113 10 1775 https://omeka.binghamton.edu/omeka/files/original/b705c4861812a606b805febab1ed7505.jpg 2d902399d83271e28bebecde91e992ad https://omeka.binghamton.edu/omeka/files/original/ea8353aff8290b3e3981945b63558aa7.jpg bb0c14e2f25c1e853694d4a2e26726fd https://omeka.binghamton.edu/omeka/files/original/56182a1c0f6efc2086a0c468e4ad0ed7.jpg f95566e4f7e5c17ba91c8e15e7faf1db https://omeka.binghamton.edu/omeka/files/original/86d1801ec2c59f0c7352a904331b424b.pdf 653b1d5deafdef6443d6992c6b6fd9c6 PDF Text Text Letter 39 Item Code: AWL39 Unedited Transcription 2 April, 1866 J. E. Pike to Anna Wilcox Charlotte, [New York] No envelope extant. Two and one-half pages. One 8” x 10” sheet folded to form four 5” x 8” pages. Written in black ink on blue lined stationery paper, page four appears to have been unlined. Watermarked with eleven horizontal lines. Ink moderately faded. Moderate foxing, especially along the vertical creases. There are three creases: one vertical and two horizontal. Folded size is 4.5” x 2.5”. �Sharlotte Apr 2d̤ /66 Dear Cousin Annie. I received your kind note in due time and was glad to hear from you. I am kicking around m Letter 39 Page 1 92 the same as ever. W ̤ & I moved down here last friday. yesterday there was two girls Immersed here. if it had been me I had rather waited untill warmer weather every one to their own notion 92 They are haveing a Protracted meeting here at Present. We are going to Board with a young Widow. her name is Wilson. We had a good time when Uncle Ben was out here Now to writing again I had Letter written below rest of word at edge of page. �Letter 39 Page 2 93 to stop to wait on some women that have just steped out. the thing looks as though we might do a good business here. Well Annie how do you get along 93 along since Susan Stebbins has left the place I would think you would be lonesome without any old Maids in the County. how does Art & uncle Ben get along if they tare around as mutch as they did when I was down there uncle Ben must be nearly dead by this time. How does Ab get along these times. I expected to see him out here last fall but I did not find him. he told me that he was comeing out to see us. I guess he has forgotten it. I cannot think of any more at present So good by. Write soon Word crossed out. �give my love to all and leave a good share for yourself. Direct to Newfane Niagara Co From J. E. Pike N.Y To Annie Wilcox Letter 39 Page 3 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna E. Wilcox Family letters Subject The topic of the resource United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence. Description An account of the resource The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only). Creator An entity primarily responsible for making the resource Wilcox, Anna E. Pike, William S. Wilcox, Emory Pike, Benjamin Leroy Pike, John Pike, Ruth Pike, Corintha Pike, Mary J. Stover, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1862-1868 Rights Information about rights held in and over the resource <span>In copyright.</span> Relation A related resource <a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a> Language A language of the resource English Type The nature or genre of the resource Text ; image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AWL39 Relation A related resource Anna E. Wilcox Civil War Collection Binghamton University Libraries’ Civil War Collections Title A name given to the resource Letter to Anna Wilcox from John Pike, April 22, 1866 Description An account of the resource J. E. Pike writes Anna Wilcox in April 1866. He and William have moved to Sharlotte (sic) (also called Newfane or Charlotte, NY) and are to board with a widow named Wilson. He writes of recent visits and mentions Uncle Ben, Susan Stebbins, Art, and Ab. Original format: 1 sheet, 21 x 26 cm folded to 13 x 21 cm. Format The file format, physical medium, or dimensions of the resource 1 digital resource (3 pages) image/jpg Creator An entity primarily responsible for making the resource Pike, John Subject The topic of the resource Smyrna (N. Y. ) -- Biography Niagara County (N. Y. ) -- Biography Wilcox, Anna E -- Correspondence Pike, John -- Correspondence Date A point or period of time associated with an event in the lifecycle of the resource 1866-04-02 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Type The nature or genre of the resource Text Language A language of the resource English Publisher An entity responsible for making the resource available Binghamton University Libraries Rights Information about rights held in and over the resource http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf https://omeka.binghamton.edu/omeka/files/original/191466bc5e669af6208b51b2f22738e8.jpg 7afbf655dc9d5e9cba979c654fe7ef08 https://omeka.binghamton.edu/omeka/files/original/4696c16a6fcdd82b0694c4e81c370841.jpg 16310cde400cc7b189c4cc500ba0934b https://omeka.binghamton.edu/omeka/files/original/8e9e1193326427f1c4868910408a3b51.jpg 587511be6489c604157e797e102149c4 https://omeka.binghamton.edu/omeka/files/original/6013c26d6df7790726144594832622a1.jpg bc3e7c80d8dbeecf84d7720d1ce93e4b https://omeka.binghamton.edu/omeka/files/original/6765d1a8bfdf56556a106f5dcb9fd974.jpg 0054ee644147cf2a727bbd0c400278f9 https://omeka.binghamton.edu/omeka/files/original/f7ef4abfb4f4c0fbf80ed226572512ab.pdf 8a8dd8d9e95cd536f13a023a03fbfc3a PDF Text Text Letter 37 Item Code: AWL37 Unedited Transcription 11 April, 1865 John Pike to Anna Wilcox Elmira, New York This letter was enclosed in a 5.[25]” x 2.875” white envelope, with a cancelled three cent stamp in the upper left corner; postmarked APR 1, 186[6], ELMIRA, N.Y. The postmark is 1” in diameter and is stamped in the top right portion of the envelope. The postmark did not completely stamp. The stamp was cancelled with a second postmark identical to the first. The postmarks are black ink. Addressed in black ink to: Miss Anna Wilcox Smyrna Chenango C[o] N.Y The envelope was opened by tearing off the right side. The tear removed part of the ‘o’ in ‘Chenango Co.’ Very slight foxing. There are black stains on the back of the envelope. Three pages. One 7.625” x 9.75” sheet folded to form four 4.875” x 9.75” pages. Written in black ink on blue lined stationery paper, page one is entirely taken up by an illustration captioned “BATTLE OF FAIR OAKS—JUNE 1 1862.” Watermarked with thirteen vertical lines. Ink moderately faded. Very slight foxing. There are three creases: one vertical and two horizontal. An approximately one and one-half by one-quarter inch piece torn from the lower left corner of page one. Folded size is 4.875” x 2.625”. �Letter 37 Page 1 89 Elmira April 11th̤ 1865 Dear Cousin Annie. I received your kind letter the day I was Drafted and have neglected to answer it untill the present time. I got here four weeks ago to night and have been expecting 89 yo go to the front every day or I should wrote to you long before this but I have given up going front at present so I though I would write. I am well and feel first rate we have nothing to do but Eat and Sleep. We had a bond fire in Camp the other night onthe Strength of Richmand we came into Camp about midnight and have not been out Side of Letters written in subscript. �Letter 37 Page 2 90 the yard Since we got here but we are all going out in the City on Parade to day. I do not think I will ever see mutch fighting the way the thing looks now. Bill of fare. for Breakfast Bread, Poark, Coffee. Dinner Bread, Bean Soup. for Supper Bread, Beefes, Coffee. Lodgeing the I 90 Soft Side of a Plank. So you see we have no reason to grumble. There is some one gets out and Deserts most every night. but I do not want to try it and run the resk of getting Shot. I like it first rate here I had just as lives serve up my year here as to go front. but I think I Shall get home in less than a year Letter crossed out. �Letter 37 Page 3 91 My Pardner sends you his respects. he wanted to know who I was writeing to but I would not tell him so he says send her my respects any ways he was drafted from the same town I was. his name is Charles Woolent. I think of no more to write at present so good by. you must excuse bad writing for I have not seen a Chair nor Table since I have been here. give my respects to all. write as soon as you get this for we do not expect 91 know how soon we shall go from here Direct to John Pike Baracks No. 1 Ward 12 Elmira N.Y Word crossed out. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna E. Wilcox Family letters Subject The topic of the resource United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence. Description An account of the resource The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only). Creator An entity primarily responsible for making the resource Wilcox, Anna E. Pike, William S. Wilcox, Emory Pike, Benjamin Leroy Pike, John Pike, Ruth Pike, Corintha Pike, Mary J. Stover, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1862-1868 Rights Information about rights held in and over the resource <span>In copyright.</span> Relation A related resource <a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a> Language A language of the resource English Type The nature or genre of the resource Text ; image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AWL37 Title A name given to the resource Letter to Anna Wilcox from John Pike, April 11, 1865 Description An account of the resource John Pike writes to his cousin Anna Wilcox from his barracks at Ward 12 Elmira, New York while awaiting deployment to the front. He describes the day's menu and sends the regards of a fellow soldier, Charles Woolent. Stationary contains illustration titled 'Battle of Fair Oaks-June 1 1862'. Original format: 1 sheet, 20 x 25 cm folded to 13 x 20 cm, and 1 envelope, 8 x 14 cm. Format The file format, physical medium, or dimensions of the resource 1 digital resource (4 pages) image/jpg Creator An entity primarily responsible for making the resource Pike, John Subject The topic of the resource United States -- History -- Civil War, 1861-1865 -- Personal narratives Elmira (N. Y. ) -- History, Military -- 19th century Chemung County (N. Y. ) -- History, Military -- 19th century United States – Virginia – Fair Oaks Wilcox, Anna E -- Correspondence Pike, John -- Correspondence United States. Army Date A point or period of time associated with an event in the lifecycle of the resource 1865-04-11 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Type The nature or genre of the resource Text Language A language of the resource English Publisher An entity responsible for making the resource available Binghamton University Libraries Rights Information about rights held in and over the resource http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf https://omeka.binghamton.edu/omeka/files/original/dea30bb5c8749368d5d7350db5bf1f50.jpg b67c990054842c5d444e19af5782d2cb https://omeka.binghamton.edu/omeka/files/original/93349c98a4a46d6c7b73eb5ca8000592.jpg 8a28fc716b605357cde056a029f9976d https://omeka.binghamton.edu/omeka/files/original/2e9cfe1b4be898ccfc3452010fa274cd.jpg 884cb7db92e5b2aec1ca9048b912b38c https://omeka.binghamton.edu/omeka/files/original/58feeddb1a4350c5c9778b62dc1c2a2a.jpg 3b8eeb7f1d5097cbd2c07a23c3553fc1 https://omeka.binghamton.edu/omeka/files/original/efde4c42be8037d97094a843dfe247bc.pdf ad39d35934999adef7060f3089615ea4 PDF Text Text Letter 38 Item Code: AWL38 Unedited Transcription 22 April, 1865 John Pike to Anna Wilcox Elmira, New York This letter was enclosed in a 4.625” x 2.625” white envelope, with a cancelled three cent stamp in the upper left corner; postmarked APR 22, 1865, ELMIRA, N.Y. The postmark is 1” in diameter and overlays the stamp. The postmark did not completely stamp. The postmark is black ink. Addressed in black ink to: Miss Annie Wilcox Smyrna Chenango Co N.Y The envelope was opened by cutting the right side. Very slight foxing. There are black stains on the back of the envelope. Three pages. One 7.375” x 9” sheet folded to form four 4.5” x 7.375” pages. Written in black ink on blue lined stationery paper, page four appears to have been unlined. Embossed in the upper left corners of pages one and three, in the shape of an oval frame in a flower and palm leaf motif. The oval contains the legend, “CASTLE.” Ink slightly faded. Very slight foxing. There are three creases: one vertical and two horizontal. Folded size is 4.5” x 2.625”. �Elmira April 22d/65 Letter 38 Page 1 Dear Cousin Annie, I received your kind letter yesterday and am glad to hear from you. I am well excepting a bad cold if I get along without being sick any more than that I shall be very thankful. most every thing has been trimed in mour ning for a week here on the account of Lincolns death. I hope it will not prolong the war any if it does not I think it will soon end. you spoke about my coresponding with Mrs Ransom you thought about wright when you thought that I corresponded with her about as you did. It is rather muddy �Letter 38 Page 2 here now for it has rained considerable lately. we expect to stay here a number of weeks yet. we have to drill two hours every day now but that is nothing but good exersise for us. It is rather hard for that Girl that kept the Post Office but no harder for her than a good many others I have seen since this war commenced but we hope it is near an end. you rem ember you promised me your Picture when I was down there I have not got any of of them. I am going to get some taken when I get a chance and then I will Send you one. when I come down there again it will be earlier in the season when it is a little �Letter 38 Page 3 more pleasent weather but I may never be down there again. but if I live and every thing goes well it will not be many years before I see Chenang again but no knowing what may turn up within a year or two. There is a good many Deserters here that have given up themselves under the Presidents Proclimation that they should be Pardoned if they should give themselves up. Well Annie there is not mutch news this morning so I shall have to stop writing for this time. give my best respects to all of the folks. Write Soon. from your affection ate Cousin John Pike Baracks No.1 Ward 12th̤ Elmira N.Y � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna E. Wilcox Family letters Subject The topic of the resource United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence. Description An account of the resource The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only). Creator An entity primarily responsible for making the resource Wilcox, Anna E. Pike, William S. Wilcox, Emory Pike, Benjamin Leroy Pike, John Pike, Ruth Pike, Corintha Pike, Mary J. Stover, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1862-1868 Rights Information about rights held in and over the resource <span>In copyright.</span> Relation A related resource <a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a> Language A language of the resource English Type The nature or genre of the resource Text ; image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter to Anna Wilcox from John Pike, April 1865 Subject The topic of the resource Lincoln, Abraham, 1809-1865--Assassination United States -- History -- Civil War, 1861-1865 -- Personal narratives Elmira (N. Y. ) -- History, Military -- 19th century Chemung County (N. Y. ) -- History, Military -- 19th century Wilcox, Anna E -- Correspondence Pike, John -- Correspondence United States. Army Description An account of the resource John Pike writes to his cousin Anna Wilcox from Barrack No. 1 at Ward 12 Elmira, New York. John writes about the weather and of having a cold. He mentions Lincoln's assassination and that deserters have been turning themselves in hoping for a pardon. Original format: 1 sheet, 19 x 23 cm folded to 12 x 19 cm, and 1 envelope, 7 x 12 cm. Creator An entity primarily responsible for making the resource Pike, John Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1865-04-22 Rights Information about rights held in and over the resource http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf Relation A related resource Anna E. Wilcox Civil War Collection Binghamton University Libraries’ Civil War Collections Format The file format, physical medium, or dimensions of the resource 1 digital resource (3 pages) image/jpg Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context AWL38 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 https://omeka.binghamton.edu/omeka/files/original/c32e8bc33bc5a492260e6dd3788db2d7.jpg c0a49e238989b256e3783025fa1632da https://omeka.binghamton.edu/omeka/files/original/e70b1082811456f6f31adf9260bb673d.jpg 151f25dc9b9bbb4bc5568f05832ec1b3 https://omeka.binghamton.edu/omeka/files/original/64d6fa01063a58d99033c23fde1a8d10.jpg 64509d8f0eb09d0047b82129b76527b9 https://omeka.binghamton.edu/omeka/files/original/5a9819b831f3efcc0813bd278bc813ad.jpg f128724e1e49f5fcc3eb6d6f1e60d9cc https://omeka.binghamton.edu/omeka/files/original/02aca30f3c50d629c61bc089db95c840.pdf 9e46dda87f4ad24dcde98892e19129bf PDF Text Text Letter 16 Item Code: AWL16 Unedited Transcription 07 November, 1864 William S. Pike to Anna Wilcox Washington Street Hospital, Alexandria, Virginia This letter was enclosed in a 5[.5]” x 3.125” white envelope, with a cancelled three cent stamp in the upper right corner; postmarked Nov 7 ‘64, ALEXANDRIA, VA. The postmark is 1 3/16” in diameter and is stamped partly off the top of the envelope. The stamp cancellation consists of four concentric circles, the largest is 3/4” in diameter and the smallest is 3/16” in diameter and is missing portions of the outer circle. The postmark and stamp cancellation are black ink. Addressed in black ink to: Miss Annie Wilcox Smyrna Chenango Co N.Y The envelope was opened by tearing off the right side. Slight foxing along the edges and moderate foxing on the front and back faces. Three pages. One 8” x 10” sheet folded to form four 5” x 8” pages. Written in black ink on blue lined stationery paper, page four appears to have been unlined. Embossed, in the upper right hand corners of pages one and three, with a seal in the shape of a shield containing the words “GEORGE MC DOWELL PHILA.” Watermarked with eleven horizontal lines. Ink slightly faded on page one. Slight foxing, most evident in the centers of the pages. There are three creases: one vertical and two horizontal. Folded size is 5” x 3.125”. �Washington St. Hosp Nov 7th̤/64 Letter 16 Page 1 29 Dear Friend I received your kind letter this morning and I am glad [and] 29 more to hear that you are well and enjoying yourself finely as I hope you always will the weather here is verry rainy is has rained for four days stedy and I can hear the rain decending onto Word uncertain, may be ‘and’ or may be ‘once.’ �Letter 16 Page 2 30 31 the roof of my tent now while I am riting to you my wound is doing excelent when I rote to you before it was about three inches across the sor and now it is onely one so you that in two weeks it has healed nearly two inches iff it does the as well for 30 two weeks to come I will by that time be nearly ready to go home and when I get there I will have a happy time and lots of sport with my old school mates all the Newyork Boys that were here in thes 31 Hospital that were Word inserted in superscript. The letter ‘s’ crossed out. �Letter 16 Page 3 have gone home to av 32 vote and that makes it verry lonesome here but they will soon be back for their Furlows onely last fifteen days I was not able to go home so I sent my vote home for Old Abe and I think he will be elected tomorrow for four years more but my Dear Friend I must close for fear of wearing your patience write soon from your true and dear friend Wm̤. S. Pike (PS) Give my best respects to all good bye 32 Letters, not fully discernible, crossed out. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna E. Wilcox Family letters Subject The topic of the resource United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence. Description An account of the resource The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only). Creator An entity primarily responsible for making the resource Wilcox, Anna E. Pike, William S. Wilcox, Emory Pike, Benjamin Leroy Pike, John Pike, Ruth Pike, Corintha Pike, Mary J. Stover, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1862-1868 Rights Information about rights held in and over the resource <span>In copyright.</span> Relation A related resource <a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a> Language A language of the resource English Type The nature or genre of the resource Text ; image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AWL16 Relation A related resource Anna E. Wilcox Civil War Collection Binghamton University Libraries’ Civil War Collections Title A name given to the resource Letter to Anna Wilcox from William S. Pike in November 1864 Description An account of the resource William S. Pike, a Civil War soldier writes to his Cousin Annie Wilcox from the Washington Street Hospital, Alexandria, Virginia. He reports that his furlough request was denied again due to continuing complications from his leg injury. William also writes about voting for Lincoln in the Presidential election. Original format:1 sheet, 21 x 26 cm folded to 13 x 21 cm, and 1 envelope, 8 x 14 cm. Format The file format, physical medium, or dimensions of the resource 1 digital resource (3 pages) image/jpg Creator An entity primarily responsible for making the resource Pike, William S. Subject The topic of the resource United States -- History -- Civil War, 1861-1865 -- Personal narratives Soldiers -- Correspondence Lincoln, Abraham, 1809-1865, Alexandria (Va.) -- History, Military -- 19th century Virginia -- History -- Civil War, 1861-1865 Wilcox, Anna E. -- Correspondence Pike, William S. -- Correspondence United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B Date A point or period of time associated with an event in the lifecycle of the resource 1864-11-07 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Type The nature or genre of the resource Text Language A language of the resource English Publisher An entity responsible for making the resource available Binghamton University Libraries Rights Information about rights held in and over the resource http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf https://omeka.binghamton.edu/omeka/files/original/ef9f1801ba750c53f4d1936b0d947e5c.jpg bb0e517ca47d1c8caf20633bbb75401c https://omeka.binghamton.edu/omeka/files/original/f1805044e08eefe8818bd3528a8b0dd8.jpg a7e2b40746af537cdc46e697a6b9e710 https://omeka.binghamton.edu/omeka/files/original/099987a03bc3b942dccf46eae412c254.jpg 9d364cc3d8ad50fde1ab03d7cf4ca6d5 https://omeka.binghamton.edu/omeka/files/original/3fb08a3539529c1cb8905d46a7900c8e.jpg 45cb1ebc5a38844f0e8bd5cdb746ce3e https://omeka.binghamton.edu/omeka/files/original/92a803944dd63c312657c6eb91aa973a.jpg d38fe1d8967662339f4d6b2e1165be19 https://omeka.binghamton.edu/omeka/files/original/cc78f7bbfea2bcd792c3291616be38f6.pdf 47624159e74d4106053b94aa722becd2 PDF Text Text Letter 15 Item Code: AWL15 Unedited Transcription 14 October, 1864 William S. Pike to Anna Wilcox Washington Street Hospital, Alexandria, Virginia This letter was enclosed in a 5.25” x 2.875” white envelope, with a cancelled three cent stamp in the upper right corner; postmarked Oct 14 ’64, ALEXANDRIA, VA. The postmark is 1 3/16” in diameter and overlays the stamp. The postmark is missing most of the ‘64’ and some of the letters are smeared. The stamp cancellation also overlays the stamp and consists of four concentric circles, the largest is 3/4” in diameter and the smallest is 3/16” in diameter and is stamped partly off the envelope. The postmark and stamp cancellation are black ink. Addressed in black ink to: Miss Annie Wilcox Smyrna Shenango Co N.Y The envelope was opened by cutting the right side. Slight foxing along the edges and very slight foxing on the front face, the back face has moderately foxing. There is part of a black stamp cancellation in the upper left corner of the back, probably from the another letter. Four pages. One 8” x 10” sheet folded to form four 5” x 8” pages. Written in black ink on blue lined stationery paper, page four appears to have been unlined. Embossed, in the upper right hand corners of pages one and three, with a seal in the shape of a oval containing the word “PARIS” and surrounded by filigree. Watermarked with ten horizontal lines. Ink appears unfaded. Slight foxing, most evident along the single vertical crease and on page four. There are three creases: one vertical and two horizontal. Folded size is 5” x 2.875”. �Washington St. Hosp Oct 14th̤/64 Dear Annie Letter 15 Page 1 26 I received your kind and welcome letter this morning and I have read it over three times and now I am attempting to answer it 26 to the best of my ability but I know I cannot rite as good a letter as you do the one you rote me this time seems to me to be better than eny you ever rote to Word apparently inserted. �Letter 15 Page 2 27 me befor but they are all good and the more I read them the better I love to read them I do not know what made you think I would get sick of you letter for I love your letter and I love to read them and I love you to and I always shall I look at your Photograph verry often and think of you and better 27 in I enjoy myself looking at your Picture and reading your letter than in enything else I can do well Annie I am sorry you got whipped on your Birth day but I suppos you took it all in good part Word inserted in superscript. �Letter 15 Page 3 28 as we all have to when our birth day comes but I have not been h 28 whiped when my birth day was now in two years because I have been in the Army and the Boys did not know when it waSo but iff I had been at home I would have got whiped the same as you well Annie I do not know but you will get tired of reading ere you get this read but iff you love to read them as well as I do yours you will not for I could read your letters from morning till night with plasure I do no know of eny news to rite for it is WSP began a capital ‘W’ but crossed it out. �Letter 15 Page 4 all one and the same thing here with me from one weeks end to the other my wound is some better than it was when I rote to you before but the Dr. tells me it will be two months at least before it will be healed sufficiently for me to go home and I think it will myself for it does not heal so fast in cold weather as it does in warm that Motto that you sent me is a verry nice one and we will love as lovers aught my love my best my only one but I must close from your dear friend with my dearest love to you I close write soon to your friend Wm̤. S. Pike � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna E. Wilcox Family letters Subject The topic of the resource United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence. Description An account of the resource The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only). Creator An entity primarily responsible for making the resource Wilcox, Anna E. Pike, William S. Wilcox, Emory Pike, Benjamin Leroy Pike, John Pike, Ruth Pike, Corintha Pike, Mary J. Stover, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1862-1868 Rights Information about rights held in and over the resource <span>In copyright.</span> Relation A related resource <a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a> Language A language of the resource English Type The nature or genre of the resource Text ; image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AWL15 Relation A related resource Anna E. Wilcox Civil War Collection Binghamton University Libraries’ Civil War Collections Title A name given to the resource Letter to Anna Wilcox from William S. Pike in October 1864 Description An account of the resource William S. Pike, a Civil War soldier writes affectionately to his Cousin Annie Wilcox from the Washington Street Hospital, Alexandria, Virginia. He compliments her photograph and discusses birthday whippings. The letter closes with expressions of love. Original format:1 sheet, 21 x 26 cm folded to 13 x 21 cm, and 1 envelope, 8 x 14 cm. Format The file format, physical medium, or dimensions of the resource 1 digital resource (4 pages) image/jpg Creator An entity primarily responsible for making the resource Pike, William S. Subject The topic of the resource United States -- History -- Civil War, 1861-1865 -- Personal narratives Soldiers -- Correspondence Love letters, Alexandria (Va.) -- History, Military -- 19th century Virginia -- History -- Civil War, 1861-1865 Wilcox, Anna E. -- Correspondence Pike, William S. -- Correspondence United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B Date A point or period of time associated with an event in the lifecycle of the resource 1864-10-14 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Type The nature or genre of the resource Text Language A language of the resource English Publisher An entity responsible for making the resource available Binghamton University Libraries Rights Information about rights held in and over the resource http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf https://omeka.binghamton.edu/omeka/files/original/0de1e062f8f07491acc536ed9a89bdab.jpg 5a16490a78aab432e7fdee81f637e539 https://omeka.binghamton.edu/omeka/files/original/2bba1d66f28d2b8dec8ab22c5fab66f1.jpg 793a82375cc84a04ac44abe7b987f01c https://omeka.binghamton.edu/omeka/files/original/20e364de7cdb73437e20ce94f4643298.jpg 0f2aa8715a5e1bcb8df67bcdd89316a6 https://omeka.binghamton.edu/omeka/files/original/8f70facda2c24daea1316f277f8fba36.jpg 5b21ead0246f1ab8f26debd7bfcb71e5 https://omeka.binghamton.edu/omeka/files/original/ef5955641b17b9347a8d5526c11511a4.pdf b47f35b7c8ead7c924c8f43bebe91066 PDF Text Text Letter 24 Item Code: AWL24 Unedited Transcription 24 January, 1865 William S. Pike to Anna Wilcox Washington Street Hospital, Alexandria, Virginia This letter was enclosed in a 5.[25]” x 3” white envelope, with a cancelled three cent stamp in the upper left corner; postmarked Jan 24, ALEXANDRIA, VA. The postmark is 15/16” in diameter and overlays the stamp. The stamp cancellation consists of four concentric circles, the largest is 3/4” in diameter and the smallest is 3/16” in diameter. The postmark and stamp cancellation are black ink. Addressed in blue ink to: Miss Annie Wilcox Smyrna Chenango C[o] N.Y. The envelope was opened by tearing off the right side. The tear removed the ‘o’ from ‘Chenango Co.’ Very slight foxing along the edges. The envelope is very yellowed. This is a light tan stain, probably water, along the top edge of the envelope, above the cancellation. Three pages. One 8” x 10” sheet folded to form four 5” x 8” pages. Written in blue ink on unlined stationery paper. Ink appears unfaded. Very slight foxing. There is one small (<1/16”) hole where the lower of the two horizontal creases crosses the single vertical crease. There are three creases: one vertical and two horizontal. Folded size is 5” x 2.875”. �Washington. St. Letter 24 Page 1 47 Hosp Jan 24th̤/65 Dear Cousin Annie I received your kind and welcome epiltle yesterday morning and I was much pleased to hear that you H 47 were in good health when you rote and I hope you will always enjoy the same blessing my health is good and I am in good spirits as you will Letter crossed out. �Letter 24 Page 2 always find me well Annie I am glad to hear that you had a nice time at the donation my wound has broken out again and I cannot tell how long it will be ere I get home now for the Doctor will not let me go untl it heales up again and that most likely will be sometime but I have made up my mind that wharsoever I am to be content well Annie I think that next summer will wind up the rebelion for the rebs are getting sick at hart for �Letter 24 Page 3 Sherman has whiped and scattered their forces in gorgia captured Savanna 48 and at this present is marching on Scharleston another of their strongest holds and Thomas has routed killed and captured nearly all of Hoods forces and the fall of Fort Fisher every thing combined has made the Rebs sick at hart and it will not take but little mor fighting to bring them to terms so that they will come back into the old Union on most eny terms no more this time give my respects to all from your friend. Wm̤. S. Pike 48 The second ‘n’ appears to have been inserted. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna E. Wilcox Family letters Subject The topic of the resource United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence. Description An account of the resource The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only). Creator An entity primarily responsible for making the resource Wilcox, Anna E. Pike, William S. Wilcox, Emory Pike, Benjamin Leroy Pike, John Pike, Ruth Pike, Corintha Pike, Mary J. Stover, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1862-1868 Rights Information about rights held in and over the resource <span>In copyright.</span> Relation A related resource <a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a> Language A language of the resource English Type The nature or genre of the resource Text ; image Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context AWL24 Relation A related resource Anna E. Wilcox Civil War Collection Binghamton University Libraries’ Civil War Collections Title A name given to the resource Letter to Anna Wilcox from William S. Pike January 1865 Description An account of the resource William S. Pike, a Civil War soldier writes a letter to his Cousin Annie Wilcox from the Washington Street Hospital, Alexandria, Virginia. He tells Annie that his wound has broken out again and his discharge from the hospital is unknown. William writes about Sherman's marches through Georgia and the Carolinas as well as about Generals Thomas and Hood and of the fall of Fort Fisher. Original format:1 sheet, 21 x 26 cm folded to 13 x 21 cm, and 1 envelope, 8 x 13 cm. Format The file format, physical medium, or dimensions of the resource 1 digital resource (3 pages) image/jpg Creator An entity primarily responsible for making the resource Pike, William S. Subject The topic of the resource United States -- History -- Civil War, 1861-1865 -- Personal narratives Soldiers -- Correspondence Sherman's March to the Sea Sherman's March through the Carolinas Fort Fisher (N.C. : Fort)--Capture, 1865 Thomas, George H (George Henry), 1816-1870 Hood, John Bell, 1831-1879 Wilcox, Anna E. -- Correspondence Pike, William S. -- Correspondence United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B Date A point or period of time associated with an event in the lifecycle of the resource 1865-01-24 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1860-1869 Type The nature or genre of the resource Text Language A language of the resource English Publisher An entity responsible for making the resource available Binghamton University Libraries Rights Information about rights held in and over the resource http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf https://omeka.binghamton.edu/omeka/files/original/59711fc5b19d841d5490a7de3f9365ca.pdf 217e7a59249a59ee8ea63fb8fd51fa90 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   NEW  Y O R K D E P A R W 0 T M E N T LIEDE RABE ND Thomas G ood heart, ba ri tone Stephen Zank, p ian o w i t h  s p ec ia l g  u es t  a rt i s t Jean Mi ller Goodheart, soprano Saturday, September  1 3 , 2 0 1 4 7:30 p.m. [4 Anderson Cen ter Chamber  Hall �ac)  ABOUT THE PERFORMERS  06 20  P ROG RAM (93 lrn Fnihling Franz Schubert (1797­1828) Flflrenreiclier Ebro . Robert Schumann (18101856) Franz Schubert Die Post (1797­1828) Thomas Goodheart, baritone Stephen Zank, piano An eine Aeolsharfe..  MausfaUen­Spnichlein  Kennst du das Land .Hugo Wolf (1860­1903) Jea n Miller Good heart, soprano Stephen Zanlt, piano 89  INTE RMISS ION 08 Dichterliebe, Op. 48  1.  1m wunderschonen Monat Mai  2.  Aus meinen Tranen sprieBen 3.  Die Rose, die Lilie 4.  Wenn ich in deine Augen seh’ 5.  Ich will meine Seele tauchen 6.  lm Rhein, im heiligen Srrome 7.  lch grolle nicht 8.  Und wfilSten‘s die Blumen 9.  Das ist ein Floten und Geigen 10.  Hor’ ich das Liedchen klingen 11.  Ein Jungling liebt ein Madchen 12.  Am leuchtenden Sommermorgen 13.  Ich hab’ im Traum geweinet 14.  Allnéchtlich im Traume 1 5.  Aus alten Marchen winkt es 16.  Die alten, bosen Lieder . Robert Schumann (1810­1856) THOMAS GOODHEAR T, baritone, Associate Professor of Voice at Binghamton University BM, MM Manhattan School of Music, Voice faculty at Purchase College Conservatory ofMusic 1999­2010. Baritone Thomas Goodheart has performed over 40 leading roles in opera and oratorio with companies throughout the United States including The Opera Theatre of St. Louis, Chautauqua Opera, New York City Opera National Company, Connecticut Opera, Opera Theatre of Pittsburgh, Des Moines Metro Opera, Artpark Opera and Tri­Cities Opera. Recent performances include the American stage premiere of the role of Bruno in James MacMillan’s opera Panhenogenesis. Leading roles include Marcello in La Baliéme, Escamillo in Carmen, Germont in l a Traviam,    Sharpless in M adama Butterfly, Michele in ll Tabarro and Enrico in Lucia di Lammermoor. Mr. Goodheart has appeared as a guest soloist in recital and with symphony orchestras in the U nited States, Europe and South America. In New York City. he has been a soloist at Avery Fisher Hall, Merkin Concert Hall, Kaye Playhouse and the Cathedral of St. John the Divine. Concert credits include Orff’s Carmina Buruna, Handel’s Messiah, Beethoven’s Ninth Symphony @ Missa Solemnis, Haydn’s Creation and Mendelssohn’s Elijah. He has received awards from the Metropolitan Opera National Council, the New York State Council on the Arts, the Joy in Singing Competition, Bel Canto Opera Foundation, the Ezio Pinza Council for American Singers, the Lincoln Center Institute and the Tri­Cities Opera. Mr. Goodheart is the Vocal Coordinator for the “Songe d’été en musique” Festival in Quebec, Canada. He is on the voice faculty of The Westchester Summer Vocal Institute a nd the Metropolitan International Music Festival, New York City. He has been a performer/teaching artist with the education departments of the New York Philharmonic, Lincoln Center institute and the New York Festival of Song. Mr. Goodheart maintains a private voice studio in NYC. His students have gone on to graduate study at the Juilliard School, Eastman School of Music, Mannes College of Music, Indiana University, Manhattan School of Music, Guild Hall (London, England) and the Opera Institute of Boston University among others. They have won prestigious voice competitions and are singing professionally throughout the United States and Europe. STEPHEN Z AN K  Stephen Zank is a broadly trained musician, with degrees in performance, history and literature, and musicology. He began studying piano, composition and counterpoint in Binghamton at the age of five, and has held full­time teaching posts at several major universities in  the Mid“ . r, Southwest and Northeast, including SL‘NY­Binghammn and the University of Rochester. �Soprano JEAN MILLE R GOODHFJKRT has performed lead ing roles in opera, concert and recital throughout the United States. She received her BM and MM degree from Manhattan School of Music and has worked as a teaching artist for Carnegie Hall and the Lincoln Center Institute. Ms. Goodheart was the Education Director for The New York Festival of Song and was on the voice faculty at Purchase College Conservatory of Music from 1999­2009. She is currently on the faculty of the Songe d’été en Musique Festival in Quebec and is an adjunct lecturer for the Binghamton U niversity Music Department, teaching diction to undergraduate voice majors. She has a private voice studio in Binghamton, NY. She has served on the grant review panel for The NYS Council on the Arts and is an adjudicator for NYSSMA. She has performed with Chautauqua Opera, Des Moines Metro Opera, Tri­Cities Opera, Greater Buffalo Opera and Encompass New Opera Theatre. Her leading roles include Juliette in Romeo and Juliette, Mim i and Musetta in La Boheme, Micaela in  Carmen, Lauretta in Gianni Schicchi, Rosalinda in Die Fledermaus, Sandrina in La Finta Giardiniera and Sonia in The Merry Widow. Concert credits include Handel’s Messiah, Mozart’s Requiem and c minor Mass, Beethoven’s Missa Solemnis and Poulenc’s Gloria. Other performances include the role of Kristel in James MacMillan’s Opera Parthenogenesis and Mary in Dave Brubeck’s La Fiesta de la Posada with the Dave Brubeck quartet at the University of Buffalo Performing Arts Center. Her most recent awards were several NYSCA grants to bring “Arts Partner” residencies into schools. Previous awards include a career grant from the Shoshana Foundation and awards and scholarships from the Metropolitan Opera National Council Auditions, Bel Canto Foundation, Chautauqua Institute, New York Singing Teachers Association, Music Academy of the West, Tri­Cities Opera Guild and Manhattan School of Music. 80  PROGRAM NOTES  05 When Schumann attempted a work on the scale of Schubert’s Winterreise, it was indeed during his single year, 1840, of extraordinary productivity and long­ delayed marriage to Clara Wieck. The Dichterliebe (“Poet’s Love”) sets 16 works from the larger collection of Heinrich Heine (1 797­1 856) entitled Lyrisches Intermezzo (“Lyrical Intermezzo”), poems in which Heine muses upon love and rejection. The cycle opens with a feint to Springtime, but its harmonic ambiguity betrays the course to come: Romantic longing gives way to rejection about midway (in the famous “Ich grolle nicht”), and then to greater and greater bitterness and disillusion. By evening’s end, Schumann’s protagonist has jettisoned all  of his hopes and dreams in a great coffin, and perhaps to heal some of the accumulated suffering in the great cycle, final “word” is given to the pianist, in an extended and lyrical postlude  Stephen Zank 80 TRANSLA TIONS I m  Frihling ln Spring Poetry by Ernst Konrad Friedrich Schulze Quietly I sit on the hill’s slope, The sky i s so clear; a breeze plays in the green valley where I was at Spring’s first sunbeam once ­ ah, I was so happy; Where I walked at her side, So intimate and so close, and deep in the dark rocky spring was the beautiful sky, blue and bright; and I saw her in the sky. Look how colorful Spring already looks out from bud and blossom! Not every blossom is the same for me: I like best to pick from the branch from which she picked hers. For all is as it was back then: the flowers, the field; the sun does not shine less brightly, nor does the stream reflect any less charmingly the blue image of the sky. The only things that change are will and illusion: Joys and quarrels alternate, the happiness of love flies past and only the love remains ­ The love and, ah, the sorrow. Oh, if only I were a little bird, there on the meadow’s slope ~ then I would remain here on these branches and sing a sweet song about her the whole summer long. Flittenreicher Ebro Surging River Ebro, Blossoming banks, All you green pastures And forest shadows Ask my beloved Who dwells among you lf in her happiness She thinks of me. And you dewy pearls, Who in the rosy dawn Adorn the green grass With many bright colours ­ Ask my beloved, When she breathes the cool air, I f in her happiness She thinks of me. You leafy poplars. Shimmering paths, Where with light tread My girl roams » When she meets you, Ask her, ask her I f in her happiness She thinks of me. You swarming birds, Who greet the sunrise With flute­like Songs­ Ask my beloved, The flower of this shore, I f  in her happiness She thinks of me. Die Post The Mail­Coach Poetry by Wilhelm Muller A posthorn sounds from the street. What is it that makes you leap so, 7 My heart?  The post brings no letter for you. Why do you surge, then, so wonderfully, My heart? And now the post comes from the town Where once I had a true beloved, My heart! Do  you want to look out And ask how things are back there, 7 My heart?  �An eine Aeolsharfe To an Aeolian Harp Poetry by Eduard Morilte Leaning up against the ivyooveted wall Of this old terrace, You, an air­borne muse, A lute­melody full of mystery, Begin, Begin again, Your melodious lament! You come, winds, from far away, Ah! from the boy Who was so dear to me, From his hill so freshly green. On your way, streaking over spring blossoms Saturated with sweet scents, How sweetly, how sweetly you besiege my heart! You rustle the strings here. Drawn by harmonious melancholy, Growing louder in the pull of my longing, And then dying down again. But all at once. The wind blows violently And a lovely cry of the harp Echoes, to my sweet terror. The sudden stirring of my soul, And here, the ample rose shakes and strews All its pemls at my feet! Mausfallen­Spruehlein Mousetrap Incantation poetry by Eduard Mérike (The child goes three times around the trap, and says:) Little guests, little house, Dear Miss or Mister Mouse, just boldly present yourself tonight in the moonlight! But shut the door right behind you, 7 do you hear?  And be careful of your tail! After supper we will sing, After supper we will jump and do a little dance; Witt win! My old cat will probably dance with us. Kennst du das Land DlCHTE RLlEBE Poetry by Heinrich Heine 6.  I m  Rhein, im heiligen Strome in the Rhine. in the holy stream, poetry by l .  I m  wunderschonen Mount Mai with its great cathedral, Mignon: Do  you know the Land? Johann Wolfgang wn  Goethe Do you know the land where lemon trees blossom; where golden oranges glow amid dark leaves? A gentle wind blows from the blue sky, the myrtle stands silent, the laurel tall: Do you know it? There, O there 1 would go with you, my beloved! 7 Its roof rests on Do you know the house?  pillars,  the hall gleams, the chamber shimmers,  and marble statues stand and gaze at me:  what have they done to you, poor child? 7 Do  you know it?  There. O there, I would go with you. my protector! Do you know the mountain and its clouded path.’ The mule seeks its way through the mist, in caves lives the ancient brood of dragons, The rock falls steeply, and over it the torrent. Do you know it?  There. There  leads our way! O father, let us go! In the wonderquy fair month of May, as all the flower­buds burst, then in my heart love arose. In the wonderfully fair month of May, as all the birds were singing, then [ confessed to her my yearning and longing. 2. Aus meinen Trinen sprieflen From my tears spring many blooming flowers forth, and my sighs become a nightingale choir, and if you have love for me, child. I ’ll  give you all the flowers, and before your window shall sound the song of the nightingale. 34  Die Rose. die Lilie The rose, the lily, the dove, the sun, I once loved them all in love’s bliss. I love them no more, I love only the small, the fine, the pure, the one; she herself. source of all love, is rose and lily and dove and sun. 4.  Wenn ich indeine Augen seh’ When I look into your eyes. then vanish all my sorrow and pain! Ah, but when I kiss your mouth, then I will be wholly and completely healthy. When I lean on your breast, I am overcome with heavenly delight, ah. but when you say, “I love you!“ then I must weep bitterly. 5.  Ich will  meine Seele tauchen I want to plunge my soul into the chalice of the lily; the lily shall resoundingly exhale a song of my beloved. The song shall quiver and tremble, like the kiss from her mouth, that she once gave me in a wonderfully sweet hour! there is mirrored in the waves, the great holy city of Cologne. In the cathedral, there hangs a pa inting painted on guilded leather; in the confusion of my life it has shown kindly down upon me. Flowers and cherubs float about our dear Lady, the eyes, the lips, the little cheeks, they match my beloved’s exactly. 7.  Ich grolle nicht I bear no grudge, even as my hea rt is breaking. eternally lost love! I bear no grudge. Even though you shine in diamond splendor. there falls no light into your heart’s night, that I’ve known for a long time. I bear no grudge, even as my hea rt is breaking. I saw you, truly, in my dreams, and saw the night in your heart’s cavity, and saw the serpent that feeds on your heart, I saw, my love, how very miserable you are. I bear no grudge. 8.  Und wuBten’s die Blumen And if they knew it, the blooms, the little ones, how deeply wounded my heart is, they would weep with me to heal my pain. And if they knew it, the nightingales, how I am so sad and sick, they would merrily unleash refreshing song. And if they knew my pain, the golden little stars, they would descend from their heights and would comfort me. All of them cannot know it, only one knows my pain, she herself has indeed torn, torn up my heart. �13. Ich hab’ im Trau m geweinet I have in my dreams wept, l dreamed you lay in  your grave. I woke up and the tears still flowed down from my cheeks. 15. Aus alten e r che nwi n kt es From old fairy­tales it beckons to me with a white hand, There is a ringing and roaring of drums and pipes amidst it sobbing and moaning are dear little angels. I have in my dreams wept, 1 dreamed you forsook me. I woke up and l wept where colorful flowers bloom in the golden twilight, 10.  Hor’ ich das Liedchen klingen I hear the little song sounding that my beloved once sang, I have in my dreams wept, 9.  Das ist ein Flbten u nd Geigen There is a fluting and fiddling, and trumpets blasting in. Surely, there dancing the wedding dance is my dearest beloved. and my heart wants to shatter from savage pain’s pressure. I am driven by a dar k longing up to the wooded heights, there is dissolved in tears my supremely great pain. I I. Ein Ringling liebt ein Madchen A young man loves a girl, who has chosen another man, the other loves yet a nother and has gotten married to her. The girl takes out of resentment the first, best man who crosses her path; the young man is badly off. It is an old story but remains eternally new. and for him to whom i t has just happened it breaks his heart in two. 1 2.  Am leuchtenden So m mermorgen On a shining summer morning I go about in the garden. The flowers are whispering and speaking, I however wander silently. The flowers are whispering and speaking, and look sympathetically at me: “Do not be angry wi th our sister, you sad, pale man.” for a long time and bitterly. there it sings and there it resounds of a magic land, and sweetly, fragrantly glow with a bridelike face. And green trees sing I dreamed you still were good to me. I woke up, and still  now streams my flood of tears. primeval melodies, I4. Allnichtlich int Traume Every night in my dreams l see you, and see your friendly greeting, and loudly crying out, I throw myself at your sweet feet. And misty images rise indeed forth from the earth, and dance airy reels in fantastic chorus. And blue sparks burn on every leaf and twig, and red lights run in crazy, hazy rings. You look at me wistfully and shake your blond little head; from your eyes steal forth little pearly teardrops. You say to me secre tly a soft word, and give me a garland of cypress. I wake up, and the garland is gone, and the word I have forgotten. the breezes secretly sound and birds warble in them. And loud springs burst out of wild marble stone, and oddly in the brooks shine forth the reflections. Ah! If I could enter there and there gladden my heart, and have all anguish taken away, and be free and blessed! Oh, that land of bliss, I see it often in drea ms, but come the morning sun, and it melts away lik e mere froth. 16.  Die alten, bosen Lieder The old. angry songs, the dreams angry and nasty, let us now bury them, fetch a great coffin. In it [ will lay very many things, though I shall not yet say what. The coffin must be even larger than the Heidelberg  Tun. And fetch a death­bier, of boards firm and thick, they also must be even longer than Mainz’s great bridge. And fetch me also twelve giants, who m ust be yet mightier than mighty St. Christopher in the Cathedral of Cologne on the Rhine. They shall carry the coffin away, and sink it down into the sea, for such a great coffin deserves a great grave. How could the coffin be so large and heavy! I also sank my love with my pain in it. �_ A  S E A S O N   o r   _  REVENGE..  lQiV ELlQ’. . .  REDEWFTION! Broadcasting  in Binghamton on ipéfifl l  E l  (“BlueSlgrm a  89.3 FM PER ­ Summ”  #  _ Fehvuaryfi a 8 ,  2015 N  y  03m?”  , n  06mm  a  por:   r o 88  The Forum Theatre 236 Washington St. ­ B inghamton, NY . For tickets call  6 0 7­772­040 0 or purchase online at (1I(l(le$0p€ra.(0m. VIS IONS B I N G H A m T O N   3  P N l L H AR m ON l C _ '   Jose­LuisNow  ( J M usnc  Director ‘  4  m y  840m (vlughu...  ?  ,  (r  3  ,  ll”  ,  3  )  Youy I s i c !   :  .  L  l  5  N ..  \ J $3  , ;   v  607­723­3931 ­723­  607 www.binghamtonphilharmonic.org  l l   55­71  P ithll 4  '  flassica) Magci C lassica l  Music y  B ill  Snyder hosted b 9“  Alp” Sam Goodyear after the n Opera Metropolita S a tur d a ys �Binghamton U niversity Music Department’s Coming Events fi a n M e fi é ­ é é o é é ­ é é ­ é é ­ w fi ­ M ­ fi w r b Sunday, September 14 ­  An Extraordinary Indian Operatic Ballet: Méghandootam,  The Cloud M essen ger  –  4:30  p.m.  –  Osterhout  Concert  Theater  ­  $20  general  public,  $ 1 5 faculty/staff/seniors/alumni; $ 1 0 students; free for BU students with ID Saturday, September 20 ­ Incurable Romantics: Timothy Perry &  Friends ­  7:30 p.m. – Watters Theater – $ 1 0 general public, $ 7 faculty/smff/seniors/alumni; $5 students Friday, September 26 ­ Piano Master Class: Binghamton Philharmonic Orchestra ­  3:00 ­  4:30 p.m. – Casadesus Recital Hall – free Thursday, OctoberZ ­ Mid­Day Concert ­  1:20 p.m. ­­ Casadesus Recital Hall ­ free Thursday, October 9 ­ Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­ free Saturday,  October 11  ­  Family  Weekend Concert (Wind Symphony, Harpur Chorale and Women ’s Chorus)­ 3  p.m. ­ Osterhout Concert Theater ­ free Thursday, October 16 ­ Mid­Day Concert –  1:20 p.m. ­ Casadesus Recital Hall ­ free Saturday,  October 18 ­  University Symphony Orchestra:  We L ike  to  Move I t !  –  3  p.m.  – Osierhout Concert Theater ­  $ 1 0 general public, $7 faculty/smff/seniors/alumni; $5 for students Thursday, October 2 3  ­ Mid­Day Concert– 1:20 p.m. – Casadesus Recital Hall ­  free Friday, October 24 ­  T’r’i­Citieo~ Opera presents Verdi ’s Rigolctto ­  8 p.m. ­  The Forum Theatre ­ call (607) 772­0400 for tickets Saturday, October 25 ­  Early On :  Music from Now and Then ­  7:30 p.m. ­  Fine Arts Building, Room 2 1 – $ 5 general public, free for students Sunday, October 26 ­  Tri­Cities Opera presents Verdi ’s Rigoletto ­  3 p.m. ­  The Forum Theatre – call (607) 772­0400 for tickets T hursday, OctoberJO ­  Mid­Day Concert ­  1:20 p.m. ­ Casadesus Recital Hall ­  free Sunday, November 2 ­  English and A merican Art  Songs ­  3 p.m. ­  Phelps Mansion,  191  Court Street,  Binghamton  –  $ 1 0 general  public;  BU students  free  with  1D  ­  For  reservations  call  the  Phelps Mansion at (607) 7224873. This concert  is cosponsored  by  the Binghamton University Music Department and Phelps Mansion Museum. Thursday, November 6 ­ Mid­Day Concert ­  1:20 p.m. ­  Anderson Center Chamber Hall ­ free e é é b fi é b c h fl fi M fi fl M O é fi fi é é fl é M M fi fl é fi fl é é fl For  tickets or  to  be  added  to  our  email list, visit anderson.binghamton.edu or  call (607) 777­ AR TS. For a complete list of our concerts call (607) 777­2592, visit music.binghamton.edu or become a fan on Fat­chock. If you  were inspired by  this  performance, consider supporting the  Department of  Music with a financial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions  to  our community.  Please make your  donation payable  to  the  Binghamton University Music Department, and send your check to BU Music Department. P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:47:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74928">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74928</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liederabend  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Schubert, Schumann. Held at 7:30 p.m., September 13, 2014, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Goodheart, Thomas Zank, Stephen Goodheart, Jean  Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Schubert, Franz, 1797-1828 Schumann, Robert, 1810-1856 Date A point or period of time associated with an event in the lifecycle of the resource 9/13/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:39 44:52 19:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE80062">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE80062</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Link Pipe Organ, dedication and recital, October 19, 1973 Recital Tape 1973-10-19 Description An account of the resource Dedication of the 2000 pipe Link Organ given to the State University of New York at Binghamton by Edwin A. Link. Held on October 19, 1973, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:21:16 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244713">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244713</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lipskin, October 10, 1975 Recital tape 1975-10-5 Description An account of the resource Held October 10, 1975. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-10-5 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6f7602aefdcd41b276f175c83a5b9c2b.pdf bd0852207d583cadd6300bf78bd8dcb2 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   NEW  Y O R K [4 d e c D E P A R T M E N T LONTANO ENSEMBLE MUSIC NOW! Rowland Su therland, flu te Peter F umiss, clarinet Caroline Balding, violin Clare O’Con nell, cello Ma ry D ullea, piano Odaline de la Martinez, conductor an d artistic dir ector Thursday, March 19, 2015 7 :30 p.m. Casadesus Recita l Hall �as­  PROGRAM  4 . Gestures from a Faraway Place, Op. 47 . ABOUT THE ARTISTS Richard Hugunine (2015)** I.  Andante ­ Allegro II.  Moderato III. Prestissimo international reputation as one of the most exciting and versatile exponents of 20th and 21st century music. Jibron Harris (2015)** From Darkness to Light, Then Finally Dust.  ­based on a text by the Persian poet Omar Khayyam Fading Parasol. Robert Durante (2015)** .Daniel Romberger (2015)** Too Close to the Sun  “I’m not a man” from Bullhead . Kevin Truax (2015) .Charles Shadle (2014) Red Cedar.  nib­Intermission» Improvisations (for solo violin). I.  Apasionado Odaline de la Martinez II.  Rustico III. Triste Oh Heart!  .James Budinich (2015)** ~based on texts by the Persian poet Omar Khayyam I.  Mahmud Yerbudaki II.  the veil of the sun III. Mahmud Yerbudald (II) IV. the dust of the body V.  Mahmud Yerbudaki (III) VI. how many of these days remain? Real Country . I.  William Walker II.  Mother Maybelle III. Bascom Lamar Lunsford IV. Dillard Chandler Daniel Thomas Davis (2014) The performance of compositions based on classical Persian music is made possible through the generous support of the Ali  Akbari Fund for Ne w  Persian Music. Lon tan o  Ensemble ’s  impact  on  the  perception  of  new  music  has been profound  and  enduring.  Since  its  inception  in  1976  by conductor/composer Odaline de la Martinez and flautist Ingrid Culliford, Lontano has established an Lontano commissions, produces, performs and records with the primary aim of bringing to the fore the work of contemporary British and American composers, women composers and Latin American classioal repertoire. The ensemble’s sphere of activity  includes  contemporary  opera,  music  theatre,  concerts,  workshops, education projects, tours, broadcasts and recordings. Performances feature some o f the most noted,  inventive and radical names in  contemporary composition including Judith Weir, Martin Burler, Roberto Sierra, Errollyn Wallen, Nicola le Fanu, Peter Sculthorpe, Sir Harrison Birtwistle, Chen Yi, Lindsay Cooper, John ' Harbison and Steve Reich.  Lontano’s global allure has resulted in performances as  far  a field as  Istanbul, Zagreb  (performance  of Jenni Riditi’s  opera  lnarma,  at  the  Zargreb  Biennale Festival), USA, Canada, Mexico, South and Central America. Activities include performances at the Huddersfield and Chelrenham International Festivals, Chard Festival of Women in  Music, the Bath Festival, the BBC Proms, the premiere of Paul Barker’s  opera  Stone  Angels  at  the Bloomsbury  Theatre,  the  enormously successful  “Emigres Series” on London’s Southbank and the premier  of Jenni Rodiri’s  opera Spirit  Child.  Performances  on the  Southbank have  included an American  programme featuring the  music of Dan  Asia  and Earl Brown and a concert,  with subsequent  C D  recording,  to  celebrate  the  70th anniversary  of jeremy Dale­Roberts. I n  October  2004, in a BBC Invitation Concert, Lontano premiered several works by the Australian composer Elena Kats­Chernin as well as music by the German composer Heiner Ooebbcls. Recent projects  included the ‘Al.l about  ' series as part of the LA LINEA Latin Music Festival at  the Southbank and The Warehouse, London, which explored Salsa, Tango and Samba and included new commissions. Other projects included the London Festival of American Music, Lontano’s Anniversary  Series, and a residency in Argentina sponsored by the British Council. This was followed by the release of music CDs by Dorothy Ker, Peter Child and Franciso Mignone. S till other  projects  included  two  concerts  at  the  Southbank  titled Brazil  Plus  ­ juxtaposing classical La tin  American composers with new British works in  April. Meanwhile,  Lontano  also  gave  a  very  successful  residency  at  MI T  ­­  the Massachusetts  Institute  of  Technology  ­  as  part  of MIT’s  150%  Anniversary celebrations. DreamHunter, a newly commissioned opera by Nicola LeFanu was premiered in the autumn of 2011 with a Welsh tour supported by a grant from the Arts Council Wales as well as three London performances at Wilton’s Music Hall  in  February 20 1 2. Lontano’s fourth London Festival of American Music took place  in  October of 20 1 2 and  featured the UK  Premiere of John Harbison’s �chamber opera Full Moon in Ma rch. Lonta no’s 5 * London Festival of A Music took place in Novem merican ber 20 14 at The Artists ’ Ch urch Covent Garden and St. James  Theatre,  Victoria,  and  included  the  UK  Pre miere  of  Odaline  de  la Martinez’s The Crossing, Part II  of her  Slavery Opera Trilogy. Lontano  regularly  broadcasts   on  television  and  radio  and  enj oys  a  close relationship  with the British  Broadcasting Corpora tion. Lo ntano,  in  c ollaboration * with the BBC Singers, recorde d for the BBC a program me fea turing the music of Brian Ferneyhough  A CD o f his m usic with  Lonrano and  the BBC Singers was released  by  the Metier  Label.  The ensemble also featu red  in a Channel 4 TV series entitled Women  in  Mus ic ­ Per formance Pieces, which inc luded performances of Joan  Tower’s Petroushkates an d Erika  Fox’s Shir. Always  at  the  fore front  of  music  innovation Lontano   was  one  of  the  first ensembles  to  form  its  own   record  company  when  in  199 2  it established  the LORELT label. Now with a c atalogue of 39 discs, LORELT  features soloists as well  as  other  ensembles  and   is  noted  for  its  archive  of  important  and  often neglected  compositions.  Lon tano also  records  for  numero us  other  companies including Albany Records (US A), Da Ca po (Denmark) and Metier Reco rds (UK). An education and community  programme is integral to Lont ano’s performing activity. The ensemble under takes a diverse range of proje cts  involving a broad spectru m of ages, cultures and  social backgrounds. In 2002 Lo ntano was invited to become ensemble­in­residenc e at Kings College, London Un iversity. Here. they interact  with  young  com posers  offering  unparallele d  opportu nity  for compositions  to  be  rehearsed  and  performed  by  profession al  musicians.  This work is  now c entral to the  curriculum. A t the same  tim e, Lontano  are also very involved  in  educational  and   com munity  work  in  their  borough  of  Waltha m Forest, London. Projects like  If Waltlmnutow Market Could  Sing, Unheard Voices, In Praise of  Our  Families and V oices of  Youth, involving both  paren ts and  children are making  a  difference  in  a  highly  cul turally  diverse  com munity.  Under  the sponsorship of the British C ouncil Lon tano ra n worksho ps in Macedonia ­  with over 100 newly graduated hig h school studenm from the new ly formed republic. And more recently they have  worked on a project linking  the Tango wi th African influence  in Argentina  ­  with  several primary,  secondary  and tertiary  school students  in Buenos  Aires  ­  an  experience  that  deeply  tou ched  all  of  those involved.  In  the  autum n a nd  win ter  of  201 1­2012, w ith  a gran t  from Youth Music,  Lontano  worked  in   Southwark  and  Greenw ich   boroughs  with  an education project titled Connec tions. The project featured the cu lture and music of Roma, Gypsy and  Traveller  communities residing in  tho se boroughs. A similar project took place in  the Londo n Borough of Redbridge from  May 2012 to April 20 13. Most recently, Lontano  has been awarded a three­year  grant from the Ci ty Bridge Trus t in  support of t heir educational and  commu nity work. Od ali ne  d e  la   Ma rti nez  is  a Cuban­A merican  composer  and  conduc currently residing in  the  UK tor, .  She is  the  ar tistic direc tor  of Lontano, a London­ based contemporary music en semble  which  she cofounded in 1976 with  Zealander  flautisr  Ingrid  Cullifo New rd, and was the first woman  to conduct  at  the BBC Promenade Concerts (the  Proms) in 1984. As well as freq uent appearances as a guest conductor with  lead ing orchesu­as throughou t G rea t Brita in, includ ing all  the BBC orchestras, she  has conducted several leadin g ense mbles around the world,  including  the  ensem ble  2e2 m  in  Paris,  the  New  Zealan d  Symphony Orchestra, the Australian Youth  Orchestra, the OFU NAM  and  the Camerata of the Americas  in Mexico,  and  the Vancouver  Chamber  Orc hestra. She is  also known  as  a  broadcaster  for  BBC  Radio  and  Television   and  has  recorded artensively for several labels. m PROGRAM N OT ES m Gestures fr om amea yP lAec,  Op. 4 7 ­  Richard Hugunine This three­movement piece expl ores the turtural and ti mbral pos sibilities available in a Pierrot Ensemble.  The far away place of the title is anywh ere and nowhere. The musical gestures of each  movement are memory artifa cts, both precious and painful. While the composer po sits no narrative for this work,  he encourages each listener  to crea te  his  or  her  own  reminiscences  ­  fantasies,  perhaps, of  “what might have been,” or, betrer, “w hat might yet be.“ From Darkness to Light, Then  Fu he llw at­ Jib ron  Harris Based on a text by the Persi an poet Omar Khayyam, this p iece was also inspired by time and  space i tself – its  arpansiveness and rela tivity. G rea t things happen on macro and  micro scales, neith er grea ter or  lesser  than  the  other. Are the atoms that exist  inside all  of us  tha t make us, any different  tha n those in  the stars? “Same hands that formed Venu s and Sun And wove the fabric tha t make s time run Same hands brought us here,  and when done Will leave behind dust, as i f we  were nonern Fading  Paraml­ Robert Durante A short piece written in  a fre e fl owing form that gradually  becomes more intense until a collec tive sigh at the e nd, “Fading Parasol” freq uen tly switches between a relaxed somber  tone and  a m ore  rigid aggressive  one.  The  work  is meant  to conjure an image of fading bea uty in the world around us. Too Close to the Sun  ­ Daniel R omberger Inspired loosely  by images of  flight and the physical sensatio n of a cool, re freshing breeze while jogging, ‘ Too  Clo se to the Sun” embraces the  joy of motion both energe tically and somewhat n aively. Although its title  refers  to the story o f Icarus, this piece connects to the G reek myth viscerally and a tmo spherically rather than progra mmatically. With a li ghthea rted airiness in mind,  the  listener is invited to interpre t  “Too Close to  the  Su n”  in his or  her own w ay or simply to enjoy the mumble musical surface as is. �I’m NotaMm’KevinTruxx This is the opening aria  to an in­the­works opera called Bullhead. The opera is a fictional retelling of the USS Bullhead, a World War II Navy submarine, on her final patrol in the Pacific. The beginning of the opera takes place in the port city of Fremantle in Western Australia.  The curtain opens to a marine clock with around fifty service men conversing and moving freely between the dock and the deck of the submarine.  The entire side of the USS Bullhead is visible, taking up the complete width of the stage. The men fall silent as the commander of the submarine base, Admiral Fife, is introduced and begins his speech, “I’m Not a Man.” Red Cedar ­ Charles Shadle My  piece  Red  Cedar seeks to celebrate Junipenu  virginiana,  a familiar evergreen conifer widely distributed throughout eastern and central North America. As the Latin name indicates,  the  tree is  not in fact a Cedar, but rather a Juniper. Of medium height, it is notable for scale­like leaves and cones that resemble armored Blueberries. These “berries ” are used to flavor gin. The wood of the Red Cedar is highly aromatic, and it is quite combustible. In  the past, when wild fires were largely le ft unchecked, its populations were relatively contained. Now it is often considered an invasive (if native) pest, spreading rapidly, especially in areas with poor or disturbed soil. Consequently it is much reviled by stockmen and farmers. Many of us are somewhat allergic to its touch, and quite allergic to its pollen. In  spite  of  these  less  appealing  qualities  I  find  the  Red  Cedar  remarkably beautiful, The normally grey­green foliage takes on a lovely umber cast in  winter. and it has a flame­like upright growth pattern that adds a distinctly formal note to the rural landscape. Where I  come from in Oklahoma, it is often the first, and sometimes  only,  indication of the presence  of a  rural graveyard.  This seems appropriate, as there is a kind of monumental dignity about the long~lived tree. Red  Cedar  is  essentially a movement  in  traditional ternary  scherzo  form.  The opening  tempo marking is Allegro fragile (Fast, brittle). Consciously “American” syncopated accentual patterns pervade music that is–at least for me–quite prickly. The melodic character of the material strikes me  as  resembling highly stylized birdsong. Indeed, a memory of walking through a grove of cedars in which a flock of the generally solitary Red Bird (Cardinals cardinals) had gathered provided the initial impetus  for  the piece.  After  a  less  frenetic  Trio  (Rustico)  the  opening material returns, though new musical ideas begin to substitute for  the original ones. Some of these ideas are clearly developmental, but a hymn­like music takes on ever­greater prominence. Red  Cedar concludes quietly and solemnly : Scherzo has become Elegy. O h ,  H e art !  J ames R . Budiuich   1. Mahmud Yerbudalti II, the veil of the sun lll. Mahmud Yerbudaki (II) IV. the dust of the body V. Mahmud Yerbudaki (III) VI. how many of these days remain. Omar Khayyam begins three of his quatrains with the words  “Oh heart,” each time using the words as a manner of speaking to himself.  In  the same sense, Oh, Heart! is an internal reflection on selections of Omar Khayyam’s Rubaiyat,  My piece  is based off of three of his quatrains, and  the slave who transcribed the Rubaiyat, Mahmud Yerbudaki. 92. Wine is rose­red, and the cup is filled with the water of roses,–maybe, in the crystal casket is a pure ruby,~maybe, a melted ruby is in the water,–maybe, moonlight is the veil of the sun,–maybe. 145. O soul! if thou canst purify thyself from the dust of the body, thou. naked spirit, canst soar in the heavens, the Empyrean is thy sphere,–let it be thy shame, that thou comest and art a dweller within the confines of the earth. 734 Set limits to thy desire for worldly things and live content, sever the bonds of thy dependence upon the good and the bad of life, take wine in hand and play with the curls of a loved one; for quickly all passeth away–and how many of these days remain? Real Conan­yr Daniel Thomas Davis Growing up in the rural American South, l’d occasionally hear the phrase “real country ” as a way of identi fying people ­  sometimes even my people, sometimes even me. I t didn’t so much as describe a person’s profession or place of residence but rather something more qualitative ­  a characteristic walk or stride, a peculiar taste in food or conversation, and above all  else, a richly accented voice thick with dialect and diphthong. I t  was something inside the body that just happened to make its way out somehow. It’s  that  something  within  the  voice  that  prompted  me  to  write  Real Country. Although l’ve titled each movement after a particular old­time country or gospel singer, I’m not really aiming to imitate any of them here ­  nor do I lay claim to anything resembling an “authentic” or “real” country style. First and foremost, this piece is a purely instrumental response, prompted by my listening over and over again, to a handful of special singers, all the while wondering and imagining �­  what sort of music do these voices invite? What idiosyncrasies and ornaments might I  excavate  from  these old, strange and  weird  worlds’ And  how might  I reimagine them in my own musical landscape? There are,  to be sure, a nu mber of  tunes here,  too ­  some  traditional ballads, some my own creation, others that fall in  between. Some might recall the high­ lonesom e lament of the Appalachian murd er ballad , others the ecsta tic holler ing of low­church gospel, and  yet  others  the syrupy lilt of  old­time  country’s jilted lovers. Throughout it all, I think of these melodies as places to wander ­  pathways and byways mostly ­  each one traveled and populated by the pecu liar, spu ttering, plain and joyful voices of this other country ­  my coun try. W M Bi ngha mton  U n iversi ty M usic De part men t’s Com ing E   wen ts M M Friday,  March  20  ­  Master  Class  BU  Alumnus I ra Gitler,  composer ­  3:00  p.m.  ­ Casadesus Recital Hall ­ free Thursday, March 26 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­  free Friday, March 27 – Junior Recital: Jessica Bi ogiotti, flute – 7:30 p.m. ­  Casadesus Recital Hall ­  free Sunday,  March 29 ­  Songs My Students Taught  Me with Janey Choi, violin and  Pej Reitz,  piano  (tentative)  –  3  p.m.  ­  Casadesus  Recital  Hall  ­  $7  general  public;  $5 faculty/staff/seniors/ alumni; Free for students Wednesday,  April  1  ­  Harmony  Club  Fundraiser  Concert  ~  7:30  p.m.  ­  Casadesus Recital Hall ­  $10 suggested dona tion Thursday, April 2 ­ Mid­Day Concert ­ 1:20 p.m. ­  Casadesus Recital Hall ­  free Thursday, April 16  ­ Mid­Day Concert ­ 1:20 pm . ­  Fine Arts Building, Room 21 ­  free Q a  [ = ]   M I  "  M M M M M M M M M Q ­ For tickets or to be added to our email list, visit andrrsonbinghamtomedu or call (607) 777­ARTS. For a complete  list  of  our concerts  call (607)  777­ 2592, visit music.binghamton.edu or become a fan on  Facebook. If  you were inspired by t his performance, consider supper­ring the Department of Music with a financial gift. Your support  helps to continue  the work of students, faculty, and guest artists and their contributions to our community. Please  make  your  donation  payable  to  the  Binghamton  University  Music Department,  and  send  your  check  to  BU Music  Department,  P.O.  Box 6000, Binghamwn, NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:15:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74853">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74853</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lontano Ensemble, Music Now! March 19, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Hugunine, Harris, Durante, Romberger, Shadle, Martinez, Budinich, Davis. Held at 7:30 p.m., March 19, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lontano Sutherland, Rowland Furnis, Peter Balding, Caroline O'Connell, Clare Dullea, Mary de la Martinez, Odaline Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Hugunine, Richard Harris, Jibron Durante, Robert Romberger, Daniel Shadle, Charles Martinez, Odaline de la Budinich, James R. Davis, Daniel Thomas Date A point or period of time associated with an event in the lifecycle of the resource 3/19/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound