114 10 1775 https://omeka.binghamton.edu/omeka/files/original/1fbfa465581b89e80262a5280fa957b4.pdf bda631fa91a8ddaca27c823f26d14f85 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K o d e & D E P A R T M E N T PICTURES AT AN EXHIBITION J ieu n Jang, Piano Sunday, May 8, 2011 7:30 p.m. Casadesus Recital Hall �PROGR AM ABOUT THE PE RFORM E R Piano Sonata in C# minor, Hob. XVI No. 36........... Joseph Haydn (17321809) Moderato Scherzando J ieun J ang is a senior Bachelor of Music student from South Korea. She has been studying piano with Michael Salmirs, and she Menuetto Ballade No. 2 in F major, Op. 38.....................Frédéric Chopin (1 8101 849) 80 IN TERMISSIO N 3 ..................Modest Mussorgsky Pictures at an Exhibition .. (1 839–1 881 ) Promenade I. Gnomus Promenade II. II vecchio castello [The old castle] Promena de III. Tuileries (Dispute d’enfants apres jeux) [Dispute between children at play] IV. Bydio [cattles] Promena de V . b a n e t H eBbinynu eLumxca n t e H y o s [ Ba lle t o f t h e unhatched chickens] VI. Samuel Goldenburg und Schmuyle Promenade VII. Limoges, Ie marché [The market at Limog es] VIII. Catacombae/Cum mortuis in lingua mortua IX. N3byLwika Ha kypbux HOoxkax (babaAra) [The hut on fowl’s legs (BabaYaga)] X. BoraTblpckue BopoTa (B ctonbHoM ropone Bo Kuese) [The Bog atyr gates (in the capital in Kiev)] is graduat ing this se mester. She plans to pursue a Master’s degree in music history at Hunter College. She p erformed with many departmental ensembles such as Universi ty Symphony Orchestra, Wind Symphony, University S tring Orchestra and U niversity Chamber Chorus. S he plans to specialize in Sergei Prokoﬁev’s music. �Binghamton University Music Department’s U P C O M I N G E V E N T S ﬁ m m w m w a w s m Tuesday, May 10 – Percussion Ensemble – 8 p. m. – Anderson Center Chamber Hall – free Wednesday, May 1 1 – Composition Seminar Concert (Loy) – 7 p. m. – Casadesus Recital Hall – free Thursday, May 12 – Student Recognition MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Friday, May 13 – Chinese Music Ensemble Class Concert – 5:00 p.m. – Casadesus Recital Hall – free Wednesday, May 18 – Voice Class Recital (MUS143 Chmela) – 1 1 a.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:00:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154632">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154632</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pictures at an exhibition, Jieun Jang, May 8, 2011 Recital Tape 2011-5-8b Description An account of the resource Held at 7:30 p.m., May 8, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jang, Jieun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:55 22:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale and Women's Chorus, April 30, 2011 Recital Tape 2011-4-30 Description An account of the resource Held at 8:00 p.m., April 30, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8ec35eedcffb56ec8985c0475ab8fbb3.pdf b2022d3122b2edf107c0891232bcf46a PDF Text Text BINGHAMTON E E N 1 V E R S 1 T Y S T A T E U N I V E R S I T Y O F N E W Y O R K E T A zedeC T M E N T BIN GHA MTO N UNI VERSITY S Y M P H O N Y C ONcER T O & ARIA CO M PE TIT IO N Sunday, September 18, 2011 6:30 p. m. Casadesus Recital Hal l �PROGRAM Concerto # 2 in F minor, Op. 21, I * Movement................. C o n c e r t o Trombone in f minor, 2 & 3 movements......Gréndahl William Marsiglia, trombone Chopin SungKyun Ryu, piano ConcertoM arimba, 1° movement............................ ............Ewazen “Eri tu, che macchiavi” from Un ballo in maschera........... Adam Goldenberg, marimba Verdi HeePyoung Oh, baritone Cello Concerto in e minor, I ’ movement ..................... S R R Xander Edwards, violoncello “O zittre nicht”from Die Zauberﬂo’te.................................Meee. Mozart Meghan Cakalli, soprano 5 “Glitter and be Gay” from Condide.... .........cinssrssasivssssssas .. Bernstein A th Cello Concerto in e minor, 4 movement..................... Eric Wuu, violoncello ..........Elgar Christina Kompar, soprano Der Schwanendrehrer, I” MOVEMENL.......... cososassns, weveerenennnn . Hindemith “Che gelida manina” from La Boheme Puccini Benjamin Pochily, viola EunHwan Bae, tenor “Ah...tardai troppo...O luce di quest” anima f rom Linda di Chamounix Donizetti Kathleen J asinskas, soprano Special thanks to accompanists Pej Reitz & John Isenberg, and our Jury, Professors Stephen Zank, Paul Schleuse & April Lucas �Binghamton U niversity Music Department’s U P C O M I N G E V E N T S $ M ﬁ w é ﬂ ﬁ w b ﬁ r y ﬁ t ﬁ w Saturday, September 24 – Binghamton University Symphony Orchestra Alumni Jam – 10:30 – 11:30 a.m. – FA111 – Free Thursday, October 6 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, October 13 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Sunday, October 16 – Mobius Ensemble and Friends: Chamber Music Masterpieces – 3 p.m. – Watters T h e a t e r $10 general public; $6 faculty/staﬀ/seniors; $3 students ~ Thursday, October 20 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall – free Friday, October 21 – TriCities Opera presents “Madame But terﬂy” – 8 p.m. – The Forum Theatre – call (607) 7720400 for tickets Saturday, October 22 – Family Weekend Concert (Harpur Chorale, Women’s Chorus and the University Symphony Orchestra) – 3 p.m. – Osterhout Concert Theater – free Sunday, October 23 – TriCities Opera presents “Madame Butterﬂy” – 3 p.m. – The Forum Theatre – call (607) 7720400 for tickets Sunday, October 23 – Alumni Organ Recital: John Novak (MM ’06) – 4 p.m. – First Presbyterian Church, Binghamton – $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, October 23 – Binghamton University Symphony Orchestra: Concerto and Aria Competition Concert – 7:30 p.m. – Osterhout Concert T he at er $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, October 27 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Friday, October 28 – Pianist Margaret Reitz presents “Forty Fingers” with pianists Ida TiliTrebicka, Amy Heyman and Tina Toglia – 8 p .m. – Casadesus Recital Hall $6 general public; $3 faculty/staﬀ/seniors; free for students Call t h e A nderson Center B o x O ﬀice a t 7 7 7 A RT S f o r t ickets. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 10:05 39:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145509">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145509</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concerto & Aria Competition, September 18, 2011 Recital Tape 2011-9-18 Description An account of the resource Held on September 18, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-09-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpet studio concert, April 28, 2011 Recital Tape 2011-4-28 Description An account of the resource Held on April 28, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 14:58 20:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145513">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145513</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz improv class, 4/14/11 Recital Tape 2011-4-14b Description An account of the resource Held on April 14, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/09cb7c9b2d4bb14c37f8b6714c002b38.pdf c71297f5737d6c8bf905e7e8d24f96d9 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W YO R K wdec r D E P A R T M E N T HARPUR JAZZ ENSEMBLE FEATURING To m Dempsey, Guitar es er p d ~ A , _ d ? w d y g . A i a t = i . M a” t a M / ” f ” . , ‘ 4 = = e e ? ’ v o n p [ a = M 4 . I “ : gt ﬁ x p — p B f – ; Sl M , .,_, 4» 4 0 “ i r o . PS f g . f L " < "~ 3 2 ? , _ f r d f _ — . , ﬂex / } — a g a , a ' : 3 ) ﬂ . Thursday, A pr il 14, 2011 8: 00 p.m. Osterhout Concert Theater HJFE Directo r: M r. Michae Cosponsored by the Binghamton Un l Carbone iversity Music Department and the Harpur Jazz Project �PROGRAM PA RT .. .. H . Silver .. Filthy McNasty............. Arranged by John LaBarbera D. Ellington & B. Russell Don’t Get Around Much Anymore Arranged by Bill Holman S Nestico How Sweet It Is J. Davis, R. Ramirez, J Ramirez, & J. Sherman Lover Man Arranged by Kai Winding Angelika...........................................................................F.Mantooth .. H. Hancock Chameleon...................................................... Arranged by Jay Chattaway PART II — Featur ing Tom D empsey (To be selected from the following) T Jones A Child Is Born . H. Hancock Dauphin Dance The E I Arranged by Bob Mintzer e v lt Shouldn’t Happen to a Dream 0 Nica’s Dream Sambandrea Swing a t o r P Hand J. Hodges & D. Ellington Arranged by Peter Hand ..H. Silver Arranged by Frank Mantooth D Menza �ABOUT THE PERFORMER Guitarist Tom Dempsey’s reputation in the New York jazz scene for hard swinging sophistication and pure musicality have made him a distinct voice in the New York Jazz Scene. In recent years Tom has performed and/or recorded with a virtual “Who’s Who” of world renowned jazz musicians including: Wynton Marsalis, Paquito D’Rivera, Jim HaII, John Abercrombie, Joh n Scoﬁeld, Tal Farlow, Buddy Montgomery, George Coleman, Kenny Barron, Roy Hayn es, Jack McDuﬀ, Bobby McFerrin, Gerald Wilson, M el Torme, Richard W yands, Muhal Ric hard Abrams, and Dave Brubeck. He has recorded four CDs as a leader: W hat’s Going On (City Tone Records), Perspectives (Imaginary Records), B lues In The Slope (Igmod Records), I f Only We Knew (Self Release). Tom has also recorded as a sideman on many recordings. Since 1992, Tom has been performing as a leader and a sideman at some of the top jazz venues throughout the world including the JVC Jazz Festival, Jazz at Lincoln Center, San Francisco Jazz Festival, The Blue Note, Yoshi’s, Smalls and Smoke. Dempsey has worked extensively with tap dancing virtuoso Savion Gl over in Bring i n ‘da Noise, Bring i n ‘da Funk as well as in live concerts. He has made numerous appearances on New York radio and television including performances on The Rosie O’Donne ll Show and the HBO series Sex and th e City. Tom is an Artist Endorsee for ThomastikInfe ld Strings. Along with his active performing career, Tom Dempsey’s talent as a composer is receiving noteworthy attention. Because of his distinctive sound and style Dempsey’s music has been described as having “ﬁne compositional ability and stylistic accessibility.” His music has been featured on his recordings as well as television and radio programs throughout the world including the HBO hit series Sex an d the City. Tom’s deep commitment to education has made him a highly sought after educator and clinician. In recent years he has been teaching at Jazz at Lincoln Center, SUNY New Paltz, Rutgers University, New York Jazz Academy and as Artistic Director of the Jazz Summit at the National Guitar Workshop. He is also the Director of Music for the National Guitar Workshop. His books Jazz E ras for Guitar, Ea sy Soloing for Jazz Guitar, SightReading for the Contemporary Guitarist and Classic Jazz Styles for Guitar are available through Alfred Music and Workshop Arts. Dempsey has also recorded over 170 online lessons for WorkshopLive.com covering jazz guit ar performance, repertoire developme nt and music theory. Tom received his Bachelor of Music Degree in Jazz Studies from Mason Gross School of the Arts a t Rutgers University in May 1991. In May 1996, he acquired his Masters Degree in Jazz/Commercial Music at Manhattan School of Music. www.tomdempseymusic.com info@tomdempseymusic.com ABOUT THE SERIES l l The Harpur Jazz Ensemble studies and performs bigband repertoire and appears frequently on and oﬀ campus. Guests who have appeared in concert with this popular ensemble include, among others, Clark Terry, “Slam” Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods, Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person, Walter White, Sherrie Maricle, Tia Fuller, Eddie Allen, Bruce Johnston, Steve Davis, Harry Allen, Bill Easley, Jennifer Leitham, Mike Davis, Tony Kadleck, Rob McConnell, Chris Jensen, Eddie Allen, John McNeil, Cynthia Scott, Tony Marino, Ron Vincent. and Chris Washburne. ABOUT THE HARPUR JA ZZ ENSEMBLE l l The Harpur Jazz Ensemble director, MICHAEL J. CARBONE, is a native of Utica, New York. H e moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he currently is Coordinator o f Music, Director o f Concert Band, and Jazz Ensemble at the high school. He joined the Binghamton University music faculty in 1997 and serves as the Director of the Jazz Studies Program and the Director o f the Harpur Jazz Ensemble. He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University. Carbone has performed as a side man with many wellknown artists including AI Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio’s Big Band Bloviation, the Central New York Ja zz Orchestra, and The Temptations. Mike currently is t he saxophonist with the local and popular jazz quartet Miles Ahead. �The 2011 Spring semester of the Harpur Jazz Ensemble includes the following: SAXOPHONES Andrew Block Jasmine Aiken & ZaI Mirza Dean Papadopoulos Ray Hendricks Mercedez Koo 1* alto 2 ” alto 1% tenor 2 ” t enor Baritone Sax TRUMPETS (al phabet ical ord er) Mark Adler Tomasz Falkowski John Marschauser Jeﬀ Martinez Kim Metaxas TROMBONES Nicholas Carter Mo “Reese” Taylor Andrew Rosenberger Jay Bartishevich PIANO Matthew Kos Joey Lieber BASS Paul Watrobski DRUM SET Devan Tracy Alex Gregorio Michael McManamon VIBES Devan Tracy VOCALIST Carrie Buck public service medai for your community PES ane �Bingh amton Unive rsity Music D epartm ent’s 14 POO/V1 / N 4 E V E N T S Friday, A pril 15 – Lecture “M other, Co me and Cure Me”: Son gs o f “ Blind Tom” Wiggins by Stephani e Jensen Moulton – 3:00 p.m. – Casadesus Recital Hall – free Thursday, April 28 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall free — Thursday, April 28 – Trump et Studio Concert – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Wom en ”s Chorus – 8:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Sym phony Co ncert: So lo Compe tition Win ners – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – M aster’s Recital: Ja mes Hsia, violin – 7:30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African M usic Ense mble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Stud io Recita l – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Re cital: Jina h Lee, pia nist – 8:00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – A frican Dr um Ense mble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master’s Recital: Robert M uller, French h orn – 3:00 p.m. – Casadesus Recital Hall – free Saturday, May 7 – Student Recital: B riana Sakamoto, so prano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – U niversity Chorus w ith the Universit y Symph ony Orchestra: Mass M asterwor ks – 3:00 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staﬀiseniors; free for students Sunday, May 8 – Senior Voi ce Recital: Samantha Banton a nd Molly AdamsToomey – 1:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – Senior Hon ors Recital: J ieun Jang, piano – 7:30 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:39 40:31 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Tom Dempsey, April 14, 2011 Recital Tape 2011-4-14c Description An account of the resource Held at 8:00 p.m., April 14, 2011, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Dempsey, Tom Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d9f4d03a87298b5734d3a7452ef9ee0d.pdf 88d9b498cd119e5b1dc4c5bbccfbf5f4 PDF Text Text “1 y g o _ i = a ; [] ; Riri” 9 t bo : A C H I N E S E C O N C E R T A E . ' , . Bay A g G e Y h s S a r s < 4 A F P s i t ' Cr .= \ P ~ s 3 H ai ; wget ) 9 . 3 a e a Me 3 ’ 4) d % 3y 4 B 4 t s . A “’ 7 A R E A ” 1 4 “ : 4 ‘ v o T # ° % s r 3 i x a” ' ' ’ < 7oo F , . ‘t > i & ] 3 _ , _ . . . a A 77 ” o N T d : t p N ed a r / " ‘ ' ' R ' N A 7 gs, , . x " ' seT 7 5) . ‘ i l ’g j ' . .– 7, n L x v , " » i 1 5 e y A L Y . i y e 2 8 ., : g ' % Li Fp * T s ] y . ' 4 o ” 3 . 4 4 ‘ gy f . A R E l ac d z' y 7 ~~ k n~ ' 7 ~ LAR 1 0 . ,.' c.) w d ’ L r « i y /i T N s 0 % R L ) 7 , , ' p , ‘ J a i 9 J ; \ x ’ , i . R e a \ W N y ( V e A NN W S ¥ \ L /' 1 ” ’ . RE", F \ A s d74ks > L A \ — f i �i F i pr m ay U oI Amt , x . 3 9 114 & Y — \ i t '5 ; . . . . : O / ol T h e Confucius Institute of Chinese Opera at Binghamton University ( C I C O ) is a nonproﬁt organization jointly formed b y Binghamton University a n d the N at i o n a l A ca d e my of C h i n es e Theatre Arts i1 ( N A C T A ) , a n d is sponsored b y the C o n f u c i u s Institute Headquarters in Beijing, China. Like all Confuci us Institutes a ro u n d the world, the CICO teaches C h i n e s e language a n d culture. As a specialized C o n f u c i u s I nsti t ute, it al so foc uses on p ro m o t i ng Ch i n ese ope ra, i “A m u s i c a n d p e r f o r m i n g a r t s . I n a d d i t i o n t o o ﬀ e r i n g c o u rs e s o n the B i n g h a m t o n c a m p u s , C I C O o r ga n i ze s lectures, w o r k s h o p s a n d va r i o u s o t h e r activities. It has also fo r m e d S o n g o f S i l k , a C h i n e s e performance group. Ws . / » y . Silk, native to China, signiﬁes m usic in Chinese culture d u e t o i t s a s s o c i a t i o n s w i t h s t r i n g e d i n s t r u m e n t s . I n a d d i t i o n , “ S i l k R o a d ” refers t o t h e a n c i e n t ro u t e o n w h i c h C h i n a interacted w i t h the M i d d l e East and the We st . I n a b ro a d e r sense, S o n g o f Silk h o p e s to b r i d g e the Ea st a n d We s t b y p re s e nt i n g C h i n e s e p e r f o r m i n g arts. S o n g o f S i l k features C h i n e s e vocal m u s i c , i n st r u m e nta l m u s i c , dance, and B e i j i n g opera. h!» [ts performers i n c l u d e B i n g h a m t o n U n i ve rs i t y faculty, j l 4 NACTA faculty, and guest musicians and dancers, all h i g h l y professional. As the o n l y performance g r o u p o f its k i n d i n the U n i t e d States, S o n g o f Silk eijing plays a n i m p o r ta nt role i n the p r o m o t i o n o f B opera, Chinese music and Chinese culture o n college c a m p u s e s a n d i n c o m m u n i t i e s n a t i o n w i d e . ��SONG OF SILK: A CHINESE CONCERT ONFUCIUS INSTITUTE FOCHINESE OPE Program Notes 1. The Purple Bamboo 2 1 4 i This lively tune is popular south of the Yangtze River. Traditionally, the main melody is played alternately by the ﬂute instruments and the stringed instruments, which is typical of the Silk and Bamboo music. I l v iii “l‘ ., ”f 7. Birds amid Tree Shadows 75 EliQ The sound of ﬂute is bright and crisp, which resembles a ﬂock of birds ﬂying and chirping in the woods. 8. Autumn River #451 2. Descending the Mountain TLL In the Song Dynasry (1 1271279), scholar Pan Bizheng stays with his aunt at a Taoist temple. Pan falls in love with the Taoist nun Chen Miaochang. His aunt discovers the love aﬀair, and forces him to leave the temple and to go to the capital to take the civil service examinations. When Chen Miaochang ﬁnds out that Pan was sent away, she runs to the riverbank, where she hires an old ﬁsherman to take her across the river to follow him. In the end, they a re reunited and go to the capital to get married. This excerpt is the scene where Chen Miaochang rushes to the riverbank and hires the old ﬁsherman. The humorous ﬁsherman senses what she is going after and mocks her as he rows the boat to catch up with that o f P ans. A young monk named Ben Wu escapes from the Buddhist temple. On the way, he encounters a nun, Se Kong, who happens to escape from her temple as well. Both of them contemplate resuming secular life. Having a lot in common , Ben Wu and Se Kong develop feelings for each other and plan to get married. This excerpt is the scene where Ben Wu expresses how much he longs to be a husband and a father, and decides to escape from the temple when no one is around. 3. Spring Arrives at the Qing River $21] 5? S I Beautiful melodies describe a spring scene along the Qing River in Hubei, China. 9. Peach Blossoms # t X 4. Moon over the Placid Lake F # F f B The music depicts the breathtaking tranquility and brightness of the autumn moon shining over the mirrorlike lake. 5. Step by Step 2553??? This famous Cantonese piece is cheerful and enthusiastic, and is usually played for festivals. 6. New Song of the Herdsmen 4% RR #7 & x This famous ﬂute music depicts a herdsmen’s happy life. A traditional dance of the Han Dynasty’s (220206 BC) style, which is based on the classic Chinese poem “The Luxuriant Peach Blossoms.” The dance is ﬁlled i I with youthful spirit. 1 0 . F l y i n g S o n g s o v e r t h e E a r t h x i h 3x (brief translation of the lyrics) Walking on the mountains, I sing mountain songs; casting the ﬁshing net, I sing ﬁshing songs. When I sing pastoral songs, sheep and horses grow, more than the stars in the sky. Peonies bloom, I sing ﬂower songs; lychees ripen, I sing sweet songs. After the spring songs, I sing autumn songs; after the tea songs, I sing wine songs. I sing of the beautiful scenery before my eyes; good days pass, one by one, in my songs. �ONG OF SLIK : I S CONFUCU CHINESE CONCE A 17. Match Made by a Top Scholar IX JTi% 1 1 . H e a v e n l y R o a d x i (brief translation of the lyrics) I stand on the high mountain at dawn, watching the railroad built in my hometown. A huge dragon ﬂies through the mountain peaks, bringing lu ck and prosperity to our snowy plateau. That is a wonderful road to the sky — the mountains are no longer high and the roads are no longer far. The wi ne is sweet, the tea is fragran t; happy songs ﬂy everywhere. 1 2 . B e a u t i f u l M o o d E m B 9 0 1 H (brief translation of the lyrics) W i n d sends the doves to the starry sky; the moon shines upon our happy dancing . Let our d reams grow auspicious wings; let beautiful moods follow us everywhere. 13. Moonlight over the Lotus Pond ﬁ IESE OPER INSTITUTE O F CHN & This is a love story between Princess Chai and General Yang Liulang of th e Song Dynasty. W h e n the Emperor and Princess C h a i are captured b y enemies, Yang Li ulang rescues both of them. The princess gives Li ulang a poem and a pearl shirt as tokens of her aﬀection. Mistaking Liulang with another nobleman. the E mperor orders the princess to marry him. Fortunately, with help from a top scholar, all turns out well : Li ulang and the princess eventually marry each other. This excerpt is the scene in which Princess Chai is reﬂecting on how she fell in love with Li ulang. She then prays for a better future for herself a n d for the S o n g Dynasty. 18. Love Song of Kangding & E 1 x5 While the music develops from a famous folk song with the same name, This delicate piece resem bles lotus ﬂowers in the wind. this dance portrays pret ty Ti betan girls in their vivacious youth ful spirit, 14. Tune: Zhengfan bacha E l i / t e a r s CXPress t h e m . who tease each other about their love feelings and the lack of courage to Jinghu is a stringed instrument that accompanies singing i n Beijing opera. T h i s tune is played to reﬂect characters’ inner thought, memory, narrative, monologue, dialogue, etc. 8 g 15. Tune: Xipi xiao kaimen E l i / M m g h i One of the most famous Beijing opera tunes. it is usually played in scenes of welcoming relatives and friends, hosting banquets and parties, and wedd ings. A 16. Joy of Spring $96 B I This dance descri bes a Uyghur girl enjoying life during spring. She calls to her friends to join her in em bracing the beautiful season. w \ i s &: G F N .. 6 » ‘ Q TS a— Le N > \ / O 1 /a ¥ 8), S d ~ , ‘ ' d 4 ( oy Re . P c , B : 7 / / ¥ ' Y J ﬂ; ”Q? > u ‘ t 39 y 9 ¥ J 4 ¥ y y , i 4 0 < 0 y Pl 1 / o = ' \ _ _ . ¢ . JJ J / / y A LJ _ — 4. �SONG OF SILK: A CHINESE CONCERT About the Performers Ta n g n u e r ABUDULA was born into a Uyghur/Uzbek family and grew up in Xin jiang, China. Having learned ethnic dances in her childhood, she was an active member of the dance group of the Southwest Ethnic University and has performed dance solo and choreographed for various events. J I Hong is a famous yangqin (Chinese hammer dulcimer) player with Melody of Dragon. She graduated in 1978 from Shenyang Academy of Music (Yanan Lu Xun Academy) and became a principal yangqin player for the Liaoning Provincial Song and Dance Troupe. Since moving to the United States in 1999, she has performed at Lincoln Center and Carnegie Hall as well as on ABC News and Channel 51 in New York. She has been interviewed and received extensive coverage by US Digest Magazine, The Washington Post, World journal and Ming Pao. JIANG XII'I is a jinghu expert and a National FirstRank Artist in China. He has been teaching at NACTA since 1976 and is a professor of its Beijing Opera Department and a distinguished research fellow of the Chinese Opera Music Institute. Author of books on the art of jinghu, he is currently a visiting associate professor of music at Binghamton University. CONFUCIUS INSTITUTE OF CHINESE OPERA Mama Theater, the Metropolitan Museum of Art and other New York venues. In 2002, she collaborated on the movie music recording of “Hero” composed by Oscar winner Tan Dun with world famous violin master Itzhak Perlman. P e j REITZ is currently on the faculty of Binghamton University and Ithaca College School of Music. She holds degrees in piano performance with accompanying emphasis from Boston University, the New England Conservatory and Binghamton University. She has accompanied throughout the United States and in England and Austria, and has performed in concerts with clarinetist Timothy Perry in South America, France, Belgium and Japan. CHEN Tao, founder and director of Melody of Dragon, is a wellknown Chinese woodwind musician. The New York Times called him a “poet in music” and his playing “a miracle of the oriental ﬂute.” Conductor Herbert Von Karajan praises him as an artist who “performs with his soul.” A graduate and former associate professor at the prestigious Central Conservatory of Music in Beijing, he was the winner of the 1989 National Folk Instrument Competition in China and has performed on tours of the United States, Germany, Italy, France, England, Holland, Finland, Singapore, Hong Kong, Taiwan and Macao. and a master’s degree in theatrical performance in 2004, both from the National Academy of Chinese Theatre Arts. He has been teaching at NACT A since 2002. A winner of national performance competitions, Jiao specializes in playing chou (clown) characters. He is currently teaching two Beijing opera courses in the WANG Tien J o u is a Chinese twostring ﬁddle virtuoso and member of Melody of Dragon. He graduated from the Guangdong (Canton) Conservatory of Music, where later he became a faculty member. Since moving to the United States, he has performed and lectured throughout the country. He has performed at the Lincoln Center, New Jersey Performing Arts Center, Carnegie Hall, Merkin Concert Hall, Columbia University, Peabody University and with diﬀerent ensembles in New York City. LIU Ku i ra n graduated from the National Academy of Chinese Theatre Arts in 1998 with a bachelor’s in Beijing opera performance and completed her graduate studies in theatrical theories in 2006. She specializes in playing qingyi characters (female with gentle and reﬁned dispositions) in the style of Zhang Junqiu. A master teacher and actress, she is currently a visiting associate professor of theater at Binghamton University. H o n g Z H A N G holds a master o f m usic degree i n voice performance from Binghamton University, and a bachelor of music degree in voice performance from the University of WisconsinMadison. Currently a senior lecturer of Chinese, she is the founder and director of Song of Silk. Her recent and upcoming performances include solo concerts at Purdue University, Elmira College, SUNY College of Optometry, Western Michigan University and the University of Michigan. LIU LI is a guqin and ruan soloist for Melody of Dragon. Since moving to the United States in 1994, she has performed and lectured frequently throughout the country. Her collaboration with the New Music Consort of the Manhattan School of Music’s Chamber Orchestra received high critical praise. She has also performed at Lincoln Center, New Jersey Performing Arts Center, Japanese Society, La A m b e r D a n c e Tr o u p e is a student dance group founded at Cornell University in 2003. Amber promotes the beauty of Chinese culture through traditional and contemporary Chinese dances that represent a variety of genres and ethnic groups in China. Over the past seven years, Am ber has become a rising star that claims the national spotlight. JIAO J i n gg e received a bachelor’s degree in Beijing opera performance in 2002 capacity of visiting assistant professor of theater at Binghamton University. �BINGHAMTON U N I V E R S I T Y S T A T E U N V f ‘ l ’ s 'V O F N E W Y ( ® j @ AN E J NS ww / ’ ORK � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:18:16 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154635">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154635</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Song of Silk: a Chinese concert celebrating the first anniversary of the Confucius Institute of Chinese Opera at Binghamton University, November 6, 2010 Recital Tape 2010-11-6 Description An account of the resource Held November 6, 2010. Works by Weikang, Guangyi, Qing, Qingyun, Peidong, Creator An entity primarily responsible for making the resource Jingge, Jiao Kuiran, Liu Zhang, Hong Reitz, Margaret A Xin, Jiang Abudula, Tangnuer Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f9327a3e31697405a9f1a00fde35a041.pdf 5a5256289d1ef62b0ec43dfd0825b688 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y ORK dee r D E P A R T M E N T Family Weekend Concert Featuring The Women ’s Chorus Ta h nee F allis, conductor William La wson, piano The Ha r p u r Chorale Peter Browne, conductor The Wind Symphony Ro be rt Sm ith, conductor Saturday, October 23rd, 2 01 0 3:00 p.m. Osterlzout Concert Theater �I I. The H a r p u r Chorale Peter Browne, conductor PROGRAM I. The Women ’s C horus Sicit C Tahnee Fallis, conductor William Lawson, piano Sound the T r u m p e t weeesses. HENTY Purcell ( 1 6591 695 ) ( 18091847) Oh. how soon the cycle ends, Spring turns into wintertime! Oh how soon all happiness turns to sad silence! The last sounds soon fade! The last songbirds are soon ﬂown! The last green is soon gone! They all want to return home! Oh, how soon the cycle ends. Merriness turns to longing sorrow. Were you a dream, you thoughts of love? Sweet as spring and fast disappearing? Only one thing will never wane: The longing that never goes. Ah, how soon the cycle ends: Oh how soon all happiness tums to sad silence! (Karl Klingemann) T R I N A cere... Pablo Cassals ( 18761973) I am very dark, but comely. O daughters of Jerusalem. . . Therefore, the King loved me. and brought me into his chamber. And he said to me: Arise my love, and come: For now the winter is past. the rain is over and gone. The ﬂowers have appeared in our land. The time of pruning is come. Alleluia! (Song of Solomon) Sigh No More, Ladies (from Sir John in Love) Ralph Vaughan Williams The Parting G l a s s Traditional I rish Folksong V U S N .. Eleanor Daley (b. 1 955) From an Unknown P a s arr. Moses Hogan ( 19572003) t . 1. The Lover in Winter P l a i n e t h the Spring 2. Hey Nonny No! 3. My Blood So Red. . . 4. Suspiria 5. The Miracle 6. Tears 7. Crabbed Age and Youth Ned Rorem (b. 1923) O What a Beautiful City...........c...ccoecueeueen......... Traditional Spiritual Arr. Jeﬀrey L. Webb (b. 1976) Samantha VanAdelsberg, soloist III. The Wind Symphony Robert Smith, conductor Pastime: A Salute to Baseball(1999) ...............................Jack Stamp (b. 1954) S h e n a n d o a h ( 1 9 9 8 ) Arr. Molly AdamsToomey (b. 1 9 87) E E D 8 5 G P . Palestrina ( 1 5251 594) Upon Your Heart.. ( 18721 958) Stephanie Naru, soprano soloist Molly AdamsToomey, conductor Music Down in my Soul r As the deer longs for the waterbrooks, So longs my soul for you. O God. (Psalm 42: 1) . Felix Mendelssohn Herbstlied. e American Folksong arr. Frank Ticheli (b. l 958) Variations on “America (1891,).. .. Charles Ives ( 1 8741 954) Orch. Trans. W. Schuman(1963) Band Trans. W. E. Rhoads The Stars and Stripes Forever(1887)..................... John Philip Sousa ( 1 8541 932 ) �Tex t of F ro m A n Unknown Past T H E P E R F O R M E R S (Poems by anonymous or unconﬁrmed authors) 1. The Lover in Winter Plaineth for the Spring Western wind, when wilt thou blow, that the small rain down can rain? T H E W O M E N ’ S CHORUS Christ. if my love were in my arms, and I in my bed again! Tahnee Fallis, conductor William Lawson, performance pianist Jushin Choi, rehearsal accompanist 2. Hey Nonny No! Hey nonny no! Men are fools that wish to die! Is’t not ﬁne to dance and sing when the bells of death do ring? Is ’t not ﬁn e t o sw i m in wi ne. a n d t u rn u pon the toe, And sing hey nonny no! When the winds blow and the seas ﬂow? Hey nonny no! 3. My Blood So Red My blood so red for thee was shed Come home again, my own sweet heart. come home again. You’ve gone astray out of your way. come home again. [ .l 4. Suspiria O would I were where I would be! There would 1 be where I am not: For where I am would I not be, And where I would be I can not. 5. The Miracle Behold a wonder here! Love hath received his sight! Which many hundred years hath not beheld the light. Such beams infused be by Cynthia in his eyes As ﬁrst have made him see and then have made him wise. Love now no more will weep for them that laugh the while! Nor wake for them that sleep, nor sigh for them that smile! So powerful is the Beauty that Love doth now behold, A s Love is turned to Duty that’s neither blind nor bold. Thus Beauty shows her might to be of double kind; In giving Love his sight and striking Folly blind. Peter Browne, conductor Weep you no more. sad fountains; What need you ﬂow so fast? Look how the snowy mountains Heaven’s sun doth gently waste! But my sun ’s heav ’nly eyes view not your weeping, That now soﬂly lies sleeping. Sleep is a reconciling. a rest that peace begets; 7. C robbed Age and Youth Crabbed Age and Youth cannot live together: Youth is full of pleasure, Age is full of care; Youth is like a summer mom, Age like winter weather: Youth like summer brave, Age like winter bare. Youth is full of sport. Youth is nimble, Age is lame; Youth is hot and bold, Youth is wild, and Age is tame. Age. 1 do abhor thee; Youth, I do adore thee; O my love is young! Age. I do defy thee: O sweet shepherd hie thee! For methinks thou stay’st too long. Briana Hanson Ashley K oo Bora Lim Stephanie Naru Jessica Pyne Hayley Rein Julia Rose Christine Scherer Siobhan Sculley Hyeyon Sco Hannah Wentz T H E HARPUR CHORALE 6. Tears Doth not the sun rise smiling when fair at even he sets? Rest you then. rest sad eyes! Melt not in weeping, While she softly lies sleeping Elyssa Ackerman Molly AdamsToomey Sophie Bass Carrie Buck Jiaying Cheng Meredith Collins Rebecca Dinhofer Annie Ferro Sheena Finlayson Samantha Grieco Ashley G rumman l ) Women Men Michele Aronson llyssa Baine Samantha Banton Katie Besemer Tahnee Fallis Eliana Frim Nuala Gaﬀey Alexandra Kirby Kerianna Krebushevski Yiting Liang Marisa Sweeney Samantha VanAdelsberg Mookey Van Orden Adam Demetros Brian Evans David Frey Matthew Francis Gawors Ariel Hausman Adam Hess Tomas Kerr Gabriel Lotto Gavin McClelland Glenn Parker Mark Rossnagel Joshua Rovou Joshua Setren Leander Tanner Alexander Turo �T H E WIND SYMPHONY Robert Smith, conductor Piccolo Clarinet lll Trumpet lll Kathleen Spelman Rebecca Falik David Morrissey Gregory Norman Samuel Weintraub Brian Lee John Marschhauser Flute Emily Morris Alto Saxophone I Christopher Murdock Trombone Il Lauren RossHixon Derek Moran Kimberly Hom Russell Feinstein Rebecca Falik Kevin Koes Euphonium Christina Peragine Anthony DeGeIorm Andrew Kaufman Tenor Saxophone Tuba Matt Gukowsky O boe Bradley Alder Eric Seaman Stephen Kassinger Kimberly Muller Oboe lI Dean Papadopoulus Rose Steenstra Sun Hao Toni Bruno John Erdmann Clarinet Il Mark Dello Stritto Abby Cohen Vanessa Kay F Horn Carrie Buck Trumpet I Kevin Hannon Olivia Santoro Nicholas Quackenbush Peter Schwarz Aursnc candidate , 2 0 1 1 , 4 : 0 0 p Director m T h e M a d ri ga l C h o i r of B i n g h a m t o n . 20102011 + 33rd Season B E E T For ﬁcket information visit www.nadriga/choir.com or call 60772947 67, a 2 0 1 2 0 1 0 (@mas) \ PER X \, 0 m l o H Traviata s E I 1. ‘c 05 ¥ e 3 i 131 5130111 1 I Gh ey e s. if“?! 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X m 4 , – 5: 4 February 11 & 13 I ll ” 15 air? 2010 ober n a x ; ~ C } eb Attx ,A a 4, OF 3 : A it — e b . a 1 l f 2 . “ « as Fs 39: w, x 1 2 L A N E f ’ " = Trumpet II h 2 0 c Sunday, May 22, 2 011, 4:00 pm Suee:, Snghamron, N Y First Presbrterizn Church a2 Chenang o Mike McManamon Benjamin Ramos c ts Presbrreian Chueh, £2 Chenango Steet, Binghamron, NY Percussion Baritone Saxophone a All’s Pair : Songs of Love & War 3 , cancudate for Artisac Director by] Led or James Niblock Led Matthew Kratenstein Recorder ovember 25. 2010, 4 0 01 p m d a y.N es, Binghamton. 1 Choral J ou rne” s : D epa rt u res, Dest inat ions a n d D r e a m s Led o vBruce Bor Trombone lll Alto Saxophone Il Kerry Goodacre Jaclyn Adler Sophia Schneiderman rarday, Novem ber 27, 2010, 7:30 po rurch of the Holy Truury, 346 Prospe. S u n d a r , M Judy Kahn Clarinet I Sunday, October 17, 2010, ' ZI’I pm Trourr Memozizl Episcopal Chu eh, 44 Mam Sweet, Binghamton, N Y L esso n s a n d Ca rols fo r C h rist mas Alex Horspool Raquel Goldsmith Eb Clarinet Dizected by Anne 3Somer C Drew Peratti Lindsay Ralbovsky Heather Worden A C o m m u n i ty Sing wi t h Alice Pa rker r Saturday, O c t o b e 2010, 3:00 pm Street, Binghameron N Y S F srti Presbytecian Church, <2 Chenango S Fo l k So n g I nspi rat ions Trombone I Kathleen Spelman Alexander Baron Som ething N e w Bass Clarinet Carolina Montenegro Mark Zhuang Flute II d Ol So m et h ing . a hsp _ N I Ea) ¥ . " Q , : – ? seicitler h ti oO w ni French = f ' L L 1111091 50 , 2011 : EN RZioNs Es tricthesopera.com w w of the FORUA THEATRE in Binghamton » Tix & Info: 6077720400 » w 1 �t y m u m m m o C ~ Oprchestra ~ ~ B i n g h a m t o n The Binghamton Community Orchestra 20102011 SEASON SCHEDULE Sunday, November 21, 2010, 7 pm Helen foley Theatre at Binghamton High Schasl Bmghamtsn Cemmunity Orrlmstra with the Binghamtsn Yeuth Symghom (rchestra Bary Peters, Conductor Saturday, April 9, 2011. 7pm Sarah Jane Jeheson Chixch dehason Gir, NY Amneal STMTA Winners Concent Tim Perry, Conductor Frieda Abdo, Soprano For more information: www.BCOrchestra.com. conductor@BCOtchestra.com or 607 7569004 Binghamton University Music Departm ent ’s S UPCOMING E V E NT e Dead B Sunday, October 2 4 – Guest organist: Michael Bau er – 4 p.m. – First Presbyterian Church, Binghamton – $ Saturday, November 6 – Song of Silk – 8:00 p.m. – Osterhout Concert Theater – $ Monday, November 8 Multimedia music performance of “Schismism: Natural Law” w ith Lisa Karrer and David Simons, based on the life of Charles Darwin – 5:00 6:00 p.m. – Casadesus Recital Hall – free (cosponsored by the Department of Music and Evolutionary Studies) Sunday, November 1 4 – University Chorus: First St eps and Final Thoughts – 3 p.m. – Osterhout Concert Theater – $ For ticket information, please call the Anderson Center B ox Oﬀice at 777ARTS To see all events, please visit music. binghamton. e du Become a fan on Facebook by visiting Binghamton University M usic Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:13:42 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145521">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145521</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Family Weekend Womens Chorus Harpur Chorale Wind Symphony, October 23, 2010 Recital tape 2010-10-23 Description An account of the resource Held October 23, 2010. Works by Purcell, Mendelssohn, Cassals, Williams, Hogan, Daley, Stamp, Ives, Sousa Creator An entity primarily responsible for making the resource Fallis, Tahnee Lawson, William James Naru, Stephanie Adams-Toomey, Molly Browne, Peter Adelsberg, Samantha Van Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1d587436c330b80ac65dbaa44edff290.pdf 94c4c06639483315c9acf4ce2aeaf50b PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W Y O R K zedec D E P A R T M E N T THURSDAY MIDDAY CONCERT o ( ve ; > O ‘ Ne 5, // OCT. 21,2010 1:20 P.M. CASADESUS HALL �PROGRAM Sonata, Op. 1 7 . . . i c c a i i i i i n van Beethoven Rondo (17701827) Robert Muller, horn Margaret Reitz, piano In dem SchattenmeinerLocken................................................HugoWolf (18601903) Ich wollt ein Stréusslein binden...... Das Variassone Magdle/n Morgen.. E l f e n l i e d Richard Strauss (18641949) . . . . . . . . Wo l f verre... Strauss W o l f Briana Sakamoto, soprano William James Lawson, piano “Me voila seule...Comme autrefois,".................................... Georges Bizet from “Les Pecheurs des Panes” (18381875) Laura MacAvoy, soprano William James Lawson, piano Le Baiser de L’enfant Jesus, from “Vingt Regards sur L’enfant Jesus” Olivier Messaien (19081992) David Gaita, piano Romance .. Les Cloches Paysage Sentimental .....Claude Debussy (18621918) Christina Kompar, soprano William James Lawson, piano Emily’s Aria, “Take me Back” from “Our Town” Laura MacAvoy, soprano Margaret Reitz, piano .. Ned Rorem (b.1923) �Binghamton University Music Department’s U P C O M I N G E V E N T S M M M M M M M M F I Saturday, October 23 – Master Class with guest organist Michael Bauer – 10 a.m. – 12 noon – FA21 – free F I Saturday, October 23 – Famil y Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony) – 3:00 p.m. – Osterhout Concert Theater – free Sunday, October 24 – Guest o rganist: Michael Bauer – 4 p.m. – First Presbyterian Church, Binghamton – $ Thursday, October 28 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, November 4 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Saturday, November 6 – Song o f Silk – 8:00 p.m. – Osterhout Concert Theater – $15 general public; $10 faculty/staﬀ/seniors; $5 for students Sunday, November 7 – Student Recital: Dan Bessel, bassoon – 3:00 p.m. – Casadesus Recital Hall – free Monday, November 8 Multimedia music performance o f “Schlsmism: Natural Law” wi th Lisa Karrer and David Simons, based on the life of Charles Darwin – 5:00 6:00 p.m. – Casadesus Recital Hall – free (cosponsored by the Department of Music and Evolutionary Studies) Thursday, November 11 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Saturday, November 13 – Student Recital: Briana Sakamoto, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, November 14 – University Chorus: First Steps and Final Thoughts – 3 p.m. – Osterhout Concert Theater – $ Thursday, November 18 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, November 18 – Friedheim Memorial Lecture/Recital Series: Claudio Monteverdi, II lament d’Arianna – 8 p.m. – Casadesus Recital Hall – $; free for students For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. To see a listing of all events, please visit music.binghamton.edu or become a fan on Facebook. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145705">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145705</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, October 21, 2010 Recital tape 2010-10-21 Description An account of the resource Held October 23, 2010. Works by Beethoven, Wolf, Bizet, Messaien, Debussy, Rorem, Strauss Creator An entity primarily responsible for making the resource Muller, Robert Reitz, Margaret A Sakamoto, Briana Lawson, William James MacAvoy, Laura Gaita, David Kompar, Christina Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c013b9ed3d88b658ac540318b3874129.pdf 1a9ec9db110bb0fa897a3fb004e14ab7 PDF Text Text BINGHAMTON U NAY V E R S ] ) ] 1 S TAT E U N I V E R S I T Y O F N E W Y O R K vdec ’ D E P A R T M E N T V IOLA P LUS ! Roberta Craw ford viola Michael Salmi rs piano Janey Choi violin Stephen Stalker cello Timothy Perry clarinet Mary Burgess soprano Timothy LeFe bvre baritone Sunday, October 17, 2010 7:30 p.m. Casadesus Recital Hall �PROGRAM Sonata for Viola and Piano.............cccoeeueeenn.......Robert Palmer (19152010) Andante con moto e sempre cantabile Allegro risoluto Silenced Voice for Soprano, Baritone,.............Michael Salmirs (b. 1955) Clarinet, and Piano Quartet (premiere) Vanessa’s Lament Never Shall I Forget O You Tender Ones INTERMISSION cx E l e 1 Evocations of Slovakia The Mountain Night Dance g y Elliort Carter (b. 1908) Karel Husa (b. 1921) Heartfelt thanks to my wonderful colleagues who have given so freely of their time and talent to make this program possible. �SILENCED VOICE Dedicated to violist, Roberta Crawford and to the memory of Rachel Corrie and all those who have fought oppression with only the goodness of their hearts. I was inspired to compose Silenced Voice after hearing a radio interview on Democracy Now with host, Amy Goodman and guest, actor/peace activist, Vanessa Redgrave regarding the play, My Name is Rachel Corrie. Rachel Corrie, a 23yearold American peace activist from Olympia, Washington, was crushed to death by a n Israeli bulldozer on March 16, 2003, while standing in front of a Palestinian family’s h ome, attempting to shield it from demolition. The play, based on her diaries, was to be produced in NY City, but due to the ‘sensitive‘ nature of the material and the current political climate (2006) between Israel and Hamas, the theatre canceled the production which the producers claim was an act of censorship. Vanessa Redgrave o n Democracy Now: "...the terrible thing was that it was silencing that girl, and she was killed to be silenced....l don’t know of a single government that actually abides by international human rights law, not one, including my own. In fact, violate these laws in the most despicable and obscene way, I would say. But to cancel a play, and it wasn’t really a play, to cancel a voice, because it was her voice, is an act of such catastrophic cowardice, because we are living in times when people are quite fearful enough about speaking out, for losing their career or, you know, whatever, and I think it‘s—people in the theater, in ﬁlm, radio, television, dance, music, we have to do what we must do.” Listening to the soulful voice of Vanessa Redgrave tell of this tragic event touched me so deeply, that I began composing the ﬁrst movement of Silenced Voice for Viola and Piano—the viola being for me the closest reﬂection of Vanessa’s voice. Elie Wiesel’s horriﬁc witnessing of the holocaust is the point of departure for the second movement, Night. Although I wasn’t consciously trying to evoke Jewish musical pathos, the inﬂuence of klezmer can be heard in the extended clarinet and cello solo. In the wake of all this pain and suﬀering in the world, I have to ask myself, “Where do I stand? How do I go on with my life while these horrors continue every day?” While I believe that one should defend human rights, whether through words or actions, and that one should bear witness and shed light on atrocities whenever possible, there has to be a place inside oneself where fear and anger can be released—hence, O You Tender Ones. My wife, Roberta Crawford gave me a gift of Rilke’s Sonnets to Orpheus many years ago. I was always drawn to this particular sonnet and the lines: Even the trees you planted as children Long since grew too heavy, you could not sustain them. Ah, but the breezes...ah, but the spaces... These words have lived within me for over thirty years. Now they ’re released in music. –Michael Salmirs Night Never shall I forget that night, the ﬁrst night in camp, that turned my life into one long night seven times sealed. Never shall I forget that smoke. Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those ﬂames that consumed my faith forever. Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes. Never shall I forget those things, even were I condemned to live as long as God Himself. Never. —Elie Wiesel, Night translation: Marion Wiesel O Yo u Tender Ones O you tender ones, step now and then into the breath that takes no heed of you; let it part as it touches your cheeks, it will quiver behind you, united again. O you who are blessed, o you who are whole, you who seem the beginning of hearts. Bows for the arrows and targets of arrows, tearstained your smile shines more everlasting. Fear not suﬀering; the heaviness, give it back to the weight of the earth; the mountains are heavy, heavy the oceans. Even the trees you planted as children long since grew too h eavy, you could not sustain them. Ah, but the breezes...ah, but the spaces... —Rainer Maria Rilke Sonnets to Orpheus First Part No. 4 translation: M.D. Herther Norton �ABOUT THE PERFORMERS ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As associate director and a founding member of the Finger Lakes Chamber Ensemble, Ms. Crawford has participated in over one hundred solo, chamber, and lecturerecitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Ms. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist for the Cayuga Chamber Orchestra. An advocate of n ew music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently coordinator of strings at Binghamton Canadian violinist, JANEY CHOI, gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing on chamber and recital series, and with such groups as the New York l l University. MARY BURGESS, soprano, a graduate of the Curtis Institute of Music, has been a member of the Binghamton University voice faculty for over twenty years. Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the Curtis Institute, and subsequently appeared with Santa Fe Opera, Washington Opera, New Orleans Opera, Nevada Opera, and many other regional companies including TriCities Opera in Binghamton. Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and with Dublin Grand Opera. Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. Her repertory of forty roles in ﬁve languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson. Her performances of Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the Omaha Symphony were ﬁlmed for broadcast by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. City Ballet, Harrisburg Symphony, and the Key West Symphony. The recipient of numerous awards including the Ontario Arts Council’s Chalmers Performing Arts Training Grant and First Prize in the Canadian Music Competition, she has participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in the U.S. and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co., most notably at the Kennedy Center in Washington, D.C., and at the New Victory Theater in Times Square. Her other interests have taken her to the visual arts world, developing and presenting an annual “Music + Art” show commissioning paintings based on chamber works. She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Enya, Elton John, Adele, Sarah McLachlan, Lisa Loeb, Lenny Kravitz, Kanye West, JayZ and Beyoncé, on the Grammys, MTV, Saturday Night Live, The Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers University, studying with Arnold Steinhardt as the recipient of the Graduate Fellowship Award. She holds BM and MM degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Smirnoﬀ. In addition to being on faculty at Binghamton University, she is a Teaching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. In her free time, she enjoys marathon training, swimming, playing soccer and ice hockey. fl 1 Baritone, TIMOTHY LEFEBVRE, retum’s to Binghamton University for today’s concert from the Oberlin Conservatory of Music, where he was appointed assistant professor of voice. LeFebvre’s diverse operatic repertoire includes leading roles in Amahl and the Night Visitors, The Ballad of Baby Doe, The Barber of Seville, La Boheme, Carmen, The Coronation of Poppea, Cosi fan tutte, The Crucible, L’elisir d’amore, Faust, Die Fledermaus,Hansel and Gretel, Madama Butterﬂy, Le nozze di Figaro, Regina, Rigoletto, La traviata and Turandot. Other operatic roles include those in The Crucible, Dead Man Walking, H.M.S. Pinafore, Pagliacci. and Tosca. He has appeared with Central City Opera, Opera Delaware, Indianapolis Opera, Opera Theater of Pittsburgh, Sarasota Opera, Syracuse Opera, and TriCities Opera, among others. LeFebvre’s concert performances include Fauré’s Requiem (Syracuse Symphony), Handel’s Messiah (Jacksonville Symphony), Brahms’ Requiem �(Binghamton Philharmonic), and, with the New Dominion Chorale in Washington D.C., VaughanWilliams’ Five Mystical Songs and Liszt’s Christus. Other orchestras with which he has appeared are the American Symphony Orchestra and the Minnesota, Pittsburgh, and Williamsport symphonies. He has performed in concert at New York’s Carnegie Hall and Alice Tully Hall; at the Marlboro Music Festival; the Berkshire Choral Festival, where he served on the faculty; and the Rochester Bach Festival. A winner of the New York Liederkranz Vocal Competition, LeFebvre has received a Richard F. Gold Career Grant and an Opera Fellowship at Binghamton University, and he was a regional ﬁnalist in several Metropolitan Opera competitions. TIMOTHY PERRY, conductor and clarinetist, is Professor of Music and currently Chair of the Department of Music for Binghamton University. A graduate of the Manhattan and Yale Schools of Music, Dr. Perry joined the Binghamton University faculty in 1986, becoming Professor of Music in 2002, and receiving the Chancellor’s Award for Creative Activities in 2005. As Music Director, Dr. Perry has directed the University Orchestra (since 1986), directed the University Wind Ensemble 19862005, and led the Binghamton Community Orchestra from 19942004. Widely known as a clarinetist in virtuoso solo and chamber music, he toured Latin America and the Caribbean as a United States Musical Ambassador and has presented recitals at three world conferences of the International Clarinet Association. During 20082009, he appeared as concerto soloist with the Catskill Symphony, as guest conductor with the Binghamton Community Orchestra, and as guest artist with the Finger Lakes Chamber Ensemble. In Summer/Fall 2009 Dr. Perry will serve as Music Director in Binghamton and Santiago, Chile for a new production of the Brecht/Weill ThreePenny Opera and will lead the Binghamton University Orchestra in a gala October 2009 program with the Paul Taylor Dance Company. With longtime collaborator Margaret Reitz, he will present an All English recital program “Sweet Albion” in April 2010. In addition to his duties as Chair, he currently serves as President of the Northeast Division of the College Orchestra Directors’ Association (CODA) and New York representative to the National Association of Music Executives of State Universities (NAMESU). Pianist MICHAEL SALMIRS is well known as a recitalist and chamber musician. As a founding member and artistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres of David Liptak’s and Marek Harris’s Piano Quintets. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University where he teaches piano and coaches chamber music. He also maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. STEPHEN STALKER, cellist, teaches at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College and the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he has presented Meet the Composer concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNYBinghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian International String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City. �pem—– ’ e rsrra ~~ 2 . 7 3 : Y o 0 4 T 0 V I 0 U. * S _ L ‘Iigi~f ; os £ 5 : : – > ga > , s g . ; M S E nglxvc " . p ¢ E E ~ 4 4 : 4 4 A © A d y I F , pre a : § : LE So O, 4 3 v @ w 7 at the FORUM THEATRE Binghamton » Txi & Info: 6077720400 » www triahesopera.com public service media for your community 12'th it sit; o rg HG ( & ) B n p r r �Binghamto n University Music D epartment ’s U PC O M I N G E V E N T S Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE University Symphony Orchestra’s “All Creatures” Children’s Concert: Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$ Viola Plus: Roberta Crawford’s “Chamber Works of the 20” and 2r° Centuries”, Sunday, October 17, 2010, 7:30pm, Casadesus Recital Ha//, $$$ Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout Concert Theater, FREE Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm, First Presbyterian Church, Binghamton, $$$ Song of Silk: Saturday, November 6, 2010, 8pm, Osterhout Concert Theater, $$$ Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010, 3pm, Casadesus Recital Hall, FREE University Chorus. First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ For ticket information, please call the Anderson Center Box O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:54:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145708">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145708</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola Plus, October 17 2010 Recital Tape 2010-10-17 Description An account of the resource Works by Palmer, Salmirs, Carter, Husa Creator An entity primarily responsible for making the resource Crawford, Roberta Salmirs, Michael Choi, Janey Stalker, Stephen Perry, Timothy B. Burgess, Mary LeFebvre, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound