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Master ’s Recital
M a r k Sch midt, tenor
Joan na Heckert, piano
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Saturday, August 27, 2005
3 :00 p.m.
Casadesus Recital Hall
�P rogram
Translations
I.
Arias from Messiah...
...George Frederick Handel
Arioso, “Comfort Ye”
(16851759)
Air, “Every Valley”
Air, “Thou Shalt Break Them”
II.
BEOMRIEEE ........cocovnsneiosssosmioqsinssessrniitiiibnsin–sts Paolo Tosti
Ideale
La serenata
Non t’amo piu!
(1846–1916)
L’ultima canzone
II.
Ideale
Perfection
I followed you like a rainbow
o serenade,
fly.
I felt you in the light, in the
air,
The moon
is shining white;
silence spreads its wings,
and behind the veils in the
dark alcove
a lamp is lit:
the moon
is shining white.
I followed you like a friendly
torch
in the veil of night.
in t he scent o f t h e flowe rs ;
the lonely room was full
of you, and your beauty.
–INTERMISSION–
III.
Berceuse, from Jocelyn... s i s i i m p r a i s o s m s iTa mTi sIs s Godard
“Oh! N e t ’ éveille pas”
(18491895)
From Schwanengesang, D. 957
IV. Standchen
VIII. Der Atlas
XIII. Der Doppelganger
X. Das Fischermadchen
IV.
Franz Schubert
(1 7971828)
V.
Aria of Cavaradossi, “Recondita armonia,”........... Giacomo Puccini
from Tosca, Act 1
(18581924)
is resting between her sheets:
of peace
across the paths of the sky:
Entranced by you, by the
sound of your voice,
Fly,
anguish of the world
in that dream.
turns between her sheets:
o serenade,
fly.
I dreamt at length;
and I forgot all the trouble and
C o m e back, dear perfection,
come back for a moment
and smile on me again,
and a new dawn will shine o n
me
from your face.
L a Serenata
Serenade
Fly,
o serenade:
my beloved is alone,
and with her lovely head
lying back,
o serenade :
my beloved is alone;
but, smiling, still half asleep,
The waves dream
on the shore,
the wind is amid the
branches;
my fair lady
still denies shelter to my
kisses!
On the shore
the waves dream...
�Non t ’amo piu!
I love you no longer!
Do you remember the day we
met ;
do you still remember the
promises you made?
Madly in love, I followed
you, we fell in love,
and by your side I dreamed,
madly in love.
Happily I dreamed of endless
caresses and kisses
stretching into heaven:
but your words were false,
for your soul is made of ice.
I no longer place my faith in
you now,
n o more are yo u m y great
desire, or my dream of love:
I do not seek your kisses, nor
think of you;
I dream of another perfection;
I love you no longer.
Lo
In those dear days we spent
together,
I strewed your path with
flowers:
you were the single hope of
my heart;
the only thought in my mind.
You saw me beg, grow pale,
you saw me weeping before
you:
I solely to satisfy your least
desire,
would have given my blood
and my faith.
I no longer place m y faith in
you now,
no more are you my great
desire, or my dream of love:
I do not seek your kisses, nor
think of you;
I dream of another perfection;
I love you no longer.
I
I
Leaf of mint!”
long thread of gold,
child, let it be complete.
III.
O h! Ne t ’éveille pas
O h! Do not awaken
Hidden in this retreat
where God has led us,
united by misfortune,
during the long nights
we both rest
sleeping under their veils,
where we pray to the gazes
of the trembling stars!
Nina, you ’re to be wed,
and yet I still sing my
serenade to you!
There, on the empty plains,
there, in the shady valley,
Oh! Do not awaken yet,
so the beautiful angel of your
dream
may finish unwinding his
long thread of gold,
child, let it be complete.
how often I ’ve sung it to you!
“Rose petal,
o amaranth flower,
even though you marry,
I’ll be with you still,
rose petal.”
you ’ll
Oh! Do not awaken yet,
so the beautiful angel of your
dream
the kisses I gave you!
L ’ultima canzone
The last song
They’ve told me that
tomorrow,
Tomorrow
“Leaf of mint,
flower of pomegranate,
Nina, remember
Sleep! The day has hardly
shown!
Holy Virgin, watch over her!
be
surrounded
by celebration, smiles and
flowers,
you won’t give a thought to
our old love.
But night and day, forever
filled with passion,
lamenting, my song will
come to you.
I
I
Under the wing of the Lord
far from the noise of the
crowd;
And like a holy wave
that softly flows away,
we have seen days
pass after days,
without ever growing weary
of imploring His help.
may finish unwinding his
Sleep! The day has hardly
shown!
Holy Virgin, watch over her!
IV.
Stindchen
Serenade
Softly through the night my
songs entreat you;
Come down to me,
sweetheart, in the still glade!
Slender treetops rustle and
whisper in the moonlight.
O, fair one, have no fear
of those who
might listen and betray!
Do you hear the singing of
the nightingales?
Ah, how they too implore
you, with the sound of their
sweet lament.
They know the yearnings of
the soul,
the pain of love, and touch
each gentle heart
with their silvery tones.
�Then let your heart be stirred,
my love,
O hear me! Trembling, I
await you
come give me joy!
Der Atlas
Atlas
I, wretched Atlas, must bear
the world, a whole world of
sorrows.
I bear the unbearable,
and within my body my heart
would break.
O arrogant heart, this was
your desire!
You wanted happiness,
infinite happiness
or infinite misery; and now,
proud heart,
misery!
you have
Der Doppelgfinger
The Double
The night is still, the narrow
“streets are sleeping.
In this house lived my
sweetheart who left the town
long ago. But the house is
still in the same place.
A man stands there, staring
up at it, wringing his hands in
silent grief; I shudder as I see
his face –
for the moon reveals my own
image.
You
counterfeit,
pallid
companion of mine!
Why do you mimic the
suffering of love,
which tormented me here on
many a night, in times gone
by?
Das Fischermidchen
The FisherMaiden
O beautiful fishermaiden,
bring your small boat to the
shore.
Come here to me, and sit
with me
lovingly hand in hand.
V.
Recondita Armonia
Hidden ha rm on y
Hidden harmony of diverse
beauties!
Floria, my ardent lover, is
dark,
and you, unknown beauty,
are surrounded with blonde
hair.
You have blue eyes,
Tosca has black eyes!
Art in its mystery
mixes the diverse beauties
together:
But in painting this wo m a n...
My only thought,
Ah! my only thought is you!
Tosca, is you!
Lay your dear head upon my
breast;
and do not be too afraid: you
who entrust
yourself each day to the sea
so free of care!
My heart is just like the
ocean,
with its storms and ebbs and
flows;
and in its depths is resting
many a beautiful pearl.
n
�About the Performers
Mark GizziSchmidt, tenor, currently resides in Rochester, NY, where
he teaches vocal music and performs. In his two seasons as a Resident
Artist at TriCities Opera, he was seen as Alfred in Die Fledermaus,
Kaspar in Amahl and the Night Visitors, Prince Yamadori in Madama
Butterfly, the first man in Armor in the Magic Flute, and the Chief of
Police and the Imam in Kismet. He has sung extensively with Opera
Theater of Rochester in a variety of concerts and operas including the
leading roles of Canio in I Pagliacci and Alfredo in La Traviata. He has
performed in Buffalo, NY on several occasions most notably in Buffalo
Opera Unlimited’s production of Tosca as Cavaradossi and as Alfredo in
La Traviata. He has also performed with Opera Theater of Memphis and
Central Florida Lyric Opera. His range of performances as a tenor
oratorio soloist have included such great works as Mendelssohn’s Elijah,
Haydn’s Creation, Handel’s Messiah, Rossini ’s Stabat Mater, Mozart’s
Requiem, and Verdi ’s Requiem. Mark has also appeared on the musical
theater stage as Billy Bigelow in Carousel, Curly in Oklahoma and Tony
in West Side Story. He received his undergraduate degree from the
Eastman School of Music in Rochester. NY. He currently studies voice
with Mary Burgess.
Joan na Heckert, piano, was born in Edinburgh, Scotland and moved to
the United States at the age of four where she was raised in Florida. She
holds a Bachelor of Music degree in Piano Performance from the
University of Central Florida, where she received the prestigious Presser
Award ‘and eventually became a staff accompanist. She also played for
the University choral groups, and in over 100 student forums and
recitals. Joanna was a member of Sigma Alpha Iota while at UCF, and
was also inducted into Pi Kappa Lambda and Omicron Delta Kappa. She
received a Masters Degree in Piano Performance from Bob Jones
University in Greenville, South Carolina, where she played for a great
number of Masters Recitals. She also served as the rehearsal pianist for
all of the University’s operatic productions. Other credits include
performances with Orlando Opera Factory, the Rochester Opera Factory
and numerous churches and community groups. She currently resides in
Syracuse, NY, and serves as accompanist for several school districts in
Rochester, New York while maintaining her own private studio.
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Master's recital, Mark Schmidt, tenor, August 27, 2005
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Works of Handel, Tosti, Godard, Schubert, Puccini. Held at 3:00 p.m., August 27, 2005, Casadesus Recital Hall.
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Schmidt, Mark
Heckert, Joanna
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Binghamton University Libraries
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2005-8-27
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PDF Text
Text
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State University of New York
Department of Music
Mas ter ’s Re cital
[
Maricela Mayo, so pran o
with
ChaiKyou Mallinson, piano
Saturda y, Octobe r 11, 2003
8 :00 p.m .
Casadesus Recital Hal l
�About the Performers
MARICELA MAYO received her Bachelor of Arts in Music
from Texas Wesleyan University in Fort Worth, Texas, in 2002.
At Wesleyan she studied voice with Dr. Noelle Woods and
coached with Binghamton MM/Opera graduate Dale Morehouse.
She performed many roles including Phyllis in Jolanthe, Mary in
The Bald Soprano, Magnolia in Show Boat, as well as various roles
in Wesleyan’s Opera Scenes program. Other shows included
Evita, Pandora’s Box, and Radio Show for a Christmas Carol.
She is pursuing a Master ’s degree in Vocal Performance at
Binghamton University as a s t u d e n t P rofessor Mary Burgess.
She is also a member of the TriCities Opera Chorus. In May,
Mayo received a Student Achievement Award from the
Department of Music for her outstanding progress in vocal
performance. Mayo holds a Clark Fellowship and plans to extend
her career in performance when her degree is completed.
CHAIKYOU MALLINSON, currently on the faculty of the
department of music at Binghamton University, received a
Bachelor of Music degree from Juilliard, Licence d’Enseignement
from Ecole Normale Musique de Paris, France and a Master of
Arts degree from Binghamton University, where she studied with
Jean Casadesus. A prize winner in the Korean National Music
Competition, she was awarded the French Government
Scholarship, Tanglewood Summer Music School Full Scholarship
and the Fontainebleau American Conservatory Full Scholarship.
She gave a debut recital in Carnegie Recital Hall and has been
active as a recitalist, vocal accompanist and coach, and chamber
music performer, as well as an active adjudicator of piano
auditions and competitions. She performed with the Seoul
Philharmonic Orchestra by invitation and other symphony
orchestras. A CD of ChaiKyou Mallinson’s “Live Piano Recitals”
will be issued by the Disk Makers in November 2003.
�Program
Spirate pur, spirate
Amorosi miei giorni
Vaghissima sembianza
Frage und A n
Selige Nacht
Nachtgebet
Standchen
t
Stefano Dohaudy
(18791925)
w
o
r
t
J
o
s
e
p h Marx
(18821964)
Chi sa, chi sa, cual sia, K.582 ...............Wolfgang Amadeus Mozart
(17561791)
Intermission
Si mes vers avaient des ailes..................................... Reynaldo Hahn
A Chloris
(18741947)
L’Enamourée
Paysage
Shelling Peas
Fragment
I carry your heart
I can’t be talkin’ of love
JOR JUKE
(18991984)
�Translations
Spirate pur, spirate
(W a ft, waft)
Waft, waft around my beloved one,
little breezes, and ascertain
if she holds me in her heart.
Waft, waft, little breezes!
If in her heart she holds me, ascertain
it, blessed breezes, breezes gentle and
blessed!
Vaghissima se mbianz a
(Most c harmin g sembla nce)
Most charming semblance
of my formerly loved woman,
who, then, has portrayed you with such
a likeness
that I gaze, and speak, and believe to
have you
before me as in the Beautifil days of
love?
Amorosi miei giorni
(My loving days)
My loving days,
who could ever forget you
now that, beautifled by all the
blessings,
you giv e peace to my heart
and perfume to my thoughts?
To be able thus, as long as
life moves on,
not to fear any longer the anxieties
of a life of deceits,
only with this hope:
that a glance of his be all my splendor
and a smile of his be all my treasure!
Who more blessed than I,
if next to him he has not thus
a sweet and dear beloved object,
a n t L
so that h
e still ca n not sa y
he knows what love is?
Ah, may I thus, as long as life moves
on,
no more fear the anxieties
of a life of deceits,
only with this hope:
that a glance of his be all my splendor
and a smile of his be all my treasure!
The cherished memory
wiiich in my h e a rtnas bee
n awakened
so ardently
has already revived hope there,
so that a kiss, a vow, a cry of love
I no longer ask except of her who is
forever silent.
Frage u nd Antwort
(Question and Answer)
As long as I will ask you, “Do you love
me, oh my love?”
you should say to me, “I love you, oh
my love!”
If I ask with glances, “Do you love me,
oh my love?”
you should answer with kisses, “I love
you, oh my love!”
And if a sigh asks you, “Do yo u love
me, oh my love?”
your smile should reply, “I love you,
oh my love!”
A. Riickert
i
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y!
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Selige N acht
(Blissful Night)
In the arms of love we fell blissfully
asleep.
The summer wind eavesdropped at the
open window
and carried the peace of our breathing
into
the brightly moonlit night.
And from the garden a scent of roses
cautiously found its way to our bed of
love
and gave us wonderful dreams,
dreams of ecstasy, so full of desire.
Otto Erich Hartleben
Nachtgebet
(Night P rayer)
Oh, if you saw me praying now
to your deep, holy eyes
that plead to me as if asking for love, i
you would close your deep eyes
so I would not lose myself in them as
in love.
Oh, if you saw me praying
to your soul, cheerful like a child,
that childlike soul would be silent
so that it would not drown in my love.
Stindch en
(Serenade)
Good night, beloved life.
I call into your little window
and then I will go on my way.
Ah! Think of me in your dreams!
Because you surely know that,
devoted to you, my heart must
quiver in torment.
Good night, beloved life.
Ah! Think of me in your dreams!
Paul Heyse
Chi sa, chi sa, qual sia, K.582
(Who knows, who knows
what it may be)
Who knows, who knows what
it may be that torments my beloved?
Is it anger, jealousy,
fear, suspicion or love?
O gods, ye who know
the purity of my affection,
dispel this bitter doubt
from m y heart.
Si mes vers avai ent des ailes
(If my verses ha d wings)
My verses would flee, sweet and frail,
To your garden so beautiful,
If my verses had wings
Like the bird!
They would fly, glittering,
To your cheery fireside,
If my verses had wings
Like the wind!
To you, pure and faithful,
They would hasten, night and day,
If my verses had wings,
Like love!
Victor Hugo
�A Ch loris
(To Chloris)
If it be true, Chloris, that you
do love me,
And I have heard, you love me well,
Then kings themselves I do believe
Could hardly match my wealth.
Death would be most inopportune
To come and alter my good fortune
Just to please the heaven!
Say what you will about ambrosia—
It can hardly compare to the magic
Of your eyes bestowing their gaze on
me.
Théophile de Viau
L ’Enamourée
(The Beloved)
They say, my dove
That you dream, though still dead,
Beneath the stone of the tomb :
Yet for this soul who adores you,
You awaken, enlivened,
Oh, my pensive beloved!
Through nights whitened by stars,
In the murmuring breeze,
I caress your long veils,
Your long flowing tresses,
And your halfclosed wings
That flutter ab ove t he roses.
Oh, sweet delight, I breathe in
Your divine blond locks :
Your pure voice that lyre
Follows the wave upon the currents,
And softly glides over them,
Glides over them softly
Like a swan that weeps!
Théophile de Banville
Paysage
(A D istant Sho re)
On a shore resounding with the roar of
the sea,
There is a little hidden corner of
Brittany,
Where I would love so much to take
you one day,
When the autumn leaves are falling,
my darling!
You would see oaktrees encircling a
fountain,
A fe w scattercd beeches, and an old,
deserted mill,
And even a well in whose clear water
is reflected
The green of your siren’s eyes...
In the morning, out from under a
yellowed leaf,
The titmouse would come and sing for
us alone...
And the sea itself, at night and during
the day,
Would join each time in our loving
embraces,
From the depths of its bottomless soul!
André Theuriet
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Thursd ay, Octobe r 16 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall free
Saturd ay, October 18 – Family Wee kend Concert : Harpur Chorale, Women’s
Chorus, University Wind Ensemble – 3 p.m. – Anderson Center Concert
Theaterfree
Saturd ay, October 18 – Musica Exotica : A Solo Piano Recital by Michael
Salmirs – 8p.m. – Casadesus Recital Hall – $8 general public; $6
faculty/staff/seniors; free for students
Thursd ay, October 23 MidDay Concert with faculty and student performers
– 1:22 p.m. – Casadesus Recital Hall – fice
Sunday, Octobe r 26 – U niversity Sym phony O rchestr a : Schumann, Si belius
– a nd Sunwoo – Timothy Perry, conductor with guest soloist Patricia
Sunwoo, violin – 3:00 p.m. – Anderson Center Concert Theater – $8
faculty/staff/seniors; free for students
Thursd ay, October 30 MidDay Concert with faculty and student
performers1:20 p.m. – Casadesus Recital Hall – free
Friday, Octob er 31 – An English L egacy : Work s for Viola with Rob erta
Crawfo rd – 8 :00 p.m. – Casadesus Recital Hall $8 general public; $6
faculty/staff/seniors
Saturd ay, November 2 – Viola Fest 2003 – 2:30 p.m. – Artist Concert; 4:45
Grand Concert – Anderson Center Chamber Hall – free
faculty and student
Thursd ay, November 6 – MidD ay Concert with
£
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.m. – Casadesus Recita
1:20 p
performers
Saturd ay, November 8 – Contrasts: An Evening of Chamber Music
Treasures with guest artists from Belgium – 8:00 p.m. ~ Anderson Center
Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students '
Thursd ay, November 13 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Thursd ay, November 13 – Pharaoh ’s Daughter – A sixpiece electric groove
ensemble that blends Jewish music with world beat – 8 p.m. – Anderson
Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6
students (Cosponsored by Hillel at Binghamton)
�
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1960's - present
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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0:41:35
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Master's recital, October 11, 2003
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Recital Tape 2003-10-11
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Held at 8:00 p.m., October 11, 2003, Casadesus Recital Hall.
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Mayo, Maricela
Mallinson, Chai-Kyou
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10/11/2003
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In copyright
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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55 minutes
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141267">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141267</a>
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Master's recital, Robert Heepyoung Oh, December16, 2012
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Work by Oh Held at 7:30 p.m., December 16, 2012, Casadesus Recital Hall.
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Oh, Robert Heepyoung
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Binghamton University Libraries
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12/16/12
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sound
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https://omeka.binghamton.edu/omeka/files/original/58602f8dd05fbf8c98eae6c0095e3f5c.pdf
cac5eead7acf600d700ab2aad199c76b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y O F N E W YO R K
D
E
P A
R
(27% 24
T
M
MASTER’S RECITAL
Robert Muller
FRENCH HORN
with
Pej Reitz; Prano
S a t u r d a y , A p r i l 24, 2 0 1 0
3.00 p. n u
CWRecitubfialI/
E
N
T
�PROGRAM NOTES
PROGRAM
Réverie, Op. 24 is a piece written for horn and piano by
Alexander Glazunov. Glazunov composed this piece in
Réverie, Op. 24..................................................Alexander Glazunov
(18651936)
1890 around the time that he had a creative crisis despite his
international fame. He grew out of this period with a new
maturity. It is a possibility that this “reverie” of his was his
dream to come out of that hard time with a newfound spirit.
Hom Concerto No. 4 in Eflat major, K. 495...................W.A. Mozart
I. Allegro moderato
(17561791)
II. Romance (Andante)
III. Rondo (Allegro Vivace)
®INTERMISSIONcs
“Little” Fugue in G minor, BWV 578
Alexa Weinberg, Hom
Zachary Bimbaum, Hom
Kirstie Cummings, Horn
J.S. Bach
(16851750)
“Zion hort die Wéchter singen” from “Wachet auf, Ruft uns die
Stimme", DWV TE
J.S. Bach
Alex Muller, Cello
Horn Concerto No. 1 in Eflat major, Op. 1 1
I. Allegro
(16851750)
Richard Strauss
(18641949)
Horn Concerto No. 4 i n Eflat major, K . 495 is the last in
the collection of horn concerti written by Wolfgang Amadeus
Mozart and was completed in 1786. All of the horn concerti
were written for Joseph Leutgeb, a Salzburgborn musician,
who was the premier horn player of the classical period.
After one month of working as a court musician for the
Esterhazy family, for unknown reasons, Leutgeb moved to
Salzburg in 1763 and became part of the musical
establishment of the ruling PrinceArchbishop. It was there
and then that he became a colleague Leopold Mozart, the
father of Wolfgang, and then met Wolfgang himself. The two
became good friends and, as can be seen in the original
manuscript of this concerto, the notes are written in
multicolored inks in a jocular attempt to rattle the performer.
Recently, it has been suggested that it was a color code of
some sort. In the final movement of the piece, the jumpy
texture and playfulness of the tune shows that Mozart indeed
wished to have fun with his good friend.
Fugue i n G minor, BWV 578 is a piece written originally for
organ by Johann Sebastian Bach and is believed to have
been composed ca. 1707 possibly during his years at
Arnstadt. The significance of Arnstadt is that it was where
Bach began his musical career. The fugue’s subject is one
of Bach’s most recognizable tunes and has been transcribed
for many other instrumentations, the most famous being
Leopold Stokowski’s transcription for orchestra. Today,
Robert Muller has prepared his transcription of this piece for
horn quartet.
�Zion hort die Wachter singen (Zion heard the Watchmen
singing) is a chorale from J.S. Bach’s Wachet auf, ruft uns
die Stimme, BWV 140 (also known as Sleepers, Wake). The
cantata was premiered on November 25, 1731. The fourth
movement, Zion hort die Wéchter singen, was originally
written for strings, tenor chorus, and continuo. Since the
piece’s text is associated with the themes of Advent, it is
commonly performed during that season. Robert Muller
transcribed this movement for horn, cello, and piano, and,
along with Alex Muller, cello, and Nickie Collins, piano,
performed it on January 1, 2010 at St. Martin de Porres :
church in Poughkeepsie, NY.
Horn Concerto No. 1 i n Eflat major, Op. 11 is the first
horn concerto written by Richard Strauss. It was written in
1883 for his father, Franz Strauss, who, at the time, was the
principal horn for the Munich court orchestra. It was first
performed in 1888 for horn and piano by a student of Franz
Strauss, Bruno Hoyer, with Richard as the pianist. This
piece, along with Mozart’s concerti, has secured a place in
horn repertoire and still remains a favorite of many players
today.
ABOUT THE PERFORMERS
Robert Muller is a firstyear graduate French Horn
performance student at Binghamton University. He was also
an undergraduate student at Binghamton University holding
a BA in Music and Spanish with a minor in International
Studies. Robert would like to pursue a career in Music
Education when he has completed his studies. Born on May
19, 1987, he is a native of Poughkeepsie, NY. Robert began
playing the horn in 5 ” grade and fell in love with it
immediately. During his Jr. High and High School careers,
he participated in the school bands and in the NYSSMA
festivals. In High School, he attended Tabernacle Christian
Academy. Unfortunately, the school did not have a band
program there, so he studied the horn privately with Andrew
Carr and Craig Fryer. In school, Robert participated in the
Vocal Ensemble and, in his junior year, sang tenor for the
Zone 10 Area AllState Chorus. In his senior year, he played
horn for the Marist College Symphonic Band, Football
Marching Band, and Basketball Pep Band under the
direction of Art Himmelberger. That year, he also played
horn for the Zone 10 Area AllState Band. At Binghamton
University, he studies with Brian Sternberg and has studied
with Harry Ditzel of the West Point Military Band during the
winter and summer breaks. Donald Robertson, professor of
low brass at Binghamton University, also gave Robert some
additional guidance during this semester. Robert is also a
member of the Zeta Eta Chapter of Mu Phi Epsilon, CoEd
Professional Music Fraternity, and an apprentice DJ at
WHRW 90.5FM Binghamton where he goes by the call sign
“Beastman.” He has also played for the University
Symphony Orchestra, Wind Ensemble, and Commencement
Wind Ensemble over the course of his career here at
Binghamton University. Robert is an avid transcriber and
composer and some of his work will be presented on today’s
recital. Robert is glad to be achieving his dreams of being a
musician and hopes that the music he performs will touch
the hearts of those who listen.
Pej Reitz is a native of the Binghamton area. She received
her Bachelor and Master of Music degrees in piano
performance with accompanying emphasis. She attended
Boston University, New England Conservatory and
Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter
Ponce and accompanying with Allen Rogers. She has
accompanied throughout the United States, in England,
South America, Spain, and the American Institute of Musical
Studies in Graz, Austria. She was a winner of the Artistic
Ambassadors Program by the United States Information
Agency in partnership with the John F. Kennedy Center for
the performing arts. She has been on the faculty at
Binghamton University since 1991 and Ithaca College
School of Music since 1999. Ms. Reitz is on the Executive
Board of the New York District MTNA organization and is
�President of the local District VII Music Teachers
Association. She is also an active adjudicator for the
National Piano Guild Organization.
Zachary Birnbaum is a Sophomore Electrical Engineering
major at Binghamton. He has been playing French Horn for
nine years. Zach has played with various orchestras and
bands including Binghamton University, Maryland All State,
Maryland Classic Youth Orchestra,.and the Performing Arts
Institute. In his spare time he enjoys finding Waldo,
pretending he is a penguin, alligator wrestling, stamp
collecting, and writing small paragraphs about himself.
Alexa Weinberg is a senior Music and Management double
major from Levittown, New York. She has been playing the
horn for 13 years. She has performed with the Nassau
Suffolk Wind Symphony, NYSSMA AllState band and wind
ensemble, and American Music Abroad Empire tour of
Europe. Whilst studying abroad in England, Alexa was a
member of the Morendo Woodwind Quintet and nicked a
Union Jack from Lancaster University’s annual Proms
concert. Currently, she plays in the Binghamton University
Symphony Orchestra and is on the executive board of the
professional music fraternity Mu Phi Epsilon. Alexa loves
traveling, playing with the Teletubbies, and making Muddy
Buddies.
Kirstie Cummings is a junior PreVeterinary student double
majoring in Cell and Molecular Biology and Music. She has
been playing horn for eleven years and has studied under
Dr. Arthur Goldstein and Brian Sternberg. Ms. Cummings
performed in a wide variety of groups including the
University Orchestra and Wind Symphony, as well as
various pit orchestras and the Hicksville High School
Marching Band where she won the USSBA New York State
and East Coast Championships in 2006. She is also the
current vice president of the Zeta Eta chapter of Mu Phi
Epsilon, CoEd Professional Music Fraternity. With the
musical part of her life aside, Kirstie is the secretary of the
Binghamton PreVeterinary Society, participating in events
such as the Binghamton H umane Society Casino Night and
“Boo at the Zoo”. If she is not in the lab, Ms. Cummings
could be found frolicking through random fields or cuddling
with cute animals. Though she hopes to be a veterinarian
one day, music will always be a large part of her life.
Alex Muller is a sophomore at Roy C. Ketcham High School
in Wappingers Falls, NY and is the younger brother of
Robert Muller. In school, he participates in the orchestra and
also works with a string quartet. Alex began playing the cello
at the age of ten after listening to the “Prelude” from Cello
Suite No. 1 by J.S. Bach. He studied with Emily Robison for
three years, and is now a student of Nanette Koch. He has
been a member of the Stringendo program and, within the
program, plays with the Chaconne orchestra which is one of
the higher level orchestras in the program. Also, part of the
program, he also participates in the cello ensemble. Alex
also attends the “Summer Strings” camp for three weeks
every year. He also plays cello for both the adult and teen
choirs at St. Martin de Porres church in Poughkeepsie, NY
where he lives with his parents, Maria and Philippe Muller,
and his two sisters, Victoria and Christina Muller. He hopes
to study music when he enters college and thanks his
brother for giving him the honor of playing at his recital.
Mark Rossnagel is a sophomore double majoring in Arabic
and Organ performance and is a native of Staten Island, NY.
He has been playing both organ and piano for many years
and is a student of Dr. Jonathan Biggers here at Binghamton
University. Today, he will be assisting Pej Reitz in turning
pages and will be recording the concert.
�Binghamton U niversity Musi c Department’s
U P C O M I N G E V E N T S
<
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o
Satu rday, A pril 2 4 ” Master’s Recital: Julie Williams, soprano,
8:00 PM, Casadesus Recital Hall, FREE
S u n d ay, A p r i l 25% Wind Symphony, 3:00 PM FREE
Anderson Center Chamber Hall
S u n d a y, A p r i l 2 5 ” Piano Extravaganza from the studio of
Michael Salmirs, 7:30 PM, Casadesus Recital Hall, FREE
Tu e s d ay, A p ri l 27*" Percussion Ensemble, 8:00 PM – FREE
Anderson Center Chamber Hall
Th u r s d ay, A p r i l 2 9 ” MidDay Concert, 1:20 PM – FREE
Casadesus Recital Hall
Th u r s d ay, A p r i l 2 9 ” Brass Studio Recital, 8:00 PM – FREE
Casadesus Recital Hall
Fr i d ay, A p r i l 3 0 ” Flute Studio and Flute Chamber Concert, 10:15 AM,
Casadesus Recital Hall, FREE
Fr i d a y, A p r i l 3 0 ” Saxophone Studio Recital, 4:00 PM – FREE
Casadesus Recital Hall
Sa t u r d ay, M a y 1 ° Composition Seminar S
tudio Recital, 3:00 PM,
Casadesus Recital Hall, FREE
S u n d ay, M a y g t University Symphony O
rchestra:SIavic Spring,
7:30 PM, Osterhout Concert Theater, $$ (FREE for students)
For ticket information, please call the
Anderson Center B ox Office at 777ARTS
To see all events, please visit music.bin ghamton.edu
Become a fan on Facebook by visiting
Binghamton University Music Department
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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55:22:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145325">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145325</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Master's recital, Robert Muller, French horn, April 24, 2010
Recital Tape 2010-4-24
Description
An account of the resource
Works by Glazunov, Mozart, Bach, Strauss. Held at 3:00 p.m., April 24, 2010, Casadesus Recital Hall.
Creator
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Reitz, Pej
Muller, Robert
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-04-24
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/169ebe3560192232ebc06af3d125fabb.pdf
d963d650ba1033d9e55cb11e6e9e8199
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STAT E U N I V E R S I T Y O F N E W Y O R
K
P E P F A R T M E N T
MASTER’S RECITAL
ROBERT MULLER
FRENCH HORN
w ii h
P e sR
eitz; Piano
James Hsiaz Violin
Maxim Pekarskiy, Viola
Fe
lic ia Scalgetty; Cello
Sa tu rd ay , M ay 7 , 2 01 1
3 . 0 0 p . n u
Casadesus Recalid Hal
�PROGRAM
Sonata for Horn and Piano, Op. 17....Ludwig van Beethoven
(1770–1827)
I. Allegro moderato
ll. Poco Adagio, quasi Andante
III. Rondo: Allegro moderato
BOIN TE RMIS S IONovs
Horn Concerto No. 1 in Eflat Major, Op. 11..Richard Strauss
(1864–1949)
I. Allegro
Il. Andante
Ill. Rondo: Allegro
BOIN TE RMIS S IONos
Quartet in F Major for Horn, ...................Johann Andreas Amon
Viola, Violin, and Cello, Op. 20 No. 1
(1763–1825)
l. Allegro moderato
Il. Adagio
III. Rondo: Allegretto
�p. 11 is the first horn
Horn C onc erto No. 1 in Efl at m ajor, O
ritten in 1 883 for his
concerto written by Richard Strauss. It was wavaria, Franz
father, Franz Strauss. Born in Parkenstein, Bears old by pla ying
Strauss began his musical career at seven y age of his uncles
utel
the violin a t a wedding dance. Under the t alter, he learned to
el W
icha
nz M
Fra
Johann Georg Walter and
ts. At the age of
play clarinet, guitar, and all bra ss instrumen ilian of Bavaria as a
xim
fifteen, he entered the service of Duke Mahorn which eventually
guitarist, but continued his studies on the 889, he served as a
to 1
became his main instrument. From 187 1 s well as serving on
tra a
hes
t orc
our
hornplayer for the Ba varian c
h until 1896. In 1863,
the faculty a t the Academy of Music in Munic
wife and daughter to
after losing his son to tuberculosis and his
r, with whom his first
cholera, he remarried to Josephine Pschor trauss was also
son wa s composer Richard S trauss. Franz S
Wagner’s operas such
known for performing in the premieres of
PROGRAM NOTES
mposed by
Sonata for Horn an d Piano, Op. 17 was co
ayer named Giovanni
Beethoven for a Bohemian virtuoso horn pl esta te of Count
the
Punto. Born Jan Vaclav Stich in 1746 on t singing, violin, and
ugh
s ta
Joseph Johann von Thun, Punto wa
him later study with
the horn growing up. Count von Thun had rz in Munich, and
Joseph Ma tiegka in Prague, Jan Schindela erved in the court of
Anton Joseph Hampl in Dresden. He then sd a bad reputation.
Count v on Thun for four years, but acquire Roman empire
oly
Due to his circumstances, he fled to the H to. The Count even
Pun
where he changed his name to Giovanni
out to render him
eth
s te
k hi
noc
to k
sent his men after Punto
8, he taught the horn
una ble to play the horn. From 1777 to 177 rge Ill of England and,
players of the private orchestra of K ing Geo Mozart who
with
around 1778, Punto became acquainted
oncertante, K. 297 b. In
composed for him the now lost Sinfoni a C tre des Variétés
héa
1789, he became the conductor of the T
en years. After fa iling to
or t
ed f
serv
he
Amusa ntes in Paris where
nservatory of Paris, Punto
obta in a position at the newly created co 9 where he met
moved to Munich and then to Vienna in 179 et are unknown, but
Beethoven. The exact details of how they m red at the
mie
the result was the Sonata. After its first preond time, in Pest,
sec
d a
aye
s pl
wa
Burgtheater in Vienna, it
d “Who is this
Hungary where a local music critic commente
Of course, Punto is
Beethoven? His name is not known to us.
trated to Beethoven
very wellknown.” This experience demonsthen proceeded to use
the capabilities of the instrument which he like to dedicate this
uld
more often in his symphonies. Robert wo Robert Georges
Dr.
late
, the
performance to his grandfa ther
l of the United Nations
Muller, former AssistantSecretaryGenera
and a lover of Beethoven’s music.
I
r
I
I
as Tristan und Isolde (1865), Die Meist
:
I
ersi nger (1868), D as
). The Horn Concerto
Rheingold (1869), and Die Wa lkir e (1870 d in 1888, b ut not b y
iere
No. 1 was completed in 188 3, and prem
performed, in the horn
Franz S trauss on the horn. Instead, it was of S trauss, with
ent
and pia no version, by Bruno Hoyer, a stud
o remains a mainstay
cert
con
This
Richard Strauss at the piano.
essential by many a
in the horn repertoire and is considered an
horn player.
p. 20, N o. 1 was
Qua rtet for Horn, Violin, Viola , an d Cello, O
erman virtuoso horn
composed by Johann Andreas Amon, a G on was born in
player, violist, conductor, and composer. Amt taught singing by
Bamberg, Ba varia in 1763, where he was firs taught instrumental
court singer Madame Franca ssini, then later aris to study
work by Giovanni Punto, who took Amon to P on then tra veled
. Am
composition with Antonio Sacchini in 1781 musical director at
the
ame
with Punto, until 1789, when he bec
er to the Prince of
Heilbronn. In 1817, he became kapellmeistuntil his dea th in 182 5.
OettingenWallerstein, holding this position eer at Oettingen
This piece was composed during Amon’s car
Wallerstein.
�ABOUT THE PERFORMERS
Robert Muller is a graduate French Horn performance student. He was
also an undergraduate student at Binghamton University holding a BA in
Music and Spanish with a minor in International Studies. Born on May
19, 1987, he is a native of Poughkeepsie, NY. Robert began playing the
horn in 5 ” g rade and fell in love with it immediately. During his Jr. High
and High School careers, he participated in the school ba nds and in the
NYSSMA festivals. In High School, he attended Tabernacle Christian
Academy, and since the school did not have a band program, he studied
the horn privately with Andrew Carr and Craig Fryer. All four years,
Robert participated in the Vocal Ensemble and, in his junior year, sang
tenor for the Zone 10 Area AllState Chorus. In his senior year, he
played horn for the Marist College Symphonic Band, Football Marching
Band, and Basketball Pep Band under the direction of Art Himmelberger.
At Binghamton University, he studies with Brian Sternberg and has
studied w ith Harry D itzel of the West Point Military Band during the
winter and summer breaks. In the spring semester of 2010, Robert also
studied under Donald Robertson, professor of low brass at Binghamton
University. He is a member of the Zeta Eta Chapter of Mu Phi Epsilon,
the CoEd Professional Music Fraternity, and a DJ for WHRW 90.5FM
Binghamton. He has also played for the University Symphony
Orchestra, Wind Ensemble, and Commencement Wind Ensemble over
the course of his career at Binghamton University. Robert is glad to be
achieving his dreams of being a musician and hopes that the music he
performs will touch the hearts of those who listen.
Pej Reitz is a native of the B inghamton area. She received her Bachelor
and Master of Music degrees in piano performa nce with accompanying
emphasis. She attended Boston University, New England Conserva tory
and Binghamton University. She has studied pia no with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and
accompanying with Allen Rogers. She has accompained throughout the
United States, in England, South America, Spain, and the American
Institute of Musical Studies in Graz, Austria. She was a winner of the
Artistic Ambassadors Program by the United States Informa tion Agency
in partnership with the John F. Kennedy Center for the performing arts.
She has been on the faculty a t Bingham ton University since 1991 and
Ithaca College School of Music since 1999. Ms. Reitz is on the
Executive Board of the New York District MTNA organiza tion and is
President of the local District VII Music Teachers Association. She is
also an active adjudicator for the National Piano Guild Organization.
James H sia is a Taiwanese violinist who has performed regularly
throughout New York State presenting a wide range of repertoire
including concertos by Paganini, Mendelssohn, and Bruch, leading
numerous chamber groups, and in ensembles such as the Empire State
Youth Orchestra, and the Southern Tier Symphony under the director
John Whitney. While attaining his Bachelor of Music Education degree
at SUNY Fredonia, studying with Janet Sung, he was regularly featured
on their performance series a s recitalist and chamber musician, and was
selected from the SUNY Fredonia Symphony Orchestra to perform in the
Chamber Orchestra, and Chamber Opera Orchestra under the direction
of David Rudge from 20062010. This past summer, he participated in
the Hot Springs Music Festiv al working with violinist Jessica Mathaes,
and Todd Cranson, Director of the University of Illinois Chamber
Orchestra . He has also appeared in concert halls including Carnegie
Hall, the Tanglewood Music Hall, and Troy Savings Bank Music Hall. He
is currently a student of Janey Choi, studying at Bingham ton University
pursuing a Master of Music Degree in Violin Performance.
Ma xim Peka rskiy is a junior violist a t Binghamton University double
majoring in Music and Financial Economics. He is also a composer and
his focus on film music has led him to collabora te with upandcoming
filmmakers in New York City, the lnterlochen Arts Festival, and the
cinema department at Binghamton University. Maxim also frequently
writes shorts for BTV and is the cofounder of the Binghamton University
Explorchestra, an orchestra for composers on campus to have their
works pla yed.
Felicia S calzetti is a freshman cellist who has been playing for eight
years and is double majoring in Music and Biology at Binghamton
University.
�Binghamton University M usic D epartment ’s
U P C O M I N G E V E N T S
fi fi M fi t fi O fi M M r fi fi fi ' fi t b ’ w
Sa turda y, Ma y 7 — African Drum Ensemble — 3 :00 PM —
Library Tower (Spring Fling)
Saturday, May 7 — Student Recital : Briana Sa kamoto,
soprano — 8:00 PM — Casadesus Recital Hall
Sunday, May 8 — Senior Voice Recital : Samantha Banton
and Molly AdamsToomey — 1:00 PM — Casadesus Recital Hall
— free
Sunday, May 8 — Senior Honors Re cital : Jieun Jang, piano
— 7:30 PM — Casadesus Recital Hall — free
Sunday, May 8 — University Choru s w i th t he U niversity
Symphony Orchestra : Mass Masterwork s — 3:00 PM —
Osterhout Concert Theater — $10 general public; $5 faculty/
staff/seniors; free for students
Tuesday, May 10 — Percussion Ensemble — 3:00 PM —
Anderson Center Chamber Hall — free
Thursday, May 12 — Student Recognition MidDay Concert
— 1:20 PM — Casadesus Recital Hall — free
Friday, May 13 — Chinese Music Ensemble Class Con cert —
5:00 p.m. — Casadesus Recital Hall — free
Wednesday, May 18 — Voice Class Recital (MU5143
Chmela) —11 a .m. — Casadesus Recital Hall — free
For ticket information, please call th e
Anderson Center Box Office at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:44:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145470">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145470</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, Robert Muller, May 7, 2011
Recital Tape 2011-5-7
Description
An account of the resource
Held at 3:00 p.m., May 7, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Muller, Robert
Reitz, Margaret A.
Hsia, James
Scalzetti, Felicia
Pekarskiy, Maxim
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-05-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/806eeed23f8179da5380d05c99dd6d85.pdf
c85e709a00d301fdeea9775eebaf536d
PDF Text
Text
L4
i
i
i
o >
i
131 A
h
BINGHAMTON
U N I V E R S I T Y
a
1
i
d
oo
1 ‘ tR
a 1,
L
I .
State University of New York
Department of Music
Master ’s Recital
Robin Kindig, bassoon
with
Alex Wiesendanger, cello
Margaret Reitz, piano
Kira Slocum, flute
Theresa Perrone, clarinet
Judy Zhu, piano
Sunday, Decem ber 5, 2004
7:00 P M
Casadesus Rec ital Hall
\
�About the Performe rs
ROBIN KINDIG is from Endwell, New York. She attended the MaineEndwell
Central Schools and was involved in musical activities. Her passion for music
led her to Houghton College, where she studied bassoon with Ed Wadin. Kindig
graduated from Houghton in May 2003 with a Bachelor of Music in Music
Education. She is a Master of Music student in bassoon performance and studies
with Lynn Hileman. Upon completion of her degree, she hopes to teach
elementary or middle school band.
ALEX WIESENDANGER is a senior Music and Political Science major at
Binghamton University. He studies composition with Paul Goldstaub and cello
with Stephen Stalker. Next year, Wiesendanger hopes to work with the Jesuit
Volunteer Core.
MARGARET REITZ, piano, received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink
and Walter Ponce and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America, and at the American
Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at
Binghamton University since 1991 and The Ithaca College School of Music
since 1999.
KIRA SLOCUM is a senior Music and Comparative Literature major. She is a
student of Georgetta Maiolo and is a member of the University Symphony
Orchestra and Flute Ensemble. She has also played in the Harpur Jazz Band and
participated in the 2003 Concerto and Aria Competition.
THERESA PERRONE earned her undergraduate degree in Music Education at
Ithaca College, studying the clarinet with Richard Faria. She teaches
kindergarten, first, and second grade vocal music and directs a fourth and fifth
grade chorus in the Greene Central School District in Greene, NY. In addition,
Theresa has a private studio of woodwind students. She is also pursuing her
Masters in Clarinet Performance at Binghamton University, studying with
Timothy Perry.
JUDY (YAN) ZHU, a native from Beijing, China, is a Master of Music student
major in Piano Performance at Binghamton University. She received her
Bachelor of Arts in Music in May 2002 from Binghamton University. She won
Honorable Mention in the New York State Music Teacher’s Association Piano
Competition Collegiate in October 2000. She also won Samuel Reiser
Scholarship from Department of Music at Binghamton University in Spring 2002.
She studies with Ewa Mackiewiczwolfe.
�P rogram
Sonata for Bassoon and Cello......................Wolfgang Amadeus Mozart
I. Allegro
(17561791)
II. Andante
III. Rondo
Robin Kindig, bassoon; Alex Wiesendanger, cello
S
o
n
a
t
e
P
I. Leicht bewegt
II. Langsam, Marsch, Pastorale
a
u
l Hindemith
(18951963)
Robin Kindig, bassoon; Margaret Reitz, piano
F
r
a g m e
I. Waltz
II. Solitude
III. Holiday
IV. Reverie
n
t
s
R
o
b
e
r
t Muczynski
(b. 1929)
V . Exit
Kira Slocum, flute; Theresa Perrone, clarinet; Robin Kindig, bassoon
Intermission
Trio Pathétique.................................................................Mikhail Glinka
I. Allegro Moderato (18041857)
II. Scherzo, Trio
III. Largo
IV. Allegro con spirito
Theresa Perrone, clarinet; Robin Kindig, bassoon;
Judy Zhu, piano
Please remember to turn ojf or silence all cell phones and pagers
during the performance. Thank you.
�Coming Events
Tuesday, December 7 – University Percussion Ensemble – 8:00 p.m. –
Anderson Center Chamber Hall free
Thursday, December 9 – Holiday MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall free
I
Thursday, December 9 – University Symphony Orchestra – Field, Forest
and Fiacre – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10
general public; $7 faculty/staff/seniors; free for students
i
i
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:45:54
Streaming Audio
Streaming URL
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Title
A name given to the resource
Master's recital, Robin Kindig, bassoon, December 5, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-12-5
Description
An account of the resource
Works of Mozart, Hindemith, Muczynski, Glinka. Held at 7:00 p.m., December 5, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kindig, Robin
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
12/5/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/9288ef42d75093e77c93aa0ac2d363c3.pdf
7036645b841720ccc4d3d217d7eb36a8
PDF Text
Text
UNIV
ARC
Recital
BINGHAMTON
Tape
UNIVERSITY
2005
State University of New York
Department of Music
5-2.J
S EC COL
Master's Recital
Robin Kindig, bassoon
with
Margaret Reitz, piano
Kira Slocum, flute
Theresa Perrone, clarinet
Monday, May 2, 2005
8:00 p.m.
Casadesus Recital Hall
�Program
Sonate....................................................................... Paul Hindemith
(1895-1963)
I. Leicht bewegt
II. Langsam, Marsch, Pastorale
Robin Kindig, bassoon; Margaret Reitz, piano
Trio II ...................................................................Francois Devienne
(1759-1803)
I. Allegro
II. Rondo: Allegro, Minore
Kira Slocum, flute; Theresa Perrone, clarinet;
Robin Kindig, bassoon
Concerto in F, F VIII no. 8 ..................................... Antonio Vivaldi
(1678-1741)
I. Allegro non mo/to
II. Andante
III. Allegro mo/to
Robin Kindig, bassoon; Margaret Reitz, piano
Please remember to turn offor silence all cell phones
and pagers during the performance. Thank you.
�About the Performers
Robin Kindig is a local from Endwell, New York. She attended
the Maine-Endwell Central Schools and was heavily involved in
musical activities while there. Her passion for music led her to
Houghton College, where she studied bassoon with Ed Wadin.
Robin graduated from Houghton in May 2003 with a Bachelor of
Music in Music Education. She is currently a Master of Music
student in bassoon performance and studies with Lynn Hileman.
Upon the completion of her degree, she hopes to teach elementary
or middle school band.
Margaret Reitz, piano, received her Bachelor and Master of
Music degrees in piano performance with accompanying emphasis.
She attended Boston University, New England Conservatory and
Binghamton University.
She has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce
and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America, and at
the American Institute of Musical Studies in Graz, Austria . Reitz
has been on the faculty at Binghamton University since 1991 and
The Ithaca College School of Music since 1999.
Kira Slocum is a senior Music and Comparative Literature major.
She is a student of Georgetta Maiolo, and is currently a member of
the University Symphony Orchestra and Flute Ensemble. She has
also played in the Harpur Jazz Band and participated in the 2003
Concerto and Aria Competition.
Theresa Perrone earned her undergraduate degree in Music
Education at Ithaca College, studying the clarinet with Dr. Richard
Faria. She currently teaches Kindergarten, First, and Second Grade
vocal music and directs a Fourth and Fifth Grade chorus in the
Greene Central School District in Greene, NY. In addition, Theresa
has a private studio of woodwind students. She is also pursuing
her Masters in Clarinet Performance at Binghamton University,
studying with Dr. Timothy Perry.
�COMING EVENTS
Wednesday, May 4 - Student Conductors' Concert - 8:00 p.m. - Watters
Theater - free
Thursday, May 5 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free
Thursday, May 5 Hurpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall - free
Saturday, May 7 - Master's Recital - Theresa Perrone, clarinet - 3:00 p.m.
- Casadesus Recital Hall - free
Saturday, May 7 - Student Recital: Christina Wan, violin - 8:00 p.m. Casadesus Recital Hall - free
Sunday, May 8- Student Saxophone Quartet- 3:00 p.m. - Casadesus Recital
Hall- free
Thursday, May 12 - Master's Recital: Donald Truesdail, string bass - 8:00
p.m. - Casadesus Recital Hall - free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, Robin Kindig, bassoon, May 2, 2005
Description
An account of the resource
Works of Hindemith, Devienne, Vivaldi. Held at 8:00 p.m., May 2, 2005, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kindig, Robin
Reitz, Margaret
Slocum, Kira
Perrone, Theresa
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-5-2
Rights
Information about rights held in and over the resource
In copyright
Format
The file format, physical medium, or dimensions of the resource
1 audio disc
-
https://omeka.binghamton.edu/omeka/files/original/6ec79c9f61249f4c575b9deb3877d96f.pdf
ef60bc931bdbee7956a0c3d2e835aef1
PDF Text
Text
BINGHAMTON
UNI V ERSI T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
U
n
i
v
f
A R C
{ s c % \
'
P
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x B
e
E
P
IT F M EA N RT
% 4 0 ¥
MA STER’SR
ECITAL
S T E P H E N B R O O K S
D O U B L E B A S S
WITH
M A R G A R E T R E I T Z , P I A N O
S a t u r d a y , M a r e h 2 1 , 2 0 0 9
£ 0 0 p . m .
casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
SONGLA 192 G TNLNOY cusncviissrssssssassinnensn Eccles
STEPHEN BROOKS graduated from SUNY Oneonta in 2007 with
a B. A. in Music, during which time he studied the double bass
under the instruction of Professor Rich Mollin. While at SUNY
(16701742)
I. Largo
II. Allegro con spirito
III. Adagio
IV. Vivace
Romance and RONAO... ...................
Franz Keyper
I. Romance
II. Rondo
(17561815)
® I N T E R M I S S I O N
J
O
U
T U B E S s os n m i i v m i i i m n n n i s K
i N E S S E V i L Z R Y
I. A n d a n t e
II. Valse Miniature
SOMBEE 1953
1. Slow a n d P
eaceful
II. Moderate 4Swing
III. Molto Adagio
IV. Allegro energico
(18741951)
Frank Proto
( b. 1941)
Oneonta, Mr. Brooks studied jazz as well as other modern musical
styles. For the past two years, he has been studying with cellist
Stephen Stalker, pursuing an M. M. in Performance at Binghamton
University, focusing his studies on classical music. Mr. Brooks has
performed with the Catskill Symphony and can frequently be seen
playing with any number of jazz groups at the Otesaga Resort in
Cooperstown. He also collaborates with pianist Gabriel Luce in a
trio that recently opened for jazz piano legend Junior Mance.
Upon his graduation from Binghamton University, Mr. Brooks
plans to continue to study and perform a wide variety of musical
styles to satisfy his eclectic tastes.
MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton
Area. She received her Bachelor and Master of Music degrees in
piano performance with accompanying emphasis. Ms. Reitz
attended Boston University, New England Conservatory and
Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce
and accompanying with Allen Rogers. Ms. Reitz has accompanied
throughout the United States, in England, South America, and at
the American Institute of Musical Studies in Graz, Austria. She
and Binghamton University faculty member Timothy Perry were
winners of the Artistic Ambassadors Program by the United States
Information Agency in partnership with the John F. Kennedy
Center for the performing arts.
Ms. Reitz is currently on the faculty at Binghamton University
since 1991 and Ithaca College School of Music since 1999. She
maintains a private piano studio in Vestal, New York and serves
on the Executive Board of the New York District MTNA
organization. Ms. Reitz is President of the local District V II Music
Teachers Association and is an active adjudicator for the National
Piano Guild Organization.
� idDay Concert, 1:20 PM FREE
Thursday, March 2 6 ” M
University Art Museum, Celebrating Women’s History Month
aster’s Recital: Jonathan Moots, baritone,
Saturday, March 2 8 ” M
Fine Arts Room 21, 3:00 PM, FREE
tenor,
Saturday, March 2 8 ” 1993 Reunion Redtal: Todd Geer
Allison SwensenMitchell, mezzosoprano, a n d J. Penna, piano,
Anderson Center Chamber Hall, 8:00 PM, $$ (cosponsored by the Music
Department and the Alumni Association)
Sunday, March 2 9 ” J unior Recital: Marc Silvagni, percussion,
Casadesus Recital Hall, 3:00 PM, FREE
idDay Concert, 1:20 PM – FREE
Thursday, A pril 2 ™ M
Casadesus Recital Hall
Thursday, A pril 1 6 MidDa y Concert: 1 :20 PM FREE
Casadesus Recital Hall
FREE
larinet Studio Recital, 3:00 PM —
Saturday, April 1 8 ” C
Casadesus Recital Hall
rahms’REQUIEM with the Binghamton
Saturday, April 1 8 ” B
Philharmonic Orchestra and the University Chorus, 8:00 PM,
Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic
at 7233931
Sunday, April 19th Master’s Recital: Stephanie Lehman, percussion,
Casadesus Recital Hall, 3:00 PM, FREE
Sunday, April 19°" For Slava: A concert remembering the great
Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$,
Casadesus Recital Hall
Tuesday, April 21% String Department Recital, 8:30 PM – FREE,
Casadesus Recital Hall
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiocassette
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:38
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152245">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152245</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, Stephen Brooks, March 21, 2009
Recital Tape 2009-3-21
Description
An account of the resource
Held at 8:00 p.m., March 21, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Brooks, Stephen
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-21
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/afba0e8e8af3d3fca37c50d11c6beab2.pdf
174e9873dea8848ace94d20d8904b8d2
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
UNIV , :
de c
'
D E P A R T M E N T
‘
\
4
I
t
“‘ m a s t e r ’ s R E C I T A L
W I L L I A M G I L C H R E S T
TRUMPET
with
Ma rga ret Reitz, piano
assisted by
Lee Fer ra ra, hor n
A my Hoxie, t r u m pet
Paul Blake, t rom bone
Ch ris Ru benac ker, t u ba
Saturday, May 12, 2007
8:00 p.m.
C asadesus Recital Hall
�ABOUT THE PERFORMERS
PROGRAM
Sonata in D
Andante
Allegro
Grave
Allegro
u
s s.i. .
. Giuseppe Torelli
(16581709)
Concerto for Trumpet in Eb
Allegro
Andante
Allegro
Joseph Haydn
(1 7321809)
INTERMISSION
Seven Miniatures for Unaccompanied Trumpet
Fanfare
Dodecophony
Calculation
Theme
Variation
Intonation
Fanfare
Suite from the Monteregian Hills
for Brass Quintet
La Marche
Chanson Melancolique
Valse Ridicule
Danse V illageoise
...George Andrix
(b. 1932)
WILLIAM GILCHREST is a second year graduate student at B.U. He
teaches K12 chorus and general music at Schenevus Central School.
MARGARET REITZ, pianist, is a native of the Binghamton Area. She
received her Bachelor and Master of Music degrees in piano performance
with accompanying emphasis, and attended Boston University, New
England Conservatory and Binghamton University. She has studied piano
with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce
and accompanying with Allen Rogers. She has accompanied throughout
the United States, England, South America, and at the American Institute
o f Musical Studies in Graz, Austria. Reitz and Binghamton University
faculty member Timothy Perry were winners of the 1997 Artistic
Ambassadors Program by the United States Information Agency in
partnership with the John F. Kennedy Center for the Performing Arts.
During the summer of 2005, Reitz, clarinetist Timothy Perry and cellist
Stephen Stalker were invited to perform at the International Clarinet
Conference in Tokyo, Japan. Other notable performances include guest
chamber music artist in Morges, Switzerland and guest soloist with the
Binghamton University Orchestra. She was the offic ial accompanist at the
MTNA State and Eastern Division Competition at Ithaca College in 2001
and will be returning in 2006. In addition, she was selected to attend the
Accompanying Workshop for Singers and Pianists held at Northwestern
University. During the summer of 2006, she will compose the musical
score for an independent film by MANDIS Production, to be released in
February 2007.
L E E F ERRARA teaches science at Oneonta High School where he also
coaches the volley ball team.
.. Morley Calvert
(1 9281 991 )
A M Y H O X I E is a Band director at Sidney Elementary School.
P A U L B L A K E is a Band director at Ritchfield Springs High School.
CHRIS RUBENACKER is a recent graduate of Hartwick College. He
majored in Music Education.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:47:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196841">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196841</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, William Gilchrest, trumpet, May 12, 2007
Recital Tape 5-12-2007
Description
An account of the resource
Held at 8:00 p.m., May, 12, 2007, Casadesus Recital Hall. Works of Torelli, Haydn, Andrix, Calvert.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Ferrara, Lee
Hoxie, Amy
Blake, Paul
Rubenacker, Chris
Gilchrest, William
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-05-12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
d3d2eed2-f7d5-4d20-bced-1d6855dfaba9
-
https://omeka.binghamton.edu/omeka/files/original/e84b35b727327e96de274ea313cc0dc8.pdf
dc5b5483ba1d661c0851864cc2e8f29a
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y O F N E W Y O R K
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D E P A R T M E N T
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Melodienstrauld
A Spriné Bouquet of German Lieder, fitters?) Ensembles
German Lyric Diction Finsl Concert Judy ‘Berry. Instructor
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�PROGRAM
Der Frtlhling (Spring)
Fruhlingsmorgen, Gustav Mahler (18601911)
Jennifer Groves, soprano
898980 INTERMISSION cscscs
Der Tod (Death)
Der Tod und das Madchen, Franz Schubert (1797–1828)
Tahnee Fallis, mezzo soprano
Das Veilchen, Clara WieckSchumann (18191896)
Jana Kucera. soprano
Anakreons Grab, Hugo Wolf (1860 –1903)
Wie Melodien, Johannes Brahms (18331897)
Cabiria Jacobsen, mezzo soprano
Loreley, Clara WieckSchumann (18191896)
Jana Kucera, soprano
Die Traume (Dreams)
Nacht und Traume. Franz Schubert (1797–1828)
Laura MacAvoy, soprano
“Himmel und Erde” (Heaven & Earth)
Ich harrete des Herrn (Psalm 40), Felix MendelssohnBartholdy (1809
1847)
Briana Sakamoto, soprano & Cabiria Jacobsen, mezzo soprano
Traum durch die Dammerung, Richard Strauss (1864–1949)
Briana Sakamoto, soprano
Traume, Richard Wagner (18131883)
Julie Williams, soprano
Das Wald (Woods )
Waldseligkeit, Joseph Marx (18821964)
Amanda Chmela, soprano
Waldesgeprach, from Liederkreis Op. 39, Robert Alexander Schumann
(18101856)
Julian Whitley, baritone
Die Manner (Men!)
“Kommt ein schlanker Bursch gegangen’ from Der Freischiitz by Carl
Maria von Weber (1786 – 1826)
Briana Sakamoto, soprano
Die Manner sind méchant, Franz Schubert (1797–1828)
Samantha Banton, soprano
Das verlassene Magdlein, Hugo Wolf (1860 –1903)
Victoria Cannizzo, soprano
Der Leiermann, Franz Peter Schubert (17971828)
Heather Worden, mezzo soprano
Der Herbst (Autumn)
Herbstlied, op. 63, no. 4, Felix MendelssohnBartholdy (18091847),
Jana Kucera, soprano & Briana Sakamoto, soprano
Julian Whitley, baritone
Seligkeit, Franz Schubert (1797–1828)
Samantha Banton, soprano
Die Liebe (Love)
“Dein ist mein ganzes Herz” from Das Land des Lachelns by Franz
Lehar (1870 –1948)
Dan Ibeling, tenor
Widmung, Robert Alexander Schumann (18101856)
Julie Williams, soprano
Lachen und Weinen, Franz Schubert (1797–1828)
Laura MacAvoy, soprano
Unbewegte laue Luft, Johannes Brahms (18331897)
Cabiria Jacobsen, mezzo soprano
Zueignung, Richard Strauss (18641949)
Jennifer Groves, soprano
Von ewiger Liebe, Johannes Brahms (18331897)
Victoria Cannizzo, soprano
Hat dich die Liebe beruhrt, Joseph Marx (18821964)
Amanda Chmela, soprano
Zu guter Letzt (Finale)
“Wohl mir, dass ich Jesum habe” chorale from Herz und Mund und Tat
und Leben, BWV 147, Johann Seba stian Bach (1685 –1750)
entire class, conducted by Heather Worden
�PROGRAM TEXTS
Friihlingsmorgen
(Sprlng Morning)
There taps at the window the
linden tree
With branches, blossomladen:
Arise! Arise!
Why do you lie in a dream?
The sun has come up!
Arise! Arise!
And what is more, I saw your merry
sweetheart already.
Arise, you sleepyhead!
Sleepyhead, arise!
Arise! Arise!
Das Veilchen
(The Violet)
A little violet
Stood on the meadow
Bent over itself,
And unknown
Along came a shepherdess
With light step and air,
And sang
“Ah!” (Thought the little violet)
“Were I the most beautiful bloom of
nature
Ah! If she were to press me to her
bosom for just a quarter hour!”
Ah! The maiden came!
And paid no attention
To the little violet
It sank and withered
But rejoiced
For even though he died,
He died at herfeet
Wie Melodien
(Like Melodies)
Like melodies it moves,
Gently through my mind ;
Like spring flowers it blooms,
And wafts away like fragrance.
Then comes language and
grasps it,
And draws it before my eyes,
Like a gray mist it pales,
And disappears like a breath.
And yet, remaining in poetry
There hides a fragrance still,
Which mildly from the quiet bud
My moist eyes call forth.
Nacht und Traume
(Night and Dreams)
Hallowed night, you sink down!
Downward float also the
dreams,
like your moonlight, through
space,
through the silent bosom of
men.
They listen to you with pleasure
cry out, when the day breaks:
Come back, hallowed night;
lovely dreams, come ba ck.
Traum durch die Dammerung
(Dream through the twilight)
Wide meadows in the twilight’s
gray;
The sun is sunk, the stars are
moving,
Now I go there to the loveliest
women,
Far over meadows in the twilight’s
gray,
Deep into bushes of jasmine.
Through the twilight’s gray in love’s
land;
I do not go quickly, I do not hurry.
I am drawn by a soft, velvet band
Through the twilight’s gray in Iove’s
land,
Into a blue, mild light.
Trauma
(Dreams)
Tell me, what kind of wondrous
dreams
Are embracing my senses,
That have not, like seafoam,
Vanished into desolate
Nothingness?
Dreams, that with each passing
houn
Each passing day, bloom fairer,
And with their heavenly tidings
Roam blissfully through my heart!
Dreams which, like holy rays of
light
Sink into the soul,
There to paint an eternal image:
Forgetting all, remembering.
Dreams which, when the Spring
sun
Kisses the blossoms from the
Oh flee! Oh flee! You don‘t know
who I am.’
So richly adorned is horse and
lady,
So wondrously beautiful is the
young body;
Now I know you, God stand with
me!
You are witch, Loreley!
You have recognized me from the
high cliffs,
My castle gazes silently deep into
the Rhine.
It is already late, it has become
cold,
snow,
You will never again come out of
this forest!
So that they grow, so that they
bloom, and dreaming, bestow their
fragrance,
These dreams gently glow and
fade on your breast,
And then sink into the grave.
Kommt ein schlanker Bursch
gegangen
(When a slim guy comes along)
When a slim guy comes along,
Blond haired or brown,
Bright eyed, rosycheeked,
Yeah, one can take a good look at
him!
Sure, one drops her eyes towards
her bodice,
In the bashful maiden’s manner;
But stealthily lifts one’s eyes,
When the little man is not looking
Should your glances find each
So that into unsuspected bliss
They greet the new day,
Weldseligkelt
(Forest Bliss)
The forest begins to rustle,
night descends upon the trees
as if they blissfully eavesdrop,
gently touching each other.
And under their branches
here I am completely alone,
here I am completely myself,
yet completely yours.
Waldgesprach
(Conversation in the woods)
“It is already late, it is already cold,
Why do you ride alone in the
woods?
The woods are large and you are
alone,
You beautiful bride! I will lead you
here!
‘The deceit and cunning of men is
great,
My heart is broken from pain
There strays the forest horn here
and there,
other,
Now, where’s the harm in that?
No one‘s going to turn blind on the
spot,
Even if someone turns a little red.
A little glance here and a little
glance there,
Till the mouth becomes just as
bold!
He sighs: Beautiful! She says:
Lovey!
Soon they’re called bride and
groom.
Come closer, dear little people!
Do you want to see me with a
bridal wreath,
Well, isn’t that a nice little bride,
And the guy no less beautiful?
�Die Manner sind méchant
O would it were gone again!
leave.
Men are faithless, you told me,
mother:
He’s a young rascal!
I wouldn’t believe you
Until I had tormented myself sick.
Yes, now I know he really is,
I’d simply misjudged him.
You told me, mother.
Der Leiermann
(The hurdygurdy men)
There, behind the village,
stands a hurdygurdyman,
And with numb fingers
he plays the best he can.
Der Tod und das Madchen
(Death and the Maiden)
(Das Madchen)
Vomber, ach, vorliber!
Geh, wilder Knochenmann
Ich bin noch jung, geh. Lieber!
Und rithre mich nicht an.
(Men are naughty)
‘Men are faithless!‘
Yesterday, as dusk fell silently,
In the grove outside the village
I heard a whispered ‘Good
evening!‘
And a whispered ‘Many thanks!‘
I crept up and listened,
Stood there as if transfixed:
It was he, with another
‘Men are faithless!‘
O mother, what torture!
It must be said, it must!
It didn’t just stop at whispering,
It didn’t just stop at greetings!
From greetings it went to kisses.
From kisses to holding hands,
From holding hands . . . ah, dear
mother,
‘Men are faithless!‘
Das verlassene Mégdlein
(The forsaken maiden)
Early, when the cock crows,
before the stars disappear.
I must stand at the hearth;
I must light the fire.
Beautiful is the blaze of the flames;
the sparks fly.
I gaze into the fire,
sunk in grief.
Suddenlyl it comes to me,
Barefoot on the ice,
he staggers back and forth,
And his little plate
remains ever empty.
No one wants to hear him,
no one looks at him,
And the hounds snarl
at the old man.
And he lets it all go by,
everything as it will,
He plays, and his hurdygurdy
is never still.
Strange old man,
shall I go with you?
Will you play your hurdygurdy
to my songs?
Herbstlied
(Autumn song)
Ah, how so soon the cycle ends,
Spring turns into wintertime!
Oh how so soon into moumful
Silence
All happiness turns as well!
Soon the last sounds have faded!
Soon the last songbirds have
flown!
Soon the last green is gone away!
All of them want to return home!
Ah, how so soon the cycle ends,
Happiness turns into yearning pain.
unfaithful boy,
that last night
I dreamed of you.
Were you a dream, you thoughts of
love?
Sweet as spring and fast
Tears upon tears then
pour down;
So the day comes
One, only one thing will never
waver:
It is the yearning that will never
vanishing?
(Der Tod)
Gib deine Hand, du schon und zart
Gebild!
Bin Freund und komme nicht zu
strafen.
Sel gutes Muts! ich bin nicht wild,
Sollst sanft in meinen Armen
schlafen!
Anakreons Grab
(Anakreon’s Grave)
Here, where the rose still blooms,
Where the vines and laurel
entwine,
Where the turtledove coos,
Where the grasshopper rejoices,
What grave is here, which all the
gods have adorned with beautiful
living plants?
It is Anakreon’s resting place.
Spring, Summer and Autumn were
enjoyed by the happy poet,
And he was shielded from the
Winter by the hills.
Loreley
(Loreley)
I don’t know what it means,
Why I feel so sad;
An old tale,
Won’t leave my mind.
The air is cool and dark
And Rein flows peacefully
The top of the rocks
Sparkle in the evening sunshine
The most beautiful maiden sits
Atop it, sorrowfully;
Her golden jewels twinkle;
She combs her golden hair,
She combs it with a golden comb,
And sings a song
It has a wondrous, powerful
melody
A sailor in a little ship,
Is seized with wild pain
He doesn’t see the rocky reef,
He looks up at her in the end
I think the waves swallow
And kill the sailor and his boat
And that, with her singing,
The Loreley has done
Ioh harrete des Herrn
(I waited for the Lord)
I waited for the Lord,
And he leaned down to me
And heard my prayer.
Blessed are they who put their
hope in the Lord!
Blessed are they who put their
hope in Him!
Seligkeit
(Bliss)
Joys without number
bloom in heaven’s hall
of angels and transfigured beings,
just as ourfathers taught us.
0 , there I would like to be
and rejoice forever!
Upon everyone dearly smiles
a heavenly bride;
harp and psalter resound,
and everyone dances and sings.
0, there I would like to be
and rejoice forever!
But I‘d rather remain here
i f L aura would smile a t m e
with one glance that said
I should end my lamenting.
Blissfully then with her,
I would stay here forever!
�Dein ist mein ganzes Herz
{My heart is yours alone)
My heart is yours alone!
I cannot be without you.
Like a flower that wilts
when unkissed by the sun!
My most beautiful song is yours,
for it is created out of love.
Tell me once more, my one and
only.
oh tell me once more:
I love you!
Wherever I am
I feel you are near.
I want to drink your breath
and kneel adoringly at your feet,
yours, yours alone! How wonderful
your shining hair is!
Dreamy and full of longing
is your radiant gaze
Full of dreams and ancient longing
When I hear your voice,
it is like music
My whole heart is yours.
Wldmung
(Dedication)
You my soul, you my heart.
You my bliss. o you my pain,
You the world in which I live;
You my heaven. in which I float,
O you my grave. into which I
eternally cast my grief.
You are rest, you are peace,
You are bestowed upon me from
heaven.
That you love me makes me
worthy of you;
Your gaze transfigures me before
you;
You raise me lovingly above
myself,
My good spirit, my better self!
Lachen und Weinen
(Laughing and weeping)
Laughing and weeping, at
whatever hour,
are based, in the case of love.
on so many different reasons.
Every morning I laughed for joy;
and why I now weep
in the evening’s glow
is even to myself unknown.
Weeping and laughing, at
whatever hour,
are based, in the case of love. on
so many different reasons.
Evenings I have wept for
sorrow;
and how can you wake up
in the morning with laughing.
must I ask you. oh heart.
Unbewegte Iaue Luft
(Motionless. warm air)
Motionless, warm air,
Deep rest of nature;
Through the still gardennight
Only the fountain splashes.
But in my heart there surges
Hot desires,
But in my veins swells
Life. and a longing for life.
Should not also your breast
Lift itself to longing wishes?
Should not the call of my soul
Reverberate deeply in yours?
Softly, with ethereal steps.
Do not tarry to float to me!
Come, oh come, so that we might
Give each other heavenly
satisfaction!
Zueignung
(Dedication)
Yes, you know it, dearest soul,
How I suffer far from you,
Love makes the heart sick.
Have thanks.
Once I, drinker of freedom.
Held high the amethyst beaker,
And you blessed the drink,
Have thanks.
And you exorcised the evils in it.
Until I, as I had never been before.
Blessed, blessed sank upon your
heart,
Have thanks.
Iron and steel can be recast by the
Von ewiger Liebe
( Of eternal love)
Dark, how dark it is in the forest
But who would transform our love?
Iron and steel can melt;
Our love, our love will have to last
and field!
Night has fallen; the world now is
silent.
Nowhere a light and nowhere
smoke.
Yes, now even the lark is silent.
From yonder village there comes
the young lad,
Taking his beloved home.
He leads her past the willow
bushes,
Talking so much, and of so many
things:
“If you suffer shame and if you
grieve.
If you suffer disgrace before others
because of me,
Then our love shall be ended ever
so fast
As fast as we once came together;
It shall go with the rain and go with
the wind,
As fast as we once came together.”
Then says the maiden, the maiden
says:
“Our love shall never end!
Steel is firm and iron is firm,
Yet our love is firmer still.
smith
forever!”
Hat dich die Llebe bertlhrt
(If love has touched you)
If love has touched you,
quietly amidst the noisy crowds,
you will walk on a golden cloud,
safely guided by God.
As if lost,
you let you glances wander,
allowing others to enjoy their
pleasures
while you have only one desire.
Timidly repressing your ecstasy,
you attempt, in vain, to deny
that the crown of life now
radiantly adorns your brow.
“Wohl mir, dass ich Jesum
habe”
(Happy am I, to have my Jesus)
Happy am I, to have my Jesus,
oh how firmly I hold on to him
so that he may refresh my heart
when I am sick and sorrowful,
I have Jesus, who loves me
and gives himself to me.
Ah therefore I shall not abandon
Jesus
even if my heart breaks.
�Binghamton University Music Departm ent ’s
U P C O M I N G E V E N T S
‘WSKG
Public Broadcasting
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The Binghamton University Department of Music is proud to present its
20102011 season concerts. The Department of Music presents over
100 concerts (most of which are free) from solo recitals to orchestra
concerts to jazz presentations which include a variety of performances
by guest, faculty and student artists. For a complete list of our concerts
and more, visit us at music.binghamton.edu.
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AUGUST 2010
Summer Youth Musical Theater Workshop presents Titanic
S r e e
SEPTEMBER 2010
Jonathan Biggers, organ
OCTOBER 2010
Reunion Recital with Marietta Simpson, mezzosoprano
University Symphony Orchestra’s Children’s Concert: All Creatures
Viola Plus with Roberta Crawford
Guest Organists: Michael Bauer & Marie Rubis
visits atwskgorg
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and we look forward to
entertaining you in our 2010
2011 Concert Season!
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NOVEMBER 2010
University Chorus
Jonathan Biggers, organ
Czech Vocal Music: Mary Burgess, soprano, Timothy LeFebvre,
baritone, and guest artist Timothy Cheek, piano
DECEMBER 2010
University Symphony Orchestra: AllAmerican Program
Harpur Jazz Ensemble with guest artist
FEBRUARY 2011
Faculty Recital: Timothy LeFebvre, baritone and Michael Salmirs, piano
University Symphony Orchestra
Jonathan Biggers, organ
APRIL 201 1
Harpur Jazz Ensemble with guest artist
Jonathan Biggers, organ
Pianist Michael Salmirs presents a Chopin & Schumann 200th Birthday
Celebration
MAY2011
University Chorus with the University Symphony Orchestra present
Choral Masterworks: Roman Maciejewskl : Requiem, Book 1;
Poulenc: Gloria
�
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Melodienstrauß, a spring bouquet of German lieder, arias and ensembles : German Lyric Diction final concert, May 13, 2010
Recital Tape 2010-5-13
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Works by Brahms, Strauss, Wagner, Marx, Schumann, Von Weber, Schubert, Wolf, Mendelssohn, Wieck-Schumann, Lehar, Strauss, Bach. Held on May 13, 2010, Casadesus Recital Hall.
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Berry, Judy
Lawson, William
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2010-05-13
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