112 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:28:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145420">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145420</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Solo competition, Februar 27, 2011 Recital Tape 2011-2-27 Description An account of the resource Held at 6:30 p.m., February 27, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Muller, Robert Reitz, Margaret A Weintraub, Samuel Marsiglia, William Gukowsky, Matthew Bartishevich, Jay Ramos, Benjamin Goldenberg, Adam Bessel, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a1eb3f5c0a784a1f3953ac57ccf8fcfa.pdf ad72fb828f21eef10dbf542524a7a8ce PDF Text Text N O T M A H G N I B U N I V E R S I T Y S TAT E U N I V E R S I T Y O F NEW Y O : : RK E B C P E P A A T R T HURSDAY M I D D AY CONCERT ﬀ S S v c , » ,' N 4 = S E T 2 8 4 4 >, T h u rs d a y M ar ch 1 0 , 2 011 1 :2 0 P .M. IT A L H A L L S R E C C A S A D E SU �PROG RAM P e r l a Gloria Giovanni Bononcini (1677–1726) Antonio Caldara ‘ (16701736) Alma del Core Halt Danksagung an den Bach Yii Lee, piano ( Johann Sebastian Bach (1685–1750) 4” movement, Allegro James Hsia, violin The Vagabond. Ralph Vaughan Williams (1872–1958) Benedetto Mar cello (16861739) Il mio DEL Loco Brian Evans,baritone Yﬁ Lee, piano . S u e J o tuba................... 1’l move ment, allegro m aestoso 2”m ovement, andante espressivo 3 ” movement, allegro con brio (17971828) Richard G. Leonberger, tenor Brister Hay, tenor ChaiKyou Mallinson, piano Sonata #2 i n minor 3” movement, Andante S a s s i Franz Schubert W O R I N G from Carnival, Opus 9 ............... Preambule (prelude) Valse noble (noble waltz) Eusebius (Schumann) Florest an (Schumann) Coquette (coquettish woman) Papillo n (butterﬂy) Chiarina (Clara Schumann) Chopin Estrella , Fes RObErt Schumann (18101856) ChaiKyou Mallinson, piano Concertina... II. Calm Paul Creston (19061985) ...............Don Haddad Matthew Gukowsky, tuba Pej Reitz, piano Adam Goldenberg, marirnba Pej Reitz, piano (b. 1935) Vignettes: Ellis Island I. Prologue : ...............Alan Louis Smith Ii. Emma III. Anna IV. Catherine i V. Anna Cabiria J acobsen, mezzosoprano Pej Reitz, piano (b. 1955) �Bingha mton Univer sity M usic D epartm ent’s U P C O M I N G E V E N T S ﬂ é w é ' ﬁ M é é é ' é r b ﬂ ﬁ r an é w é ﬂ Thursday, March 1 7 — Friedheim Memorial Lecture/R ecital Series: Ro bert Schu mann’s Ca rnavaI(Al ice Mitche ll, speaker and Chai Kyou Mall inson, pia no) — 8:00 PM — Casadesus Recital Hall — $5 general public; free for students (100 student tickets available) Saturday, April 2 — Junior Recital: M ark Rossn agel, orga n — 3:00 PM — First Presbyterian Church, Binghamton — free S u n d ay, April 3 — Organist Jonathan B i g ge rs — A B a c h Celebratio nl! Series — 4:00 PM — First Presbyterian Church, Binghamton — $10 general public; $5 faculty/staﬀ/seniors; $2 students : Friday, Ap ril 8 — Un iversity St ring Orch estra — 4:00 PM — Grand Corridor — free Saturday, April 9 — Binghamt on Univer sity Flute Trio (Natalie M cCreary, E mily Morr is, Mark Z huang) — 12 noon — Fine Arts Room 21 — free ~ Saturda y, April 9 — Master ’s Recital: Victoria C annizzo, soprano — 2:00 PM — Casadesus Recital Hall — free Saturday, April 9 — Pianist Michael S almirs: Fo r the Love of Music — 8:00 PM — Anderson Center Chamber Hall — $15 general public; $10 faculty/staﬀ/seniors; $5 students Sunday, April 10 — Senior Recital: L aura Mac Avoy, sop rano — 3:00 PM — Casadesus Recital Hall — free For ticket information, please call the Anderson Center B o x O ﬀice at 777ART S To see all events, please visit music.bi nghamto n.edu Become a fan on Facebook by visiting Bingham ton Universi ty M usic D epartme nt � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:11:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145423">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145423</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert Recital Tape 2011-3-10 Description An account of the resource Held at 1:20 p.m., March 10, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hay, Brister Mallinson, Chai-Kyou Hsia, James Evans, Brian Lee, Ü Gukowksy, Matthew Reitz, Margaret A. Leonberger, Richard G. Goldenberg, Adam Jacobsen, Cabiria Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/17025ee77a1c2eea81e97410525438de.pdf f5db21c9f617814677beeb5587b673b1 PDF Text Text BINGHAMTON U N I V E R S T E S T A T E U N I V E R S I T Y O F N E W Y O R K d e e T M E N T [4 D E P A R M ARCH MUSIC She Wvioni W nd i Sm yphony Rober t G. S mith, Condu ctor Daniel Fabr icius, Guest Cond uctor Featu ring The Univers ity Flu te Trio The Univers ity Pe rcussi on Qu artet Sunday, M arch 6, 2011 3:00 P M Anderson Center Chamber Ha ll �PROGRAM Flute C ocktai l A Harry Simeone .. (19112005) Minuet, Scherzo and B lues“ The University Flute Trio Mark Zh uang, Emily Morris, Natalie McCreary Georgetta Maiolo, Director Three Revolutionary Marches ........ I. Alleg ro con b rio II. March of the Students’ Legion Ill. Allegro maestoso .. Bedric h Smetana (March 2, 1824May 12, 1884) Three Journeys to a Holy Mountain ...............Alan Hovhaness Sympho ny No. 2 0 for Ba nd, Op. 223 (March 8, 1911–June 21, 2000) I. Andante Espressivo ..........Percy Aldridge Grainger Molly On The S h o r e (18821961) Irish Re el set fo r Militar y Band St. Patrick’s Day, March 17 Toccata and Fugue in d minor............Johann Sebastian Bach (March 21, 1685–July 28, 1750) Trans. Erik Leidzen .. James Hosay Black Granite March 29, 1973 U.S. forces leave Viet Nam (b. 1959) & INTERMISSION c= Concertino for Four Percussion and Wind Ensemble David Gillingham The University Percussion Quartet Devin Tr acy, Amanda Jacobs Benjamin Ramos, Adam Goldenberg Daniel Fabricius, Director Daniel Fabricius, Guest Conductor (b. 1947) B O U T ROBERT G. SMITH is Music Director and Conductor of the University Wind Symphony. Professor Smith holds degrees from Hartwick College, Binghamton University and has completed course work toward the Doctor of Musical Arts. Professor Smith also teaches advanced instrumental conducting and graduate wind conducting at BU. His career includes 32 years as a public school music educator. He conducts the annual Triple Cities TubaChristmas and is former conductor of the Maine Community Band, the oldest band of its kind in the United States. He has guest conducted allcounty bands throughout New York State. Among other ensembles Smith has conducted are the Goshen College (IN) Wind Ensemble an d Orchestra, The United States Army Ground Forces Band (GA), the Southern Tier Concert Band (NY) and the Vestal Community Band (NY). An active performer, he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel Quintet and the Crown City Brass Sextet. Smith is past president of the Broome County Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award. Professor Smith also has been active as an adjudicator for concert bands, marching bands, ﬁeld bands, DCI drum and bugle corps and indoor winter color guard. Professional memberships include The Broome County Music Educators Association, the New York State School Music Association, the Music Educators National Conference, The National Band Association, The Association of Concert Bands, The Conductors Guild, The World Association of Symphonic Bands and Ensembles, The College Band Directors National Association and the International Tuba and Euphonium Association. DANIEL FABRIClUS has been a member of the Binghamton University faculty as percussion instructor since 1992. He also serves as Director of Bands at Owego Free Academy where he has developed an outstanding instrumental music program that features a concert band, two jazz bands, and various chamber music ensembles. He is highly regarded in the region as a percussion soloist and ensemble player. He has been a member of the Binghamton Philharmonic percussion section since 1982 but is also comfortable performing in popular, rock, jazz, and other styles. He has played as a free lance percussionist, accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Brothers, and Ella Fitzgerald. Professor Fabricius has served the New York State School Music Association as an AllState Percussion adjudicator for many years. He also serves NYSSMA as the Instrumental Jazz Reviews editor o f The School Music News titled, Teaching Jazz the Jazz editor for the NYSSMA Manual. In addition to his collegiate work at BU, he has also served on the Summer Session faculty at Ithaca College. He has trained many student teachers from IC, and recently ser ved as a consultant and guest lecturer at the college for a summer workshop for NonJazz Educators. He has presented many clinics at music conventions and conferences and often serves as a guest conductor for honor band festivals. �ABO UT THE MUSIC with music by composers born iday’s program celebrates the month of March t. Patrick’s Day. I n addition to March, for an historical event and o f course, S er famous people were day’s composers many notable musicians and oth include Franz Joseph Haydn, >rn in March. Other composers born in March wantner, Ctrad Kohoutec and '. Francis McBeth, Samuel Barber, Joseph Sch lude Desi Arnaz, Vincent rr Andrew LloydWeber. Other famous people inc, Leonard Nimoy and James an Gogh and stars of Star Trek William Shatner oohan. nductor and composer who is arry Sim eon e was a distinguished arranger, co e Little Drummer Boy. He est known for arranging the Christmas classic Thb as arranger for Fred Waring. tudied at The Julliard School but left to take a jo variety of movie music fter moving to Hollywood he was successful in a to produce a Christmas sked roduction jobs and later in television. When a l and recorded The Little hora ne C imeo ry S Har the bled Ibum he assem o Yo u Hear What / Hear. Jrummer Boy and later another then new song D layed by just the ﬂute trio. The ‘lute Coc ktai l opens w ith a graceful minuet p z ﬂavored Blues. We are very tand joins in for the rollicking Scherzo and the jazing with us tod ay. ileased to have the University Flute Trio per form o pioneered the development o f 3edrich Smetana was a Czech composer wh with his country’s aspirations to 1 musical style which became closely identiﬁed d in his homeland as the ndependent statehood. He is thus widely regarde known for his opera The ather of Czech music. Internationally he is best ast (“My Fatherland”) which Bartered Bride, for the symphonic cycle Ma Vl f the composer’s native land, and portrays the history, legends and landscape o for his First String Quartet From My Life. ritten in 1848, an inﬂammatory These “ Thre e Revolu tion ary Marches” were w a, then a young man o f 24, etan time in European history. It is known that Sm raged in his city o f Prague. hting et ﬁg stre hile es w arch composed these m third march also had a vocal text. Although written as pieces for piano solo, the wo easily recognizable and The “March of the Student Legion” is based on tmus Igitur” and a European traditional sources — the student song “Gaudea “AH unti ng W e Will Go". s folk song resembling th e familiar tune known a r of Armenian and Scottish Alan Hov han ess was an American compose many cultures but is most of ancestry whose music assimilates the music a kind o f exoticism. The into rials mate its’ urns y it t American in the wa nostalgic. Among the most atmosphere is hushed, reverent, mystical and ’s catalog includes 67 ness proliﬁc o f 20th Century composers, Hovha ripts indicate ove r 70 symphonies nusc symphonies and 434 opus numbers. Ma comprised of two or more and over 500 works as many opus numbers are individual works. pho ny N o. 20) was composed for Thre e Jo urneys T o A H oly M oun tain (Sym rst movement is in the spirit of the Ithaca High School Concer t Band. The ﬁ arcs, the last having the mood Armenian religious music in three great melodic of a spiritual. breadth and vision, with Per cy G rain ger had a musical mind of unusual ic to the latest twentieth interests spanning the ages from Mediaeval mus s and Arnold Dolmetsch he century developments. With Dom Anselm Hughe later life he devoted his energies made modern transcriptions of early music. In achines on which a composer to the design and construction of Free Music m heets to be performed by the could write his music as graphs on transparent s itch. machine free of restrictions o n rhythm and p ay gift for Grainger’s mother in Mol ly O n Th e Sh ore was written as a birthd eels, Temple Hill and Molly On 1907. It is an arrangement o f two contrasting r of textures and The Shore, that present the melodies in a variety d long stretches o f thematic and orchestrations, giving each section o f the ban for string quartet or string counter thematic material. Originally composed nd orchestra by the composer nd a orchestra the piece was arranged for wind ba in 1902. s in his synthesis and Joh ann Sebastian Ba ch’s main achievement lieal idiom of the late Baroque, advanced development of the primary contrapuntrial. He was able to and in the basic tunefulness o f his thematic mate monic and formal frameworks o f successfully integrate and expand upon the har nch, Italian, and English, while the national schools of the time: German, Fre e output. larg retaining a personal identity and spirit in his ess is his treatment o f the organ Not the least among Bach’s claims to greatn art. The Preludes and Fugues and his appreciation of it as a vehicle for creative ment such as the Toc cata and include many of his loftiest works for the instru as describing the fact that eted Fug ue i n d min or. The title m ay be interpr �Mem ber s o f T he Win d Sy mph ony the fugue theme and subsidiary material constitute a toccata, not that the fugue is preceded by a toccata, which, in the modern sense, w brilliant composition for technical display. The breadth e understand as a music makes it ideal for transcription for wind band. and magniﬁcence of this A special thank you to Dr. Jonathan Biggers, Link Professor of Organ for his as sistant in the preparation of this work. During his 20 year military career J ame s Ho say rece Service medals, two Army Commendation Medals an ived two Meritorious commendation from the Chairman o f the Joint Chie d a personal letter o f Powell — after writing a special march for the Gen fs of Staﬀ — General Colin eral’ Now retired from the United States Army, Hosay re s retirement ceremony. sides in his hometown o f Norfolk, Virginia and writes exclusively for Curnow Mu sic Press. The title B lack Gra nite is of course a reference to Washington, DC. The Viet Nam War is an event in the Viet Nam Memorial in U.S controversial to this day. But let there be n o controv . History that is ersy regarding the high level of valor, courage, and honor displayed by the me Armed Forces during that conﬂict. Without regard to n and women of the U.S. the politics behind the involvement, they served diligently and to the highe st sta ndards o f military tradition. This march is dedicated to the men and w omen who died in that war, to those whose heroic deeds went unsung, and to th ﬁnd shattered remnants of what was once their “Am ose who returned home to erican Dream”. Dav id G illing ham has an internation reputation for his works for wind band and percussion, many of which are now standards in the lit erature. His compositions have been recorded by, and are regularly nationally recognized ensembles. Dr. Gillingham is cu performed by, rrently Professor o f Music at Central Michigan University. The Con cert ino f or F our Perc ussi on a nd Win d en sem ble seeks to exploit keyboard, membrane, and auxiliary percussion instr ume nts with the marimbas, xylophone, timpani, vibraphone, and bass drums a s the featured instruments. These are assisted by the other percussion instrume wind ensemble and the solo instruments. We are ve nts to enhance both the Percussion Quartet performing with us today. A spe ry pleased to have The cial thank you and welcome to ou r guest conduc tor, Professor Daniel Fabriciu s. Picc olo Kathleen Spelman Flute I Mark Zhuang Lindsay Ralbovsky Raquel Goldsmith Judy Kahn Flute Il Kimberly Hom Hagar Dayan Nicole Safran Christina Peragine Recorder Alexander Baron Oboe I Kimberly Muller Oboe II Hao Sun Bass oon Kristen Grennan Anna McAllister Sean Manning BP C larin et I Kerry Goodacre Jaclyn Adler Clarinet Mark Dello Stritto Abby Cohen David Morrissey Clari net Ill Sophia Schneiderman James Mayr Rachael Mott Joo Won Kim Trum pet I I Peter Schwarz Brian Lee Samuel Weintraub Carolina Montenegro Trum pet l ll John Marschhauser Jonathan Calhoun Anthony Smaldone Bas Calrniet Alto Saxophone I Sopr ano Saxophone Lauren RossHixson Trom bone I Drew Perotti Alto Saxophone Il Anthony DeGelorm Trom bone lI Matthew Kratenstein Teno r Saxophone Stephen Kassinger Euph oniu m Andrew Kaufman Kenrick Georges Baritone Saxophone Toni Bruno F Ho rn I Carrie Buck Tuba Matthew Gukowsky Daniel Nevins Hayden Kramer EHornll Keyboard David Schwartz F Ho rn III Haleigh Doetchman Perc ussio n Adam Goldenberg Benjamin Ramos Mike McManamon John Erdman Rose Steenstra David Schwartz Trac i Rubin Natalie Rivera TRUMPET Olivia Santoro Nicholas Quackenbush � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:13:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145429">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145429</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Wind Symphony: March Music, March 6, 2011 Recital Tape 2011-3-6 Description An account of the resource Held at 3:00 p.m., March 6, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Smith, Robert Fabricius, Daniel Zhuang, Mark Morris, Emily McCreary, Natalie Maiolo, Georgetta Tracy, Devan Jacobs, Amanda Ramos, Benjamin Goldenberg, Adam Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:25 27:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145432">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145432</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Out from behind the curtain : music of the former Soviet republics, March 10 2011 Recital Tape 2011-3-10b Description An account of the resource Held at 8:00 p.m., March 10, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fallis, Tahnee Browne, Peter Buck, Carrie Choi, Justin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20:02 35:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145436">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145436</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital series : Schumann's Carnaval, March 17, 2011 Recital Tape 2011-3-17 Description An account of the resource Held at 8:00 p.m., March 17, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Schumann, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:21:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145440">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145440</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 7, 2011 Recital Tape 2011-4-7 Description An account of the resource Held at 1:20 p.m., April 7, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Teneriello, Lauren Pittarelli, Zeno Gaita, David MacAvoy, Laura Lawson, William James Jiang, Jieun Hsia, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/67364dbb64d793f04764c3890326d377.pdf d019bedbb1acd4cde3d0b424b79c233b PDF Text Text BINGHAMTON U N I V E R S l E X S T A T E U N I V E R S I T Y O F N E W Y O R K / u d w D E P A R T M E N T THURSDAY MIDDAY CONCERT GaP’ Xf oC ‘a’ SS \ { 4 @ THURSDAY, APRIL 28, 2011 1:20 P.M. FINE ARTS BLDG, ROOM 21 �. PROGRAM Sinfonies de Fanfares ...............................JeanJoseph Mouret (16821738) Rondeau Daniel Fein, trumpet Mark Rossnagel, organ Clair Omar Musser Etude, Op. 6, no. 8 (1 9011 998) Amanda Jacobs, marimba .William Schuman Orpheus With his L I B (19101992) The Sweetest Flower that Blows......... ............C. B. Hawley (18581915) Love’s Philosophy...................................................Rog er Quilter (1 8771 953) Kerianna Krebushevski, soprano ChaiKyou Mallinson, piano Widmung, Op 25 no 1.. reer e Die Lotosblume, Op. 25“ no 7 e Der Nussbaum, Op. 25, no. 3 Marienwijrmchen , Op. 79, no. 14 Samantha Banton , soprano ChaiKyou Mallinson, piano Suite G o thique IV. Priere a Notre Dame Kevin Eng, organ Sestero piesni milostnych.................cccccccocouu............Petr Eben (b. 1929) (Six Medieval Love Songs) 1.Noci mila 2. Summer is come 3. Unter den Linden 4. Du bist min 5. Non mi mandar messaggi 6. Ballade des dames du temps jadis Molly AdamsToomey, mezzosoprano ChaiKyou Mallinson, piano Fugue in Dminor ("Dorian"), BWV538........................J. S. Bach (1 6851 750) Mark Rossnagel, organ e Schumann (18101856) Leon Boéllmann (18621897) �Binghamton University Music Department ’s U P C O M I N G E V E N T S d i M ﬂ M M M ﬁ M t b ’ M Thursday, April 28 – Trumpet Studio Concert – 8 :00 p. m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Women ’s Chorus – 8:00 p. m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Symphony Concert : Solo Competition Winners – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Master ’s Recital : James Hsia, violin – 7:30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African Music Ensemble – 7.00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Composition I Class Recital (Goldstaub) – 1:10 – 2:10 p.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Recital : Jinah Lee, pianist – 8 :00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master ’s Recital : Robert Muller, French horn – 3:00 p.m. – Casadesus Recital Hall – free Saturday, May 7 – Student Recital : Briana Sakamoto, soprano – 8:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Senior Voice Recital : Samantha Banton and Molly Ad amsToomey 1:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – University Chorus with the University Symphony Orchestra: Mass Masterworks – 3 :00 p.m. – Osterhout Concert Theater – $1 0 general public; $5 faculty/staﬀ/seniors; free for students Sunday, May 8 – Senior Honors Recital : Jieun Jang, piano – 7 :30 p. m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice at 7 77ARTS. To see all events, please visit music. binghamton. edu or become a fan on Facebook. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145443">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145443</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 28, 2011 Recital Tape 2011-4-28 Description An account of the resource Held at 1:20 p.m., April 28, 2011, Fine Arts building, room 21. Creator An entity primarily responsible for making the resource Rossnagel, Mark Jacobs, Amanda Krebushevski, Kerianna Mallinson, Chair-Kyou Banton, Samantha Eng, Kevin Adams-Toomey, Molly Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9315fa6274c945d065d89741227c89cb.pdf 8b676690a7de8169c9c3317b80e10b39 PDF Text Text BINGH AM S 1TON U N I V E R T Y STATE UNIV ERSI TY O F N E W Y O R K i h 0 D E P A R T M E N T THURSDAY MIDDAY Concept oo \ \ V S ~ & . . 4 NA 4 : apY u.E of — MAY 5, 2011 1:20 P.M. CASADESUS R EC ITA L HIALL �PROGRA M Der Schwanendreher... ... ...Paul Hindemith Zwischen Berg und tiefem Ta1 (lst Movement) (1895–1963) Benjamin Pochily (viola) Pej Reitz (piano) Déjeuner du Matin... .................................Jacques Prévert Jamie Catal famo (recitation) (1900–1977) Jose Rodriguez, Aaisha Fatima (actors) RoyalFestival................,.............................................Gus Guentzel (1868–1950) Carrie Buck (horn) Matt Gukowsky (tuba) Daniel Romberger (trombone) Olivia Santoro (trumpet) Professor Robert Smith (euphonium) Chacun le sait (La Fille du Régimeni).................Gaetano Donizetti Christina Kompar (soprano) (1797–1848) Bill Lawson (piano) Lydia... Gary Leonberger (tenor) Bill Lawson (piano) p i i t s r o v ess Fauré (1845–1924) Le Message... .....................................Jacques Prévert Wenyan Gu (recitation) (1900–1977) Jasmine Carrig (actor) Clair de Lune... .. Samantha Banton (soprano) Bill Lawson (piano) Sérénade FIOTenting........v Brister Hay (tenor) Bill Lawson (piano) Gabr1el Fauré (1845–1924) .. .. The Message The door that someone opened The door that someone closed The chair where someone sat down The cat that someone ca ressed The fruit that someone bit into The letter that someone read The chair that someone tipped over The road where someone is still running The woods that someone is running across The river where someone throws himself The hospital where someone is dead. ...Henri Duparc (1848–1933) Sonata 4 in CMinor........... .. .. .. .. ..Francesco Barsanti Adagio and Con Spirito (1690–1755) Alexander Baron (recorder) Pej Reitz (harpsichord) Poison Aria... ...................................Charles LINO G (Amour ranime mon courage) (1818–1893) Meghan Ca kalli (soprano) Bill Lawson (piano) Fantasie de CONCETL...........iooorressessarecsssseressanesssnnnesssnss Guentzel (1868–1950) Imogene Reverie..... TRANSLATION Clay Smith (arr. G. E. H olmes) (b. 1953) Breakfast He poured the coﬀee Into the cup He poured the milk Into the coﬀee He put the sugar Into the coﬀee with milk With a little spoon He stirred it He drank the coﬀee He put down the cup Without speaking to me He lighted a cigarette He made circles With the smoke He put the ashes Into the ash tray Without a word Without looking at me He got up He put his hat on his head He put on his raincoat As it was ra ining And he left Into the rain Without speaking to me Without looking at me And I put My head into my hands And I wept. �Bing hamt on U niver sity M usic D epar tmen t’s U P C O M I N G EV EN TS ﬁtBMditb'ﬁtbﬁMtVﬁtb'ﬁtbﬂuﬁtb Thursd ay, May 5 – Afr ican M usic En semble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Comp osition I Class Recital (Goldstaub) – 1:10 – 2:10 p. m. – Casadesus Recital Hall – free Friday, May 6 – Facu lty Rec ital: Jin ah Lee, pianis t – 8:00 p. m. – Casadesus Recital Hall – $5 general public Saturd ay, May 7 – Afr ican Dr um Ensem ble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturd ay, May 7 – Ma ster’s Recital : Rober t Mulle r, French horn – 3:00 p. m. – Casadesus Recital Hall – free Saturd ay, May 7 – Stu dent Re cital: B riana S akamo to, sop rano – 8:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Seni or Voic e Recital: Samantha B anton a nd Mol ly A d a m s To o m ey 1:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Univ ersity C horus with th e Univer sity Sy mphon y Orches tra: Ma ss Mas terwork s – 3:00 p.m. – Osterhout Concert T h e a t e r $10 general public; $5 faculty/staﬀ/seniors; free for students Sunday, May 8 – Seni or Hon ors Rec ital: Jie un Jan g, pian o – 7.30 p. m. – Casadesus Recital Hall – free Tuesday, May 10 – Percus sion En semble – 8 p. m. – Anderson Center Chamber Hall – free Wedne sday, M ay 1 1 Comp osition Semin ar Con cert (Loy) – 7 p. m. – Casadesus Recital Hall – free Thursd ay, May 12 – S tudent Recogn ition M idDay Concer t – 1:20 p. m. – Casadesus Recital Hall – free For ticket information, please call the Ander son Ce nter B ox O ﬀice at 777 ARTS To see all events, please visit m usic. binghamton. e du Become a fan on Facebook by visiting Bingh amton Unive rsity Music Depar tment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154626">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154626</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, May 5, 2011 Recital Tape 2011-5-5 Description An account of the resource Held at 1:20 p.m., May 5, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Pochily, Benjamin Reitz, Margaret A. Catalfamo, Jamie Rodriguez, José Fatima, Aaisha Kompar, Christina Lawson, William James Leonberger, Gary Banton, Samantha Hay, Brister Baron, Alexander Cakalli, Meghan Buck, Carrie Gukowsky, Matthew Romberger, Daniel Santoro, Olivia Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c55fbb53f257c9da0cbd81555dc24087.pdf e2370a6497c03f59081b46de31a56298 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S l T Y O F N E W Y O R K [4 247928 D E P A R T M E N T J U N I O R R E C I TA L M a r k R oss nag el O rgan (student in the class of D r . J o na th a n B iggers) A pril 2, 201 1 3 :00 p. m. F irst Pr es byte rian C h u rc h , B in g ha m to n , N e w Y o rk �Notes on the Progra m PROG RAM Sonata III in Amajor 1. 2. Felix Mendelssohn (18091847) Con mo to maes toso Andante tranqui llo from El even ChoralePreludes.. ........... .......weereer... Johannes Brahms I. (18331897) Mein Jesu, der du mich (“My Jes us Leadeth Me”) III. O Welt, ich muss dich lassen (1% version) (“O World, I now m ust leave Thee”) X. Herzlich tut mich verlangen (“My Hea rt is ﬁlled with long ing") XI. O Welt, ich muss dich lassen ( 2 version) (*O World, I now m ust leave Thee”) Tocca ta a nd F ugue in D mino r ( “D orian”), BWV 538. Variations on Mein Ju nges L eben h at ein E nd .J.S. Bach (16851750) JanPieterzoon Sweelinck ChoraleVariations on Veni Creator, op.4... . (15621621) . Maurice Duruﬂé Guilba ultThérien Organ, 1996 Felix Mendelssohn (18091847) w rote his “Six Sonatas for the Organ” (Op. 65) in response to a commission from the English publishing ﬁ rm Coventry & Hollier. The composer made several visits to London over the course of his short life, conducting and performing as both a pianist and an organist, and was greatly respected and admired there. Composed between 1844 and 1845, these works are not “sonatas” in a strict sense, but are rather groupings of character pieces, with elements of the Bachian counterpoint that Mendelssohn so admixed set against the composer ’s own lyrical, Romantic style. The Sonata in Amajor is a conﬂuence of the abovementioned elements, incorporating magisterial, almost orchestral writing in the grand statement that opens and closes the ﬁrst movement, as well as a double fugue employing the Lutheran chorale melody Aus tiefer Not schrei ich zu Dir ( “Out of deep distress I cry to you”) as the cantus ﬁrmus. The second and ﬁnal movement, a simple Andante tranquillo , rounds out the to rtured ma terial o f the prev ious mov ement wi th its gen lilting melodies and tender cadences. tle, The 11 Chorale Preludes, op. 122 by Johannes Brahms (18331897) are his last completed works, and as s uch are concerned with death and the Chris tian hope for redemption. Four are featured on this p rogram – two from the beginning of the set (Nos. 1 and 3), and two from the end (Nos. 10 and 11). No. 1 is a collection of short fugues, each one built on a phrase of the chorale Mein Jesu, der du mich, culminating in a wonderful resolution marked by fascinating harmonic progressions and intense suspensions, suggesting a “longing ” for life eternal. No. 10 is a setting of the Lenten chorale Herzlich tut mich verlangen, which American ch urchgoers know today by the title “O Sacred Head, now w o und ed It is the darkest and most brooding of the four works presented today; the repea ted eighth notes in the bass voice suggest the slow plodding walk towards death. Nos. 3 and 1 1 are both settings of the chorale O Welt, ich muss dich lassen; No. 1 1 l is espec ially nota ble for its peaceful nature and meditative repetitions of each phrase of the chorale. It is the very last piece of m usic that Brahms wrote. The organ music of Johann Sebastian Bach (16851750) is, like so much of the Leipzig Master’s work, unparalleled in form, content, and its ability to elicit powerful emotions in the listener – features tha t abound in the mighty Toccata and Fugue in D minor, BWV 538 (“Dorian”). The material for the Toccata springs almost entirely from its opening motive – rising 16 ” notes tha t lend a motoric, obsessive quality to the music. The fugue that follows is a work of c ontrapuntal genius that sets it apart e ven from other Bach fugues ; the basic compositional style employ ed in this movement is stile antico (“antique s tyle”), a type of contrapuntal w riting observed in the masters of the Rena issance period. Bach‘s employment of this older style of fugal composition pays homage to the more Palestrinalike, severe style of contra puntal w riting, but in many ways, Bach exceeds the style of the older masters by crea ting a fugue that is unparalleled in intensity and majesty, making it one of the ﬁnest w orks written by Bach that utilize this mode o f composition. Bach was greatly inﬂuenced by past North Eu ropean masters, one of whom was Jan Pieterzsoon Sweelinc k (1562–1621), the socalled “Orpheus of Amsterda m”. Sweelinc k held the position of chief organist at the Oude Kerk (“Old Ch urch”) in �Amsterdam from the age of 1 5 until his death, and was kno wn both in his native city and across Europe as a maste r improviser and teacher. He wrote numerous keyboard toccatas, fantasies and variations, and the set of six variations on Mein Junges Leben hat ein End (“My young life hath an end ”) is one of his most popula r and widely performed works. One could almost follow a person’s progression from childhood to maturity and adulthood and ﬁnally to old age, then a “second childhood”, in the course of these remarkable, jewellike variations. Staying in the genre of themeandvariations, but skipping ahead by almost four centuries, we come to the ﬁnal piece on this program: the Chorale Variations from Maurice Duruﬂé’s Prelude, A dagio et Choral Varié sur le théme du ”Veni Creator”, op.4 (1930). An obsessive perfectionist, Dumﬂé published very little, instead destroying works he had written but regarded as “inferior”, but the pieces he did release for publication have all become staples of the organ repertoire. Beca use of his Catholic faith, he was highly inﬂuenced by Gregorian chant, w hich is featured prominently in many of his works, as evidenced here in the theme and four variations on Veni, Creator Spiritus (“Come, Creator Spirit”), which are themselves the last “movement” of a much larger work, the Prelude, Adagio et Choral Varié sur “Veni Creator”. Duruﬂé ex plores several interesting sonic environments in these variations, ranging from light ﬂutes to w a rm s trings to magniﬁcent fortissimo combinations. The ﬁnal variation, a brilliant toccata, features the chorale theme in canon and ends on full organ w ith blazing harmonies outlinin g the ﬁnal chords. Binghamton University Music D epartment’s U P C O M I N G E V E N T S ﬁ t s “ M t b ' ﬁ w t b ﬂ ﬁ t h ﬂ ﬁ t b ' ﬁ Sunday, April 3 – Organist Jonathan Biggers – A Bach Celebratio n!! Series – 4.00 p.m. – First Presbyterian Churc h, Binghamton – $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, April 7 – MidDay C o n c e r t 1:20 p.m. – Casadesus Recital Hall – free Friday, April 8 University String Orchest ra – 4:00 p.m. – Grand Corrid or free Saturday, April 9 – Binghamton University F lute Tr i o Concert (Natalie McCreary, Emily Morris, Mark Zhuang) – 12 noon – Fin e Arts Room 21 free Saturday, April 9 – Master’s Recital: Victoria Cannizzo, soprano – 2:00 p.m. – Casadesus Recital Hall – free Saturday, April 9 Pianist Michael Salmirs: Fo r the Love o f M usic – 8:00 p.m. – Anderson Center Chamber Hall – $15 general public; $10 faculty/staﬀ/seniors; $5 students Sunday, April 10 – Senior Recital: Laura M acAvoy, soprano – 3:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the ﬀ i c e a t 777A R T5. Anderson Center B o x O � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:36:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145461">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145461</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital, Mark Rossnagel, organ, April 2, 2011 Recital Tape 2011-4-2 Description An account of the resource Held at 3:00 p.m., April 2, 2011, First Presbyterian Church, Binghamton, New York. Creator An entity primarily responsible for making the resource Rossnagel, Mark Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:41:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154629">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154629</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The University Wind Symphony solo competition winners concert, May 1, 2011, Recital Tape 2011-5-1 Description An account of the resource Held at 3:00 p.m., May 1, 2011, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Bessel, Daniel Bartishevich, Jay Goldenberg, Adam Muller, Robert Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound