109
10
1775
-
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: Universal Viewer / Rosetta
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3 audio discs
Duration
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1:08:53
35:05
1:16:08
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151074">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151074</a>
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Title
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Friedheim memorial lecture-recital : audible processes : minimalism & beyond, April 28, 2009
Recital Tape 2009-4-28
Description
An account of the resource
Works of Reich, Pärt, Adams. Held at 8:00 p.m., April 28, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Janey, Choi
Reitz, Margaret
Mackiewicz-Wolfe, Ewa
Salmirs, Michael
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-28
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c2007ff1248612e4371f060c71e972d4.pdf
e0f7908a42e3b9ef0a1b0000ec433f9a
PDF Text
Text
BINGHAMTON
N M I V
E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
o d e
[4
B E P A R T M
E N T
T HUR SDAY
M I D D A Y C ONCE RT
a—N%a
Q
—
—
T hursday, A pr i l 3 0, 2 009
1 : 2 0 p . m .
Casadesus D
ec ital F a l l
�PROGRAM
PROGRAM
Picnic on the Marne.
1. Driving from Paris
2. A Bend in the River
3. Bal Musette
.Ned Rorem
(b.1923)
Nathan Rose, alto saxophone
Margaret Reitz, piano
Der Einsame, Op. 41..
Im A
bendrot, Nachlass, Lfg. 10
.. Franz Schubert
(17971828)
Mark Rossnagel, baritone
William Lawson, piano
....J. S. Bach
(16851750)
Three Bagatelles for Bassoon
Eliahu David Jacobson
(18841961)
Dan Bessel, Kristen Grennan, Paige Elliott, bassoons
American Lullaby .......................
.
Gladys Rich
What Good Would the Moon Be, fromStreet Scene
...Kurt Weill
Nocturne, Op. 13, no. 4
(18921972)
(19001950)
.Samuel Barber
(19101981)
Laura MacAvoy, soprano
William Lawson, piano
Jean Sibelius
Zueignung, Op. 10, no.1
.
(18651957)
Richard Strauss
(18641957)
Julie Williams, soprano
William Lawson, piano
Adlieux de I’hotesse a/abe. . . . . .. .
Georges Bizet
(18381875)
Va! Laisse cou/ermes larmes, from Werther .......... Jules Massenet
Non S
O
pl) cosa son, cosa TAOLI0:
from Le Nozze di Figaro
Ashley Maynard, mezzosoprano
William Lawson, piano
(18421912)
W. A. Mozart
(17561791)
Der Einsame
The Solitary
I m Abendrot
I n t he R ed E vening
When my crickets chirp
at night on the stillwarm
hearth,
then do I sit, contented of mind,
companionably up against the
flames,
so light of heart, so carefree.
For a cosy quiet hour
it is good to stay awake by the
fire.
When the blaze dies down, you
rake the sparks, and muse and
think:
“Well, that was another day!”
Whatever joy or sorrow
its course has brought for us,
passes once more through the
mind.
Only the badness is rejected;
it must not disturb the night.
For a pleasant dream
you gradually prepare yourself.
And when, free of care, a lovely
picture
fills the soul with gentle delight,
you abandon yourself to rest.
O how I enjoy myself
O how beautiful is your world,
Father, when she shines with
golden beams!
When your gaze descends
And paints the dust with a
shimmering glowing,
When the red, which flashes in
the clouds,
Sinks into my quiet window!
Poem b y Karl Lappe (17731843)
in my quiet rusticity!
What, in the tempest of the
busy world holds the errant
heart in bondage,
brings no contentment.
Go on chirping, dear crickets,
in my hermitage so narrow and
small.
I put up with you gladly, you
don’t disturb me;
when your song breaks the
silence I am not quite alone.
Poem by Karl Lappe
How could I complain, how
could I be afraid?
How could anything ever be
amiss between you and me?
No, I will carry in my breast
Your Heaven for all times.
And this heart, before it breaks
down,
Shall drink in the glow and the
light.
Den fosta kyssen
The First Kiss
On silver clouds there sat the
evening star
When through the dusk a maid
called from afar;
“Oh tell me star, will heaven
think amiss
When first I bless my loved one
with a kiss?”
And heaven’s bashful daughter
thus did sigh:
“A choir of angels lifts their
heads up high,
And sees their grace reflected in
night’s keep."So death doth turn
his eyes away and weep.
�Zueignung
Devotion
Ah, you know it, dear soul, That
far from you I languish, Love
causes hearts to ache,
To you my thanks!
Once, drinking to freedom,
I raised the amethyst cup,
And you blessed the drink,
To you my thanks!
You exorcised the evil spirits in
it,
So that I, a s never before,
Cleansed and freed, sank upon
your breast,
To you my thanks!
Studio and
Fr iday, M a y 1 ° Flute
Flute Chamber Concert, 10:15 AM,
Casadesus Recital Hall, FREE
asters
Saturday, May 2 ” M
Rectal: Sung Jin Park, soprano,
Casadesus Recital Hall, 3:00 PM, FREE
ers
Saturday, M a y1 Mast
Recital: Susan Amisano, soprano,
Casadesus Recital Hall, 8:00 PM, FREE
Saturday, May 2 ” university
Symphony Orchestra “Fantastique!”
Osterhout Concert Theater, 8:00 PM, $$
Sunda y, M a y 3 ° Masters Recital:
Jenean Truax, soprano, Casadesus
Recital Hall, 3:00 PM, FREE
Tuesday, M ay 5 percussion
Ensemble, 8:00 PM, FREE, Anderson
Center Chamber Hall
Thursday, May 7 ” student
Recognition MidDay Concert, Casadesus
Redital Hall, 1:20 PM, FREE
Thursday, May 7 ” Harpur
Chorale and Women’s Chorus,Anderson
Center Chamber Hall, 8:00 PM, FREE
Fr iday, M a y 8 ” B inghamton
University African Music Ensemble,
Casadesus Recital Hall, 8:00 PM, FREE
Saturday, May 9 ” Hindustani
(North Indian) Qassical: Tomek
Regulski, Casadesus Recital Hall, 8:00
PM, FREE
For ticket information,
please call the
Anderson Center Box Office
at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:47
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149066">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149066</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday Mid-day Concert, April 30, 2009
Recital Tape 2009-4-30
Description
An account of the resource
Works of Rorem, Schubert, Bach, Rich, Barber, Weill, Sibelius, Strauss, Bizet, Massenet, Mozart. Held at 1:20 p.m., April 30, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Rose, Nathan
Reitz, Margaret
Rossnagel, Mark
Lawson, William James
Bessel, Dan
Grennan, Kristen
Elliott, Paige
MacAvoy, Laura
Williams, Julie
Maynard, Ashley
Publisher
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Binghamton University Libraries
Date
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2009-04-30
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/4caafae1f11a37a4e4d8c50bccfde216.pdf
78c6f1e34e083cf79b5b00dde437d9ba
PDF Text
Text
BINGHAMTON
DMN I V E R S I T
S T A T E U N I V E R S I T Y O F N E W Y O R K
olde
[4
B
E
F A R T M
E N T
Flute Studio
7)
Fniday, W a y 1 , 2 0 0 9
10:15 aun.
Casadesus Recital dJal
�PROGRAM
Sarabande for Flute Quartet..........................Claude Debussy
(18621918)
Transcribed by Harold L. Walters
Festival for Flute Quartet........c..cccevvveceerrennecrenenee...
Brandt
Transcribed by H. Voxman
Sonatina for Flute and Piano
......Arnold Cooke
Allegra moderato
Russian Folk Song
(19062005)
;
fi
Binghamton Universnty Flute Quartet
Emily Morris, flute
Rachelle Haddad, flute
Judy Kahn, flute
Jaclyn Scott, flute
Andantino
Allegro vivace
Tae Kim, flute
Mrs. Margaret Reitz, piano
A
i
Variations for Flute and Piano......................... Reynaldo Hahn
On a Theme of Mozart
(18751947)
a
.........Traditional
Transcribed by H. Voxman
Le Flute de Pan Op. 15
Pan Les Berges
1. A ndante dolce
Jules Mouquet
(18671946)
Valerie Spiller, flute
2. A Tempo
Mark Rossnagel, piano
3. Paco piu Lento
4. Un poco pui Lento
5 Py animapnt
a
3
6. Allegro molto
:
;
Night Soliloquy
Kent Kennan
(19132003)
Melissa Voldan, flute
Gabriel Luce, piano
Emily Morris, flute
Mrs. Margaret Reitz, piano
Fantasie in C Major for Flute Alone Georg Philipp Telemann
(16811767)
Suyeon Oh, flute
I m p ro m p li s. . . c ae
Suite for Three Flutes
Andante
Allegro
William Presser
(19062005)
Adagietto
Scherzo
.........Jean Conte
Suyeon Oh, flute
Mrs. Margaret Reitz, piano
(18301888)
The Drunken Sailor.............
.......... Arranged by C. Cowles
Binghamton University Flute Trio
Suyeon Oh, flute
Valerie Spiller, flute
Melissa Voldan, flute
Flutists are from the Flute Studio of G
eorgetta Maiolo
�Binghamton University Music Department’s
UPCOMING EVENTS
Sung Jin Park, soprano, 3:00 PM,
Satur day, May 2 ° Masters Rectal:
Casadesus Recital Hall, FREE
Susan Amisano, soprano, 8:00 PM,
Saturday, May 2 ”Masters Recital:
Casadesus Recital Hall, FREE
Saturday, May > University Symphony Orchestra “Fantastique!”
Osterhout Concert Theater, 8:00 PM, $$
Jenean Truax, soprano, 3:00 PM,
Sunday, M a y Masters Rectal:
Casadesus Recital Hall, FREE
Tu esday, May 5 Percussion Ensemble, 8:00 PM, Anderson Center
Chamber Hall, FREE
Thursday, May 7*" Student Recognition MidDay Concert, 1:20 PM,
Casadesus Recital Hall, FREE
Thursday, May a Harpur Chorale and Women’s Chorus, 8:00 PM,
Anderson Center Chamber Hall, FREE
Ensemble, 8:00 PM,
Friday, May 8 ” Binghamton University African Music
Casadesus Recital Hall, FREE
(North Indian) Classical: Tomek Regulski,
Saturday, May 9 ” Hindustani
Casadesus Recital Hall, 8:00 PM, FREE
For ticket information, please call the
Anderson Center Box Office
at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
51:09
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150688">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150688</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flute studio and flute chamber concert, May 1, 2009
Recital Tape 2009-5-1
Description
An account of the resource
Held at 10:15 a.m., May 1, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kim, Tae
Reitz, Margaret
Morris, Emily
Oh, Suyeon
Binghamton University Flute Quartet: Haddad, Rachelle
Kahn, Judy
Scott, Jaclyn
Spiller, Valerie
Rossnagel, Mark
Luce, Gabriel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-05-01
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/fa5e3f5f8d8e7ad37be3249bdd4380f9.pdf
c82a94506c9e557cfa14987669ef4531
PDF Text
Text
BINGHAMTON
U
N
I
T
Y
STATE U N I V E R S I T Y O F N E W Y O R K
d e c
'
D E P A R T M E N T
M A S T E R S R E C I T A L
SUNG Jin PARK , SOPRANO
ChaiKyou Mallinson, Piano
with
JuHyang Shon, Flute
Saturday, May 2, 2009
3:00 p.m.
Casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
Selected Songs..
.. Johann Sebastian Bach
Quia respexit from Magnificat BWV 243a and 243
(16851750)
Ich folge dir gleichfalls from Passio Secundum JoannemBWV245
student of Voice Performance at Binghamton University. She received a
B.M. degree in voice from Seoul National University and graduated from
Seoul Arts High School, Korea. Ms. Park will graduate from
Binghamton University this May. In the fall of 2009, she will attend the
University of Illinois at UrbanaChampaign to pursue the Doctor of
Musical Arts. Ms. Park performed in a concert for Ending of Semester
of Seoul National University, Seoul, Korea in 2005. In 2004, Ms. Park
was a stage director for a Gala Concert of Die Zauberflote, an Opera
Performing Group of Seoul National University, Seoul, Korea. She also
performed the Third Knabe in this concert. Ms. Park performed with the
Wind Orchestra of Korea University, Seoul, Korea in 2003. In 2002, Ms.
Park performed in the chorus of Cavalleria Rusticana of Seoul National
University and she was the soprano soloist in the Concert of Spring with
the Anyang City Chorus of Korea. Ms. Park received full tuition
scholarships from Seoul National University, Korea from 2002 to 2006
and won Third Place in the Italian Songs Competition, Korea in 2002.
Ms. Park studied with Professor Mihae Park and Professor Choonhae
Juliana Lee before coming to the United States. She currently studies
voice with Professor LeFebvre at Binghamton University.
JuHyang Shon, Flute
Sechs Lieder Op.13
Ich stand in dunklen Trdumen
Sie liebten sich beide
Clara Schumann
(18191896)
Liebeszauber
Der Mond kommt still gegangen
Ich hab’ in deinem Auge
Die stille Lotosblume
WINTERMISSION3
Classical Spanish Songs................................ J. Obradors
La mi sola, Laureola
Al Amor
(Corazon, porqué pasais?
El Majo celoso
Con amores, la mi madre
Del cabello mas sutil
Chiquitita la novia
(18971945)
Selected Korean Art Songs
ShinArirang (New Arirang)........................DongJin Kim (b.1913)
Sanyuhwa..
(The Flowers in the Mountain)
Gune (The swing)
SunNam Kim (19171986)
[Sang Yun (19171995)
Gopunguisang (An ancientstyled costume).................ISang Yun
Setahryung (Rhythm of Birds)................. DuNam Cho (19121984)
Soprano S U N G J I N PA R K , originally from Korea, is a master’s
CHAIKYOU MALLINSON, currently on the faculty of the
Department of Music at Binghamton University, received a B.M. degree
in Piano from Juilliard, Licence d’Enseignement from Ecole Normale de
Musique de Paris, France and a M.A. degree from Binghamton
University, where she studied with Jean Casadesus. A prize winner in
the Korean National Music Competition, she was awarded the French
Government Scholarship, Tanglewood Summer Music School Full
Scholarship and the Fontainebleau American Conservatory Full
Scholarship. She gave a debut Recital in Carnegie Recital Hall and has
been active as a recitalist, vocal accompanist and coach, and chamber
music performer, as well as an active adjudicator of piano auditions and
competitions.
JUHYANG SHON, originally from South Korea, is a sophomore
student of Binghamton University. Before she came to Binghamton
University, she studied at the Salem Academy in North Carolina with
Professor DebraReuter Pivetta. While she was in North Carolina, she
won several competitions including the Raleigh Area Flute competition
and Peter F. Chapman Concerto Competition. She studies with Professor
Maiolo at Binghamton University and plays in the Wind Symphony and
the University Orchestra. Ms. Shon is currently majoring in nursing.
�TRANSLATIONS
5. Ich hab’ in deinem Auge
(In your eyes I beheld)
Text by Friedrich Ruckert
I.
Quia respexit
from Magnificat
For he has regarded the low estate
of his handmaiden:
behold, for from this time,
may I be called blessed.
Ich folge dir gleichfalls
(I follow thee also)
from Passio Secundum Joannem
I follow you also
with joyful steps
and leave you not,
my life, my light.
Hasten the flow
and stop not
to draw me to yourself
to lead, to intercede.
II.
From Sechs Lieder (Six Songs),
Op.13
1.Ich stand in dunklen Tr iumen
(In dark dreams I stood)
Text by Heinrich Heine
In dark dreams I stood
and stared at her portrait,
and the beloved face
secretly came alive.
About her lips there played
a wondrous smile,
and her eyes glistened as though
with melancholy tears.
the fawns stood as though in a dream
and listened to the sound.
And my tears also flowed
down from my cheeks.
Alas! I cannot believe
that I have lost you!
2. Sie liebten sich beide
(They once loved each other)
Text by Heinrich Heine
i
i
(
.
They once loved each other, but
neither
was prepared to tell the other;
they looked at each other so coldly,
yet were pining away with love.
The moon comes quietly
with its golden light,
and the weary earth
sleeps in its sweet splendour.
3. Liebeszauber
And in the air there float
(Love’s magic)
over the sleepers
thousands of loving thoughts
from many a faithful soul.
Text by Emanuel Geibel
And at its sound there wafted around
scent from a thousand blooms,
and every treetop fluttered lightly
and lighter was the air.
The brooks were silent which but
recently
had splashed down from the heights;
But I went upon my way
and also heard the sound.
Alas! Since that hour my songs
have been nothing but its echo.
4. Der Mond kommt still gegangen
(The moon comes quietly)
Text by Emanuel Geibel
Finally they parted and only saw
each other at times in a dream;
they died a long time ago
and were hardly aware of it.
Love sat, a nightingale,
in a rose bush and sang;
the wonderful sweet sound
flew through the verdant wood.
And light and ever lighter
the rays of the sun flooded in,
and over flowers and wood and glen
the redgold glow poured out.
t
L
I
.
And down in the valley there sparkle
the windows of my darling’s house;
but I am in the dark, quietly
looking out into the world.
In your eyes I beheld
the light of true love.
Once I saw on your cheeks
the roses of heaven.
Though in your eyes the light be
dimmed
and the roses be scattered,
yet their reflection ever new
has remained in my heart.
I will never see your cheeks
or look into your eyes,
without the roses being there
and the light shining for me.
6. Die stille Lotosblume
(The still lotus flower)
Text by Emanuel Geibel
The still lotus flower
rises out of the blue lake.
The leaves shimmer and sparkle,
the cup is white as snow.
From heaven the moon pours out
all its golden light,
pours all its rays
into its depths.
A white swan draws its circles
around the flower in the water,
it sings so sweetly, so softly,
and gazes at the flower.
It sings so sweetly, so softly,
dying as it sings.
O flower, white flower,
can you understand the song?
�6. Del cabello mas sutil
(From the finest hair)
From the finest hair
III.
From Classical Spanish Songs
1.La mi sola, Laureola
(My only Laureola)
My only Laureola,
my only, only, only one,
I, the captive Leriano,
am so proud
to be wounded by the hand,
the only hand in the world,
My only, Laureola,
my only, only, only one.
2. Al Amor
(To love)
Give me, Love, countless kisses,
your hands seizing my hair,
and a thousand and a hundred after
those
and then eleven hundred more
and after many thousands, three more!
And so that no one knows,
let’s forget the count
and count backwards!
3. 5Cora26n, porqué pasais?
(Oh, heart, why do you lie awake?)
Oh, heart, why do you lie awake
during the nights made for love,
When your mistress rests
in the arms of another lover?
Oh, heart, why do you lie awake
during the nights made for love?
4. El majo celoso
(The jealous lad)
From the lad who is wooing me
I have learned the sad song
Which, night after night, a thousand
And one times, he sighs at my
window
“My darling, I am dying
of a wild and cruel love;
I wish I could forget you,
but though I try, I cannot!”
They told him that in the Pradera
I was seen with a fellow
Dressed in a silk shirt
and a velvet jacket.
“My handsome boy, I love you!
Never think I am dying,
crazed with love,
For that fellow!”
5. Con amores, la mi madre
(Dreaming of love, dear mother)
Dreaming of love, dear mother,
dreaming of love, I fell asleep,
and sleeping I dreamed
of what my heart concealed.
For love consoled me
with more than I deserved.
This favour which Love lovingly
granted me lulled me to sleep.
The loyalty with which I served him
brought respite to my sorrow.
Dreaming of love, dear mother,
dreaming of love, I fell asleep.
That you wear in braids
I will make a chain
to bring you to my side.
A waterpot in your house,
my love, I should like to be,
and then, I could kiss your lips
each time you take a drink.
7. Chiquitita la novia
(A tiny bride)
Ah!
A tiny bride,
a tiny groom,
a tiny room,
and a bedroom.
That is why I want
a tiny bed
and a mosquito net.
Ah!
IV.
Shin A rirang
(New Arirang)
The word ‘Arirang’ is impossible to
translate. It is a Korean word and a
concept which can mean many things
(and even different things to different
people) in this most traditional of
Korean folk songs.
Arirang, Arirang, Arariyo
Go over the Arirang mountain pass.
You wait, holding open the gate made
of sticks.
The wild duck frolics in the
moonlight.
The love I met when the peony
blossomed
does not return,
Even now that the white
chrysanthemums
have withered.
There is no hope of binding my
beloved
to my heart
in which my love is still knotted.
Arirang, Arirang, Arariyo,
Over the Arirang mountain pass.
Arirang, Arirang, Arariyo,
Go over the Arirang mountain pass.
Shall I build a humble cottage
under that mountain
and live like the flowing stream?
Arirang, Arirang, Arariyo,
Go over the Arirang mountain pass.
Sanyuhwa
(The Flowers in the Mountain)
On the mountain there are flowers,
blooming flowers.
No care for the passing of spring or
summer, flowers are blooming.
On the mountain, this side and that
side
The blooming flower is shining alone.
The bird crying through the mountain,
enjoys dancing with the flower.
A pleasure to live in the mountain.
Flowers fading in the mountains,
On the mountain there are flowers,
fading flowers.
No care for the passing of spring or
summer, flowers are fading.
�Gune
(The Swing)
When I see a far away,
I can see like going out my sight,
She looks like a butterfly.
The cuckoo sings in the green forest.
She takes o ff the swing,
Because she worries that lover waits
her.
After we make up
And checking her hair and clothes,
She breathes with gasping.
When I see a far away,
I can see like going out my sight,
She looks like a butterfly.
The cuckoo sings in the green forest.
Gopunguisang
(An ancientstyled costume)
Sadly beautiful are the long eaves of
the roof, heading towards the sky
HalfMoon is hiding behind the
curtain made with tiny marbles
Night of the spring gets deeper and
deeper like the cries of the bird
Alas, beautiful. Truly Beautiful!
Bright is the white strip attached to
the top boarder of the “Hanbock” (*1)
coat. The long skirt of the Hanbock,
12feetlong, flows like a wave.
Aren’t you a swallowtail butterfly
that signifies the tradition of a nation?
Lower your eyes; And dance lightly
like the butterfly. I play “Geumungo”
in the night, my eyes closed (*2). My
hands playing dance to the rhythm of
the music like a willow in the wind.
*1: Hanbock: Korean traditional attire.
*2: Geomungo: a Korean musical instrument
with six strings.
Setahryung
(Rhythm of birds)
a traditional Korean melody
Birds fly, birds are flying,
Coming, coming are the birds.
Birds from everywhere, birds of all
kinds.
Birds are coming with spring time.
Birds sing, birds are singing.
Singing singing are the birds.
Spring time is everywhere, flowers of
all kinds.
Spring is coming with a bird’s song.
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 sound disc
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51:41
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149357">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149357</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Sung Jin Park, Master's recital, May 2, 2009
Recital Tape 2009-5-2
Description
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Works of Bach, Schumann, Obradors, Kim, Yun, Cho. Held at 3:00 p.m., May 2, 2009, Casadesus Recital Hall.
Creator
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Mallinson, Chai-Kyou
Shon, Ju-Hyang
Park, Sung Jin
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Binghamton University Libraries
Date
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2009-05-02
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Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/0d21c7a6b105064ae254492f8b5ad82c.pdf
196a497a2d2363acf82c8440d5eda95d
PDF Text
Text
BINGHAMTON
Y R I Y E R D I
ST A T E U N I V E R S I T Y O F N E W Y O R K
(4
CESEC
D E P A R T M E N T
The Bingham ton University
Sym phon y O rchestra
presents
MUSIQUE F ANTASTIQUE
with
Timothy Perry, Cond uctor
Saturday, May 2, 2009
8:00 p.m.
Osterhout Concer t Theater
�PROGRAM
'
M
M
M
…
W
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I
{
}
I
Than kyouforattendin gtoday’sconcer t .
We appreciate yo ur suppor t of our outstanding studentmusicians !
Please join the Orchestra for its exciting 20092010 season:
October 14” ACA Gala with the Paul Taylor Dance Com pany
December 12” Mus ic Depar tment Gala “Facul ty Fireworks!”
March 6” Winners of the USO Concerto & Aria Competition
May 1 * Spring Concert P rogram to be annou nced
)
ni D it D daie D L a ti D
La
CPE) ani VCL eit D at i O
Symphonie Fantastique, Op. 14 ( 1 8 3 0 ) . . .
Reveries. Passions.
I.
Un bal
II.
ps
Scène aux cham
III.
IV. Marche au supplice
Songe d ’une nuit du Sab bat
bg
.Hector Berlioz
(18031869)
i
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Intermission
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Suite (1919) from L ’Oiseau de Feu. ...
(The Firebird)
Introduction
L ’oiseau de feu et sa danse –
Variation de l’oiseau de feu
Ronde des princesses –
Danse infernale du roi Kastcheï –
Berceuse —
Finale
( leading directly to the next movement w ithout pause)
‘
……… . Igor Stravinsk y
(18821971 )
�ABOUT THE MUSIC
W e close this season with two works of prodigious creativity that blend the
concepts, and test the limits, of musical form and musical fantasy. Separated by a span
of eighty years, both premiered in Paris and each represents a watershed moment in
music history, works that epitomize that recent popular cultural and advertising phrase
‘this changes everything ’. Berlioz’ programmatic symphony serves, more than any
other work, as the dividing line leaving Classicism for Romanticism; Stravinsky’s ballet
is one of a handful of works whose premieres served to close that Romantic period. In
each case, the composition launched a major career; in each case the composer was not
yet thirty years of age; each pushes the possibilities of the orchestra outwards, both
technically and timbrally, to unheardof extremes. Finally, in a way few compositions
do, each preserves through its freshness and originality a certain quality of mystery and
magic, which I hope that you will experience with us this evening. – TP
over the winter months of 19091910. The story draws from several versions folk fairy
tales about Prince Ivan and the mythical Firebird. In Slavic tales the Firebird represents
a ‘Quest of the Hero’; if caught, the bird will employ its powers (here, to help Ivan
free the princesses) in return for its release. (The plot synopsis of the ballet follows
these program notes.)
’j
.\
# 0 D D
Berlioz’ Symphonie Fantastique had its genesis in the composer’s romantic
obsession with the English actress Harriet Smithson (whom he first saw in 1827,
married in 1832 and divorced in 1844). Driven by a (false) rumor of Smithson’s affair
with her manager, Berlioz created the work in a whiteheat of jealous inspiration. The
symphony traces in its five movements an arched progression of their fantasized
relationship as experienced by “a young musician of unhealthily sensitive natu re an d
endowed with vivid imagination”:
I. Idealized love; II. Actualized love;
III. Happiness, suspicion and betrayal;
IV. Negation of actualized love; V. Negation of idealized love.
(Berlioz’ full ‘program ’ follows these program notes)
The famous idée fixe the theme of the beloved opens the faster section of the first
movement, and appears throughout the work as a continuous musical marker that
Berlioz varies with the psychological context of the situation. All movements except
the first employ a reallife context as metaphors for the emotional progress of the
turbulent and ultimately doomed romance.
The work fairly bristles with Berlioz’ brilliant and innovative orchestration
ranging from the English hornoboe duet in the third movement pastorale to the col
legno (tapping the string with the wood of the bow) effects from the Witches’ Sabbath
to the fourplayer timpani chords that imitate distant thunder at the conclusion of the
third movement. All elements are given new flexibility in the service of the ‘fantastic ’.
Berlioz’ dynamic (volume) markings are pushed to pppp levels never before req uested
and the balance of all parts is marked with extraordinary care. Harmonic invention
includes the juxtaposition of seemingly unrelated chords, creating a number of ‘sound
effects’. Finally, the phrase structure employs extensions and elisions and freq uently
departs from the 24 and 8bar norm of the period. As Berlioz biographer David Cairns
remarks, “Berlioz in the ‘Fantastic ’ Symphony was s peaking a new language : not only
a new language of orchestral sound...but also a new language of feeling.”
The Firebird was the first of the three ballet scores composed by Igor
Stravinsky between 1910 and 1913 for Serge Diaghilev’s Ballet Russe company
( Petroushka and The Rite of Spring completing the trio). Stravinsky worked from the
scenario by Mikhail Fokin, to which he also contributed, composing the score in Russia
Musically, the entire ballet derives from the first sixnotes of the score. The
compositional processes Stravinsky employs with this thematic ‘interval cell’ built on
the tritone interval are much closer to those used by his contemporary Bela Bartok than
to the Russian school in which Stravinsky trained. The original orchestration is large,
complex and brilliant, and while showing much influence of Stravinsky’s teacher,
RimskyKorsakov, goes into uncharted territory in terms of musical effects like the
harmonic slides of the Introduction and the virtuosic fluttering in the firebird’s
‘Variation ’. Tonight’s 1919 suite is scored for a standard symphonic orchestra and joins
suites completed in 1910 and 1945 by the composer. The work was rehearsed in St.
Petersburg with final preparation in Paris from May 1910. The premiere proved a
triumph for the dance company and the composer and established Stravinsky
TP April 2009
permanently at the forefront of Parisian musical life.
ELK K K
BERLIOZ’S SYMPHONIE FANTASTIQUE:
Composer’s Note
The composer’s intention has been to develop, insofar as they contain musical
possibilities, various situations in the life of a n artist. The outline of the
instrumental drama, which lacks the help of words, needs to be explained in advance.
The following program should thus be considered as the spoken text of an opera,
serving to introduce the musical movements, whose character an d expression it
motivates.
[
\
PROGRAM FROM THE PUBLISHED SCORE
A young musician of unhealthily sensitive nature and endowed with vivid imagination
has poisoned himself with opium in a paroxysm of lovesick despair. The narcotic dose
was too weak to cause death, but it has thrown him into a long sleep accompanied by
the most extraordinary visions. In this condition, his sensations, feeling, and memories
find utterance in his sick brain in the form of musical imagery. Even the beloved one
takes the form of melody in his mind, like an everreturning idée fixe that he hears
everywhere.
Ist movement : Visions and Passions. At first, he thinks of the uneasy and nervous
condition of his mind, of sombre longings, of depression and joyous elation without any
recognizable cause, which he experienced before the beloved one had appeared to him.
Then he remembers the ardent love with which she suddenly inspired him; he thinks of
the almost insane anxiety of his mind, of his raging jealousy, of his reawakening love,
and of religious consolation.
2 nd movement : A Ball. In a ballroom, amid the confusion of a brilliant festival, he
finds the beloved one again.
�3rd movement : Scene in the Country. On a summer evening, he is in the country
musing when he hears two shepherd lads playing the ranz des vaches (a tune used to
call flocks together) in alternation. The shepherdduet, the location, the soft whisperings
of the trees stirred by the zephyrwind, remembered hopeful prospectsall these
sensations unite to impart a longunknown repose to his heart and lend a smiling color
to his imagination. A nd then she appears once more. His heart stops beating as painful
forebodings fill his soul: “ What if she should prove false to him?” One of the shepherds
resumes the melody, but the other answers him no more. ... Sunset ... distant rolling of
thunder ... loneliness ... silence.
4th movement : March to the Scaffold. He dreams that he has murdered his beloved
that he has been condemned to death and is being led to the scaffold. A march that is
alternately sombre an d wild, brilliant and solemn, accompanies the procession. ... The
tumultuous outbursts are followed without modulation by measured steps. The idée
fixe returns; for a moment a last thought of love is revivedwhich is cut short by the
deathblow.
5th movement : Dream of a Witches’ Sabbath. He dreams that he is present at a
witches’ dance, surrounded by horrible spirits, amid sorcerers and monsters in many
fearful forms, all come to attend his funeral. Strange sounds are heard groans, shrill
laughter, distant yells, which other cries seem to answer. The beloved melody is heard
again, but it has lost its noble and shy character, and become a vulgar, trivial, grotesq ue
kind of dance. It is she who now comes to attend the witches’ sabbath. Friendly howls
and shouts greet her arrival ... she joins the infernal orgy ... bells toll for the dead ... a
burlesque parody of the Dies Irae ... the witches’ rounddance the dance and the Dies
Irae are heard together.
L ’OISEAU DE FEU ( THE FIREBIRD): SYNOPSIS
Stravinsky’s ballet ce nters on the journey of its hero, Prince Ivan.
Ivan enters the magical realm of Kashchei the Immortal; all of the magical
objects and creatures of Kashchei are herein represented by a chromatic descending
motif, usually in the strings. While wandering in the gardens, he sees and chases the
Firebird. The Firebird, once caught by Ivan, begs for its life and ultimately agrees to
assist Ivan in exchange for eventual freedom .
U n i v e r s i t y S y m p h o n y O r c h e s t r a Timothy Perry, Conductor
Flute/Piccolo*
Tae Kim
SuYeon Oh*
Valerie Spiller
Missy Voldan*
Oboe/Eng. Horn*
Valerie Hammel
Maxwell Rosenberg*
Katie Warner
Clarinet/Eflat*
Gregg A ckerman*
Matthew Hassel
James Wu
Jonathan Yousefzade h*
Bassoon
Daniel Bessel
Paige Elliott
Kristin Grennan
Franch Horn
Diana Amari
Zack Arenstein
Zachary Birnbaum
Kirstie Cummings
Next, Prince Ivan sees thirteen princesses, with one of whom he falls in love.
The next day, Ivan chooses to confront Kashchei to ask to marry one of the princesses;
the two talk and eventually begin quarreling. When Kashchei sends his magical
creatures after Ivan, the Firebird true to its pledge intervenes, bewitching the
creatures and making them dance an elaborate, energetic dance (the “Infernal Dance") .
Trumpet
The creatures and Kashchei then fall asleep; however, Kashchei awakens and
is then sent into another dance by the Firebird. While Kashchei is bewitched, the
Firebird tells Ivan the secret to Kashchei’s immor tality and Ivan destroys it, killing
Kashchei.
Jay Bartishevich
Rob Menard
Chris Mann
With Kashchei gone and his magic broken, the magical creatures and palace
all disappear. All of the “real” beings (including the princesses) awaken and, with one
final fleeting appearance from the Firebird, celebrate their victory and freedom.
Dan Brisk
Daniel Fein
Tim O’Brien
Trombone
Tuba
Percussion/Timpani
Amanda Jacobs
Stephanie Lehman
Brian Lindenbaum
Gavin Osterhoudt
Lee Vilinsky
Violin !
Griffin Sargent
Michael Chin
Richard Law
Amy Honigsberg
Alicia Koepke
Emily Wong
Margaret Yoon
Gregory G. Greene
Eric LewisClark
Solomon Dawson
Jehwan Lee
Hemangi Shah
Jin Park
Amy Su
Violin Il
Elizabeth Sterling
Molly Ariotti
Erin Chang
Jenny Raphael
YeWon Kwak
Hyeyon Seo
Nicole Boucicaut
Paul Beechner
Xiang He
Rebecca Velez
Jane Evans
Elizabeth Joyce
Viola
Maxim Pekarskiy
Sarah Sterling
Janet Levins
Albert Kim
Jeffrey Kohn
Shane Thorn
Stephanie Chaung
William Grandin
Jodi Ezratty
Jacquelyn Emmons
Felicia Korenstein
Violoncello
Dam Soh
Jennifer Chen
Ryan Joyce
Taylor Reitmeier
Daniel Copel
Ronit Rapaport
Adam Engel
Contrabass
David Katz
Rachel Casey
Melanie Clark
Owen Domber t
The USO employs rotati ng
seating; Woodwinds, Brass
an d Percussion rotate by
compostion an d are listed
alphabetically. Strings rotate
by concert an d are listed in
seating order.
Congratulations a n d best
wishes to our graduatin g
members (+ )
�Bingha mtonU nivers ityMus icDepa rtment ’s
UPCOMING EVENTS
S u n da y, Ma y 3 ™ Masters Recital: J enean Truax, soprano,
Casadesus Recital Hall, 3:00 PM, FREE
Percussion Ensemble, 8:00 PM, FREE
T uesday, M a y 5
Anderson Center Ch amber Hall
Thursday, May 7” Student Recognition MidDay Concert,
Casadesus Recital Hall, 1 :2 0 PM, FREE
” Harpur Chorale an d Women’s Chorus,
Th ursday, M a y 7
Anderson Center Chamber Hall, 8:00 PM, FREE
n University African Music Ensemble,
Friday, M a y 8 ” Binghamto
Casadesus Recital Hall, 8:00 PM, FREE
Saturda y, May 9 ” Hindustani (North Indian) Classical:
Tomek Regulski, Casa desus Recital Hall, 8:00 PM, FREE
asters Recital: Jonathan Moots, baritone, Casadesus
S u n da y, Ma y 1 0 ” M
Recital Hall, 3:00 PM, FREE (tentativ e )
For ticket information, please call the
A nderson Center Box Office a t 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio discs
Duration
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55:47
21:44
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The Binghamton University Symphony Orchestra presents Musique fantastique, May 2, 2009
Recital Tape 2009-5-2b
Description
An account of the resource
Held at 8:00 p.m., May 2, 2009, Osterhout Concert Theater.
Creator
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Perry, Timothy
Publisher
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Binghamton University Libraries
Date
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2009-05-02
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/116a3f43cba10d1f6a08d4d6a207a9bc.pdf
1e311d1cdff7b3fc00fc0bf18bfdc33c
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BINGHAMTON
UP N I V E R S I L I Y
S T A T E U N I V E R S l T Y O F N E W Y O R K
odee
[4
E
P A
R
I M E N T
U N I V E RS I T Y P ERCUSSIO N
E N S E M B L E C O N C E R T
Daniel Fabricius, Conductor
Stephanie J. Lehman, Assistant Conductor
Assisted by
Sam Smith, Bass
Caleb DeGroote, M arimba
Tuesday evening, May 5, 2009
8:00 PM
Anderson Center Chamber Hall
�University Percussion Ensemble
Personnel
PROGRAM
Celestial Welcome........................................ Kristen Shiner McGuire
Music for Percussion E nsemble
Minuano (Six Eight) ..
A
R
S
u
b
.. Tomek Regulski
Pat Metheny & Lyle Mays
Arranged by Robert Curnow
a
! .
..............Mark Ford
Marc Silvagni, Stephanie Lehman, Caleb DeGroote
WINTERMISSION3
Stinkin’Garbage............................................... .......Ed Argenziano
Enchanted Circus...
Bicksa
Scott Tignor
Thom Hasenpflug
Cumana '.......................Barclay Allen, Harold Spina & Roc Hillman
Arranged by Dan Fabricius
Adam Goldenberg
Amanda Jacobs
Stephanie Lehman
Brian Lindenbaum
Gavin Osterhaudt
Wayne Papke
Marc Silvagni
Kelly Tufo
Lee Vilinsky
The UNIVERSITY PERCUSSION ENSEMBLE plays a wide variety of
music written for percussion instruments. They have played much of the
traditional literature composed for Percussion Ensemble as well as
compositions and arrangements from BU students and faculty. Students are
often featured as soloists with the group and audiences can expect to hear the
sounds of traditional standard orchestral instrument along with many non
traditional “percussive sounds”. The ensemble presents a concert every
semester and has developed a loyal following of people who try to attend
each performance. The group meets to rehearse for one hour each week.
DANIEL FABRICIUS, Lecturer of Music in Percussion, has been a
member of the Binghamton University faculty since 1992. He holds
degrees from Mansfield University and Ithaca College where he studied
percussion with Richard Talbot and Gordon Stout. In addition to his work at
BU, he has served as Director of Bands at Owego Free Academy since 1989.
He has been a member of the Binghamton Philharmonic percussion section
since 1982 but is also comfortable performing in popular, rock, jazz, and
other styles. He plays regularly on drums as a member of several musical
organizations in the Southern Tier. He has also played often as a freelance
percussionist, accompanying national touring artists such as Michael W.
Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus,
the Smothers Bothers, and Ella Fitzgerald. He is highly regarded in the
region as a percussion soloist and ensemble player and has played
collaborated often with organist Jonathan Biggers and the Ithaca Brass. For
many years Professor Fabricius has served the New York State School
Music Association as an AllState Percussion adjudicator. He also serves on
the faculty of the Binghamton High School Percussion Camp each summer
and over the years has presented many percussion clinics at state
conventions and conferences. In addition he often serves as a guest
conductor for honor band festivals and has adjudicated Jazz Ensemble and
Concert Band performances at music festivals throughout New York.
�STEPHANIE LEHMAN is now in her second year here at Binghainton
University as a graduate teaching assistant while pursuing her Masters
degree in percussion performance. Here at Binghamton, she is very
fortunate to be studying percussion under Dan Fabricius. She recently
graduated from University of Delaware with a Bachelors degree in music
education with a concentration in percussion. While here in Binghamton she
is spending her time teaching fellow students while practicing and
performing as much as possible. Last fall Stephanie was the winner in the
Winds, Brass, and Percussion Division for the Binghamton University
concerto competition. Her prize was to perform as marimba soloist with the
University Symphony Orchestra last spring. She has also performed two
exceptional Master’s Recitals to complete her degree requirements.
TOMEK REGULSKI is a second year Masters student at Binghamton
University, studying music composition in the studio of Dr. Paul Goldstaub.
He received his B.A. in music at Hartwick College, studying composition
under Dr. Thomas Licata. Music for Percussion Ensemble, which is being
performed this evening, is Tomek’s first composition written entirely for
percussion instruments.
“The piece begins and ends with a slow, rhythmically free section a
moment characteristic of my recent work. In between these outer sections
are two faster sections, the first of which features the mallet instruments,
while the second features the timpani. The goal for these two sections is for
there to be a constant momentum that builds up across both sections,
reaching its climax at the very end and coming to a halt on the first beat of
the return of the slow section, allowing the energy to dissipate across two
fermatas.”
Tomek will be graduating this year with his Masters of Music degree, and
will begin the Doctorate of Musical Arts degree program in music
composition at the University of Maryland in August. In addition to his
studies in composition, Tomek has been studying the classical music of
North India for the last three years under sitar maestro Acharya Roop
Verma. He is giving a recital on Saturday, May 9 at 8 p.m. in Cassadesus
Recital Hall as a culmination of this time, and invites everyone to come
share in the moment with him.
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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1 sound disc
Duration
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44:44
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150685">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150685</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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University Percussion Ensemble, May 5, 2009
Recital Tape 2009-5-5
Description
An account of the resource
Works of McGuire, Regulski, Metheny & Mays, Ford, Argenziano, Tignor, Hasenpflug, Allen, Spina & Hillman. Held at 8:00 p.m., May 5, 2009, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Fabricius, Daniel
Lehman, Stephanie J.
Smith, Sam
DeGroote, Caleb
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-05-05
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/4c2fdd4ec5c139ec5a31431f64a9a4a1.pdf
10874babddf7ac8f32578975cbd4ea51
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Text
BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y O F NEW Y O R K
I E C
BE E P A R I T M E N T
THURSDAY
S TUDENT R ECOGNITION
M I D D A Y C ONCERT
yeni
= Sepp
T h urs d ay .M
a y 7 . 2 0 0 9
1 : 2 0 p .1In.
L a s a d e s u s L e c i t a l H a l l
�PROGRAM
Declaration, Song, and Dance.
3 ” Movement: Dance
Kristen Shiner McGuire
The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus
Recital Hall (FREE)
Stephanie Lehman, timpani
Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday,
May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE)
Introduced by Robert Smith
C’est I’ext:
Claud
(18621918)
Elizabeth Sterling, soprano
ChaiKyou Mallinson, piano
Introduced by Mary Burgess
Jonathan Moots, bass, presents his Master Recital on Sunday, May 10", at 7:00 p.m. in
Fine Arts Rom 21 (FREE)
The Summer Youth Music Theater Workshop will perform “All Shook Up” in the
Watters Theatre on Saturday, 818/09, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m.
both days, $$
Passacag/ia on a n Old English Tune (1943)
Rebecca Clarke
(18861979)
Sarah Sterling, viola
Margaret Reitz, piano
Introduced by Roberta Crawford
La Valse (La Plus que Lente)
M a g m m W f é ’ m u
...........Claude Debussy
arr. Léon Roques (18391923)
Elizabeth Sterling, violin
Margaret Reitz, piano
Introduced by Timothy Perry
Christopher Loy
GIEAL D A Y :
(b. 1951)
Sibongile Boyd, soprano”
Christopher Loy, piano
Introduced by Timothy LeFebvre
Sonata No. 2 i n Major, Op. 1
00
Andante tranquillo Vivace
September:
The Friedheim Memorial Lecture/Recital: Find out what makes great music “tick” and
then enjoy the composition in performance!
Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of
the complete Organ works of J. S. Bach.
BU Alumnus Neil Berg returns to the Osterhout Concert Theater with a spirited tribute to
100+ Years of Broadway.
October:
The 200910 Chamber Series opens in the Chamber Hall with a Reunion Recital
featuring Music Department vocal alumni and faculty.
The University Symphony Orchestra opens the Anderson Center’s 2 5 A nniversary
Season in a gala performance with the worldfamous Paul Taylor Dance Company.
The University Wind Symphony, Harpur Chorale, and Women’s Chorus combine for
a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre).
Johannes Brahms
(18331897)
Griffin Sargent, violin
Michael Salmirs, piano
Introduced by Timothy Perry
November;
The University Chorus is joined by the Binghamton Philharmonic and soloists for a
reading of Beethoven ‘s epic Ninth Symphony.
December:
The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the
heat with the finest in Bigband literature.
Anne Boleyn, from 7ry Me, Good King (2001)......................Libby Larsen
(b. 1950)
Heather Montana, soprano
Margaret Reitz, piano
Introduced by Timothy LeFebvre
Our 20092010 Season Wow ro Insited!
Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of
medieval and renaissance vocal entertainment at the Madrigal Dinner.
For more information, please visit our website a!
www.binghamton.edu/music or call 607.777.2592
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
44:36
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149348">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149348</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday student recognition mid-day concert, May 7, 2009
Recital Tape 2009-5-7
Description
An account of the resource
Works of McGuire, Debussy, Clarke, Loy, Brahms, Larsen. Held at 1:20 p.m., May 7, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lehman, Stephanie
Sterling, Elizabeth
Mallinson, Chai-Kyou
Sterling, Sarah
Reitz, Margaret
Boyd, Sibongile
Loy, Christopher
Sargent, Griffin
Salmirs, Michael
Montana, Heather
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-05-07
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/84a57a0f74d8146a05d509a7ee22922c.pdf
02254cb1bc030244c3a8a406a18137e0
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
o d e
[4
D E P A R T M E N T
S I N G I N T O S P R I N G
Women ’s Chorus
Christine Ryder, conductor
Harp ur Chorale
Peter Browne, conductor
Thursday, May 7, 2009
8:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
Traditional American
Arr. Aaron Copland
ChingaRing Chaw
‘
‘
i
r
\
’
i
Northumbrian Folksong
Arr. John Clements
Blow the Wind Southerly...
..........................Japanese Folksong
Kokiriko Bushi..
Arr. Wendy B. Stuart
AinaThat Good News..................
J
i
Set Me asaSeal.............
..AfricanAmerican Spiritual
Arr. William Dawson
............René Clausen
I
How Can I Keep from Singing
Robert Lowry
Arr. Robert I. Hugh
Samantha Van Ad elsberg and Laura MacAvoy, soloists
Boogie Woogie Bugle Boy............ .......Don Raye an d Hughie Prince
Arr. Ed Lojeski
The Women ’s Cho rus
William Lawson, accompanist
�Translations
Alleluia, Sing a New Song................... Jaeobus Gallus (Jakob Handl)
Trois Chansons
...Claude Debussy
T rois Chansons .
I. Dieu! qu’il la fait bon regarder!
II. Quant j’ai ouy le tabourin
III. Yver, vous nestes qu’un villain
Dieu! qu’il la fait hon regarder!
‘
Briana Sakamoto, soloist
Elizabeth Sterling, conductor (I. and II.)
Peter Browne, conductor (111. )
}
Natasha BobrowskiKoury, soprano
Glenn Parker, tenor
Five Hebrew Love SONES..............cocouiecivercnseresssesnesseee. Wh itacre
1. Temuna
2. Kala kalla
3. Larov
4. Eyze shaleg
5. Rakut
Briana Sakamoto, soprano
Elizabeth Sterling, violin
Folk Song
A P P R cscnivismrsmvisiisismmmiirmniniundiirnisumabomn Folk
Arr. Sonja Poorman
Michael Mechmann, fl ute
Donde esta la Ma T e od o r a ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . C uban
Arr. Joaquin NinCulmell
The Har p u r Chorale
Peter Browne, conductor
Who could tire of her?
Her beauty constantly renews itself;
On neither side of the ocean
Do I know any girl or woman
Who is in all virtues so perfect;
It‘s a dream even to think of her;
God, what a vision she is.
II. Q u a n t ouy le tabourin
When I heard the tambourine
Call us to go aMaying,
I did not let it frighten me in my bed
Or lift my head from my pillow,
Saying, “It is too early,
1 will go back to sleep.”
When I heard the tambourine
Call us to go aMaying
Young folks dividing their spoils,
l cloaked myself in nonchalance,
Clinging to it
And finding the nearest neighbor.
When I heard the tambourine
Call us to go aMaying,
I did not let it frighten me in my bed
Or lift my head from my pillow.
Dan Forest
Selah.
God, what a vision she is ;
One imbued with grace,
true and beautiful!
For all the virtues that are hers
Everyone is quick to praise her.
{
\
III. Yver, vous n‘estes q u ’un villain
Winter, you ’re naught but a rogue.
Summer is pleasant and kind,
As we see from May and April,
Which accompany it evening and morn.
Summer, by nature’s order, clothes
fields, woods and flowers
With its livery of green
And many other hues.
But you, Winter, are too full
Of snow, wind, rain and sleet.
We must send you into exile.
I’m no flatterer and I speak my mind.
Winter, you’re naught but a rogue.
Five Hebrew Love Songs
1 . Tem una
A picture is engraved in my heart;
Moving between light and darkness:
A sort of silence envelops your body,
And your hair falls upon your face
just so.
2. Kala kalla
Light bride
She is all mine
And lightly
She will kiss me!
3. Larov
“Mostly,” said the roof to the sky,
“the distance between you and l
is endlessness;
But a while ago two came up here,
And only one centimeter
was left between us.”
4. Eyze shaleg
What snow!
Like little dreams
Falling from the sky.
5. Ra kut
He was full of tenderness;
She was very hard.
And as much as she tried to stay thus,
Simply, and with no good reason,
He took her into himself,
And set her down
In the softest, softest place.
(Hila Plitmann)
A rirang
Arirang, my love is leaving.
Arirang, he is going over the hill.
The one who leaves me
Will not go far without hurting his feet.
Donde esta la M a Teodo ra?
Where is she?
Where is she, the Ma Teodora?
She is flickflacking the strings
with her cane and her guitar strum.
�The Women ’s Chorus
Christine Ryder, conductor
Jennifer Easley and Danielle Sisson, associ ate conductors
William Lawson, accompanist
Samantha Grieco
Sarah Kuras
Chelsea Pace
Amanda Pachomski
Soprano 1
Meredith Collins
Catherine Cornell
Nicole Katz
Laura MacA voy
Jessica Pond
Christine Ryder
Ashley Samuel
Samantha van Adelsberg
Soprano 2
Molly AdamsToomey
Samantha Banton
Kristina Dowling
Jennifer Easley
Julia Rose
Becka Thompson
Alto
Lauren Anuszewski
Floralis Artiles
Ilyssa Baine
Danielle Barbanell
Melanie Clark
Rebecca Dinhofer
Brianna Jenkins
Rita Pesh ko
Annie Ferro
Kristina Seeley
Danielle Sisson
The Harp ur Chorale
Peter Browne, conductor
Soprano
Michele Aronson
Natasha BobrowskiKhoury
Nuala Gaffey
Allison Metcalfe
Briana Sakamoto
Elizabeth Sterling
Lynsey Zuar
Alto
Daron Blake
Ayla Gordon
Eliza EspinosaThomas
Shaina Carmel Indovino
Janice Lee
Krystiana Resto
Sarah Sterling
Tenor
Alexander Blitstein
Jonathan Karlas
Ross Matthei
Glenn Parker
Bass
Jonathan Brownell
Theodore Chakos
Joshua Darfler
Michael M. Mechmann
Exra Monasebian
Robert Operman
Mark Rossnage!
Theodore Trembinski
Upcoming Choral Events
For the 20092010 Season
Family Weekend Concert
Women’s Chorus and Harpur Chorale
Saturday, October 24, 2009
Osterhout Concert Theater; 3:00 p.m.
Beethoven Symphony No. 9
University Chorus and Binghamton Philharmonic
Sunday, November 15, 2009
Osterhout Concert Theater; 3:00 p.m.
El izabethan Madrigal Feaste
Women ’s Chorus and Harpur Chorale
Friday and Saturday, December 45, 2009
Old Union Hall, Student Union; 6:30 p.m.
University Cham ber Chorus
Sunday, January 24, 2010
Trinity Memorial Church; 3:00 p.m.
Women ’s Chorus an d Har p u r Chorale
Thursday, March 18, 2010
Anderson Center Chamber Hall; 8:00 p.m.
University Chorus
Saturday, April 17, 2010
Osterhout Concert Theater; 8:00 p.m.
Spring Concert
Women’s Chorus and Harpur Chorale
Thursday, May 6, 2010
Anderson Center Chamber Hall; 8:00 p.m.
�M a w W M
The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus
Recital Hall (FREE)
Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday,
May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE)
Jonathan Moots, bass, presents his Master Recital on Sunday, May 10‘", at 7:00 p.m. in
Fine Arts Rom 21 (FREE)
The Summer Youth Music Theater Works hop will perform “All Shook Up ” in the
Watters Theatre on Saturday, 8/1509, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m.
both days, $$
Our 200 92010 Gleason Afous ‘ro S u it ed !
September:
The Friedheim Memori al Lecture/Recital : Find out what makes great music “tick ” and
then enjoy the composition in performance!
Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of
the complete Organ works of J.S. Bach.
BU Alumnus Neil Berg retums to the Osterhout Concert Theater with a spirited tribute to
100+ Years of Broadway.
October:
The 200910 Chamb er Series opens in the Chamber Hall with a Reunion Recital
featuring Music Department vocal alumni and faculty.
The University Sym phony Orchestra opens the Anderson Center’s 2 5 A nniversary
Season in a gala performance with the worldfamous Paul Taylor Dance Compan y.
The University Win d Symphony, Harpur Chorale, and Women ‘s Chorus combine for
a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre).
November;
The University Chorus is joined by the Binghamton Philharmonic and soloists for a
reading of Beethoven ’s epic Ninth Symphony.
December:
The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the
heat with the finest in Bigband literature.
Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of
medieval and renaissance vocal entertainment at the Madrigal Dinner.
For more information, please visit our website at
www.binghamton.edu/music or call 607.777.2592
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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55:42
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150495">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150495</a>
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Sing Into Spring, May 7, 2009
Recital Tape 2009-5-7b
Description
An account of the resource
Works of Copland, Clements, Stuart, Dawson, Clausen, Lowry, Raye and Prince, Gallus, Debussy, Forest, Whitacre, Poorman, Nin-Culmell. Held at 8:00 p.m., May 7, 2009, Anderson Center Chamber Hall.
Creator
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Women's Chorus
Ryder, Christine
Harpur Chorale
Browne, Peter
Publisher
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Binghamton University Libraries
Date
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2009-05-07
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sound
-
https://omeka.binghamton.edu/omeka/files/original/186e4e58c17eeddaeff6bea670830a4a.pdf
bdab289726dd88c6364b4063a627ab7d
PDF Text
Text
BINGHAMTON
U N I V E R S T I X
S T A T E U N I V E R S I T Y O F N E W Y O R K
d e e
[4
B
E
F A R T M
E N T
AN E VENING O F A FRICAN
D ANCE
P rese nted by :
T h e N u k porfe Africa n Da nce–D rum mi ng
Ensemble, Bin gham ton University
Directed by
J a mes Bu rns a n d P ierrette Aboad ji
Friday, May 8, 2009
8 p.m.
Casadesus Recital Hall
�PROGRAM
wINTERMISSION¢3
In this program we present an evening of dancedrumming from southern
Ghana. The Nukporfe DanceDrumming ensemble is made up of advanced
drummers and dancers who have progressed through various introductory
courses including the Beginning and Advanced sections of African Dance
(THEA 289J/389J;AFST 289J/389J) and the African Music Ensemble (MUS
143B/AFST 188B). These courses are ofiered each semester through the
commonly used to open dance performances throughout southern Ghana,
Togo and Benin.
I. Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As the
drummers and dancers proceed to the stage in traditional fashion, they sing
a war song that calls the warriors to battle against the European colonial
powers. The second song memorializes the great warrior Kundo who led
warriors into battle and has been killed. This was originally a war dance of
the Ewe people. The movements imitate moments of the battle, and follow
the drum language of the lead drum, atsimevu.
VII. Togo Atsia. This dance piece is made up of a series of choreographed
dance sequences known as atsia. These sequences are cued by drum
language phrases [vugbe] played by the lead drummer on atsimevu – the tall
drum leaning on the stand – which are answered by the response drum kidi
– the medium–sized drum. In the 19605, expert choreographers and
drummers in the Ghana Dance Ensemble arranged this series of atisd
movements into a performance piece, which they dubbed Togo Atsia, in
recognition of their source within Ewe groups in Togo.
Departments of Africana Studies, Music, and Theatre Dance.
II. Kinka. Kinka is a funeral dance of the southern Ewe. It only uses one
basic movement so that regular members of the community can participate
in the dance.
III. Kpatsa. This dance comes from a neighboring group of the Ewe, known
as the GaAdangbe. They share many linguistic and cultural affinities with
the Ewe, and these two groups have historically interacted with each other.
T he characteristic movement of Kpatsa is a limping gait that imitates t he
movements of dwarfs, a magical race of beings which inhabit rural areas in
Ghana. These movements were embellished with dance combinations and
eventually became a social and recreational dance known as Kpatsa, whose
name is an onomatopoeic reference to the movement of dwarfs.
IV. Adzokpa ‘Ele ‘lodo – ge matso ’ [It is tired, let it fall and I will pick it
up!]. In southern Ewe drumming, an adzokpa is an interlude to the main
dance(s) consisting of a drum language conversation between the lead drum
and the chorus. The lead drum intones the first part of the conversation
(before the hyphen) and the chorus intones the second part. The adzokpa
presented here is a humorous quip about to a woman’s big buttocks, the
drums say, ‘let it fall, we will catch it!”
V. Gahu. Gahu is a neotraditional dance that has been adopted and adapted
by the Ewe people of Ghana. It is an offshoot of the Gome dance, a Pan
Atlantic African dance form that emerged in the 19” century from the
synthesis of European hymns and marches with West African musical
sensibilities. The name Gahu suggests an airplane, and represents local
experiences with new technology and culture. The songs are often
humorous and fun, suggesting themes of courtship and celebration.
VI. Invocational Song “Hunye de". A music performance typically begins
wit h a n invocation consisting of o ne o r m ore songs normally used to notify
t he spirits a n d a ncest ors t hat t hey a re goi ng t o pe rfo rm . T h e p rese nt so ng is
VIII. Adzokpa ‘Kpo towo gbo d ’asi mado lo, adzianye vi, d ’asi mado lo ’
[Go back home, my love, let me sleep!]. This adzokpa is another humorous
tale of an exhausted lover, who begs their partner for a moment of rest. It
could be spoken from the male or female point of view.
IX. Sohoun. Sohoun is an EweFon sacred dance used to open a ceremony
of the Yeve shrine. The original movements danced at the shrine inspired
the choreography for this folkloric version, created by Dr. Opoku for the
Ghana Dance Ensemble.
X. Sikyi. This dance is another neocontemporary dance of the Akan people
of southern and central Ghana. Sikyi, pronounced see chee, forms the
rhythmic foundation of Ghanaian Highlife music, the primary style of
popular music in Ghana.
X1. Gota. Gota is a Fon dance that is played for many different social
occasions. lts original version is played on gourds rather than drums;
however, the Ewe have transferred it on to their standard drum set. It was
also choreographed by the Ghana Dance Ensemble. We would like to invite
members of the audience to come up and participate in this dance.
�ABOUT T H E PERFORME RS
Dances Directed and Choreographed by
Pierrette Aboadji, Department of Theatre Dance
Professor Aboadji is a Ghanaian performer and teacher of A frican
dance. As a performer, she has been a member of the Ghana
Dance Ensemble since 1995; as a teacher, she is a lecturer in
African dance at Binghamton University.
Da ncers :
Tamara Pitter, Amber Ri vers, Evelyn Quist, Latoya Jean
Baptiste, Genev a Johnson, Marcel March, Aarong Lee, Tinesha
Feiton, Emmy Alba, Vera Adutwumwaah , Janet Addae,
Bernice Osei, Megan Buah, Michelle Nusinov, Lau ren G use,
Marissa Schwa rtz, Fatima Nagaya, K risten Donaphin
Drumming directed and arranged by
James Burns, Departments of Music and Africana Studies
Professor James Burns is an ethnomusicologist in the Depart ments
of Africana Studies and Music at Binghamton University. His
research focuses on music in West Africa and the Diaspora.
D rum m e rs :
Samuel Young, Keaton Rood, Samuel Yaggy, Wayne Papke,
Sacha Sigelma nSchwartz, M elanie Clark, A lexander Crave r,
Graham Feltha m, Randy Benje nk, Thomas Elefante
r x E
.
“ f “ lk Elli”:
_f. ‘ 4
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:02:08
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An evening of African dance, May 8, 2009
Recital Tape 2009-5-8
Description
An account of the resource
Traditional dance-drumming pieces from southern Ghana. Held at 8:00 p.m., May 8, 2009, Casadesus Recital Hall.
Creator
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Nukporfe African Dance-Drumming Ensemble, Burns, James
Aboadji, Pierrette
Publisher
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Binghamton University Libraries
Date
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2009-05-08
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sound
-
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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36:36
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Hindustani (North Indian) classical music an evening raga, May 9, 2009
Recital Tape 2009-5-9
Description
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Held at 8:00 p.m., May 9, 2009, Casadesus Recital Hall.
Creator
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Regulski, Tomek
Mirabito, Dean
Sakamoto, Briana
Publisher
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Binghamton University Libraries
Date
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2009-05-09
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In copyright
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sound