117 10 1775 https://omeka.binghamton.edu/omeka/files/original/2aeea19de5169e14e32acea2bdfc3cb8.pdf 9293a523431473c5758675585bc5a67d PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y STAT E  U N I V E R S I T Y   O F   N E W   Y O RK D E P A R T M E N T THURSDAY M ID ­D A Y  CONCERT ‘  "_.,­ 4/  g  / '  d d :  ­4’ I4;  ( 00}7 ) THURSDAY, APRIL 14, 2011 1:20 P.M. OSTERHOUT CONCERT THEATER �Midda y Musicians PROGRAM Program selected from the following: To m  Demp sey: G uitar All Blues..... ......... ......... ......... ........Miles Da vis AL Hamme, Saxophones Mike  Carbone,  Saxophones Bridge Over Troubled Wa ter....  Mambo Inn . .........  Paul Simon Arr. by Tom Dempsey .........Mario Bauza Arr. by Steve Brown One H undred Ways  .........Quincy Jones Povo. ......... ......... ......... ......... ..Fred die Hubbard Arr. by Al Hamme Saucey  ......... .Tom Dempsey Stolen Moments.... .......  Take Your Pick..  .........Oliver Nelson . Hank Mobley Arr. by Don Sickler/ Edited by Al Hamme Mo  Reese” Taylor, Trombone J o e y  Lieber, Frano Paul Watrobsks,  Bass Devan  Tracy,  Drums Guitarist  Tom De mpsey ’s  reputation  for  hard  swinging  sophistication and pure musicali ty has made him a distinc t voice in  the New  York Ja zz Scene.  In  recent  years,  Tom  has  performed  and/or  recorded  with renowned jazz musicians  such as: Wynton Marsalis, Paquito D’Rivera, Jim  Hall,  John  Abercrombie,  John  Scofield,  Tal  Farlow,  Buddy Montgomery,  George  Coleman,  Kenny  Barron,  Roy  Haynes,  Jack McDuff, Bobby M cFerrin,  Gerald Wilson, Mel Torme, Richard Wyands, Muhal Richard Abrams, a nd Dave Brubeck .  Since 19 92, Tom has been performing at some of the top jazz venues throughout the world including the  JVC  Jazz  Festival,  Jazz  at  Lincoln  Center,  San  Francisco  Jazz Festival,  The  Blue  Note,  Yoshi’s,  Smalls  and  Smoke.  Dempsey  has worked e xtensively with Sa vion Glover in “Bring in ‘da Noise, Bring in ‘d a Funk” and he has made numerous appearances on New York radio and television including performances on  “The Rosie O’Donnell Show” and the HBO series “Sex and the City". H e has received no teworthy attention as  a  composer  as  well.  Because  of  his  distinctive  sound  and  style, Dempsey ’s  music  has  been  described  as  having  "fine  composi tional ability  and  stylistic  accessibility.”  He  has  taught  at  Jazz  at  Lincoln Center, SUNY Ne w Paltz, Rutgers University, New Y ork Jazz­Academy and  as  Artistic  Director  of  the  Jazz  Summit  at  the  National  Guitar Workshop.  He has written books and re corded o ver 170 online les sons. Tom rece ived his Bachelor o f Music Degree in Jazz Studies from Mason Gross  School of the  Arts  at Rutgers  University  in May 1991. In  May 1996,  he  acquired  his  Masters  Degree  in  Jazz/Commercial  Music  at Manhattan School of Music. �Binghamton Universit y Music Departmen t ’ s U P C O M I N G  E V E N T S aoaeaeaeaoaeaoaeae Friday, April 15 – Lecture “ Mother, Come and Cure M e " :  Songs of “B lind Tom ” Wiggins by Stephanie Jensen­Moulton – 3 :00 p.m. – Casadesus Recital Hall – free Thursday, April 28 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, A pril 28 – Trumpet Studio Concert – 8 :00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Women ’s Chorus – 8 :00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Symphony Concert : Solo Comp etition Winners – 3 :00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Master ’s Recit al : J ames Hsia, violin – 7 :30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – Mid­Day Con c ert – 1 : 20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African Music Ensemble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recit al – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Recital : Jinah Lee, pianist – 8:00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master ’s Recital : Robert Muller, French horn – 3:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Offic e at 777­ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Binghamton Universit y Music Departm en t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:52:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148244">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148244</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Midday Concert. April 14 2011 Recital Tape 2011-4-14 Description An account of the resource Works by Davis, Simon, Bauza, Jones, Hubbard, Dempsey, Mobley Creator An entity primarily responsible for making the resource Dempsey, Tom Hamme, Albert Carbone, Michael Taylor, Reese Lieber, Joey Watrobski, Paul Tracy, Devan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ddaff5b5611aa4d3fece6dd6438206f5.pdf fadd9ca6776063443bcf26c455c36c8d PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S TAT E   U N I V E R S I T Y   O F  N E W  Y O R K D E P A R T M E N T FAMILY WEEKEND CONCERT a fEif  t ind, NM Saturday, October 22, 2011 s a l p.m.   Osterhout Concert Theater �PROGRAM I. . Ruth Watson Henderson Cantate Domino...  Kaitlyn Mulligan Christina Santa Maria Samantha Grieco, Susan Rosenberg, soloists Nicolas Polacco, trumpet Eugene Butler The Nightingale  Come, Shepherd Swains...............................................John Wilbye .. Franz Schubert “(choral arrangement by Christina Kompar) Lied der Mignon  ..Kenneth Leslie Cape Breton Lullaby.............................  (arranged by Stuart Calvert) The Rest of the Day’s Your Own  Traditional English Folksong (arranged by Scott Robinson) The Women’s Chorus Molly Adams­Toomey, conductor Jushin Choi, piano II. Ave verum c o r p s u Walls of Glass (Premier Performance)  Jushin Choi, piano W   A Mozart Christian Martin Water N I O N L . . . . . . . . . . . .   Whitacre Hamba Lulu  O­re­m/  ..Zulu Wedding Song (arranged by Mike Brewer) Nigerian “Highlife” Song (arranged by Mike Brewer) Adam Goldenberg and Friends, percussion The Harpur Chorale Peter Browne, conductor �III. Overture to “Orpheus in the Underworld” ...........Jacques Offenbach (1819­1880) Zachary Nobile Kample r, conductor Karelia Suite, Op. 11. Il. Ballade Ill. Alla marcia . – – . . . – – . . . . . . . – – . .   – o – . o – – – – . –   o i l – u . – Jean Sibelius (1865­1957) The Un iversity  Symph ony Orc hestra Timothy Perry, director Women ’s Chor us Jennifer Chen Amy Conway Janelle Dmochowski Sheena Finlayson Crystal Gonzalez Samantha Grieco Ashley Grumman Kaitlyn Mulligan Erika Noach Maggie Pictor Jessica Pyne Susan Rosenberg Christina Santa Maria Ariel Schlesinger Joanna Wallace The Ha rpur Chorale Sopran o Tenor Katie Besemer Michelle Goldrich Kerianna Krebushevski Sabrina Scull Katie Sucha Holly VanDerHeide Ari Hausman Tomas Kerr Josh Rovou David Schwarz Brandon Seabrook Alto Bass Denise Aquino llyssa Baine Carrie Buck Suzanne Greene Shoshana May Thomas Furey Christian Martin Gavin McClelland Daniel Romberger �Univer sity Symphony Orchestra Timothy Perry, director Flute/Picc* Kaitlin Armstrong Melanie Adler* Natalie McCreary l5 Oboe/E ng. Hor n* John Lathwell+ Clarinet Jaclyn Adler James Wu Bassoo n Natalie Spitzer Paige Elliott French  Horn Matt McAuliffe Zack Arenstein Trumpe t Kevin Hannon Nicholas Polacco Trombo ne Billy Marsiglia Jacob Strohm Tuba Matthew Gukowsky Percuss ion/Tim pani Benjamin Rothschild Andrew Williamson Keyboa rd Matthew Gukowsky Violin I James Hsia Gabrielle Maire Simon Benarie Brandon Luu Natalie Bock Jeffrey Lu Daniel Park Jaclyn Podd Won Jae Lee Karen Fu Jin Park Violin II Ella Serrano Yuansi Du Sara Sunshine Emily Wong Nicholas Thompson Gregory G. Greene Chris Rogers Ashley Fancher Jiwon Nam Alyssa Starrantino Kimberly Griffin Julia Kenny +Music Faculty Viola Benjamin Pochily Daniel Rodabaugh Kevin Christie Jillian Chen Daniel Rodriguez Maeve Murray Violonc ello Xander Edwards Peter Hiraldo Paul Watrobski Felicia Scalzetti Eric Wuu Deborah Mariottini Alan Wang Ryan Ference Contrab ass Kristine Beckmann Assista nt Cond uctor Zachary Nobile Kampler The USO employs rotating seating; Woodwinds. Brass and Percussion rotate by composition and are listed alphabetically.  Strings rotate by concert and are listed in seating order. NEXT USO CONCERT Tomorro w! Sunday,  Oct. 23, 2011 Concerto & Aria Winners’ Concer t 7:30 pm Osterho ut Theater �3  7 ­~ '. ' L,  ;N7“  F P   = _ .: a  ­  3 = e B in   Q ,  ,  4 Q& ~. 4  ff  AY  » .  .  AS G x .   ­  &  h G  i b   .  & ; 4 ­ g  ‘ < N e w  B eginnings Back to our Roots  Beginnings Sunday, October 16.201 1 . 4:00 p.m  Sunday. March 1 1 . 2 0 1 2 .  4 : 0 0 m  . St Parricks Catholic Church  Trinicy Memorial Church ©  Leroy Sereet. Binghamton NY  Lessons and Carols tor Christmas  44 Main Street. Binghamton. NY Crossroads Saturday. November 2 6 . 2 0 1 1 , 7  : 3 0 m   .  &  Sunday. Junc 3, 2012. 4:00 p.m. Sunday, November 27, 2011. 4:00 p  p.m.  Tabernacle United Methodist Church Church o f t he HJh Trinity  346 Prospect Street. B inghamton. N Y $3 Main Street. Binghamton, NY F o r  Tickers: w r e m  a d y i g a l i h o s on: or w’160“­ “ 20­4 “ 6“ ( D 2011­2012 2    34th Season Seososssos  The Madrigal Cholr o fBinghamton   O i PERA Bend  0  3 ,\ 1:11 1.50 ' B I  T I ? 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"  ,  S r d   H o o d   Y  B A R T Re i L i  i  i  V  3  ...,"; ~ w '  ‘ f ' ’ Q v ’  ‘4 , ‘ Th "  h o  5 0 v    >    S I . o  nit R O ré S f  joes  ..‘:_';V  [ f z  N e )  or p y  XL {In U n fi fi f ~ a e fi M 7  é d ag  fl fi w i t 0~ = Qo eae  ! ­O o 1 1 I 1 C a h   ­ = : \ a itd Wceolmngi™  V 1 1 ] I I I I I 1 ¥   g HS  33 3:5!  efi’rey Jacob sen: 810th? p o d e  33? P ) p A S B  1 ” 7 , 1 X  i e  I 1 I I e n   & t *    ‘ a n m . C o ‘h, or –_— Q Q = o O S — I — “v 4 Q L— —— : L ce y  \_  J A . r w “33 i ; .'  En “sh ­ Th  ‘ 1 F B 1 1 I I I 1 I I v I 1 I = = = 1 I £I “ 1 = ‘Z v E =­ BS £ —­ = < = ~~ od 3 = gE ­ ­— € © 5 3© S Y A [4 ­4 l l I 1 I I I I l I 1 ~ ~ l l ~ 2 1 a ~ I I I zt II x h 1 I = I ­ e d I i 1 I 1 1 I 1 I I I l I © Bincharmion ern myanyt COrhestra A  0 r  5 public­s ervice m edia fo r. your com mu niry r e > < = gLd [ = I = l — faa — ­ ‘ I .S o O 3 I ~ ~ L 1 I — ­ q d 1 R ”  4 4 1 0   3  l i l fi­f  EBx :  1 or Hd — S a lI ‘ \ 1 i oF   ort HM d k i 8 % . $ d 1 l :  {  { O O ' I I ] S t n   I ! >  L  ” I “ , ­ , P n = s f ,   =a= : “ r ) Cr R $ 0 1 , “ .  S o . ‘ ~  ' E Qrelms Z  I I I I t I ! �Bingh amton  Unive rsity Music  D epart ment’ s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sunday, October  23 — Tri­Citie s Opera  present s “Madam e Butterfl y” — 3 PM — The Forum Theatre — call (607) 772­0400 for tickets Sunday, October  23 — Alumni Organ R ecital: J ohn Novak (MM ‘06) — 4 PM – First Presbyterian Church, Binghamton –  $10 general public; $6 faculty/staff/seniors; $3 students Sunday, October  23 — Bingham ton Univers ity Sympho ny Orchest ra: Conc erto and  Aria Com petition  Concert  — 7:30 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students Thursday, October 27 — M id­Day Concert — 1:20 PM — Casadesus Recital Hall –  free Friday, October  2 8  — Pianist Margare t Reitz pr esents “For t y Fingers ” w i t h  pianists  I d a  T iIi­Trebi cka, Amy Heyman  and Tina Toglia –  8 PM –  Casadesus Recital Hall –  $6 general public; $3 faculty/staff/seniors; free for students Sunday, October  3 0  — Wind  Sympho ny: Hols t! — 3 PM — Anderson Center Chamber Hall –  $6 general public; $3 faculty/staff/seniors; free for students Thursda y, Novemb er 3 — Mid­Day  Concert  — 1:20 PM — Casadesus Recital Hall –  free Tuesday, Novemb er 8 — Friedhe im Memori al Lecture /Recital Series: D ebussy’s “Rhapso dies f o r  s axophon e and clar inet” (Stephe n Zank, speaker ; April Lucas, saxopho ne; Timo thy Perry, clarinet ; Marga ret Reitz, p iano) — 8 PM –  Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students I f  you  enjoyed  and  were  inspired  by  this performance,  please  consider suppordng the Department o f  Music with a financial gift. Your support helps to continue the work o f students, faculty, and guest artists and their contributions to  our  larger  community.  Please  make  your  donation  payable  to  the Binghamton  University  Music  Department,  and  send  to P.O.  Box  6000, Binghamton, NY 13902. For ticket information, please call the Anders on Center  Box O ffice a t 7 77­ARTS To see all events, please visit music.b ingham ton.edu � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:16:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148448">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148448</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Family Weekend Concert October 22, 2011 Recital Tape 2011-10-22 Description An account of the resource Works by Henderson, Butler, Wilbye, Schubert, Leslie, Mozart, Martin, Whitacre Creator An entity primarily responsible for making the resource Mulligan, Kaitlyn Santa Maria, Christina Grieco, Samantha Rosenberg, Susan Polacco, Nicholas Adams-Toomey, Molly Choi, Justin Goldenberg, Adam Browne, Peter Kampler, Zachary Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-22 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c266f4a00193bffe9a39916ee631ee5c.pdf 14bcffbe31e1e5640f198e61ca4bdc77 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  UNIVERSITY  OF  NEW  Y O R K wdc [4 D E P A R T M E N T F I R S T  S T E P S A N D  F I N A L  T H O U G H T S E ARLY AND L ATE C HORAL W ORKS BINGHAMTON UNIVERSITY CHORUS Bruce Borton, conductor Siobhan Sculley, student conductor Victoria Cannizzo, Susan MacLennan MayBelle Golis, sopranos Cabiria Jacobsen, mezzo soprano Peter Browne and William Lawson, pianists Sunday, November 14, 2010 3:00 p.m. Osterhout Concert Theater �PROGRAM Schaffe in mir, Gott, ein rein Herz . Op.29 No. 2 ...Johannes Brahms (1833­1897) Schaffe in mir, Gott. ein rein Herz Make me a clean heart, O God, Und gib mir einen neuen, gewissen Geist. And renew a right spirit within me. Verwirf mich nicht von deinem Angesicht Cast me not away from thy presence Und nimm deinen heiligen Geist nicht von mir and take not thy holy Spirit from me. Troste mich wieder mit deiner Hfilfe, O give me the comfort of thy help again. Und der freudige Geist erhalte mich. And stablish me with thy free Spirit. ­­Psalm 51 : 10­12 Ave verum corpus (1 791 ) Ave vérum Corpus. Natum de Maria Virgine: Vere passum. immolatum ln cruce pro homine: C ujus latus perforatum, Unda fluxit sanguine: Esto nébis praegustatum In mortis examine. Wolfgang Amadeus Mozart ( l 75 6­1 791 ) Hail, true Body, born of the Virgin Mary. Who has truly suffered, was sacrificed on the cross for mortals. Whose side was pierced. whence flowed water and blood: Be for us a foretaste (of heaven) During our final examining. Franz Schubert (1797­1828) Christ ist erstanden! ( l  8 1 6). Christ ist erstanden! F reude dem Sterblichen. Den die verderblichen. Schleichenden, erblichen Mingel um wanden. Christ is risen! Joy to the One, of us Who the pernicious, Ancestral. insidious, Fault has unwoven. ­­Chor der Engel aus Faust (Goethe) <....... Franz Schubert Stdndchen. (D.920) Cabiria Jacobsen, mezzo soprano Men of the University Chorus Siobhan Sculley, conductor Zogernd leise. in des Dunkels nacht ’ger Stille. Sind wir hier. In den Finger sanft gekriimmt. Leise. leise pochen wir An des Liebchens Kammerthiir. Doch nun steigend. Schwellend. hebend. Mit vereinter Stimme laut Rufen aus wir hochvertraut : Schlafdu nicht. wenn der Neigung Stimme spricht Sucht‘ ein Weiser nah und ferne, Menschen einst mit der Lateme Wie viel seltner dann als Gold Menschen uns geneigt und hold. Drum. wenn Freundschaft. Liebe spricht. Hesitantly. quietly. in the dark‘s nocturnal stillness, We are here. And with fingers gently bent. lightly, lightly we knock At our sweetheart ’s chamber door. But now increasing, swelling, rising. with a loud. united voice. we call out confidently: “Sleep not when the voice of affection speaks!” Once a wise man searched near and far with a lantern for friends. H o w  much rarer than gold Are people who are gracious and kind. So. when friendship or love speaks, Freundin, Liebchen, schlaf du nicht! Friend. sweetheart, do not  sleep! Aber was in allen Reichen But what in all the world War dem Schlummer zu vergleichen? Would be comparable to sleep? Drum. statt Worten und statt Gaben, So, instead of words and gifls, Sollst du nun auch Ruhe haben. You shall now also have rest. Noch ein Griisschen, noch ein Wort! One more little greeting, one more word! Es verstummt die frohe Weise; The joyful melody becomes silent; Leise. leise, Schleichen wir uns wieder fort. Quietly, quietly again we steal away. ­­Franz Grillparzer Salut printemps (1882)..............................................Claude Debussy (1862­1918) Salut printemps. jeune saison, Dieu rend aux plaines leur couronne. La séve ardente qui bouillonne S’épanche et brise sa prison. Bois et champs sont en floraison. Un monde invisible bourdonne, Hail spring, young season! God restores the crown to the plains. The ardent, bubbling sap Overflows and breaks its prison. Woods and fields are flowering; An invisible world murmurs; L’eau sur le caillou qui résonne Water runs over the reverberating pebble Court et dit sa claire chanson. And sings its clear song. Le genét dore la colline: The broom gilds the hill ; Sur le vert gazon 1’aubépine On the green lawn the hawthorn Verse la neige de ses fleurs. Pours forth its snowy blooms. Tout est fraicheur. amour. lumiére, All is freshness, love and light, Et du sein fécund de la terre Montent des chants et des senteurs. And songs and scents arise From the fertile bosom of the earth. ­­Comte de Ségur Victoria Cannizzo, soprano solo Noél des enfants qui n’ont plus de maisons (1916 ) .. Claude Debussy (Christmas Carol of the Homeless Children) Nous n‘avons plus de maisons! Oh! La! We no longer have homes! Les ennemis ont tout pris, The enemies have taken everything, tout pris, jusqu’a notre petit lit! even our tiny beds! lls ont brulé ;’I'école et notre maitre aussi. They have burned the school, and our teacher too. Ils ont brulé l‘église et monsieur Jesus Christ. They burned the church and mister Jesus Christ, Et le vieux pauvre qui n’a pas pu s’en aller! And the old beggar who couldn‘t escape! Bien sur! Papa est a la guerre. Of course, papa is away at war. Pauvre mama nest morte! And poor mama died A vant d ’voir vu  tout ca. before seeing all of this. Qu’est c ’que I’on va faire? What are we to do? Noél, petit Noél! N‘allez pas chez eux, Santa. dear Santa! Don’t go to their houses. Punissezles! Vengez les enfants de France! Les petits Belges, les petits Serbes, Et les petits Polonais aussi! Si nous en oublions, pardonneznous. Noél! Sur tout. pas de joujoux, Tachez de nous redonner le pain quotidian. Noél! Ecouteznous, Nous n’avons plus de petits sabots: Mais donnez la victoire aux enfants de France! Punish them! Avenge the children of France! The little Belgians, the little Serbs. And the little Poles too! If we forget some of them. forgive us. Santa! Above all. no toys! Try to give us our daily bread once again. Santa. listen to us. We have no more little wooden shoes: But give victory to the children of France! ­­C. Debussy Women of the University Chorus William Lawson, piano �Missa Brevis in  F Major .....................c..ceeeu......... Josef Haydn (1 732­1809) Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Susan MacLennan and MayBelle Golis, soprano soloists Siobhan Sculley, conductor Fern I  Cabiria Jacobsen, mezzo soprano o Paul Watrobski, cello e All the sun long it was running. it was lovely, the hay Fields high as the house, the tunes from the chimneys, it was air And playing, lovely and watery And fire green as grass. And nightly under the simple stars As I rode to sleep the owls were bearing the farm away, All the moon long I heard. blessed among stables, the nightjars Flying with the ricks, and the horses Flashing into the dark. And then to awake. and the farm, like a wanderer white With the dew, come back, the cock on his shoulder. it was all Shining, it was Adam and maiden. The sky gathered again And the sun grew round that very day. i carry your heart with me, (i carry it in my heart) i am never without it (anywhere i go you go my dear; and whatever is done by only me is your doing my darling) i fear no fate (for you are my fate my sweet) i want no world (for beautiful you are my world, my true) and it ’s you are whatever a moon has always meant and whatever a sun will always sing is you here is the deepest secret nobody knows (here is the root of the root and the bud of the bud   and the sky of the sky o f tree called life: which grows higher than soul can hope or mind can hide) and this is the wonder that ’s keeping the stars apart i carry your heart (i carry it in my heart) So it must have been afier the birth of the simple light In the first. spinning place. the spellbound horses walking warm ­—.e. cummings   Missa B r e v i s . . . . . . . . o g t e m w o s L. Webb (b. 1976) Out of the whinnying green stable On to the fields of praise. iI (MM Choral Conducting. Binghamton University, 2001) . Susan MacLennan, soprano solo Now as l was young and easy under the apple boughs About the lilting house and happy as the grass was green, The night above the dingle starry, Time let me hail and climb Golden in the heydays of his eyes, And honoured among wagons I was prince of the apple towns And once below a time I lordly had the trees and leaves Trail with daisies and barley Down the rivers of the windfall light. And as l was green and carefree, famous among the barns About the happy yard and singing as the farm was home, In the sun that is young once only. Time let me play and be Golden in the mercy of his means. And green and golden I was huntsman and herdsman. the calves Sang to my born. the foxes on the hills barked clear and cold, And the sabbath rang slowly In the pebbles of the holy streams.   n Duke o J t r a (1899­1984 Arranged for chorus by Rachelle Brisson h (Premiere performance of this arrangement. completed Spring, 2010) Kyrie Sanctus Benedictus Agnus Dei John Corigliano (b. 1938) Michelle Anderson, Cheryl Jacobson, Andrew Fuller, Daniel Romberger, solo quartet James Hsia, Ella Serrano, violins I Carry Your H (1960) And honoured among foxes and pheasants by the gay house Under the new made clouds and happy as the heart was long, In the sun born over and over. I ran my heedless ways. My wishes raced through the house high hay And nothing I cared. at my sky blue trades, that time allows In all his tuneful turning so few and such morning songs Before the children green and golden Follow him out of grace. Nothing l cared. in the lamb white days. that time would take me Up to the swallow thronged lofi by the shadow of my hand. In the moon that is always rising. Nor that riding to sleep I should hear him fly with the high fields And wake to the farm forever fled from the childless land. Oh as I was young and easy in the mercy of his means, Time held me green and dying Though I sang in my chains like the sea. ­­Dylan Thomas �section the male lover determines that his female companion “needs her sleep more than his amorous advances.” NOTES O N  T H E  MUSIC Youth is full of pleasance, age is full of care. . . Youth is wild, and age is tame. (William Shakespeare) Time is the great arbiter of quali ty in the arts. an d genius in musi c is most often recognized and acknowledged only afler the passage of a great deal of it.  In the normal course of events, one would expect to find a composer’s greatest creations only a fter a certain ma turation process ­­ the middle to late years.  Yet genius is frequently found in eve n the earliest com positions of the true greats as we can see in today’s performance of works by t he twenty­seven­year­old Brahms, the nineteen­year­old Schubert, and the seventeen­year­old Haydn. Johannes Brahms interest in choral music spanned his entire career.  His most well­known choral work, Ein deutsches Requiem , was composed near the middle of his life, but the motets, part songs, and folk song arrangements were written from his early years in Hamburg to the last decade of his life in the 1890’s.  The opus 29 motets (there are two of them) were written in 1859­60 for local Hamburg choirs.  The fugal middle section demonstrates his admiration of the music of the past, most notably that of J.S. Ba ch.  However, in the Ldndler­ like  third section. one can also hear traces of the German folk music which he so admired and spent much of his life collecting and arranging. l l The two Debussy choral works presented provide another opportunity to hear works from the beginning and end of a brilliant creative career.  Debussy composed the short cantata, Salut Printemps. as an attempt to win the Prix de Rome in 1881.  Having encount ered significant difficulties in his earlier harmony studies at the Paris Conservatoire over his penchant for parallel fourths and fifths, he followed the advice of his composition teacher. Guiraud, and curtailed his innovative creative urges and attempted a style that would be more conventional and pleasing to the judges.  The work failed to win the prize in 1881, but Debussy was successful two years later with his cantata L ‘enfant prodigue. Most of Mozart ’s sacred choral music dates from his early years as composer in service to the Archbishop of Salzburg, Hieronymus, Count Colloredo.  It is always to be regretted that for al most a decade. when the composer was enjoying his most productive years in Vienna, he abandoned sacred choral composition. In 1 791, his last yea r, he returned to this genre for two final masterpieces. th e exquisite motet Ave verum corpus, and his uncompleted Requiem.  The motet was written for Anton Stoll, a village teacher and choirrnaster at Baden.  Mozart composed in an intentionally simple style befitting the modest resources of the village church. Very little is known of Schubert ’s inspiration for or the circumstances surrounding the composition of Christ ist erstanden (also known as Chor der Engel or “Chorus of Angels”) a text found in Pa rt 1, Act 1, Scene 1 of Goethe’s Faust.  We do know that Schubert was familiar with Faust as early as 1 814 (age 17) because the composer’s famous song for voice and piano. Gretchen am Spinnrade, dates from that ti me.  The choral work was not published until 1839, long after Schubert ’s death in 1828. ­­ Bruce Borton Schubert composed Stidndchen ( Serenade) in 182 7, less than a year before his death in 1828. and the first performance was given in August of that year. The poem by Grillparzer is divided into three sections. The first section describes a male visitor atte mpting to wake his female companion. The second section talks about friendship and love. The poem concludes by observing that it is easier to find gold than it  is to find a person that is “Gracious and kind.” In this last The poet was commissioned by a friend to write t his poem to celebrate the birthday of his wife. Grillparzer contacted Schube rt and he quickly agreed to compose the music. When Grillparzer saw the first version for men ’s voices and soloist, he said, “no Schubert. I can’t use it, as this is supposed to be a celebration for Gosmar’s female friends.” Schube rt changed the work from male voices to female voices and on A ugust 1 1, 182 7, a group of Miss Gosmar ’s female friends sang Standchen to her while in a garden. “The vision of a female ensemble serenading a girlfriend with a poem written from a male standpoint must have been a bit strange and certainly humorous.” ­­ Siobhan Sculley The year 1915 found Debussy suffering from te rminal cancer and deeply affected by recent events of the war in which the Kaiser’s army had ravaged and occupied much of Belgium, Poland. and Serbia.  Days before undergoing surgery to remove his colon, he wrote the words and music for this emotional little song expressing the tragedy though the eyes of an orphaned child. Originally writte n for solo voice and piano, in 19 16 he rearranged the piece for children’s chorus.  He died later that year, making this choral work his final work for voice. ­­ Bruce Borton l l Franz Joseph Ha ydn was born in  1732 in Rohrau, Austria. Betwee n 1749­1750, Haydn composed the Missa Brevis in F major.  It is one of his earliest known compositions. During this time, he was a freelance musician, teacher, and composer. The text in his Missa Brevis follows the ordinary of the Catholic Mass, which includes the Kyrie. Gloria, Credo. Sanctus, Benedictus and Agnus Dei, but set in very brief and economical fashion.  The two longest text movements. the Gloria and Credo. last only 1‘30 and 2‘30 respectively in part due to his employment of a technique called “telescoping”, a process in which several   lines of text are sung simultaneously.  This allows the quick delivery o f long The and.  ssible to underst text. although resulting in text that is nearly impo �performing forces include SATB chorus, two soprano soloists, and a very small orchestra of violins 1 and 2, and basso continuo. The overall harmonic structure and form of this work are simple.  The form of the piece resembles Concerto Grosso style, with alternating solo, tutti, solo. tutti. The simple structure aligns with the ideals of the Catholic Church in the 1750’s. Pope Benedict XIV desired liturgical music that focused on the religious intention as opposed to operatic style. Towards the end of Haydn ’s life (1805), the manuscript of the mass was found in the Servite Monastery at Rossau. Haydn was elated when he rediscovered this work and found that he enjoyed “the melody and certain youthful fire“. ­­Siobhan Sculley “First steps” are frequently taken during student years, and Binghamton University has been witness to a number of first steps over the years.  Rachelle Brisson came to Binghamton University as a graduate student in 2009­2010. She is a graduate of Mansfield University and is currently a resident of Owego, New York.  In the spring of 2010, Ms. Brisson was a student in Bruce Borton ’s Choral Arranging class and completed her arrangement of John Duke‘s solo song, i carry your heart, a setting of an e.e. cummings poem, as a final class project.  Today it receives its premiere performance. Jeffrey Webb completed his Master of Music in Choral Conducting degree at Binghamton University in May, 2001.  While at Binghamton. Jeff conducted the Women’s Chorus, performed with Harpur Chorale and Uni versity Chorus, and assisted with the choral program.  The Missa Brevis in A­Flat was one of several composition and arranging projects completed during his Binghamton years.  It received its premiere performance by the Harpur Chorale in May. 2001.  Webb now is an assistant professor at the University of Pittsburgh­ Johnstown and is music director of the Blair Concert Chorale, a community chamber chorus. John Corigliano is one of America ’s foremost living composers.  His symphonies, chamber music, film scores and keyboard works have enjoyed wide acclaim and won the composer a Pulitzer Prize in 2001 for his Symphony No. 2.  His vocal works follow the lyric tradition of Samuel Barber.  Fern Hill is his earliest published choral work, written soon after his graduation from Manhattan School of Music.  The Dylan Thomas poem itself is perfectly appropriate for today’s program rhapsodizing the glories of youth from the viewpoint of old age.  Conjuring images of the Welsh poet ’s childhood summers on his aunt ’s farm. the poem describes being “prince of the apple towns. . .green and carefree, famous among the barns. .  In the end, however. time leads him from these happy times, and finally holds him “green and dying” but still singing “in my chains like the sea.” THE UNIVERSITY CHORUS Bruce Borton, conductor Siobhan Sculley, student conductor Peter Browne and William Lawson, accompanists Soprano 1 Michelle Anderson Susan Bachman Brittany L. Bory Lorrina Fuentes Mary Gilda MayBelle Golis Margaret Hays Sayuri lto Susan MacLennan Cathie Makowka Mary Barb Martin Susan Rosenberg Marilyn Ross Ligita Roznere Gloria Salamida Siobhan Sculley Barbara Alhart Simon Barbara Thamasett Soprano 2 Sarina Barrera Ency Burhans Patricia Caldwell Rachel Christian Jenna Cooley Joanne Corey Christina Cussen Barbara Herne Sioux Petrow Kelly Pueschel Nuzhat Quaderi Megan L. Roppolo Susan Sarzynski Jennifer Walsh Lois Wilston N. Ewa Wu Alto 1 Carolyn E. Blake Nanette Borton Maria Luisa Cook Carole Dickinson Jayde Doetschman Michelle Doherty Tahnee Fallis Diane A. Ferraccioli Amanda Grode Olivia Hon Sylvia Horowitz Grace Houghton Cheryl Jacobson Joan Kellam Claire Labbe *Choir president TChoir secretary Pat Labzentis Adina Lowy* Margit Mayberry Katherine Moscowitch Greta Myers Anna Nicholas Joyce Printz Mary Schuster Jane Shear Sarah Szalasnyt Susan Szczotka Susan S. Waring Mary Woestman Caitlin Worm Alto 2 Kathryn Baine Lois P. Bare Anna Bitterbaum Kate Bouman Phyllis S. Burr Jeanne Fenzel Ida Amelia Jones Janice Lee Hallie Marks Ethel F. Molessa Shirley Rodgers �Tenor Barbara Barno Brad Bennett Martin Bidney Kevin D’ Andria Kevin Doherty Andrew Fuller H. B. King Carl Kinne Dennis Leipold David W. Martin Kevin Mootoo Justin Padilla Brian Presser Carlton Sackett Jr. Sherry Williamson Bass 1 Eric Bare Ronald Beauchamp Nick DeFeo Richard Dutko Benjamin Elling Russell Feinstein Michael Jabo, J.D. Tom Lamphere Christian Martin David Mizrahi Edward J. Orosz Joshua Perry Mike Pontera Myron F. Shlatz William Clark Snyder Shane Thorn Bass 2 Michael Brenner Carl Bugaiski Jushin Choi David DeMoya Mark Epstein Adam Geier David Hanson Pak Lok Pio Lau Michael Little Sean Marrin Arlo H. Meeker Joseph E. Nelson Daniel Romberger David L. Schriber Donald Lee Stanley Bob Sullivan ’  Bipghagntonw {fig  C 0 : 1 1 " ! q u  _, ‘O fc h e st r a \‘ "  ee) The Binghamton Gommunity Orchestra 2010­2011 SEASON  SCHEDULE Saturday, April 9, 2011, 7pm Sunday, November 21, 2010, 7pm  Helen foley Theatre  at Binghamton High School  Binghamton Community flrchestm  with the Binghamton Youth  Sarah Jane Johnson Church Johnson City, AY Annual STMTA  Winners Concert Tim Perry, Conductor Symphomy Orchestra  Frieda Abdo,  Soprano Barry Peters, Conductor For more information: www.BCOrchestra.com, conductor@BCOrchestra.com or 607 759­9004 The Binghamton University Chorus has been performing major works for chorus and orchestra since 1971.  Its 125+ members include university students, faculty, staff, and a large and loyal group of community singers from throughout the Southern Tier and northern Pennsylvania.  With representatives of all ages and singing experience, it is the most diverse of all of the ensembles at the University.  lts repertoire has included virtually all the major choral works in the standard repertoire including the major works of Bach, Beethoven, Brahms. Verdi, Mendelssohn, Mozart, Haydn, and a sizable number of twentieth and twenty­first century composers.  They perform regularly with the Binghamton University Symphony and the Binghamton Philharmonic including recent performances of Brahms Ein deursches Requiem  and Beethoven Symphony No. 9 under conductor José­Luis Novo. r l I l I :l l I :l I I I I l l l l I i l Something Old Something N e w A C o mm u n i ty  Si ng w i t h  Alice Pa rk e r Saturday, October 16  2010, 3 :00 p m Furst Presbrtenan C   ,h 42 Chenango Street. Binghamton, NY F ol k So n g I nspi rat i ons Directed br  fume  Bover Cotten Sunday, Oc tobe: 17, 201 0 ,  4:00 p m T umty Memoual Episcopal Church,  44 Mam Street, B: NY L esso ns  a n d  Ca rols for C h ri s u n a s 11 0.4 00 pm Saturday,  Novem ber  27, 201 0, 73:0  p m & Sunday, Now Church of t he H ol r Truuty, 346 Prospect Street,  Binghamton,  NY C h o ra l  jo u rn e ys :  D e p a rt u r e s,  Dest i n a t i o ns  a n d  D r e a m s Led hr.  Bruce Borton,  ­ '  '*:e for Artistic Director Sunday,  March 20,  20 11 , 4:00 p m vtenan Church,  42 C henango St e e t ,  Binghamton,  NY Furst P,  Ali‘s F ai r : So n gs  o f L o ve & W a r L e d by James N iblock, candidate for Artistic Di rector aday,  h i m­l l  2011,  4:00 pm  ts P r e s b rt e s i a n   Church , 42 Ci nango Street, Binghamton, N Y (D T h e  M a d ri g a l  C h o i r  o f  B i n g h a m t o n   «  201 0­2011  + 33rd Season  1 KEEIIZZITN For ticket information visit www.madrigalchoir.com or call 607­729–4767 �G  N I G   (eles Thursday, November 1 8 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall – free Thursday, November 18 – Fried heim Memorial Lecture/Recital Series: Claudio Monteverdi, II lamento d ’ Arianna ( Paul Schleuse, spea ker ; C h rist i na Salasny, soprano ; And re w Wal kling, cello a n d  Pa ul Sweeny, guitar ) – 8 p.m. ~ Casadesus Recital Hall – $5 general public; free for students (1 00 student tickets available) F ri da y, Novem ber 1 9 – O rganist J o n a t ha n Biggers : A Bach Celebration ~ 8 p.m. – FA2 1 – $10 general public: $5 faculty/staff/seniors; $2 students Saturda y, Novem ber 20 – Prof. Ti mot h y C hee k (U ni versity of Michigan ) Masterclass on Czech diction a n d  vocal l it e rature – 1 0 a.m. – 1 2 noon and 2 ­ 4 p.m. – Casadesus Recital Hall – free Sunday, November 21 – Czech Vocal Music : Ma ry Burgess, soprano ; Ti moth y Le Feb v re, baritone ; guest a rt ist Ti moth y C hee k, piano – 3 p.m. – Anderson Center Cham ber Hall – $ 1 5 general public : $ 1 0 faculty/staff/seniors; $5 students T uesday, Novem ber 23 – Percussion E nsem ble – 8 p.m. – Anderson Center Chamber Hall – free Wednesda y, Decem ber 1 – Lecture/Recital with J ie un J a n g,  piano – 8 p.m. – Casadesus Recital Hall – free Thursday, Decem ber 2 – Holiday Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall – free Th ursda y, Decem ber 2 – H a r p u r  C hora l e & Women ’s C ho rus – 8 p.m. – Trinity Memorial Church. Binghamton – free F riday, December 3 ~ Flute Studio a nd Flute C ham ber Concert – 10:30 a.m. ­ Casadesus Recital Hall – free Saturday, December 4 – University Symphony O rchestra : America ’s Inner Life ­ 3 p.m. – Osterhout Concert Theater – $10 general public: $5 faculty/staffiseniors: free for students (Group rate $8 per person) For ticket information, please call the A nderson Box Office at 7 7 7­ ,4 R TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:17:15 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First Steps and Final Thoughts: Early and Late Choral Works, November 14, 2010 Recital Tape 2010-11-14 Description An account of the resource Works by Brahms, Mozart, Schubert, DeBussy, Duke, Webb Creator An entity primarily responsible for making the resource Borton, Bruce Sculley, Shiobhan Cannizzo, Victoria MacLennan, Susan Golis, MayBelle Jacobsen, Cabiria Browne, Peter Lawson, William James Hsia, James Serrano, Ella Watrobski, Paul Anderson, Michelle Jacobsen, Cheryl Fuller, Andrew Romberger, David Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fiedheim Memorial Lecture, September 30, 2010 Recital Tape 2010-9-30 Description An account of the resource Works by Zank, Ives Creator An entity primarily responsible for making the resource Foley-Reynolds, Chilton Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-09-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1d699e39051640132e0d76a7df05dee8.pdf aec7cc7f8b210640bb8a81f411e5308c PDF Text Text BINGHAMTON U  N  I  V  E  R  S  l  T  Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K R E P A  R T I M N M E N I THURSDAY MID­DAY CONCERT o  (L T  S)S ~  f; <' eS — / OCTOBER 29, 2010 1:20 P.M. CASADESUS R ECITAL H ALL �PROGRAM Three Songs Dans la Nuit Tyndaris L’Enamourée ..Reynaldo Hahn ( I 874­ I 947) Briana Sakamoto, Soprano Margaret Reitz, Piano The History of the Tango (1982).. 11. Café 1930 ...Astor Piazzolla (192 I ­ I 992) Prof. Timothy Perry, Clarinet Margaret Reitz, Piano Sonata for Bassoon and Piano (1921) I. Moderately fast Daniel Bessel, Bassoon Margaret Reitz, Piano ..Camille Saint­Séiens (1835­1921) Pocket Sonata No. 1 ( 1949) 1. Improvisation 2. Blues 3 ln Rhythm Prof. Timothy Perry, Clarinet Margaret Reitz, Piano Alec Templeton ( 1909­1963) Three original compositions................................ Christopher Morgan Loy Homage to Robert Schumann, Op. 56, no.2 C W M  Rhondda Fantasy, Op. 56, No. 3 Adventures with Max the Dog, Op. 51 No. 2 Prof. Christopher Morgan Lo y, Piano �Binghamton University Music Department’s U P C O M I N G  E V E N T S M M M M M M M t b ’ Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE Song of Silk: Saturday, November 6, 2010, 8pm Osterhout Concert Theater, $$$ Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010, 3pm, Casadesus Recital Hall, FREE University Chorus:  First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ Student Recital: Briana Sakamoto, soprano, Saturday, November 13, 2010, 8pm, Casadesus Recital Hall, FREE Friedheim Memorial Lecture/Recital series: Claudio Monteverdi, I l l ament d Arianna, Thursday, November 18, 2010, 8pm, Casadesus Recital Hall, $$$ Organist Jonathan Biggers:  A Bach Celebration, Friday, November 19, 2010, 8pm, FAZ1, $$$ Czech Vocal Music: Mary Burgess, soprano, guest artists. Timothy Lefebvre, baritone; Timothy Cheek, piano, Sunday, November 21, 2010, 3pm, Anderson Center Chamber Hall, $58 Organist Jonathan Biggers:  A Bach Celebration , Tuesday, November 23, 2010 (11/19 repeat performance), 8pm, FAZ21, $53 Percussion Ensemble, Tuesday, November 23, 2010, 8pm, Anderson Center Chamber Hall, FREE For ticket information, please call the Anderson Center B ox  O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:44:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE155339">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE155339</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Thursday Mid-day Concert, October 28, 2010 Recital Tape 2010-10-28 Description An account of the resource Works by Hahn, Piazzolla, Saint-Saens, Templeton, Loy Creator An entity primarily responsible for making the resource Sakamoto, Briana Reitz, Margaret Perry, Timothy Bessel, Daniel Loy, Christopher Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7cf956a38de6d2c50846f06b94c0936b.pdf 08bfa56bc7a15f1b9455782b92a0b408 PDF Text Text BINGHAMTON U N IV E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W  Y O R K wdee [4 D E P A R T M E N T a} T H U R S D AY M I D ­ D AY  C O N C E R T L \ \ \ Fhnemrsday., F e b r u a r y 2  0 , 2  0 0 9 F220 p . m . Casad esus D e c i ta l F  a l l �PROGRAM Romance and Rondo  Stephen Brooks, bass Margaret Reitz, piano Suite No. 1 for Solo Cello, Op. 72 (1965) . Canto : Sostenuto e largamente Fuga: Andante moderato Lamento : Lento rubato Turn round, keep turning, good wooden horses, Turn a hundred times, turn a thousand times, . Benjamin Britten (1913–1976) Just as the rain on the city, Sonata for Viola and Piano in D Minor­.......... Mikhail Glinka Allegro moderate (1804–1857) Larghetto ma non troppo compl. V. Borisovsky Sarah Sterling, viola Margaret Reitz, piano Ariettes oublICes o i II. IL  pleure dans mon coeur IV. Paysages belges – Chevaux de bois i Claude Debussy (1 862­1 91 8) What is this languor That pierces my heart? O soft sound of the rain On the ground and on the roofs! For a heart that is weary, O the sound of the rain! There is weeping without reason In the heart that is dejected What !  No treason? This sorrow is without reason. Truly the worst pain Is not to know why, Without love and without hatred My heart has so much pain. Elizabeth Sterling, soprano Chai­Kyou Mallinson, piano La Fille aux Cheveux de Lin arr. Arthur Hartmann Children ’s Corner: VI. Golliwogg ’s Cake­Walk arr. Jascha Heifetz Ariettes oubliées: II. IL  pleure dans mon Coeur (There is weeping in my heart) There is weeping in my heart Stephen Stalker, cello .Claude Debussy Claude Debussy Elizabeth Sterling, violin Margaret Reitz, piano Sonata for Viola and  Pigne & . . . . c . . . . . . i i i v i i Rebecca Clarke Impetuoso (1886–1979) Roberta Crawford, viola Michael Salmirs, piano Ariettes oubliées: IV. Paysages belges – Chevaux de bois (Wooden Horses) F ranz Joseph Keyper (1756­1815) ­ James R. Briscoe Turn often and do not stop, Turn round, turn to the tune of the oboes. The child quite red and the mother white, The boy in black and the girl in rose, Each one doing as he pleases, Each one spending his Sunday penny. Turn round, turn, horses of their choice, While at all your turning The sly rogue casts a surreptitious glance. Keep turning t o t he  tune o f  t he  victorious trumpet ! It  is  ast ounding h o w  it intoxic ates you, To move thus in this foolish circus, With empty stomachs and dizzy heads, Feeling altogether badly, yet happy in the crowd; Turn, hobby horses, without needing Ever the aid of spurs To make you gallop on. Turn round, turn, without any hope of hay, And hurry, horses of their fancy, Here, alreaay the supper bell is sounded By Night, which falls and disperses the crowd Of gay drinkers, whose thirst has made them Jamished. Turn, turn round! The velvet sky Arrays itself slowly with golden stars. The church tolls a mournful knell Turn to the gay tune of the drums, keep turning. ­ Edith Braun, Waldo Lyman, and Kay Maunsbach �Comnig CCuenst Thursday, February 2 6 ” G   uest Artist: Dr. Hal Reynolds, trombone, Casadesus Rectal Hall, 8:00 PM, FREE Friday, F ebruary 2 7 ” Organist    Jonathan Biggers ­ A Bach Celebration!!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, March 5 % Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$ Saturday, March ”  University Symphony Orchestra: Echoes of the East – Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ S u n d a y,  March 8 ” University Wind Symphony, 3:00 PM, FREE   Anderson Center Chamber Hall Thursday, March 1 2 ” Mid­Day Concert, 1:20 PM ­ FREE   Casadesus Recital Hall Saturday, March 1 4°" Student Recital: Gregg Ackerman, clarinet. Casadesus Recital Hall, 3:00 PM, FREE Saturday, March 1 4 ”  Master’s Recital: Heather Montana, soprano, Casadesus Recital Hall, 8:00 PM, FREE S u n d a y,  March 1 5% Guest Fortepiano Concert: Stefania Neonato, Casadesus Recital Hall, 3:00 PM, $$ S u n d a y,  M arch 1 5 ” Master’s Recital: Sibongile Boyd, soprano,   Casadesus Recital Hall, 6:30 PM, FREE For ticket information, please call the Anderson Center B ox O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, February 26, 2009 Recital Tape 2009-2-26 Description An account of the resource Works of Keyper, Britten, Glinka, Debussy, Debussy, Clarke. Held at 1:20 p.m., February 26, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Brooks, Stephen Reitz, Margaret Stalker, Stephen Sterling, Sarah Sterling, Elizabeth Mallinson, Chai-Kyou Crawford, Roberta Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ebf97687c4df74cba0cddc1067211b31.pdf fdcf700ba2ae4bade2390a2bb655d8a4 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K wee 4 E P P F A R Rachmaninoff A Kussian ["antasy for J wo  [ianos S u i t e s  N o .  1 & 2 S y m p h o n i c  D a n c e s ­ I  wa  Mackiewicz­ Wolfe & Michael Salmirs Saturday, February 21, 2008, 8pm Anderson Genter Chamber Hall �P RO G R A M /  II.  ­   _ '  ,.  fl . f  of  /  r C r   4 a 6 l Sergei Rachmaninoff (1873­1 943) Suite No. 1 , Op. 5 (Fantaisie­tableaux) IL; IL. I11. I V. ‘ w Symphonic Dances, Op. 45 I. II I11. M a y  1 + 8 : 0 0 M a y 3    « 3 : 0 0 e r Non Allegro ­ Lento ­ Tempo 1 Andante con moto (Tempo di valse) Lento assai  ­  Allegro vivace INTERMISSION Suite No. 2, Op. 1 7 Cofounders Carmar  Savas a Peyiae HEB =  args  Barcarolle:  Allegretto A Night  for Love:  A dagio sostenuto Tears:  Largo di molto Easter:  Allegro maestoso The Forum Theatre 2356 ‘Washington Street » Bingha mton, N Y For tickets call 607­772–0400 or visit us online  at twthricitieso  racom.  NE TAH te. mln y  @\~l.i‘M  enan l 0  WuWipmfidflmfivfilhwmhlamithrh­dcdurifimdmmdhstm GCauny r r e  Yokr  Ste Councilon   pers predictors made  possible with  public func  from  the Nw r +Cites O  P Pls pregrm n A eolp rtsm  hteev A the Arts,  Sots apency. Fundincg p . ee t Funds’ T ounc l“i noD n C M orocvdiepd, an Pr amwb­ o” M I. II. IIL. I V. Introduction :  Alla marcia Valse:  Presto Romance:  A n dantino Tarantelle:  Presto �PROGRAM NOTES Rachmaninoff’s two­piano suites and symphonic dances are among the composer’s major works. Rachmaninoff was only twenty when the Suite No. 1 “Fantaisie –Tableaux” Op. 5 was published.  Dedicated  to  Tchaikovsky,  it shows a very strong link to that composer’s lyrical art. The Suite consists of four brief  movements  which  are  preceded  in  the  score  by  quotations  from Rachmanoinoff’s favorite poets: Lermontov, Byron, Tyutchev and Khomyakov. The first movement, the G minor Barcarolle: Allegretto, captures not only the serenity of Lermontov’s lines but also something of their restrained pathos. Gondola Song O cool evening wave Lap gently under the oars of the gondola that song again! and again the sound of the guitar! The finale, Paques: Allegro maestoso (Russian Easter) is entirely outgoing and theatrical, with the Kremlin bells tolling exuberantly from the opening bar to the l l ...in the distance, now melancholy, now happy, Was heard the sound of the old barcarolle: “The gondola glides through the water, and time flies through love; The waters become smooth again and passion will rise no more.” Fyodor Tyutchev (1803 – 1873) Alexei Khomyakov (1804 – 1860) The Suite No. 2, Op. 1 7, composed years later, was performed by the composer and his friend, Alexander Siloti, in Moscow in November 1901. The Suite’s first movement, Introduction: Alla Marcia, is full of energy and confidence, a tour de force in rhythm and unstoppable momentum with the central climax fading into a coda  of  gentle grace.  In  the unforgettable second  movement,  Valse: Presto,  music  floats  on  a  cascading  moto­perpetuo  fingerwork  that  is It is the hour when from the boughs The nightingale’s high note is heard; It is the hour when lover’s vows Seem sweet in every whispered word; And gentle winds, and waters near, Make music to the lonely ear. Human tears, O human tears! You flow both early and late – You flow unknown, you flow unseen Inexhaustible, innumerable, ­ You flow like torrents of rain In the depths of an autumn night. Easter T he mighty peal rang out over the earth, And all the air, moaning, shuddered and groaned, Melodious, silver thunderings Told the news of the holy triumph. interspersed  with  a  more  luxuriant  middle  section,  showing  the  demanding virtuosity and passionate bittersweet romanticism of the youthful Rachmaninoff. Romance: Andantino, the third movement, was written at about the same time as the composer’s Second Piano Concerto and is the emotional heart of the Suite. The last movement, brilliant and exhilarating Tarantelle: Presto concludes the whole  work. It  reminds us of the  immense technique that  Rachmaninoff, the pianist, possessed. Mikhail Lermontov (1814 – 1841) The second  movement, La  mit...L ’ amour: Adagio  sostenuto (A  Night  For Love), inspired by Byron’s lines is an  extended dialogue  which  begins with suggestions  of  bird  song, then  rises to  a central  climax  and  returns to  the tranquility from which it emerged. Night... Love Lord Byron (1788 – 1824) The next, Les larmes (Tears), is the  most  characteristic and forward­looking movement of agonized melancholy. Tears last. l L Being  his  last  opus, the  Symphonic  Dances, Op. 45  can  be  considered  as summarizing Rachmaninoff’s entire life. He called it  “my last  spark.” It  was written in  1940 with the title of Fantastic  Dances.  After October 29” when orchestration  was  completed,  the  title  of  the  work  changed  to  Symphonic Dances. A two­piano version was made by the composer from the short score, and its first performance was given by Rachmaninoff and Vladimir Horowitz at Rachmaninoff’s  Long Island  home.  Three  movements: Noon, Twilight and Midnight,  are  regarded  to  be  a  reflection  of  Rachmaninoff’s  essentially pessimistic view of existence.  Non Allegro opens with an insistent and angular rhythmic  figure  which  leads to the  haunted, principle theme.  Andante con moto, created in the form of a very energetic and dramatic waltz, is interrupted by the melancholy moods for which Rachmaninoff had  become the  absolute master.  Lento  assai  –  Allegro  vivace, called  a  “brilliantly  sinister  danse macabre,” is leading to darkness as if Rachmaninoff were resigned to his own approaching  death.  His  “last  spark,”  the  orchestral  version  of  the  piece performed in  1941  by  Philadelphia  Symphony Orchestra, was greeted by the most negative criticism that the composer had ever received. Twenty six months later, on March 18, 1943, Rachmaninoff died. ­­ Ewa Mackiewicz ­ Wolfe �A B O U T  T H E  P E R F O R M E R S EWA MACKIEWICZ­WOLFE, pianist,  received her Bachelor and Master degrees in Piano Performance with honors and high distinction from the Academy of Music in Lodz, Poland where she continued as Assistant Professor and Master Lecturer in music. Since 1984, she has been associated with the Binghamton University Music Department, Binghamton, New York as both a professor of piano and as a performing artist. Mackiewicz­Wolfe is the winner of the International Competition of Renaissance and Baroque Music and the International Competition for Young Pianists in Warsaw, Poland. She has appeared in Germany, Hungary, Canada and Poland as a recitalist, chamber musician and as soloist with symphony orchestras. She participated in several music festivals such as the Festival of Karol Szymanowski, the Piano Festival of Vladislav Kedra, Poland, and Chamber Music Festivals in Germany and Hungary. In the United States, Ewa Mackiewicz­Wolfe has performed throughout the Northeast including Jordan Hall of the New England Conservatory of Music, Phillips Academy and Boston University. She gave F ryderyk Chopin remembrance performances at the Consulate General of France, the Consulate General of Poland, New York City; and at the Hamilton Conservatory of Arts, Hamilton, Ontario, Canada; and at the Anderson Center for the Arts, Binghamton, New York. Her CD on Classics Label features Piano Sonatas of Mozart, Beethoven and Chopin. Pianist M I C H A E L  SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared  as  soloist  with  the  Corning  Philharmonic,  Binghamton University  Orchestra,  Cayuga  Chamber  Orchestra,  and  has  been  a featured  pianist  on  their  Sunday  chamber  series.  As  a  performer  of contemporary music, he has participated in such series as  Binghamton University’s  Musica  Nova,  Cornell  University ’s  Ensemble  X,  Chiron. and has toured and  recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. W S K G  P ublic Broadcasting Your source for locally hosted Classical, Folk ¢ Jazz Radio E . pressoins a n d f o r featuring 7 the A rt & Artists of the Southern Tier Thursdays on WSKG Television VER wskg.org W S K G T V   «  WSKG Radio  *  WSQX 91.5 rm �nathan Biggers ­ A Bach   Sunday, F ebruary 2 2 ” Organist Jo Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)   rganist Jonathan Biggers – A Bach Tuesday,  F ebruary 2 4 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $%   id­Day Concert, 1:20 PM ­ FREE Thursday, February  2 6 ” M Casadesus Recital Hall   uest Artist: Dr. Hal Reynolds, trombone, Thursday, February  2 6 ” G Casadesus Rectal Hall, 8:00 PM, FREE   rganist Jonathan Biggers – A Bach Friday, February  2 7 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $% ncert, 1:20 PM ­ FREE   Thursday, March 5 ” Mid­Day Co Casadesus Recital Hall Thursday, March 5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$ ymphony Orchestra: Echoes of the   Saturday, March 7 ” University S East ­ Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ ind Symphony, 3:00 PM, FREE   Sunday, M arch 8 ” University W Anderson Center Chamber Hall ncert, 1:20 PM ­ FREE   Thursday, March 1 2 Mid­Day Co Casadesus Recital Hall Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet, Casadesus Recital Hall, 3:00 PM, FREE cital: Heather Montana, soprano,   Saturday, M arch 1 4 ” Master’s Re Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center B ox  O ffice at 777­ART S. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:05:23 29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rachmaninoff: A Russian Fantasy for Two Pianos, Suites no. 1 & 2, Symphonic Dances, February 21, 2009 Recital Tape 2009-2-21 Description An account of the resource Binghamton University Department of Music. Held at 8:00 p.m., February 21, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Mackiewicz-Wolfe, Ewa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f868a73734eb8abc3da6d6314e5302f7.pdf 25694e32d62b815c9df39a10ce9b1e8c PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K wee [4 D E P A R T M E N T li \ M USICA N OVA with Timothy LeFebvre, baritone M a ry  Burgess, soprano Michael Salmirs, piano Margaret Reitz, piano C hristopher Morgan Loy, composer and piano Daniel Fabricius, percussion Stephanie Le hman, percussion Sibongile Boyd, soprano Jenni fer Groves, soprano Heather Montana, soprano Tomek Regulski, composer Martin Bidney, translator Paul Goldstaub, composer and conductor Sunday, F ebruary I5, 2009 3:00 p.m. Chamber Hall Anderson Center for the Performing Arts �PROGRAM Jake Heggie (b. 1961) Paper Wings Bedtime Story Paper Wings Mitten Smitten A Route to the Sky Mary Burgess, soprano Michael Salmirs, piano Tomek Regulski (b. 1985) The Glance  Heather Montana, soprano Stephanie Lehman, percussion Margaret Reitz, piano l Ned Rorem (b. 1923) In a Gondola Pippa ’s Song Sibongile Boyd, soprano Margaret Reitz, piano Take Me Back from “Our Town Ned Rorem Jennifer Groves, soprano Margaret Reitz, piano Christopher Morgan Loy from Four Spirituals Volume I  Sometimes I Feel Like A Motherless Child  (op.38, no.1) Didn’t My Lord Deliver Daniel?  (op.38, no.2) l from Two Spirituals Volume V Great Day  (op.52, no.2) Sibongile Boyd, soprano Christopher Morgan Loy, piano INTERMISSION �l Every Evening  (premiere pe rformance h h Paul Goldstaub (b. 1947) Bedtime Story Soun, soun, beni, beni, soun, so un, beni doun.  Ah! It was a cold, cold night­­so cold, we had a fire. A cold, cold night.  We sat and talked. All was safe and good. Then, something happened. Something soft went by­­ A second’s wait­­­­ “Nothing there.  It must have been a dream.” Again a breeze, a tiny move­­ What could it have been? At last we looked and there, There stood a girl no more than three, A blanket on her head, her eyes­­­ She thought we couldn’t see. Ah, but who?  Oh, who was that girl? Oh, child, it was you! Oh, magic, magic child! You stayed­­­we smiled­­­ Lisa. Translated from the Russi an by Martin Bidney, based on Konstantin Balmont ’s translations of Spanish folk songs. Timothy LeFebvre, baritone Margaret Reitz, piano Daniel Fabricius, percussion Stephanie Le hman, percussion Sibongile Boyd, soprano Jennifer Groves, soprano Heather Montana, soprano Paul Goldstaub, conductor Martin Bidney, who taught for 35 years at Binghamton University, has translated, from the Russian, K. D. Balmont ’s Love and Hate: Spanish Folk Songs (19 11 ), the source of the vocal texts chosen by Paul Goldstaub for his song cycle.  Prof. Bidney earned an M.A. in Slavic Litera tures at Harvard before ta king the Ph.D. in English at Indiana University, and a fourth of his 90 articles ha ve dealt with Russian authors.  He writes a poem (usually a sonnet) every day of his life and sings in the U niversity Chorus; he’s also a classical violinist and folk fiddler playing in Celtic and klezmer and other traditions. The brevity and energy of the micro­poems, combined with their melodic sweetness, makes them a pure  delight to read either in Russian or in Spanish.  As Emanuel Geibel’s translation of Iberian verses led to the wonderful Hispanisches Liederbuch composed by Hugo Wolf a century ago, so the English renderer of these little folk gems has felt honored to work with a highly imaginative composer of the present day. Paper Wings When I was young, I lived in G reece with my mother. That’s right, Greece. We lived in a house, a house with a great big balcony. And Signorina, Signorina, Signorina was my nanny. One day, Signorina made me wings out of paper­­ That’s right, pa per wings. And for days and days I pretended to fly, to fly, Over the rooftops of Athens. Mitten Smitten . My uncle Tim, he once gave me some mittens. They were from “lndya,” and very special. But I was small and I’d never seen anything like them. Where were the fingers? I put them on.....Strange... �A Route to the Sky ! 1 My mother taught me to fly, not even knowing she had done so. I climbed on the roof, a complicated route to the sky­­ But the firemen got me  down, Oh, the firemen got me down! Lisa was eight when she climbed through a window Out onto the roof, Oh!  When I saw how she’d done it I nearly fainted. So I went out after her.  “Lisa, don’t move!” Then we were both stuck. Two trucks an ambulance, Two station wagons of  rescue teams came to t he house. And the firemen got us down, Oh, the firemen go us down! Pippa ’s Song The year ‘s at the spring, And day ‘s at the morn; Morning ‘s at seven; The hillside ‘s dew­pea rl’d ; The lark ‘s on the wing ; The snail ‘s on the thorn; God ‘s in His heaven, All ‘s right with the world. v ­ Frederica von Stade ­ Robert Browning Take Me Back Take me back. Take me back up the hill. Take me back to my grave. Wait! One more look. Goodbye. Goodbye, world. Goodbye Grover’s Corners. Mama, Papa, goodbye. Goodbye to ticking clocks, to mama ’s hollyhocks, to coffee and food, to gratitude. Goodbye, goodbye world. Goodbye to ironed dresses, to George’s sweet caresses, to my wedding ring, oh ev’ry thing. Goodbye. Goodbye, world. Does anybody ever realize life while they live it, every minute of it, every moment of it? Oh, earth, you are too magical for anyone to know your miracle! Oh, take me back. Take me back up the hill. Take me back up the hill. The Glance Up ahead, I know, he felt it stirring in himself already, the glance, The darting thing in the pile of rocks, Already in him, there, shiny in the rubble, hissing Did you want to remain Completely unharmed?­ The point­of­view darting in him, shiny head in the ash­heap, Hissing Once upon a time, and then Turn now darling give me that look, That perfect shot, give me that place where I ’m erased. . .. The thing, he must have wondered, could it be put to rest, there, in the Glance ­ Jorie Graham Excerpt from  “Orpheus and Eurydice” Sometimes I Feel Like A Motherless Child In a Gondola The moth’s kiss, first! Kiss me as if you made me believe You were not sure, this eve, How my face, your flower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide ope I burst. The bee’s kiss, now! Kiss me as if you enter’d gay My heart at some noonday, A bud that dares not disallow The claim, so all is render’d up, And passively its shatter’d cup Over your head to sleep I bow. ’ Sometimes I feel like a motherless child a long way from home. Sometimes I feel like I ’m almost gone along way from home. Sometimes I feel like a motherless child a long way from home. �Every Evening Didn ’t My Lord Deliver Daniel? If I knew, my dearest life, The rose falls asleep, Your heart and mine Took counsel together And both have decided They can’t live apart. Into the well of envy I lowered myself to drink. I drank my fill of en vy, But thirst I will always have. Great Day Your eyes are azure. Your eyes are blesséd. My own look and pray And they ask for yo ur mercy. I fell in love at night. The moon told me a lie. If ever I fall in love again – Only at daytime, in sunlight. Great Day! Great Day the joyous marching God’s gonna build up Zion’s walls. You are the pink of April And you the rose of May, The moon of January, And I beneath your spell. When I got the message That you do not love me, Don’t suppose I drowned myself, The water was too cold. You’re brighter than the sun so bright, More white than whitest snow. You are the Alexandrian rose That blooms the year around. Just go, I do not love you, My love is gone for good. I ’ve swept you from my heart With a clean­sweeping broom. Sing a song, and I’ll sing too, Little bird on greening bough, Sing a song, and I’ll sing too, Everyone should sing that loves. Out of my sight! I loathe you as much as A mortal sin. If I possessed a thousand lives I ’d give them to you all at once. I ’ve only one life ­ take it, But take it a thousand times. Oh, if God would hear me, And if stones could wail ­ And if you could only know: Revenge ­ how much I crave it! Hurray, you looked at me! Hurray, I looked at you! Hurray, you love me now! Hurray, now I love you! Morning ­ there I am, at Mass, Praying in the church, Offering my gratitude For being rid of you. Sleep, my little baby, You are barely seen, Sleep, my little star Shining before the dawn. Yes, it’s true I loved you, right. Stupid to deny it.  If you Live to be a hundred, though, To me you are a corpse. Didn’t my Lord deliver Daniel and why not every man? That you ’re listening to me, Like a nightingale I ’d sing Till the morning rays arise. He delivered Daniel from the lion’s den, Jonah from the belly of the whale. And the Hebrew children from the fiery fumace, and why not every man? The wind blows east and the wind blows west, it blows like the judgment day and every poor soul that never did pray will be glad to pray that day. I set my foot on the gospel ship, the ship it began to sail. It landed me over on Canaan’s shore and I’ll never come back any more. Didn’t my Lord deliver Daniel and why not every man? Chariot rode on the mountain top My God spoke and the chariot stopped. This is the day of Jubilee The Lord has said that this will be. Oh­sing with joy and praise His name Heaven’s Love is ours to claim. We want the brave hearted in our band To march out boldly in the land. We love the Lord for He is good He’ll free us like He said He would. Great Day! God’s gonna build a Great Day! 0 Gleaming with dew. Night ’s coming on : Sleep, my child. Away from my eyes, �I don’t have anything of yours, And if I did I ’d toss the thing into the fire So it would burn. ABOUT T H E  PERFOR MERS T I M O T H Y  L E F E B V R E ,  baritone,  has  appeared  in  concert  with  the The shoes that I wore out I tossed into the mud. If someone wants to put them on, l hl } What is that to  me? Go and tell your mother To comb your hair and wash you, Give you milk again, and food, And bring you up to be a man. I thought that love Was but a toy, But now I see You go through death. I can’t see in the window now The things I sa w before. The window I am looking through Opens on loneliness. Vermont  Symphony,  Minnesota  Symphony,  Syracuse  Symphony,  American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival.  He has also a ppeared in  concert at New York’s Camegie Hall and Alice Tully Hall.  Mr. LeFebvre is a winner of the  New  York  Liederkranz  Vocal  Competition.  Other  awards  include  the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions.  LeFebvre’s operatic experience includes leading roles with San Francisco Opera, Tri­Cities Opera, Sarasota  Opera, Chattanooga  Symphony and Opera, Syra cuse Opera, Indianapolis Opera, and Ope ra Theater of Pittsburgh.  LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently on the faculty at Binghamton Unive rsity. M A R Y  B U R G E S S ,  soprano, a graduate of the Curtis Institute of Music, I live without life, To live such a life. Alive, I ’m not living. Living, I die. Do not kill me, do not kill, Let me live.  Let me live. Let me pass, let me pass Through the achings of this world. Every evening I know I will feel your eyes shine, And I’ll know every evening that you will feel mine. And so, truly the moon, in the nearness of night, Will be mirror for us, in oblivion’s light! ­Konstantin Balmont translated by Martin Bidney l } has been a member of the Binghamton University voice faculty for over twenty years.  Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the C urtis Institute, and subsequently appeared with Santa Fe Opera, Washington Ope ra, New Orleans Opera, Nevada Opera, and many other  regional  companies  including  Tri­Cities  Opera  in  Binghamton.  Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and with Dublin Grand Opera.  Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the  Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony  (Sir  Simon  Rattle),  and  Cincinnati  Symphony  (Klaus  Tennstedt, James Conlon).  She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival.  Her repertory of forty roles in five languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson.  Her performances of Britten’s Les Illuminations and Mahle r’s Symphony No. 2 with the Omaha Symphony were filmed for broadcast by  Nebraska ETV.  She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. �Pianist M I C H A E L  SALMIR S, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well kno wn as a recitalist and chamber musician.  He  has  appeared  as  soloist  with  the  Corning  Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music  repertoire  for strings and piano, he  has premiered  numerous solo  and  chamber  works, and  recently  gave  the  world premieres of works by David Liptak, Marek Harris and Paul Goldstaub. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell  University’s Ensemble  X, Chiron, and  has toured and recorded for the Syracuse Society for New Music. M A R G A R E T  ( P E J )  R E I T Z ,  pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston  University, New England Conservatory and Binghamton University. She has accompanied throughout the United  States,  in  England,  South  America, and  at  the  American  Institute  of Musical  Studies in  Graz, Austria.  She  was  an  official  accompanist  for  the MTNA State and Eastern Division Competition held at Ithaca College in 2001 and  again  2006.  She  has  been  a  guest  chamber  music  artist  in  Morges, Switzerland.  She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches.  She was an official pianist at the International  Double Reed  Competition  and  Convention  in  2007  at  Ithaca  College.  She  has  been asked  to  play  a  concert  this summer with  the  Glickman  Trio  in  the  United Kingdom  at  the  IDRS  Convention.  She  was  selected  to  accompany  at  the Interpretation of Spanish Music conference, coached by Teresa Berganza, at the University of Madrid in July 2007, and at Mannes School of Music, 2008.  She will be in residence at the Barcelona Festival of Song this summer in Spain as coach/accompanist.  She is currently on the  faculty at  Binghamton University (since 1991) and Ithaca College School of Music (since 1999). DANIEL FABRICI US, percussion, has been a member of the Binghamton University faculty since 1992. He holds degrees from Mansfield University and Ithaca College where he studied percussion with Richard Talbot and Gordon Stout. In addition to his work at  BU, he has served as Director of Bands at Owego Free Academy since 1989.  He has been a member of the Binghamton Philharmonic percussion section since 1982, and also performs in popular, rock, jazz,  and  other  styles.  He  has  played  as  a  free­lance  percussionist, accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothe rs, and Ella Fitzgerald.  He is highly regarded in the region as a percussion soloist and ensemble player and has collaborated many times with Binghamton University organ professor Jonathan Biggers and with the Ithaca Brass.  He has served the New  York  State  School  Music  Association  as  an  All­State  Percussion adjudicator  for  many  years  and  has  presented  many  percussion  or  music education clinics at state conventions and confere nces. S T E P H A N I E  L E H M A N ,  percussion, is in her second year at Binghamton University as a graduate teaching assistant while finishing her Masters degree in percussion  performance.  Here  at  Binghamton,  she  is  very  fortunate  to  be studying percussion under Dan Fabricius.  Originally from Baldwin, NY she graduated  from  University  of  Delaware  with  a  Bachelors  degree  in  music education with a concentration in percussion.  In Delaware she had the privilege of studying privately with Harvey Price, Jim  Ancona and Orlando Cotto. At Binghamton  she  teaches  fellow  students,  while  practicing  and  performing percussion  and  vocal  jazz.  Last  year,  Stephanie  competed  in  Binghamton’s concerto competition and was the winner in the Winds, Brass, and Percussion Division.  She cannot thank all of her teachers, family, friends and loved ones enough for all of their help and support throughout her musical career. �S I B O N G I L E  BOYD, soprano, hailed  for her  “lyrical and  warm singing voice” (Hudson Valley Times Herald­Record – July 29, 2008) and a cum laude graduate of Harvard University, made her operatic debut with Harvard’s Dunster House Opera as Yvette in Puccini ’s La Rondine and later appeared as Barbarina in Mozart ’s Le Nozze di Figaro.  She performed opera roles with the  Shaker Mountain Performing Arts Festival, Natchez Festival of Music, and Cantiamo Opera, and gave recital and chamber performances at the Brooklyn Muse um of Art,  the  Sumner  Muse um (Washington  DC),  and  the  Merck  Concert  Series (appearing with the Manchester String Quartet).  In 2007, Ms. Boyd sang the role of Blonde in Opera Company of Brooklyn’s production of Die Entfiihrung aus dem Serail after making her company debut as Monica in The Medium in 2006.  Ms.  Boyd is in  her second  year in  the  Master of Music  program at Binghamton University, where she performed the roles of Gabriel and E ve in Haydn ’s  The  Creation.  Recent  performances  include  Zerlina  in  Delaware Valley  Opera ’s  production  of Don  Giovanni  and  her  solo  recital  debut  at Bargemusic (Brooklyn, NY) featuring the works of Fauré, Ravel, Mozart, and Rorem.  Ms. Boyd will be appearing at the Dweck Center for Contemporary Culture (Brooklyn Public Library) in February 2009, presenting a solo recital of spirituals. J E N N I F E R  G R O V E S ,  soprano, is in her first year of the Master of Music in Opera program at Binghamton U niversity. She has recently appeared  with Tri­Cities Opera in their 60” Anniversary Gala as the Second Lady (The Magic Flute). Other TCO credits this season include the Page in both Amahl and the Night Visitors and Rigoletto. Ms. Groves graduated in Spring 2008 from S UNY Geneseo with a BA in Vocal Performance and Interpersonal Communication. Ms. Groves has performed with Merc ury Opera Rochester in La Bohéme, Amahl and the Night Visitors, Norma, and L ’elisir d ’Amore. Other credits include solo recitals in  Geneseo, NY and  Pawling,  NY. Upcoming  performances include Miss Pinkerton in Menotti’s Old Maid and the Thief with Tri­Cities Opera. H E A T H E R  M O N T A N A ,  soprano,  hails  from  Utica,  N Y , where  her warm, fresh voice has been pleasing audiences for years. Ms. Montana, a cum laude graduate of Hamilton College, is currently pursuing a Master of  Music degree in Vocal Performance at Binghamton University, where she studies with Timothy  LeFebvre.  She  has most  recently  appeared  as  Buttercup  in  H.M.S. Pinafore (Earlville Opera House, Earlville NY), and as Kate in Kiss Me, Kate! (Hamilton College, Clinton NY). Ms. Montana has also been heard as Bazzard in Drood: The Mystery of Edwin Drood and as Fiametta in  The Gondoliers at Hamilton College, where she was a member of the College Choir, College Hill Singers and Oratorio Society. She has appeared recently as a recital soloist  for Utica  Monday  Night’s  Classical  Performance  series  at  the  Stanley  Theater. Winner of first prize at the Central New York/ Finger Lakes Regional National Association of Teachers of Singing  Competition and at  the  B#  Musical Club scholarship competition, Ms. Montana  was the soprano soloist  in  Messiah  in Rome, NY. ABOUT THE COMPOSERS T O M E K   R E G U L S K I   is  a  second  year  Master  of  Music  student  at Binghamton University, studying music composition in the studio of Dr. Paul Goldstaub.  His song, “The Glance,” is receiving its third performance today. Premiered in April 2008 during an online web conference between composition students at BU and the Manhattan School of Music, its first public performance was in October 2008 in Casadesus Recital  Hall.  Tomek  received  his BA  in Music at Hartwick College, studying composition under Dr. Thomas Licata.  His thesis  composition,  “Beauty  Lost,”  was  the  second  place  recipient  of  the prestigious Freedman Prize, a competition open to all students in their senior year, for which Mr. Regulski received a $3,000 grant for hiring professional musicians  to  perform  the  composition  at  his  senior  recital.  In  addition  to studying composition, Tomek has been studying Hindustani Classical Music on the sitar  for three years under the guidance of Acharya Roop Verma.  As  a culmination of his studies he is giving a recital on Saturday, May 9 at 8:00 p.m. in Casadesus Recital Hall. C H RI S T O P H E R  M O R G A N  LOY, composer–pianist, has a catalog of compositions  which  includes  works  for  piano,  voice,  chamber  ensembles, chamber orchestra, full orchestra, and chorus. He earned the Doctor of Musical Arts in  composition  from  Cornell  University in  Ithaca, New York  in  1993. Since the 1980’s Loy has received over 25 commissions from members of the Detroit Symphony Orchestra, St. Paul ’s Episcopal Church in Cleveland Heights, the  Sage  Chapel  Choir  of  Cornell  University  in  Ithaca,  individuals  and professional  musicians.  In  1998, 2001  and 2008, he  received the New York State  Council  on  the  Arts  Decentralization  Program  Grant  to  compose  his Serenade, String Quartet  # 1  and  Poetic  Rejuvenations  –  a  large­scale  work integrating poetry and music composed for five players and poet. Each year Loy produces concerts in which he premieres new works of his, along with works of other  composers.  His works  have  been  heard  and  premiered  in  Cleveland, Detroit,  Houston,  New  York,  San  Francisco,  San  Antonio,  and  Ithaca.  He teaches Theory and Composition at  Binghamton University, and serves on the faculty of the Community School of Music and Art (CSMA) in Ithaca, NY. He is organist/ pianist at the First Baptist Church of Ithaca. Dr. Loy writes:  “I consider the five volumes of Spirituals I have set to be new compositions  –  not  just  arrangements.  The  formal  structure,  harmonic  and technical ingenuity, and loving care that  went into the creation of these works justifi' their classification as art songs. The Spirituals were inspired by and are dedicated to my wife, Ernestina Snead.” �Professor  P A U L  G O L D S T A U B ’ S  compositions have been  performed at Lincol n Center. Carnegie Hall. and in Canada. Great Britain, Japan. Germany, Russia  and  Italy.  A  national  finalist  in  the  St.  Paul  Chamber  Orchestra ’s American Composer Competition. he has been awarded grants by the National Endowment for the Arts. the National Endowment for the Huma nities, Meet the Composer and the Minnesota State Arts Board. and is an annual ASCAP awards recipient.  In  November. his composition. Swan. was awarded second prize  in the  national  Ithaca  College Choral Composition Competition.  A specialist  in creativity,  he  has  presented  papers  and  conducted  workshops  on  music improvisation at many colleges and conservatories. and at the SU NY conference on  creativity  at  the  Fashion  Institute  of  Technology  in  New  York.  At Binghamton,  he  directed  last  year’s online  distance  learning  project  with  the Manhattan  School  of  Music.  creating  live  interaction  between  composition students at  both schools.  Goldstaub  earned  the  Doctor  of Musical  Arts and Master of Music degrees at the  Eastman  School of Music. and a  Bachelor of Music degree at  Ithaca  College.  He  has held  positions at  Ithaca  College.  the College­Conservatory of Music of the University of Cincinnati. Minnesota State University at  Mankato and  Eastern Michigan  University.  His work on  Every Evening is featured in the 2009 edition of Binghamton Research magazine.  His publishers  include  Roger  Dean  Publishing  Company.  Lawson­Gould  Music. Ken Dorn Publications, and the International Trombone Associat ion Press. W S K G  Public Broadcasting Your source for locally hosted Classical, Folk   ¢ ’Jazz Radio and for pressin ‘ wlurz’ng the A rt  57 Artists of the Southern Tier Thursdays  on WSKG Television E wskg.org K wskg TV  « WSKG Radio  * WSQX 91.5 rm » �:  S T E " ,   /  J  A  H r ­  f /   / ­ / , « , / 1  f t   c o F '    a ,  e r   _  /  /   _ _  /  § < ‘ / t ; / _ , / / ' / ’ ? / i f f 4 Bach Celebration!!! ’  The Complete Organ Yorks  ’ E  1.4  =  :  . a4 JONATHAN  BIGGERS, ORGAN The third concert of the series and dedication of the new Hellmuth Wolff m yn M H M o n & mm ym e m yn ms d d w U W M U q un mmmmm th Tues, February .  & Friday, February 27”  at 8pm M a y  1  « 8 :00   M a y  3  + 3 :00  V5  T GQ  =  r s w  e } e ­ .   : First Year Series Final Concert will be held on  March 21+ at First Presbyterian Church, Binghamton lary  ;  ‘_  a  Y  :  a  .  B . I H. , L    S .  Fine Arts Building, Room 21, Binghamton University A Pa yor HEdike  '  The Forum Theatre 236 Washington Street » Binghamton, NY For tickets call 807­772–0400 or visit us online at immutncmeso P F ­ra.com.  .  .  Seats are limited. I t is  r e c o m m e n d e d   nformation, visit  T O N   777­ARTS tickets.  For more i B I N G H A M 1 T  Y  theBinghamton University Musi Department’s U  N i l .  V  g  R  s  ­‘  .  STATE UNIVERSITY O F  NEW  YORK  E *a ; m5 lm Cmmi pflk‘ueflfiwnfi­MkaSul ns made vaponfiwfli nedp .enFicyl i.dFeus O Choteu nty Astr, a SC1o rogram  P Fs­ p A veolpmen t Funds’ T v–nfran’n–m D iedc ,tnioi pumh  proovddu ndnipegsr pr t a tasu Genanl 0  1 T H p n fi d d w T a n h C y ­ n b y ­ g m n i t h d r ­ d c d u d E  n l m p m q ’ n d d – B r n o m . cocperston New  York  Sure Council  no the Ata. website at  must bin g hamtonedu, . . H S Q P  T �( S e i   (els S a t u r d a y,  F e b r u a r y  2 1 °  A Russian Fantasy for Two Pianos with Ewa Mackiewicz­Wolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall   rganist Jonathan Biggers – A Bach S u n d a y,  F e b r u a r y  2 2 ™ O Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sol d O ut) gers ­ A Bach   Tuesday, Fe b r u a r y  2 4 ” Organist Jonathan Big Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$   id­Day Concert, 1:20 PM ­ FREE Thursday, February 2 6 ” M Casadesus Recital Hall Reynolds, trombone,   Thursday, Fe b r u a r y  2 6 ” Guest Artist: Dr. Hal  Casadesus Rectal Hall, 8:00 PM, FREE Fr i d a y,  Fe b r u a r y  2 7 ”  Organist Jonathan Biggers – A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, M a r c h  5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$  Orchestra: Echoes of the   Saturday, March 7 ” University Symphony East ­ Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ hony, 3:00 PM, FREE   S u n d a y,  M a r c h  8 ” University Wind Symp Anderson Center Chamber Hall   id­Day Concert, 1:20 PM ­ FREE Thursday, March 1 2 ” M Casadesus Recital Hall For ticket information, please call the Anderson Center B o x  O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:19:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148803">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148803</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova, February 15, 2009 Recital Tape 2009-2-15 Description An account of the resource Works of Heggie, Regulski, Rorem, Loy, Goldstaub. Held at 3:00 p.m., February 15, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Burgess, Mary Salmirs, Michael Reitz, Margaret Loy, Christopher M Fabricius, Daniel Lehman, Stephanie Boyd, Sibongile Groves, Jennifer Montana, Heather Regulski, Tomek Bidney, Martin Goldstaub, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148806">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148806</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 19, 2009 Recital Tape 2009-3-19 Description An account of the resource Works of Britten, Rosauro, Hummel, Donaudy. Held at 1:20 p.m., March 19, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Lehman, Stephanie Reitz, Margaret Sakamoto, Briana Lawson, James, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/108e8865e51ce951de73adaeab49569d.pdf e40435174e852164abf912ca53fad1bc PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E   U N I V E R S I T Y   O F   N E W   Y O R K I N V   ’  h [4 D E P A R T M E N T T HURSDAY M I D ­ D AY C   ONCERT S R N   i  a m G } – e _ — t n\   e w T h u r s d a y, M   a r c h 1  2 .  2 0 0 9 1 : 2 0  p . 1 n . Casadesus D e c i t a l  r a n �PROGRAM TRANSLATIONS FanlaS/e  FANIDDR CRUDE (1879­1941) Sarah Fenster, clarinet Margaret Reitz, piano Sonata 1963...........  I. Slow and Peaceful  II. Moderate 4­Swing III. Molto Adagio .. Frank Proto (b. 1941) IV. Allegro energico Stephen Brooks, double bass Margaret Reitz, piano (1685­1750) ......... Frederic Chopin (1810­1849) Mengru Zeng, piano . Johannes Brahms (1833­1897) Stephen Kong, piano An die MUS/k Auf dem Wasserzu singen Friihlingsglaube Franz Schubert (1797­1828) Franz Schubert (1797­1828) MONINBERAL  R O D E S  c h u m a n n (1810­1856) N AV Y  ccc n i n e s o r s s s s s i n m n s s s o p p m m n p  Kapralove (1915­1940) Nocs Byla Kra’sna’. . .. Josef Suk (1874­1935) Sibongile Boyd, soprano Margaret Reitz, piano Nacht und Traume (Night and Dreams) ­ by David Gordon Holy night, you sink down; Dreams, too, drift down Like moonlight through space, Through the quiet hearts of men; Often has a sigh. flowing from your harp, A sweet, holy chord from you Unlocked to me the heaven of better times, You dear art, I thank you for that! They listen with delight Calling out when day awakens: Return, holy night! Fair dreams, return! Auf d em Wasser z u  s ingen (To be sung on the water) Mondnacht (Moonlight Night) Glides, as swans do, the wobbling little boat; Ah. on the soft­shimmering waves of joy, Glides the soul there like the boat; Then from the heavens down on the waves Dances the evening’s red glow around the boat, Over the treetops of the westerly wood The red glow winks to us friendily, Under the boughs of the easterly wood rustle the reeds in the reddish shine; Joy of the heavens and peace of the woods Breathes the soul, in the reddening shine. Ah, with dewy wings, time vanishes From me, on the rocking waves. Tomorrow, time flies on shimmering wings, Again, like yesterday and today, Until I, on higher sparkling wings Myself will vanish in the changing time. Frtihlingsglaube (Spring­faith) Briana Sakamoto, soprano William James Lawson, piano NACHE ITE Traume  Have you kindled warm love in my heart, Have you moved me to a better world! Text: Graf zu Stollberg Amid the shimmer of the mirroring waves Prelude and Fugue in C­minor (WTC I)....... ...........uuue...... Bach Rhapsodie (Op. 79 No. 1 )   Text: Franz von Schober You dear art, in how many gray hours, Where I was ensnared in life’s wild circle, SR­  Etude (Op. 1 0  No. 5) An die Musik (To Music) ­ by Edith Braun and Waldo Lyman It seemed as if the sky Had silently kissed the earth, That she in the shimmer of blossoms Could only dream of him. The breeze blew over the fields, The grain stalks gently surged, The forests rustled softly, So starbright was the night. And my soul unfolded its pinions so wide, Flew over the silent lands, As if it were flying home. Navdzy (Forever) ­ by Timothy Cheek Wild geese fly south Some will leave and will return again Some will leave and will never return. I don’t know if somewhere sky is more Beautiful than with us. But you would not count more stars anywhere When the night is clear. Text: Ludwig Uhland The gentle breezes are awake, They rustle and waft day and night, They are at work everywhere. Nocs Byla Krasna (The Night Was Beautiful) Now, poor heart, be not afraid! Transparent as if to see the heavens. That song, that fragrance, and that humming Charmed the heart in a magical way. O pity that you are not present, You would have heard with me O fresh scent, o new sound! Now must everything, everything change. The world grows Iovelier with every day, One does not know what yet may come to be, The flowering will not end; The farthest. deepest valley blooms, Now, poor heart, forget your pain! Now must everything, everything change. ­ by Timothy Cheek The night was beautiful, How everything, everything around Narrates such gentle speech. How the whole universe in one song Which streams from the breast How weak is the voice that flows Only from the human heart. �Saturday, M arc h 1 4 ”  Student Recital: Gregg Ackerman, clarinet, Casadesus Recital Hall, 3:00 PM, FREE S a t u r d ay,  M a r c h 1  4 ”  Master’s Recital: Heather Montana, soprano, Casadesus Recital Hall, 8:00 PM, FREE Sunday, Marc h 1 5% Guest Fortepiano Concert: Stefania Neonato, Casadesus Recital Hall, 3:00 PM, $$ Sunday, Marc h 1 5 ”  Master’s Recital: Sibongi/e Boyd; soprano, Casadesus Recital Hall, 7:30 PM, FREE M o n d ay,  M a r c h 1  6 ”  Master Class with Guest Fortepiano Artist Stefania Neonato, 7:30 – 8:45 PM, Casadesus Recital Hall, FREE Wednesday, M a rc h 1  8 ”  Master Class with Jazz saxophonist Maceo Parker, 4:00 PM, Osterhout Concert Theater (Co­sponsored by the Music Department and the Harpur Jazz Project) Wednesday, March 1 8 ”  Jazz saxophonist: Maceo Parker ­ Osterhout Concert Theater, 8:00 PM, $$, (Co­sponsored the Music Department and the Harpur Jazz Project) Thursday, March 1 9 ”  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, M a rc h 1  9 ”  Harpur Chorale and Women is Chorus: A Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM, FREE Fr i d ay,  M a r c h  2 0 ”  Percussion Duo: Mike Correa and Gene Koshiniski, Casadesus Recital Hall, 8:00 PM, FREE (co­sponsored by the United States Air Force Band and the Binghamton University Department o f  Music) S a t u r d ay,  M a r c h  2 1 °  Master’s Recital: Stephen Brooks, bass, Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center Box Ofl‘ice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149060">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149060</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, March 12, 2009 Recital Tape 2009-3-12 Description An account of the resource Works of Gaubert, Proto, Bach, Chopin, Brahms, Schubert, Shumann, KapraÌ€lovaÌ€, Suk. Held at 1:20 p.m., March 12, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Fenster, Sarah Reitz, Margaret Zeng, Mengru Kong, Stephen Sakamoto, Briana Lawson, James, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound