council  on  the  Arts  Decentralization  Program  Grant  to  compose  his Serenade, String Quartet  # 1  and  Poetic  Rejuvenations  –  a  large­scale  work integrating poetry and music composed for five players and poet. Each year Loy produces concerts in which he premieres new works of his, along with works of other  composers.  His works  have  been  heard  and  premiered  in  Cleveland, Detroit,  Houston,  New  York,  San  Francisco,  San  Antonio,  and  Ithaca.  He teaches Theory and Composition at  Binghamton University, and serves on the faculty of the Community School of Music and Art (CSMA) in Ithaca, NY. He is organist/ pianist at the First Baptist Church of Ithaca. Dr. Loy writes:  “I consider the five volumes of Spirituals I have set to be new compositions  –  not  just  arrangements.  The  formal  structure,  harmonic  and technical ingenuity, and loving care that  went into the creation of these works justifi' their classification as art songs. The Spirituals were inspired by and are dedicated to my wife, Ernestina Snead.” �Professor  P A U L  G O L D S T A U B ’ S  compositions have been  performed at Lincol n Center. Carnegie Hall. and in Canada. Great Britain, Japan. Germany, Russia  and  Italy.  A  national  finalist  in  the  St.  Paul  Chamber  Orchestra ’s American Composer Competition. he has been awarded grants by the National Endowment for the Arts. the National Endowment for the Huma nities, Meet the Composer and the Minnesota State Arts Board. and is an annual ASCAP awards recipient.  In  November. his composition. Swan. was awarded second prize  in the  national  Ithaca  College Choral Composition Competition.  A specialist  in creativity,  he  has  presented  papers  and  conducted  workshops  on  music improvisation at many colleges and conservatories. and at the SU NY conference on  creativity  at  the  Fashion  Institute  of  Technology  in  New  York.  At Binghamton,  he  directed  last  year’s online  distance  learning  project  with  the Manhattan  School  of  Music.  creating  live  interaction  between  composition students at  both schools.  Goldstaub  earned  the  Doctor  of Musical  Arts and Master of Music degrees at the  Eastman  School of Music. and a  Bachelor of Music degree at  Ithaca  College.  He  has held  positions at  Ithaca  College.  the College­Conservatory of Music of the University of Cincinnati. Minnesota State University at  Mankato and  Eastern Michigan  University.  His work on  Every Evening is featured in the 2009 edition of Binghamton Research magazine.  His publishers  include  Roger  Dean  Publishing  Company.  Lawson­Gould  Music. Ken Dorn Publications, and the International Trombone Associat ion Press. W S K G  Public Broadcasting Your source for locally hosted Classical, Folk   ¢ ’Jazz Radio and for pressin ‘ wlurz’ng the A rt  57 Artists of the Southern Tier Thursdays  on WSKG Television E wskg.org K wskg TV  « WSKG Radio  * WSQX 91.5 rm » �:  S T E " ,   /  J  A  H r ­  f /   / ­ / , « , / 1  f t   c o F '    a ,  e r   _  /  /   _ _  /  § < ‘ / t ; / _ , / / ' / ’ ? / i f f 4 Bach Celebration!!! ’  The Complete Organ Yorks  ’ E  1.4  =  :  . a4 JONATHAN  BIGGERS, ORGAN The third concert of the series and dedication of the new Hellmuth Wolff m yn M H M o n & mm ym e m yn ms d d w U W M U q un mmmmm th Tues, February .  & Friday, February 27”  at 8pm M a y  1  « 8 :00   M a y  3  + 3 :00  V5  T GQ  =  r s w  e } e ­ .   : First Year Series Final Concert will be held on  March 21+ at First Presbyterian Church, Binghamton lary  ;  ‘_  a  Y  :  a  .  B . I H. , L    S .  Fine Arts Building, Room 21, Binghamton University A Pa yor HEdike  '  The Forum Theatre 236 Washington Street » Binghamton, NY For tickets call 807­772–0400 or visit us online at immutncmeso P F ­ra.com.  .  .  Seats are limited. I t is  r e c o m m e n d e d   nformation, visit  T O N   777­ARTS tickets.  For more i B I N G H A M 1 T  Y  theBinghamton University Musi Department’s U  N i l .  V  g  R  s  ­‘  .  STATE UNIVERSITY O F  NEW  YORK  E *a ; m5 lm Cmmi pflk‘ueflfiwnfi­MkaSul ns made vaponfiwfli nedp .enFicyl i.dFeus O Choteu nty Astr, a SC1o rogram  P Fs­ p A veolpmen t Funds’ T v–nfran’n–m D iedc ,tnioi pumh  proovddu ndnipegsr pr t a tasu Genanl 0  1 T H p n fi d d w T a n h C y ­ n b y ­ g m n i t h d r ­ d c d u d E  n l m p m q ’ n d d – B r n o m . cocperston New  York  Sure Council  no the Ata. website at  must bin g hamtonedu, . . H S Q P  T �( S e i   (els S a t u r d a y,  F e b r u a r y  2 1 °  A Russian Fantasy for Two Pianos with Ewa Mackiewicz­Wolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall   rganist Jonathan Biggers – A Bach S u n d a y,  F e b r u a r y  2 2 ™ O Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sol d O ut) gers ­ A Bach   Tuesday, Fe b r u a r y  2 4 ” Organist Jonathan Big Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$   id­Day Concert, 1:20 PM ­ FREE Thursday, February 2 6 ” M Casadesus Recital Hall Reynolds, trombone,   Thursday, Fe b r u a r y  2 6 ” Guest Artist: Dr. Hal  Casadesus Rectal Hall, 8:00 PM, FREE Fr i d a y,  Fe b r u a r y  2 7 ”  Organist Jonathan Biggers – A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, M a r c h  5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$  Orchestra: Echoes of the   Saturday, March 7 ” University Symphony East ­ Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ hony, 3:00 PM, FREE   S u n d a y,  M a r c h  8 ” University Wind Symp Anderson Center Chamber Hall   id­Day Concert, 1:20 PM ­ FREE Thursday, March 1 2 ” M Casadesus Recital Hall For ticket information, please call the Anderson Center B o x  O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:19:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148803">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148803</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova, February 15, 2009 Recital Tape 2009-2-15 Description An account of the resource Works of Heggie, Regulski, Rorem, Loy, Goldstaub. Held at 3:00 p.m., February 15, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Burgess, Mary Salmirs, Michael Reitz, Margaret Loy, Christopher M Fabricius, Daniel Lehman, Stephanie Boyd, Sibongile Groves, Jennifer Montana, Heather Regulski, Tomek Bidney, Martin Goldstaub, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ebf97687c4df74cba0cddc1067211b31.pdf fdcf700ba2ae4bade2390a2bb655d8a4 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K wee 4 E P P F A R Rachmaninoff A Kussian ["antasy for J wo  [ianos S u i t e s  N o .  1 & 2 S y m p h o n i c  D a n c e s ­ I  wa  Mackiewicz­ Wolfe & Michael Salmirs Saturday, February 21, 2008, 8pm Anderson Genter Chamber Hall �P RO G R A M /  II.  ­   _ '  ,.  fl . f  of  /  r C r   4 a 6 l Sergei Rachmaninoff (1873­1 943) Suite No. 1 , Op. 5 (Fantaisie­tableaux) IL; IL. I11. I V. ‘ w Symphonic Dances, Op. 45 I. II I11. M a y  1 + 8 : 0 0 M a y 3    « 3 : 0 0 e r Non Allegro ­ Lento ­ Tempo 1 Andante con moto (Tempo di valse) Lento assai  ­  Allegro vivace INTERMISSION Suite No. 2, Op. 1 7 Cofounders Carmar  Savas a Peyiae HEB =  args  Barcarolle:  Allegretto A Night  for Love:  A dagio sostenuto Tears:  Largo di molto Easter:  Allegro maestoso The Forum Theatre 2356 ‘Washington Street » Bingha mton, N Y For tickets call 607­772–0400 or visit us online  at twthricitieso  racom.  NE TAH te. mln y  @\~l.i‘M  enan l 0  WuWipmfidflmfivfilhwmhlamithrh­dcdurifimdmmdhstm GCauny r r e  Yokr  Ste Councilon   pers predictors made  possible with  public func  from  the Nw r +Cites O  P Pls pregrm n A eolp rtsm  hteev A the Arts,  Sots apency. Fundincg p . ee t Funds’ T ounc l“i noD n C M orocvdiepd, an Pr amwb­ o” M I. II. IIL. I V. Introduction :  Alla marcia Valse:  Presto Romance:  A n dantino Tarantelle:  Presto �PROGRAM NOTES Rachmaninoff’s two­piano suites and symphonic dances are among the composer’s major works. Rachmaninoff was only twenty when the Suite No. 1 “Fantaisie –Tableaux” Op. 5 was published.  Dedicated  to  Tchaikovsky,  it shows a very strong link to that composer’s lyrical art. The Suite consists of four brief  movements  which  are  preceded  in  the  score  by  quotations  from Rachmanoinoff’s favorite poets: Lermontov, Byron, Tyutchev and Khomyakov. The first movement, the G minor Barcarolle: Allegretto, captures not only the serenity of Lermontov’s lines but also something of their restrained pathos. Gondola Song O cool evening wave Lap gently under the oars of the gondola that song again! and again the sound of the guitar! The finale, Paques: Allegro maestoso (Russian Easter) is entirely outgoing and theatrical, with the Kremlin bells tolling exuberantly from the opening bar to the l l ...in the distance, now melancholy, now happy, Was heard the sound of the old barcarolle: “The gondola glides through the water, and time flies through love; The waters become smooth again and passion will rise no more.” Fyodor Tyutchev (1803 – 1873) Alexei Khomyakov (1804 – 1860) The Suite No. 2, Op. 1 7, composed years later, was performed by the composer and his friend, Alexander Siloti, in Moscow in November 1901. The Suite’s first movement, Introduction: Alla Marcia, is full of energy and confidence, a tour de force in rhythm and unstoppable momentum with the central climax fading into a coda  of  gentle grace.  In  the unforgettable second  movement,  Valse: Presto,  music  floats  on  a  cascading  moto­perpetuo  fingerwork  that  is It is the hour when from the boughs The nightingale’s high note is heard; It is the hour when lover’s vows Seem sweet in every whispered word; And gentle winds, and waters near, Make music to the lonely ear. Human tears, O human tears! You flow both early and late – You flow unknown, you flow unseen Inexhaustible, innumerable, ­ You flow like torrents of rain In the depths of an autumn night. Easter T he mighty peal rang out over the earth, And all the air, moaning, shuddered and groaned, Melodious, silver thunderings Told the news of the holy triumph. interspersed  with  a  more  luxuriant  middle  section,  showing  the  demanding virtuosity and passionate bittersweet romanticism of the youthful Rachmaninoff. Romance: Andantino, the third movement, was written at about the same time as the composer’s Second Piano Concerto and is the emotional heart of the Suite. The last movement, brilliant and exhilarating Tarantelle: Presto concludes the whole  work. It  reminds us of the  immense technique that  Rachmaninoff, the pianist, possessed. Mikhail Lermontov (1814 – 1841) The second  movement, La  mit...L ’ amour: Adagio  sostenuto (A  Night  For Love), inspired by Byron’s lines is an  extended dialogue  which  begins with suggestions  of  bird  song, then  rises to  a central  climax  and  returns to  the tranquility from which it emerged. Night... Love Lord Byron (1788 – 1824) The next, Les larmes (Tears), is the  most  characteristic and forward­looking movement of agonized melancholy. Tears last. l L Being  his  last  opus, the  Symphonic  Dances, Op. 45  can  be  considered  as summarizing Rachmaninoff’s entire life. He called it  “my last  spark.” It  was written in  1940 with the title of Fantastic  Dances.  After October 29” when orchestration  was  completed,  the  title  of  the  work  changed  to  Symphonic Dances. A two­piano version was made by the composer from the short score, and its first performance was given by Rachmaninoff and Vladimir Horowitz at Rachmaninoff’s  Long Island  home.  Three  movements: Noon, Twilight and Midnight,  are  regarded  to  be  a  reflection  of  Rachmaninoff’s  essentially pessimistic view of existence.  Non Allegro opens with an insistent and angular rhythmic  figure  which  leads to the  haunted, principle theme.  Andante con moto, created in the form of a very energetic and dramatic waltz, is interrupted by the melancholy moods for which Rachmaninoff had  become the  absolute master.  Lento  assai  –  Allegro  vivace, called  a  “brilliantly  sinister  danse macabre,” is leading to darkness as if Rachmaninoff were resigned to his own approaching  death.  His  “last  spark,”  the  orchestral  version  of  the  piece performed in  1941  by  Philadelphia  Symphony Orchestra, was greeted by the most negative criticism that the composer had ever received. Twenty six months later, on March 18, 1943, Rachmaninoff died. ­­ Ewa Mackiewicz ­ Wolfe �A B O U T  T H E  P E R F O R M E R S EWA MACKIEWICZ­WOLFE, pianist,  received her Bachelor and Master degrees in Piano Performance with honors and high distinction from the Academy of Music in Lodz, Poland where she continued as Assistant Professor and Master Lecturer in music. Since 1984, she has been associated with the Binghamton University Music Department, Binghamton, New York as both a professor of piano and as a performing artist. Mackiewicz­Wolfe is the winner of the International Competition of Renaissance and Baroque Music and the International Competition for Young Pianists in Warsaw, Poland. She has appeared in Germany, Hungary, Canada and Poland as a recitalist, chamber musician and as soloist with symphony orchestras. She participated in several music festivals such as the Festival of Karol Szymanowski, the Piano Festival of Vladislav Kedra, Poland, and Chamber Music Festivals in Germany and Hungary. In the United States, Ewa Mackiewicz­Wolfe has performed throughout the Northeast including Jordan Hall of the New England Conservatory of Music, Phillips Academy and Boston University. She gave F ryderyk Chopin remembrance performances at the Consulate General of France, the Consulate General of Poland, New York City; and at the Hamilton Conservatory of Arts, Hamilton, Ontario, Canada; and at the Anderson Center for the Arts, Binghamton, New York. Her CD on Classics Label features Piano Sonatas of Mozart, Beethoven and Chopin. Pianist M I C H A E L  SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared  as  soloist  with  the  Corning  Philharmonic,  Binghamton University  Orchestra,  Cayuga  Chamber  Orchestra,  and  has  been  a featured  pianist  on  their  Sunday  chamber  series.  As  a  performer  of contemporary music, he has participated in such series as  Binghamton University’s  Musica  Nova,  Cornell  University ’s  Ensemble  X,  Chiron. and has toured and  recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. W S K G  P ublic Broadcasting Your source for locally hosted Classical, Folk ¢ Jazz Radio E . pressoins a n d f o r featuring 7 the A rt & Artists of the Southern Tier Thursdays on WSKG Television VER wskg.org W S K G T V   «  WSKG Radio  *  WSQX 91.5 rm �nathan Biggers ­ A Bach   Sunday, F ebruary 2 2 ” Organist Jo Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)   rganist Jonathan Biggers – A Bach Tuesday,  F ebruary 2 4 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $%   id­Day Concert, 1:20 PM ­ FREE Thursday, February  2 6 ” M Casadesus Recital Hall   uest Artist: Dr. Hal Reynolds, trombone, Thursday, February  2 6 ” G Casadesus Rectal Hall, 8:00 PM, FREE   rganist Jonathan Biggers – A Bach Friday, February  2 7 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $% ncert, 1:20 PM ­ FREE   Thursday, March 5 ” Mid­Day Co Casadesus Recital Hall Thursday, March 5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$ ymphony Orchestra: Echoes of the   Saturday, March 7 ” University S East ­ Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ ind Symphony, 3:00 PM, FREE   Sunday, M arch 8 ” University W Anderson Center Chamber Hall ncert, 1:20 PM ­ FREE   Thursday, March 1 2 Mid­Day Co Casadesus Recital Hall Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet, Casadesus Recital Hall, 3:00 PM, FREE cital: Heather Montana, soprano,   Saturday, M arch 1 4 ” Master’s Re Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center B ox  O ffice at 777­ART S. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:05:23 29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rachmaninoff: A Russian Fantasy for Two Pianos, Suites no. 1 & 2, Symphonic Dances, February 21, 2009 Recital Tape 2009-2-21 Description An account of the resource Binghamton University Department of Music. Held at 8:00 p.m., February 21, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Mackiewicz-Wolfe, Ewa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:05:25 38:30 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dedication concert, Wolff & Associe_s organ, opus VI (1972/2008) the complete organ works of Johann Sebastian Bach (1685-1750), program III, February 24, 2009 Recital Tape 2009-2-22 Description An account of the resource Works of Bach. Held at 4:00 p.m., February 22, 2009, Fine Arts Building, Room 21. Concert repeated at 8:00 p.m., February 24, 2009 and February 27, 2009, Fine Arts Building, Room 21. Creator An entity primarily responsible for making the resource Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-22 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7cf956a38de6d2c50846f06b94c0936b.pdf 08bfa56bc7a15f1b9455782b92a0b408 PDF Text Text BINGHAMTON U N IV E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W  Y O R K wdee [4 D E P A R T M E N T a} T H U R S D AY M I D ­ D AY  C O N C E R T L \ \ \ Fhnemrsday., F e b r u a r y 2  0 , 2  0 0 9 F220 p . m . Casad esus D e c i ta l F  a l l �PROGRAM Romance and Rondo  Stephen Brooks, bass Margaret Reitz, piano Suite No. 1 for Solo Cello, Op. 72 (1965) . Canto : Sostenuto e largamente Fuga: Andante moderato Lamento : Lento rubato Turn round, keep turning, good wooden horses, Turn a hundred times, turn a thousand times, . Benjamin Britten (1913–1976) Just as the rain on the city, Sonata for Viola and Piano in D Minor­.......... Mikhail Glinka Allegro moderate (1804–1857) Larghetto ma non troppo compl. V. Borisovsky Sarah Sterling, viola Margaret Reitz, piano Ariettes oublICes o i II. IL  pleure dans mon coeur IV. Paysages belges – Chevaux de bois i Claude Debussy (1 862­1 91 8) What is this languor That pierces my heart? O soft sound of the rain On the ground and on the roofs! For a heart that is weary, O the sound of the rain! There is weeping without reason In the heart that is dejected What !  No treason? This sorrow is without reason. Truly the worst pain Is not to know why, Without love and without hatred My heart has so much pain. Elizabeth Sterling, soprano Chai­Kyou Mallinson, piano La Fille aux Cheveux de Lin arr. Arthur Hartmann Children ’s Corner: VI. Golliwogg ’s Cake­Walk arr. Jascha Heifetz Ariettes oubliées: II. IL  pleure dans mon Coeur (There is weeping in my heart) There is weeping in my heart Stephen Stalker, cello .Claude Debussy Claude Debussy Elizabeth Sterling, violin Margaret Reitz, piano Sonata for Viola and  Pigne & . . . . c . . . . . . i i i v i i Rebecca Clarke Impetuoso (1886–1979) Roberta Crawford, viola Michael Salmirs, piano Ariettes oubliées: IV. Paysages belges – Chevaux de bois (Wooden Horses) F ranz Joseph Keyper (1756­1815) ­ James R. Briscoe Turn often and do not stop, Turn round, turn to the tune of the oboes. The child quite red and the mother white, The boy in black and the girl in rose, Each one doing as he pleases, Each one spending his Sunday penny. Turn round, turn, horses of their choice, While at all your turning The sly rogue casts a surreptitious glance. Keep turning t o t he  tune o f  t he  victorious trumpet ! It  is  ast ounding h o w  it intoxic ates you, To move thus in this foolish circus, With empty stomachs and dizzy heads, Feeling altogether badly, yet happy in the crowd; Turn, hobby horses, without needing Ever the aid of spurs To make you gallop on. Turn round, turn, without any hope of hay, And hurry, horses of their fancy, Here, alreaay the supper bell is sounded By Night, which falls and disperses the crowd Of gay drinkers, whose thirst has made them Jamished. Turn, turn round! The velvet sky Arrays itself slowly with golden stars. The church tolls a mournful knell Turn to the gay tune of the drums, keep turning. ­ Edith Braun, Waldo Lyman, and Kay Maunsbach �Comnig CCuenst Thursday, February 2 6 ” G   uest Artist: Dr. Hal Reynolds, trombone, Casadesus Rectal Hall, 8:00 PM, FREE Friday, F ebruary 2 7 ” Organist    Jonathan Biggers ­ A Bach Celebration!!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, March 5 % Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$ Saturday, March ”  University Symphony Orchestra: Echoes of the East – Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ S u n d a y,  March 8 ” University Wind Symphony, 3:00 PM, FREE   Anderson Center Chamber Hall Thursday, March 1 2 ” Mid­Day Concert, 1:20 PM ­ FREE   Casadesus Recital Hall Saturday, March 1 4°" Student Recital: Gregg Ackerman, clarinet. Casadesus Recital Hall, 3:00 PM, FREE Saturday, March 1 4 ”  Master’s Recital: Heather Montana, soprano, Casadesus Recital Hall, 8:00 PM, FREE S u n d a y,  March 1 5% Guest Fortepiano Concert: Stefania Neonato, Casadesus Recital Hall, 3:00 PM, $$ S u n d a y,  M arch 1 5 ” Master’s Recital: Sibongile Boyd, soprano,   Casadesus Recital Hall, 6:30 PM, FREE For ticket information, please call the Anderson Center B ox O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, February 26, 2009 Recital Tape 2009-2-26 Description An account of the resource Works of Keyper, Britten, Glinka, Debussy, Debussy, Clarke. Held at 1:20 p.m., February 26, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Brooks, Stephen Reitz, Margaret Stalker, Stephen Sterling, Sarah Sterling, Elizabeth Mallinson, Chai-Kyou Crawford, Roberta Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:37 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149351">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149351</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert student music groups, March 5, 2009 Recital Tape 2009-3-5 Description An account of the resource Works of Scheinberg, Sussman, Cooper, De Longe, Hoppus, Berryman, Buckland, Champion, Martin, Hodges, Lee, Moody, Gaugh, Nowell, Roberts, Wilson. Held at 1:20 p.m., March 5, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kaskeset (Musical group) Binghamton Crosbys The Treblemakers The Binghamtonics Sulpoong Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/11a0dfca3bca00ef1cde36c9fe697d74.pdf 534d9fb5652634b219a9e5298441122d PDF Text Text BINGHAMTON U N I Y E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K d e c [4   E N T BLE F A R T M COUNTERPOINT C E L E B R AT I N G  W OMEN IN T H E  A RTS MOBIUS ENSEMBLE Janey Choi, violin Roberta Crawford, viola Stephen Stalker, cello Michael Salmirs, piano Wendy Wan­Ki Lee, guest speaker Thursday, March 5, 2009 8 : 1 5  p. m . Casadesus Recital Hall �ABOUT T H E  PERFORMERS PROGRAM WENDY WAN­KI L E E  is a composer­pianist­t heorist. She is currently an  Assistant Professor of  Music Composition at  the Chinese University of Hong Kong. Three Romances for Piano, Op. 11...............Clara Wieck­Schumann (1819–1896) Andante Andante Moderato { i Michael Salmirs, piano \ 1 Sonata for Viola and Piano Impetuoso Vivace Adagio ...........Rebecca Clarke (1886–1979) Roberta Crawford, viola Michael Salmirs, piano My Cagey Companions (world premiere).......... Wendy Wan­Ki Lee (b. 1977) Mobius Ensemble Janey Choi, violin Roberta Crawford, viola Stephen Stalker, cello Michael Salmirs, piano Please join us for a receptio n and viewing of the Art Museum’s March Exhibit directly following tonight’s performance. The Art Museum  is located on the second floor of the Fine Arts Building. i 1 1 As  an  avid  advocate  of  contemporary  works  with  diverse  musical interests, her music has been performed extensively in Asia and No rth America.  She  is  the  recipient  of  numerous  composition  and  piano performance awards, commissions, grants, and honors, including those from the American Academy of Arts and Lette rs, Aspen Music Festival, Banff School of Arts, Orford Arts Center, Hong Kong Arts Development Council,  and  the  Government  of  Canada.  A  frequent  clinician  and presenter,  she  has  been  invited  to  conduct  lectures  and  recitals  at international conferences and universities, such as those organized by the Asian Composers’ League, College Music Society, International Soc iety of Contemporary Music, MidAmerican Cente r for Contemporary Music, and Society for Composers, Inc. Recent activities include a commission and guest composer residency at the University of Idaho, where her new piano work (Kirie) along with several of her other compositions were performed. Current research focuses on conte mporary music by Chinese and Chinese/American composers. Her detailed biography is listed in the 2007–2009 publications  of Marquis’  Who’s  Who in  America,  Who’s Who of American Wom en, and Who’s Who in the World. Prof.  Lee  received  her  graduate  degrees  (Ph.D.,  M.M.)  in  Music Composition  and  Theory  at  the  University  of  Michigan,  a  B.M.  in Composition  from  the  University  of  Toronto,  as  well  as  piano performance diplomas from the Royal Conservatory of Music in Toronto (ARCT) and Trinity College of London (LTC L and FTCL). During her studies, she was awarded many prestigious fellowships and scholarships. Her  composition  teachers  include  William  Bolcom,  Chan  Ka  Nin, Christos  Hatzis, and  Bright  Sheng;  her piano teachers  include  Larysa Kuzmenko, Boris Lysenko, and John Nauman. Prior to her appointment at  CUHK,  she  has  held  teaching  positions  at  the  Oberlin  College Conservatory of Music, State University of N ew York at Binghamton, and the University of M ichigan. Professor Lee’s visit is funded in part by an anonymous donation to the Music Department. �Canadian­born violinist JANEY CHOI joined the faculty of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers  University,  studying  with  Arnold  Steinhardt,  and  holds  her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Smirnoff.  She gave  her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active performing career as a recitalist, chambe r, and orchestral musician throughout the country and abroad. She is the rec ipient of  numerous  awards  including  the  Ontario  Arts  Council’s  Chalmers Performing Arts Training Grant, and First Prize in the National Finals of the  Canadian  Music  Competition.  Ms.  Choi  has  participated  in  such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the Spoleto Festivals, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid inter­arts and cross­genre collaborator, she  is  the  Music  Director  of Thomas/Ortiz  Dance, and  has  performed numerous times with the  Parsons Dance Co. at  the  Kennedy Center in Washington, D.C.  She has recorded and appeared with such mainstream performers  as  Bono  and  Quincy  Jones,  Enya,  Elton  John,  Sarah McLachlan, Lisa Loeb, Kanye West, Jay­Z and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, Chamber Music Society of Lincoln Center and the Bloomingdale School of Music in New York City. ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As associate director and a founding membe r of the Finger Lake Chamber Ensemble, Ms. Crawford has participated in over one hundred solo, chamber, and lecture­recitals presented  by the ensemble  since  its  formation  in  1990.  She  has  performed  with  the Catskill Chamber Players, appeared frequently on the Cayuga Cham ber Orchestra’s Sunday Chamber Music Series and has been a guest artist with the Ariadne String Quartet. Ms. Crawford’s orchestral experience includes performances with the  Portland and Syracuse symphonies as well  as  the  Skaneateles  Festival  Orchestra,  and  she  has  served  as principal violist for the Cayuga Chamber Orchestra. An advocate of new music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written specifically for her. She has participated in  music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations, as Director of ViolaF est at Binghamton and is an artist faculty member with NYASTA ’s  String  lnsitute  at  Ithaca  College.  She  has  been  a  guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is Coordinator of Strings at Binghamton University. ST E P H E N  ST A L K E R ,  cellist, teaches at Binghamton University. He I l I l formerly  taught  at  Colgate  University,  Mansfield  University,  Ithaca College and the Binghamton City School District. He was the principal cellist  of  the  Cayuga  Chamber  Orchestra  in  Ithaca,  NY,  and  has performed extensively with the Catskill Chamber Players of Oneonta, NY, and  in  concerts at  Binghamton  University.  Performing  with  the Catskill Chamber Players he has presented Meet the Composer concerts with  prominent  American  composers  including  John  Cage,  Virgil Thomson,  Lou  Harrison  and  George  Crumb.  The  Chamber  Players appeared at Weill Recital Hall,  premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNY­Binghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison St ring Quartet, he was a finalist in the Naumberg Chamber Music Competition in  New  York  City  and  the  Evian  International  String  Quartet Competition  in  Evian,  France.  He  has  performed  in  many  recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University.  He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association.  He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello  Festival. He is a graduate of the Manhattan School of Music in New York City. Pianist M I C H A E L  SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber  musician.  He  has  appeared  as  soloist  with  the  Corning Philharmonic,  Binghamton  University  Orchestra,  Cayuga  Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most  of the standard chamber music repertoire for strings and piano, he  has premiered  numerous solo and chamber works, and recently gave the world premieres of David Liptak’s and  Marek  Harris’  Piano  Quintets.  He  has also  participated  in  such contemporary music series as Binghamton  University’s  Musica  Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. �7 ) 7  7 ( ~   [  4  1 5  4 ,   ,  »  c f   & ’ /   C F   “ A s   {  “ 4  £  hony Orchestra: Echoes of the   Saturday, March 7 ” University Symp East ­ Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ 5 Symphony, 3:00 PM, FREE   S u n d a y,  M arch 8 ” University Wind  Anderson Center Chamber Hall   id­Day Concert, 1:20 PM ­ FREE Thursday, March 1 2 ” M Casadesus Recital Hall Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet, Casadesus Recital Hall, 3:00 PM, FREE : Heather Montana, soprano,   Saturday, M arch 1 4 ” Masters Recital Casadesus Recital Hall, 8:00 PM, FREE Sunday, March 1 5% Guest Fortepiano Concert: Stefania Neonato, Casadesus Recital Hall, 3:00 PM, $$ : Sibongile Boyd, soprano,   Sunday, March 1 5 Master’s Recital Casadesus Recital Hall, 7:30 PM, FREE M a y  1 ­ 8 : 0 0 M a y 3    + 3 : 0 0   aster Class with Guest Fortepiano Artist Monday, March 1 6 ” M Stefania Neonato, 7:30 ­ 8:45 PM, Casadesus Recital Hall, FREE   aster Class with Jazz saxophonist Wednesday, March 1 8 ” M Maceo Parker, 4:00 PM, Osterhout Concert Theater (Co­sponsored by the Music Department and the Harpur Jazz Project) K ON  N Wednesday, March 1 8 ” J azz saxophonist: Maceo Parker ­ Osterhout Concert Theater, 8:00 PM, $$, (Co­sponsored by the Music Cofouncers Carman Bevo A Peyton  HRB RE Department and the Harpur Jazz Project) t, 1:20 PM ­ FREE   Thursday, March 1 9 Mid­Day Concer Casadesus Recital Hall The Forum Theatre 236’Washington Street « Binghamton, NY Ap)  For tickets call 807­772­0400 or visit us online at Mirwtricitieso  Jacom.  *: f m s h d n w m m ­ d w F H r u d C d i r n h f t m a n h n ‘ p fl f u i a fi c t d i r d itaotslu anu d’,ppencm aeny Al mr rtds, » SCEw G ln m d n m C ­ h fi Y M h M M G a k fi w fi l P d m n a m h n f d b l p M un oe Cth G  pgm    s Pl  F A pert, bvlw’nfiwnTh­mflwabpm Fund’s  T provided, n  y. Fndrg m  fi f t y “   pp  c o c p a r s t i c n no hte  Aatr. Sais To m l i n   arpur Chorale and Women’s Chorus: A Thursday, March 1 9 ” H Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM, FREE For ticket information, please call the Anderson Ce nter B o x  O ffice at 777­ARTS. �W S K G  P ublic B roadcast ing Your source for locally hosted Classical, Folk dio   ¢ ’Jazz Ra and for [featuring the A rt  & Artists of the S outhern  Tier Thursdays on WSKG  Television 19, G ws ' Lorg WSKG T V   «  WSKG Radio  *  WSQX 91.5 im � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149716">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149716</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Counterpoint: celebrating women in the arts, March 5, 2009 Recital Tape 2009-3-5b Description An account of the resource Works of Wieck-Schumann, Clarke, Wan-Ki Lee. Held at 8:15 p.m., March 5, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mobius Ensemble: Choi, Janey Crawford, Roberta Stalker, Stephen Salmirs, Michael Wan-Ki Lee, Wendy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound