110 10 1775 https://omeka.binghamton.edu/omeka/files/original/b38d09c19d9188e3a8a3faeb164fb41c.pdf 59127d0eee4b2e0682c934638dae9487 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T THURSDAY MI D DA Y CONCERT Rid (Ay — ‘>, TH UR S. OC TOBER 13, 2 011 1:20 P.M. CASADESUS RECIT AL HALL �PROGRAM Deh Vieni Q a TNOSIA ......cotu,oeenrescencansersanneenees A. Mozart from “Don Giovanni” (17561791) I Got Me Flowers...............................Ralph Vaughan Williams (1 8721 958) Charles Hyland, Baritone William Lawson, Piano LauriesSong.. Aaron Copland f r o m“The Tender L and (1 9001 990) Sabrina Scull, Soprano ChaiKyou Mallinson, Piano Ev ’ry Valley shall be Exalted .........,...George Friedrich Handel Behold and See (1 6851 759) But Thou dids’t not Leave from “Messiah” (1 8791 925) Christina Santa Maria, Soprano William Lawson, Piano Glitter and Be Gay from “Candide” Leonard Bernstein (19181990) Christina Kompar, Soprano Margaret Reitz, Piano Nemico della patria from “Andrea Chenier” Umberto Giordano (18671948) HeePyoung Oh, Baritone ChaiKyou Mallinson, Piano os iia ......................Vincenzo Bellini f r o m I Capuleti e eiM ontecchi” (18011835) Meghan Cakalli, Soprano Margaret Reitz, Piano Silent Noon........................................Ralph Vaughan Williams (1 8721 958) Kimberly Torres, Mezzo Soprano ChaiKyou Mallinson, Piano Stefano Donaudy Ah, mai non cessate Oh quante volte.. Richard G. Leonberger, Tenor ChaiKyou Mallinson, Piano Linden Lea Amorosi miei Giorni Che gelida manina from “ L a B o he me ” Eun Hwan Bae, Tenor ChaiKyou Mallinson, Piano Giacomo Puccini (1 8581 924 ) �Binghamton University Music Department ’s U P C O M I N G E V E N T S ﬁ w w w a b ﬁ M M é ﬂ MidDay Concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sunday, October 1 6 — Mobius Ensemble and Friends: Chamber Music Masterpieces — 3 PM — Watters Theater — $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, October 2 0 — MidDay Concert — 1 :20 PM — Casadesus Recital Hall — Free Friday, October 2 1 — TriCities Opera presents “Madame Butterﬂy” — 8 PM — The Forum Theatre! — Call (607) 7720400 for tickets Saturday, October 2 2 — Family Weekend Concert (Harpur Chorale, Women’s C horus and the University Symphony Orchestra) — 3 PM — Osterhout Concert Theater — Free Sunday, October 23 — TriCities Opera presents “Madame Butterﬂy” – 3 PM – The Forum Theatre — call (607) 7720400 for tickets Sunday, October 23 — Alumni Organ Recital : John Novak (MM 0 6 ) — 4 PM – First Presbyterian Church, Binghamton — $10 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, October 2 3 — Binghamton Univ ersity Symphony Orchestra : Concerto and Aria Competition Concert — 7:30 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, October 2 7 — MidDay Concert — 1 :20 PM – Casadesus Recital Hall — free Friday, October 28 – Pianist Margaret Re itz presents “Forty Fingers ” with pianists Ida TiliTrebicka, Amy H eyman and Tina Toglia — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Thursday, November 3 — MidDay Conc ert — 1 :20 PM – Casadesus Recital Hall — free For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS To see all events, please visit music. b inghamton. e du Become a fan on Facebook by visiting Binghamton University Music D epartment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:49:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145349">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145349</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, October 13, 2011 Recital Tape 2011-10-13 Description An account of the resource Works by Mozart, Vaughan Williams, Copland, Handel, Donaudy, Bernstein, Giordano, Bellini, Puccini. Held at 1:20 p.m., October 13, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hyland, Charles Lawson, William James Scull, Sabrina Mallinson, Chai-Kyou Leonberger, Richard G. Torres, Kimberly Santa Maria, Christina Kompar, Christina Reitz, Margaret A. Oh, Hee-Pyoung Cakalli, Meghan Bae, Eun Hwan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2988bc958748ed75d53556ec15bcc821.pdf b5949aa643ecbe4e335308e85ea77e23 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K E N T D E P A R T M MOBIUS TC NSEMBLE AND [FRIENDS Janey Choi, Violin Roberta Crawford, Viola Stephen Stalker, Cello Michael Salmirs, Piano With Guest Artists Timothy Perry, Clarinet Peter Rovit, Violin Sunday, October 16, 2011 3 p.m. Watters Theater �PROGRAM Sonata for Violin and Piano A Johannes Brahms No. 2 i n A , Op. 100 (1833–1897) Allegro amabile Andante tranquillo Vivace Allegretto grazioso (quasi Andante) Ms. Choi, Mr. Salmirs Piano Quartet No. 7 G a b r 1 e l F a u r e ’ (18451924) In C minor, Op . 15 Allegro molto moderato Scherzo: Allegro vivo Adagio Allegro molto Ms. Choi, Ms. Crawford Mr. Stalker, Mr. Salmirs & IN T ERMIS S ION c z Clarinet Quintet in A, K V 581 .......Wolfgang Amadeus Mozart Allegro Larghetto Menuetto — Trio l — Trio ll Allegretto con Variazioni Ms. Choi, Ms. Crawford Mr. Stalker, Mr. Rovit, Mr. Perry (17561791) B O U T Canadian violinist, Janey Choi gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing as a soloist and with such groups as the Ardelia Trio, New York City Ballet, and the Teaching Artists Ensemble of the New York Philharmonic. The recipient of numerous awards, including National First Prize in the Canadian Music Competition, and a Performing Arts Grant from the Ontario Arts Council, she has participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in the U.S. and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. She initiated a collaboration between the Paul Taylor Dance Company and the Binghamton University Orchestra. Her other interests have taken her to the visual arts world, developing and presenting an annual “Music + Art” show commissioning artwork based on chamber works. She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Adele, Beyoncé, Aretha Franklin, Enya , Elton John, Ja yZ, Sarah McLachlan, Lenny Kravitz, and Kanye West, on the Grammys, MTV, Saturday Night Live, The Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi was the youngest, and only PreCollege student ever accepted by her late mentor, Joseph Fuchs at The Juilliard School, where she graduated from the accelerated BM/MM program with the Joseph Fuchs Graduation Prize. Her other major teachers include Joel Smirnoﬀ, Victor Danchenko, Harvey Shapiro, and Arnold Steinhardt. She attained her Doctor of Musical Arts degree a t Rutgers University with full scholarship and the Gradua te Fellowship Award. She has been on the faculty of Binghamton University since 2006 and is a Tea ching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. She has presented educational workshops for the College Music Society National Conference, Tokyo College of Music and Lincoln Center Institute. In her free time, she enjoys marathon and triathlon training, playing soccer and ice hockey. Roberta Cra wford, violist, performs extensively as a recitalist and chamber musician. As coartistic director and a founding member of the Finger Lakes Chamber Ensemble, Ms. Crawford has participated in over two hundred solo, chamber, and lecturerecitals presented by the ensemble since its formation in 1990. Ms. Crawford is violist with the �Mobius Ensemble, resident piano quartet at Binghamton University which performs frequently on campus and throughout the region. She has performed with the Catskill Chamber Players, appeared often on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and was a guest performer with the Ariadne String Quartet. Ms. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist for the Cayuga Chamber Orchestra. Recent activities include performance in the world premiere of Fault Lines for piano quartet, written by awardwinning composer, James Matheson and presented at Cornell University’s Mayfest 2010. An advocate of new music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations and as director of ViolaFest at Binghamton. Ms. Crawford also served for ﬁve years as a Faculty/Artist for NSOA ASTA String Institute at Ithaca College. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently coordinator of strings at Binghamton University. Stephen Stalker, cello, has made concerto appearances with numerous orchestras in upstate New York, including: Schenectady Symphony Orchestra, Cayuga Chamber Orchestra, Catskill Symphony Orchestra and the Binghamton Community Orchestra, performing concertos by Boccherini, Haydn, Beethoven, Lalo, St. Saens, Brahms, Dvorak, Hindemith and Shostakovich. He has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the US, France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an ArtistinResidence at Colgate University. He has played extensively with the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” a t the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and also toured Greece with the Schenectady Philharmonic. He graduated from the Manhattan School of Music and teaches cello and double bass at Binghamton University. Pianist Michael Salmirs is wellknown as a recitalist and chamber musician. As a founding member and coartistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres of Piano Quintets by David Liptak and Marek Harris. He has also participated in such contemporary music series as Binghamton University’s Music Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. This past season he premiered Piano Quartet by Wendy Wanki Lee with the Binghamton University resident piano quartet, Mobius Ensemble, as well as Diego Vega’s Piano Quartet with the Finger Lakes Chamber Ensemble. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University where he teaches piano and coaches chamber music. As a composer, Silenced Voice, for Soprano, Baritone, Clarinet, and Piano Quartet, was premiered in 2010 at Binghamton University and is presently working on a string ensemble piece for the New Violin Family Orchestra to premiered in summer, 2012. Dr. Timothy Perry, Professor and Chair of Binghamton University’s Department of Music is now in his twentysixth season as director of the orchestral program at Binghamton University, serving as Director of the University Symphony and University String orchestras. Dr. Perry also directed the BU Wind Ensemble from 1986–2005 and served as the Music Director of the Binghamton Community Orchestra from 1994– 2004. He has guest conducted a wide range of orchestral, opera and musical theater repertoire with ensembles both regionally and internationally, most recently closing the season of the Catskill Symphony in May of 2012. As clarinetist he has appeared throughout the world as soloist, chamber musician and tea cher, including three appearances at the world conference of the International Clarinet Association and a tour as a United States Musical Ambassador for Latin America and the Caribbean. Recent activities have included concerto appearances with the Catskill Symphony Orchestra in 2009 and with the �PROGRAM NOTES BU Symphony in 2011. He presented a solo recital at Binghamton‘s Phelps Mansion for the “Second Sunday” series on September 25th and will perform the Premiere Rhapsodie of Claude Debussy for a Friedheim Memorial Lecture Recital at Binghamton University on November 8th. Dr. Perry performs on a Buﬀet basset clarinet built for him in 2005 by Stephen Fox of Toronto, and a “bel canto” mouthpiece by James Pyne. Peter Rovit (BM with High Distinction, Indiana University; MM, Hartt School; Professional Studies, Juilliard; DMA, SUNY at Stony Brook) was among the last students of Josef Gingold at Indiana University where he also studied Baroque violin with Stanley Ritchie. His other teachers have included Mitchell Stern, Philip Setzer, ChoLiang Lin, Paul Kantor and Donald Weilerstein. Mr. Rovit has been the recipient of numerous awards and scholarships including the Kuttner Scholarship at Indiana University, the C.V. Starr Scholarship at the Juilliard School, and the Aspen Music Festival’s String Fellowship. As a chamber musician, recitalist, and soloist he has performed throughout the United States and at the Spring in Saint Petersburg Festival in Russia. Performances have included concert appearances on the Aspen Music Festival’s Young Artist Concert series, with the International Sejong Soloists, and on Baroque violin with the Rebel Ensemble and the Atlanta Baroque Orchestra. He has been a recipient of the prestigious Montgomery Symphony Fellowship in Alabama which involved performing as concertmaster and soloist with the symphony and giving numerous concert appearances throughout the area. He has performed as a chamber musician and recitalist with such musicians as Andrew Jennings, Felicia Moye, Volkan Orhon, Christina Jennings, Ricardo Morales, Larry Combs, and the Emerson Quartet. A concerto competition winner at both the Hartt School and at SUNY Stony Brook, Mr. Rovit has also performed as a soloist with the Montgomery Symphony, the Fort Smith Symphony, the Oklahoma City Philharmonic, and the Tuscaloosa Symphony. Mr. Rovit has been on the string faculty of the University of Oklahoma and the University of Alabama, a member of the Quartet Oklahoma, Associate Concertmaster of the Oklahoma City Philharmonic, and Concertmaster of the Tuscaloosa Symphony. He is currently the Violin Professor at Syracuse University. 1 Johannes Brahms Sonata No. 2 in A Major, Op. 100 In the summer of 1886, Brahms was once more vacationing near Lake Thun in Switzerland. The peace and beauty of the countryside often provided him with ideal working conditions and this summer’s eﬀorts were especially productive. He composed many new lieder as well as the cello sonata in F Major, Op. 99, the piano trio in C major, Op. 101 and the second violin sonata in A Major, Op. 100. Of the three sonatas Brahms wrote for violin, the A Major Sonata is considered by many to be his most lyrical. Its overall character has been aptly described by Eduard Hanslick : “when we listen to the A Major Violin Sonata, we feel more or less as if, following a thunderstorm that has gloriously discharged itself, we are drawn into the delicious stillness of an aromatic summer evening.” The ﬁrst movement, Allegro amabile, opens with a partial statement in the piano to which the violin responds. The voices soon join together in a complete statement of the the ﬁrst theme, which critics and commentators have noted bears a resemblance to Walther’s Prize Song from Wagner’s Opera. Die Meistersinger. Speculation aside, Brahms himself has indicated that the second theme of this beautifully crafted movement owes its inspiration to his own song, Wie Melodien zieht es mir (Op. 105, No. 1), which he also composed during this idyllic summer. In the second movement, Brahms adroitly combines elements of a slow movement, which traditionally would be located in this placement, with the dancelike rhythms of a scherzo. The Finale, marked Allegretto grazioso, is a remarkably easygoing rondo which brings the work to a graceful and satisfying close. Violinist Joseph Hellmesberger, Brahms’s longtime friend and colleague, collaborated with the composer for the premiere performance of this work which took place in Vienna during the autumn of 1886. — Roberta Crawford Gabriel Fauré Piano Quartet No. 1 in C minor, Op. 15 The listening public is well acquainted with Fauré as a composer of songs and of his incomparable Requiem, while his excellent body of chamber music remains largely underappreciated: sonatas for cello and piano, violin and piano, two piano quartets, two piano quintets, a piano trio, a string quartet and a host of smaller pieces. Faure lived and �worked in a time of unprecedented creative exploration. In the midst of varying and conﬂicting aesthetics, Fauré managed to develop his own unique compositional language, which incorporated elements from both nineteenth and twentieth centuries, and retained a distinctly French character. His style continued to develop and unfold up until his death in 1924. The Piano Quartet in C minor is a relatively early work. Composed between 1876 and 1879, the inﬂuences of earlier 19th century composers, such as Brahms and Franck are apparent. The ﬁrst movement is in sonataallegro form with a rhythmic, declamatory ﬁrst theme followed by a gently undulating second theme in the relative major. Fauré expertly weaves and transforms the character of these themes throughout the course of the development gradually building to a dramatic climax and restatement of the opening material. In the closing bars of the movement, Fauré revisits the ﬁrst theme, now wistful and reminiscent, and the entire movement simply evaporates. Fauré follows the ﬁrst movement with a playful Scherzo. The strings accompany the piano melody with a pizzicato ostina to ﬁgure. The middle section features a melody with muted strings, which personiﬁes suavity and the movement ends with a return of the original material. The third movement is the heart of the quartet, an elegy which opens with an eloquent cello statement. Of the third movement, Robert Orledge writes: “the zenith of Fauré’s ﬁrst period. Contemplative and beautiful, alternately serene and powerful, it demands the maximum of concentration from performer and audience alike.” The ﬁnale is a perpetual motion of brilliant piano passagework, which Fauré then contrasts with a singing theme — the two themes gra dually combine, building to a powerful climax, followed by a return of the ﬁrst theme and an ecstatic coda. “At ﬁrst they found my music noisy and discordant” — thus Fauré remarks on the ﬁrst performances of this piano quartet. It is diﬀicult for us to fathom today that Fauré had great diﬀiculty ﬁnding a publisher for the piece and that a work that has brought so much pleasure to musicians and the public over so many years was a ﬁnancial ﬁasco for the composer. Fauré went on to be revered as one of the great composers of France. In addition to his compositions, he left his legacy as the head of the Paris Conservatoire, where he modernized the curriculum, revamped administrative procedures and was the dedicated teacher of many composers of renown including Maurice Ravel, George Enescu, and Nadia Boulanger. — Roberta Crawford Mozart Clarinet Quintet (“StadlerQuintet") in A Major, K. 581 While Mozart created a considerable body of music for wind instrument ensembles in the form of a variety of serenades, cassations, and divertimenti, his compositions for a solo wind with strings include far fewer compositions and only one undisputed masterwork — his last, the Clarinet Quintet in A Major, K. 581. Written during the summer of 1789 and premiered in December of that year (just prior to the premiere of Cosi fan Tutte), the Clarinet Quintet was composed speciﬁcally for showcasing Mozart’s close friend, the clarinettist (and enabler of bad behavior) Anton Stadler. Stadler’s relationship with Mozart was based upon their common predeliction for drinking, carousing and borrowing money that was never repaid, and upon their high regard for one another’s musicality. Indeed, Stadler’s artistry on the early clarinet was so respected by Mozart that he created three works with Stadler’s idiomatic skillset in mind: the Quintet, and two of Mozart’s last works, the obbligato solo part for the aria “Parto, parto” from La Clemenza di Tito, K. 621, and the great Clarinet Concerto in A, K. 622. All three works were written for Stadler’s “basset clarinet,” a variation on the standard Aclarinet which extended the size and lower range of the clarinet by four additional semitones. (We will hear the work this evening on a modern basset clarinet made by Stephen Fox of Toronto). The Quintet is cast in four movements, each of which seems to illuminate a diﬀerent aspect of Stadler’s playing, set in the context of some of Mozart’s most nuanced writing for string quartet. The opening Allegro is a large sonataform in which the lyric melodicism of the string parts is contrasted with a huge arching arpeggio theme from the clarinet. Both aspects are exploited throughout the movement, the arpeggios cascading through the ensemble in midmovement while the lyric passages alternate in episodes of major and minor key areas on the periphery. The Larghetto is justly regarded as one of the most sublime slow movements in all of Music, an exquisite and intimate conversation between the clarinet and ﬁrst violin with all the expression and pathos of a great Mozart opera aria. Like those pieces, time is suspended while we and the world stop, breathless, before the master ’s divine genius. If the second movement is heavenly, the third movement Minuet celebrates humanity. Here is a view of the private Stadler/Mozart friendship of the street, the social dance, and the tavern. At turns �~~ 1 boisterous and reﬁned, the minuet seems almost an elevated satire on the roots of this most courtly dance. Rare among his minuets, Mozart provides not one but two trios: the ﬁrst a suave and darkly passionate serenade for the strings alone, and the second a rustic land/er led by the clarinet. The quintet’s ﬁnale showcases each player in turn through a set of variations on a theme reminiscent in its utter simplicity of a child’s tune. The variations provide in their wildly varied characterizations a lmost a miniopera: in the ﬁrst variation, the clarinet introduces a countermelody with impossibly wide leaps; the ﬁrst violin provides another in the second, accompanied by rushing “brookmusic” triplets in second violin and viola; the viola moves to (mock?) tragedy in the third over a deep bass line in cello and clarinet; a hyperelegant adagio with interrupted motives showcases the violin/clarinet (Mozart/Stadler) duet once again. There follows a brief moment of apotheosis (which brings to mind Figaro’s in the opera ﬁnale) of almost painful tenderness at parting. But Mozart will face the end with joy and not sorrow, and the last variation recapitulates the theme in high spirits. And so we are enjoined by Mozart to live: in friendship, and in joy. —Timothy Perry ‘ a tH 5‘— > 4 db k _. 3 ] II. 4 4 °£ oﬀs r 2 S y u New B eginnings Beginnings Back 10 our Roots Sunday, M a r c h 11,2012, 3 : 0 0 p . m Sunda y, Octo ber 1 6, 2 01 1, 4:00 p.m St. Patrick’s Catholic Church 9 Leroy Street, Binghamton, NY Lessons and Carols tor Christmas Saturday, November 2 6 . 2011, 7 : 3 0 p.m. & Sunday, November 27 , 2011, 4:00 p.m o l y T r in i ty C hurch o ft h e H 346 Prospect Street, Binghamton, N Y Trinity Memorial Church 44 M ain Street, Binghamton, N Y Crossroads Sunday. lune 7» . 2 01 1 44001 1 m Tabernacle United Methodist Church 83 Main Street, Binghamton, N Y For Tickers f l 4 w n s “ N ﬁ f ’ g t u a l 7 0 ’ 4 I ‘ N I or call 60" “ 304 “ 6” ( C D 2011201213411. Season The Madrigal CholrofBingha mton = 20112012 Season TRICI TIES PERA MADAME BUTTE RFLY u.t’1\1111.uu1ﬂ<.\11x11< October 21 A “ ‘ ' 102 February 10 & 12, 2012 eL a d h e 1 . . . . . . . h a g s p e a t T H E M A G I C FLUTE vereries 7 ¢ April 2 _ Conran w is T R B at the FORUM THEATRE is Binghamios m u tricitesopera.com Tix Info: 6077720400 « ww n — n n — m a — m a n u m n m – n D o v e r n c r g “ M m M – “ n ‘ w c m — m — w m O anama—nonhuma— m ﬁ ‘ M – M e m M ‘ w ‘ “ w a n n a – g m �Binghamt on Universit y Music Departme nt ’s U P C O M I N G E V E N T S MidDay concerts are held on 7hursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursd ay, October 20 — MidDa y Concert – 1:20 PM — Casadesus Recital Hall — Free Friday , October 2 1 — TriCities Opera pre sents “ Madame Butter– ﬂ y ” – 8 PM – The Forum Theatre! – Call (607) 7720400 for tickets Saturd ay, October 22 — Family Weekend Con cert (Harpur Chorale, Women’s Chorus an d the U nivers ity Symphony Orchestra) – 3 PM – Osterhout Concert Theater – Free Sunda y, Octo ber 2 3 — TriCit ies Opera presen ts “Mad ame B utter ﬂ y ” — 3 PM – The Forum Theatre – call (607) 7720400 for tickets Sunda y, October 23 — Alum ni Orga n Reci tal : John Novak (MM ‘06 ) — 4 PM – First Presbyterian Church, Binghamton — $10 general public; $6 faculty/staﬀ/seniors ; $3 students Sunda y, October 2 3 — Binghamto n Univer sity Symphon y Orches tra : Concerto and Aria Competit ion Concert – 7:30 PM – Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/ seniors; $3 students Thursd ay, October 27 – MidDa y Concert – 1:20 PM – Casadesus Recital Hall — free Friday , October 28 – Pianis t Margaret Reitz presents “Forty Fingers ” w i t h p ianists I d a T iliTreb icka, Amy Heyma n and Tina Toglia — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Sunda y, October 3 0 — Wind Symphony : Holst! — 3 PM — Anderson Center Chamber Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Thursd ay, Novem ber 3 — MidDay Con cert — 1:20 PM — Casadesus Recital Hall – free For ticket information, please call the Anderson Cente r Box O ﬂ’ice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:28 36:08 24:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145364">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145364</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mobius Ensemble and friends, October 16, 2011 Recital Tape 2011-10-16 Description An account of the resource Works by Brahms, Faure, Mozart. Held at 3:00 p.m., October 16, 2011, Watters Theater. Creator An entity primarily responsible for making the resource Choi, Janey Crawford, Roberta Stalker, Stephen Salmirs, Michael Perry, Timothy Rovit, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1910156bacf5969aefb48a80cb7c3a55.pdf 6eca471b3aa3789247537d93e1cfdfbd PDF Text Text BINGHAMTON U N I V E R S l T Y S TAT E U N I V E R S I T Y O F N E W Y O R K [ ( [4 B E P A R T M E N T T H U R S D AY M I D D AY CONCERT o 0“5;1 df Q e r : 4 5 A ( 7 'b 1 . / pm. . u \ ®( % i , 1 Th urs d ay, O ctob er » 2011 1:20 p.m . C asa d es us R ecita l H all �SUNG TEXTS PROGRAM Beads of Glass ( Z O ) . I fMusic b e the F o o d o fLove Adam Goldenberg, Marimba If Music be the Food of Love... O Sleep, Why Dost Thou Leaw Me? from Semele Gordon Stout (b. 1952) .Henry Purcell (1659–1695) . George Frideric Handel (1685–1759) Katie Sucha, Soprano ChaiKyou Mallinson, Piano Papagena! Papagena!. . from Die Zauberﬂote Serenade from Songs and Dances of Death Charles Hyland, Baritone William J. Lawson, Piano Kerianna Krebushevski, Soprano William J. Lawson, Piano S u l d ’ u n s o ﬀ i from Falstaﬀ o A Gluseppe Verdi (1813–1901) E un Hwn Bae, Tenor ChaiKyou Mallinson, Piano , Meghan Cakalli, Soprano Margaret Reitz, Piano O sleep, why dost thou leave me, Why thy visionary joys remove? 0 sleep, again deceive me, To my arms restore my wand’ring love! Papagena! Papagena! (Papageno’s Suicide) P apagena, Papagena, Papagenal Little wife, little dove, my beautiful one, I n vainl Ah, she is lost! Giunse al ﬁn i! momento Deh viens, non tardar...........................cereeneen. Wolfgang Amadeus Mozart from Le nogge di Figaro >» Pleasures invade both eye and ear, So ﬁerce the transports are, they wound, And all my senses feasted are, Tho’ yet the treat is only sound, Sure I must perish by your charms, Unless you save me in your arms. O sleep, why d ost thou leave me? Wolfgang Amadeus Mozart (17561791) .Modest Mussorgsky (18391881) Lunge da lei De’ miei bollents spiriti from La traviata If music be the food of love, Sing on till I am ﬁll’d with joy; For then my list’ning soul you move To pleasures that can never cloy. Your eyes, your mien, your tongue declare That you are music ev’rywhere. Gluseppe Verdi I was born for misfortune, I chattered and chattered And that was bad, And therefore, it serves me right Therefore, it serves me right. Since I tasted this wine, Since I saw that beautiful little woman, It bums in the little chamber ofmy heart, So, it tweaks here, it tweaks there. Papagena, little wife of my heart! Papagena, dear little dove! It is all for nothing! It is in vain! I am tired ofmy life, Dying will make an end to love, When it burns so in my heart. That tree there, I want to adorn, By tying myself by the neck to it, Because life displmses me. Good night, you false woddl Because you have handled me wickedly, Bound me to no beautiful child, So, it’s over, so I die. Beautiful girls, think of mel If any ofthem for poor me Ere I hang, have some compassion, I could actually let it all drop. Just call yes or no, No one hears me, all is still, All, all is still. So, is it your will? P apageno, ge t gonig, End the course of your life! Now, I will wait, may it bel Until one counts one, two, three! One, two, three, well on with it, then It will happen. Because nothing holds me back, Good night, you false world ! Serenade Languorous, magical dark blue night. Trembling spring twilight. With bowed head, a sickly young woman listens to the still murmurs of the night. Sleep has not closed her eyes. Life pleads with joy not to fade, But in the silence of midnight, D eath sings a serenade: “In the darkness of cruel captivity, your youth fades. I, an errant knight, unknown to you, will free you by my magic power. Stand up, look at yourself. You are beautiful. Your face shines, your cheeks rosy. Dark tresses like clouds envelope your body. Your light blue eyes brighter than the moon, Shine like the skies, Your breath hot as a midday ﬁre. You charm me ... Over you I have cast a spell with my serenade. Your whisper was calling me. Your knight is here to claim his supreme reward. Your hour of bliss has come. Your body so soft, and your enchanting charm, Oh, I will strangle you in my strong embrace. Lover, hear my whisper ... Be silent ... You are mine!” �With her beside me, I feel myself reborn, revived by the breath of love, forgetting the past in present delights. Giunse al ﬁ n 17 momento . . . Deh viens The moment ﬁnally arrives When I’ll experience joy without haste In the arms of my beloved Fearful anxieties, get out of my heart! Do not come to disturb my delight. Oh, how it seems that to amorous ﬁres The comfort of the place, Earth and heaven respond, As the night responds to my ruses. My passionate spirit and the ﬁre of youth she tempers with the gentle smile of love. Since the day when she told me, “I want to live, faithful to you alone!” I have forgotten the world: I live, I live like, I live like one in heaven. Oh, come, don’t be late, my beautiful joy Come where love calls you to enjoyment Untl night’s torches no longer shine in the sky Aslongastheairisstilldark And the world quiet. Here the river murmurs and the light plays Sul ﬁn d’un soﬀio etesio On the breath of an etesian breeze scurry, agile shadows That restores the heart with sweet ripples Here, little ﬂowers laugh and the grass is fresh Here, everything entices one to love’s pleasures Come, my dear, among these hidden plants. Come, come! I want to crown you with roses. Lunge da l ei . . . D e ’ m iei bollents s pirit There’s no pleasure in life when she’s away! It’s three months now since Violetta gave up for me her easy, luxurious life of loveaﬀairs and expensive parties. There she was used to the homage of all who were enslaved by her beauty but she seems happy here in this charming place, where she forgets among the branches a bluishgrey glow of the rising moon has appeared. Dance! And may the gentle steps measure a gentle sound, combining the magical dances with the song. Let us wander beneath the moon, choosing ﬂower by ﬂower, each crown of petals, in its heart, brings its good fortune. With the lilies and the violets, let us write secret names; from our enchanted hands may words blossom words illuminated by pure silverand gold Magic incantations and charms. The Fates have, for letters, ﬂowers. everything for me. W Binghamton University M usic Departm e n r’s UPCOMING E V E N TS M M t b Friday, October 21, 8pm & Sunday, O ctober 23, 3pm – TriCities Opera pr esents Madama B u t t e r ﬂ y 8pm The Forum Theatre – Call (607) 7720400 for tickets Saturday, October 22, 3pm – F amil y Wee kend Concert (Harp ur Chorale, Women’s Chorus an d th e U niversity Sym p hony Orchestra) – Osterhout Concert Theater Free Sunday, October 23, 4 p m Alum ni Organ Recital: John Novak, MM * 0 6 F irst Presbyterian Church, Binghamton Sunday, October 23 – U niversity Sym p hon y Orchestra : Concerto & Aria Com petition Winners’ Concert – 7:30pm – Osterhout Concert Theater For ticket information, please call the Anderson Center B o x O ﬀice at 777ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:04:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145369">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145369</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, October 20, 2011 Recital Tape 2011-10-20 Description An account of the resource Works by Stout, Purcell, Handel, Mozart, Mussorgsky, Verdi. Held at 1:20 p.m., October 20, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Goldenberg, Adam Sucha, Kathryn Mallinson, Chai-Kyou Hyland, Charles Lawson, William James Krebushevski, Kerianna Bae, Eun Hwan Cakalli, Meghan Reitz, Margaret A. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c09f1c9c719e32483d30b5dcca2d3d28.pdf 2a0804f8bfa2e54b7f8284ba79296ae9 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K d e c [4 B E J O H NN O VA K Organ (MM 2006) Sunday, October 23, 20 11 4 p.m. First Presbyterian Church R �PROGRAM ABOUT THE PE RFORMER Prelude and Fugue in Gmajor, BWV 541 .. .].S. Bach (16851750) Prelude on Rhosymedre............c.ccocoueuennene...... VaughanWilliams (18721958) Toccata in Dminor, Fugue in Dmajor, op59 Max Reger (18731916) & PAUSE <3 Prelude in Cmajor, BWV 545 J O : Bach (16851750) Three Hymn Preludes ..Craig Phillips Divinum Mysterium N e u m a Elove toiTell the Story r Sonata I in F–minor, op.65.. 1 . Allegro moderato e serioso l c C r a i g Phillips . Emma Lou Diemer Felix Mendelssohn (18091847) 2. Adagio 3 . Andante recitativo 4. Allegro assai vivace GuilbaultThérien Organ, 1996 John Novak is an act ive church organist, m usic educator and leader in the ﬁelds of school and church music. John has served as Organist and Minister of Music at University Presbyter ian Church in Buﬀalo, NY since September of 2005. John also holds a fulltime position as the middle and high scho ol vocal music teache r a t Le tchworth Central School in Gainesville, NY, directing four choral ensembles and teaching classroom music and music theory classes. He studied organ wit h Dr. Jonathan Biggers and Dr. Judy Congdon, and holds degrees fro m Binghamton Univers ity (Master of Music in Organ Performance, 2006) and Houghton Colle ge (Bachelor of Music in Music Education, 2001). In addition to his teaching responsibilities, he also codirects the spring musical production a t Letchworth Centra l School and has organized multiple regional solo and ensemble festivals for middle and high school students. Certiﬁed as a NYSSMA piano adjudicator, he judges young pianists at NYSSMA festivals each spring. John is an active perf ormer, appearing in organ r ecitals in Geneseo, B uﬀalo and East Auro ra in recent years. He is also very involved in several Western New York organizations, curren tly serving as preside nt of the Genesee Va lley School Music Associa tion, Competitions Chair for the Buﬀalo Chapter of the American Guild of Organists, advisory board member of the Portageville Chapel (a retreat for organists) and president of th e Letchworth Central Teachers’ Association. John is originally fro m Little Meadows, Pennsylva nia, a small town nea r Binghamton. He resides in the rural community of North Java, betwe en Buﬀalo and Rochester, NY. �Binghamton University Music Department’s U P C O M I N G E V E N T S m m m a a ﬁ a ﬁ a ﬁ w e MidDay concerts are he ld on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, October 2 7 – MidDay Concert – 1:20 PM – Casadesus Recital Hall – free Friday, Oct ober 28 — P ianist Margaret Reitz p resents “For ty Fingers” wi th pianists Ida TiliTreb icka, Amy Heyman and Tina Toglia – 8 PM – Casadesus Recital Hall – $6 general public; $3 faculty/ s taﬀ/ seniors; free for students Sunday, Oc tober 30 – W ind Sympho ny: Holst! 3 PM – Ande rson Center Chamber Hall – $6 general public; $3 faculty/ s taﬀ/ seniors; free for students Thursday, November 3 — MidDay Concert – 1:20 PM – Casadesus Recital Hall – free Tuesday, November 8 — F riedheim Memorial Lec ture/Recita l Series: Deb ussy’s “Rha psodies for saxophone and clarine t” (Stephen Zank, speak er; April Lucas, saxophone ; Timothy P er ry, clarinet; Margaret R eitz, piano) – 8 PM – Casadesus Recital Hall – $6 general public; $3 facul ty/ s taﬀ/ seniors; free for students Thursday, November 10 — MidDay Concert (Africa n) – 1:20 PM – Anderson Center Chamber Hall – free Sunday, November 13 — U niversity Chorus and the Symphony Orchestra p resent Felix Mendelssoh n’s “Elijah” – 3 PM – Osterhout Concert Thea ter – $10 general public ; $6 faculty/ s taﬀ/ seniors; $3 students Thursday, November 1 7 — Jazz MidDay Concert wi th guest artist – 1:20 PM – Osterhout Concert Thea ter – free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) If you enjoyed and were inspired by this performance, please consider supporting the Department of N i i w ith a ﬁnancial gift. Your nppo n helps to continue t work o f students, aculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton S h a o Music Department, and send to P.O. Box 6000, Binghamton, NY 1 3902. For ticket information, please call the Anderson Center B o x O ﬀice at 7 77ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:06 33:51 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145372">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145372</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Novak, organ, October 23, 2011 Recital Tape 2011-10-23 Description An account of the resource Works by Bach, Vaughan Williams, Reger, Phillips, Diemer, Mendelssohn. Held at 4:00 p.m., October 23, 2011, First Presbyterian Church. Creator An entity primarily responsible for making the resource Novak, John Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a6e36e4f30c783f2c4038602943b8c89.pdf 4e890f44bc8c8aa297d348cdf91c47fb PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F NEW Y O R K D E P A R T M E N T THURSDAY M ID D AY CONCERT [ 3We , C ve 4 Z R _ Fd w e s Vd OCTOBER 27, 2011 1:20 P.M. CASADESUS RECI TAL Hall �TRANSLA TION PROGRAM Nocturne Atdake Lugano 4 Silhouett es, Op. 41 .. Karl Davidoﬀ esnensseisant 1 3381889) La ﬁoraia ﬂorentina (The Florentine ﬂow er girl) Buy these, the most beautiful of ﬂowers! Young boy s and lovely spouses, Each lovely rose is fresh and will not die as love does Stephen Stalker, cello Carol Bernstein, piano Concerto in Eminor.............ccccveuu.........Felix Mendelssohn (18091847) Allegro, molto appassionato Sissi Du, violin Pej Reitz, piano Yorkshire B allad........ ............... ............... ..........James Barnes (b. 1949) Robert Smith, euphonium Pej Reitz, piano la ﬁoraia ﬂ o r e n t i n g veeeen.....Gioachino Rossini (17921 868) Fly Away (Never Neverland)....................... c e s s e s COTTE Alan (b. 1978) Amanda Chmela, soprano Pej Reitz, piano “Ain’t it a pretty n i g h t * , . . 2 . 5 . Floyd (b. 1926) Susanna Kathleen Jasinskas, soprano John Mario Di Costanzo, piano Alas! l implore you . . . My mother is so poor, and depends upon me she wants only for bread, and not for gold �Binghamton University Music Department’s 6 U P C O M I N G E V E N T S M M M M M 6 W Friday, October 28 — Pianist Margaret Reitz presents “Forty Fingers” with pianists Ida TiliTrebicka, Amy Heyman and Tina Toglia — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Sunday, October 30 — Wind Symphony: Holst! — 3 PM — Anderson C enter Chamber Hall — $6 general public ; $3 faculty/staﬀ/seniors; free for students Thursday, November 3 — MidDay Concert — 1:20 PM — Casadesus Recital Hall — free Tuesday, November 8 — Friedheim Memorial Lecture/Recital Series: Debussy’s “Rhapsodies for saxophone and clarinet” (Stephen Zank, speaker; April Lucas, saxophone; Timothy Perry, clarinet; Margaret Reitz, piano) — 8 PM — Casadesus Recital Hall — $6 general public ; $3 faculty/ staﬀ/seniors ; free for students Thursday, November 10 — MidDay Concert (African) — 1:20 PM — Anderson C enter Chamber Hall — free Sunday, November 13 — University Chorus and the Symphony Orchestra present Felix Mendelssohn’s “Elijah” — 3 PM — Osterhout C oncert Theater — $10 general public ; $6 faculty/staﬀ/seniors; $3 students Thursday, November 17 — Jazz MidDay Concert with guest artist — 1 :20 PM — Osterhout C oncert Theater — free (Co sponsored by the Binghamton University Music Depart ment and the Harpur Jazz Project) Q l . 1 If you enjoyed and were inspired by this perform ance, please consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:04:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145376">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145376</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, October 27, 2011 Recital Tape 2011-10-27 Description An account of the resource Works by Davydov, Mendelssohn, Barnes, Rossini, Alan, Floyd. Held at 1:20 p.m., October 27, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Bernstein, Carol Du, Sissi Reitz, Margaret A. Smith, Robert Chmela, Amanda Jasinskas, Kathleen Di Constanzo, John Mario Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0449cfaca3a350fcdd584ed0c8bfe1ab.pdf 36aac0c9e835c42cb4e7984f36b227a6 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K [4 (227% 2% D E P A R T M E N T FORTY FINGERS A Program o f Music Composed for 12 Pianos and 68 Hands Performers Amy Heyman Pej Reitz Tina Toglia Ida TiliTrebicka Friday, October 28, 201 I 8:00 p.m. Casadesus Recitcal Hall �A PROGRAM Saint Saens Dance Macabre Op. 40 (18351921) Transcribed by E . Guirau d R o ma p e es . Sergei Rachmaninoﬀ Larghetto and Allegro in E ﬂat for 2 pianos Ida Trebicka and Amy Heyman (18731943) W. A. Mozart (1756–1791) Reconstructed from Mozart’s Fragment by Paul BaduraSkoda Sonata in one movement for 2 pianos................... B. Smetana (18241884) 2 INTERM ISSION = C. Gounod Waltz (Faust) (18181893) Arranged for 8 hands by Renaud de Vilback Overture from the Marriage of Figaro.................. W. A. Mozart (17561791) Arranged by Carl Czemy for 6 hands Polovtsian Dances (Prince Igor) f o r hands . . . . . A . Borodin (1833–1887) Pe j Re itz a n d T ina Toglia Sabre Dance A. Katchaturian (19031978) Arranged for 8 hands by N. Jane Tan B O U T Amy Giller Heyman received her Master of Music Degree from the University of Wisconsin as a student of Howard Karp, and her Bachelor of Fine Arts Degree from the University of Okla homa as a student of Dr. Todd Welbourne. She has also studied with Hans Graf, Edith Oppens, and Gyorgy Sebok. Her performances include solo recitals, chamber music concerts, and concerto appearances, no tably as a featured artist with the Syracuse Symphony Orchestra. Additionally, she has appeared at the Sk aneateles Festival, Deer Valley Festival in Utah, Vermont Music and Arts, Early Baroque Music Festival in Lake Tahoe, and the Chenengo! Summer Music Fest. Locally she has appeared under the auspices of the Society for New Music, Civic Morning Musicals, Syracuse University, Le Moyne College, OASIS, OCC, Syracuse Vocal Ensemble, and Syracuse Camerata. She is the past recipient of the Civic Morning Musicals Award for Outstanding Young Musician. She frequently performs with husband Steven Heyman as a piano duo team; they have appeared as soloists with the Syracuse Symphony Orchestra, South Arkansas Symphony, Skanea teles Festival Orchestra, and the Syracuse University Orchestra. They have also performed for numerous beneﬁts are the pa st recipients of the Tiﬀany Award from Civic Morning Musicals, honoring their musical contribution to the community. Ms. Heyman is on the keyboard faculty at the Setnor School of Music at Syracuse University serving as aﬀilia te artist. Her duties include teaching piano, keyboard skills, and piano peda gogy. In addition, she recently joined the music fa culty at Le Moyne College. Ms. Heyman mainta ins an active priva te studio in the Syracuse area. She is also active in many music organizations including CoChair of Competitions for the Central New York Associa tion of Music Teachers and Chair of Advertising and Publicity for the New York State Music Teachers Association following her past service as VicePresident of Conferences. �Pej Reitz, pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College. She ha s been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was invited to the International Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on the Cornell Summer Series. She was an oﬀicial pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College and wa s invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble She recorded a CD with the Glickman Ensemble a gain this summer in Englewood, NJ. She was selected to accompanying at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and at Mannes School of Music. She was a Guest Artist playing two concerts in Granada, Spain and accompanied the Barcelona Song Festival. She soloed with the Catskill Symphony a t the Otesaga in Cooperstown, NY under the direction of Charles Schneider last summer. This past summer she will accompany and at The lntemational Spanish Music Festival in Madrid, Spain. She is currently on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is President of the local District VII Music Teachers Association and is an a ctive adjudicator for the National Piano Guild Organization. Pianist Tina Toglia is an active solo performer, collaborative pianist and teacher in Central New York. As an advocate for new music, Ms. Toglia has given numerous premiere performances at Stony Brook, Merkin Hall, the 92™ St. Y, Columbia University and Princeton University. She has been the recipient of fellowships from the Yale Summer School of Music and Art, the Bach Aria festival, the Tanglewood Music Festival and was a ﬁnalist in the J. S. Bach International Piano Competition. Ms. Toglia studied harpsichord with Arthur Haas and was a harpsichordist for the Stony Brook Early Music Ensemble and the Capital Chamber Players in Albany, NY. JustSpring: Art Songs of John Duke, recorded with soprano Lauralyn Kolb was released by New World Records as part of their Recorded Anthology of American Music. Ms Toglia has taught piano, music history and music theory at Stony Brook University, State University College at Oneonta and at Utica College. She received a doctorate from Stony Brook University where she studied with Gilbert Kalish. She also studied with Alexander Fiorillo at Temple University and with Vladimir Sokoloﬀ at the Curtis Institute of Music in Philadelphia. She currently lives in New Hartford with her husband and three children, and works a s a school library media specialist at Rome Free Academy high school in Rome, NY. Albanian born and raised, pianist Ida Tili Trebicka performed throughout the United Sta tes, Europe and China, a s orchestral soloist, recitalist, and chamber musician. She performs regularly under the auspices of Syracuse University, Civic Morning Musicals, Society for New Music etc. and has collaborated frequently with Syracuse Symphony Orchestra members in annual chamber music concerts. Ida has been featured on Albanian National RadioTelevision, Italian Broadcasting Corporation RAI 2, Radio Ancona, Italy, and locally on WCNY in Syracuse, WBFO in Buﬀalo and WCCA TV 13 in Boston. Invited by the Italian Federation of Women of Professions, Arts and Aﬀairs and the Universities of Torino and Ancona, she has performed solo recitals in Ancona, and Torino. In 2004, 2005, 2006 she performed in Florence, Italy, under the auspices of Syracuse University, and in May �of 2005, accompanied Syracuse University’s Hendricks Chapel Choir in a concert tour to China and Hong Kong. Ida has collaborated continuously with members of Orchestras such as, Athens, Bari, Paris, Sarajevo, Amsterdam, Munich etc. Ms. Tili Trebicka made her New York City debut in 2001 at the Merkin Hall, and continues to play at the city regularly. In January 2011, she performed with friends at the Tenri Cultural Center. She performs all over the United States, and has given concerts at Boston University, Huston TX, Davis CA, Florida, Hartford Community College, Cleveland Ohio, Hamilton College in Clinton NY, to name a few. Invited by the Albanian American Association of Huston, TX as well as the Massachusetts Albanian American Society, Besa, (MASSBESA,) she has performed concerts to beneﬁt the Albanian American Heritage School. public service media for your community s k g . o r g 2 ( w w w .w n p r L Ida is a winner of several competitions and awards, such as the Albanian National Piano Competition, the Civic Morning Musicals Pianist Prize, the Syracuse University’s Concerto Competition, and was awarded the School of Music Hira Poncha and Evelyn Mulﬁnger Piano Awards. l4 o 4 > 4 ERS H 4 ERS H Is: Ida is a member of Central New Your Music Teachers Association (CNYAMY) and member of the board, and is also a director in the Board of Directors for the Civic Morning Musicals. She is also a member of the Music Teachers National Association (MTNA). She is also in demand as collaborative pianist and teacher and has served regularly as judge in various competitions. <) $0.80 Ii— I Q ) : = : = , 4 1 ” Ida is currently on the piano faculty at Syracuse University’s Setnor School of Music and serves as music director at Saint Peters Episcopal Church in Cazenovia, NY. n o v i ~ ' : — 41 Q a M 0t 1 L 4 © r = = aE 1 o — O >— \ EG I gm ' — 8 ! ‘, Binghamton , Im Commumey $ 2 0 ft hrs"?! �Binghamton University Music Department ’s U P C O M I N G E V E N T S MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sunday, October 30 – Win d Symphon y : Holst! – 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3 fa culty/staﬀ/seniors; free for students Thursday, Novemb er 3 – MidDay Con cert – 1:20 p.m. – Casadesus Recital Hall – free Tuesday, November 8 – Friedheim Memorial Lecture/Recital Series : Debuss y’s “Rha psodies for saxophone and clarinet” (Stephen Zank, speaker, Ap ril Lucas, sa xophone Timothy Perry, clarinet, Margaret Reitz, piano) – 8 p.m. – Casadesus Recital Hall – $6 genera l public; $3 faculty/staﬀ/seniors; free for students Thursday, November 10 – M idDay Concert (A frican) – 1:20 p.m. – Anderson Center Chamber Hall – free Sunday, November 13 – Univ ersity Chorus a nd the Symphony Orchestra present Felix Mendelssohn’s “Elija h” – 3 p.m. – Osterhout Concert Theater – $10 general public ; $6 faculty/staﬀ/ seniors; $3 students Thursday, November 17 – Jazz MidDay Concert with guest artist – 1:20 p.m. – Osterhout Concert Theater – free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, November 17 – Harpur Jazz Ensemble Concert with guest art ist – 8 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staﬀ/seniors; $3 students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Monday, November 21 – Masterclas s with organist Wilma Jensen – 7 p.m. – First Presbyterian Church, Binghamton – free For ticket information, please call the 77ARTS. Anderson Center Box Oﬀice a t 7 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:04:19 8:13 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145379">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145379</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Forty fingers, a program of music composed for 1-2 pianos and 6-8 hands, October 28, 2011 Recital Tape 2011-10-28 Description An account of the resource Works by Saint-Saëns, Rachmaninoff, Mozart, Smetana, Gounod, Borodin, Katchaturian. Held on October 28, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Heyman, Amy Reitz, Pej Toglia, Tina Tili-Trebicka, Ida Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/631f3176c6952f2e9da94aae09d73880.pdf 13f4c3a74a8e9dc078ed5c6a1ab877ef PDF Text Text BINGHAMTON EE N I V E R S I S T A T E U N I V E R S I T Y O F N E W Y O R K [4 02475 24 D E P A R T M E N T FRIEDHEIM MEM ORIA L Lectur e/ Recita l DEBUSSY’S RH AP SO DIE S April Lucas, Saxoph one Timot hy Per ry, Cla rinet Pej Re itz, Pia no Stephen Zank, Pian o Novem ber 8, 2011 8 p.m . Casadesus Recital H all �(Achille) Claud e Debussy PROGRAM “Debussy’s Rhapsodies: A Little Confusion Can’t Hurt” (Discussion of the Works) x INTERMISSION C2? Rhapsodie for Saxophone Claude Debussy (1901–10, withheld) L’Isle joyeuse (for piano) Claude Debussy (1903–04) Rhapsodie for Clarinet Claude Debussy (1909–10) ABOUT THE SERIES The Friedheim M emorial Series honors the memory of Professor Philip Friedhiem (1930–1986) whose remark able tenure at Binghamton University featured many memorable lecturerecitals with faculty and guest artist performers on major works of the classical music tradition. We seek to recreate Phil’s special combination ' of scholarship and performance that ser ved to deepen our understanding for — and love of — great works of musical art. All proceeds of the series will go towards the undergraduate scholarship funds of the Department of Music. Born: 22 Aug., 1862, St. GermainenLaye (outside Paris) 1870–72: Paris Commune — family retreats to Cannes; Debussy begins piano lessons with an Italian (Jean Cerutti), then Antoinette Mauté (Verlaine’s motherinlaw, allegedly a Chopin student); admitted to the Paris Conservatory, as a solo pianist 1875–77: Wins minor promotion s in solfege and piano, moves into harmony, ﬁnally wins a “Premier Prix” in acco mpanying 1880–82: Engaged by Mme von Meck (Tschaikovsky’s patron) to provide music for her entourage and to tutor her children in the south of France, Florence, Moscow, ﬁnally Vienna 1883–87: Fails once, then wins the Prix de Rome (1884); passes 2 years at the Villa Medici, completing most of the required works (desultorily); also writes a number o f songs for Marie Vasnier (an early paramour) 1888–93: Enamored of Wagner, soon yields to other foreign, eastern, and “exotic” inﬂuences; me ets Mallarmé and atten ds his salon regularly; reads the Faun and attempts a ballet (unachieved). Begins to write more complex songs (i.e., the Prose lyriques). Having enjoyed a personal relationship for some time with Gaby Dupont, Debussy in 1899 marries a model, Lilly Texier 1893–1900: Finally gains some public notice with the extraordinary Afternoon o f Faun and String Quart et (1893/94); reads Maeterlinck’s Pelléas (completing a pianovocal score of the opera by 1895); ﬁn ds a ﬁrst publisher (Hartmann), and completes the thre e Nocturnes for orchestra *1901–08: Accepts a commission from “The Saxophone Lady” in Boston for a Rhapsody, 1901+; begins to write music criticism ("Monsieur Croche”) and endures the premiere of Pelléas (1902). Completes scoring La mer (1903–05); leaves his wife Lilly to live with Emma Bardac (Lilly attempts suicide). Debussy’s sole child, daughter Chouchou, is born in 1905. Begins piano and orchestral series of Images and several large (unachieved) works for the stage. Continues to produce more complex songs and more virtuosic works for the piano, i.e., L’Isle joyeuse, 1904 *1909–14: Nominated (by Fauré) to Paris Conservatory supervisory apparatus, requiring hi s composition of the annual “First Prize” work for clarinet, a Rhapsody 1909–10, written quickly between December and January, orchestrated the next year; Diaghilev commissions Jeux (completed 1912–13); both books of piano Préludes completed by 1914 1915–18: During the war, increa singly ill, Debussy nonetheless produces a book of piano études, a chamber work for harp, and solo sonatas for cello and violin. Last public appearance is in performing the violin sonata, in St. JeandeLuz Death: 25 March, 1918, Paris �Binghamt on University Music Departme nt’s U P C O M I N G E V E N T S 6 M M M ¢ 3 ¢ M $ M ¢ B ¢ MidDa y concerts are h eld on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, N ovember 1 0 — MidDay Conc ert (African) — 1:20 PM — Anderson Center Chamber Hall — FREE Sunday, Nove mber 1 3 — University Cho rus and th e Symphony Orchestra pre sent Felix Mendels sohn’s “Elijah ” — 3 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, Nov ember 1 7 — Jazz MidDay Concert w i t h g uest ar tist — 1:20 PM — Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, Nov ember 17 — Harpur Jazz Ensemble Conc ert w i th guest ar tist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, Novem ber 1 8 — University Str ing Orchestra — 4:00 PM — Grand Corridor — FREE Monday, November 2 1 — Masterclass w i t h organist Wilma Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — MidDay Conc ert (Burgess) — 1:20 PM — Casadesus Recital Hall – FREE Friday, December 2 — Flute Studio and Flute Chamber Con cert — 10:15 AM — Casadesus Recital Hall — FREE Saturday, December 3 — Elizabethan M adrigal Feaste (Harpur Chorale and W omen’s Choru s) — 6:30 PM — Mandela Room — $40 general public; $20 students (Special thanks to Sodexo for underwriting the student price) I f you enjoyed and were inspired by this performance, please consider supporting the Department o f Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center B o x O ﬀice a t 7 77ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:06:25 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital : Debussy's rhapsodies, November 8, 2011 Recital Tape 2011-11-8 Description An account of the resource Works by Debussy. Held at 8:00 p.m., November 8, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lucas, April Perry, Timothy Reitz, Margaret A. Zank, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145386">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145386</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African drumming, November 9, 2011 Recital Tape 2011-11-9 Description An account of the resource Held November 9, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/63cd968ac85c71e7de10400f7113a550.pdf 0140b954f57a0653b6e9e2aaec14653a PDF Text Text BINGHAMTO N U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K de c [4 D E P A R T M E N T ELIJAH F E L I X MENDE LSSOHN BARTH OLDY Robert H eepyoun g Oh as Elijah Meghan Cakalli, Soprano Cabiria Jacobsen, Mezzo Soprano Richard Leonbe rger, Tenor Matthew Good heart as the Yout h With the Binghamton University C horus And Sym phony O rchestra Bruce Borton, Conductor S unday, N ove m be r 13, 20 11 3 :00 p.m . Osterho ut Conc e rt Theat er �ELIJAH P a rt I P a rt I I Opening Opening Introduction As God the Lord of Israel Liveth...........................El ijah Overture. Orchestra Chorus Help, T o r d ! .. The people Duet and Chorus Tord bow thine ear . .Soprano arid Me zzo Soprano Recit Ye People, rend your hearts ..................Obadiah Aria If w ith all your hearts Obadiah Chorus Yet doth the Lord see it not The People Scene 2 Recit and Chorus 4 s God the Lord............. E lijah, Ahab, The People Chorus Baal we cry to thee ... .. .. The People Recit and Choru s Hear our Cry, O Baal ..Elijah and The People Recit and Chorus Baal! B a a l ! ..... El ijah and The People Recit and Aria Draw near/Lord G od of Abraham.....................Elijah Chorale Cast thy burden upon t he Lord Chorus Recit O Thou, w ho makest thine angels spirits.........................Elijah Chorus The ﬁre descends from Heav ’n The People Aria Is not his w ordlike a ﬁ r e ...Elijah Arioso Woe unto them who forsake Him.’... . serene. MEZZO soprano Scene 3 Recit O man of God help thy people ...Obadiah Recit and Chorus Open the He a v e n s El1Jah A Youth The People Chorus Thanks be to G o d T h e People Aria Hear ye, Israel! ............... Chorus Be not afra1d .. Soprano The People Scene 4 Recit The Lord hath exalted thee ........ . ...Elijah Recit and Chorus Have ye not h e ar d ? Jezebel and the people Chorus Woe to him... .. The People Recit Man of God letm my “words be precious... Obadiah and Elijah Scene 5 Aria It is enough Elijah Recit See now he sleepeth............................................ ....Tenor Chorus Lift thine e y e s ... Angel Chorus Chorus He, wat ching over “Israel... ...Chorus Scene 6 R ec t Arise, Elijah The Angel and E lijah Aria O rest in th e Lord The Angel Chorale He that shall endure........................... ..Chorus Recit Night falle th round me... Elijah and the A ngel Chorus Behold, God the Lord passed by Chorus Closing © INT E RMISSION «3 Aria Then shall the righteous shine forth Chorus And then shall your light break forth » Tenor Chorus �Mendelssohn’ s Elijah A D ramat ic O utl ine Part 1 Part 11 Opening scene : Elijah “spontane ously” appears on scene and utters the curse of three years of drought upon the land of Israel because they have forgott en the Lord and replaced him with worship of Baal. The orchestra pla ys a dramatic ove rture beginning w ith a Part ll opens with the soprano soloist admonishing t he people to hold fast to the true God, and their chorus in response, “Be not afraid, Thy help is near,” seems to suggest they are ready to do so. But as we will se e, they eventually fall back into the ir old ways. after another, gradually building to a monumental cl imax which carries directly into the opening ch orus of t h e people crying out “Help Lord.” The people, aided by the soprano a nd alto soloists, lament their mise rable situation created by th ree years of droug ht. The prophet Obad iah oﬀers r e l i e f only they would “forsake your idols and return t o God.” The people, howe ver, remain unconvinced, cla iming “his wrath will pursue us till He destroy us.” Scene 4 : Elijah again con fronts Ahab who has allowed the people to regress to their former ways. Q ueen Jezebel arouses people against Elijah. Obadiah warns Elijah that the queen has convinced the people to seek him out and kill him. He urges Elijah to ﬂee. restive b ut quiet series of entrances of one grou p o f instruments Scene 2 : Elijah confronts Ahab and challe nges the Priests o f Baal to a contest as to which God will a nswer. The challenge is to light a sacriﬁcial ﬁre b ut rather than lighting it themselves, to call upon their gods to do so. Although they call and pray and cut themselves with knives and lancets, the entreaties o f the priests of Baal and the peop le are met with si lence. Elijah mocks them and oﬀers a single pra yer to the “Lord God of Abraham.” His prayer is answered by ﬁre from heaven, the altar is lit, and El ijah calls on the people to slay the false priests a nd follow the true god. Scene 3: Obadiah asks Elijah to call upon God to se nd rain to the parched land. Elijah sends a yo uth to the hilltop to watch for signs of rain as he prays to God supported by the echoing prayers of t h e people. A t ﬁrst, t he yo ut h re ports n o sign o f rain, but a fter continued prayers, he sights a smal l cloud (“like a m an ’s hand”). The cloud grows, the storm gathers momentum, and ﬁnally releases a massive rainstorm to wh ich the people cry “Thanks be to God who reviveth the thirsty land!” Scene 5 : Elijah escapes to the desert. He is weary oft h e struggle and asks God to e nd his life. He falls asleep be neath a Juniper tree. God sends angels to protect him and provide sustenance. The angels sing in ass urance that the Lo rd will always oﬀer help and will never sleep. Scene 6 : God ’s angel awakens Elijah and inform s him that he is about to embark on a long journey. A discouraged El ijah reﬂects on his failure to win the hearts and minds of the people, and wishes again to die. The angel urges h im to “rest in the Lord” and “wait patiently” for the Lord to provide for him. After journeying 40 days to Mount Horeb in the Sinai, an angel instructs him to stand on the mount whe re he will see God face to face. The chorus describes the encounter in which a mighty wind ren ds the mountains, and u pheaves the sea, followed by earthq uake and ﬁre. Yet, we learn that the Lord was not in all oft h i s , but came only after in a “still, small voice.” The oratorio ends with a moralizing “sermon” sung by the tenor stating t hat t h e righteous will o bta i n e v e r l a s t i n g in their “Heavenly Father ’s realm.” This idea is echoed in the climactic chorus “Then shall your light brea k forth / Lord our Creator.” Ll �ABOUT T H E PE RFOR ME RS The Binghamton Univ ersity Chorus has been performing major work s for chorus and orchestra since 1971. Its 125+ members include university students, faculty, staﬀ, and a large and loyal group of community singers from throughout the Southern Tier and northern Pennsylvania. With representatives of all ages and singing experience, it is the most diverse of all of the ensembles at the University. lts repertoire has included virtually all the major choral works in the standard repertoire including the major works o f Bach, Beethoven, Brahms, Verdi, Mendelssohn, Mozart, Haydn, and a sizable number of twentieth and twentyﬁ rst century composers. They perform regularly with the Binghamton University Symphony and the Binghamton Philharmonic including recent performances of Brahms Ein deutsches Requiem and Beethoven Symphony No. 9 under conductor JoséLuis Novo. Baritone, Robert Heep young Oh, is in his ﬁrst year as a student in the Master of Music program at Binghamton with a concentration in opera. He is also a Resident Artist with the TriCities Opera. A native of Seoul, South Korea, Mr. Oh received a Bachelor of Music degree in voi ce from the Korea Nati onal University of Arts. He has sung leading and supporting roles with the Korea Opera Company and the University of Texas at El Paso. His most recent appearance was as the Registrar in the TCO ’s performance o f Madama Butterﬂy. He was a KwangJ u International Vocal Competition winner, Ko rea Vocal Competition 2nd Prize winner, Bimok V ocal Competition 2nd Prize winner in Korea. In the U.S. his competition credits include the NATS Competition Rio Grande chapter Adult Division 1st Prize winner & Most Promising Singer Prize (201 0), Fifth Lois Alba Aria Competition 2nd Prize winner & Audience Choice Prize (201 0), Fifth Charles A. Lynam Vocal Competition Sem iﬁnal ist (2010) in U SA. His previous oratorio so lo appearances include W eber Messe in Gdur, M ozart Coronation Mass , Handel Messiah, and Beethoven Symphony 9. Meghan Cakalli is a co loratura soprano from t he Philadelphia area. S he performed recently with the Tri Cities Opera in May 201 1 as Olympia in Les Contes D Hoﬀmann, in which role she was hai led as “a bright and ﬂuid coloratura.” Other notable opera roles include Kénigin der Nacht (Die Zauberﬂote), Gianetta (L ‘Elisir D ’amore) during an apprenticeship with Center City Opera Theater, and Barbarina (Le Nozze di Figaro) at Temple Un iversity, where she graduated with a degree in vocal pe rformance. During her undergraduate studies at Temple, Meghan attended the Daniel Ferro V ocal Program in the advanced section, where she performed in public concerts masterclasses in Greve in Chianti, Italy. She is currently pursuing a master’s degree in Opera from Binghamton University and is a resident artist with Tri Cities Opera in Binghamton, NY. Mezzosoprano Cabiri a Jacobsen was recently praised as “A revelation” by the Broome Arts Mirror, and as “one to watch as her career ascends,” for her performance in the role of Dorabella / Cosi fan tutte at TriCities Opera . In April and May 201 1, Cabiria won the Ilene D. Kaplan award in the Connecticut Opera Guild’s annual scholarship competition, and was an Encouragement Grant winner in the Career Bridges Foundation Competition. In August 2011 Cabiria sang the role of Cherubino / Le n di Figaro at Opera North, where the Classical Voice of New England called her performance “exquisite,” and “intoxicatingly understated, yet believably endearing.” As a Resident Artist at TriCities Opera, Cabiria has also performed the roles of Nicklausse / Les contes d ’Hoﬀman and Cherubino / Le nozze di Figaro on the mainstage, as well as Hansel / Hansel and Gretel; La Ciesca / Gianni Schicchi; and Mom and Grandma / Litt le Red Riding Hood in their chamber opera and outreach series. In the summer o f 201 0, Cabiria covered the role o f Siebel / Faust t Opera New Jersey, under the direction of Mark Flint. A proud native of Brooklyn, NY, Cabiria began singing at a young age with the New York City Opera Children’s Chorus, and attended the Boston University Tanglewood Institute the summer before her senior year at the Bronx High School of Science. At Northwestern University, Cabiria continued to pursue both opera and theater, graduating in 2006 with bachelor’s degrees in Voice as well as Drama. She subsequently moved to Boston, where she performed with the Lowell House Opera and OperaHub, a company she cofounded in 2007. The South End News described her performance of Carmen’s arias at a fundraiser for OperaHub as “fascinating and coquettish.” Cabiria joined the Resident Artist Training Program at TriCities Opera in 2009, and entered the University program with a full scholarship and teaching assistantship at Binghamton University that January. She graduated in June 2011 with an MM in Opera. Richard G. Leonberg er, tenor, is originally from Waco, Texas, where he studied voice under Lise Uhl at McLennan Community College. He sang lead roles in multiple operas and sang as a soloist in concert works such as Mozart’s Requiem Mass. Mr. Leonberger eventually completed his undergraduate education at Stephen F. Austin State Universit y, studying under Dr. Scott LaGraﬀ. While at Stephen F. Austin, Mr. Leonberger continued to perform opera roles including as Jenik in The Bartered Bride, Rinuccio in Gianni Schicchi, and Little Bat in Susannah. He has performed with multiple chorus groups presenting master works, singing as the tenor soloist in Handel ’s Messiah and Haydn ’s Lord Nelson Mass. Mr. Leonberger has performed professionally both in the United States and abroad, and now studies at Binghamton University �THE UNIVERSITY CHORUS Bruce Borton, conductor William Lawson, rehearsal accom panist under Tom Goodheart. Mr. Leonberger has sung both with TriCities Opera and with Binghamton University, presenting roles such as Frantz in Les Contes d ’Hoﬀmann, and Goro in Madama Butterﬂy , and sang last year at the Binghamton University’s presentation o f Maciejewski ’s Requiem Mass. Matt hew G ood h ea rt, Boy Soprano, was born in New York City into a singing family. He spent his formative years listening to lessons, operatic rehearsals and performances, including Amahl & the Night Visitors which was performed annually at Purchase College Conservatory of Music where his parents were on the voice faculty. Last sum mer Matthew participated in The Songe d ’été en Musique Festival in Quebec and performed on CBC radio. Matthew joined the The Parlor City Boys Choir when he was seven and last year was invited to attend the American Boy Choir Academy Summer Program in Princeton, New Jersey. Last Decem ber he performed the role of Amahl in A mahl & the Night Visitors at the Anderson Center in a Binghamton University Music Department Production. Locally he has performed in the Nutcracker, Circus Minimus and The Dr amatic Arts workshop at The Discovery Center. EIe venyearold Matthew is a sixth grade student at St. J ohn the Evangelist School. He is equall y at home playing sports, especially basketball and baseball. Bruce Borton has been director o f choral activities at Binghamton University since 1988. H e was director of the Binghamton Symphony Chorus from 1988– 91, and continues to prepare choral performances for the Binghamton Philharmonic. In addition to his conducting duties, Bo rton teaches undergraduate and graduate conducting and choral techniques, choral arranging, voice, and directs the Master of Music in Choral Conducting program. He was Music Department chair from 1 998–2004. He presently serves as Director o f Graduate Studies in Music. Before com ing to N ew York, Borton taught at West Georgi a College near Atlanta. While living in Georgia, he spe nt fourteen seasons as a member of and conducting assistant with the Atlanta Sy mphony Chorus conducted by the late Robert Shaw. Dr. Borton holds degrees from Illinois W esleyan University, Southern Illinois University, and the University of Cincinnati, College Conservatory of Music. In addition to his University duties, Borton has been active in the Triple Cities area serving as a church musician, member of the board of directors of t h e Tri Cities Opera from 1998–2004, and is se rving in his ﬁrst year as the Artistic Director of the Madrigal Choir of Binghamton. In 2008, he was selected by the Broome County Arts Council as a recip ient of the annual “Heart of the Arts” award. i Soprano 1 Susan Bachman AdaOsha Belleh Ency Burhans Ellen Chiu Rose Ann Clough April Drumm Glenda Ely Lorraine Emmons Lorrina Fuentes Mary Gilda Emily Goetz MayBelle Golis Margaret Hays Katherine Hutson Susan MacLennan Cathie Makowka Mary Barb Martin Megan Orcutt Marilyn Ross Ligita Roznere Gloria Salamida Sadie Schwartz Barbara Alhart Simon Barbara Thamasett Faith Vis Soprano 2 Teresa Almendros Alida Cooke Joanne Corey Elaine Ezrapour Barbara Heme Harriet Horowitz Becker Kelsey Krause Sioux Petrow Kelly Pueschel Susan Sarzynski Kimberly Torres Deborah Vought Lois Wilston N. Eva Wu A lto 1 Molly AdamsToomey Carolyn E. Blake Nanette Borton Susan G. Campbell Maria Luisa Cook Carole Dickinson Michelle Doherty Diane A. Ferraccioli Olivia Hon Sylvia Horowitz Grace Houghton Cheryl Jacobson Joan Kellam Mallory Kotik Claire Labbe Pat Labzentis Yan Lin Arlene Lyon Margit Mayberry Katherine Moscowitch Greta L. Myers Anna Nicholas Joyce Printz Archana Susarla Pam Turrigiano Stephanie Wei Mary Woestman Alto 2 Kathryn Baine Lois P. Bare Anna Bitterbaum Kate Bouman Phyllis S. Burr Renee Daily Jeanne Fenzel Janet Hammond Maggie Kirkaldy Cheryl Labban Alina Martinez Ethel F. Molessa Samantha Ng Shirley Rodgers Jane Shear Lee Shepherd Tenor Brad Bennett Martin Bidney Edward Brotons, Jr. Carol Chandler Kevin Doherty H.B. King Dennis Leipold Dallas Marsh David W. Martin Kevin Mootoo Brian Presser Carlton Sackett Jr. Judson Wallis Sherry Williamson Bass 1 Eric Bare Ronald Beauchamp Peter Cody Richard Dutko Kendrick Georges Michael Jabo, J.D. Joseph Keller Daniel Kim Wan Kim Tom Lamphere Edward J. Orosz Myron F. Shlatz William Clark Snyder Nicholas Whitley Bass 2 Ayal Adamit Robert Armitage Donald Blake Carl Bugaiski J ushin Choi David DeMoya Mark Epstein Kevin B. Fischer Adam Geier David Hanson Pak Lok Pio Lau Greg Lipsit Michael A. Little Arlo H. Meeker Joseph E. Nelson Adam Rauth David Schriber Bob Sullivan �University Symphony Orchestra Timothy Perry, Director Flute K e y bo a rd Violoncello Kaitlin Armstrong Melanie Adler Matthew Gukowsky Paul Watrobski Eric Wu u Xander Edwards Deborah Mariottini Peter Hiraldo Felicia Scalzetti Natalie il/cCreary Oboe Kathy Karlsen Timothy Perry Clarinet Jaclyn Adler James Wu Bass Clarinet Zach Stanco James Hsia Ella Serrano Yuansi Du Nicholas Thompson Sara Sunshine Emily Wong Jeﬀrey Lu* Chris Rogers Gregory G. Greene Ashley Fancher Alyssa Starrantino Julia Kenny Bassoon Violin II Natalie Spitzer Paige Elliott Gabrielle Maire Natalie Bock Siomon Benarie Jaclyn Podd Brandon Luu Daniel Park Karen Fu Won Jae Lee Jiwon Nam Jin Park Kimberly Griﬀin French Horn Matt Mc Auliﬀe Zack Arenstein Trumpet V iolin l Kevin Hannon Nicholas Polacco Trombone Billy Marsiglia Jacob Strohm The USO employs rotating seating; Woodwinds, Brass and Percussion rotate by composition and are listed alphabetically. Strings rotate by concert and are listed in seating order. Viola Benjamin Pochily Jillian Chen Daniel Rodriguez Kevin Christie Daniel Rodabaugh Maeve Murray Mimi Nam Alan Wang Ryan Ference Thank You for attending today ‘s program.’ Since its inception in the late 1950 ’s, the University Symphony Orch estra has provided a musical avenue for dedicated majors and nonmajors to rehearse and perform a wide range of orchestral works from varying genres, periods and nationalities. In addition to its formal concerts, whi ch o ften feature outstanding faculty artists from the Department of Mus ic, the orchestra presents children’s concerts, holiday concerts, works for chorus and orchestra, and winners of its biennial Student Concerto & Aria Competition. The orchestra has been a featured performer in Binghamton University’s Scottish and Greek Festivals and has been honored with an invitation to present a second collaboration with New York’s Paul Taylor Dance Company in March of 2012. Next USO P ro gra m Sunday, Decem ber 4th A Dou ble Hol iday G ala! Two joyous holidaythemed events — in one afternoon! holiday opera A mahl and the Night Visitors by Gian Carlo Menott, presented withfu/lfrom TriCities Opera set/costumes! At 3:00 pm move into the Concert Theater for a one hour concert of holiday favorites for C hristmas and Hanukah presented by the Orchestra, Wind Sy mphony, Harpur Chorale and Women ‘s Chorus, complete with audience singalong! One ticket gets you both! 1:30 Amahl + 3:00 Concert or 3:00 Concert + 4:30 A mahl ~. 3 ' ., ' , > 3 At 1: 30 pm in the Cham ber Hall (or at 4: 30) enjoy the classic 40minute oneact > Ne w Beginnings Back to our Roots Beginnings St. Patricks Cacholic Church 9 Leroy Street, B i n g h a m t o n , Trinity Memorial Church 44 Main Street, B inghamton, N Y Sunday, O ctober 1 6 , 2 0 1 l . 4 : 0 0 p. m. Lessons anil Carols tor Christmas Sacurday, November 26, 2 0 1 1, 7 : 3 0 p. m. & S uaday, N o v emb er 2 7 , 2 0 1 1 , 4 : 0 0 p. m. Church o f the Holy Trinity 3 46 Prospect Street. B inghameon, NY Sunday, March [ 1 , 2 0 1 2 , 4 : 00 p. m. Crossroads Sunday, June 3, 2 0 1 2 . 4 : 0 0 p. m. Tabernacle United Methodist Church $3 Main Street, Binghamton, N Y For Tickers: i ’ l ‘ ﬂ “ f ' m a d r i g a l c h o i r . o or c a l l 6 ” ? 7 3 0 4 “ 6 . ( D O 201 1201 2 2 34th Season 20 The Madrigal Choir of Binghamton m �Binghamton University Music Department ’s U P C O M I N G E V E N T S ﬁ w m w t ﬁ ' w w é o MidDay concerts are held on Thursdays, 1 :20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, Nov ember 1 7 — Jazz MidDay C oncert w ith g uest art ist — 1 :20 PM — Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, Nov ember 1 7 — Harpur Jazz En semble Concert with guest art ist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) University String Orchestra — 4:00 PM — Friday, Novem ber 1 8 — Grand Corridor — FREE Monday, Novem ber 2 1 — Masterc lass w ith organist W ilma Jens en — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — MidDay Concert (Burgess) — 1 :20 PM — Casadesus Recital Hall – FREE Friday, Decem ber 2 — Flute S tudio and Flute Chamber Conc ert — 1 0 :15 AM — Casadesus Recital Hall – FREE Saturday, December 3 — E lizabethan Madr igal Feas te (Harpur Chorale and Women ’s Chorus) — 6:30 PM — Mandela Room — $40 general public; $20 students (Special thanks to Sodexo for underwriting the student price) Sunday, December 4 — Holiday Extrav aganza! Holiday Gala (University Symphony Orchest ra, Wind Symphony, Harpur Chorale and W omen ’s Chorus) and “Amahl and the Night Visitors” — 3 PM — Osterhout Concert Theater & Anderson Center Chamber Hall — $10 general public; $6 faculty/staﬀ/seniors; $3 children and students W ednesday, Dec ember 7 — Composition Semin ar Class Concert /Recital — 8 PM — Casadesus Recital Hall — free I f you enjoyed and were inspired by this performance, please consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the A nderson Center Box Oﬀice at 7 77ARTS. t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:53 27:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154616">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154616</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elijah, November 13, 2011 Recital Tape 2011-11-13 Description An account of the resource Held at 3:00 p.m., November 13, 2011, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Mendelssohn-Bartholdy, Felix Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9f2141a28340bf7fc4abcce65e5b29b6.pdf 0b14112896d8faf1837617441e152734 PDF Text Text BINGHAMTON U N I V E R S I I Y STATE U N I V E R S I T Y OF N E W Y O R K Go Ze I e D E P A R T M E N T THURSDAY MIDDAY CONCERT (DP December 1, 2011 1:20 p .m. Casadesus Recital Hall �PROGRAM ‘From Four SilhouelteS{ (Op. 4 1 ) . . . : . . . . . c . 0 . 0 5 0 D avidov In the Morning (1838–1889) Waltze Stephen Stalker, cello Carol Bernstein, piano from COSI FAN TUT T E (1790) Wolfgang Amadeus Mozart (1756–1791) Fiordiligi: Kaitlyn Mulligan, soprano Dorabella: Kimberly Torres, mezzosoprano Don Alfonso: David DeMoya, bass John Eisenberg, piano “Vi ravviso, ”from LA SONNAMBULA .....................V incenzo Bellini (1801–1835) David DeMoya, bass William James Lawson, piano Nocturne, Op. 15, no. 2 Trio, “Soave sia il vento, voveere. Frédéric Cho pin (1810–1849) How Sweet the Sound ...........David Gaita (b. 1991) Etude No. 4 : Fanfares Gyorgy Ligeti (1923–2006) David Gaita, piano 1 Weep you no more, sad fountains Love’s P h i l o s o p h y . . . . . . . . . . . . . Kerianna Krebushevski, soprano William James Lawson, piano Roger Quilter Roger Quilter (1877–1953) Duet, “Ah, guarda, sore/la, from COSI FAN TUTT E (1790) Wolfgang Amadeus Mozart Fiordiligi: Kerianna Krebushevski, soprano Dorabella : Caitlyn Gotimer, mezzosoprano John Eisenberg, piano y Duet, “Signor ne principe...E il sol dell’anima, Giuseppe Verdi from RIGOLETTO (1851) (1813–1901) Gilda : Christina Kompar, soprano Duke of Mantua : Mario Eun Hwan Bae, tenor John Eisenberg, piano Aria, “Caro nome from RIGOLETTO Gilda : Christina Kompar, soprano John Eisenberg, piano Giuseppe Verdi (1813–1901) �Bi ng ha mt a n U ni versit y M usic D epar tm en t ’s U P C O M I N G E V E N T S 6 6 M6 0 6 & 6 W M & 6 6 9 6 & M Flu te Cham ber Fri day , Decem ber 2 — Flu te S tud io a nd all — FREE Co nce rt — 10 :15 AM — Casadesus Recital H ber 3 — Elizab eth an Fri day , De cem ber 2 & Sa turd ay, Decem men’s Chorus) — 6: 30 Ma drig al Feas te (Harpur Chora le a nd Wo $20 students (Special PM — Mandela Room — $40 general public; dent price) tha nks to Sodexo for underwriting the stu Sunday , December 4 ts o n one tick et! Do ubl e H olid ay Extrav aga nza! Tw o e ven nd 4:30 PM (you choose) “Amahl an d th e N igh t Vi sitors” at 1:30 a y S ym phony and Ho lida y G ala & S ing Alo ng (Un iversit ale an d Women’s JOrchestra , Wind Symphony, Harp ur Chor ber Ha ll & Osterhout am Ch oru s) — 3:00 PM — Anderson Center Ch fac ulty/staﬀ/seniors; $ 3 Concert Theater — $10 general pub lic; $6 children and students Seminar C las s We dne sda y, Dece mb er 7 — Co mp osi tion ecital Hall — free C o n c e r t Re cita l — 8 PM — Ca sadesus R ay Co ncert — 1: 20 PM Thu rsd ay, De cem ber 8 — Ho lida y M idD — Casa desus Recital Hall — free em ble — 8 PM — Thu rsd ay, De cem ber 8 — Percu ssi on Ens Anderson Center Chamber Hall — free this performance, please consider I f you enjoyed and were inspired by a ﬁ nancial gift. Your support helps to supporting the Department of Music with guest artists and their contributions and continue the work of students, faculty,your donation payable to the Binghamton ake se m Plea ity. to our larger commun .O. Box 6000, Binghamton, NY Universit y Music Department, and send to P 13902. For ticket information, please call the An der son Center Box Oﬀ ice at 7 77 AR TS on . edu To see all events, please visit music. b ing ha mt Become a fan on Facebook by visiting . en t Bin gh am ton Un iversit y M usic De par tm � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:02:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145389">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145389</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, December 1, 2011 Recital Tape 2011-12-1 Description An account of the resource Works by Davydov, Bellini, Chopin, Gaita, Ligeti, Quilter, Mozart, Verdi. Held at 1:20 p.m., December 1, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Bernstein, Carol DeMoya, David Lawson, William James Gaita, David Krebushevski, Kerianna Mulligan, Kaitlyn Torres, Kimberly Eisenberg, John Gotimer, Caitlin Kompar, Christina Bae, Eun Hwan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound