118 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:25 24:21 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63174 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63174"> David Marcus and Donna Hallen Senior Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Marcus and Donna Hallen Senior Recital, February 26, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Vanhal, Schumann, Schubert, Saint-Saens. Held at 8:15 pm, February 26, 1970, Music Recital Hall. Creator An entity primarily responsible for making the resource Marcus, David Hallen, Donna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Vanhal, Johann Baptist, 1739-1813 Schumann, Robert, 1810-1856 Schubert, Franz, 1797-1828 Saint-Saëns, Camille , 1835-1921 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064519 39091020064568 39091020064667 https://omeka.binghamton.edu/omeka/files/original/a2a96c1614f57bf6acbd0e40016b64e1.pdf 1eb4c1c4a973e8a016f632243205add4 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Peter Marsh, violin Paul Hersh, viola, piano Delmar Pettys, violin, viola Donald McCall, cello and DA VID G L A Z ER, Clarinetist Sunday, February 8, 1970 8 :15 p.m. Don A . Watters Theater M P R OGRA Quintet in A Ma jor f or Clarinet and Strings, K.581 Allegretto Larghetto Menuetto Tema con variazioni Quartet No. 3, opus 36 “ Adlerian” (1969) SonoramenteFeroce LentoDoppio movimento Mesto Agitato Sostenutopoco rubato Veloce Mozart Stoker Intermission Quintet in B Minor f or Clarinet and Str ings, opus 115 Allegro Adagio Andatino Con moto Brahms �STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Peter Marsh, violin Delmar Pettys, violin, viola Paul Hersh, viola, piano Donald McCall, cello and DA VID G L A Z ER, Clarinetist Sunday, February 8, 1970 8:15 p.m. Don A . Watters Theater PR OGRA M Quintet in A Major f or Clarinet and Strings, K.581 Allegretto Larghetto Mozart Menuetto Tema con variazioni Quartet No. 3, opus 36 “ Adlerian” (1969) SonoramenteFeroce LentoDoppio movimento Mesto Agitato Sostenutopoco rubato Stoker Veloce Intermission Quintet in B Minor f or Clarinet and Strings, opus 115 Allegro Adagio Andatino Con moto Brahms � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:43 20:21 36:54 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63169 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63169"> Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, February 8, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Stoker, and Brahms. Held at 8:15 pm, February 6, 1970, Recital Hall. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-08 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Stoker, Richard, 1938- Brahms, Johannes, 1833-1897 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064360 39091020064410 39091020064469 https://omeka.binghamton.edu/omeka/files/original/2ce53924225977a55e61c9a897cf73e2.pdf 32ee246c9ef14cc1e0a0796920a2f2f6 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC and DICKINSON COLLEGE Present PAUL HERSH Pianist 8 :15 p.m. Friday, February 6, 1970 Recital Hall PROGRAM SONATA IN E MAJOR, Opus 109 Vivace, ma non troppo Prestissimo Beethoven Andante molto cantabile ed espressivo Intermission 33 VARIATIONS on a Waltz by A . Diabelli, Opus 120 Tema : Vivace Var. Var. Var. Var. Var. Var. Var. Var. Var. Var. Var. Var. I Alla marcia maetoso II Poco allegro III L’istesso tempo IV Un poco piu vivace V Allegro vivace VI Allegro ma non troppo e serioso VII Un poco piu allegro VIII Poco vivace IX Allegro pesante e risoluto X Presto XI Allegretto XII Un poco piu moto Beethoven �Var. XIII Vivace Var. XIV Grave e maestoso Var. XV P resto scherzando Var. XVI Allegro Var. XVII Var. XVIII Poco moderato Var. XIX Presto Var. XX Andante Var. XXI Allegro con brio Var. XXII Allegro molto all “notte e giorno faticar ” di Mozart Var. XXIII Allegro assai Var. XXIV Fughetta : Andante Var. XXV Allegro Var. XXVI Var. XXVII Vivace Var. XXVIII Allegro Var. XXIX Adagio ma non troppo Var. XXX Andante, sempre cantabile Var. XXXI Largo, molto expressivo Var. XXXII FugazAllegro Var. XXXIII Tempo di minuetto :moderato w Paul Hersh attended Yale University and studied piano with Eduard Steuermann and Leonard Shure. As violist of the Lenox String Quartet, he has concertized extensively in the United States, Canada, and Europe. He has been artistinresidence and a member of the faculty of the Berkshire Music Center, the Aspen Music Festival,the Spoleto Festival, Lecturer in Music at Grinnell College, and is at present artistinresi dence and member of the faculty at Harpur College, SUNY Binghamton. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20:42 12:51 39:43 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63164 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63164 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63164"> Paul Hersh Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Hersh Recital, February 6, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven. Held at 8:15 pm, February 6, 1970, Recital Hall. Creator An entity primarily responsible for making the resource Hersh, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-06 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064212 39091020064261 39091020064311 https://omeka.binghamton.edu/omeka/files/original/ccef58b268d39ed61fb140ed83f92195.pdf e48a6efc01476d9cbe7846aab043c123 PDF Text Text The Founda tion of the State University of New York at Binghamton A Scholarship Beneﬁt Concert PRESEN TED B Y THE CASADE SU S FAMILY THE NEW YORK W OODWIND QUIN TE T THE LENOX QUARTET David L. Buttolph C 0nd uctor WEDNESDAY, JANUARY 7 , 1970, 8:30 P.M. DON A. WATTER S THEATE R HARPUR COLLEGE �GUEST ARTISTS Robert and Gaby Casodesus ARTISTSINRES IDENCE Jean Cosadesus The New York Woodwind Quintet Thomas Nyfenger, F lute Ronald Roseman, Oboe David Glazer, Clarinet Arthur Weisberg, Bassoon Ralph Froelich, French Horn The Lenox Quartet Peter Marsh, Violin Delmar Pettys, Violin Paul Hersh, Viola Donald McCall, Cello assisted by Alvin Brehm, Double Bass (5.U.N.Y. StonyBrook) �Program Concert fLir drei Klaviere in C dur Johann Sebas tian Ba ch Allegro Adagio Allegro Conce rt ﬁi r drei Pianof orte ( K242) Allegro Adagio Rondo Tempo di Me nuetto Wolfgang A madeus Moza rt INTERMISSION Nonet te in F (Opus 31) . . . . . . . . . . . . . Ludwi gSpoh r Allegro Scherzo: Allegro Adagio Finale : Vivace Conce rto pou r trois pianos et O rchest re a cordes (opus 65) . . . . . . . . . . . . Robert Casadesus Allegro marziale Andante Siciliano Presto Spagnolo Followi ng the Concert : R E C E P T l O N in the U niversit y Art G allery �THE CASADESUS FAMILY Robert Casadesus was born in Paris into a family of artists and musicians. A t the age of four he began pianistic study and when he was twelve entered the Paris Conservatory.While there he won all the major awards and em barked on a career in which, in addition to excelling in concert and recital appearances, he has in cluded the composition of almost sixty works. He made his American debut with the New York Philharmonic orchestra i n 1935 when he was already considered in Europe to be the most eminent of French pian ists. I t was im media tely af ter this concert that Toscanini, who was in the audience, invited Casadesus to play under him the following season. The 196768 season ma rked his 94 th, 95th and 96th appearances with the Philharmonic and his 200th. 2015t, and 202nd appear ances in the city of New York– almost unparalleled among con temporary pianists. Robert Casadesus also appears jointly in recitals with his wife, Gaby, whom he met at the Paris Conservatory when he was enjoy ing the ﬁrst triumphs of his career. One day he came to the conserva tory to show his former teacher, Louis Diemer, a twopiano work he had composed. The professor introduced him to his current prize pupil, Gaby L’Hote, and the two young artists performed Robert’s composition. Soon after they were married and began a musical col laboration that has taken the dis tinguished cou ple a rou nd the world. I t was a t t h e suggestion of the la te Dimitri Mitropoulos tha t their son, Jean, joined his illustrious pa ren ts in performances of t he concerto for three pianos and or chestra by I. S. Bach. Later these three great artists added the M o za r t th ree piano concerto to their repertoire. A new three piano work, this time by Robert, had its premiere performance during the sum mer o f 1965 w h e n t h e t h ree Casadesus played with the New York Philharmonic at the French American Festival in New York. Jean Casadesus’ professional career was brilliantly launched when he made his debut as solo ist wi t h E uge n e O r m a nd y i n 194 7. The following autumn he won the First Meda l at the Geneva Inter national Competition and since then has toured e x tensi v ely throughout Europe, North and South America and Israel. He has appeared frequently with major orchestras as solo guest artist a nd in three piano works with his par ents. They have played together in Europe with the Santa Cecilia Orchestra in Rome and the So cieté des Concerts in Paris, and in this country with the New York Philharmonic, and the orchestras of St. Louis, Kansas City, Balti more and Miami. Truly, the family of Casadesus has been a glory of French and Interna tional music annals for genera tions. �THE LENOX QUARTET The L eno x String Quartet takes i t s name from the to wn i n M as s a chusetts where it was founded in The members of the Lenox Quartet have ma de their homes in the Triple Cities area since July, 1958 wh en its members were on 1969 when they assumed their ter ( Tanglewood Summer Festi R esidence at Ha rpur College, Sta te University of New York at Bing hamton. In addition to their reg ula r concert activities, studio in the faculty of The Berkshire Cen val ). Du r i n g fou r sum mers, wh ile on the s t a ﬀ o f the C ompo si tion Depa r t m en t, the m en we re in present posi tion as Quartetin volved with the Fromm Founda struction, and ensemble coaching, gram. The Foundation was crucia l classes in the regular curriculum. They also have done extensive taping for educational television. tion’s contemporary music pro in t he support of t he Qua rtet in its early years, including concerts fea turing ﬁrst performances of n e w compositions a t the N e w School of New York and at the U n i v e r s i t y o f C h i c a g o . T h e Fromm Foundation also supported t h e Qua rtet ’s residencies a t t he Princeton Seminars in Advanced Musical Studies. c these eminent artis ts teach some Besides, va rious sta te a rts coun cils have employed them in a va riety o f educa t iona l presen ta tions. In performance, lectureconcerts, and in “workshop” conditions, The Lenox Quartet inspires and instructs t h e young m usicians of tomorrow. e THE NEW YORK WOODWIND QUINTET The other of the chamber en sembles in residence at the State University of New York at Bing hamton is the New York Wood wind Quintet. Since 1952 t he Quin tet has ma inta ined its position of pre eminence in the ﬁeld of chamber music through numerous concerts in the United S tates and abroad, radio and television appearances, and highly praised recordings. The Quintet is an ensemble of es tablished solo artists well known to the musical world. Their col laboration has resulted in an en semble which has prompted many critics to classif y t he Quin tet i n the highest category of chamber music performance. T h e New Yor k W oo d w i nd Quintet, which recently returned f rom its second S ta te Depa r tm en t tour of South America, has been in residence at Harpur College since 1967. Each member i s on the faculty of the Music Depa rt ment. �PRO GR AM NOTES F rom i ts incep tion, t h e t h ree piano concerto has been a ” famil y aﬀair.” ]. S. Bach crea ted th e mul ti(two, three, or four) keyboard concerto for the uses of his own circle of sons and pupils which comprised a group of the best keyboardists of that or any epoch. It was accomplished by the simple expedient of reworking, expand ing or working to the model of al ready existi ng conce rtos for t wo or more violins of which those of Vivaldi are the best known. The prese nt wo rk is an ex ampl e. It e x ploits the dynam ism and ﬂorid, no t t o sa y glitte ring, ornam en ta tion of the Baroq ue Italia n con certo. The tutti sections contrast with the solo portion: the princi pal interest lies in the eloquence of the individual solos (of which there are three in the last move ment ) and, as with Vivaldi, es pecia lly in t he intric a te tex tures created by the three keyboards playi ng toget her. Moza r t ’s th ree pi ano c oncer to is likewise a family project. It was written for a Salzburg family, a Coun tess Lodron and her da ugh ters, amateur pianists who had al ready comm issioned other works by Moza r t ( Diver timen ti, K 247 a nd K 287) . It is a galla nt work, simple and elegant, whose form and diction show the inﬂuence upon Moza rt of the school of pianists developed by expat riate Germ an vi rtuosi in Paris and ob served by Moza rt on his visits there. The C oncer to fo r Three Pianos and Strin gs o f Robert Casadesus wa s wri t ten i n t h e Sp r i ng o f 196 4 for a famil y per forma nce with th e New York Philharmonic during a F rench A m e r ican F es t i va l. T h e work con tinues t he tradit ion of stylized evocation which has been a featu re of native French key board music since the begin ning, notably in Couperin a nd Ramea u as well as many others . Although renowned in his own time as a violinist, com poser and conductor, history has not dealt kindl y with the reputation of Ludwig Spohr. With out t he pow erf ul, crea tive force of eithe r Beethoven or Brahms, he never theless stands as a link between them in the tradit ion of solid craftsmanship and sincerity of Germ an m usic. For all its adherence to the structural principles of Ha ydn a nd Beethoven, the N o nettei s a fr iend ly, unpr eten tious work . The Scherzo is derived from popular danc e music, the Land ler. The slow movement, thematically re lated to the ﬁrst, recalls Beethoven and oﬀers more than a hint of Brahms. The last movemen t is in genuous and charm ing. Despite the opulence of the means af forded by the large group, no wher e does Spoh r desc end to bombast or empty display, and the piece remains genuine cham ber music. —Willium Klenz 14 �THE ORCHESTRA VIOLINS: VIOLAS: Peter Ma rsh Concert Master Delmar Pettys Principal Second Section Ralph Wa de Ma rianne Wallenberg Melba Sandberg Carl Silfer Lorraine Fink Richa rd Leavitt Nancy Robbins M rs. Judith Niles David Agard Betty Lou Agard Paul Hersh Edward Pettengill Russell Colton Ronald Roseman Peter Hedrick BASSES: FRENCH HORNS: Alvin Brehm, Principal Richard Thomas Ralph Froelich John Covert D r. Fritz Loewenstein CELLO: Donald McCall, Principal Enzo Liva Fritz Wallenberg David Howard OBOES: DAVI D L.BUTTOLPH From student days at Yale Uni v e r si t y a n d s t u d y wi t h P a u l Hindem i t h to post wa r study a t the Juilliard School in piano with Gordon Stanley followed by in tensive work at Fontainebleau and the Paris Conservatory with Na dia Boulanger, David Buttolph has pursued a conducting career of extraordinary scope and variety. The development of his conduct ing technique was greatly aﬀected by his studies with Fritz Mahler, Eleazar de Carvalho and Pierre Monteux. Th e pa t h lea ds f rom ea rly choirboy experience to timpanist with the New Orleans Philhar monic; from choral conducting in the South to vocal arrangements for a Broadway production; and from the orchestral conducting faculty at the Manha t tan School of Music to music director for sev eral community college and pro fessional organiza tions in metro politan New York. M r. Buttolph’s earliest associa tions with music came through his grandmother, a singer of lieder, and his mother, a music teacher and accompanist, as well as his uncle, a composer for ﬁlms in Hol lywood. M r. Buttolph was appointed to the Music faculty at Harpur Col lege i n 1965. H e is Di rector o f t he Harpur Orchestra and the Harpur Chorale. �ABOUT THE FOUN DATION The Founda tion of the Sta te Univer sity a t Bingh am ton wa s in corpor a ted i n 1957. A ta x ex em p t corporation, it is charged with th e soliciting, managing and allocat who is also a m ember of the Coun cil. The Founda tion meets quar terly, o n the c ampus. T h e ma jor em phasis of t h e Founda tion’s a ctivity has been the ing of gif t f unds in suppo rt o f t he disbursement of scholarships. Last versity. students. Les ser amounts were de– educat ional programs of the Uni The membership of the Foun dation consists of nine members of the Council of the State Uni versity at Bingha mton, who are appoin ted by the Governor, and 22 additional persons including the President of the University at Bingha mton and the Chancellor of the State University of New York. The Presiden t of th e Foun dation is Cornelius C. Van Patten, y ear $3 0,475 was aw arded t o 141 voted to sup port fa culty r esea rch, t o s t u d e n t p r i z es a n d t o t h e acquis ition o r com missio ning of works of art. T h e Fo u nd a t ion a ccom plish ments are due both to the dedica tion of its dist inguished lay mem bers, a nd to the insight and gen erosity of those persons who have made gifts for various Founda tion purposes possible. ME MBE RS OF THE FOU NDATION Cornelius C. Van Patten, Preside n t D r. Orin Q. Fli nt, V ice Pre siden t Frank A. Nem ia, S ec o nd V ice Pre siden t Bruce Dearin g, S ecretar y Stewar t W. M orse, T reasur er Edwar d Demske, Assista nt Trea surer Glenn G. Bar tle William S. Chi ttenden Roger B. Coo per Donald Donn ellan Joseph F. Garbarino Morris Gitlitz S. Stewart Go rdon Samuel B. Gould Ralph J. Hasbrouck Cyrus M . Higley Alexander Ho rowitz Donald W . Krame r M rs. Edwin A. L ink William A. Lyons H. Kenne th MacQueen W . Wallace McDowell Hartwell P. M orse, Jr. Samuel Naka sian M rs. Edward Ne zelek Edward M . Prentice Alec Rosefsky Fred A . Rosek rans John F. Russell Michae l N. Scelsi Robert T. Tho rne Lee J. Wolf �NOTE OF APPRECIATION The Founda tion of the Sta te University of New York a t Bingham ton is grateful to the Casadesus Family for dona ting their services a nd to all members of the audience for their contributions to the Scholarship Fund. Special thanks to the Patrons, Benefactors, Sponsors a nd Donors listed below and many others whose names reached us too la te for publica tion. PATRONS M r. and M r s. Glenn G . Ba rtle M r s. Elizabeth Knapp M r . a nd M r s . W illiam S. Chittenden M r . and M r s . W illiam Lyons M r s. E ben H. E llison M r . and M r s. Ma r io Romano D r. a nd M r s . Orin Q. Flint D r . and M r s . I . J . Rosef s ky M r s. Thomas G riﬀith M r . Leland B . Sh eerer M r . and M r s . G eorg e L . Hinman M r . and M r s . Lynn H. Smith M r s . H. Gordon Kent BENEFACTORS D r. and M r s. Andrew B . Adams M r. and M r s. Ca r rol Coates M r . and M r s. Edg a r W. Couper Gustav Daeum ich M r . and M r s . B r u c e Dea ring M r. and M r s. Leopold E c kler D r. and M r s. V. Garabedian M r . and M r s. Mo r r is G itlitz M r s. Stanley H. Hill M r. and M rs. Alexander Horwitz D r. and M r s . Ba i rd D. Ja y M r. a nd M r s . David Levene M r. and M r s. Edwin A. Link M r. and M r s. Stuart McCarty M r . and M r s. Edward Moore M r . and M r s. Wendell H. M iller M r . and M r s. William J . M i tchell M r . and M r s . Edwa rd L . Nezelek M r s. Ma ry P illepich M r . Seymour M . P itcher M r . and M r s. Alec Rosef sky M r . and M r s. John F . R ussell M r . and M r s. S. E . Va il M r . and M r s . Cornelius C. Van Patten D r. and M r s. Robert J . Weiss SPONSORS M r. and M r s. A. Lawrence Abrams M r. and M r s. John Belniak D r. and M r s. Clif ton H. Berlinghof M r. and M r s. Joseph P . Conte D r. and M r s. Mor r is E ber D r. and M r s. Samuel Finkelstein D r. and M r s. Raul G rinberg Hugh E . Hunter M r . and M r s. Frithiof Johnson M rs. Bette Keefe M r . and M r s. Joseph M . Levene M r . and M r s. Nat L ieber M r . and M rs. Rober t F . Melville M r . and M r s. Cha rles L . Rosenthal Cha rles R . Rosenthal D r. and M r s. Joseph E . Van Riper D r. Anton A. V reede M r . and M r s. P eter N. Vukasin M r . and M r s. Thornton W. Whipple �ADDITIONAL NOTE OF THANKS Due to dela y in the mai ls duri ng the Chr istmas and New Yea r holidays, the following con tribu tions to the Scholarsh ip Fund re ache d us af ter t he Souvenir P r o . ress p gram s ha d gone to PAT RONS M rs. E dwa rd P ettin gill M r. F r i t z Wa llenberg M rs. Maria nne Wal lenberg BEN EFA CTO RS D r. and M r s. A swad M r . and M r s. G eorg e Fo r bes M r. and M rs. W illia m H. Johnson, J r. M r . and M r s. H a r twel l M o r s e M r . and M rs. F rank Nem ia M r. Je rom e Schact er M r s. M erri tt Stewa rt SPONSORS M r . and M r s. G eorg e Co uper thwa it M r . and M r s. G eorg e T . De ck e r D r. and M rs. G eorge Gi tlitz M r . and M r s. E dwa rd R . Le vene D r . and M rs. J ack Leve ne M r . and M r s. H erbe rt R . Le vine M r . and M r s. K eith Ma r tin M r . and M r s. David Pa tter son D r. an d M r s. A rthu r So lom an D r. and M r s. Jo hn T repa M r . and M r s. T hom as L . Ul rich DONORS M r . and M rs. W a l te r Al brec ht M r. and M rs. W illia m Ander son M r. Joseph Cornacchio D r. and M rs. B . R. Dorce y M r . and M r s. W illia m D ri ver M r . and M r s. Ronal d Ga le M r . and M rs. Rober t Ga llag her M r. and M rs. Rober t Guy M r. and M rs. Charles Houghton M rs. K atzin M r . and M rs. Bohda m Kostyshyn M r . and M r s. Samu el L even e M r. and M rs. A lber t Ma ll M r . and M r s. S tanle y P e l t e r M r. Donald Rheubottom M r. and M rs. Robert F . Sullivan M r. W illia m T ilton M r. and M rs. L a rry Vest M rs. M ichael Zucke rma n �DONORS M rs. William Anderson M r . and M r s. William R . Austin M r s. E . W. Baumga rtner M r. and M rs. Alex Began 1. Belley M r . and M r s. David Ber nstein D r. and M rs. Alfred Brooks M rs. David L . Buttolph Ma rgery Colell i M r. and M rs. Thomas J . Conlon M r. and M rs. Mumford Crossley M r. and M rs. Edward J . Demske M r. and M rs. F r i t z Dersch M rs. H. H. Die ke Paul H. Diek e Miss G. Diet erle M r. and M rs. George Dunham M r. and M rs. Glenn V. Elmore M r. and M rs. Harvey F airbanks M r. and M rs. Joseph C. Federick M rs. Eduard F eitzinger M r. and M rs. George S. Fichtel M r. and M rs. David C. Fisher M rs. Robert G . F letcher D r. and M r s. Joseph J. F riedman M r. Arnold D. Ga rdner M r . and M r s. U. S. G reene Joan E . Halik D r. and M rs. George Hamilton M r. and M rs. Ralph J. Hasbrouck M r. and M rs. Roy Hase npﬂug Peyton M. Hibbitt Clarence F . Hotchkiss, J r. M r. and M rs. Charles H . Ide Jean Judge D r. Ma rek Kaplan M r . and M rs. Chandler Y. Kelle r M r . and M rs. George S. Kotrch M r. and M rs. Richa rd F . Kuhnen M r. and M rs. William H . Lamb M rs. Robert L arkin M r s. Ha r ry H. L evy M r. and M rs. Alex Livingston M r . and M r s. Walter Lowen M rs. Alfred Lowenstein M rs. Fritz Lowenstein D r. and M r s. Vernon C. Lubs M r. and M rs. E . Scudder Mac key M rs. Ma rga ret Manley D r. and M rs. Melnitz M r . and M r s. S. David Molyneaux D r. and M rs. F rancis E . Moore, J r. M rs. F . W. H. Muell er William B. M ullen Dr. and M rs. Thomas Nytch M r . and M r s. Richa rd H. Pa rish M r . and M rs. Jerome J . P e r l M r. and M rs. Howard P raeger M rs. T racy C. Pren tice M r. and M rs. F red A. Rosek rans M r. and M rs. Herbert J . Savitch M r. and M rs. Maurice Sall M r . and M rs. Edua rd R. Sch e r re r M r. and M rs. Vito F . Sinisi M r. and M rs. Stephen Smyk M r . and M rs. David G . Thomas M r. and M rs. L. N. Vacca M rs. Don A. W atters D r. and M rs. George B . Werner M r. and M r s. James H. Wilmoth Adam H., Wood D r. and M rs. Robert H . Zappert M r . and M rs. Allen D. Z iebur M r. Norbert Ad ler contributed the design and preparation of this Souvenir Program and various other related materials. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:30 25:29 31:43 18:05 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63158 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63158 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63158">Scholarship Benefit Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scholarship Benefit Concert, January 7, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Bach, Mozart, Spohr, and Robert Casadesus. Held at 8:30 pm, January 7, 1970, Watters Theater. Creator An entity primarily responsible for making the resource Casadesus family New York Woodwind Quintet Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-01-07 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Spohr, Louis, 1784-1859 Casadesus, Robert, 1899-1972 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058057 39091020058107 39091020058156 39091020058106 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels: Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:49 15:28 29:00 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852">Christmas Choral Concert with the Harpur Chorale & Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Choral Concert with the Harpur Chorale & Orchestra Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Korte, Kodaly, Buttolph, Praetorius, Bach. Held at 8:15 pm, December 17, 1969, Don A. Watters. Creator An entity primarily responsible for making the resource Harpur Chorale & Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-17 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Korte, Karl, 1928- Kodály, Zoltán, 1882-1967 Buttolph, David L., 1924 -2013 Praetorius, Michael, 1571-1621 Bach, Johann Sebastian, 1685-1750 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058008 39091020057950 39091020057901 https://omeka.binghamton.edu/omeka/files/original/26fa51c0b05d95ab9755d3c65b614a84.pdf d993506ffe2ee242297f09a3cea7650c PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINCHA MTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC and THE AMERICAN SOCIETY OF UNIVERSITY COMPOSERS present CONTEMPORARY MUSIC with THE SARAH LAWRENCE COLLEGE EUROPEAN TOURING CHORUS CHERYL SELTZER, Pianist COMPUTER MUSIC 8:15 p.m. Friday, December 12, 1969 The Recital Hall PR O GRAM SKET C HES IN BLA CK A ND WHITE (1958) Landscape Portrait Jack Beeson Abstraction Still Lif e Seascape FOUR SCEN ES (1961) Allegro tempestoso Adagio sostenuto Lawrence Moss TRAUERMUSIK (1956) Seymour Shif rin Allegro scorrevole Epilogo: Adagio drammatico Stef an Wolpe FORM (1959) Cheryl Seltzer, pianist MU DG ET T : monologues by a mass murderer James K . Randall (for prerecorded female voice and converted digital tape) 1. Electronic P relude 2. Toronto (I leave my recently adopted children, Alice and Nellie, at 16 Saint Vincent Street) Intermission AN EMILY DICKINSON MOSAIC 1. T he Brain is Wider Than the Sky Daniel Pinkham 2. The Heart is the Capital of the M ind 3. The Mind Lives on the Heart 4. To Be Alive 5. Each Lif e Converges to Some Center A JUBILANT SONG (text: Walt Goodman) P HANTOM OF TH E OP ERA Norman della Joio Joel Spiegel man Sarah Lawrence College European Touring Chorus Elizabeth Sandberg, pianist Harold Aks, director � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:21 39:18 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59848 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59848 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59848">Contemporary Music with the Sarah Lawrence College European Touring Chorus</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contemporary Music with the Sarah Lawrence College European Touring Chorus, December 12, 1969 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beeson, Moss, Shifrin, Wolpe, Pinkham. Held at 8:15 pm, December 12, 1969, Recital Hall. Creator An entity primarily responsible for making the resource Seltzer, Cheryl Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-12 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beeson, Jack, 1921-2010 Moss, Lawrence, 1927- Shifrin, Seymour, 1926-1979 Wolpe, Stefan, 1902-1972 Pinkham, Daniel, 1923-2006 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020057851 39091020057802 https://omeka.binghamton.edu/omeka/files/original/0d69ff3403a7b603070384ae71ea96c7.pdf 6cc91b5ac7f8cf2ae395a6f7781ff3b0 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC WILLIAM LEWIS, tenor DAPHNE PAYNE, soprano Barbara Garges, pianist Sunday, December 7, 1969 8 :15 p.m. T he Recital Hall PROGRA M I Sound an Alarm (Judas Maccaba eus ) Handel 11 Die Stadt Fischermadchen Der Atlas Schubert (Heine) HI Du bist wie eine Blume Am Rhein im schonen Strome Die Loreley Liszt (Heine) IV Aria: Falke, du wiedergef undener (Die Frau ohne Schatten) R. Strauss Intermission V “La Perichole” A Spaniard knows the way of love (duet) My lords and ladies, I salute you (aria) Above my lif e and everything (duet) Oﬀenbach VI “Street Scene” Remember that I care (duet) Weill VII “ Candide ” G litter and be gay (aria) My love (aria) Oh! happy we (duet) Bernstein FUTURE EVENTS FRIDAY, DE C E M BE R 12, 8 :15 p. m. Music Recital Hall N o Charge ‘CONT E MPORARY MUSIC’ Sarah Law rence Chorus WE DN ESDAY, DE C E M BE R 17, 8 :15 p.m. Don A. Watters T heater No Charge ‘CHRISTMAS CONCE RT ’ Harpur Chorale and Orchest ra � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:59 37:30 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59844 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59844">William Lewis, Daphne Payne, and Barbara Garges Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Lewis, Daphne Payne, and Barbara Garges Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Handel, Schubert, Strauss, Offenbach, Weill, Bernstein. Creator An entity primarily responsible for making the resource Lewis, William Payne, Daphne Garges, Barbara Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-07 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Handel, George Frideric, 1685-1759 Schubert, Franz, 1797-1828 Strauss, Johann, 1825-1899 Offenbach, Jacques, 1819-1880 Weill, Kurt, 1900-1950 Bernstein, Leonard, 1918-1990 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020057752 39091020057703 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:31 17:34 38:11 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59564">Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Haydn, Brahms, and Ravel. Held 8:15 pm, December 5, 1969, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-05 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 Brahms, Johannes, 1833-1897 Ravel, Maurice, 1875-1937 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020057653 39091020058198 39091020058149 https://omeka.binghamton.edu/omeka/files/original/0f56a71cd6b4c803e64e3374c107e5ce.pdf f03a285826dbd900971287b84af59518 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC Presents JEAN CASADESUS, PIANIST Sunday, November 23, 1969 8:15 p.m. Don A. Watters Theater PRO GRA M Sonata in A Ma jor, Op. 13, No. 6 Joseph Haydn Etudes Symphoniques, Op. 13 Robert Schumann Intewn i ssion Impromptu, A Flat Ma jor, Op. 29 Frederic Chopin Nocturne, C Sharp Minor, Op. 27, No. 1 Frederic Chopin Polonaise, A Flat Major, Op. 53 Frederic Chopin Sonata f or Piano (1926) Allegro Moderato Sostenuto e pesante Allegro Molto FRIDAY, DECEMBER Don A. Watters Theater Bela Bartok FUTURE EVENTS 5, 8:15 p.m. SUNDAY, DECEMBER 7, 8 :15 p.m. Music Recital Hall No charge FRIDAY, DECEM BER 12, 8 :15 p.m. Music Recital Hall No charge *Chamber Music Series THE LENOX STRING QUARTET* WILLIAM LEWIS, tenor DAPHNE PAYNE, soprano ‘ CONT EMPORARY MUSIC’ Sara Lawrence Chorus � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:37 30:27 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59835 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59835">Jean Casadesus Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus Concert, November 23, 1969 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Haydn, Schumann, Chopin, Bartok. Creator An entity primarily responsible for making the resource Casadesus, Jean, 1927-1972 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-11-23 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 Schumann, Robert, 1810-1856 Chopin, Frédéric, 1810-1849 Bartók, Béla, 1881-1945 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058099 39091020058040 https://omeka.binghamton.edu/omeka/files/original/b033bf91b7391dc768040c15226294be.pdf 704404240b8b3ceda933134928519243 PDF Text Text CE) Binghamton Symphonette FRITZ WALLENBERG, Conductor presents a Concert SOLOISTS : Georgetta Maiolo, Flute Marianne Wallenberg, Violin Christine Lindsay, Harpsichord SUNDAY, NOVEMBER 9th, 1969, 8:16 P.M. DoN A. Wynms Tumrm �PROGRAM Sonata for strings in Cmajor G . Rossini (norill!) Allegro Verklaerte Nacht (Transﬁgured Night) op. 4 . A . Schoenberg (1874–1951) Almost twenty years after his death, Arnold Schoenberg still remains the most controversial composer of this cen tury. H is most popular work, i ndeed his only composition that has found any permanent place in the instrumenta l reper toire, is his op. 4, Transﬁgured Night. Written originally as a string s extet, it was later arranged by the composer for atrlng orchestra, in which f orm it is most frequen tly perf ormed. Although its rich quasiWagnerian harmonies aand expres sive melodies render it continually interesting as a purely musical exp erience, it was conceived as a tone poem following a literary plot. Based on a poem by Richard Dehmel, the story tells of a woman who confesses to her lover that she is pregnan t with the child of another man. She tells him how, before she me she became so afraid that life would pass her by and she would never be t him, come a mother that she gave herself to a virtual stranger. Now that she has fo und some one she truly loves, she is full of remorse and guilt. He assures her that their love has transformed them both, and the child will be his. While played withou t inter ruption, the music falls into tw o large parts, th e ﬁrst reﬂecting the ang uish of the woman, the second the comforting words of the man. Brandenburg Concerto No. 5 in Dmajor Allegro Aﬀettuoso Allegro . J. S. Bach (numo) Andante Moderato Because Rossini is known to the music world as a composer of comic ope ras, many people are not aware of the considerable amount of instrumental and piano muaie he composed throughout his life. These works can best be approached, however, if one remembers that they were written by a master composer of comi c operas, even his very early sonatas for strings. Although these w orks were writ ten when their composer was still a student, indeed still a “teenage r,” all the characteristics that were later to endear him to singers and audiences alike can be found: a light entertaining sense of humor, lyric melodies suppor ted by the simplest accompaniments, a. profusion of ornaments and embellishments decorat ing these melodies, and a brilliant approach to virtuoso display. Thus, these oom parativsly simple works require especially skillf ul performers and very precise ensemble playin g to be properly realized. As if anticipating the arias he was later to write for comic bass voices, there appears a tri cky passage for double bass in the variations that comprise th e last movement of this sonata. Symphony No. 29 in Amajor, K. 201 . W . A. Mozart (17661791) Allegro moderato Bach’s Brandenburg concertos are among the ﬁnest examples of the Baro concerto grosso. Unlike the solo piano or violin concerto, which became que more popular in the latter part of the 18th century, the earlier concerto grosso f ea tured a group of solo instrumen ts playing against a larger ensemble. In t his con certo, th e string orchestra is contrasted with a trio consisting of a ﬂute, solo violin, and harpsichord. In the ﬁrst movement, the large ensemble continually restates its ma jestic opening ritornello, or f ragments of it, while th e solo instru ments perform elaborate and in tricate ﬁgures. A surprise occurs near th e end of the movement as the instrumen ts recede into the background leaving th e harpsi chord exposed in a dazzling cadenza. In the second movement, the large is totall y silent, and the trio performs alone. The last movement begins ensemble with the solo instruments playing a f ugue, which soon expands to include the f ull en semble once again. INTERMISSION Andante Menuetto Allegro con spirito By his o wn statement, Mozart considered himself ﬁrst and foremo st a com poser o f cperas. Many m usicologists consider his contribution to the piano con certo to be at least of equal value musically. Interestingly, although he composed many more symphonies throughout his life (his ﬁrst was completed wh en he w as eight), and although the last few are among the greatest in the entire re pertoire, most of the others are hardly known, and rarely perf ormed. Probabl y the ﬁnest of the early symphonies is this one in A, in which the composer’s uniquely lyrle gif ts can be felt f rom the opening bars. It is this exceptionally a ttractive theme that appenrs at the open ing of th e ﬁrst movement that re mains th e most memora hle melody in the listener’s mind. The slow movement beautif ully com bines th e elegance of the Classic style with the seriousness of Mozart’s music at his best. Program Notes by Dr. Philip Friedheim �MEMBERS OF THE SYMPHONETTE Violins : Ralph Wade Marianne Wallenberg Melba Sandberg Nancy Robbins Howard Meyer J udith Niles Betty Lou A gard David A gard Violas: Russell Colton Edward Pettengill Richard Brooks Fritz Loewenstein Oboes: Scott Eddy Debbie Booth French Horns: Brian Sternberg George Papastrat Cellos : R uth Brown Timoth y Perry Personnel Manager: Bass : Donal O’Buckley Publicity : Mrs. Stephen Smyk Robert Knight Lillian Burwasser We wish to extend our thanks to the Evening Press, The Sun Bulletin, WNBF, WINR, WKOP, WENE, WBJA, WEBO, HiFi Record Shop, Studio Book Shop, Kent Drug Stores, Harpur College, Philip Conole, Mrs. Joseph Schwartz, Vestal News, and to all other friends whose support has made this concert possible. The Friends of the Symphony cordially invite you f or a reception to meet wi th the artists in the Green Room immediately following the concert. BINGHAMTON SYMPHONY AND CHORAL SOCIETY Next : JOINT CONCERT Sunday, Dec. 7, 7 :30 p. m . Binghamton West J unior High School Program : Edward Elgar : The Dream of Gerontius � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels : Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:08 25:26 22:41 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59555 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59555 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59555">Binghamton Symphonette Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Symphonette Concert, November 9, 1969 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Schoenberg, Bach, Rossini, and Mozart. Held at 8:15 pm, November 9, 1969, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Binghamton Symphonette Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-11-09 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Schoenberg, Arnold, 1874-1951 Bach, Johann Sebastian, 1685-1750 Rossini, Gioachino, 1792-1868 Mozart, Wolfgang Amadeus, 1756-1791 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020057992 39091020057943 39091020057893