116 10 1775 https://omeka.binghamton.edu/omeka/files/original/e0018e4624b8d046adc1b7cc2733f42e.pdf 3fa7671f3b8b82851bfe83495405fbbf PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  UNIVERSIT Y  O F  NEW YORK zed eC D E P A R T M E N T Sho red W nd i Symphony PRESENTS AMERICAN VA R I AT I O N S HONORING VETERANS AND ACTIVE MILI TARY FEATURN IG THE BU SAXOPHONE ENSEMBLE Sunday, December 5, 2010 3:00 PM Anderson Center Chamber Hall �The Musicians Robert G. Smith, Piccolo Music Director and Conductor Kathleen Spelman Rebecca Falik Program The Star­Spangled Banner................... .......... ..arr. Jack Stamp A love song for our country (b. 1954) commando March......................ccceeeeeenennen.....Samuel Barber (1910­1981) legy ForA Young American()..........................Ro nald LoPresti (1933­1985) \ Gathering of Angels.  Jared Spears (b. 1936) :termal Father, Strong To  Save.  ..Claude T.  Smith (1932­1987) ­ Intermission ­ ’ a s t i m e :  Salute to Baseball.............................. ...Jack Stamp (b. 1954) itephen Foster Revisited . Stephen Foster o  The BU Saxophone Ensemble (1826­1864) arr. Bill Holcomb Christopher Murdock, soprano saxophone Andrew Block, Alex Horspool, alto saxophones Bradley Alder, Raymond Hendricks, tenor saxophones Dean Papadopoulus, baritone saxophone Professor April Lucas, director ’ariations on “America”. . ...... .  Composed for organ in 1891 .  Flute I E m i l y  Morris, principal Mark Zhuang Lindsay Ralbovsky Kathleen Spelman 3Clarinet rd Bb  Kevin Hannon, principal B b  Bass Clarinet Carolina Montenegro 2nd Bb Trumpet Nick Quackenbush Peter Schwarz Eb Alto Saxophone I Chris Murdock, principal Lauren Ross­Hixson Flute II Raquel Goldsmith Judy Kahn Kimberly Horn Rebecca Falik E b  Alto Saxophone II Christina Peregine Anthony DeGelorma RECORDER Alexander Baron Oboe Kimberly Muller Sun Hao 1st Bb Clarinet Kerry Goodacre, co­principal Jaclyn Adler, co­principal Sophia Schneiderman Alex Horspool Charles Ives ( 1874­1    9 54) Orchestral transcription by Wm. Schuman(1963) Wind Band transcription by Wm. Rhoads he Stars and Stripes Forevever................. ....John Philip Sousa (1854­1932) Olivia Santoro 3rd B b  Trumpet Samuel Weintraub Brian Lee John Marschhauser Russell Feinstein Kevin Koes Bb Tenor Saxophone Bradley Alder Eric Seaman Stephen Kassinger EBaritone b  Saxophone Dean Papadopoulus Toni Bruno F  Horn Carrie Buck 2nd B b  Clarinet Mark Dello Stritto Abbey Cohen Vanessa Kay 1st Bb Trumpet David Morrissey Gregory Norman Trombone Drew Perotti Trombone Derek Moran Trombone Matthew Kratenstein Euphonium Andrew Kaufman TUBA Matthew Gukowsky Percussion Benjamin Ramos Mike McManamon Rose Steenstra John Erdman Adam Goldenberg �ROBERT G. S MITH is Music Director and Conductor of the University Wind Symphony.  Prof. Smith also teaches advanced instrumental conducting and graduate wind conducting at BU.  His career includes 32 years as a public school music educator. He conducts the annual Triple Cities TubaChristmas and is former conductor of the Maine Community Band, the oldest band of its kind in the United States. He has guest conducted all­county bands throughout New York State. Among other ensembles Smith has conducted are the Goshen College(IND) Wind Ensemble and Orchestra, The United States Army Ground Forces Band(GA), the  Southern Tier Concert Band(NY) and the Vestal Community Band(NY).  An active performer, he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet.  Smith is past president of the Broome County Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award.  Professional memberships include The Broome County Music Educators Association, the New York State School Music Association, the Music Educators National Conference, The National Band Association, The Association of Concert Bands, The Conductors Guild, The World Association of Symphonic Bands and Ensembles, The College Band Directors National Association and the International Tuba and Euphonium Association. Comnig “Censt Sunday, December 5 – Violin Recital: Janey Choi, violin, Michael Salmirs, piano and guest artist Rebecca Ansel, violin – 7:30 p.m. – Casadesus Recital Hall –­ $10 general public; $5 faculty/staff/seniors; $2 students Thursday, December 9 – Jazz Mid­Day Concert with guest artist – 1:20 p.m. – Osterhout Concert Theater – free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 – Harpur Jazz Ensemble Concert with guest artist – 8 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staff/seniors; free for students (Co­sponsored by the Binghamton University Music Department I and the Harpur Jazz Project) Friday, December 10 – Singing Chinese Class Recital joined by the Beginning Chinese Flute Class – 7 p.m. – Casadesus Recital Hall ­ free Saturday, December 11 – Amahl and the Night Visitors – 3 p.m. & 5 p.m. – Anderson Center Chamber Hall – $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) ' Sunday, December 12 – Amahl and the Night Visitors – 3 p.m. & 5 p.m. – Anderson Center Chamber Hall – $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, December 13 – “Italian Night” Class Recital (Maria Cook, Instructor) – 8:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center B ox  O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:34 32:17 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146582">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146582</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony, "American Variations," December 5, 2010 Recital Tape 2010-12-5 Description An account of the resource Works by Stamp, Barber, LoPresti, Smith, Foster, Sousa Creator An entity primarily responsible for making the resource Smith, Robert Lucas, April Murdock, Christopher Block, Andrew Horspool, Alex Alder, Bradley Hendricks, Raymond Papadopoulos, Dean Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:45:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146586">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146586</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tahnee Fallis Graduate Conducting Record January 30, 2011 Recital Tape 2011-1-30 Description An account of the resource Works by Handel, Beethoven, Rutter Creator An entity primarily responsible for making the resource Fallis, Tahnee Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-01-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d67ec8422639a0cb92cb5895aab488b1.pdf d6aa4e580a0426916de53d6350fb7075 PDF Text Text BINGHAMTON A N I Y  E R D L I L Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K d e c [4 D E P A R T M E N T EARLY O N Peter B rowne, keyboards Barbara Kaufman, recorders Christina Salasny, soprano Stephen Stalker, cello Paul Sweeny, guitar ' \ ] February 4, 2011 8:00 p.m. Room 21, Fine Arts Building �PROGRAM dro Scarlatti Cant ata: Clori Mia Clori Bella..............................Alesan (1660–1725) Recitative:  Clori mia, clori bella  Aria :  Onde chiare Recitative:  Si, si, narrar egli pur bell’ onde amichi Aria :  Parla parla il cor fa tto loquace soprano, alto recorder, cello, guitar, harpsichord nnn Merula Can zona La Pighetta.................cccccevvvveeeeeneennnn (1595–1665) soprano recorder, cello, guitar, harpsichord hn Dowland Can She Excuse My Wrongs............c..cccce................JO(1563–1626) Sorrow Stay  Wilt Thou Unkind thus Rea ve Me? Lasso Vita Mia soprano, guitar, alto recorder, cello ..... . Barsanti Sonata III in g mino r.... ..... ..... ..... ..ce eee evn nn.. (1690–1755) Adagio  Allegro Largo Gavotta Minuet alto recorder, cello, harpsichord Three Ricercari:  Nos. 6, 1, & 3  Domenico Gabrielli (1659–1690) solo cello 0 eorg F. Handel Cant ata:  Nel Dolce Dell’oblio. .  ...........................G (1685–1759) Recitative: Nel dolce dell’oblio  Aria :  Giache il  sonno a lei Recitative:  Cosi fida ella vive Aria :  Ha l ’inganno iI suo diletto soprano, alto recorder, cello, guitar, harpsichord �TEXTS &  INTERMISSION  a CLORI MIA, CLORI BELLA Peter Hurford (B.1930) From: Laudate Dominum Scherzo Meditation Processional organ solo Cello Suite No. 1 Canto primo (sostenuto e Iargamente) Fuga:  Andante moderato Lamento:  Lento rubato Canto secondo (sostenuto) .. Benjamin Britten (1913­1976) I  I solo cello Five Quiet Songs Dirge In Woods Silence An Epitaph Omar’s Lament The Birds Divertimento (1964) Prelude Air Festivo Soliloquy Finale ...... John Duarte (1919–2004) soprano, guitar John Graves Mario Mascarenhas Early On 3. Recitative Clori, my beautiful Clori, Ah! Mine no longer; Clori who loved me so much, and whom I loved, now flees me in disdain and says continually, “I shall detest you as much as I used to love you.” Friendly waters of the Tiber, tell her that I love her so much, that your waves are increased by my weeping. Yes, tell her, friendly waves, that my heart speaks thus, driven to our banks by the cruelty of my suffering. Thus on my lips speaks my heart My lips O Clori, do not tell of their torment, overcome by grief, but the sighing of my heart tells you all too much and yet you do not hear. 2.  Aria 4.  Aria Crystal waters, which scatter tears of silver murmuring on your beautiful shores, I beseech you, do not keep silent ; if weeping stirs you, gather my tears into your waves My heart speaks, made eloquent in describing to you its pain. And with the language of sighs, you know that it speaks of peace. to make known my torment. alto recorder, piano Papagaio Embriagado 1.  Recitative I 1 Lasso Vita Mia Alas my life makes me to die, cruel love consumes my heart with a thousand wounds which make me die. Ah me, alas, cruel love does not let me die but makes me suffer a thousand torments. �Nel Dolce Dell’Oblio 1.  Recitative:  In sleep’s sweet forgetfulness while you are sleeping, my beloved Phyllis watches with her thoughts. And in night’s stillness, love will not allow her to rest but in different ways disturbs her peace while she is sleeping. 2.  Aria: Around her restless bed hover visions of her beloved. Dreaming she sees her love, hurries to embrace his chains. 3. Recitative: Thus, faithful she lives, faithful to the heart she loves. And in darkness, though lying, he breathes the light of that sun for which he is sighing. 4.  Aria: To embrace in sleep’s deception that dear form for which we grieved. O delight beyond belief! But to wake up from this dream of gladness and joy, to discover all was madness, our grief is past belief. FIVE QUIET SONGS 3.  An Epitaph (Walter De La Mare) Here lies a most beautiful lady, light of step and heart was she.  I think she was the most beautiful lady who ever lived in the West Country.  But beauty vanishes, Beauty passes; however rare, rare it be.  And when I crumble, who will remember the lady from the W est Country? 4.  Omar’s Lament (Edward Fitzgerald ­­ trans. Rubaiyat of Omar Khayam) Alas, that Spring should vanish with the rose!  That youth’s sweet­ scented manuscript should close!  The nightingale that in the branches sang, ah, whence and whither flown again, who knows? Ah love! Could thou and I with fate conspire to grasp this sorry scheme of things entire, would we not shatter it to bits and then remould it closer to the heart ’s desire, the heart’s desire. 1.  Dirge in Woods (George Meredith) A wind sways the pines, and below not a breath of wild air; still as the mosses that glow on the flooring and over the lines of the roots here and there. The pine tree drops its dead; they are quiet as under the sea; overhead rushes life in a race, as the clouds the clouds chase, and we go, and we drop like the fruits of the tree:  Even we, even so. 2.  Silence (Thomas Hood) There is a silence where hath been no sound; There is a silence where sound may be; in the cold grave, under the deep, deep sea, or in a wide desert where no life is found, which hath been mute and still must sleep profound. No voice is hushed, no life treads silently; but clouds and cloudy shadows wander free, that never spoke, over the idle ground. But in the green ruins in  the desolate walls of antique palaces where  . man hath been, though the dun fox, or wild hyena calls and owls that flit continually between shriek to the echo, and the low wind moans; there the true silence is, self conscious and alone. 5.  The Birds (Hilaire Belloc) When Jesus Christ was four years old, the angels brought him toys of gold which no man ever bought or sold; and yet with them he would not play.  He made him wild fowl out of clay, and blessed them till they flew away:  Tu creasti Domine, O, Jesus Christ, Thou Child so wise, bless mine hands and fill mine eyes, and bring my soul to Paradise. �Binghamton Univer sity Music Departme nt ’s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, February 17  — Organist  Jonathan Biggers — A Bach Celebration!! Series — 8 PM — FA21 — $10 general public; $5 faculty/ staff/seniors; $2 students Friday, February 18 — Organist Jonathan Biggers — A Bach Celebration!! Series (11/ 17 repeat performance) — 4 PM — FA21 $10 general public; $5 faculty/staff/seniors; $2 students Saturday, February 19  — Master’s Recital : Cabiria Jaoobsen, mezzo­soprano — 3 PM — Casadesus Recital Hall — free Thursday, February 24  — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, February 26 — University Symphony O rchestra : Vive Ia France — 3 PM — Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students Sunday, February 27 — Wind Symphony Concerto and Aria Competition  — 6:30 PM — Casadesus Recital Hall — free Thursday, March 3 — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, M arch 5 — Junior Recital : Mark Rossnagel, orga n — 3 PM — First Presbyterian Church, Binghamton — free Sunday, March 6 — Win d Symphony : Passacaglia (Homage on B­A­C­H) — 3 PM — Anderson Center Chamber Hall — free Thursday, March 10  — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free For ticket information, please call the Ander son Center Box Office  a t  7 77­A R TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:04:01 45:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146589">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146589</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early On, February 4, 2011 Recital Tape 2011-2-4 Description An account of the resource Works by Scarlatti. Merula, Dowland, Gabrielli, Hurford, HAndel, Britten Creator An entity primarily responsible for making the resource Browne, Peter Kaufman, Barbara Salasny, Christina Stalker, Stephen Sweeny, Paul Morris Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/de1ac8eb5602e2316879c2b114fde6f2.pdf 3c6a1a85322a05b7a1906e024c505946 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  1  T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K zedec D E R A   R T  M E N T THURSDAY MID ­DAY  CONCERT U“ y  SS S A M”?  "  , a h  N‘\ « 5, S e THURS DAY, NOVEMBER 18, 2010 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM In  this  program  we  present  an  afternoon  of  dance­drumming  from southern Ghana. These ensembles are the collective work the Beginning and  Advanced  sections  of  African  Dance  (THEA  2891/3891;  AFST Beginning African Dance Class/ N u kporfe African Music Ensemble IV. Gahu. Gahu is a neo­traditional dance that h as been adopted and adapted  by the  Ewe people of Ghana. It  is an offshoot of the Gome dance, a Pan­Atlantic African dance form that emerged in the  19th  century  from  the  synthesis  of  European  hymns  and marches  with  West  African  musical  sensibilities.  The  name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and cele bration. V. Kpatsa. This dance comes from a neighbori ng group of the Ewe, known  as  the  Ga­Adangbe.  They  share  many  linguistic  and cultural  affinities  with  the  Ewe,  and  these  two  groups  have historically  interacted  with  each  other.  The  characteristic 289J/389J) and the African  Music  Ensemble (MUS  143B/MUSP 257; AFST  188B).  These  courses are  offered  each  semester  through  the Departments of Africana Studies, Music, and Theatre Dance. Advanced African Dance Class / N u kporfe African Music Ensemble Processional from  the dance Agbekor. These  first three  pieces present the dance Agbekor, a war dance of the Ewe people of Ghana.  As the  drummers and dancers proceed  to  the  stage  in traditional fashion, they sing a war song that calls the warriors to battle against the  European colonial  powers. The second song memorializes  the  great  warrior  Kundo  who  led  warriors  into battle and has been killed. The movements imitate moments of the  battle,  and  follow  the  drum  language  of  the  lead  drum, atsimevu. L II. III. Preludes from the dance Agbekor. These short dance interludes introduce  the  solo  dance  section  that  follows.  Both  of  these pieces  are  among  the  most  technically  demanding  works  in traditional African music. The accompanying music is played in a sharp presto tempo between 190–200 beats per minute, and the musicians must maintain their highly syncopated musical  lines that tend to fall between the beats. The communication between the  lead  drummer  and  dancers is absolute­ every note  cues a movement or gesture. Solo dance flights from the dance Agbekor. The following ten solo dance movements feature a combination of the dance class and Nukporfe. Each sequence is introduced  by the lead drum, and is completed with a turning movement. \ IJ — V E . b Re di   B e   AP S — v­— oi n   o ­  N 2 \ movement  of  K patsa  is  a  limping  gait  that  imitates  the movements of dwarfs, a magical  race of beings which  inhabit rural areas in Ghana. These movements were embellished with dance  combinations  and  eventually  became  a  social  and recreational  dance  known  as  Kpatsa,  whose  name  is  an onomatopoeic reference to the movement of  dwarfs. N u kporfe African Music E nsemble VI. Togo  Atsia.  This  dance  piece  is  made  up  of  a  series  of choreographed dance sequences known as atsia. These sequences are cued by drum language phrases [vugbe ] played by the lead drummer on atsimevu — the tall  drum leaning on the stand — which are answered by the response drum  kidi — the medium– sized drum. In  the  1960s, expert choreographers and drummers in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisa movements into a performance piece, whic h they dubbed Togo Atsia, in recognition of their origin within E we groups in Togo. VII. Sohoun.  Sohoun  is  an  Ewe­Fon  sacred  dance  used  to  open  a ceremony of the Yeve shrine. The original m ovements danced at the shrine inspired the choreography for t his folkloric  version, created by Dr. Opoku for the Ghana Dance Ensemble. �PERFORMERS Dances Directed and Choreographed by Pierrette Aboadji, Department of Theatre Dance B E G I N N I N G  DANCE­CLASS Caroline  Castro,  John  Charitable,  Luella  Cheng,  Comeisha  Clarke, Jasmine Davis, Nikita Felix, Cristhian Gonzalez, Akilia G reen, Katherine Hall, Ka­Deva Higgs, Farina Jaw, Jianell Jimenez, Aman da Kan, Ryan Kardian, Rachel  Kreutzer, Young Min  Lee, Mei  Li, Wan Hua Li, Htet Lin,  Saul  Nadel,  Kaitlyn  Orr,  Bianca  Parris,  Macarry  Pobanz,  Jenna Salner,  Simone  Scott,  Racquel  Stephenson,  Regina  Thomas,  Symone Wilkinson, Sin­Woong Yun. A D V A N C E D  D ANCE­CLASS Seth  Awotwi,  Vanessa  Ayivi,  Marjhana  Blaise,  Derreck  Boateng, Britney  Brandon,  Shykina  Brown,  Alexis  Bullard,  Keara  Caughman, Hye­Ra  Choi,  Taisha  Destin,  Maria  Gil,  Katherine  Green,  Starleana Holmes, Sangyun Kim, Ton ia  Kurian, Madelyn  Lantigua, Jehoon  Lee, Darwin Martinez, Sakia Miller, Miranda Nortey, Laila Octave, Abosede Ogunbiyi,  Alandra  Price,  Mamadou  Sanogo, Keneka Soares, Monique Thompson, C h uyi Wang, Paa Kwesi Yanful . NUKPORFE DANCERS Vera  Adutwumwaah, Alexandria  Blackman, Shantae Blount, Samantha Bolan, Megan Buah, Lydia G yampoh, Nickesha Kelly, Jul iana Kuffour, Mildred  Ngminebayihi,  Ferrian  Palmer,  Cherub  Ruiz,  Amber  Rivers, Kristen Donaphin, Kpoti Kitissou, Sarah Kuras. Drumming directed and arranged by James Burns, Departments of Music and Africana Studies N UKPORFE MUSICIANS Alex Craver, David Donaphin, Da Ham, Daniel Miller, Seongeun Gu, Wayne Papke, Lisbeth Pereyra, Michaela Pinnock, Stefano Quarta, Kyeong Min Shin, Keaton Rood, Adrian Soto Lopez, Jasmi ne Walker. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146593">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146593</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, November 18, 2010 Recital Tape 2010-11-18 Description An account of the resource Works by Agbekor, Gahu, Kpatsa, Sohoun Creator An entity primarily responsible for making the resource Aboadji, Pierrette Burns, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0c4dd6c57c2234e5952d616ac6fc8203.pdf bf736dce7aa3dada467fb574a8d0815a PDF Text Text BINGHAMTON U  N  T V  E  R  S  T T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K M E T  A zedec N STUDENT RECITAL D A N I E L  BESSEL, BASSOON W it h Pes  Reitz; Prano­ Martha Weber, Bassoon   llicott; Bassoon Pa i g e E Melinda Lewis; Bassoon S u n d a y ,  November 7 ,  2 0 1 0 2.00 p . m Casadesus Hal I �PROGRAM Sonata, Op. 168­ Bassoon and Piano  l. Allegretto Moderato  Camille Saint­Seans (1835­1921) Sonata­ Bassoon and Piano .......................... ..........Alvin Etler I. Moderately Slow  (1913­1973) IL. Fast III. Slow IV. Fast =INTERMISSIONcs Impromptu, Op. 35, N09 ..........Reinhold Gliere (1875­1956) Humoresque, Op. 35, N08 ..........Reinhold Gliere (1875­1956) Sonata in C minor­ Poco Adagio..................... E Son ata I. Cantabile  II. Spiritoso III. Largo IV. Allegro V. Vivace S Bach   (1685­1750) Johann Emst Galliard (1687­1749) I was a Teenage Bassoon Player ...David Carrol & John Miller Martha Weber, Bassoon Paige Elliot, Bassoon Daniel Bessel, Bassoon Melinda Lewis, Bassoon From the Studio of Martha Weber A B O U T Daniel Bessel is a senior at Binghamton University from East Meadow,  NY,  and  is  majoring  in  Management  with Concentrations in Marketing, Consulting & Leadership. Daniel currently performs with the Binghamton University Symphony Orchestra, and studies under the studio of Professor Martha Weber.  He has  previously  performed  with the Metropolitan Youth  Orchestra,  Long  Island  Youth  Orchestra,  Nassau­ Suffolk Wind Ensemble, All­County Orchestra’s, and studied under Mr. Bill Katz. Daniel is also currently involved in the BU Student  Ambassador  Program,  the  Professional  Business Fraternity Alpha Kappa Psi, and is a Marketing Assistant with the  Tri­Cities  Opera.  He  would  like  to  thank  his  teachers, family, and friends, for all their help and continued support. Hope you enjoy the show! Pej Reitz is a monster piano player  that graciously teaches at Binghamton University and Ithaca College.  We are so fortunate to be able to work with her. Paige Elliot studied with Edward Gobrecht during high school and here at Binghamton with Martha Weber.  She has performed in the Binghamton Youth Symphony Orchestra, All State, Area All State and BCMEA organizations as well as with the Binghamton University Orchestra under Timothy Perry.  As a junior pursuing degrees  in  Social  Anthropology  and  History,  she  enjoys performing  and  participating  in  various  musical  opportunities which include Summer Savoyards and local musicals. Melinda Lewis is thrilled to be playing with Dan on the quartet portion of his recital!  She is the director of bands at Vestal High School and freelances on bassoon as frequently as she can in the Triple  Cities  area.  Melinda  earned  a  Bachelor  of  Bassoon Performance and Music Education from the Eastman School of Music  and  a  Master  of  Music  Education  degree  from  SUNY Fredonia.  Melinda wishes Dan the best of luck  in all his future endeavors! Martha Weber, Adjunct Professor of Bassoon, is actively involved as a teacher and performer of the bassoon.  She is so very happy to be participating in this Merry Band of Bassoons! �Bin gham tonUniversit   y Music D epariment ’s M P o e/ w  n v q  E V E N T S m e a s l y ­ a m m o Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE University Chorus:  First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ Student Recital:  Briana Sakamoto, soprano, Saturday, November 13, 2010, 8pm, Casadesus Recital Hall, FREE Friedheim Memorial Lecture/Recital series: Claudio Monteverdi, I l  lament dArianna, Thursday, November 18, 2010, 8 pm, Casadesus Recital Hall, $$$ Organist Jonathan Biggers:  A Bach Celebration, Friday, November 19, 2010, 8pm, FA21, $$$ Czech Vocal Music:  Mary Burgess, soprano; guest art/sts: Timothy LeFebvre, baritone; Timothy Cheek, piano, Sunday, November 21, 2010, 3pm, Anderson Center Chamber Hall, $33 Organist Jonathan Biggers:  A Bach Celebration, Tuesday, November 23, 2010 (11/19 repeat performance), 8pm, FA21, $38 Percussion Ensemble, Tuesday, November 23, 2010, 8pm, Anderson Center Chamber Hall, FREE For ticket information, please call the Anderson Center Box Office a t  777­AR TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:19 25:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Bessel, Bassoon Recital, November 7, 2010 Recital Tape 2010-11-7 Description An account of the resource Works by Saint-Saens, Gliere, Bach, Galliard, Carrol Creator An entity primarily responsible for making the resource Reitz, Margaret Weber, Martha Elliott, Paige Lewis, Melinda Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:01:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147765">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147765</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jieun Jangig Recital Prokofien, December 1, 2010 Recital Tape 2010-12-1 Description An account of the resource Works by Prokofiev, Serget Creator An entity primarily responsible for making the resource Jang, Jieun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/529974513854146a16545dc31be5554b.pdf 8bd9cc6a7a5de57276b5c1f548254c55 PDF Text Text BINGHAMTON U N I Y E R S I T Y S T A T E   U N I V E R S I T Y  O F  N E W   Y O R K dee [4 D E P A R T M   E N ] HARPUR JAZZ ENSEMBLE FEATURING Kris Jensen, Saxophone '  ,  N 0  $1,    EB fi;  a _ x + }  :  i  ­  i  \  ]  =  2 9 J» l Bia  ;  x  ®  x o C l ­ Thursday, December 9, 2010 8:00 p.m. Osterhout Concert Theater �PROGRAM PART P. Wilson Basically Blues     Davis . . M. Boplicity.. .......  Arranged by Mike Tomaro . M.  Davis ’ reen Green  Bul gniG 0 Arranged by Les Hooper Here’s Tha t Rainy Day............cccccerinrcennciiiscanannnnnnna  Van Heusen Arranged by Dee Barton H. Silver Song For M y Father  Arranged by Ian McDougaIl When I Fa ll In Love..........cc.cceeeeeeeeeennnnne.......  Heyman & V. Young Arranged by Gordon Goodwin .. The Jody Grind .....  ..H. Silver Arranged by John Clayton PART II — Featuring  Kris Jensen (To be selected from the following) Early Autumn..............................d.  Mercer, R.  Burns, & W. Herman .. B. Mintzer Elvin‘s Mambo  E.K.Ellington Fantazm  I Got It Ba d (and Tha t Ain’t Good)............ D. Ellington & P. Webster Arranged by Drake Smith 0 J. Owens Lo Slo Blues  . .J Coltrane Moment’s Not1ce  Arranged by Drake Smith B. Mintzer Tribute  Why T a n k s Hams   �Having established himself a s one of the premier voices on his instrument today, saxophonist / composer Kris Jensen has forged a career that spans over 20 years in nearly as many professional settings. A native of Binghamton, NY, Jensen received excellent training as a young student in both the Binghamton Public Schools and at The State University of New York at Binghamton. Upon graduating Binghamton High School, Jensen enrolled at the Hartt School of Music in Hartford, CT where he began what would turn out to be a 15­year apprenticeship with the late great jazz saxophonist and composer Jackie McLean.  While working as an associa te professor alongside McLean, Jensen  helped to develop some of the finest young saxophone talents on the  scene today including Connecticut saxophonists Jimmy Greene, Kris  Allen, Wayne Escoffery, Lummie Spann, Ray McMorrin, Andy Breskin  and Nicholas Biello. Jensen also worked as a teacher at The Artists’  Inc. teaching woodwinds and jazz studies in Hartford s inner  a  gi   As a performer, Jensen’s first major professional experience was as lead alto saxophonist for Royal Caribbean Cruise Lines’ Division of Entertainment. Jensen had the opportunity to play the lead alto saxophone chair for Ben Vereen, Red Buttons, Patti Page, Bob Florence, Frank Gorshin, Al Martino and many other famous entertainers. Since then, Jensen has recorded or performed with a plethora of well established and emerging artists, including:  percussionists Jesse Hameen, Pete Escovedo and Giovanni Hidalgo,  trumpeters Eddie Henderson, Valery Ponamarev, Richard Boulger,  saxophonists Jackie McLean, Phil Woods and George Coleman,  trombonists Eddie Bert and Steve Davis pianists John Hicks, Hotep Idris  Galeta, David Hazeltine and Brad Mehldau guitarists Melvin Sparks,  Randy Johnston, Rodney Jones, Rohn Lawrence and Tom Dempsey,  bassists Paul Brown, Nat Reeves, Dennis Irwin and Dwa yne Burno and  pianists/ vocalists Michael Feinstein, Dena DeRose and Kevin  Mahogany.  ‘  i  ABOUT THE PERFORMER  = ; 2 i  SAT S A   H /  X Y   al .  '  P s t {  .  _   _. . Q  .  5  ;  i  ‘   }  §  ior.  . _f) 6  Wee. Q ’ 3 “£23  3 3 _ 3  & I T :  Q  Q '  ' "  3 p ” :  «  Q  AC .Q  SEAR  1  ~ ­’ Q‘  ’   sF Q   e j  w r $3335?  i Q  “M ,  Jlifi  oe  at?»  7   . eff?” “ " fits a l   i  ’, a skit ' ‘ Sia  R $ y ,  gry h . 0 Q © ) lti I l  l ” ~   ‘.  ),  0  Ag  te 3­ .   ”75 QQ Q  A  Q   or , . "  ‘  f  v  ~~  .  i L L   .   3 M  ; u   .   5 7 '  ~    } i i l ,  0  3  7  7  4  ff   i g ‘   ­ , ' _     EM R[a  V  t '  FOE  0  ‘  Q eg   ,  KOB Q­.°"'.I‘':I.Q  R E C N _ t  1  RD  ' (  }  ­ ,  U  , v :  ' > “  "  ­' :  l)’  ,  "  .  '  '  _ . 5 ­'  “ é " w ”   “"  » '  '  j  i  5  [ E a 4 4    :2 ' :  ” i i   ' ‘ “  :  '  _  :  Mflgflfiir  i“  po  Cran  7  E w fi fi    sp 4.6  In 1996, Jensen received a great honor, being selected as a  semi­finalist in the Thelonious Monk International Saxophone  Competition in Washington, DC. Kris played alongside 12 of the world’s  best young saxophonist before a panel of some of jazz’s  ;  AEA  i  ' ~ .  .    ,Q ­ .,  . .  7  ' '  ' Q ’  I  ) 2 1 ea JF , : , : "  CRAVE af  the FORUM  THEATRE  in Binghamton » Tei  & info:  607­772­0400 » WWW  tnadiesopera.com ’ �THE BINGHAMTON UNIVERSITY MUSIC DEPARTMENT IN CONJUNCTION WITH TRI­CITIES OPERA PRESENTS greatest saxophone legends. From 1999–2004, Jensen toured North America with both Dickey Betts and Great S outhern and Maynard Ferguson and Big Bop Nouveau. Betts, the classic­rock guitar legend and composer of such hits as Ramblin Man and In Memory of Elizabeth Reed, recorded the albums Let’s Get Together and The Collector’s Vol. I, which prominently features Kris’s sax. W hile with Betts, Jensen also 1  had the opportunity to  perform with the Charlie Daniels Band and in I  August 2003 with the Dave Matthews Band. With the blazing trumpet \  virtouso Maynard Ferguson, Kris was a prominently featured soloist. In ¥  January 2004, Kris joined the trumpet legend on a tour which included a week in Bangkok, Thailand performing the compositions for the king of Thailand, His Majesty Bhumipol Adulyadej. Jensen’s tenor sax was also heard “round the world” with the Kendrick Oliver New Life Jazz Orchestra on N.P.R.s annual jazz radiocast “Toast of the Nation ” for New Year’s 2007 edition. ¢  '  A  H o l i d a y C  l a s s i c   S  G i a n  C a r l o  ‘Menotti’s  ’  a d n t  h e   1  A  o Ot   y   –  >  _ . i  =  » A ad Z l . SAT., DECEMBE R 11™ & SUN., DECEMBE R 12™ * TWO PERFORMANCES DAILY AT  3  &  5 P M ANDE R SON CENTE R C HAMBE R HALL T I C K E T S :  $8 AOULTS; $5 STUDENTS  " $ 2 5  MAXIMUM FOR FAMILIES WI TH2 ADULTS &  4 CHILDREN  FOR TICKETS, CALL ( 6 0 7 )  7 7 7 ­ A R T S Currently, Jensen keeps a busy schedule as an active freelance musician and music instructor throughout New England and the New York Tri­State area. He is currently helping to develop two school bands in the Brownsville area of Brooklyn, NY and can be heard with ma ny different groups including Jaimoe’s Jasssz Band and the Kendrick Oliver New Life Jazz Orchestra. �ABOUT THE SERIES The Harpur Jazz Ensemble studies and performs big­band repertoire and appears frequently on and off campus.  Guests who have appeared in concert witht his popular ensemble include, among others,  Clark Terry, “Slam” Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods, Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person, Walter White, Sherrie Maricle, Tia Fuller, Eddie Allen, Bruce Johnston, Bill Easley, Mike Davis and Tony Kadleck. ABOUT THE HARPUR J A Z Z  ENSEMBLE The Harpur Jazz Ensemble director, MICHAEL J. CARBONE, is a native of Utica, New York.  He moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he is Director of Concert Band and Jazz Ensemble at the middle school. He joined the Binghamton University music faculty in 1997 and serves as the Director of the Jazz Studies Program and the Director of the Harpur Jazz Ensemble.  He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University. Carbone has performed with many well­known artists including Al Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio’s Big Band Bloviation, the Central New York Jazz Orchestra, and The Temptations. The 2010 Fall semester of the Harpur Jazz Ensemble includes the following: SAXOPHONES Andrew Block Zal Mirza Dean Papadopoulos Ray Hendricks Mercedez Koo 1%  alto 2 ” a  lto 1° tenor 2 ” t enor Baritone Joey Lieber BASS Paul Watrobski Sax TRUMPETS (alphabetical order) Mark Adler Tomasz Falkowski Ryan Levitan John Marschauser TROMBONES PIANO Nicholas Carter Mo “Reese” Taylor Andrew Rosenberger Mogana Jayakumar Jay Bartishevich DRUM SET Devan Tracy Andres Castillo VIBES & PIANO Bailey Rabideau PERCUSSION Keaton Rood �Binghamton University Music Department’s U P C O M I N G  E V E N T S Friday, December 10 — Singing Chinese Clas s Recital joined b y  the Beginning Chinese  Flute Class — 7 p.m. — Casadesus Recital Hall — free Saturday, December 11 — Amahl and the Night Visitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Sunday, December 12 — Amahl and the Nigh t Visitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, December 13 — “Italian Night ” Class Recital (Maria Cook, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free For ticket information, please call the Anderson Center Box Office at 777­ART5. To see all events, please visit music. b inghamton. edu Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:11:04 56:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147768">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147768</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Harpur Jazz ensemble, December 9, 2010 Recital Tape 2010-12-9 Description An account of the resource Works by Wilson, Davis, Van Heusen, Silver, Heyman, Mercer, Burns, Mintzer, Ellinton, Webster, Owens, Coltrane, Harris Creator An entity primarily responsible for making the resource Jensen, Kris Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ac5143b39019a7d733b519cdb8c41662.pdf bafea58030e19f281008e529e5299408 PDF Text Text BINGHAMTON U N AV E R S I T Y S T A T E   U N I V E R S I T Y  O F  N E W   Y O R K wdec [4 D E P A R T M E N T THURSDAY JA Z Z M I D ­ D AY  CONCERT L L A N E  S A X O N S ” KRIS JENSEN I a “ Thursday, December  9 ,  2 0 / 0 1.20 p.m. Osterbout Concert Theater 4  �ABOUT THE PERFORMER PROGRAM Program selected from the following: Heyman, Sour, Eyton, & Green Body and Soul  Cottontail........................................................Duke IEINE REIN! D i g i c . . c o o i i c   a McLean Just Friends...............cceeevvvneneenn.....Sam Lewis & John Klenner   Red C l a y . . . . . . . s e c a a s h a n m Hubbard Recordame................................................... Joe Henderson Take Your P i c k H a n k Mobly  Arr. By D. S ic k ler  Edited by A. Hamme There Will Never Be Another You.....Harry Warren & Mack Gordon Mid­day Musicians Kzgs Jensen – Saxophones and Flute Gene Cotbran, Fiano Ford Watrobsks, Bass Devan  Tracy,  Drums MIKE  Carbone, Saxophones Having established himself as one of the premier voices on his instrument today, saxophonist/composer Kris Jensen has forged a career that spans over 20 years in nearly as many professional settings. A native of Binghamton, NY, Jensen received excellent training as a young student in both the Binghamton Public Schools and at The State University of New York at Binghamton. Upon graduating Binghamton High School, Jensen enrolled at the Hartt School of Music in Hartford, CT where he began what would turn out to be a 15­year apprenticeship with the late great jazz saxophonist and composer Jackie McLean. While working as an associate professor alongside McLean, Jensen helped to develop some of the finest young saxophone talents on the scene today including Connecticut saxophonists Jimmy Greene, Kris Allen, Wayne Escoffery, Lummie Spann, Ray McMorrin, Andy Breskin and Nicholas Biello. Jensen also worked as a teacher at The Artists’ Collective, Inc. teaching woodwinds and jazz studies in Hartford’s inner city. As a performer, Jensen’s first major professional experience was as lead alto saxophonist for Royal Caribbean Cruise Lines’ Division of Entertainment. Jensen had the opportunity to play the lead alto saxophone chair for Ben Vereen, Red Buttons, Patti Page, Bob Florence, Frank Gorshin, Al Martino and many other famous entertainers. Since then, Jensen has recorded or performed with a plethora of well established and emerging artists, including: percussionists Jesse Hameen, Pete Escovedo and Giovanni Hidalgo, trumpeters Eddie Henderson, Valery Ponamarev, Richard Boulger, saxophonists Jackie McLean, Phil Woods and George Coleman, trombonists Eddie Bert and Steve Davis pianists John Hicks, Hotep Idris Galeta, David Hazeltine and Brad Mehldau guitarists Melvin Sparks, Randy Johnston, Rodney Jones, Rohn Lawrence and Tom Dempsey, bassists Paul Brown, Nat Reeves, Dennis Irwin and Dwayne Burno and pianists/vocalists Michael Feinstein, Dena DeRose and Kevin Mahogany. In 1996, Jensen received a great honor, being selected as a semi­finalist in the Thelonious Monk International Saxophone Competition in Washington, DC. Kris played alongside 12 of the world’s best young saxophonists before a panel of some of jazz’s greatest saxophone legends. From 1999–2004, Jensen toured North America with both Dickey Betts and Great Southern and Maynard Ferguson and Big Bop Nouveau. Betts, the classic­rock guitar legend and composer of such hits as Ramblin‘ Man and In Memory of Elizabeth Reed, recorded the albums Let’s Get Together and The Collector’s Vol. I, which �prominently features Kris’s sax. While with Betts, Jensen also had the opportunity to perform with the Charlie Daniels Band and in August 2003 with the Dave Matthews Band. With the blazing trumpet virtouso Maynard Ferguson, Kris was a prominently featured soloist. In January 2004, Kris joined the trumpet legend on a tour which included a week in Bangkok, Thailand performing the compositions for the king of Thailand, His Majesty Bhumipol Adulyadej. Jensen’s tenor sax was also heard “round the world” with the Kendrick Oliver New Life Jazz Orchestra on N.P.R.s annual jazz radiocast “Toast of the Nation” for New Year’s 2007 edition. Currently, Jensen keeps a busy schedule as an active freelance musician and music instructor throughout New England and the New York Tri­State area. He is currently helping to develop two school bands in the Brownsville area of Brooklyn, NY and can be heard with many different groups including Jaimoe’s Jasssz Band and the Kendrick Oliver New Life Jazz Orchestra. Binghamton University M usic D epartment’s W U PC O M I N G  E V E N T S W W Friday, December 10 — Singing Chinese Cla ss Recital joined by the Beginning Chinese Flute Class — 7 p.m. — Casadesus Recital Hall — free Saturday, December 11 — Amahl and the Nigh t Visitors — 3  p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Sunday, December 12 — Amahl and the Night Visitors — 3 p  .m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, December 13 — “Italian Night ” Class Recital (Maria Cook, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free For ticket information, please call the Anderson Center Box Office at 7 77­ARTS To see all events, please visit music. b inghamton. e du Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:40:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147772">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147772</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Jazz Mid-day Concert Featuring Saxophonist Kris Jensen, December 9, 2010 Recital Tape 2010-12-9b Description An account of the resource Works by Heyman, Sour, Eyton, McLean, Lewis, Hubbard, Henderson, Warren Creator An entity primarily responsible for making the resource Jensen, Kris Cothran, Gene Watrobski, Paul Tracy, Devan Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f3bd2f7c57b24ea5309177bc98a90255.pdf 86213bf6a4d09478b50d08cf4d2d5b85 PDF Text Text BINGHAMTON U N I V E R S I Z N STATE  U N I V E R S I T Y  O F  N E W  Y O R K d e c [4 D E P A R T M E N T “ IT ALI AN NIG HT “ CLASS RECITAL ( Maria L. Cook Ins tructor ) Monda y, Dece mber 1 3  a t  8 pm Casade sus H a ll ,  BU  Fine A rts Bui lding Free ad missio n , recep tion to  follow �Christina Kompar has performed with Eastern Festival Opera,Bronx Opera, Dell’arte Ensamble , and troupers Light Opera Company. Former president and music director of NYU Chamber Singers,Kompar directed the Children’s Choir for the Eastern Festival Opera’s production of La Boheme, where she held the position I. ARIE from OPERA 1.I! valzer di Musetta  Soprano: Christina Kompar “ Quando men vo...... » from La Boheme of G. Puccini. Cities Opera’s Resident Artist Program. 2.Aria del Duca Questa e quella per me pari sono.....  Tenore: Brister Hay from Rigoletto of G. Verdi (1813­1901) 3.Aria di Nemorino  of Assistant Chorus Master. Ms. Kompar earnd her Bachelor’s of Music Education at New York University, and is currently pursuing a Master’s in Opera at Binghamton University in conjunction with the Tri­ Tenore: Richard Leonberger from L’Elisir d’Amore o f G. Donizzetti (1797­1 848) Brister Hay MM Opera, Bingamton University,BM/Opera, SUNY Purchase Colloge. Apperances: king Kaspar, Bingamton University,Amal and the Night Visitor. Purchase Opera: Tamino in Die Zauberflote; Gherardo in Gianni Schicchi, Ferrando in Cosi‘ Fan Tutte. Awards: Clark Felloship, Binghamton University. 3.L’Alba separa dalla luce l’ombra.  Tenore: Brister Hay Zachary Israel Nobile Kampler, Artistic Director and Conductor of The Eastern Festival Symphony Orchestra. A graduate of the Julliard Pre­Colloge program,he has performed in Alice Tully Hall and Julliard Hall.In addition to studying with Maestro Vincent La Selva of the New York Grand OperaCompany, Kampler completed three III. Canzoni della nonna ( Grandma’s songs) terms at the Conductors Institute at Bard College, II. Romanze of Francesco Tosti (1846­1916) 1. Sogno  Soprano: Christina Kompar 2.ldeale  Tenore:  Richard Leonberger 1. Fa la nanna bambin . lstrian lullaby  Soprano : Christina Kompar. 2. Musica proibita  Tenori : Brister Hay Of S. Gastaldon  Richard Leonberger 3. Santa Lucia  (neapolitan boat song) where he worked with Maestro Harold Faberman. In 2004, Kampler became the assistant conductor to Maestro Salvatore Princinotti at the Stamford Yong Artist Philharmonic and toured Italy with the orchestra in 2006.Kampler has conducted for TAB Production(2007), Crystal Opera(2008), and Nickel City Opera where he has been Music Director since 2009.Kampler holds a B.A. in music from N.Y.U. and currently pursuing a Master in Orchestral Conducting at S.U.N.Y. Binghamton,under the tutelage of Maestro Timothy Perry. �Bin gha mton Un ive rsit y Mu sic Department’s U P C O M I N G  E V E N T S F I M M M M M M M M É – Monday, December 13 — “Italian Night” Clas s Re cital (Maria Co ok, Instr uctor) — 8:00 p.m. — Casa desus Re cital Hall — free Frida y, January 28 — Master Clas s with Pa ul Houghtaling from  Univ ersity of Alabama — 9 :40 a.m. to 11:50 a .m. — C asadesus Recital H all — free Sun day,  Jan uary  30 — U nive rsity  Cha mbe r Ch orus  — 3 p.m . — Trinity Memorial  Church, Binghamton — free Friday, February 4 — Early On (Peter Browne, ke yboards, Barb Kaufman, recorder, Chr istin a Sa lasny, so prano, Stephen Sta ara Paul  Sweeny, guitar) — 8 p.m. — C asadesus Recital Hall — $ lker, cello, 10 general public; $5 faculty/staff/seniors; free for students Thursday, February 17 — Orga nist Jona than Biggers — A Ba ch Cele brat ion!!  Series — 8 p.m. — F A21 – $10 general publ ic; $5 faculty/staff/seniors ; $2 students Frid ay, February 18 — Orga nist Jona than Biggers — A Ba ch C Series (1 1/17 repe at perform ance) — 4 p.m. — F A21 — $10  elebration!! general public ; $5 fa culty /staff/seniors ; $2 students Saturday, February 19 — Mas ter’s  Rec ital : Cab iria J acob sen,  mez zo­ soprano — 3 p.m. — Casadesus Recital Hall — free Thursday, February 24 — Mid­Day Con cert — 1:20 p.m. — Casa desus Recital Hall — free Saturday, February 26 — Univ ersity Symphony Orchestra : Viv — 3 p.m. — Osterhout Concert Thea ter — $10 general public ; $5 e Ia Fran ce faculty/staff/seniors ; free for students Sunday, February 27 —W ind S ymp hony Con certo  and  Aria  Com petit ion — 6:30 p.m. — Casadesus Recital Hall — free For ticket information, please call the And erso n Ce nter  B o x  O ffice  at 7 77­A RTS . To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Bing ham ton Uni vers ity Mus ic Dep artm ent � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:18:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148235">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148235</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Italian Night Concert, December 13, 2010 Recital Tape 2010-12-13 Description An account of the resource Works by Musetta, Puccini, Verdi, Donizetti, Tosti, Gastaldon Creator An entity primarily responsible for making the resource Kompar, Christina Hay, Brister Leonberger, Richard Cook, Maria Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8c8214b699bfc2a4e8605d554125cad3.pdf 887a165a91346fe60efd3072d71bdbcb PDF Text Text BINGHAMTON U  N  1  V  E  R  S  I  T  Y T A T E  U N I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T THURSDAY MID­DAY CONCERT Ss X L ( r rK  “ –_— (9 «4 ROVEMBER 2, 2011 1 :20 P.M. FA 21 �PROGRAM Golden Helmet of Mambrino  from Man of La Mancha  Mitch Leigh (b. 1928) Luke Yerpe, Piano Evening prayer duet  from H ansel and Gretel  “When at night I go to sleep” Engelbert Humperdinck (1854­1921) (1756–1791) Kerianna Krebushevski, Soprano Molly Adams­Toomey, Mezzo Soprano John Isenberg, Piano John Isenberg, Piano Variations on “Freu dich sehr,  o meine Seele”  (1756­1791) Georg Bohm (1661­1733) Mark Rossnagel, Organ Marcellina / Susanna duet........... . Wolfgang Amadeus Mozart “Via resti servita” Hee Pyoung Oh, Baritone Eun Hwan Bae, Tenor Alexander Bacon, Recorder Christina Santa Maria, Soprano Kathleen Jasinskas, Soprano John Isenberg, Piano from Le No zze di Figaro  (1858­1924) (b. 1 936) Susanna / Countess duet ..............\Wolfgang Amadeus Mozart “SuII’ aria” from La Boheme  “O Mimi, tu piu non torni...” Pan O v e r N I B a N . . . . Christopher Ball   Kaitlyn Mulligan, Soprano Michelle Goldrich, Mezzo Soprano John Isenberg, Piano from Le Nozze di Figaro  Marcello / Rodolfo duet ................................. Giacomo Puccini �Binghamton University Music Department’s U P C O M I N G  E V E N T S fi M W M é ­ fi é o w fi w r a v Tuesday, November 8 — Friedheim Memorial Lecture / Recital Series : Debussy’s “Rhapsodies for saxophone and clarinet ” (Stephen  Zank, speaker; April Lucas, saxophone; Timothy Perry, clarinet; Margaret Reitz, piano) — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staff/seniors; free for students Thursday, November 1 0  — Mid­Day Concert  (African ) — 1 :20 PM — Anderson Center Chamber Hall — FREE    Universi ty Chorus  and the Sunday, November 1 3 — Symphony Orchestra present Felix Mendelssohn’s “Elijah ” — 3 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors ; $3 students Thursday, November 1 7 — Jazz Mid­Day Con cert with  guest artist — 1 :20 PM — Osterhout Concert Theater –  free (Co­ sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, November 1 7 — Harpur Jazz Ensemble Concert with guest artist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, November 1 8  — Universi ty String Orchestra — 4 :00 PM — Grand Corridor — FREE    Masterclass with organist  Wilma Monday, November 2 1 — Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — Mid­Day Concert (B urgess) — 1 :20 PM — Casadesus Recital Hall – FREE Friday, December 2 — Flute Studio and Flute  Chamber Concert — 10 : 15 AM — Casadesus Recital Hall — FREE If  you  enjoyed  and  were  inspired  by  this  performance,  please  consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation pa yab/e to the Binghamton University Music Department,  and send to P.O.  Box  6000,  Binghamton,  NY 13902. For ticket information, please call the A nderson  Center B ox O ffice at 7 77­ART S � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:17:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, November 3, 2011 Recital Tape 2011-11-3 Description An account of the resource Works by Leigh, Humperdinck, Figaro, Mozart, Rodolfo, Puccini, Ball Creator An entity primarily responsible for making the resource Yerpe, Luke Mulligan, Kaitlyn Goldrich, Michelle Isenberg, John Santa Maria, Christina Jasinskas, Kathleen Oh, Hee-Pyoung Bacon, Alexander Rossnagel, Mark Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound