115 10 1775 https://omeka.binghamton.edu/omeka/files/original/bb96d2be0453f425e1e40827dcabdff1.pdf 10bfb2fea9c56f78cefcc97f9d430149 PDF Text Text BINGHAMTON U N 1 v E R s 1 T Y STAT E U N I V E R S I T Y O F N E W Y O R K (247724 D E P A R T M E N T RECITAL WITH CELLIST MARK R U DOFF PIANIST SANDRA JOY Thursday, Octo ber 14, 2010 8 p m Casadesus Rec ital Hall �He has also been artistinresidence and chamber music instructor at t h e ” PROGRAM Variations on “Bei Mannem, welche Liebeﬁhlen"Ludwig van Beethoven (1770 1827) from Die Zauberﬂote by W.A. Mozart, WoO 46 Sonata in Bﬂat Major, Op. 71 I. Andante molto sostenuto I. Andante molto sostenuto I. Andante molto sostenuto Dmitri Kabalevsky (1904 – 1987) INTERMISSION Sonata in Bﬂat Minor, Op. 8 I. Allegro ma non troppo Il. Scherzo: Vivace assai Ill. Adagio non troppo IV. Tema con Variazioni: Allegro moderato Erné Dohnanyi (1877 — 1960) Variations on a Theme of Rossini, H. 290............. Bohuslav Martino (1890 – 1959) ARTIST BIOGRAPHIES Ohio State University cello professor Mark Rudoﬀ has demonstrated extraordinary versatility as a performer and pedagogue. Applauded by critics as “an exceptionally gifted cellist” and “a charismatic performer,” Mark has performed in solo recitals and with orchestras in Canada and the United States, and his solo and chamber performances have been recorded for broadcast on CBC. A respected chamber musician, he performs with the Galileo Trio, Chiarina Piano Quartet, and Emerado, and has performed as a guest with groups including the Music Project, Allegri Quartet, and Marble Cliﬀ Chamber Players. Equally accomplished in the orchestra sphere, Mark has served as principal cello of the Calgary Philharmonic and Saskatoon Symphony Orchestras, and in the sections of orchestras including the New York Philharmonic, Brooklyn Philharmonic and New York City Ballet. Mark has appeared as guest artist with the Canadian Chamber Choir and at the Winnipeg Symphony’s Centara New Music Festival, New Music North, and the Grand Teton Music Festival. In addition to his teaching activities at OSU, Mark teaches and serves as Dean at The Quartet Program in residence at SUNY Fredonia. Prior to joining the Ohio State faculty, Mark Rudoﬀ was professor of cello, chamber music’and orchestra at Brandon University in Manitoba, Canada. Mountain View Festival of Song in Sundre, Alberta; and from 200205 directed the Winnipeg Youth Symphony. He has presented at the ASTA National Convention. and students throughout Canada and the northern U.S. have enjoyed Mark’s work as an adjudicator and workshop clinician. Mark earned Bachelor’s and Master’s of Music degrees from The Juilliard School, graduating with the Edward Steuermann Prize. He studied there with Harvey Shapiro, Lynn Harrell, Lorne Munroe and Joel Krosnick, and was appointed teaching assistant to the Juilliard Quartet. Mark also holds a Bachelor of Laws degree from the University of Saskatchewan, where he was appointed to the editorial board of the Saskatchewan Law Review and graduated with distinction in 1990. He enjoys the odd distinction o f having published an article about music in the Alberta Law Review, and one with a legal slant in American String Teacher. Sandra Joy performs internationally with a diverse range of repertoire and style, from classical to contemporary to modern improvisation. She has performed with several West Coast orchestras, recently premiering a concerto by Larry Nickel with the Canada West Chamber Orchestra, and earning acclaim for her performance of Gershwin‘s Rhapsody in Blue with the San Capistrano Valley Symphony. A passionate advocate for Canadian music, Sandra represented the University o f Alberta and Canadian composers at the 2009 Brazil Association for Canadian Studies X Congress (Goiania, Brazil) and before that, in October 2008, at the Mexican Association for Canadian Studies XIII Congress (Guadalajara, Mexico) supported by the Canadian Embassy in Mexico. Other recent international work has been a music and art improvisation performance project with painter Werner Friesen and concert pianist Douglas Finch, at Trinity/Laban College in London; and performances at the Castelfranc Piano Summer Music School in Tarn, France. Sandra has recorded a solo piano volume Garden of Music by Canadian Alain Mayrand, and a commissioned work To the Garden the World by Stephen Chatman (CMC Centrediscs) nominated for a 2010 Juno Award. As a collaborative pianist, Sandra performed with the Erato Ensemble for the “2008 Cultural Olympiad” (Vancouver & Whistler, British Columbia) supported by organizations of Canadian Heritage Society, SOCAN, Canadian Music Centre and the 2010 Winter Olympics; and with saxophonist Julia Nolan through Canada, United States and Slovenia. Previous chamber recital tours have also included North Dakota, northern Mexico, western Canada, and Vancouver Island. On personal invitation from Dr. Deen Larsen, this past July she performed at the esteemed FranzSchubert Institute in Austria). After years as faculty member of Kwantlen Polytechnic University, Sandra returned to school for doctoral studies in piano performance at the University of Alberta researching experimental Canadian works of the midtwentieth century. She gratefully acknowledges support for her educational research from the Canadian Federation of University Women (National) – receiving their highest award, the Margaret McWilliams Fellowship. From the U of A, she is a recipient of an Honorary Izaak Killam Memorial Scholarship, a SSHRC Doctoral Award, a Queen Elizabeth II Scholarship, the Beryl Barns Award and the Leah Memorial Scholarship. �Binghamton University Music D epartment’s U P C O M I N G E V E N T S Midday concerts are held on 7hursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE University Symphony Orchestra’s “All Creatures” Children’s Concert: Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$ Viola Plus: Roberta Crawford’s “Chamber Works o f the 20” and 21° Centuries”, Sunday, October 17, 2010, 7:30pm, Casadesus Recital Hall, $$$ Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout Concert Theater, FREE Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm, First Presbyterian Church, Binghamton, $$$ ilk: Saturday, November 6, 2010, 8pm, Osterhout Song o f S Concert Theater, $$$ Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010, 3pm, Casadesus Recital Hall, FREE University Chorus: First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ For ticket information, please call the Anderson Center Box O ﬀice a t 7 77ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:41 41:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145711">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145711</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. 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Title A name given to the resource Mark Rudoff October 14, 2010 Recital Tape 2010-10-14 Description An account of the resource Works by Beethoven, Kabalevsky, Dohnányl, Matinü Creator An entity primarily responsible for making the resource Joy, Sandra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/103a6b265636441a3c7c374fbcfc6e72.pdf 3e789e1f793199cb72be4cb5f6c40081 PDF Text Text BINGHAMTON U N I V R R E I T Y STATE U N I V E R S I T Y O F N E W Y O R K vwdee (4 D E P A R T M E N T THURSDAY MIDD AY CONCERT o ( § §; § — (J / i ’ (II/ﬀ, Y B l e & . h OCT. 14,2010 1:20 P.M. HALL �PROGRAM Aria of Blondchen, “Durch Zart/ichkeit, from Abduction from the Seraglio W A. Mozart (17561791) Christina Kompar, soprano Margaret Reitz, piano Ora/son funebre, Hector Berlioz from Grande Symphonie Funebre (18031869) et Triomphale, Op. 15 (2nd movement) William Marsiglia, trombone William James Lawson, piano Two Impromptus, Op. 90............... .................. Schubert No. 2 in Gﬂat (17971828) No. 3 in Eﬂat Stephen Zank, piano Impromptu, Op. 35, no. 9............ Reyn’gold Moritsevich Gliere Humoreske, Op. 35, no. 8 G l i e (18751956) r e Dan Bessel, bassoon Margaret Reitz, piano Ondine (from Gaspard de la Nuit)......................Maurice Ravel David Gaita, piano (18751937) Tre Sonnetti di Petrarca.......................................... Franz Liszt Pace non trovo Benedetto sia’l giorno I vidi in terra Victoria Cannizzo, soprano Margaret Reitz, piano (18111886) �Binghamton University Music Department ’s U P C O M I N G E V E N T S a ﬁ M M M M M M M M Thursday, October 14 – Recital: cellist Mark Rudoﬀ from Ohio State University – 8:00 p.m. – Casadesus Recital Hall – free Saturday, October 16 – University Symphony Orchestra’s “All Creatures” Children’s Concert (general public) – 2 :00 p.m. – Osterhout Concert Theater – $5adults; $3 students (Sponsored by the Binghamton University Music Department, the Discovery Center and the Binghamton Zoo at Ross Park) Sunday, October 17 – Viola Plus : Roberta Crawford’s “Chamber Works of the 20'" and 21* Centuries” – 7:30 p.m. – Casadesus Recital Hall – $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, October 21 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Saturday, October 23 – Master Class with guest organist Michael Bauer – 10 a.m. – 12 noon – FA21 – free Saturday, October 23 – Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony) – 3:00 p.m. – Osterhout Concert Theater – free Sunday, October 24 – Guest organist : Michael Bauer – 4 p.m. – First Presbyterian Church, Binghamton – $15 general public ; $10 faculty/staﬀ/seniors; $5 for students Thursday, October 28 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, November 4 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Saturday, November 6 – Student Recital: Briana Sakamoto, soprano (tentative) – 8:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:03:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145715">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145715</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, October 14, 2010 Recital Tape 2010-10-14 Description An account of the resource Works by Mozart, Berlioz, Schubert, Moritsevich, Gliere, Ravel, Liszt Creator An entity primarily responsible for making the resource Kompar, Christina Reitz, Margaret Marsiglia, William Lawson, William James Zank, Stephen Bessel, Daniel Gaita, David Cannizzo, Victoria Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:58:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE155416">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE155416</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Midday October 7, 2010 Recital Tape 2010-10-7 Description An account of the resource Works by Marx, Glazunov, Muczynski, Donizetti, McPherson, Bizet, Creator An entity primarily responsible for making the resource Burgress, Mary Reitz, Margaret Muller, Robert Perry, Timothy Chmela, Amanda Cannizzo, Victoria Lee, Ü Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ab35d6e00aa0cf144bfc9657fc97bbda.pdf 9cd44f669529d3a6b791e78fdd0842d2 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K l REUNlON REC lTAL D E P A R I L M E N I T RAUL MELO TENOR MICHAEL RECCHIUTI PIAN IST Saturday, October 9, 2010, 8 pm Osterhout Concert Theater Cosponsored by the Department of Music and the Oﬀice of Alumni and Parent Relations �Program I. Le violette Sento nel core Air de Faust................. from La damnation de Faust Il. . Alessandro Scarlatti (16591725) Hector Berlioz (18031869) III. . Franz Liszt (18111886) Petrarch Sonnets.. Pace non trovo Benedetto sia’l giorno I vidi in terra Intermission 3 Songs................. Deprisa Tierra, Deprisa Dialogo Mi carazon lo trajé el mar IV. Gisela Hernandez (19121971) V. Joaquin Turina (18821949) Poema en forma de canciones .. Nunca Olvida Cantares Los dos miedos Las locas por amor Quando:le sere al placrdo from Luisa Miller Ma se m'é forza perderti.. aschera from Un ballo i n M 1 VI. VII. Giuseppe Verdi (18131901) ...Giuseppe Verdi (18131901) �3 / vidi in terra Text Translations I. Alessandro Scarlatti Le Violette The Violets text by Adriano Morselli (16741691) Dewy. scented. pretty violet s. You are standing. shy.half hidden Among the leaves, And you scold my desires, That are too ambitious. Sento nel core – / feel in my heart (Anonymous) I feel in my heart a certain sorrow Which goes on disturbing my peace: There shines a torch which inﬂames my soul: I f it is not love, i t will be love [soon]. II. Hector Berlioz Text by Almire Gandonniere Based on Goethe’s Faust Air de faust Faust’s Aria Thank you gentle twilight. you are welcome. Reveal to me at last this secret, secret sanctuary Where I feel peace fall over me like a dream. Like the fresh kiss of soft morning air: It is of love. it is of love. I hope . . . Oh. how here I feel Cares vanish in this place! I adore this silence and breathe A pure air of serenity! Oh sweet girl. my enchanting one, My too longed for lover! What feelings possess me in this moment of destiny! How I love to look upon your maiden bed. What pure air of tranquility I breathe! Lord! Lord! After my long martyrdom What happiness! I beheld on earth angelic grace. Ill. Franz Liszt Text:Francesco Petrarca (1304 – 1374) ! I Pace non trovo I ﬁnd no peace, but for war am not inclined: I fear. yet hope: I burn. yet am turned to ice: i l soar in the heavens. but lie upon the ground: I hold nothing. Though I embrace the whole world. i ; Love has me in a prison which He neither opens nor shuts fast: He neither claims me for his own r l Eyeless I gaze. and tongueless I cry out: I long to perish, yet plead for succour; I hate myself. but love another. And heavenly beauty unmatched in this world. Such as to rejoice and pain my memory. Which is so clouded with dreams, My heart was brought by the sea And sounds of sea shells against the ear. Sea shells of sand and sun. Shadows. mists. Made of waves and in the sea puriﬁed. And I beheld tears spring If cast up by the sea was my heart In the night the sea would beat against my chest. From those two bright eyes. Which many a time have put the sun to shame. And heard words unuttered with such sighs As to move the mountains and stay the rivers. Love. wisdom, excellence. pity and grief Made in that plaint a sweet er concert Than any other to be heard on earth. And heaven on that harmony was so intent That not a leaf upon the bough was seen to stir. Such sweetness had ﬁlled the air and winds. Nor loosens my halter; He neither slays nor unshaddes me; He would not have me live. Yet leaves me with my torment. (INTERMISSION) IV. Gisela Hernandez l 1 Deprisa, tierra, deprisa (Faster. world. faster!) I feed on grief. yet weeping, laugh: Death and life alike repel me: And to this state i am come, Faster world. faster: Move faster sun: Destroy the system. For love awaits. 2 Benedetto sia’l giorno What matters this universe? Let the earth and sun be thrown down! All is smoke: the only is glory is that love awaits. My lady, because of you. Blessed be the day. the month. the year, The season. the hour, The moment. the lovely scene, The spot when I was put in thrall By two lovely eyes which bind me fast. And blessed be the ﬁrst sweet pang I suﬀered when love overwhelmed me. The bows and arrows which stung me. And the wounds which pierce to my heart. l li l ] l And blessed be all those writings In which I have spread her fame. And my thoughts, Which stem from her and centre on her alone. Faster. world. Out to the snow with the thorn! Fly earth: run sun! Make brief my waiting. For love awaits! Faster. world . . . 2 Dialogo – (Dialogue) Ah! STAR S ARE FALLING! Blessed be the many voices which have echoed When I have called Laura’s name, The sighs and tears, the longing: 4 !i 3 Mi corazon lo trajo el mar (My heart was brought by the sea) What are you saying brother? They are only meteors. What strange thoughts. See how from the clear sky The stars are coming loose! . . . Place your open hands skyward So that we can gather them. Ah! STARS ARE FALLING! What are you saying brother? They are only meteors. They do no fall to us nor can we gather them. It does not matter. OPEN YOUR HANDS! Of the night, the sea would have its voice. Its joyous voice of the ships in the sea. In the nets of a ﬁsherman From the sea return friends when they die. To the sea returns my heart, My heart of the deep sea ship. My heart was brought by the sea. V. Joachin Turina Poem by Ramon Maria de las Mercedes de Campoamor y Campoosorio (18171901) 1. Decicatoria (Piano solo) 2. Nunca o/vida . . . Never forget . . Now that I am leaving this world. And before I give my account to the lord. 1 will confess to you. Here. between the two of us. With all my soul I forgive those Whom l have always hated. You. whom I have deeply loved. I will never forgive! 3. Cantares – Song Flee as I try your embraces. Much closer forever I’m caught: But your image is with me. in me The dream of my thoughts. Ah . . . say it again. say it again. For yesterday, as I was enraptured. I listened to you without hearing, I looked at you without seeing. 4. Los dos miedos (The two fears) With the onset of that night, She. remote from me. said: Why do you come so close to me? I am afraid of you. And after the night had passed. She. close to me. said: Why do you move away from me? I am afraid without you! �5. Las locas por Amor (Extremes of L ove) I will love you, Divine Venus. if you desire that I love you eternally and with discretion. The goddess of C ythera replied to me: I prefer, as all women do. that you love me for a short time and passionately. I will love you, Divine Venus, I will love you. VI. Guiseppe Verdi (Luisa Miller) Librettist: Salvadore Cammarano (1801 1852) lacido Quando le sere al p Only with my own eyes could I deny my faith! If heaven and earth. if mortals and angels Would testify that she is not guilty. Lies. I would respond. alI lies. It is by her hand! So much treachery! A soul so black! So false! My father knew her well! But where are the promises, the hopes. the joy. The tears. the anguish? All lies. betrayal, deception! When in the calm night Clarity of a starry sky I gazing through the ether Saw a love ﬁlled glance. Her hand held mine Through her hand I felt . . . Ah! She betrayed me! Then [ sat mute. ecstatic From her lips (The words) hung, And she in angelic tones. “I love only you” she said. It seemed the entire universe Opened to my soul . . . Ah! She betrayed me! Raul Melo VII. Guiseppe Verdi (Un ballo) Librettist: Antonio Somma (1809 1864) Ma se m 'é forza perderti Perhaps she (Safely) reached her threshold, She reposes at last. Honor and duty, Have broken open an abyss between our hearts. Ah! yes. Renato returns to his homeland . . . and his wife will follow. Without a goodbye, the immense Ocean separates us . . . and the heart must be silent. I hesitate still? Tenor Metropolitan Opera Tenor Raul Melo is a celebrated performer in the US. Europe and Asia. He has performed the principal tenor roles with Berlin’s Deutsche Oper and State Opera, Hamburg State Opera, Stuttgart’s State Opera, Zurich State Opera. Dusseldorf’s Deutsche Oper am Rhein. Frankfurt Opera. and Dresden State Opera to name a few. In the United States But i f a m forced to lose you with The Metropolitan Opera, Washington Opera, Dallas Opera, New York City Opera, Seattle Opera, Cleveland Opera, Palm Beach Opera, and Connecticut Opera among others. Mr. Melo won the prize of “Best Lyric Tenor” in the 1992 Alfredo Kraus Competition. Mr. Melo’s 200910 season includes covers at the Met of Le Damnation du Faust, Hamlet and La Traviata while singing Rigoletto for Fresno Opera, concerts for El Paso Opera and the tenor lead in WolfFerrari’s The Jewels of the Madonna with Teatro Gratticielo at Lincoln Center. And now what wicked omen What spirit overwhelms me. Desiring to see you again announces He began his 200809 season singing Manrico in II Trovatore with El Paso Opera before returning to the Met to sing Madama Butterﬂy and cover Rigoletto. La Rondine and Le Damnation de Faust. He also continued his relationship with New York City Opera. singing their New York parks concerts and also their concert performance of Massenet‘s rarely performed La Navaraisse. Last season he returned to City Opera to sing Tosca in addition to being at the Met for Romeo. Pinkerton and Rodolfo. He made his Spoleto Festival USA debut But heavens. do I not will this? Ah. I have gned it. I have signed my sacriﬁce. Forever. O my light. To you will come my heartbeat No matter what sky you are under. Shut is your memory In the depths of my heart. Locked in the depths of my heart. An almost a fatal wish As if it were the last. the last hour. The last hour our of our love? Oh, what a foreboding overwhelms me. As if it were the last Hour of our love. As if it were the last moment of our love? as the Navigator in Anthony Davis” Amistad in addition to being the tenor soloist in the Beethoven Ninth. He also sang the Verdi Requiem at the Teatro Colon in Buenos Aires. In 20052006 Mr. Melo made his Metropolitan Opera debut as the Duke in Rigoletto. returned to Palm Beach Opera to sing Tosca, sang Madama Butterﬂy at the New Orleans Opera and performed a gala Puccini concert with the Orchestre Philharmonique de Monte Carlo conducted by Nello Santi. He returned to the Met roster for Madama Butterﬂy and Rigoletto. He also sang Pinkerton in Madama Butterﬂy at the New York City Opera, Faust in Kalamazoo and La Boheme in Tokyo. He ﬁrst joined the Met in 2004 covering for Arrigo in I Vespri Siciliani and Gustavo in Un Ballo in Maschera. He also sang his ﬁrst Rodolfo in Luisa Miller for his Dallas Opera debut. Other performances included Rodolfo in La Boheme in Palermo and Alfredo in La Traviata in Oslo. �MICHAEL RECCHIUTI, Artistic Director of the American Opera Theater. and founding Principal Conductor of the New Jersey Opera Theater. is active internationally as a conductor. and as a pianist and accompanist. He has collaborated with stars of the international opera stage. Grammy and Tony award winners, and major musical theater personalities. 10 (Ohi » raviat In Italy. he was engaged as head of the musical staﬀ/assistant conductor at Venice’s Teatro La Fenice. and as Consulente Musicale at the Ente Lirico in Cagliari, Sardegna, where he helped prepare the ﬁrst full performance of Rossini’s Guillaume T e l l F rench presented in Italy starring Chris Merritt. po ? v . k ¥ U l U = He has appeared as accompanist to some of Europe’s leading singers in recitals at Parma’s Teatro Regio. Teatro dell’Opera di Roma, and for the RAI. In 1990 he conducted the Budapest Philharmonic during the Budapest Spring Festival. d b 0 i hb fe + In recording. he has conducting the Orchestra di Camera di Padova e del Veneto in bel canto arias with tenor Chris Merritt, which was chosen as “Best of the Year” by Opera News. Opera International. and CD Classica magazines. As a pianist. he and American tenor Paul Austen Kelly released a disc of English art songs by Benjamin B ritten and Roger Quilter for GM Records. In America, as Associate Conductor of the New Jersey State Opera. he prepared and conducted Mascagni’s Lodo/etta, Iris, and Zanetto, and Puccini’s Le Villi. At the New Jersey Opera Theater now Opera New Jersey, he was founding Principal Conductor. and led performances of Mozart’s Le Nozze di F igaro. Don Giovanni, and Verdi’s // Trovatore. As Music Director of the Opera Ensemble of New York he performed Gluck’s Orfeo, and Robert Ward’s The Crucible, under the supervision of the composer. For the Long Beach Opera he conducted acclaimed productions of Puccini’s La Rondine, Mascagni’s Ca valleria Rusticana, and Massenet’s La Navarraise. = at the FORUM THEATRE in Binghamton » Txi & Info: 607772–0400 » www 1 icihesopera.com He was invited by the Orchestra of St. Luke’s to conduct Haydn’s L o Spezia/e at New York’s Town Hall. He also conducted the Korean Symphony of New York, and the Musician’s Emergency Fund Gala. both at Lincoln Center. From 1999 to 2001 he conducted over 70 performances of 15 diﬀerent work s dividing his time between the Orlando Opera, the DiCapo Opera in New York. and the National Lyric Opera in New England. He was the founding Music Director of Opera de las Americas. the national opera of the Dominican Republic. In New York. Michael Recchiuti studied under Giuseppe Patané. and. earlier in Philadelphia. under Joseph Primavera, who engaged him as Assistant Conductor of the Philadelphia Youth Orchestra, and choral conducting with Michael Korn. where he was Assistant Conductor of the Philadelphia Singers. He went to the Aspen Music Festival as Fellowship Conductor. and later returned as Music Director of the Vocal Institute. He was accepted into Italy’s prestigious Accademia Chigiana in Siena, where he studied with Franco Ferrara. Carlo Maria Giulini, and B runo Bartoletti. Consequently he was awarded the Diploma di Merito in Direzione della Lirica. and was chosen to conduct public performances of Bellini’s Beatrice d i T enda with the soprano Cecilia Gasdia. public service media for your community r =or WWW w s k g o 20 np é, �— — — — — — — — — — — — — F If you would like a CD of RAUL MELO ' J I please ﬁll out this form and include it and a check for $15 i payable to: The Binghamton University Music Department, Attn: Melo CD, P.O. Box 6000, Binghamton, NY 139026000 l l Name: ] Address: I i ] Email: l 2 o f cos: i I l O Yes, please include me the BU Music mailing list I O No, I prefer not to be on our mailing list i I City/State/Zip: I i A portion of the proceeds will beneﬁt the Binghamton University Music Department. i _ _ — _ — — — — _ _ — _ — J �Binghamton Univer sity Music Department ’s UPC OM ING E V E N T S W W W Midaay concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE Recital: cellist Mark Rudoﬁ‘ from Ohio State University, Thursday, October 14, 2010, 8pm, Casadesus Recital Hall, FREE University Symphony Orchestra ’5 “All Creatures ” Children’s Concert: Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$ Viola Plus: Roberta Crawford’s “Chamber Works of the 20” and 2r” Centuries? Sunday, October 17, 2010, 7:30pm, Casadesus Recital Hall, $$$ Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout Concert Theater, FREE Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm, First Presbyterian Church, Binghamton, $$$ Song of Silk: Saturday, November 6, 2010, 8pm, Osterhout Concert Theater, $$$ Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010, 3pm, Casadesus Recital Hall, FREE University Chorus: First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:27:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145718">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145718</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Raúl Melo, October 9, 2010 Recital Tape 2010-10-9 Description An account of the resource Works by Scarlatti, Liszt, Hernandez, Turina, Verdi Creator An entity primarily responsible for making the resource Recchiuti, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:08 38:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146095">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146095</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jonathan Biggers, October 3, 2010 Recital Tape 2010-10-3 Description An account of the resource Works by Cook, Phillips, Locklair, Hampton, Widor Creator An entity primarily responsible for making the resource Biggers, Jonathan Campos, Frak Gabriel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6b8e953cd8ab71b180c38046ac7f2587.pdf ad28164658643915fdc1e0bb1d414ce0 PDF Text Text BINGHAMTON U N I V E R S I T X S T A T E U N I V E R S I T Y O F N E W Y O R K zldec ’ D E P A R T M E N T UNIVE RSITY PERCU SSION ENSEMBLE CO NCERT Daniel F abricius, Conductor Devan Tracy, Xylophone Soloist Tuesday evening, November 23, 201 0 8:00 PM Anderson Center Chamber Hall �PROGRAM University Percussion Ensemble Personnel Septet (1995) M .Daniel Levitan a t Three Shades of “C” (1 996).... r a Grm i ............Stephen Primatic zoINTERMISSIONos Mercury Rising (2005) Back Talk (1938) Nathan Daughtrey «..u......Harry Breuer Arranged by Richard C. Gipson Devan Tracy, Xylophone Christmas! (in under 3 minutes). ........A rranged by Amanda Jacobs Sabre Dange; (1942).................................Aram Khachaturian A rranged by James L. Moore John Erdman Amanda Jacobs Melissa Larson Mike McManamon Benjamin Ramos Rose Steenstra Devan Tracy Andrew Williamson DANIEL FABRICIUS, Lecturer of Music in Percussion. has been a member of the Binghamton University faculty since 1992. He holds degrees from Mansﬁeld University and Ithaca College where he studied percussion with Richard Talbot and Gordon Stout. In addition to his work at BU, he has served as Director of Bands at Owcgo Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982 but is also comfortable performing in popular, rock, jazz, and other styles. He plays regularly on drums as a member of several musical organizations in the Southern Tier including his own band, Prism. He has also played often as a freelance percussionist, accompanying national touring artists such as Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Brothers, and Ella Fitzgerald. He is highly regarded in the region as a percussion soloist and ensemble player and has collaborated often with organist Jonathan Biggcrs and thc Ithaca Bra. For many years Professor Fabricius has served the New York State School Music Association as an AllState Percussion adjudicator. In addition he is the Instrumental Jazz Reviews editor of The School Music News and was the Jazz editor for the current NYSSMA Manual. He serves on the faculty of the Binghamton High School Percussion Camp each summer and over the years has presented many percussion clinics at state conventions and conferences. In addition he often serves as a guest conductor for honor band festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals throughout New York. DEVAN TRACY is a sophomore at BU majoring in Mechanical Engineering with a Sustainable Engineering minor. At BU she is member of the Harpur Jazz Ensemble and the University Percussion Ensemble. As a student at Saratoga Springs High School she was a winner of the Concerto Competition. In high school Devan was also a member of the Empire State Youth Orchestra and Percussion Ensemble. She was selected as an alternate Timpanist for the N Y Conference AllState. Besides practicing various percussion instruments, Devan enjoys spending free time on other activities such as running, bicycling, climbing mountains, riding motorcycles, frisbcc, yoga, bonﬁre singalongs, architecture, photography, and baking. �Binghamton University M usic D epartment’s U P C O M I N G E V E N T S M M t D ’ Wednesday, December 1 – Lecture/Recital with Jieun Jang, piano – 8 p.m. – Casadesus Recital Hall – free Thursday, December 2 – Holiday MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, December 2 – Harpur Chorale & Women’s Chorus – 8 p.m. – Trinity Memorial Church, Binghamton – free Friday, December 3 – Flute Studio and Flute Chamber Concert – 10:30 a.m. – Casadesus Recital Hall – free Friday, December 3 – Composer’s Concert (students of Christopher Loy) – 8 p.m. – Casadesus Recital Hall – free Saturday, December 4 – University Symphony Orchestra : America’s Inner Life 3 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staﬀ/seniors; free for students (Group rate $8 per person) Sunday, December 5 – Wind Symphony: Gathering of Angels 3 p.m. Anderson Center Chamber Hall – free Sunday, December 5 – Violin Recital : Janey Choi, violin, Michael Salmirs, piano and guest artist Rebecca Ansel, violin – 7:30 p.m. – Casadesus Recital Hall – $10 general public; $5 faculty/staﬀ/seniors; $ 2 students Thursday, December 9 – Jazz MidDay Conc ert with guest artist – 1:20 p.m. – Osterhout Concert Theater – free (Cosponsored by the Binghamton University Music Department and the Harpur J azz Project) Thursday, December 9 – Harpur Jazz Ensemble Concert with guest artist – 8 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staﬀ/seniors; free for students (Cosponsored by the Binghamton University Music Department and the Harpur J azz Project) Friday, December 10 – Singing Chinese Cla ss Recital – 8 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center B o x O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:30:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146099">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146099</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussion Ensemble Concert, November 23, 2010 Recital Tape 2010-11-23 Description An account of the resource Works by Levitan, Grimo, Primatic, Daughtrey, Breur, Khachataurian Creator An entity primarily responsible for making the resource Fabricius, Daniel Erdman, John Jacobs, Amanda McManamon, Mike Ramos, Benjamin Steenstra, Rose Tracy, Devan Williamson, Andrew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/16652ff6f0e106a923f63c6353908aca.pdf 0d9e5c9c540754fea35d6e28ab627185 PDF Text Text BINGHAMTON V N I V E R S I I Y T X S TAT E U N I V E R S I T Y O F N E W Y O R K wide [4 D E P A R T M E N T SONGS FROM CZECHOSLOVAKIA Mar y Burgess, soprano Timothy LeFebvre, baritone Timothy Cheek, piano ll Sunday, November 21, 2010 3 p.m. Anderson Center Chamber Hall �ABOUT THE PERFORMERS PROGRAM From “Patero dvozjpévu (Five duets),” Op. 13.......Karel Bendl (1838–1897) S n e b e s e s n a s i andélé Na nebi mésic s hvézdami Pisné milostné (Love Songs), Op. 83 ..............Antonin Dvoiak 1. O, nasi Iasce nekvete to vytouzené Stésti 2. V tak mnohém srdci mrtvo jest 3. Kol domu se ted’ potacim 4. Ja vim, i e v sladké nadéji 5. Nad krajem védovi Iehky spanek 6. Zde v Iese u potoka 7. V té sladké moci oéi tvych 8. O, duse draha jedinka (18411904) + { a INTERMISSION cz (Rusalka’s “Song to the Moon") l l F From “Certové Sténa (The Devil’s Wall)". .....Bedﬁch Smetana (18241884) Jen jedina mé Zeny krasna tvar tak dojala From “Rusalka’: ...... Mésicku na nebi hlubokém — Timothy LeFebvre — l { ...Antonin Dvorak (18411904) Vecerni pisné (Evening Songs)........................Antonin Dvoiak 1. Kydz jsem se dival do nebe 2. Vy mali, drobni ptackové 3. Jsem jako lipa kosata 4. Vy vsichni, kdo jste stisnéni 5. Ten ptacek, ten se nazpiva From “Moravské dvojzpévy (Moravian duets)”, Op. 32 .Dvoiak A ja ti uplynu V dobrym sme se sesli Slavikovsky polecko maly Holub na javore The audience i s invited t o m eet and greet the performers after the concert in the President’s Room of the Anderson Center. Nationally acclaimed baritone Timothy LeFebvre has wideranging experience from the operatic stage to the concert hall. 2009–2010 ap pearances include Faure’s Requiem with Syracuse Symphony, Mendelssohn’s Elijah with Hamilton College, a solo recital at Hamilton College, Beethoven’s Ninth Symphony with the Orchestra of the Southern Finger Lakes and VaughanWilliams’ Dona nobis pacem with the Binghamton Downtown Singers. His 2008–2009 appearances in cluded the title role in Rigoletto with TriCities Opera, Messiah with Jacksonville Symphony, Ping in Turandot with Jacksonville Symphony, the Brahms Requiem with the Binghamton Philharmonic, Vaughan Williams’ Five Mystical Songs and Liszt’s Christus with the New Dominion Chorale in Washington, DC, Purcell’s Dido and Aeneas and Mozart’s Solemn Vesper Mass with the Berkshire Choral Festival. In the 2007–2008 season, LeFebvre made his debut with Opera Delaware, and had return engagements with Berkshire Choral Festival, Jacksonville Symphony, Chattanooga Symphony and Opera, and Cornell University. Mr. LeFebvre has appeared in concert with the Jacksonville Symphony, Pensacola Symphony, West Virginia Symphony Orchestra, Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Sym phony Orchestra, Pittsburgh Symphony, Spokane Symphony, Bingham ton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, New Dominion Chorale, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and the Marlboro Music Festival. He has also appeared in concert at New York’s Carnegie Hall and Alice Tully Hall. His operatic experience includes leading roles with Central City Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera, Indianapolis Opera, Opera Delaware, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner of the New York Liederkranz Vocal Compe tition, and other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. Mr. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University. After twelve years of teaching at Binghamton University, Tim is now Associate Professor of Singing at Oberlin Conservatory of Music. Future performances include Beethoven’s Ninth Symphony with Williamsport Symphony. �— Mary Burgess — — Timothy Cheek — Mary Burgess was accepted by the prestigious Curtis Institute of Music, where all students are on scholarship, at the age of seventeen. She studied there for ﬁve years with Mme. Eufemia Giannini Gregory, and made her debut with New York City Opera while still an undergraduate at Curtis. Early in her career she spent numerous summers in Vermont as a participant in the Marlboro Music Festival, and then joined the Marlboro College music faculty, working with Blanche Moyse, revered Bach con ductor and violinist. Since 1984 Prof. Burgess has been a member of the music faculty at The State University of New York at Binghamton, where she is Associate Professor of Voice and coordinator of vocal programs. She is often called upon to adjudicate vocal competitions and to serve as consultant and reviewer of books or manuscripts on voice pedagogy. She has recorded for Columbia Masterworks, CRI, Sony Classical and Telarc, and her performances of Britten’s Les Illuminations and Mahler Symphony No. 2 with the Omaha Symphony were ﬁlmed for broadcast by Nebraska ETV. Burgess is a native of South Carolina. Pianist and vocal coach Timothy Cheek is well known for his work in Czech vocal music. His books Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with a foreword by Sir Charles Mackerras; a series on Janacek’s opera Iibretti; and his newly published book on Smetana’s Prodana nevésta / The Bartered Bride are recognized inter nationally as authoritative resources for singing in Czech. He has been a 4 Burgess‘ European operatic debut was at the Holland Festival, in the title role of Cavalli’s Erismena. She repeated this role at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, at the Brooklyn Academy of Music, and again in Amsterdam at Netherlands Opera during their regular season. She was then engaged for several con secutive seasons in leading roles at Dublin Grand Opera in Ireland. In the U.S. she has performed at New York City Opera, Santa Fe Opera, New Orleans Opera, Washington Opera, Nevada Opera, and many other regional companies including Tri Cities Opera. Her repertory of thirty roles in ﬁve languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson, including seven which she has performed in Binghamton with TriCities Opera: Madama Butterﬂy, LaTraviata, Tosca, Marguerite in Faust, The Merry Widow, Norma, and most recently, Suor Angelica. Burgess has appeared as soloist with over two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel , Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such well known festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, Marlboro, and the Cincinnati May Fes tival, performing over the years a concert repertory of over 45 works with orchestra. She has appeared often at the Monadnock Music Festival with James Bolle and the New Hampshire Symphony both in opera and in concert repertory, making an acclaimed debut in the role of Susan B. Anthony in Virgil Thomson‘s The Mother of Us All honoring the centenary of his birth. Returning to the Monadnock Festival for a gala concert performance of La Traviata, her Violetta prompted the Boston Herald to comment: “...she negotiated “Sempre Libera” with warmth and speciﬁcity of expression. She also produced beautiful, ﬂoaty pianissimos in the aria. More importantly, she had a minutely detailed conception of the character and the role that informed her singing. It was a revelation to watch her.” especially instrumental in championing the works of Czech female composer Vitézslava Kapralova (1915–40). In order to promote this extraordinary composer, Dr. Cheek has presented lectures and recitals throughout North America and Europe; performed in several world premieres of her songs; recorded the complete songs of Kapralova with soprano Dana Buresova on a Supraphon CD, nominated for the best recording of 2003 by the Czech journal Harmonie; and edited a critical edition of the songs for the Czech publisher Amos Editio in 2006. He is on the International Advisory Board of the Kapralova Society, based in Toronto. In 2009 the Czech song cycle Apple Train by the renowned Czech composer Sylvie Bodorova was written for Timothy Cheek, soprano Laurie Lashbrook, and dancer Bohuslava Jelinkova. They premiered the new work in Sydney, Australia this past summer. 1 After completing an opera internship at the National Theatre in Prague under the great Janacek conductor Bohumil Gregor in 1995, Cheek went on to receive several prestigious grants from the International Research and Exchanges Board in Washington, DC for handson research in the Czech Republic. He has coached, performed, and taught masterclasses on Czech vocal repertoire at summer festivals, music schools, and conferences in the United States, Australia, Canada, Czech Republic, Israel, Slovakia, Italy, and South Africa. Since 1994 he has been on the faculty of the University of Michigan, where he instituted a new course for singers and pianists, “Czech Vocal Literature.” His duties at the univer sity include teaching diction classes, serving as music director of Opera Workshop, and coaching opera productions. He is also an Associate Faculty member of the university’s Center for Russian and East European Studies. His education includes a doctorate in collaborative piano and chamber music from the University of Michigan, degrees in piano performance from the University of Texas at Austin and the Oberlin Conservatory, and a Fulbright award to study as an opera coach at the Teatro Comunale in Florence, Italy. Dr. Cheek’s performances as a collaborative pianist have brought him to ﬁfteen countries on four continents, and have been broadcast worldwide. �Program Notes TRANSLATIONS KAREL BENDL (18381897) Bendl was a respected composer and teacher, and a major writer of Czech vocal works, with more than 140 songs and over 300 choral pieces. A colleague of Dvorak, Bendl was chosen to replace Dvorak as teacher of composition while the master was away in America. He is overshadowed by Dvorak, who was almost his exact contemporary, and some of his works are unjustly neglected. I. Se nebe se s nasi andele (From the sky descend angels) Smetana excelled in opera and instrumental compositions, and wrote only a handful of songs and choral works. His comic opera “Prodana nevesta (The Bartered Bride)" was by far the most popular of his eight operas and from the 1890’s was thevonly Czech opera before Janacek’s to be regularly performed abroad. “Certova sténa (The Devil’s Wall)" is his last opera, completed in 1882. From the sky descend angels, and there is golden sleep, And each of them brings a dream of dear rejoicing. Wherever they stop, there they know nice things; They know how it is in heaven, And they will reveal it through a dream. Suddenly the eyelids drop, Oh sweet, sweet power of sleep! Your image I see before me, Beloved dear one, good night! ANTONIN DVORAK (18411904) Na nebi mésic s hvézdami (In the sky with moon and stars) BEDRICH SMETANA (18241884) Dvorak wrote more than one hundred songs for voice and piano — one in 1901, and the rest between 1865 and 1895. Although he was at his best in instrumental writing, it is interesting to note that his ﬁrst published work was a song; his ﬁrst work to be publicly performed was a song; the work that captured Brahms’ attention and led to international recognition was the Moravian Duets, Op. 32; and his youthful attempt at songwriting, Cypresses, served as a fountain of inspiration for other musical works throughout his life. Veéemi Pisné (Evening Songs), Op. 31, is a beautiful and varied set of ﬁve songs for middle voice, written probably in 1876, revised in 1882, and published in 1883. Pisné Milostné (Love Songs), Op. 83, is a beautiful set of eight songs for high voice, written in 1888 as revisions of the 1865 Cypresses collection. Compare piano ﬁgurations in song No. 7, “V té sladké moci oéi tvych” (“In the sweet power of your eyes”), to similar measures in the slow movement of Dvorak’s Piano Quintet in A major, Op. 81. The quintet was written a year before the songs, but the songs have their inspiration and origin from 1865. — Notes by Timothy Cheek Excerpted from his book “Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire” (Scarecrow Press 2001) In the sky, the moon with stars, And in the forest full of small sounds, And on that vast world, as if God were spreading love, A diﬀerent voice of these young little leaves changes into sweet discourse, As if the whole world were in delight, dissolving into kisses. And yet, I know that in solitude many hearts suﬀer, and that many youthful faces drown in bitter tears. In the sky, the moon with stars, And in the forest full of small sounds, And on that vast world, as if God were spreading love. II. Love Songs, Op.83 1. Oh, that longed for happiness does not blossom in our love: And if it were to blossom, and if it were to blossom, it will not for long, for long. Why would a tear steal into passionate kisses? Why would she, in her full love, embrace me anxiously? Oh, bitter is that parting where hope does not beckon: for the heart feels in its trembling that soon, ah, soon it will miserably perish. 2. In so many a heart is death, like in dark desolation, in it certainly there is a place only for pain and for suﬀering. Here deceptions of passionate love enter in that heart, and the heart yearning with weeping, is aware that it loves. And in that sweet illusion once again in paradise that dead heart changes and sings, sings an old myth, sings an old myth! 3. Now I am staggering outside the house where you used to live, and from the wounds of love I bleed, of sweet, false love! And with sad eyes I look on to see if you are taking a step toward me: and facing you, I open my arms, but I feel a tear in my eye. Oh, where are you, dear, where are you today, why won’t you come to me? Why don’t ! have in my heart bliss and rejoicing; won’t I see you ever again? �4. I know that in sweet hope I may yet love you; and that therefore you want even more ardently to cultivate my love. And yet, when I behold your eyes on this blissful night, and I learn how the bliss of love from them alights so much onto me: now my eyes are with tears, now they are suddenly dry, for in our happiness evil fate gazes behind us, for in our happiness evil fate gazes behind us. 5. Over the countryside reigns a light sleep, the clear May night has spread itself out; a timid breeze steals itself into the leaves, the strength of peace has bent down from heaven. The ﬂowers slumbered, through the brook a choir of mysterious melodies is murmuring more softly. Nature in delight blissfully muses, everywhere the conﬂict of restless elements has become silent. The stars have gathered together as lights of hope, the earth is turning into a heavenly sphere. My heart, in which bliss once blossomed, my heart is dragged only by the rush of pain, my heart is dragged by the rush of pain! 6. Here in the forest at the brook I am all alone; and deep in thought I stare at the waves in the brook. Now I see an old stone, over which the waves swell; the stone, the stone rises and falls without rest under the wave. And the current bears down on it until the rock topples over. When will the wave of life carry me away from the world, when, ah, will the wave of life carry me away? 7. In the sweet power of your eyes how gladly, how gladly I would perish. if only the laughter of your beautiful lips did not beckon me to life. However, I will choose this sweet death right away with this love, with this love in my breast: if only your smiling lips awaken me to life, if your smiling lips awaken me to life, awaken me. 8. Oh, dear soul, oneandonly, you who live ever in my heart: my thought circles round you, though evil fate divides us. Oh, if only I were a singing swan, I would ﬂy to you; and in my last gasp, I would sing out my heart to you in fainting, ah, in my last gasp. Ill. From Certova Sténa The Devil’s Wall Act I: Volk Vitkovic, a head of the powerful Czech Rozmberk family in the mid30” century, was rejected in his youth by his beloved, and he has remained single and without an heir. News comes that this love from his distant past has died. Only one woman’s beautiful face moved me so much That I dreamed a myth of love; Oh, I remember how the brilliance of those eyes lit up for me the living stars, And by the shining beauty of her dawn sky, The brilliance penetrated into my breast, making paradise bloom there! That was a time of hope, that beautiful May of youth! And I had hoped to be a lover; Oh, woman, bewitching star, why did you remain cold toward me? And another, your man’s heart, he embraced you in his arms, He stole you from me, And only the ﬁre of dejected yearning remained for me. I ﬂed from myself, and wherever I entered There blazed your image, and memory, and regret. And the sweet brilliance never more ﬂashed before me, And no other heart appeared before me, However, up till now I remember only the brilliance of those eyes, And up till now only one woman’s beautiful face moves me so much That I believe in the myth of love, that I believe in the myth of love! IV. Rusalka’s “Song t o the Moon” Oh, moon in the deep heavens, your light sees far away, around the wide world you wander, you look into the dwellings of people, around the wide world you wander, you look into the dwellings of people. Oh, moon, stand still for a while, tell me, where is my beloved, oh, moon, stand still for a while, tell me, tell, where is m y b eloved? Tell him, oh silvery moon, that my arms embrace him, so that he, at least for a little while, might remember me in his dreams, so that he, at least for a little while, might remember me in his dreams. Give him light far away, give him light, tell him, tell, who waits here for him; give him light far away, give him light, tell him, tell, who waits here for him! Oh, if his human soul dreams of me, let this remembrance awaken him! Oh, moon, do not disappear, do not disappear, Oh, moon, do not disappear! V. Vecerni pisné, Op. 31 Evening Songs 1. Kdyz jsem se dival do nebe When I looked to the sky Through the gold little stars, It seemed to me that you are a saint and that I am a holy angel, And that I am a holy angel. I took the harp to my arms And sang songs to you, so that the songs of the saints fell silent And each one gazed on us, and each one gazed on us. But God the Father alone stopped for awhile in His creative plans, And it seems to me, and it seems to me, That a teary diamond ﬂowed down His cheek. �2. Vy mali, drobni ptackové You small, tiny little birds, you songdreamy sleepers, I wonder which of you will remember that I am dying in tears, I wonder which of you will remember that I am dying in tears? Dear little moon, stay in the sky so I may take delight in you; My love’s ardor has cooled down, we are suited to one another, My love’s ardor has cooled down, we are suited to one another. The last ﬂame is falling asleep, for me there remain only words: And yet I would fan it all again, I would be unhappy once more, And yet I would fan it all again, I would be unhappy once more. 3. Jsem jako lipa kosata I am like a full linden tree when dressing for a special occasion: You beautiful May rose, come here to my cool shade, You beautiful May rose, come here to my cool shade. Here each leaf breathes fragrance, here a swarm of little bees buzzes, In the evening little birds ﬂy here — those thoughts are mine, In the evening little birds ﬂy here — those thoughts are mine. They are ﬂying far away, like children leaving home: However, if you sit next to me, No more will they ﬂy away, no more will they ﬂy away. 4. Vy vssichni, kdo jste stisnéni All you who are downcast, come right now, come to me, Here take away from your shoulders the burden of hardship, and gently forget. I have founded here a realm of love, where friend is entwined with friend, And for all who have it in their hearts, it ﬂows in fair songs. Here the envious one doesn’t know a rival, here speech is like a sweet song, Here, the lion is a tame lamb, and birds of prey young doves. Here there are remedies for all hardships, here the heart forever grows young, Here the rose blossom doesn’t lose freshness, Here the rose blossom doesn‘t lose freshness, and there is no hostility. 5. Ten ptacek, ten se nazpiva That little bird, it sings so much, as if it were song incarnate; But whoever has love in his heart, don’t be astonished that he sings, Don’t be astonished that he sings! And the little bird, the one that knows how to speak like that from the heart and to the heart, (don‘t be astonished) that a man would barely keep from crying, that a man would barely keep from crying. When he will understand with his heart. But often it seems to me that I am his friend in sorrows, For even these songs of mine are only gentle laments. VI. Moravian Duets, Op. 32 A ja t i u plynu And will I run away from you on the dear Danube! And I have at home a ﬁshing pole that I’ll use to catch some little ﬁsh. And I’ll make myself into a wild pigeon, and I’ll ﬂy under the high sky. And I have at home some crows that will grab for me, that will grab for me some pigeons! And I’ll make myself into a big crow, and I’ll ﬂy to you on the Hungarian side. And I have at home a crossbow that will shoot at all the crows’ souls. And I will make myself into the little stars in the sky, and I’ll shine for the people on earth. And there are with us at home some astronomers that count the little stars in the sky. And anyway, you will be mine, or the Lord God will give you to me! V dobrym sme se sesli As friends we met, as friends we will part, and if, my sweetheart, mine, we will forget about each other? I will think about you, not only during the year, I will, my sweetheart, I will with each step, I will think about you with each, with each step. Slavikovsky poleéko maly She: The little Slavikovsky ﬁeld — we won’t, sweetheart, get married, we won’t, we won’t, that’s not possible, not even that ﬁeld, my sweetheart, your mother won’t give us. He: What is it to us what our mothers want, our mothers won’t rule over us. Only you, my girl, only you want me, just give me your little hand for good night. Holub na javore A little dove ﬂew on the ﬁeld to ﬁll up its craw. When he had ﬁlled his little craw, he sat under the maple tree. Under the maple tree my dear is embroidering a green kerchief. She’s embroidering on it a little wreath, for her sweetheart left her. She’s embroidering on it the blossom from a rose, for all the whole world has left her. All translations by Timothy Cheek �Binghamton University Music D epartment’s U PC O M I N G E V E N T S Tuesday, November 23 — Percussion Ensemble — 8 p.m. — Anderson Center Chamber Hall — free Wednesday, December 1 — Lecture/Recital with Jieun Jang, piano — 8 p.m. — Casadesus Recital Hall — free Thursday, December 2 — Holiday MidDay Concert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, December 2 — Harpur Chora le & Women’s Chorus — 8 p.m. — Trinity Memorial Church, Binghamton — free Friday, December 3 — Flute Studio a nd Flute Chamber Concert — 10:30 a.m. — Casadesus Recital Hall — free Friday, December 3 — Composer’s Concert (students o f Christopher Loy) — 8 p.m. — Casadesus Recital Hall — free Saturday, December 4 — University Sy mphony Orchestra: America’s Inner Life — 3 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staﬀ/seniors; free for students (Group rate $8 per person) Sunday, December 5 — Wind Symphony: Gathering o f Angels — 3 p.m. — Anderson Center Chamber Hall — free Sunday, December 5 — Violin Recital: Janey Choi, violin, Michael Salmirs, piano and guest artist Rebecca Ansel, violin — 7:30 p.m. — Casadesus Recital Hall — $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, December 9 — Jazz MidDay Concert with guest artist — 1:20 p.m. — Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 — Harpur Jazz Ensemble Concert with guest artist — 8 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staﬀ/seniors; free for students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) For ticket information, p/ease call the Anderson Center Box O ﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. 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If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Creator An entity primarily responsible for making the resource LeFebvre, Timothy Cheek, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/dfff34b3cd0fbfcd65047b625774d0d8.pdf 89314649581d799b67bd65581a1ba504 PDF Text Text BINGHAMTON B E R S I T XY Y H N 1 STATE U N IVE R S I T Y OF N EW YO R K ede D E P A R T M E N T THURSDAY MIDDAY CONCERT a ; o (14 YS RW b K ;4 K ;4 b Y \7’< €/ THURSDAY DECEMBER 2, 2010 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM Sonata for Trombone and Piano . . . . . . . . . . . . . . . . John Dangan (1930–1999) III. Rondo and Chorale William Marsiglia, trombone Pej Reitz, piano J i n g l e B e l l s . . . . . . . . . . . . . . . . . . . . . . . . . . . J a m e s L o r d P i e rp o n t arr. T. Blumenthal erry Christmas. . . . . . . . . . . . . . 00 vi English We Wisk Y o u M arr. Alec Wilder BU Low Brass Ensemble Kerianna Krebushevski, soprano ChaiKyou Mallinson, piano Donald Robertson, director Bill Marsiglia, Rob Menard, Drew Perotti, Mogana Jayakumar, Trombone Jay Bartishevich, Bass Trombone Matt Gukowsky, Tuba O Thou That Tellest Good Tidings to Zion . . . . . . . . . G. F. Handel Rudolphus Rubrinasus . . . . . . . . . . . . . . . . . . . . . . J o h nn y Marks Ve l v e tSh oes............................Ra n da11T h o mpson (1899–1984) Molly AdamsToomey, soprano ChaiKyou Mallinson, piano Christmas Candle. . . . . . . . . . . . . . . . . . . . .Eliner Remick Warren Mary Burgess, soprano William James Lawson, piano ) (19001991) Hannukah Prayer for Children . . . . . . . . . . . . . Ryan Brechmacher and lan Pomerantz . . . . . . . . . . . . . . . . Frederick Silver The Twelve Days o f Christmas . Members of the Harpur Chorale Peter Brown, director e J o y T o T h e W o r l d . . . . . . . . . . . . . . . . . . . . . . . . . . . r e H arr. T. Blumenthal D e c k T h e H a l l s . . . . . . . . . . . . . . . . . . . . . . . . . . e . . . . . 0 l d Welsh arr. T. Blumenthal T h e F i r s t N o e l . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franz Gruber arr. Alec Wilder (19091985) arr. Philip Brunelle The Canterbury Choir Willam James Lawson, piano Peter Bush, Claude Cornwall, Benjamin Elling, Russell Feinstein Kent Lo, David Pastor, Edward Shephard, Daniel Romberger Wm. Clark Snyder, Shane Thorn, Joshua Thorpe, Phil Westcott OHolyNight............................AdolpheAdam Victoria Cannizzo, soprano Jonathan Biggers, piano teri Irin. « i n t Jonathan Biggers, piano Pej Reitz, piano ANGSSON i RETO (1908–1975) �Bingha mton Univers ity Music D epartme nt’s U PCO M I N G E V E N T S Thursday, December 2 — Harpur Chorale & Women’s Chorus — 8 p.m. — Trinity Memorial Church, Binghamton — free Friday, December 3 — Flu te Studio an d Flute Chamber Concert — 10:30 a.m. — Casadesus Recital Hall — free Friday, December 3 — Compose r’s Concert ( students o f C hristopher L oy) — 8 p.m. — Casadesus Recital Hall — free Sunday, Dec ember 5 — W ind Sympho ny: American Variations, h onoring veterans and serving mili tary — 3 p.m. — Anderson Center Chamber Hall — free Sunday, Dec ember 5 — V iolin Recital: Janey Choi, violin, Michael Salmirs, piano and gu est artist Rebecca Ansel, violin — 7:30 p.m. — Casadesus Recital Hall — $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, December 9 — Jazz MidDay Concert wi th guest arti st — 1:20 p.m. — Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 — Harpur Jazz Ensemble Concert with g uest artist — 8 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staﬀ/seniors; free for students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, December 10 — Singing Chinese Class Recital jo ined by the Beginning C hinese Flute Class — 7 p.m. — Casadesus Recital Hall — free Saturday, December 11 — Amahl an d the Night V isitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Sunday, Dec ember 12 — Amahl and t he Night Vis itors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, Dec ember 13 — “Italian Nigh t” Class Rec ital (Maria Co ok, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free For ticket information, p/ease cai/ the Anderson Center Box Oﬀice at 777ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:50:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146414">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146414</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, December 2, 2010 Recital Tape 2010-12-2 Description An account of the resource Works by Dangan, Thompson, Handel, Waren. Silver Creator An entity primarily responsible for making the resource Marsiglia, William Reitz, Margaret A Krebushevski, Kerianna Mallinson, Chai-Kyou Adams-Toomey, Molly Burgess, Mary Lawson, William-Jacobs Menard, Robert Perotti, Drew Jayakumar, Mogana Bartishevich, Jay Gukowsky, Matthew Bush, Peter Cornwall, Claude Elling, Benjamin Feinstein, Russel Kent, Lo Pastor, David Shephard, Edward Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9acded826206905fb21d7c34015c2711.pdf fc478d6ce0c46f378a0815438eb68bb3 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K wdee (4 D E P A R T M E N T A H O L I D A Y CHORAL C ONCERT THE WOMEN’S CHORUS Bruce Borton, conductor Jushin Choi, graduate student conductor William Lawson, pianist T HE H ARPUR CHORALE Peter Browne, conductor and organist Thursday, December 2 " , 2010 8:00 p.m. Trinity Memorial Church Binghamton, New York �PROGRAM L III. Peter Warlock (1894–1930) Tyrley, Tvrlow (Three Carols)........................... Stephen Paulus (b.1949) Hallelu .. Traditional Latvian Arr. Andrejs Jansons Two Latvian Carols Maria Wiegenlied.................................................. Jushjn Choi, conductor B e Bells Z. Randall Stroope (b.1953) There is no Rose Traditional Yiddish Arr. Elliot Levine Three Channukah Songs Mi zeh hidlik Boruch ate, zingt der tate Gut yontef aykh kinder Mark Rossnagel, organ ti ..........Morten Lauridsen O magnum Mysterium (b. 1943) o .. William Mathias (1934–1992) A Babe is Born............ Max Reger (1873–1916) M. Leontovitch (1877192 1 ) 4 Chanukah Prayer for Children Adam Hess, bass i 4, j 4 i i Ryan Brechmacher and Ian Pomerantz Baruch Cohon Arr. W. Ellen Fleischmann Al HaNisim Good King Wenceslas............................... 1 I The Twelve Days After Christ mas II. Improvisation on “Adeste Fidelis Peter Browne, organ Marcel Dupre (1886–1971 ) from Piae Cantiones Arr. Reginald Jacques ( 1 894–1 969) Nuala Gaﬀey, soprano Alexander Turo, baritone Good King Kong Looked Out Th e Women ’s Chorus Bruce Borton, conductor William Lawson, piano Antonio Vivaldi (1680–1743) Gloria in Excelsis Deo (Gloria in Dma) Th e Ha r pur Chorale Peter Browne, conductor P.D.Q. Bach ( 1 8081742)? Frederick Silver (b.1936) �S TRANSLAT IONS Ziemas svet ki sa brauk usi Lo, behold a sleigh is coming, stall ion prancing, bells jingling. Hurry, children, wait no more, Winterfest is at the door. Look and see how nobly dressed is the steed of Winterfest: Golden reins and ribbons streaming, diamonds in the bridle. O ’er the hilltop God is slowly riding, gently guiding, Light the way with ﬁres. Bring him into your humble dwelling. Balts sniedzins snieg uz sku jinam A gentle snow is on the ground, on bush and tree. The sleigh bells jingle and I am happy. Tonight I feel my spirit ﬂy into the heavens Where angels sing on golden clouds and pearly seas. Tonight I feel that I could be like the heavenly angels, And shine like sta rs above the worl d and those I love. I am happy as a child can be, surro unded by family. I am ﬁnely dressed for Christmas E ve and feeling blessed. I feel content and whole, my heart is ﬁlled with delight. Will it always be this way? Or will it change? G ut yontef aykh, k inder We come to you children, with gre etings heartfelt: a dreidel, a candl e, and Chanukah gelt. l l ~ O magnum Mysterium O great mystery and wondrous sacrament, That animals should see the newborn Lord lying in their manger! Blessed is the Virgin whose womb Was worthy to bear the Lord Jesus Christ. Alleluia! AI HaNisim For the miracles and the wonders, For the redemption and the battles t hat you made for our forefathers, In those days at this time. M i ze hidlik Boruch ate, zing t d e r t at e “Blessed art Thou ” the father sings as he lights the candles. And the mild. del icate light falls upon his pale face. A ﬁre that ’s holy and precious shines in his eyes: And this stooped, tired man begins to stand erect. And it seems to me — and we believe it — There still is som ething here, there remains much to love. The hour is a hol y one. Old sounds, long forgotten? But no, they are still resounding. Sing father, “Boruch Ate. . I am still your child. Gloria in excelsis Glory to God in the Highest. Chan ukah P rayer Maoz tzur Rock of ages. Y’shuati l’cha naeh let our song praise L ‘shabeiach your saving powe r. M a ri a Wiegenlied Mary sits in the rose bower, rocking her Jesus Child, Softly through the foliage the warm wind of summer blows. At her feet there sings a brightlypl umaged bird: Go, sweet child, to sleep, go now to sleep! Lovely is your sm ile. lovelier your slumber’s joy, Lay your weary l ittle head close to your mother’s breast, Go, sweet child, to sleep, go now to sleep! Who is it who has lit these thin candles like stars abo ve. The children themselves know that today is Chanukah. Every happy candle, every dear candle, burns, hints, sparkles. The children stand around and thei r joy is boundless. I am a dreidel, I lose and I win, With a nun and a gimel a hey and a shin. I am a candle, I burn and give light, To brighten this dark world for us on this night, I ’m Chanukah gelt, you can keep me to day But tomorrow to poor friends please give me away. We come to you children . . . I 1 �T H E WOMEN’S CHORUS Bruce Borton, conductor m ton t uniy m om r e) Cingha {~') B Orchestra William Lawson, performance pianist Jushin Choi, student conductor and rehearsal accompanist Elyssa Ackerman Molly AdamsToomey Sophie Bass Carrie Buck Jiaying Cheng Meredith Collins Rebecca Dinhofer Annie Ferro Sheena Finlayson Samantha Grieco Ashley Grumman Briana Hanson Ashley Koo Bora Lim Stephanie Naru Jessica Pyne Hayley Rein Julia Rose Christine Scherer Siobhan Sculley Hyeyon Seo Hannah Wentz The Binghamton Community Orchestra 20102011 SEASON SCHEDULE Saturday, April 9, 2011, 7pm Sunday, November 21. 2010, 7pm Helen foley Theatre at Binghamton High School Sarah Jane Johnson Church Johnson City, NY with the Binghamton Youth Symphony Drchestra Barry Peters. Conductor Tim Perry, Conductor Frieda Abdo, Soprano Binghamton Community Orchestra Annual STMIA Winners Concert For more information: www.BCOrchestra.com, conductor@BCOrchestra.com or 607 7599004 T H E HARPUR CH ORALE Peter Browne, c onductor Women Men Michele Aronson llyssa Baine Samantha Banton Katie Besemer Tahnee Fallis Eliana Frim Nuala Gaﬀcy Alexandra Kirby Kerianna Krebushevski Yiting Liang Marisa Sweeney Samantha VanAdelsberg Mookey Van Orden Adam Demetros Brian Evans David Frey Matthew Francis Gawors Ariel Hausman Adam Hess Tomas Kerr Gabriel Lotto Gavin McClelland Glenn Parker Mark Rossnagel Joshua Rovou Joshua Setren Leander Tanner Alexander Turo l I I So met hing O l d Som ethi ng N ew A C om m un i ty Si ng wi t h Alice Pa rker Sarurday, October 16, 2010, 3:00 pm First P resbvtenan Church, 42 Chenango Street, B mton, N Y Fol k S on g I nsp i rat i ons l Durected by Anne Borer l S it’ , October 17, 2010, 4:00 ¢ Trinity M e m on a l Episcopal C . . . . ‘ 44 Maun Street, Bingh am ton, N Y l L essons a n d Carols for C h rist m as [ i l l l l : Cotten Saturday, November 2 7, 2010, . . p & Sunday, November h ‘ie HoleI ’m. " ' 346 P rospect Street Bingl C1 2010, 4:00 p m C hora l J our neys : D e pa rt u res. D esti nations a n d D rea ms Led by Bruce Borton. candidate for Arasuc Director aday, . Luci: 20, 2011, 4:00 A go S J ...B_ ' , 42 Ch resb . mm. Ch F A All’s Fair : Songs of Love & War Led by James S F Nibloc k, candidate for Artist ic Di s v, Mar 22 2011, 4 : pm Pies n C h 42C ango Street, o nt, N Y The Madrigal Choir of Bingham ton + 20102011 + 33rd Season For ticket information visit www.madr igalchoir.com or c all 6077294767 4 �Bingham ton Universit y M usic D epartmen t’s CCvents 2v C o na Friday, December 3 — F lute Studio and Flute Chamber Concert — 10:30 a.m. — Casadesus Recital Hall — free Friday, December 3 – Composer’s Concert (students of Christopher Loy) — 8 p.m. — Casadesus Recital Hall – free Saturday, December 4 — University Symphony Orchestra : America’s Inner Life — 3 p.m. – Osterhout Concert Theater — $10 general public; $5 faculty/staﬀ/seniors; free for students (Group rate $8 per person) Sunday, December 5 — W ind Symphony : American Variations, honoring veterans and serving military — 3 p.m. — Anderson Center Chamber Hall – free Sunday, December 5 — Violin Recital : Janey Choi, violin, Michael Salmirs, piano and guest artis t Rebecca Anse l, violin — 7:30 p.m. — Casadesus Recital Hall — $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, Dece mber 9 — Jazz MidDay Concert with guest artis t — 1:20 p.m. — Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 — Harpur Jazz Ensemble Concert w ith guest artist — 8 p.m. — Osterhout Concert Theater — $10 general public ; $5 faculty/staﬀ/seniors ; free for students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, December 10 — S inging Chinese Class Recital joined by the Beginning Chinese Flute C lass — 7 p.m. — Casadesus Recital Hall — free Saturday, December 11 — Amahl and the N ight Visitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Sunday, December 12 — Amahl and the Night Visitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, December 13 — “Italian Night” C lass Recital (Maria Cook, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free For ticket information, . AR TS please call the Anderso n Box Oﬀice at 7 77 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:05:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146576">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146576</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale and Women's Chorus, December 2, 2010 Recital Tape 2010-12-2b Description An account of the resource Works by Warlock, Paulus, Wiegenlied, Reger, Leontovitch, Stroope, Vivaldi, Mathias, Jacques Creator An entity primarily responsible for making the resource Choi, Justin Borton, Bruce Lawson, William-Jones Browne, Peter Hess, Adam Gaffey, Nuala Turo, Alexander Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/83d21fc4339ae9f1b2b213e7b3b0e7db.pdf 35a2d09d92a8933a58868adb20a7385e PDF Text Text COMPOSITION SEMINAR STUDIO RECITAL Music from the Seminar original compositions by students of Christopher Morgan Loy Friday, December 3, 2010 8:00 p.m. Casadesus Recital Hall �i i SMmﬁfhmﬂkSmmwr W a m ﬁ j m g w m c q Shane T. Thorn E i I Saw I t On the beadihont eﬀects Shane T. Thorn Electricity: The Alphabet and You Shane T. Thorn D I O N T a n . V i : Christopher Morgan Loy, piano Kenrick Georges RR AN Thee S Steven Zank, piano David Gaita Meditations Shane Thorn, viola ; David Ga ita Meditations In Meditations, the enlightened one reaches an Indescribable state, which like a dream, Is forgotten upon waking. David Gaita How Sweet the Sound David Gaita, piano Shane T. Thorn Prelude for Viola Is essentially In the mold of any of the preludes one would ﬁnd at the beginning of a suite for violin or cello/viola by 1.S. Bach, the formal model for the piece. Tonally, however, the piece derives its content from the two whole tone modes, with slight alterations at points of cadence to create a sense of closure, though only on a momenttomoment basis, as there is no single tonal center to the work. I I Carroll Street at Dusk Lyndsey Meyer, alto saxophone James Mayr, clarinet David Galta, piano Maxim Pekarskiy Nuvoletta Kenrick Georges, trumpet David Galta, piano Kristine Beckmann, contrabass David Gaita Stan Burt, tenor sax David Galta, piano Kristine Beckmann, bass A B O U T Shane T. Thorn Air For Viola and Piano Is an arrangement of an orchestral piece I being In a more or composed several months ago. I t Is fairly straightforward, less neoromantic style, In the key of D ﬂat major. Shane T. Thorn Prelude for Viola Shane Thorn, viola l ctronci s/eﬀects Shane Thorn, voci e/ee ‘ Kenrick Georges The Image Of A Garden Laura MacAvoy, soprano Christopher Morgan Loy, piano Letting Go David Gaita Piano Duo David Gaita, piano Michael Salmirs, piano : 1 III ] i r PROGRAM lr For Viola and Piano A Shane Thorn, viola E ! l Kenrick Georges { David Gaita How Sweet the Sound A drunken man In moumlng sings “Amazing Grace” at the top of his lungs. Screeching and out of tune, i t i s beautiful. �Ma xim P ekarslriy usk Carroll Street a t D Carroll Street Is a street in downtown Brooklyn where I took my ﬁrst fencing lessons. I was fourteen, and my long trips up to the club were one of the ﬁrst things I really did all on my own. I would walk back to the train station a t dusk after an Intense practice and feel a sense of accomplishment, of internal peace. “Internal peace?“ you might ask, “what does a fourteen year old have to worry about?” I was proud to see my fencing come together with the hard work I put in, I was excited at the prospect of coming home almost at midnight, and being as the ﬁrst time I didn’t so In control of where I was and what I was doing. I t w feel like a child anymore. When I begin a piece of music, the ﬁrst thing I consider Is the mood, an atmosphere I’d like to convey. These long walks to the subway station through Carroll Street bring back memories of growing up I never want to let go. As a student composer, I am constantly trying to break out of the simple harmonic structure I am accustomed to. This jazzy trio was a great opportunity to step outside the usual tonal progressions that I work with and forget about what the underlying key Is. Moreover, I wrote i t c ompletely away from the computer another rare and rewarding experience. By their nature, 7, 11, and i ! 13 chords allowed me to change keys while retaining common notes between the as a great experience to be able chords. While the piece Is undoubtedly tonal, i t w to let go of worrying about every chord I’m working with and swim In this sea of smooth transitions and common tones. Though Initially, I expected to step out of my comfort zone while writing jazz since I have so little experience In this style, I actually discovered a whole another side of my composition in fusing calm, arpeggiated musical motifs with more traditional, syncopated jazzy harmonies. In the end, this piece is more intimate to me than a lot of my previous, harmonically constricted works. David Gaita Nuvoletta *..And into the river that had been a stream (for a thousand of tears had gone eon her and come on her and she was stout and struck on dancing and her muddled name was Missisliﬀi) there fell a tear, a singuit ean for those crylove fable fans who are ‘keen’ tear, the loveliest of tears ( I m on the prettypretty commonface sort of thing you meet by hopeharrods) for i t was a leaptear.” James Joyce, Flnnegans Wake David Gaita Piano Duo Computers chant and seas sings. The war between technology and nature never began and will always be. Shane T. Thorn n the Boadifront Is a prerecorded piece made entirely from my I Saw I t O voice, with studio alterations/eﬀects. The text is entirely improvised. Shane T. Thorn Electricity: The Alphabet and You Is a mostly prerecorded piece made using several sound generations and editing programs available to me, as well as text of my own composition. I t employs a microtonal system of harmony derived from a division of the octave into twentysix equal parts ; In other words, a twentysix tone equally tempered scale. The possibilities for this are wideranging Indeed... I J �A B O U T Shane Thorn Is a native of the Binghamton area, and attended Susquehanna Valley High School In Conklln, NY, before coming to BU. He Is now a Senior majoring In Music composition, which he has studied with Paul Goldstaub and Christopher Morgan Loy. He has played extensively In the University Orchestra In addition to chamber music groups on campus, has studied viola, voice and piano, and sings In the Canterbury Choir and University Chorus. He has also studied creative writing, piaywritlng, and * MIDI. His Interests as a creative artist extend beyond the boundaries of the concert hall, and he is currently exploring directions In performance art and literature. The world of dreams and the subconscious, as well as the most basic pattern recognitions of the brain and the lnstlnctuai associations we make through experience ls of great Importance. Da vid Ga ita Is a sophomore at Binghamton University, majoring In music and biology. He plans to pursue a career In medicine. He has been playing piano for twelve years, and composing for two. He currently studies piano with Professor Salmlrs. He Is also an artist and poet under the name Escobar Marzapan. Ma xim P eltaroldy ls currently a junior a t Binghamton University pursuing a double degree In music composition and ﬁnancial economics. A classically trained violist, Maxim’s early music training was spent playing the symphonies of the greats and lots (and lots) of Bach. A successful collaboration at the Interlochen Arts Festival In Michigan sparked Maxim’s Interest in ﬁlm music and opened up his musical horizons. He Is now writing as much jazz, rock, and ambient electronica as he does orchestral music. Maxim hopes to pursue a career In ﬁlm scoring. He has studied viola with Richard Spencer and Roberta Crawford, and composition with Paul Goldstaub and Christopher Morgan Loy. Outside of music, Maxim enjoys fencing, the study of decision making, and meeting people from faraway places. t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:16:41 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146579">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146579</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Composition Seminar Recital, December 3, 2010 Recital Tape 2010-12-3 Description An account of the resource Works by Thorn, Georges, Gaita Creator An entity primarily responsible for making the resource Loy, Christopher Thorn, Shane Gaita, David Pekarskiy, Maxim Georges, Kenrick Zank, Stephen MacAvoy, Laura Meyer, Lindsay Beckmann, Kristine Burt, Stan Salmirs, Michael Mar, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound