111 10 1775 https://omeka.binghamton.edu/omeka/files/original/539c19b008f452c703e6d8511e7e7c72.pdf 7e07fef4eb4f7e233d2ed2d05613e796 PDF Text Text BINGHAM TON U N I V E R S I T W D E P A R T M E N T ; flute Studio and Flute Chamber Conc ert F55s % r RECS B f ) y 1 Friday. Dec ember 2 . 2 01 I I 0 : I  5 A.M. Casadesus R ecital Hall �PROG RAM &  Binghamton University Flute Quartet  & Kaitlin  Armstrong Hagar Dayan Natalie McCreary Lindsay Ralbovsky La Cac i a  Andante  Adagio i t i n g John   (b. 1972) Tempo D i Minuet Andante l  Raquel Goldsmith, Flute Mrs. Margaret Re itz, Piano Georg Philipp Telemann (1681–1 776) ­­­ Edite d by Gio vanni Gatti Lovely Fields So Gentle ..  Sonatina for Flute and P iano s. c . Christoph Willibald Gluck (1714–1 787) —  Arranged by Author Ephress Sonatina for Flute and Piano.  .Peter Lamb Andante  Con Moto (b. 1925 ) Hagar Dayan, Flute Mrs. Margaret Reitz, Piano Air De Ballet from “Ascanio” . Camille Saint­Saens (1835–1 921) Mississippi Rag  W  H. Krell (1873–1 933) — Arranged by Arthur Frackenpohl &  Binghamton University Flute Studio  & Suite De  Ballet for Flute and Piano  Gavotte  Humoresque Ralph Vaughan Williams ( 1872–19 58) Raquel Goldsmith, Flute Mrs. Ma rgaret Reitz, Piano Mrs. Ma rgaret Reitz, Piano Contest Solo No. 1 for F lute and Piano  Moderato  Allegro Moderato, Allegro Arthur F oote ( 1 853–1 937) .Robert Gray (b. 1945 ) Lindsay Ralbovsky, Flute Mrs. Margaret Reitz, Piano Minuet from “Orfeo and Euridice ”  Kaitlin A rmstrong, Flute Mrs. Ma rgaret Reitz, Piano Aubade Villageoise for F lute and Piano.  Natalie M cCreary, Flute Christoph Willibald Gluck (1714–1 787) Alyssa K ing, Flute Mrs. Margaret Reitz, Piano Siciliana and Giga from Sonata in  F  Major ........................George Frideric Handel ( 1 685–1 759) Alyssa K ing, Flute Mrs. Margaret Reitz, Piano ­­–  Flutists are from the Flute Studio of Georgetta Maiolo  — �Binghamton  University Music  Department’s U P C O M I N G  E V E N TS a eoasd  0 5 Mid­Day concerts are held on Thursdays, 1 :2 0 PM in Casadesus Recital Hall unless otherwise noted and are FREE Friday, Decemb er 2  & Saturd ay Decem ber 3 — Elizabetha n Madrigal Feaste (Harpur Chorale and Wom en’s Chorus) — 6:30 PM — Mandela Room — $40 general public; $20 students (Special thanks to Sodexo for underwriting the student price) Sunday, December 4 –­ D ouble Holiday Ext ravaganza! Tw o  events o n  o ne ticket ! “Amahl a nd the N ight Visi tors” at 1:30 and 4:30 PM (you choose) and Holi day Gala & Sing A long (Un iversity S ymphony Orchestr a, Wind S ymphon y, Harpur C horale an d Women ’s Chorus) — 3:00 PM — Anderson Center Chamber Hall & Osterhout Concert Theater — $1 0 general public; $6 faculty/staff/seniors; $3 children and students Wednes day, Dec ember 7 — Comp osition S eminar C lass C o n c e r t Recital — 8 PM — Casadesus Recital Hall — FREE Thursda y, Decem ber 8 — Holiday Mid­Day Conce rt — 1:20 PM — Casadesus Recital Hall — FREE Thursday, December 8 — Percuss ion Ensemble — 8 PM — Anderson Center Chamber Hall — FREE Friday, D ecember  9 — Sin ging Chi nese Cla ss Recita l — 7 PM — Casadesus Recital Hall — FREE If y  ou enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your dona­ tion payable  to  the  Binghamton University Music Department,  and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145392">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145392</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio and flute chamber concert, December 2, 2011 Recital Tape 2011-12-2 Description An account of the resource Works by Telemann, Gluck, Krell, Vaughan Williams, Foote, John, Lamb, Saint-Saëns, Gray, Handel. Held at 10:15 a.m., December 2, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Armstrong, Kaitlin Dayan, Hagar McCreary, Natalie Ralbovsky, Lindsay Reitz, Margaret A Goldsmith, Raquel King, Alyssa Maiolo, Georgetta Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7e07492da95c68ae5f4a13385c6a9ba4.pdf 21ac090b9eaccf4a4df110c9823f24f2 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K D E P A R T M E N T HOLIDAY EXTRAVAGANZA! Heason  s_Foys University Symphony Orchestra University W ind Symphony Harpur Chorale and Women’s Chorus Sunday, December 4, 2011 3:00 p. m. Osterh out Concert Theater �Deason 3  Sos The Binghamton University Department of Music presents Sunday. December 4 at 3 :00 P.M.  Osterhout Concert Theater l. The University Wind Symphony Robert Smith, Director Sleigh Ride . Leroy Anderson Fantasia on Silent Night . . Julian Bond The Eighth Candle . ..Steven Reisteter And the Mountains Echoed: Gloria!  Robert Longfield Il. The Harpur Chorale  The Women’s Chorus Peter Browne. Director  Molly Adams­Toomey & Jushin Choi. Conductors Processional: Masters in  this Hall.  .arr. Peter Browne Glolicestershire W a s s a l l . . . . . c o v i o c l i s i s a rr. Bruce Borton A Feaste of Madrigals  (selections will be announced) Winter Wonderland a r r Peter Browne lll. The University Symphony Orchestra Timothy Perry. Director March of the Toys, from “Babes in Toyland” .....................Victor Herbert Three Dances for The Nutcracker  ...  . Peter lIyich Tschaikovsky Dance of the Sugar­plum F a i r A y  r a bDance — Russian Dance   Festive Sounds of Hanukah (SING­ALONQ)  arr. Holcombe/Rothrock Maoz Tsur — MiY’Malel — Dreidel Song — $'Vivon Hanukah. O Hanukah A Christmas Festival (SING­ALONG)  ..  ..Leroy Anderson Joy to the World — Deck the Halls —  G o dRest    Ye. ‘Merry Gentlemen Good King Wenceslas — Hark. the Herald Angels Sing Silent Night — Jingle Bells Thank You for attending today’s concert —  w e  appreciate your support for our student­musicians! For complete up­to­date information on Department of Music events, please visit our web site at music.binghamton.edu The faculty. staff and students of the Department of Music wish you a safe and happy holiday season.   �Womens C ’ hours The University Wind Symphony Peter Browne. Director Robert Smith, Director Piccolo  Hagar Dayan  Flute  Kohar Bedonian  Andrea Dewhirst  Raquel Goldsmith  Kimberly Hom Judy Kahn ‘11 Allysa King Hannah Lewis Lindsay Ralbovsky* Nicole Safran Recorder Alexander Baron Eb Clarinet Hector Mendez Bb Clarinet Carrie Goodacre” Mirim Han Joo Won Kim James Mayr David Morrissey Stephanie Scheintul Bass Clarinet Robin DeSantistAFM) Carolina Montenegro Oboe  Kimberly Muller*  H a o  S u n   Alto Saxophone  Cori Berg  Nicollete Clark Anthony DeGelorm* Danielle Stoner Tenor Saxophone Kevin Acker Kevin Clements Stephen Kassinger* Phillip Westcott Baritone Saxophone Bradley Alder Trumpet Jason Boniello* Eric Engleman Ray Futia Casey Levine John Marschhauser Gregory Smaldone Andrew Vaccaro F  Horn Zachary Birnbaum Matthew McAuliffe Molly O’Brien Katherine Saturnino* Natalie Rivera Trombone Kacie Kalies Matthew Kratenstein Daniel Romberger Drew Perotti* Sai Ravilisetty Euphonium Kenrick Georges Andrew Kaufman* Tuba Elliott Bowen Matthew Gukowsky Percussion Emily Goetz Adam Goldenberg* Mike McManamon Benjamin Ramos Alexander Rava Tyler Steere Alexander Valera Graduate Assistant James Hsia * Denotes Principal Jennifer Chen Amy Conway Janelle Dmochowski Sheena Finlayson Crystal Gonzalez Samantha Grieco Ashley Grumman Kaitlyn Mulligan Erika Noach Maggie Pictor Jessica Pyne Susan Rosenberg Christina Santa Maria Ariel Schlesinger Joanna Wallace The Harpur Chorale Molly Adams­Toomey. Conductor Soprano Katie Besemer Michelle Goldrich Kerianna Krebushevski Sabrina Scull Katie Sucha Hollie VanDerHeide Alto Denise Aquino llyssa Baine Carrie Buck Suzanne Greene Shoshana May Tenor Ari Hausman Tomas Kerr Josh Rovou David Schwartz Brandon Seabrook Bass Thomas Furey Christian Martin Gavin McClelland Daniel Romberger �FESTIVE SOUNDS OF HANUKAH University Symphony Orchestra MAOZ TSL’R (Rock of Ages) Timothy Perry. Director The USO employs rotating seating; Woodwinds, Brass and Percussion rotate by composition and are listed alphabetically. Strings rotate by concert and are listed in seating order. Flute Kaitlin Armstrong Natalie McCreary Oboe Kathy Karlsen* Clarinet Jaclyn Adler James Wu Bass Clarinet Zach Stanco Trombone Billy Marsiglia Jacob Strohm Tuba/Keyboard Matthew Gukowsky Percussion Benjamin Rothschild Andrew Williamson Adam Goldenberg Violin I Gabrielle Maire Emily Wong Natalie Bock Jaclyn Podd Simon Benarie Yuansi Du Jeffrey Lu Brandon Luu Daniel Park Jiwon Nam Kimberly Griffin Karen Fu Bassoon Paige Elliott Natalie Spitzer French Horn Zack Arenstein Matt McAuliffe Trumpet Kevin Hannon Nicholas Polacco Violin ll Sara Sunshine Nick Thompson Chris Rogers Ashley Fancher Gregory Green Won Jae Lee Julia Kenny Jin Park Alyssa Starrantino Viola Daniel Rodabaugh Mimi Nam Kevin Christie Jillian Chen Daniel Rodriguez Maeve Murray l M ge  l r l  12. us failed  “ M a n c u n i a n ­ g m  failed  us  A n d m r m d   htok elhdrmd  W Butyourarm  a ­ vaiied F u r i o u s s ailed  us  uereonshdmngto « Violoncello Eric Wuu Felicia Scalzetti Xander Edwards Deborah Mariottini Peter Hiraldo Alan Wang Ryan Ference Contrabass Kristine Beckmann You  a­midthe  ra­ ging foes Rocket Ages,  Letoursong  Praise your  sa­ving  Po  ­ wer;  MI  Y’MALEL (Who can retell?) l  ane + eens  __  4    v—  — — — .— —  h W m =  . o the t  h i n g s u s?  Memorandum? [nevery age, hero orsagecame  0  Our i  Hak!  ln  daysof yorein lsmel’s sacred  land­,  ud    — — y [  p –   p  ­ _i _ =  _ ­ . Sn s –­  = . . = . = ' . ' = — Se  – = ‘–©  u  e T Brave  Maccabeus  ialthefnzhlai  band Hane 9 a  _  .  . . S I R =     . = £ 3 Re deem  it­sel!  through deed and  sa­eanrx. m u st n o m a ­ n s r. +  :a‘clvllll‘f  ’).\'G DRFJDEL SO  You are invited to join the USO for its next concert. a special collaboration with the world­reknowned Paul Taylor Dance Company on March 10, 2012 in the Osterhout Theater. =  ©  l  —  =  : :  t il u’c drei­del . l made treetolclzyunc when it’s dry and ready, dreidel I shall  play!  O . ‘  . . . , . – . = .   F — — e m m a =  ~ —  timideifnmLLL'nfi,  1 made  itoutof clay,  and wheats dryand ready,  Odreicel  ]  shad  play. 5"\' !\O.\'  Spin  dreidel, spin)  ­  L L  Y  .  —  a  = m =  . Details about this event are available on the web site of the Anderson Center for the Arts. .L  ..  d — , I 0  ­— j n ­ d ­ v fi Se­vi­von,  sovsovsov  Ha­nu­kah  be bagtov;  Ha­nukah,  hubagtov,  Se­vi­von,  sovsovsov ’ HANUKKAH, H ANUKAH =  ]  I  3  T C h j = . —t  “tal Hanukah, O Hanukah, come light the mcnorah. Let’s have a party, we’ll ail dance the horah; o  v m B  « m —  L r ‘ i  .   ,  _ . _ .   w . _ _ —  —  _ o t ; t m  . n  s 3 u _ _ _   es t n   e Gather  ‘round the  ta­  blc,  we‘ll give y oua  treat;  Sevivonio  play  with, and  latkes  to  eat. + �A Christmas Festival n ]­   eVnto    dai.” wmo m ­  e s {AA  m—“——  ‘ — '  n  '  ' '  ‘ ,9nLu'dmee.  u m r eceive  her kni g!  Letev—  heat  pre­ Jy  blhevldld o y e  R i  7  D   a L —   v   — —     rSnS— ~ T — — — B— ­  EL y t e © "——e————?_==——_;———n—.­   A—­–  e n  ~   B ..–—'—.  ,  r —     A —  5 I. —— i  . . .   C E C a  m a C — W    –"   — — — — r 3 — — _ _ – — — A  c a C–  1 —_——m—  i ————————  p — “ " dl;i HadlTheherddmgeulnig  Goloyrbtnenewbomw  Peace mec­ry  m   g — _ — — m n —  — _ —   — l D _ A R B n ­   — – — — — – — — — — – — — — u n — — ' — — ow  r — — — a O   –  “ macs   n – n w — o   OV D T   — — – T  l — — — – — . — s   – — — — — — – — _ — —  — – — n   Cl  w————  —  n ~ ­ — — — — – — — — — – — — — — 4 — GodmeirI­mrsreooncled..loy­lullye nalions rise! m u m d n m m m m s m m ­ =    1 . oc r— t— ca o cn—   —— — — ——   — — — — B R  _ —   n — —  — — . — — ­ — — — . — — 4 — m m     – — — — . n ‘ — — l . ~ _ ' — — ‘ m : 7 — . — _ — pare Him room  and hesv‘n and nature sing, and heav’n and nature sing. and heav’n, and heav’n and nature sing IS Re  E B C   E NT ­   — — — c i Troll  theancient  Yule­lide care!  Feladalale,  la  la  la  la Fa­la­ia. ladafa,  la.  la,  la.  w%—_—t v—m—u  R n c —  — — —   — — — —   ' — — — — — — — — —   ©  — — — — — _   =  — — — — 4 .  ­  _  a  1;  i —  — — — — — RE  d – — — — — — d = i  »  _ —   — — — — . 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' = : — ­ — — . — — . — _ — — — _ – — . _ . — — . — . — — God rest  ye. mer­y gen­te­men le!  nc­ll’i’egymdis’rr‘ay,  R e ­ m e m ­ b e r  sa ­ vicrwas —   o — . — 17]  l  Fae  ­ ­ — d e B ’ .W g —– 4— n  v — ——   t  —  S0  –WM n  Re  C wI M —‘ –J am—–—l —   4 –r — — – "‘ –– um —u   n‘ r —r S—— S–— —— r —–  —  ­­—— r — – — — – — — — — — – . — – _ — — y u — – 4 — m  To »4 .—.—  mo, — “hss w e – — C h r i s t i s  “ W W W ”  Gol ­ry  © hemburnifl‘igl D onn m w w rsaiw ­ ei , Decklherdswiilwousefhofiy,  F u m e s ­ s  la  la  Tsthe  season  lobe  joliy  Faladalafa l a l a  la  la t n    eE   D e   ¢ — — — — ­ r —  n a n —  T A G S )  _ r — G l  N n n ——— m“ma — — 4 Sv­­­  _—s—— ­=m   rr   L’s­n—   ions   — — —— — '— — 3 von s _––=—— — –r —  — — ‘ 5 — _ L r _ m _  m n –   —    — — — _ A U apay  RAL S v   O — — — — — — br  _ – — – — _   — . — —  _ — — — — — _    — T e   r    P e  4  u  "   n — u u — u – ‘ n — ‘ — _ Gr — o  S J   a n — — — — “ _ —   _ i gle besl ,  jaglebels,  jnglealthe way  Ohwhatfnit  sic rdeina  ons­horseopen  sleigh; Jn m ew  a  S e w n  A S  A S  S S e ...._..  —   C h a  a —   — — ‘ — v — I “ — ‘ — l  w t l    —  —  LW  .  — — — — ‘ * ­ = ­ , haiuln istorbeni amo­harseopenselgihl ji ­geaitlhe  wa y. 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[+ l 9 (   =  t  %  I 1 g  » .   l 1 ‘ l 2  ian '. 2  i  p U  ,  Jeffrey Jacobsen  =  — A  3    1 ­  ~ ~ ber Serfems   ChamSoovin Ki Aron Quartatt .  .  Special Concerts Vienna Boys Choir W W W . B I N G H A M T O N P H I L H A R M O N I C . O R G   GCrque De La Symphonie public service media for vour community �Binghamton University  Music Department’s UPCO MING  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, D ecember 8 – Holiday M id­Day Con cert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, D ecember 8 – Percussi on Ensemble – 8 p.m. – Anderson C enter Chamber Hall – free Friday, December 9 – Singing  Chinese Cl ass Recital  – 7 p.m. – Casadesus Recital Hall – free If y ou enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box O ffice at 777­ARTS. For our full concert listing, visit music. binghamton. edu or become a fan on Facebook. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:00:41 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145395">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145395</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holiday Extravaganza!: Season's Joys, December 4, 2011 Recital Tape 2011-12-4 Description An account of the resource Works by Anderson, Bond, Reisteter, Longfield, Browne, Borton, Herbert, Tchaikovsky, Holcombe, Rothrock. Held at 3:00 p.m., December 4, 2011, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource University Symphony Orchestra University Wind Symphony Harpur Chorale and Women's Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/83d6bc0a12ec174157ef7c914e25f88f.pdf 01079ab5b82d3f548704976b52b39d41 PDF Text Text BINGHAMTON U N I V E R S I T Y S TA T E U N I V E R S I T Y  O F  N E W  Y O R K D E P A R T M E N T THE BIN G IIAM T ON UNIVERSITY M U S I C DEPARTMENT I N  CONJUNCTION W I T H TRI ­CI TIES OPERA PRESENTS HOLIDAY EXTRAVAGA NZA! AMAHL AND THE   ISITORS NIGHTV b y  G ian Carlo Menotti Sunday, December 4, 2011 Two Performances A t 1:30 and 4:30 p.m. Anderson Center Chamber Hall �A C R E T Director ’s Note Welcome to Binghamton University and our production of Amahl and the Night Visitors. In the midst of the holiday season while experiencing the complexities of modern life, I hope you will enjoy reflecting on the timeless and universal themes in this opera. First seen by American audiences as a made for TV  opera in 1951  and shown annually during the holidays for many years, the opera’s themes still resonate with contemporary audiences. Gian Carlo Menotti draws us into the story with soaring melodies, and strong themes of hope in the face of despair, the loving bond between mother & son, spiritual searching, transformation and healing. These themes speak to the humanity within each of us. This opera tells the tale of a poor widow Mother and her crippled son. They share what lit tle they have with three kings who are on a spiritual journey following a star. The kings stop at the widow’s hut and ask to be taken in for the night. The story and colors of the music are interwoven to create a magical atmosphere. After performing the role of King Melchior many times, I have en joyed revisiting the story through the eyes of a director. I hope you will  enjoy our retelling of this beautiful tale. –Thomas Goodheart Amahl  Matthew Goodheart Mother  Hilerie Klein Rensi KingKaspar .......... .......... .......... ....... ..Richard Leonberger Brister Hay King Me lchior ........... .......... Charles Hyland King Bal thazar............cccc.ccccc...........RODErt Heepyoung Oh Page David Schwartz Dancing S h e p h e r d s . Angela Kucera K Morgan Prikazsky Chorus of Shepherds Women: Christina Kompar, Kathleen Jasinskas, Kerianna Krebushevski, Molly Adams­Toomey (cover for Mother), Meghan C akalli, Christina Santa Maria, Caitlyn Gotimer, Kaitlyn Mulligan, Kimberly Torres Men: Mario Eun hwan Bae, David DeMoya, David Schwartz, Daniel Romberger, Johnny Only, Patrick Tombs Stage Di rector ........... ........... ........... ....Thomas Goodheart E E R I R I C E I N Zachary    Nobile Kampler Chorus M aster .......... .......... .......... .......... ...John  Isenberg Lighting Designer  Edward Pottorff Assistant Director....... .......... .......... ........Christina Kompar �~  ORCHESTRA  ~ Violin I  James Hsia  Flute Melanie Adler Violin II  Ella Serrano  Oboe John Lathwell Viola  Benjamin Pochily  Clarinet Sarah Chandler Cello  Paul Wautrobski  Keyboard John Isenberg ~  ARTIS T BIOGRAPHIES  ~ Hilerie Klein Rensi (Mother) is a recent graduate of the Resident Artist Training Program with Tri­Cities Opera. She has performed 20 operatic roles with Tri­Cities Opera including Rosina in The Barber of Seville, Dido in Dido and Aeneas, Cherubino in Le Nozze di Figaro, Dorabella in Cosi fan Tutte, Nicklausse in Les Contes D ’Hoffman, Stephano in Roméo et Juliette, and The Mother in Amahl and the Night Visitors. She has also performed with Natchez Festival of Music, Lake George Opera, Spoleto Festival USA, Binghamton University Orchestra, The Binghamton Downtown Singers, Hamilton College and Community Oratorio Society, Basically Bach Ensemble, Traverse Symphony Orchestra, Orchestra of the Southern Fingerlakes, and Cleveland Institute of Music Orchestra. Ms. Klein Rensi has been a featured soloist in Mendelssohn’s Elijah, Handel’s Messiah, Ein feste Burg ist unser Gott by Bach, Mozart ’s Requiem Mass in D Minor, Bach’s Cantata BWV 132, John Rutter’s Requiem, Mozart ’s Great Mass in C Minor, Bach’s Easter Oratorio, Mozart ’s Litany in B­Flat Major, Serenade to Music by Vaughn Williams, Bach’s Cantata BWV 10 Meine Seel ’ Erhebt Den Herren, and Haydn’s St. Nicolai Mass. She continues to tour her cabaret Alto on the Loose, with Pej Reitz at the piano and this December will perform in a Christmas Gala at Westminster Presbyterian Church in Pittsburgh, PA. She received a MM Degree in Operatic Performance with Tri­Cities Opera and Binghamton University and completed her Bachelor Degree in Vocal Performance at Cleveland Institute of Music. She is an alumna of Interlochen Arts Academy. When not on the stage, Ms. Klein Rensi resides in Pittsburgh, PA with her husband and two sons, while teaching private voice lessons and inspiring new young artists to pursue their musical ambitions. Matthew Goodheart, Boy Soprano ( Amahl). Matthew was born in New York City into a singing family. He spent his formative years listening to lessons, operatic rehearsals and performances, including Amahl & the Night Visitors which was performed annually at Purchase College Conservatory of Music where his parents were on the voice faculty. Last summer Matthew participated in The  Songe d'été en Musique Festival in Quebec and performed on CBC radio. Matthew joined the The Parlor City Boys Choir when he was seven and last year was invited to attend the American Boy Choir Academy Summer Program in Princeton, New Jersey. Last December he performed the role of Amahl in Amahl & the Night Visitors at the Anderson Center in a Binghamton University Music Department Production. Locally he has performed in the Nutcracker, Circus Minimus and The Dramatic Arts Workshop at The Discovery Center. Eleven­year­old Matthew is a sixth grade honor student at St. John the Evangelist School.  He is equally at home playing sports, especially basketball & baseball. Charles Hyland (King Melchior) (baritone) is a Binghamton native and a graduate of the Catholic University of America, and is currently in the MM Opera program at Binghamton and a Resident Artist at the Tri­Cities Opera. Most recently, Charles sang the role of Yamadori and covered the role of Sharpless in Madama Butterfly at the TCO, and will be appearing in their upcoming productions of Lucia di Lammermoor and The Magic Flute. Previous roles include Masetto in Don Giovanni (with the Martina Arroyo Foundation’s Prelude to Performance Program), Haly in L’/taliana in Algeri, Melchior in Amahl and the Night Visitors, Papageno in The Magic Flute, Dr. Falke in Die Fledermaus, Figaro in Le Nozze di Figaro, and Schaunard in La Boheme. Richard Leonberger ( King Kaspar). Mr. Richard G. Leonberger is originally from Waco, Texas, where he studied voice under Lise Uhl at McLennan Community College. He sang lead roles in multiple operas, including Nanki Poo in The Mikado, Tamino in The Magic Flute, and Frederic in Pirates of Penzance, and performed as a soloist in concert works such as Mozart ’s Requiem Mass. Mr. Leonberger eventually completed his undergraduate education at Stephen F. Austin State University, studying under Dr. Scott LaGraff. While at Stephen F. Austin, Mr. Leonberger continued to perform opera roles including Jenik in The Bartered Bride, Rinuccio in Gianni Schicchi, and Little Bat in Susannah. He has performed with multiple chorus groups presenting master works, singing as the tenor soloist in Handel’s Messiah and Haydn’s Lord Nelson Mass. Mr. Leonberger has performed professionally both in the United States and abroad, and now studies at Binghamton University under Tom Goodheart. Mr. Leonberger has sung both with Tri­Cities Opera �and with Binghamton University, presenting roles such as Frantz in Les Contes d ’Hoffmann, and Goro in Madama Butterfly, and performed both at Binghamton University’s presentation of Maciejewski’s Missa de  Profundis and most recently in Felix Mendelssohn ’s Elijah. Robert Heepyoung O h {King Balthazar). Baritone Robert Heepyoung Oh is in his first year as a student in the Master of Music program at Binghamton University with a concentration in Opera. He is also a Resident Artist with the Tri­Cities Opera. A native of Seoul, South Korea, Mr. Oh received a Bachelor of Music degree in voice from the Korea National University of Arts. He has sung leading and supporting roles with the Korea Opera Company and the University of Texas at El Paso. His most recent appearance was as the Registrar in the TCO performance of Madama Butterfly. He was a KwangJu 1  International Vocal C ompetition winner, Korea Vocal Competition 2 ”  Prize winner, Bimok Vocal Competition 2 ” P  rize winner in Korea. In the U.S. his competition credits include the NATS Competition Rio Grande chapter Adult Division 1** winner and Most Promising Singer Prize (201 0). Fifth Lois Alba Aria Competition 2 ” P  rize winner and Audience Choice Prize (201 0), Fifth Charles A. Lynam Vocal Competition Semi­finalist (2010) in USA. His previous oratorio solo appearances include Weber Messe in G ­dur, Mozart ’s Coronation Mass, Handel’s Messiah and Beethoven’s Symphony 9. Brister Hay, Tenor { King Kaspar ). Brister is from Brooklyn, New York and is currently in the MM opera program at Binghamton University. He received his BM Vocal/ Opera degree from SUNY Purchase College Conservatory of Music where his performances included Tamino in Die Zauberflote; Gherardo in Gianni Schicchi and Ferrando in an abridged version of Cosi fan tutti. Brister is a 201 0 recipient of a Clark Fellowship at Binghamton University. Angela Kucera (Dancing Shepherd). A Binghamton native, Angela received her Bachelor’s and Master’s of Science in Industrial and Systems Engineering from Binghamton University. While at BU, she was a member of the Kickline Dance Team. Angela began her ballet training at the Roberson School of Ballet over 20 years ago and has been studying and teaching at Rafael Griogorian ’s School of Ballet since 1998. Angela also teaches at the Southern Tier Academy of Dance and attends classes at the Dance Connection. She studied at the New York State Summer School of the Arts program for ballet five consecutive summers. Angela has attended the Russian Balle t Seminar in Scranton, PA, and the Dance Teacher Summit in NYC. With the Tri­Cities Opera, Angela has danced in Faust, Hansel and Gretel and La Traviata. Angela has also danced with other local theater companies, including the Kermidas Dance Company and SRO Produc tions III. 0 K Morgan Prikazsk y (Dancing Shepherd ). A Union Endicott student, K Morgan currently studies at the Southern Tier Academy of Dance and studies dance privately with Carolyn Wallace and Rita Pilotti. K Morgan is a member of the Union Endicott Tigerettes Dance Team as w ell as a member of the choir. She has danced in various school productions, including Oklahoma! and Joseph and the Amazing Technicolor Dreamcoat. K Morgan made her stage debut as The Nutcracker in Rafael Grigorian ’s The Russian Nutcracker. For the past three years, she has been a member of the United States Dance Team, performing at Madison Square Garden, the Manhattan Center, and Times Square. In addition to dance, K Morgan sings at Northminster Presbyterian Church and studies voice and piano privately with Jill Smith. Thomas Goodheart, Baritone (Director). Currently a Visiting Assistant Professor of Voice at Binghamton University. BM, MM Manhattan School of Music. Past voice faculty Purchase College  Conservatory of Music 1999­2010. Baritone Thomas Goodheart has performed over 40 leading roles in opera and oratorio with companies throughout the United States. In New York City he has been a soloist at Avery Fischer Hall, Merkin Concert Hall, Kaye Playhouse and the Cathedral of St. John the Divine. He has received awards from The Metropolitan Opera National Council, The New York State Council on the Arts, The Joy in Singing Competition, Bel Canto Opera Foundation, The Ezio Pinza Council for American Singers and The Tri­C ities Opera. He has been a performer / teaching artist with the education departments of The New York Philharmonic, Lincoln Center Institute and The New York Festival of Song. Mr. Goodheart maintains a private voice studio in NYC and is on the voice faculty of The Westchester Summer Vocal Institute and C.W. Post College at Long Island Universit y. Last summer he was the Director of the Voice and Opera studies program at The Songe d’été en Musique Festival in Quebec. His students have gone on to Graduate study at The Juilliard School, Eastman School of Music, Mannes College of Music, Indiana University, Manhattan School of Music, Guild Hall (London, England) and The Opera Institute of Boston University among others. His students are currently singing professionally throughout the United States and Europe. Zachary Nobile Kampler, (Conductor). Zachary Israel Nobile Kampler is the Founder, Artistic Director, and Conductor of The Eastern Festival Symphony Orchestra, which he formed at age 19. A graduate of the Juilliard Pre­College program, he has performed in Alice Tully Hall and Juilliard Hall. Kampler has conducted for TAB Productions (2007), Crystal Opera (2008), and Nickel City Opera, where he has been Music Director since 2009. Previous operas include Amahl and the Night Visitors, The Barber of Seville, La Boheme, Le Nozze di Figaro, Pagliacci, Rigoletto, Suor Angelica, Il Tabarro, La Traviata, and �. =  F“  Il Trovatore. Kampler holds a BA in music from New York University and is currently pursuing a Master’s in Orchestral Conducting at SUNY Binghamton, under the tutelage of Maestro Timothy Perry. John Isenberg , (Chorus  Master). John Isenberg, a native of Endicott , NY, has served as Staff Accompanist for the Tri­Cities Opera since 2001 , additionally as Education Outreach Coordinator since 2005 , and as Chorus Master since the beginning of the 20 1 0­201 1 season. He holds a Bachelor’s Degree in Music and a Master’s Degree in Italian Literature from Binghamton University. John has developed an extensive repertoire of Opera, including Purcell, Mozart, Donizetti , Rossini, Verdi, Puccini and Menotti.  He has also accompanied and performed many different styles and periods of sacred music and Oratorio. As Outreach Coordinator for TCO, he has organized and accompanied over 300 performances throughout New York State and northern Pennsylvania. He has worked with various other groups in the Binghamton area, including the Summer Savoyards and the Binghamton Downtown Singers. John has taught piano both privately and in classroom settings. He also taught Italian as part of an assistantship at Binghamton University, and briefly  at Broome Community College. For twenty years he has served as organist and music director i n various churches in the Binghamton area. John currently serves as organist at Sarah Jane Johnson Methodist Church in Johnson City. Christina  Kompar,  ( Assistant Director ). Soprano Christina Kompar, from Greenwich, CT, i s  currently a Resident Artist with Tri­Cities Opera Company, as well as a Master’s of Music degree candidate in Opera at Binghamton University. During the 2010­2011 season, Kompar appeared as the Soprano Soloist in the Poulenc Gloria with the Binghamton University Orchestra and Chorus, and sang Annina in Tri­Cities Opera’s production of La Traviata. Kompar has also appeared with Nickel City Opera, Eastern Festival Opera, Bronx Opera, Dell ’Arte Opera Ensemble, Troupers Light Opera, TAB Productions, Westchester Summer Vocal Institute and New York Summer Opera Scenes. Roles performed include Inez (I l Trovatore), Young Lover (I l Tabarro) , Barbarina (Le Nozze di Figaro), Mabel (The Pirates of Penzance) , Tessa (The Gondoliers), Suor Genovieffa (Suor Angelica) , Lucy (The Telephone), Annina (La Traviata), Die Kind (Konigskinder), and Second Spirit (The Magic Flute). Kompar earned her Bachelor’s of Music degree from New York University. Special thank you to Dr. Timothy Perry, Music Department Chair, Judy Berry and Reed Smith at Tri­Cities Opera and Barbara Wolfe in the Theater Departme nt at Bing hamton University  for assis tance wi th the se t and costumes  for our  production. ­ A ~  <  . :   >  ¥  ‘ ~  :  .  ­    .  .  ­'  1.  h  i  ’  “ V I  2  3  ;  ,  ;  :  :  § I 1 I I   — ! I = z  E  o o — o I I I rd H r o   2 l I  TI  Fs a ...‘£  I ! I I I {l bo =g . ­0 , I I 1 P P xx 1 1b s E  y T   Jeffrey  Jacobsen  .  ®%0  the  podium  ­  '  HR CA  :  i  ee  =  .  i  2  I ! I I I I ! ! = I I I I I o I I I 8 i 2  2 GES  5 3  —  iS “  J m o A . E  0 0g : 3  g i  .  1 l J E ,  1 I 1 I 1 I 1 1 i I l _Bni ghamton E  1  Communnty 1 1 I   8  I  N G H  A m T O N José=Luls Nove .   Orchestra Music Director Classical Series Sara Davis Buechner Shai Wosner Amn Peled Mayuko Kamio  su ­_­  8“ m a  &  " i I i 1 l I geis el P H I L H A R M O N I C REAL. LIVE. MUSIC, I Pops Series Motown 5 Greatest Hits Suzanne Vega Chamber Series Soovin Kim Aron Ou art­3:1 Special Concerts Vienna Boys Chou W W W . B I N G H A M T O N P H I L H A R M O N I C . O R G   Cirque La Symphonie ! �~  2 0 1 1 ­ 2 0 1 2  Season Oia l ~  D i l a n  wih  Bag!  , ~  ‘ e  u5(T­IIIIVI:A.:\IAIER\K,K)R  MADAME BUTT E RFLY  A v i le s   be  brakes  w 8 ®  L a g e r   m e c u n i   public service media .  ”ITIi­;.\1_5\(;ltl­H‘I‘I­j for your comm un  ity tn  , _   _ _ .   , atthe FORUM THEATRE in Binghamton T i x I nfo: 807­772­0400 = www tricitiesopera.com W o n – u n a n n ­ u  n m a n u fl h m c m – v h — fl — fl h h m m n m n m q u  o — o u T h — w m t m w “ w h m  a n e — o o h i s s   = .   3x  PES 5_. 3 4 1 :   C”  Q = m p z �Binghamton University Music Department’s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1.20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Wednesday, December 7 — Comp osition Seminar C la s s    Casadesus  Recital Hall  — FREE Concert / Recital — 8 PM — Thursday, December 8 — Holiday Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — FR EE Thursday, December 8 — Percuss ion Ensemb le — 8 PM — Anderson Center Chamber Hall — FREE Friday, December 9 — Singing  Chinese C la s s  Recital — 7 PM — Casadesus Recital Hall — FR EE If  you enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of  students,  faculty,  and  guest  artists  and  their contributions to our larger community. Please make your donation payable to  the  Binghamton  University  Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box O ffice at 777­ARTS. For our full concert listing, visit music. binghamton. edu or become a fan on Facebook. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:26:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145398">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145398</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holiday extravaganza!: Amahl and the Night Visitors, December 4, 2011 Recital Tape 2011-12-4 Description An account of the resource Held at 1:30 AND 4:30 p.m., December 4, 2011, Anderson Cener Chamber Hall. Creator An entity primarily responsible for making the resource Menotti, Gian Carlo Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:30:00 Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145401 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, December 8, 2011 Recital Tape 2011-12-8 Description An account of the resource Works by Martin, Blane, Sheppard, Jones, Marks, Busser, Handel, Hopkins, Pierpont, Reger, Adam, Anderson. Held at 1:20 p.m., December 8, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Canterbury Choir (Binghamton, N.Y.) Binghamton University Low Brass Ensemble Binghamton University Saxophone Quartet Kompar, Christina Reitz, Margaret A Bush, Peter C Cornwall, Claude De Moya, David Keller, Joseph Romberger, Daniel Shephard, Edward J Snyder, Wm. Clark Thorn, Shane Wallis, Judson Lawson, William James Burgess, Mary Stalker, Stephen Marsiglia, William Perotti, Drew Strohm, Jacob Dutton, Kevin Kaufman, Andrew Georges, Kenrick Grukowsky, Matt Cakalli, Meghan Papadopoulos, Dean Aiken, Jasmine Mirza, Zal Mihalik, Darin Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3f1ec03a885129bdecf29385b73f1d3b.pdf b6b7cc311e13af207dd111d70a8b60cb PDF Text Text BINGHAMTON V I N L I LV E R S I I Y S TAT E   U N I V E R S I T Y   O F  N E W  Y O R K D E P A R T M E N T UNIVERSITY PERCUSSION ENSEMBLE CONCERT Daniel Fabricius, Conductor Adam Goldenberg, Assistant Conductor ­ So . “ .   W e . ,   ­  ..  ~  r +  t  _ ’ < . t a  §  _  e ~~.  \ ~  “ . 1 N  ” u.   < ~  .  _  o s.  b o 3  \  ~  V .     $ y   .  ~ ~   E W n L   a  ‘ s 4 , , '   .  . « .  \ . "  % 2  Re \ ‘ x Thursday Evening, December 8, 2011 8:00 PM Anderson Center Chamber H all �PROGRAM Rafael Hernandez Arranged by Phil Faini El Cumbanchero  Introduction & Fugue (1954)..................................Robert Buggert Adam Goldenberg, Conductor 5 9 9 1 Martian Tribes (   ) Emmanuel Sejourne Marimba Quartet Emily Goetz, Adam Goldenberg Ben Ramos, Devan Tracy &  IN TERMISSION  or To  Those Who Are Brave (2002) .......................... J. Mikula R c e c y l e d J u I i   a Davila Bucket Brigade Emily Goetz, Benjamin Ramos, Alexander Rava Tyler Steere, Alex Valera   a Chris Crockarell d l Clean Up Crew Emily Goetz, Adam Goldenberg, Rose Steenstra Tyler Steere, Devan Tracym, Andrew Williamson Brooms H i The Little Drummer Boy  Katherine K. Davis Arranged by Daniel Fabricius �UNIVERSITY PERCUSSION ENSEMBLE PERSONNEL John Erdman Alex Gregorio Rose Steenstra Alex Valera Emily Goetz Benjamin Ramos Tyler Steere Adam Goldenberg Alexander Rava Devan Tracy Andrew Williamson DANIEL FABRICIUS has been a member of the Binghamton University faculty as percussion instructor since 1992. He also serves as Director o f Bands at Owego Free Academy where he has developed an outstanding instrumental music  program that features a concert  band, two jazz bands, and  various chamber music ensembles. He is highly regarded in the region as a percussion soloist  and ensemble  player.  He has  been a  member  of the Binghamton Philharmonic percussion section since 1982 but is also comfortable performing in  popular,  rock,  jazz,  and  other  styles.  He  has  played  as  a  free­lance percussionist, accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Brothers, and Ella Fitzgerald. Professor Fabricius has served the New York State  School  Music  Association  as  an All­State  Percussion  adjudicator  for many years. He also serves NYSSMA as the Instrumental Jazz Reviews editor of The School Music News and is the Jazz editor for the NYSSMA Manual. In addition to his collegiate work  at BU, he has also served  on the  Summer Session faculty at Ithaca College. At Ithaca College he has also served as a consultant  for  the  music  education  department,  taught  percussion  for  the Summer Music Academy, and has trained over thirty music student teachers. He has also presented many clinics at music conventions and conferences and often serves as a guest conductor for honor band festivals. ADAM GOLDENBERG is a senior Biochemistry major with a minor in music. Adam is an active performer who performs with the Binghamton University Wind  Symphony  and  the  Southern  Tier  Concert  Band  in  addition  to  the University Percussion Ensemble. In the spring of 2011, Adam made his solo debut  with  the  Binghamton  University  Wind  Symphony  performing  Paul Creston’s Concertino for Marimba and Wind Band, and was also a member of the quartet which performed David Gillingham’s Concertino for 4 Percussionist and Wind Ensembles. In spring of 2012 Mr. Goldenberg will be performing a new composition by BU composer, Paul Goldstaub, for marimba and piano at the annual Musica Nova concert. He will also be performing The Wave: Con­ certino for Marimba and Percussion Ensemble with the University Percussion ensemble. Tonight Adam will make his conducting debut with the Binghamton University Percussion Ensemble conducting Robert Buggert’s Introduction and Fugue. He would like to thank Professor Daniel Fabricius and Professor Robert Smith for their instruction and guidance as to how to become a mo re efficient conductor. PROGRAM NOTES EL CUMBANCHERO  —  Rafael  Hernandez  was  an  important  musician  in Puerto Rico in the mid­20” century. As arranged by Phil Faini, El Cumbanchero is a fine example of ethnic music for percussion ensemble. Faini served at West Virginia University for 40 years as an educator and an administrator. His areas of expertise include jazz theory and African music. At WVU, h e headed the percussion program, directed the Percussion Ensemble and founded the World Music Center. Throughout his career, he worked in radio, television, with symphony orchestras and with popular bands and singers. During the 1970s, the Percussion Ensemble, under his leadership, appeared on the To day Show, on a nationally televised PBS program called “Percussion Noel” that was nomi­ nated for an Emmy Award. After a slow and almost mysterious introduction the piece picks up tempo and drives to a stunning conclusion. Alex Gregorio will be featured as drum set soloist. INTRODUCTION & FUGUE — Robert Buggert is considered an early pioneer in the area of contemporary percussion ensemble composition. In the early 1960s Buggert was one of the  founding organizers of the Percussive Arts Society. He is a former Dean of Visual Arts, Music, Theater and Dance at Northern Illinois University but is now retired and living in New Mexico. He is still active in the arts. Introduction and Fugue was written for the University of Wichita Percussion Ensemble, and was first performed in November 1954. The work begins with an introduction  in  free  form  and  continues  with  the fugue  using  contrapuntal devices in rhythm only. The fugue is based upon a  three measure subject stated by the snare drum. This in turn is stated by eight percussion instruments and appears in stretto, and later in diminution. A theme from the introduction (now in augmentation) later reappears against the recapitulation of  the fugue subject. MARTIAN  TRIBES  —  Emmanuel  Séjourné  was  born  July  16th,  1961  in Limoges, France. After classical music studies at the National Conservatory of Strasbourg (piano, violin, music history, and analysis), he is introduced by Jean Batigne, Director and Founder of the Percussions de Strasbourg, to the world of percussion, particularly in contemporary and improvised music. After study­ ing percussion, he now specializes in keyboards percussion and since 1981 has been active both as a composer and a performer. �Martian  Tribes  is  a  three  movement  work  which  was  premiered  by  the Rotterdam Percussion group in 1995. The second movement of the work is frequently performed as a stand­alone work as the most substantial of the three movements and gives the four per formers a chance to produce a substantial amount of music while utilizing only one 5.0 octave marimba. Unlike th e works Stubemic  and  Afta­Stuba  by Mark  Ford,  Martian  Tribes  does  not have a featured soloist. Instead, each of the musicians is expected to work together to produce a system of grooves and patterns which are utilized throughout the piece to produce a spacey “other­worldly” feel. Special thanks to Percussionists Emily  Goetz, Devan  Tracy,  and  Ben  Ramos  who  have  put  an  enormous amount of time to pulling this complex piece together!  ~ Adam Goldenberg TO THOSE WHO ARE BRAVE — A graduate of the Eastman School of Music, Phillip Mikula received both a Bachelor of Music in Percussion Performance and Music Education, and the prestigious Performers Certificate. He studied percussion with John Beck, Norman Weinberg and Robert Clarke and composi­ tion with Augusta Read Thomas. After completing his undergraduate studies, Mikula attended Rice University’s Sheperd School of Music for graduate work. An active performer, Mikula was the Principal Percussionist and Co­Principal Timpanist for the 1996 Eastman Wind Ensemble tour of Japan and the United States. In addition, many of his arrangements and compositions for drumline have been performed throughout the United States. To Those Who Are  Brave  is a  HUGE  work  —  with lots of players,  many instruments, and substantial musical content.  The following is a description by the composer: ~ To  Those Who Are Brave ~ is dedicated to the people we come across in everyday life. People who face fear with a mind o f perseverance, People who save lives, People who do jobs others would not desire, People who stand up for what they believe in, People who fight for fairness, People who give when receiving is not possible, People who love unconditionally, People who rejoice in knowing there are better days to come, And people who face the unknown with a sense of trust. It is these people that we all desire to be, And we must realize, That in the end reward will come, To  those who are brave. RECYCLED & BROOMS HILDA — Julie Davila (composer of Recycled) is a member of the chamber percussion ensemble the CAIXA TRIO. In addition to her membership  in the  CAIXA  TRIO, she has  served  as  the  chair of the Percussive Arts Society Marching Percussion Committee and is the founder and executive director of Percussion XS, a dynamic new honors percussion group featuring middle and high school students. As a member of the CAIXA TRIO and as an active clinician specializing in contemporary and marching percussion, she has performed in Seoul, South Korea, Paris, France, Puerto Rico and extensively throughout the United States. Julie received her degree from the University of North Texas. She has published numerous marching and concert percussion features through Row­Loff Productions and Drop6 Media. Chris  Crockarell  (composer  of  Brooms  Hilda)  and  his  partner  in  music publishing, Chris Brooks, have created a special line of percussion methods, music  books,  and  percussion  ensemble  compositions  for  those  educators looking to bring fun to the art of music. Row­Loff Productions is one of the main publishers of theatrical percussion pieces. Members  of the  Binghamton  University  Percussion  Ensemble  always  look forward to performing “theatrical percussion” pieces. The inspiration for these pieces is “Stomp,” troupe of performers who combine percussion, movement and visual comedy. Stomp uses a variety of everyday percussion instruments in their shows and this has prompted many new compositions. While these pieces have a  great appeal to the audience and may seem  very loose —  precise musical execution  is always a  part of the finished  production.  Tonight the ensemble members will present two contrasting pieces featuring our “bucket brigade” and our “clean up crew!” THE LITTLE DRUMMER BOY — Originally known as Carol of the Drum, the composition The Little Drummer Boy  is a  very  popular piece of “seasonal” music — and also has a VERY appropriate title for a percussion ensemble concert! Featured performers for this piece are Adam Goldenberg on Vibes, and Devan Tracy on drum set. This percussion ensemble arrangement is one of a series written by Daniel Fabricius for his students at Owego Free Acad­ emy. �Bin gha mto n Un ive rsit y Mu sic  D epa rtm ent ’s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE he Frida y, Febr uary  3 — Pian ist Ewa M ackie wicz­Wol fe presen ts “T eral Cele brati on” — 8 p.m. — Anderson Center Chamber Hall —$10 gen public; $6 faculty/staff/seniors; $3 students rinity Sund ay, Febr uary  5 — Univ ersit y Ch amb er Ch orus  — 3 p.m. — T ors; Memorial Church, Binghamton — $6 general public; $3 faculty/staff/seni free for students : Tues day,  Febr uary  7 — Frie dhei m Mem orial  Lect ure/ Reci tal Series erry, Moz art’s  “Sin fonia  Concertante f or Violi n an d Vio la” (T imot hy Pbers  o f  the spea ker, J aney  Cho i, vio lin, Rober ta Cr awfo rd, v iolis t and mem all — $6 Univ ersit y Sy mph ony Orch estra ) — 8 p.m. — Casadesus Recital H general public; $3 faculty/staff/seniors; free fo r students oor” Frida y, Febr uary  10 — Tri­C ities  Opera presen ts “L ucia  di Lam merm — 8 p.m. — The Forum Theatre — call (607) 772­0400 for tickets oor” Sund ay, Febr uary  12 — Tri­C ities Opera present s “Lu cia d i Lam merm — 3 p.m. — The Forum Theatre — call (607) 772­0400 for tickets arito ne — Satu rday, Febr uary  18 — Fac ulty Recita l: Th oma s Go odheart, b 8 p.m. — Anderson Center Chamber Hall — $10 general public; $6 faculty/staff/seniors; $3 students  Recital Thur sday, Marc h 1 — Mid­ Day Conc ert — 1:20 p.m. — Casadesus Hall — FREE For ticket information, please call the Anderson Cen ter B ox Offi ce at 777­ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Bing ham ton Univ ersi ty Mus ic D epa rtme nt � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:13:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145404">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145404</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble, December 8, 2011 Recital Tape 2011-12-8 Description An account of the resource Works by Marín, Buggert, Sejourne, Mikula, Davila, Crockarell, Davis. Held at 8:00 p.m., December 8, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Goldenberg, Adam Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3defcb321ed2ae7f89f40421766e1628.pdf 13e5198d13f91477f640794a7da2c1c7 PDF Text Text BINGHAMTON U N I V E R U N I V E R S I T Y   O F  N E W  Y O R K C E P A  B T M E N T DEPARTMENT OF MUSIC M ID ­ D A Y  R EC I T A L Thursd ay, M arch  31, 2011 1:2 0 p.m. Casadesus Recital Hall �PROG RAM Selected Songs...........  Violin Sonata No. 2 in D major, op. 94bis .............Sergey Prokofiev  (1891­1 953) Scherzo : Presto   AAS  :yg  af Antonin Dvorak (1841­1 904) V tak mnohém srdci mrtvo jest . from Pisne milostne (Love songs), op. 83, no. 2 Ten ptacek, ten se nazpiva from Vecerni pisné (Evening songs), op. 31, no. 5 James Hsia, violin J ieun J ang, piano  KdyZ mne stara matka \  from Cigédnské melodic (Gypsy melodies), op. 55, no. 4 :  y  Horn Concerto No. 1 in  E flat major, Op 11  Movement 2 y  Richard Strauss  (1864­1949) Robert M uller, French horn Margaret Reitz, piano La cour te paille .. ...Franc is Poulenc (1899­1963) Le sommeil Quelle aventure! La reine de coeur Ba, Be, Bi Bo, B u Les anges musiciens Le carafon Lune d’Avril Laura MacAvoy, soprano William James Lawson, piano Briana S akamoto, soprano Margaret Reitz, piano ‘ �Saturday, A pril 2 – Jun ior Recital: Ma rk Rossnag el, organ – 3:00 p.m. – First Presbyterian Church, Binghamton – free Sunday, Ap ril 3 – Orga nist Jonath an Biggers  – A Bach C elebration!! Series – 4:00 p.m. – First Presbyterian Church, Binghamton – $10 general public; $5 faculty/staff/seniors; $2 students Thursday, A pril 7 – Mid­Day C oncert – 1:20 p. m. – Casadesus Recital Hall – free  . Friday, Apr il 8 – Univers ity String O rchestra – 4:00 p.m. – Grand Corridor – free Saturday, A pril 9 – Bing hamton Un iversity Flute Tr i o  Concert (Natalie Mc Creary, Emily Morr is, Mark Zh uang) – 12 noon – Fine Arts Room 21 – free Saturday, A pril 9 – Mas ter’s Recita l: Victoria C annizzo, so prano – 2:00 p. m. – Casades us Recital Hall – free Saturday, A pril 9 – Pian ist Michael Salmirs: Fo r the Love o f  M usic – 8:00 p.m. – Anderson Center Chamber Hall – $15 general public; $10 faculty/staff/seniors; $5  students Sunday, Ap ril 10 – Senior  Recital: Lau ra MacAvo y, soprano – 3:00 p. m. – Casades us Recital Hall – free Tuesday, A pril 12 – String Departmen t Recital: S tring Fever – 8.00 p.m. – Casa desus Recital Hall – free Thursday, A pril 14 – Jazz M id­Day Con cert with gu est artist – 1:20 p.m. – Osterhout Concer t T h e a t e r  free (Co­sp onsored by the Binghamton University Music Department and the Harpur Jazz  Project) Thursday, A pril 14 – Harpu r Jazz Ense mble Conce rt with gues t artist – 8:00 p.m. – Osterhout Concert T h e a t e r  $10 general public; $5 faculty/staff/seniors; free for students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz  Project) Friday, April 15 – Lectur e on “ B l i n d  T o m ” W   iggins, 1 9 ”  century African­Am erican com poser b y  Stephanie J ensen­Mou lton – 3:00 p.m. – Casa desus Recital Hall – free For ticket information, please call the Anderson Box Office at 7 7 7­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:24:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145426">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145426</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Department of Music Mid-day Recital, March 31, 2011 Recital Tape 2011-3-31 Description An account of the resource Works by Prokofiev, Strauss, Poulenc, Dvorak. Held at 1:20 p.m., March 31, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hsia, James Jang, Jieun Muller, Robert Reitz, Margaret A. MacAvoy, Laura Lawson, William James Sakamoto, Briana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-31 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Format The file format, physical medium, or dimensions of the resource audio/wav https://omeka.binghamton.edu/omeka/files/original/8248c2bd43f396b337eddc3cfc856d53.pdf b5f57bdcfd8b825d71fa34b01acbcd58 PDF Text Text BINGHAM TON U N I Y E R S L I T Y S I A I E  U N I V E R S I T Y   O F   N E W   Y O R K WIDEO [4 D E P A R T M E N T B INGHAM TON U NIVERSI TY C HAMBER  C HORUS Tahn e e Kallis, conductor In partial fulfillment of t h e  d egree of Master of Music in Choral Cond ucting Assisted by Student Bra ss a n d Percussio n Ensemble and Peter Brow ne, organ Sunday, January 30, 2011 3:00 p. m . Trinity Memorial Church Binghamton,  New York �U NIVERSITY C HAMBER C HORUS PROGRAM G. F. Handel ( 1685– 1 759) Sing Unto God (Judas Maccabeus) .. Thomas Tallis ( 1505– 1585) UF  You Love Me    lives).... Ludwig van Beethoven Hallelujah (Christ on the Mount o f O (1770–1827) (©7107) R A R E I. Gloria in excelsis Deo ll. Domine Deus Rex caelestis III. Quoniam tu solus sanct us John Rutter (b. 1945) Susan MacLe nnan, Michel le Anderson, sopranos Cheryl Jacobson, alto Trumpets Dan Fein, Nicholas Polacco, Olivia Santoro, Samuel B. Weintraub Trombones Jay Bartishev ich, Bill Marsiglia, Rob Menard Tuba Matt Gukowsky Percussion Amanda Jacobs, Benjamin Ramos SOPRANO Jayde Doetschman MayBelle Golis Susan MacLennan Cathie Makowka Kelly Pueschel Ligita Poznere Susan Sarzynski Barbara Thamasett Jennifer Walsh Lois Wilston ALTO Michelle Anderson Michelle Doherty Diane A. Ferraccioli Sylvia Horowitz Cheryl Jacobson Ethel F.  Molessa Greta L. Mye rs Joyce Printz TENOR Kevin Dohert y H.B. King Lee Shepherd Sherry Willia mson BASS Bruce Borton Carl Bugaisk i J. Scott Hust ed Tom Lamphe re Jacob Myers Joseph E. Nelson William Clark Snyder �Binghamton University M usic D epartment’s U P C O M I N G  E V E N T S Mid­Day Concerts are held on Thursdays at 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Friday, February 4 — Early On (Peter Browne, keyboards, Barbara Kaufman, recorder, Christina Salasny, soprano, Stephen Stalker, cello, Paul Sweeney, guitar) — 8 PM — Casadesus Recital Hall — $10 general public; $5 faculty/staff/seniors; free for students Thursday, February 17 — Organist Jonathan Biggers — A Bach Celebration!! Series –  8 PM — FA21 — $10 general public; $5 faculty/ staff/seniors; $2 students Friday, February 18 — Organist Jonathan Biggers — A Bach Celebration!! Series (11 / 17 repeat performance) — 4 PM — FA21 $10 general public; $5 faculty/staff/seniors; $2 students Saturday, February 19 — Master’s Recital : Cabiria Jacobsen, mezzo­soprano — 3 PM — Casadesus Recital Hall — free Thursday, February 24 — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, February 26 — University Symphony Orchestra : Vive la France — 3 PM — Osterhout Concert Theater –  $10 general public; $5 faculty/staff/seniors; free for students Sunday, February 27 — Wind Symphony Concerto and Aria Competition — 6:30 PM — Casadesus Recital Hall — free Thursday, March 3 — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, March 5 — Junior Recital : Mark Rossnagel, organ — 3 PM — First Presbyterian Church, Binghamton — free For ticket information, please call the Anderson Center B ox  O ffice at 777­ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:45:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154620">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154620</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Chamber Chorus January 30, 2011 Recital Tape 2011-1-30 Description An account of the resource Held at 3:00 p.m., January 30, 2011, Trinity Memorial Church, Binghamton, New York. Creator An entity primarily responsible for making the resource Fallis, Tahnee Browne, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-01-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:14:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154623">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154623</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource To Paris and back, February 6 2011 Recital Tape 2011-2-6 Description An account of the resource Held at 3:00 p.m., February 6, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Joel Dieger Mariam Vardzelashvili Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1e05132faf330ee912aff4e7e98a751d.pdf 06af09d39235712b479acfde9f735a88 PDF Text Text BINGH AMTO N U N I V E R S E ] S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K d e e Ld D E P A R T M E N T MASTERS R ECI TAL Cabir ia Jacobsen, mezzo­soprano Pej Reitz, pia no Saturda y, Februar y 19%, 201 1 3 P.M. Casadesus Hall �PROGRAM Johannes Brahms Selections from Op. 57  (1833­1897) Vom waldbekrantzter Hohe  Es traumte mir Ach, wende diesen Blick In meiner Nachte Sehnen Unbewegte laue Luft u Chansons de BilItiS w s s Debussy   (1862­1918) La flute de Pan  La chevelure Le tombeau des Naiades & INTERMISSION  CZ Arias from Ariadante  E vivo ancora ...Scherza infid  G.F. Handel (1685­1759) Dopo notte Vignettes: Ellis Island  Prologue  Emma Anna Martha Clara Catherine Anna Epilogue: Anna ..Alan Louis Smith (b. 1955) �ABOUT THE PERFORMERS Mezzo­soprano C a b i r i a J  a c o b s e n  was born and raised in Brooklyn, NY.  She attended Northwestern University, where she received her Bachelor of Music in Voice Performance, and her Bachelor of A rts in Drama. While there, she performed the roles of Maurya/Riders to the Sea and Larina/Eugene Onegin with the Mary Ragland Opera Theater. She also appeared in concert with the many chamber music and choral organizations on campus. In 2007, Cabiria founded OperaHub in Boston, MA with three other musicians. Recently covered in Opera America, the company will celebrate its fourth birthday in june.  Cabiria has most recently been seen as Dorabella/Cosi fa n  tutte with Tri­Cities Opera, and will sing the role of Nicklausse/Les contes d’Hoffman on April 29th and May 1st.  Other roles with the company include Cherubino/Le nozze di Figaro, Mother and Grandma/Little Red Riding Hood, Hansel/Hansel and Gretel, and La Ciesca /G  ianni Schicchi. On campus, Cabiria has performed with the University Chorus in works by Corigliano, Vivaldi, and Schubert P e j  R ei t z,  pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University  She has studied piano with jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of  Musical Studies in Graz, Austria. She was a winner of  the Artistic Ambassadors Program by the United States Information Agency in partnership with the john F. Kennedy Center for the performing arts. Pej was an official accompanist for the M TNA State and Eastern Division Competition held at Ithaca College and will play for the event again january 2010. She has been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was recently in vited to the International Clarinet Conference to play a recital in Tokyo, japan. She was a g uest artist on the Cornell Summer Series. She was an official pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College and was invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble She w ill perform with the Glickman Ensemble again this fall in Engleweod, N]. She was selected to accompanying at the Interpretation of S  panish Music in   adrid in Grenada, Spain coached by conjunction with University of M   usic summer 2008. She Teresa Berganza and at Mannes School of M was a Guest Artist playing tw o concerts in Granada, Spain this past summer and accompanied the Barcelona Song Festival in july. This past summer she soloed with the Catskill Symphony at the Otesaga in Cooperstown, New York under the direction of Charles Schneider. This coming summer she will accompany and teach at The International Spanish Music Festival in Madrid, Spain. She is currently on the fa c ulty  at Binghamton University since 1991 and Ithaca College School of  Music since 1 999. She is president of the local District VII  Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. �PROGRAM Vom waldbekrdnt zter Hohe (From forest­crowned heights) From forest­crowned heights I cast the burning gaze Of my love­moistened eyes, Back to the meadow, green around you. I lower my gaze to the brook, How I want  to flo w with  it As a wave, Back, oh friend, to you! I fix my gaze to the pull Of clouds above me, Ah, to fly their flights. Back, oh friend, to you! How i would like to ensnare you My salvation and my pain, With my lips and my glances With your bosom, heart and Soul. Es traumte mir (I dreamt) I dreamt I was dear to you ; But I hardly needed to awaken; For even in the dream, I already knew That it was a dream. I already knew That is was a dream. Ach, wende diesen Blick (Ah, turn away that gaze) Ah! Turn away that gaze, turn away that face! Do not fill my innermost self with ever new fire, with ever new grief! If once, the tormented soul rests, And the feverish, w ild blood does not Roll, scalding, through my veins — One beam, one fleeting ray of your light awakens the full rage of my pain, which, snake­line, bites into my heart. I n  m einer  Nachte Sehnen (In my nigh t’s longing) In my night’s longing, So deeply alone With a thousand, thousand tears, i think of you. Oh, whoever beholds your face, Whoever is  intimate with the beautiful fire of your mind that glows through you, Whoever your kisses have burned, Who, over and above desire, Has submerged all  his senses in your breast, How should his soul and body rest in  peace If he were parted from you, You divine woman! Unbewegte laue Luft (Unm oving warm air) Unmoving warm air, Deep peace of nature Through the still garden night Only the fountain splashes. But in  my feelings sw ell hotter desires, But in my veins life quivers And longs for life. Should not your breast, too, Longingly rise with desire? Should not my soul call Through to the depths of your own? Softly with ethereal feet Do not linger, floating there! Come, oh come, So that we can give each other Heavenly satisfaction. �Chansons de Bilitis (Songs of Bilitis) ll. La fl i t e d  e Pan (The flute of Pan) For the day of the hyacinths, He gave me a flute Made of well­tied reeds. Bound with white wax That is sweet on my lips Like honey. He teaches me to play, Sitting on his knee. But I tremble a little. He plays after me so softly That I can hardly hear it. We have nothing to say, So close are we one to the other. But our songs want to converse, And turn b y turn, our mouths unite on the flute. It is late. Here is the song of the green frogs That begins with the night. My mother will never believe That I stayed so long looking for my Lost belt. La chevelure (The Tresses of hair) He said to me: “This night, I have dreamed. I had your hair around my throat. I had your tresses like a black collar Around my neck, and on my chest. I caressed them, and they were mine And we were tied together forever like that, By the same hair, mouth upon mouth. just as two laurel trees often have but one root. And, little by little, it seemed to me, So much were our limbs intertwined That I became you yourself, And that you entered into me Like my dream.” When he had finished He put his hands gently on my shoulders And he looked at me with such a tender gaze That I lowered my eyes With a shiver. Le tombeau des Naiades (The tomb of the Naiads) Along the forest covered with frost, I walked My hair in front of my mouth Flowered with little icicles And my sandals were heavy with snow, Muddy and hard­packed. He said to me: “What do you seek?” “I follow the trail of the satyr. His little cloven tracks Alternate like burrows In a white cloak.” He said to me: “The satyrs are dead. The satyrs and the nymphs too. In thirty years there has not been Such a horrible winter. The tracks that you see are those o fa  deer. But let us stay here, near their tomb.” And with the iron of his spade He broke the ice of the spring Where once the Naiads had laughed. He took up great pieces of ice, and, Holding them up to the pale sky, He looked through them. �Arias from Ha ndel’s Ariodante II. E vivo ancora . . . cherza infida (And I still live . . . Laugh, faithless one) And I still live, and without my sword! Oh gods, what should I do? What do you say, my sorrows? Laugh, faithless one, in the bosom of your beloved. By your fault I was betrayed Into the arms of death I go! But to break your shameful bond, I shall return as a ghostly sorrow, A naked spirit,  to torment you. The stories I heard about America! They have roast ducks and roast chickens that fly through the air. All you have to do is pick them out of the sky. And the streets are full of milk and honey. That’s how beautiful it is. Clara S turz Schmidt, born 1905, emigrated from Germany in 1923 at age 18. My mother was sick when I le ft. And when I left, she went partways with me. We had no clinic in our hometown, and she had to go to the clinic. She went with me when I left for America and went to the clinic on the same day that I left. And she said, “Oh, kiss me, because I’m not going to see you anymore.” [ should never have left her. Catherine Gae tano Gallippi, born 1914, emigrated from Italy in 192 2 at age 8. Dapa notte (After the night) After the night, bitter and deathly The sun spledors More beautifully in the sky. And the earth is bathed in joy. When we came to America, my mother complained, “My God, I thought America was supposed to be something great. They have gaslights here. We had electric lights in Italy.” Anna Zagar Klarich While in the horrible tempest My boat was almost destroyed; It arrived in the port, grasped by the shore. Vignettes: Ellis Island Martha Kallens Reininger, born 1911, emigrated from Germany in 1924 at age 13. IV. Emma Schmid  Schwarz, born 1907, emigrated from Germany in 1926 at age 18. The morning that I left, my mother was already sitting on my bed at five o’clock, telling me to be always nice and decent, clean, and do the right thing. Work hard, as good as you can, the best is not too much. And she says, “Always see to it that people look up to you, not down to you. And be a good worker.” And my mother always kept saying, “I know I’ll always have you. You are my youngest. I’ll always have you with me.” And it didn’t happen. I was the one that left, that went away the furthest. Anna Zagar Klarich, born 1902, emigrated from Yugoslavia in 1920 at age 18. I really didn’t have too much to pack. 1 had a pair of new shoes, and I was walking barefoot because I wanted to save my new shoes for America. And I had a new dress but I just wore my skirt and blouse because I was saving my new dress for America. I came into my mother’s apartment and she had lace curtains. We didn’t have that in Europe. And I was just admiring those lace curtains. They were so beautiful. And my mother said, “There are cookies in the kitchen. When you want, you just go and help yourself.” And she gave me her nightgown, a big nightgown and I put it on. I got up a six o’clock in the morning and then went into the kitchen and I got myself  four big cookies and I put them on my lap. And I’m eating my cookies and admiring those curtains and my mother peeked in my bedroom. And I was so embarrassed that I had these cookies in my lap and I was so hungry for cookies. She said, “Don’t be embarrassed. Just eat them. Eat all that you want.” I was in heaven. Epilogue: Anna Zagar Klarich This is my life and that’s how I lived it and that’s how I came here and that’s it. �NOTE S O N  T H E  PROG EAM Johann es Brah ms’ Op. 57 — Songs on tex ts by Da umer Claude Debussy’s Chansons de Bilitis Published in the late summer o f 1871, the eight songs of Op. 57 received their first performance as a set on December 18'", 1872. United by a theme of erotic and unrequited love, the eight poems are all by Georg Friedrich Daumer. Only three other cy cles by Brahms consist of works entirely by one poet: the Ophelia­Lieder, Op. 33, and the Vier ernste Gesdnge. The cycle i s characterized in musical terms by a tonal trajectory from G Major in the first song, through several seemingly unrelated keys, to a center of E, ending in E Major. Debussy’s Chansons de Bilitis were completed in March of 1898, and they contain some of  Debussy’s most descriptive and evocative music.  He described the poems (There are over 130 in the original set) by his good friend Pierre Lo iiys as containing: “all that is passionate, tender, and cruel about being in love, so that the most refined voluptuaries are obliged to recognize the childishness of their activities compared to the fearsome and seductive Bilitis.” The poems are part of a The five songs i chose comprise the first, third, fourth, fifth, and eighth song.  i chose them because they represent the over­arching trajectory of the cycle: beginning in fiery, tear­soaked longing, the narrator brings the audience through dream­like consciousness, into bitter fury, and finally to ecstatic (almost) satisfaction. Textually, these songs are deeply rooted in the natural, physical world.  The narrator’s experience of lo v e  and desire is intrinsically linked to the woods, the fields, and the waters of the countryside around him. Imagery involving blood, fire, and snake­bites evoke . . . well, you know. The first song begins with the narrator looking down onto green fields from “forest­crowned heights” The atmosphere is immediately one of unrequited longing and desire, and is reflected in the wide range of dynamics and registers throughout both the individual song, and the set as a whole. From this emotional beginning. Brahms pulls back and offers a more reflective, but still unrequited, lover, one who has seen his happiness in a dream, but knows it to be false.  The harmonic texture in this song mirrors the suspended sense of dreaming described in the poem itself. Pulled violently from this state of calm acceptance, the third song shows the narrator as openly angry and in deep pain from the start. She gathers herself together, however, and begins a slow burn of jealousy and remorse, of opening an old wound anew. This sense of a gitation  flows into the fourth song, in which the narrator describes many nights spent weeping over his lost love. He asks how anyone can find peace in the aftermath of losing such a passionate love, and the  many transitions to new  tonal centers emphasize  this sense of loss and confusion. in the final song, which is the last song of the full set of eight as well,  the narrator seems to have found peace. He describes a calm, unmoving quality of air in a still garden. This peace is  purely external, however, and again we find the narrator’s experience of love at odds with the serene nature around him. in  his veins, “life longs for li fe,” and his soul reaches out to a love that remains "floating” out of his reach, too “heavenly” and “ethereal” to give him the “heavenly satisfaction” that he once had, and is unable to find again.  Do you think his final plea was successful? is  the last music you hear the sound of resignation, or is his wish being granted at last? long literary  tradition in France; they were sold at first as a translation o f ancient texts discovered at a gravesite. Only after their initial publication did it become clear that they were the contemporary response to Moroccan and Algerian tribal women. Zohra ben Brahmin and Meryem ben Ali were tw o women with whom Loiiys had well­documented and apparently very exciting sexual relationships. Meryem ben Ali was the first Bilitis in many ways; Louys became aquainted with her in 1894, just months before he began work on the Chansons. He had previously described the character who would become Bilitis as 16 years of age, precocious, and inventive. When he met Meryem ben Ali in Algeria with his friend André Gide, she possessed all of these qualities and more. Zohra ben Brahmin was a later acquaintance, and became a true companion. Louys caused the scandal of the season in Paris when he brought her back with him and installed her in her own apartment.  She held a beloved place in Louys’ circle of friends, and was close in particular with Debussy, who was a good friend of Louys'. Bilitis’ companion throughout the first section of the cycle of poems, from which these three are drawn, is the shepard boy Lykas, who introduces Bilitis to her seductive powers. The first song, “La flit e,” is marked “Lent et sans rigeur de rythme. ” Although the key signature indicates B maj/g# min, pentatonic tonalities of the east take precedence over western ideas of key.  ”La chevelure” is  both the second song in Debussy’s setting of Trois chansons de Bilitis as well as the following poem to ”La flate” in Louys’ Chansons. Musically, this song has a much wider dynamic range than the first, and although it is marked “Assez lent” at the outset, the song has a lo ng rhythmic arc that pulses from  the firs t moment of the piece. Again, although a key signature is  indicated, musical devices outside of traditional conceptions of key are employed, such as eastern/ancient Greek — influenced chromaticism and pentatonicism. For the final song, Debussy chose to jump to the end of t h e fi  rst set o f Louys’ poems, to close the cycle with “Le tombeau des Naiades.” Debussy provides us with a “Tres lent” marking but once again creates an  evocative musical  texture that is alive with  motion.  The songs as a whole document the passage from innocence into experience; in the poem that directly precedes “Le tombeau des Naiades” Bilitis sings a lullaby to her newborn daughter. �G. F. Handel’s Ariodante Alan Louis Smith’s Vignettes: Ellis Island The whole thing! just kidding. In “E vivo ancora . . . Scherza infida” Ariodante has just been prevented from committing suicide by his brother, Lurcanio. The plot of Ariodante is, like many of Handel’s Greek mythology­inspired operas, obtuse and wacky yet also fabulous. The libretto was adapted from Canti 5 and 6 of Ludovico Ariosto’s Orlando Furioso. Ariodante is a young knight in love with the princess Ginerva. She has many suitors, and an unfaithful friend, two things which prove to be problematic plot points. Dalina, her lady­in­waiting with a heart of coal, dresses in Ginerva’s clothes and accepts advances from Polinesso, one of the many hopefuls at Ginerva’s door. Ariodante sees this, and it is his horror at her betrayal that motivates him to seek his own death. When he is prevented from this, he turns his grief into vengeful anger, and sings the first aria I present here. The plot thickens when he is announced as dead in court, and Ginerva goes insane with grief! More plot thickening ensues, but in the end, Ariodante pulls ye olde disguise trick himself, and emerges triumphant with the girl on his arm. “Dopo notte” is Ariodante’s expression of relief and joy at finding himself betrothed to the right girl, alive, and rescued from his own bitter sorrow. “The earth is bathed in joy " for Ariodante and Ginerva. The music for Smith’s Vignettes: Ellis Island includes a preface written by the author. He writes: “This song cycle was actually the brainchild of Paul Sigrist, Jr., Director of the Ellis Island Oral History Project. I n 1997, he sent me a large number of excerpts from interviews he had conducted with persons who had passed through Ellis Island on their immigrations to America. He specifically chose excerpts in which ‘the use of language, narrative description or emotional content’ struck him ‘as being inherently musical in some way.” He selected specific quotes with music in mind.” The entire cycle consists of 31 songs, and was originally composed for mezzo­soprano Stephanie Blythe. They tell the story of young people, mostly between the ages o f and 21,    leaving their homelands in Europe for America, and their passage through Ellis Island in the Port ofNew York. Musically, the songs in Vignettes: Ellis Island draw on folk idioms, classic American song forms, and European­derived concert music forms. I do not know if Smith was influenced by Charles Ives in his creation of these songs, but to my ear there is a strong relationship to many of that composer’s works in this vivid cycle. The arias both follow a classic Baroque form: an unornamented A section in which a single emotion is illustrated is followed by a contrasting (both musically and textually) B section, in which an opposing emotion is presented. The singer then Acknowledgeme nts returns to the A section to sing the same material again, but this time, with ornaments or embellishments ofher own creation. In the first aria, there is also a recitative before the aria itself. Recitatives in Handel operas were often where the raw emotion of the drama was found. This raw emotion would then be harnessed and channeled into the more formal confines of the following aria. The creativity made possible by this combination of freedom and control is one of the most thrilling and emotionally pleasurable aspects both of singing Baroque opera, and experiencing it as an audience member. I would like to thank Diane Richardson for introducing me to the wonderful Vignettes: Ellis Island songs, and for her help with this program as a whole. My thanks also to Pej Reitz for being such an ex cellent collaborator, and for all of her help navigating the logistical details of a recital. Many, many thanks to Peter Sicilian for being an inspirational, motivational, and all­around wonderful voice teacher, and to judy Berry for her excellent and reassuring help with the beautiful German language! �Bingh amto n University  Musi c Department’s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1.20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, February 2 4  –  Mid­Day Conc ert — 1:20 PM –  Casadesus Recital Hall — free Saturday, February 2 6 — University Symphony Orches tra : Vive la France –  3 PM ­ ­ O sterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students Sunday, February 2 7  — Wind Symphony Con certo and Aria Compe tition –  6:30 PM –  Casadesus Recital Hall — free Thursday, March 3 — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, March 5 — Junior Recital : Mark R ossnag el, organ — 3 PM — First Presbyterian Church, Binghamton — free Sunday, March 6 — Wind Symphony : Passa caglia (Homage on B­A­C­ H) — 3 PM — Anderson Center Chamber Hall — free Thursday, March 1 0  — Mid­Day Conc ert — 1:20 PM — Casadesus Recital Hall — free Thursday, March 1 7  — Mid­Day Conc ert — 1:20 PM — Casadesus Recital Hall — free Thursday, March 1 7  — Friedheim Memorial Lecture / Recital Series : Robert Schumann’s Carnaval (Alice Mitchell, speaker and Chai­Kyou Mallinson,  piano)  — 8 PM — Casadesus Recital Hall — $5 general public; free for students (100 student tickets available) For ticket information, please call the Anderson Center  B ox  O ffice at 7 77­AR TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:59:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145413">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145413</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Cabiria Jacobsen, mezzo-soprano, February 19, 2011 Recital Tape 2011-2-19 Description An account of the resource Held at 3:00 p.m., February 19, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jacobsen, Cabiria Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:36 42:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145416">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145416</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vive la France Februaury 26. 2011 Recital Tape 2011-2-26 Description An account of the resource Held at 3:00 p.m., February 26, 2011, First Presbyterian Church. Creator An entity primarily responsible for making the resource Perry, Timothy Worden, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound