118 10 1775 https://omeka.binghamton.edu/omeka/files/original/024c718f38e9405207a4795497277454.pdf 5c18c6c3daa0e9edbc154fd769587104 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K o d e [4 D E P A R T M E N T T HURSDAY M I D ­ D AY C   ONCERT —  — &  A Y Se  ge T h u r s d a y, A   p r i l 1  6 .  2 0 0 9 1 : 2 0  p .1In. Casadesus D e c i t a l  H a l l �PROGRAM PROGRAM TRANSLATIONS Concerto for Vibraphone and Orchestra....................Ney Rosauro (b. 1952) Movement 1 Stephanie Lehman, vibraphone Margaret Reitz, piano Arabesque No. 1  Claude Debussy (1862­1918) arr. Gaston Choisnel (1857­1921) Valse (La plus que lente)  Claude Debussy (1862­1918) arr. Léon Roques (1839­1923) Elizabeth Sterling, violin from Long Pond Revisited.................... poems by C.G.R. Shepard 1. I Looked for Reasons 2. The Pond Seems Smaller Lori Laitrnan (b. 1955) Timothy LeFebvre, baritone Stephen Stalker, cello Mandoline, Op. 58, No. 1...  . Au bord de l’eau, Op. 8, No. 1 Les berceaux, Op. 23, No. 1 Chanson d’amour, Op. 27, No. 1 . Gabriel Fauré (1845­1924) Mandoline Text: Paul Verlaine (1844­1896) The givers of serenades And the lovely listeners Exchange insipid words Under the singing branches. There’s Thyrsis and there’s Amyntas, And there’s the eternal Clytander, And there’s Damis who, for many a Cruel woman, wrote many a tender verse. Their short coats of silk, Their long dresses with trains, Their elegance, theirjoy And their soft blue shadows Whirl in the ecstasy Of a moon pink and grey, And the mandolin prattles Among the shivers of the breeze. Au bord de I’eau Text: René Francois Armand Sully­ Prudhomme (1839­1907) Briana Sakamoto, soprano William James Lawson, piano Nuit d’étoiles.. Les cloches Romance Beau Soir C’est I’extase langoureuse L’ombre des arbres Mandoline Claude Debussy (1862­1918) To sit, us two, at the edge of the stream that passes to watch it pass; Us two, if a cloud glides by in the sky, to watch it glide; On the horizon, if a thatched roof smokes, to watch it smoke; Around us, if a flower imbues the air, to be imbued; Elizabeth Sterling, soprano Chai­Kyou Mallinson, piano Suite No. 1 in G Major, BWV 1007.. Sarabande Menuet I and I I Gigue .Johann Sebastian Bach (1685­1750) Sarah Sterling, viola To  hear, at the foot of the willow where the water murmurs, the water murmuring; Not to feel, as long as this dream lasts, The passage of time; But, bringing no deep passion but to adore one another, With no worry of the world’s quarrels, to ignore them; And alone, us two, before all that causes weariness, without wearing, To  feel love (before all things that pass away) not passing away! Les berceaux (The cradles) Text: Sully­Prudhomme All along the port, the big ships That the swell sways in silence, Pay no regard to the cradles That the hands of women rock. But it will come, the day of goodbyes, As it is necessary that women weep, And that curious men Try the horizons that lure them! And that day, the big vessels, Fleeing the vanishing port, Feel their bulk held back By the soul of the distant cradles. Chanson d’amour (Song o f  love) Text: Paul Armand Silvestre (1837­1901) I love your eyes, I love your forehead, O my rebel, o my fierce one, I love your eyes, I love your mouth Where my kisses will exhaust themselves. I love your voice, I love the strange Grace of all that you say, O my rebel, 0 my dear angel, My hell and my paradise! I love all that makes you beautiful, From your feet to your hair, O you, toward whom my wishes rise, O my fierce one, o my rebel! �Gomi  vents S a t u r d a y,  A p r i l 1  8 ” C   larinet Studio Recital, 3:00 PM – FREE Casadesus Recital Hall Satu rday,  A p r i l 1  8 ”  Brahms’REQUIEM with the Binghamton Philharmonic Orchestra and the University Chorus, 8:00 PM, Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic at 723­3931 Sunday, A p r i l 1  9°" Master’s Recital: Stephanie Lehman, percussion, Casadesus Recital Hall, 3:00 PM, FREE Sunday, A p r i l 1  9°" For S/a va: A concert remembering the great Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$, Casadesus Recital Hall Tuesday, A p r i l  21% String Department Recital, 8:30 PM —  FREE, Casadesus Recital Hall Th u r s d ay,  A p r i l  2 3 ” J azz Mid­Da y Concert with Sherrie Maricle, 1:20 PM – FREE, Osterhout Concert Theater Th u rs day,  A p r i l  23™ Harpur Jazz Ensemble Concert with Guest Artist, Sherrie Maricle, 8:00 PM, $$, Osterhout Concert Theater Sa tu r d ay,  A p r i l  2 5 ”  Honor’s Recital: Elizabeth Sterling, violin and voice, Casadesus Recital Hall, 3:00 PM, FREE Sa tu r d ay,  A p r i l  25%" Junior Recital: Briana Sakamoto, soprano, Casadesus Recital Hall, 7:00 PM, FREE S u n d ay,  A p r i l  2 6 ”  University Wind Symphony, 3:00 PM, FREE Anderson Center Chamber Hall S u n d ay,  A p r i l  2 6 ”  Master’s Recital: Susan Amisano, soprano, Casadesus Recital Hall, 3:00 PM, FREE S u n d ay,  A p r i l  2 6 ”  Honor’s Recital: Sarah Sterling, viola, Casadesus Recital Hall, 7:30 PM, FREE For ticket information, please call the Anderson Center B ox  O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149063">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149063</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 16, 2009 Recital Tape 2009-4-16 Description An account of the resource Works of Rosauro, Debussy, Laitman, Fauré, Bach. Held at 1:20 p.m., April 16, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lehman, Stephanie Reitz, Margaret Sterling, Elizabeth LeFebvre, Timothy Stalker, Stephen Sakamoto, Briana Lawson, William James Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c2007ff1248612e4371f060c71e972d4.pdf e0f7908a42e3b9ef0a1b0000ec433f9a PDF Text Text BINGHAMTON N M I V   E R S I T Y S T A T E   U N I V E R S I T Y  O F  N E W  Y O R K o d e [4 B E P A R T M   E N T T HUR SDAY M I D ­ D A Y  C ONCE RT a—N%a Q — ­ — T hursday,  A pr i l 3  0,  2 009 1 : 2 0  p . m . Casadesus D   ec ital F  a l l �PROGRAM PROGRAM Picnic on the Marne. 1. Driving from Paris 2. A Bend in the River 3. Bal Musette .Ned Rorem (b.1923) Nathan Rose, alto saxophone Margaret Reitz, piano Der Einsame, Op. 41.. Im A   bendrot, Nachlass, Lfg. 10 .. Franz Schubert (1797­1828) Mark Rossnagel, baritone William Lawson, piano ....J. S. Bach (1685­1750) Three Bagatelles for Bassoon Eliahu David Jacobson (1884­1961) Dan Bessel, Kristen Grennan, Paige Elliott, bassoons American Lullaby .......................  . Gladys Rich What Good Would the Moon Be, fromStreet Scene ...Kurt Weill Nocturne, Op. 13, no. 4 (1892­1972) (1900­1950) .Samuel Barber (1910­1981) Laura MacAvoy, soprano William Lawson, piano Jean Sibelius Zueignung, Op. 10, no.1  . (1865­1957) Richard Strauss (1864­1957) Julie Williams, soprano William Lawson, piano Adlieux de I’hotesse a/abe. . . . . .. . Georges Bizet (1838­1875) Va! Laisse cou/ermes larmes, from Werther  .......... Jules Massenet Non S O   pl) cosa son, cosa TAOLI0: from Le Nozze di Figaro Ashley Maynard, mezzo­soprano William Lawson, piano (1842­1912) W. A. Mozart (1756­1791) Der Einsame The Solitary I m Abendrot   I n t he  R ed  E vening When my crickets chirp at night on the still­warm hearth, then do I sit, contented of mind, companionably up against the flames, so light of heart, so carefree. For a cosy quiet hour it is good to stay awake by the fire. When the blaze dies down, you rake the sparks, and muse and think: “Well, that was another day!” Whatever joy or sorrow its course has brought for us, passes once more through the mind. Only the badness is rejected; it must not disturb the night. For a pleasant dream you gradually prepare yourself. And when, free of care, a lovely picture fills the soul with gentle delight, you abandon yourself to rest. O how I enjoy myself O how beautiful is your world, Father, when she shines with golden beams! When your gaze descends And paints the dust with a shimmering glowing, When the red, which flashes in the clouds, Sinks into my quiet window! Poem b y Karl Lappe (1773­1843) in my quiet rusticity! What, in the tempest of the busy world holds the errant heart in bondage, brings no contentment. Go on chirping, dear crickets, in my hermitage so narrow and small. I put up with you gladly, you don’t disturb me; when your song breaks the silence I am not quite alone. Poem by Karl Lappe How could I complain, how could I be afraid? How could anything ever be amiss between you and me? No, I will carry in my breast Your Heaven for all times. And this heart, before it breaks down, Shall drink in the glow and the light. Den fosta kyssen The First Kiss On silver clouds there sat the evening star When through the dusk a maid called from afar; “Oh tell me star, will heaven think amiss When first I bless my loved one with a kiss?” And heaven’s bashful daughter thus did sigh: “A choir of angels lifts their heads up high, And sees their grace reflected in night’s keep."So death doth turn his eyes away and weep. �Zueignung Devotion Ah, you know it, dear soul, That far from you I languish, Love causes hearts to ache, ­­ To you my thanks! Once, drinking to freedom, I raised the amethyst cup, And you blessed the drink, ­­ To you my thanks! You exorcised the evil spirits in it, So that I, a  s never before, Cleansed and freed, sank upon your breast, To you my thanks!   Studio and Fr iday,  M a y 1  ° Flute  Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE   asters Saturday, May 2 ” M Rectal: Sung Jin Park, soprano, Casadesus Recital Hall, 3:00 PM, FREE   ers Saturday, M a y1 Mast Recital: Susan Amisano, soprano, Casadesus Recital Hall, 8:00 PM, FREE Saturday, May 2 ”  university Symphony Orchestra “Fantastique!” Osterhout Concert Theater, 8:00 PM, $$   Sunda y,  M a y  3 ° Masters Recital: Jenean Truax, soprano, Casadesus Recital Hall, 3:00 PM, FREE Tuesday, M ay 5  percussion Ensemble, 8:00 PM, FREE, Anderson Center Chamber Hall Thursday, May 7 ”  student Recognition Mid­Day Concert, Casadesus Redital Hall, 1:20 PM, FREE Thursday, May 7 ”  Harpur Chorale and Women’s Chorus,Anderson Center Chamber Hall, 8:00 PM, FREE Fr iday, M a y  8 ” B inghamton University African Music Ensemble, Casadesus Recital Hall, 8:00 PM, FREE Saturday, May 9 ”  Hindustani (North Indian) Qassical: Tomek Regulski, Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149066">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149066</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, April 30, 2009 Recital Tape 2009-4-30 Description An account of the resource Works of Rorem, Schubert, Bach, Rich, Barber, Weill, Sibelius, Strauss, Bizet, Massenet, Mozart. Held at 1:20 p.m., April 30, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Rose, Nathan Reitz, Margaret Rossnagel, Mark Lawson, William James Bessel, Dan Grennan, Kristen Elliott, Paige MacAvoy, Laura Williams, Julie Maynard, Ashley Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ff6722efdcdb9f8ad987c015bf6790fd.pdf 9eeae81cde13900bce5585004bbabed8 PDF Text Text BINGHAMTON U N I V E ..RS . I TY STATE UNIVERSITY OF NEW YORK UNIV ARC Recit c' l CD 009 4 2 SP C C THURSDAY MID-DAYCONCERT Thursday, April 2, 2009 1:20 p.m. Fine Arts Room 21 �Stoplist Wolff & Associes, opus VI (1972/2008) Grand Orgue (58 notes) 8' 8' 4' 4' 2'/IV 8' Montre Flûte à cheminee Prestant Flûte à fuseau f Doublette/F ourniture Trompette metal metal metal metal metal metal Récit (expressive) (58 notes) 8' 4' 2' 1 1/3' II 8' Bourdon Flûte à cheminee Doublette Larigot Nazard/Tierce Cromorne Tremblant wood metal metal metal metal metal Pédale (30 notes) 16' 8' 4' 16' 8' Bourdon Flûte ouverte . Prestant Trombone Trompette (extension of 16') wood metal metal wood metal �PROGRAM Prelude, Fuga and Ciacona in C major ... ...... .. .. ..Dietrich Buxtehude BuxWV 137 ( 1637-1707) Mark Rossnagel, organ Shepherds of Provence .............. ... ... ..... ... ....... ... ... ... Eugene Bozza ( 1905-1991) Maxwell Rosenberg, English horn John Lathwe/1, oboe Suite No. 1 in G major ... ...... ... ..... ...... .... ...... ... ..... .. ... ..... .. J. S. Bach BWV 1007 (1685-1750) Prelude Allemande Courante Sarah Sterling, viola Prelude and Fugue in C minor .. ... ... .... ... .... ....... ............... J. S. Bach BWV 549 (1685-1750) Prelude in G major.... .... ..... ...... .. ... ... ..... ..... ......... Felix Mendelssohn (1809-1847) Jieun Jang, organ Green Finch and Linnet Bird ........ .. .. ...... ..... .... ... Stephen Sondheim . from "Sweeney Todd" (b. 1930) Take Me to the World from "Evening Primrose" On the Steps of the Palace from "Into the Woods" Briana Sakamoto, soprano William James Lawson, piano Fantasia and Fugue in C minor. ... .. .. ......... ..... .. ........... .. .. . J. S. Bach BWV 537 (1685-1750) Jonathan Biggers, organ �Binghamton University Music Department's UPCOMING EVENTS Thursday, April 1 6th Mid-Day Concert: 1 :20 PM - FREE Casadesus Recital Hall Saturday, April 18th Clarinet Studio Recital, 3:00 PM - FREE Casadesus Recital Hall Saturday, April 18thBrahms'REQUIEM with the Binghamton Phi/harmonic Orchestra and the University Chorus, 8:00 PM, Osterhout Concert Theater; for tickets, call the Binghamton Phi/harmonic at 723-3931 Sunday, April 19th Master's Recital: Stephanie Lehman,percussion, Casadesus Recital Hall, 3:00 PM, FREE Sunday, April 19th For Slava: A concert remembering the great Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$, Casadesus Recital Hall Tuesday, April 21st String Department Recital, 8:30 PM - FREE, Casadesus Recital Hall Thursday, April 23rd Jazz Mid-Day Concert with Sherrie Maricle, 1 :20 PM - FREE, Osterhout Concert Theater Thursday, April 23rd Harpur Jazz Ensemble Concert with Guest Artist, Sherrie Maricle, 8:00 PM, $$, Osterhout Concert Theater Saturday, April 25th Honor's Recital: Elizabeth Sterling, violin and voice, Casadesus Recital Hall, 3:00 PM, FREE Saturday, April 25th Junior Recital: Briana Sakamoto, soprano, Casadesus Recital Hall, 7:00 PM, FREE For ticket information, please call the Anderson Center Box Office at 777-ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:55 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149069">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149069</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 2, 2009 Recital Tape 2009-4-2 Description An account of the resource Works of Buxtehude, Bozza, Bach, Mendelssohn, Sondheim. Held at 1:20 p.m., April 2, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Rossnagel, Mark Rosenberg, Maxwell Lathwell, John Sterling, Sarah Jang, Jieun Sakamoto, Briana Lawson, William James Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/895bd90d4db884b2b57b942b29600085.pdf ceef9c844b00c9ce514f127246b20ea6 PDF Text Text BINGHAMTON U N. I V E R S I T Y STATE UNIVERSITY OF N'EW YORK usi DEPARTMENT THURSDAY MID-DAYCONCERT COUNTERPOINT CELEBRATING WOMEN IN THEARTS Thursday, March 26, 2009 1:20 p.m. University ArtMuseum �PROGRAM Divertimento for Solo Flute.: ......................... ................ . Edith Borroff (written for Georgetta Maiolo) (b. 1925) Andante Allegretto (Siciliano) Largo Allegro Presto e guisto Georgetta Maiolo, flute Selected Songs from Sechs Lieder, Op. 13 ........... Clara Schumann Liebeszauber, No. 3 (1819-1896) Der Mond kommt still gegangen, No. 4 Sung-Jin Park, soprano Chai-Kyou Mallinson, piano Concerto for Vibraphone and Orchestra ...................... Ney Rosauro Acalanto (Lullaby) (b. 1952) Stephanie Lehman, vibraphone Margaret Reitz, piano Passacaglia on an Old English Tune (1943) ........... Rebecca Clarke (1886-1979) Sarah Sterling, viola Margaret Reitz, piano Bucking Bronco, from Cowboy Songs ................ . Heather Montana, soprano Chai-Kyou Mallinson, piano ••••••••• Libby Larsen (b. 1950) �Siciliene ..........•............•... . •••••••••••••••••••••• Marie Therese von Paradis (1759-1824) Stephen Stalker, cello Margaret Reitz, piano Selected Songs .................................... Fanny Mendelssohn Hensel Sehnsucht, Op. 9, No. 7 Verlust, Op. 9, No. 10 ltalien, Op. 8, No. 3 The Half-Minute Songs (1805-1847) Carrie Jacobs Bond (1862-1946) . Briana Sakamoto, soprano William James Lawson, piano Sonata for Clarinet Solo, 1957......................... Germaine Tailleferre Allegro tranquillo Andanti no espressivo Allegro brioso (1892-1983) Timothy Perry, clarinet Nocturne Lili Boulanger (1893-1918) Timothy Perry, clarinet Margaret Reitz, piano �PROGRAM TEXTS Liebeszauber (Love's magic) Now Love once like a nightingale in rosebush perched and sang; with sweetest wonder flew the sound along the woodland green. And as it rang, there rose a scent from ring of thousand buds, and all the treetops rustled soft, and softer blew the air; The brooklets silenced, scarcely come by splashing from the heights, the fawns stood still as if in dream and listened to the tone . And bright and ever brighter flowed the sunbeams down inside, 'round blossoms, wood and gorge it gushed with golden red sunshine. I walked along the path that day and also heard that sound. Alas! What ever since I've sung was just its echo faint. how I am so1sad and sick, . they would happily let ring out refreshing song. And if they knew my pain , the golden little stars, they would come down from their height, and speak consolation to me. They all cannot know it, only one knows my pain; He, indeed, he himself has ripped, ripped apart my heart. Sehnsucht (Longing) Text: Johann Gustav Droysen (1809-1884) Distant and more distant sounds the round dance. Well to me! Around me here is silence on the land. To my full heart only will rest not come. Hark! The night soars through the space. Its robe rushes through the trees, murmuring softly. Ah, thus roam, love-hot, my wishes and dreams. ltalien (Italy) Der Mond kommt still gegangen (The moon is stilly creeping) The moon is stilly creeping, Her silv'ry lustre grows, weary the earth is sleeping in beauteous calm repose . In dreams the trees are sighing, the brooklet trips afar; Angels are singing and flying round ev'ry tender star; And through the distance hover a thousand fancies dear, from soul of friend and lover unto the sleepers here. Below in the valley are sparkling the lights of my dear one's home; Yet wander I in the darkling, far in the world to roam . Verlust (Loss) Text: Heinrich Heine (1797-1856) And if they knew, the flowers, the little ones, how deeply wounded my heart is, they would weep with me, To heal my pain. . , ·_ • •. . . , I; : And if the nightingalesknew; Text: Franz Grillparzer (1791-1872) Fairer and fairer the plain decks itself, As coaxing breezes blow me along, Away from the burden and trouble of prose, drawing me toward the land of poetry. More golden the sun, bluer the air, greener the green , more fragrant the scent! There by the cornstalk, swelling with sap, struggles the aloe 's obstinate strength. Olive tree, cypress, one blond, and one brown, are you nodding like dainty, greeting ladies? What gleams in the foliage, sparkling like gold? Ah! Oranges, are you lovelies hiding there? Defiant Poseidon, were you the same one, who below now jokes and murmurs so sweetly? And this, half meadow, half ether, it seems, was the sea's fearsome horror? Here I would live! Godlike one: Can you, Parthenope, bring the waves to rest? Now then , try it, Eden of Joy, ease also, the waves in this breast. �WOMEN IN THE ARTS EDITH BORROFF (b. 1925) Edith Borroff was Professor of Music at Binghamton University (SUNY Binghamton) from 1973 to1992. Divertimento for Solo Flute (1980) was written for Georgetta Maiolo. Ms. Maiolo premiered this work in a performance for the "Flute Workshop for High School Students" in July 1981 at Binghamton University. An observation from the SUNY-Binghamton Inside newspaper (July 2, 1981 Volume 2, Number 21), written by staff writer, Judy Toll, noted, "Edith Borroff admitted that writing a piece for flute alone is 'a terribly difficult task. There's no piano, no harmony, no underpinning ... The flute is on cloud nine all by itself. The composition is in five movements and each movement has its own characteristics'." Edith Borroff was pleased to write music for the flute, an instrument she said she has always loved. "The flute has the glorious capacity to sing . It also has different personalities and different textures. The mouth is a natural reed and the mouth of the flute player is a part of the instrument naturally," she said. "I wanted to reveal certain capacities of this instrument, including its tremendous lyricism and I went about it from that point of view." Borroffs goal is to establish a relationship "between the technical potential of the instrument and the effect of the instrument." CLARA SCHUMANN (1819-1896) One of the outstanding pianists of the nineteenth century, Clara Schumann's significant contributions have only in recent years begun to be fully appreciated. As Clara Wieck, a famous young virtuosa touring Europe with her teacher/father Carl Wieck, she stunned audiences with her effortless technique, tonal power and depth of musicianship. The romantic and tragic circumstances of her courtship and marriage to Robert Schumann are well known . She was not only his soul-mate, but also a professional partner and colleague who vigorously championed her husband's works. The proceeds from her concert tours were a major financial support to her growing family, especially once Robert fell victim to mental illness and was hospitalized. Her concert career spanned over sixty years and she was a highly respected teacher, the only women of her time to hold a position at the Hoch Conservatory in Frankfort. Despite the incredible burden of caring for her family, she found time to maintain an extensive correspondence with some of the great musicians of her day. She acted as advisor and colleague throughout her life to her close friend, Johannes Brahms and collaborated with many of the celebrated musicians of her time. She was deeply involved in preparing a complete edition of Robert Schumann's works for publication after his death, and she herself composed a significant body of piano works, songs and chamber music which are now being performed and receiving well-deserved attention. EVELYN GLENNIE (b. 1965) The famous Scottish percussionist, Evelyn Glennie, has thoroughly impressed the world with her magnificent talent, overcoming deafness since the childhood. Glennie, however, likes to maintain that her major focus is music that she makes, not the hearing she has lost. Upon listening to a recording or a performance of her virtuostic playing, one would never imagine that she is unable to hear. The only thing that might make people think otherwise would be seeing one of her many "barefoot" performances. Glennie likes to be connected to her instruments. By playing barefoot and feeling the vibrations, Glennie creates a new way of hearing . It was Glennie's famous performances that really helped Ney Rosaura make his first marimba concerto as famous as it is. Because of this, Rosaura decided to dedicate this vibraphone concerto to this inspirational woman . In addition to his dedication to Glennie, Ney Rosauro makes a point of putting his Brazilian culture into his work . For example, in the second movement, "Lullaby", Rosaura points out the use of the mallet handle on the instrument's keys, sounding like music box, singing the children to sleep with traditional folk-like melodies. When I play any piece of music, I try to make a connection with it, be it the same as the composer or one of my own. I fell in love with the jazzy feel contrasted with the beautiful heartfelt motion in the second movement. It's clear that I had immediately found my own strong connection with this piece within its mix of deep emotion and rejoicing, and I am truly excited to share it with you today. - Stephanie Lehman REBECCA CLARKE (1886-1979) Rebecca Clarke, born near London, was an outstanding violist and one of the first women admitted to London orchestras in the early twentieth century. She was a member of the renowned English Ensemble, an all-woman piano quartet which toured throughout the world . Admired as a chamber musician, Clarke often read and performed chamber music with many great artists of the time including Myra Hess, Pablo Casals, and Arthur Rubinstein . Clarke wrote and premiered the Passacaglia on an Old English Tune in 1941. The work is based on a theme by Thomas Tallis and, as is typical of passacaglias, is quite somber in mood. It was dedicated to "BB," which could either refer to Clarke's niece Magdalen, or to Benjamin Britten. The latter would make sense as Britten had organized a funeral for Frank Bridge, an influential composer and friend of Clarke's, that same year. The Passacaglia creates feelings of grief and nostalgia that could easily have accompanied such a loss. �LIBBY LARSEN (b. 1950) Libby Larsen is an American composer who studied with Dominic Argento, among others, at the University of Minnesota. She was one of the first female composers to be commissioned by a major American orchestra, and possesses a feminism and an intuitive understanding of the voice that influence her compositions. Her song cycles for female voice also include Try Me, Good King (settings of the final words of five wives of Henry VIII of England), and By a Departing Light (settings of the poetry of Emily Dickinson). MARIE THERESE VON PARADIS (1759-1824) Maria Theresa von Paradis was a Viennese pianist/composer/singer, blinded at an early age by an unfortunate accident. Her father was a Councilor to Empress Maria Theresa, and her family did much to encourage the prodigious musical talent of the young girl by making certain she had the best instructors available. At the age of fifteen, von Paradis was already performing to great acclaim, and in an epoch replete with great geniuses, she was famous for her artistry and phenomenal memory. Following successful concert tours that included France and England as well as Germany, von Paradis became increasingly drawn to composition. She also took a great interest in education, taught throughout her later years and established a music school for talented young girls as well as a school for the blind. FANNY MENDELSSOHN HENSEL (1805-1847) Though from youth Fanny Mendelssohn-Hensel displayed at least as much talent as her brother, Felix, her family strongly discouraged her pursuit of a musical career, expecting her to be content as a housewife. Nonetheless, she composed prolifically and developed a distinct musical voice. Tragically, the majority of her works remain stored in family archives, unavailable to performers and listeners, for Hensel began to publish only about a year before she died. These three songs are representative of her ability to create rich musical and emotional textures through forthright, clean melodies with some novel twists . . CARRIE JACOBS-BOND (1862-1946) Carrie Jacobs-Bond wrote for her life. She fought poverty for years and provided for herself and her son primarily through composing, selling and performing her own songs, songs "unpretentious as a wild rose." It is easy to imagine the composer speaking and singing the texts of these Half-Minute Songs her pearls of wisdom and advice. For her there was no question that talent was to be used, and she fought to share her gifts with the world. "I wonder what the world would be like if there were nobody to do the simple things!" Jacobs wrote, "And sometimes songs (simple songs) like pins, keep folks together." GERMAINE TAILLEFERRE (1892-1983) Born Marcelle Taillefesse, Germaine Tailleferre changed her last name as a young woman to "Tailleferre" to spite her father who had refused to support her musical studies. She studied piano with her mother at home, composing short works of her own and then began studying at the Paris Conservatory where she met Louis Durey, Francis Poulenc, Darius Milhaud, Georges Auric and Arthur Honegger. With her new friends, she soon was associating with the artistic crowd where the initial idea for Groupe des Six (Les Six) began. The publication of Jean Cocteau's manifest Le Coq et l'Arlequin led to instant fame for the group. She was the only female member of the Groupe des Six. The group published an album of piano pieces together (the famous Album des Six) . Tailleferre wrote many of her most important works during the 1920s, as well as several pioneering film scores. The 1930s was even more fruitful, and her work in film music included Le Petit Chose by Maurice Cloche and a series of documentaries. At the outbreak of World War II, Tailleferre escaped across Spain to Portugal, and found passage on a boat that brought her to America where she lived the war years in Philadelphia, Pennsylvania. After the war, in 1946, she returned to her home in France where she composed orchestral and chamber music, plus numerous other works including ballets, operas, and an impressive number of film and television scores. The majority of this music was not published until after her death. LILI BOULANGER (1893-1918) Lili Boulanger was a French composer, the younger sister of the noted composer and composition teacher Nadia Boulanger. Boulanger's parents were musicians themselves and encouraged their daughter's musical education. Her mother, Raissa Myshetskaya, was a Russian princess, who married her Paris Conservatoire teacher, Ernest Boulanger. Her grandfather had been a noted cellist, and her grandmother had been a singer. Boulanger, a child prodigy, accompanied her ten-year-old sister to classes at the Paris Conservatoire before she was five , shortly thereafter sitting in on classes on music theory and studying organ with Louis Vierne; she also sang and played piano, violin, cello, and harp. In 1913, at the age of 19, she won the Prix de Rome for her Faust et Hélène, becoming the first woman composer to win the prize. Her work was noted for its colorful harmony and instrumentation and skillful text setting; aspects of Fauré and Claude Debussy can be seen in her compositions, and Arthur Honegger was one composer influenced by her innovative work. Jazz pianist Herbie Hancock has said she is one of his favorite composers. Her life and work were troubled by chronic illness which cut short her life at age 24. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149345">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149345</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert : Counterpoint : Celebrating woment in the arts, March 26, 2009 Recital Tape 2009-3-26 Description An account of the resource Works of Borroff, Schumann, Rosauro, Clarke, Larsen, von Paradis, Hensel, Bond, Tailleferre, Boulanger. Held at 1:20 p.m., March 26, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Park, Sung-Jin Mallinson, Chai-Kyou Lehman, Stephanie Sterling, Sarah Reitz, Margaret Montana, Heather Stalker, Stephen Sakamoto, Briana Lawson, William James Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/4c2fdd4ec5c139ec5a31431f64a9a4a1.pdf 10874babddf7ac8f32578975cbd4ea51 PDF Text Text BINGHAMTON U N I  V E R S   I T  Y STATE  U N I V E R S I T Y   O F  NEW  Y O R K I E C BE E P A R I T M  E N T THURSDAY S TUDENT R ECOGNITION M I D ­ D A Y  C ONCERT yeni = Sepp T h urs d ay .M   a y 7  . 2  0 0 9 1 : 2 0 p  .1In. L a s a d e s u s L  e c i t a l H  a l l �PROGRAM Declaration, Song, and  Dance.  3 ”  Movement: Dance Kristen Shiner McGuire The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus Recital Hall (FREE) Stephanie Lehman, timpani Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday, May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE) Introduced by Robert Smith C’est I’ext:  Claud (1862­1918) Elizabeth Sterling, soprano Chai­Kyou Mallinson, piano Introduced by Mary Burgess Jonathan Moots, bass, presents his Master Recital on Sunday, May 10", at 7:00 p.m. in Fine Arts Rom 21 (FREE) The Summer Youth Music Theater Workshop will perform “All Shook Up” in the Watters Theatre on Saturday, 818/09, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m. both days, $$ Passacag/ia on  a n  Old English Tune (1943)  Rebecca Clarke (1886­1979) Sarah Sterling, viola Margaret Reitz, piano Introduced by Roberta Crawford La Valse (La Plus que Lente)  M a g m m ­ W f é ’ m u ...........Claude Debussy arr. Léon Roques (1839­1923) Elizabeth Sterling, violin Margaret Reitz, piano Introduced by Timothy Perry Christopher Loy GIEAL D A Y : (b. 1951) Sibongile Boyd, soprano” Christopher Loy, piano Introduced by Timothy LeFebvre Sonata No. 2 i n Major, Op. 1   00   Andante tranquillo ­ Vivace  September: The Friedheim Memorial Lecture/Recital: Find out what makes great music “tick” and then enjoy the composition in performance! Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of the complete Organ works of J. S. Bach. BU Alumnus Neil Berg returns to the Osterhout Concert Theater with a spirited tribute to 100+ Years of Broadway. October: The 2009­10 Chamber Series opens in the Chamber Hall with a Reunion Recital featuring Music Department vocal alumni and faculty. The University Symphony Orchestra opens the Anderson Center’s 2 5 A  nniversary Season in a gala performance with the world­famous Paul Taylor Dance Company. The University Wind Symphony, Harpur Chorale, and Women’s Chorus combine for a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre). Johannes Brahms (1833­1897) Griffin Sargent, violin Michael Salmirs, piano Introduced by Timothy Perry November; The University Chorus is joined by the Binghamton Philharmonic and soloists for a reading of Beethoven ‘s epic Ninth Symphony. December: The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the heat with the finest in Big­band literature. Anne Boleyn, from 7ry Me, Good King (2001)......................Libby Larsen (b. 1950) Heather Montana, soprano Margaret Reitz, piano Introduced by Timothy LeFebvre Our 2009­2010 Season ­ Wow ro Insited! Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of medieval and renaissance vocal entertainment at the Madrigal Dinner. For more information, please visit our website a! www.binghamton.edu/music or call 607.777.2592 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149348">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149348</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday student recognition mid-day concert, May 7, 2009 Recital Tape 2009-5-7 Description An account of the resource Works of McGuire, Debussy, Clarke, Loy, Brahms, Larsen. Held at 1:20 p.m., May 7, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lehman, Stephanie Sterling, Elizabeth Mallinson, Chai-Kyou Sterling, Sarah Reitz, Margaret Boyd, Sibongile Loy, Christopher Sargent, Griffin Salmirs, Michael Montana, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:37 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149351">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149351</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert student music groups, March 5, 2009 Recital Tape 2009-3-5 Description An account of the resource Works of Scheinberg, Sussman, Cooper, De Longe, Hoppus, Berryman, Buckland, Champion, Martin, Hodges, Lee, Moody, Gaugh, Nowell, Roberts, Wilson. Held at 1:20 p.m., March 5, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kaskeset (Musical group) Binghamton Crosbys The Treblemakers The Binghamtonics Sulpoong Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149354">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149354</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate recital, May 10, 2009 Recital Tape 2009-5-10 Description An account of the resource Works of Rameau, Rossini, Thomas, Strauss, Ives. Held at 7:30 p.m., May 10, 2009, Fine Arts Room 21. Creator An entity primarily responsible for making the resource Moots, Jonathan Schum, Jody Lundy,Barbara Tayga-Hromek, Hakan Moots, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fa5e3f5f8d8e7ad37be3249bdd4380f9.pdf c82a94506c9e557cfa14987669ef4531 PDF Text Text BINGHAMTON U N I T Y STATE  U N I V E R S I T Y   O F  N E W   Y O R K d e c ' D E P A R T M E N T M A S T E R S  R E C I T A L SUNG Jin PARK , SOPRANO Chai­Kyou Mallinson, Piano with Ju­Hyang Shon, Flute Saturday, May 2, 2009 3:00 p.m. Casadesus Recital Hall �PROGRAM ABOUT THE PERFORMERS Selected Songs..  .. Johann Sebastian Bach Quia respexit from Magnificat BWV 243a and 243  (1685­1750) Ich folge dir gleichfalls from Passio Secundum JoannemBWV245 student of Voice Performance at Binghamton University.  She received a B.M. degree in voice from Seoul National University and graduated from Seoul  Arts  High  School,  Korea.  Ms.  Park  will  graduate  from Binghamton University this May.  In the fall of 2009, she will attend the University  of  Illinois  at  Urbana­Champaign  to  pursue  the  Doctor  of Musical Arts.  Ms. Park performed in a concert for Ending of Semester of Seoul National University, Seoul, Korea in 2005.  In 2004, Ms. Park was a stage director for a Gala Concert of Die  Zauberflote, an  Opera Performing Group of Seoul National University, Seoul, Korea.  She also performed the Third Knabe in this concert.  Ms. Park performed with the Wind Orchestra of Korea University, Seoul, Korea in 2003.  In 2002, Ms. Park performed in the chorus of Cavalleria Rusticana of Seoul National University and she was the soprano soloist in the Concert of Spring with the  Anyang  City  Chorus  of Korea.  Ms.  Park  received  full  tuition scholarships from Seoul National University, Korea from 2002 to 2006 and won Third Place in  the Italian Songs Competition, Korea in  2002. Ms.  Park  studied  with  Professor  Mihae  Park and  Professor Choonhae Juliana Lee  before coming to the United States.  She currently studies voice with Professor LeFebvre at Binghamton University. Ju­Hyang Shon, Flute Sechs Lieder Op.13  Ich stand in dunklen Trdumen  Sie liebten sich beide Clara Schumann (1819­1896) Liebeszauber Der Mond kommt still gegangen Ich hab’ in deinem Auge Die stille Lotosblume WINTERMISSION3 Classical Spanish Songs................................ J. Obradors La mi sola, Laureola  Al Amor (Corazon, porqué pasais? El Majo celoso Con amores, la mi madre Del cabello mas sutil Chiquitita la novia (1897­1945) Selected Korean Art Songs Shin­Arirang (New Arirang)........................Dong­Jin Kim (b.1913) Sanyuhwa..  (The Flowers in the Mountain) Gune (The swing)  Sun­Nam Kim (1917­1986) [­Sang Yun (1917­1995) Gopunguisang (An ancient­styled costume).................I­Sang Yun Setahryung (Rhythm of Birds)................. Du­Nam Cho (1912­1984) Soprano S U N G  J I N  PA R K ,  originally from Korea, is a master’s CHAI­KYOU  MALLINSON,  currently  on  the  faculty  of  the Department of Music at Binghamton University, received a B.M. degree in Piano from Juilliard, Licence d’Enseignement from Ecole Normale de Musique  de  Paris,  France  and  a  M.A.  degree  from  Binghamton University, where she studied with Jean Casadesus.  A prize winner in the  Korean National  Music Competition, she was awarded the  French Government  Scholarship,  Tanglewood  Summer  Music  School  Full Scholarship  and  the  Fontainebleau  American  Conservatory  Full Scholarship. She gave a debut Recital in  Carnegie Recital Hall and has been active as a recitalist, vocal accompanist and coach, and  chamber music performer, as well as an active adjudicator of piano auditions and competitions. JU­HYANG  SHON,  originally  from  South  Korea,  is  a  sophomore student  of Binghamton  University.  Before  she  came  to  Binghamton University, she studied at the  Salem  Academy in North Carolina with Professor  Debra­Reuter Pivetta. While she was  in  North  Carolina, she won several competitions including the Raleigh Area Flute competition and Peter F. Chapman Concerto Competition. She studies with Professor Maiolo at Binghamton University and plays in the Wind Symphony and the University Orchestra. Ms. Shon is currently majoring in nursing. �TRANSLATIONS 5. Ich hab’ in deinem Auge (In your eyes I beheld) Text by Friedrich Ruckert I. Quia respexit from Magnificat For he has regarded the low estate of his handmaiden: behold, for from this time, may I be called blessed. Ich folge dir gleichfalls (I follow thee also) from Passio Secundum Joannem I follow you also with joyful steps and leave you not, my life, my light. Hasten the flow and stop not to draw me to yourself to lead, to intercede. II. From Sechs Lieder (Six Songs), Op.13 1.Ich stand in dunklen Tr iumen (In dark dreams I stood) Text by Heinrich Heine In dark dreams I stood and stared at her portrait, and the beloved face secretly came alive. About her lips there played a wondrous smile, and her eyes glistened as though with melancholy tears. the fawns stood as though in a dream and listened to the sound. And my tears also flowed down from my cheeks. Alas! I cannot believe that I have lost you! 2. Sie liebten sich beide (They once loved each other) Text by Heinrich Heine i i ( . They once loved each other, but neither was prepared to tell the other; they looked at each other so coldly, yet were pining away with love. The moon comes quietly with its golden light, and the weary earth sleeps in its sweet splendour. 3. Liebeszauber And in the air there float (Love’s magic) over the sleepers thousands of loving thoughts from many a faithful soul. Text by Emanuel Geibel And at its sound there wafted around scent from a thousand blooms, and every treetop fluttered lightly and lighter was the air. The brooks were silent which but recently had splashed down from the heights; But I went upon my way and also heard the sound. Alas! Since that hour my songs have been nothing but its echo. 4. Der Mond kommt still gegangen (The moon comes quietly) Text by Emanuel Geibel Finally they parted and only saw each other at times in a dream; they died a long time ago and were hardly aware of it. Love sat, a nightingale, in a rose bush and sang; the wonderful sweet sound flew through the verdant wood. And light and ever lighter the rays of the sun flooded in, and over flowers and wood and glen the red­gold glow poured out. t L I . And down in the valley there sparkle the windows of my darling’s house; but I am in the dark, quietly looking out into the world. In your eyes I beheld the light of true love. Once I saw on your cheeks the roses of heaven. Though  in  your  eyes  the  light  be dimmed and the roses be scattered, yet their reflection ever new has remained in my heart. I will never see your cheeks or look into your eyes, without the roses being there and the light shining for me. 6. Die stille Lotosblume (The still lotus flower) Text by Emanuel Geibel The still lotus flower rises out of the blue lake. The leaves shimmer and sparkle, the cup is white as snow. From heaven the moon pours out all its golden light, pours all its rays into its depths. A white swan draws its circles around the flower in the water, it sings so sweetly, so softly, and gazes at the flower. It sings so sweetly, so softly, dying as it sings. O flower, white flower, can you understand the song? �6. Del cabello mas sutil (From the finest hair) From the finest hair III. From Classical Spanish Songs 1.La mi sola, Laureola (My only Laureola) My only Laureola, my only, only, only one, I, the captive Leriano, am so proud to be wounded by the hand, the only hand in the world, My only, Laureola, my only, only, only one. 2. Al Amor (To love) Give me, Love, countless kisses, your hands seizing my hair, and a thousand and a hundred after those and then eleven hundred more and after many thousands, three more! And so that no one knows, let’s forget the count and count backwards! 3. 5Cora26n, porqué pasais? (Oh, heart, why do you lie awake?) Oh, heart, why do you lie awake during the nights made for love, When your mistress rests in the arms of another lover? Oh, heart, why do you lie awake during the nights made for love? 4. El majo celoso (The jealous lad) From the lad who is wooing me I have learned the sad song Which, night after night, a thousand And one times, he sighs at my window “My darling, I am dying of a wild and cruel love; I wish I could forget you, but though I try, I cannot!” They told him that in the Pradera I was seen with a fellow Dressed in a silk shirt and a velvet jacket. “My handsome boy, I love you! Never think I am dying, crazed with love, For that fellow!” 5. Con amores, la mi madre (Dreaming of love, dear mother) Dreaming of love, dear mother, dreaming of love, I fell asleep, and sleeping I dreamed of what my heart concealed. For love consoled me with more than I deserved. This favour which Love lovingly granted me lulled me to sleep. The loyalty with which I served him brought respite to my sorrow. Dreaming of love, dear mother, dreaming of love, I fell asleep. That you wear in braids I will make a chain to bring you to my side. A water­pot in your house, my love, I should like to be, and then, I could kiss your lips each time you take a drink. 7. Chiquitita la novia (A tiny bride) Ah! A tiny bride, a tiny groom, a tiny room, and a bedroom. That is why I want a tiny bed and a mosquito net. Ah! IV. Shin­ A rirang (New Arirang) The word ‘Arirang’ is impossible to translate. It is a Korean word and a concept which can mean many things (and even different things to different people) in this most traditional of Korean folk songs. Arirang, Arirang, Arariyo Go over the Arirang mountain pass. You wait, holding open the gate made of sticks. The wild duck frolics in the moonlight. The love I met when the peony blossomed does not return, Even now that the white chrysanthemums have withered. There is no hope of binding my beloved to my heart in which my love is still knotted. Arirang, Arirang, Arariyo, Over the Arirang mountain pass. Arirang, Arirang, Arariyo, Go over the Arirang mountain pass. Shall I build a humble cottage under that mountain and live like the flowing stream? Arirang, Arirang, Arariyo, Go over the Arirang mountain pass. Sanyuhwa (The Flowers in the Mountain) On the mountain there are flowers, blooming flowers. No care for the passing of spring or summer, flowers are blooming. On the mountain, this side and that side The blooming flower is shining alone. The bird crying through the mountain, enjoys dancing with the flower. A pleasure to live in the mountain. Flowers fading in the mountains, On the mountain there are flowers, fading flowers. No care for the passing of spring or summer, flowers are fading. �Gune (The Swing) When I see a far away, I can see like going out my sight, She looks like a butterfly. The cuckoo sings in the green forest. She takes o ff  the swing, Because she worries that lover waits her. After we make up And checking her hair and clothes, She breathes with gasping. When I see a far away, I can see like going out my sight, She looks like a butterfly. The cuckoo sings in the green forest. Gopunguisang (An ancient­styled costume) Sadly beautiful are the long eaves of the roof, heading towards the sky Half­Moon is hiding behind the curtain made with tiny marbles Night of the spring gets deeper and deeper like the cries of the bird Alas, beautiful. Truly Beautiful! Bright is the white strip attached to the top boarder of the “Hanbock” (*1) coat.  The long skirt of the Hanbock, 12­feet­long, flows like a wave. Aren’t you a swallowtail butterfly that signifies the tradition of a nation? Lower your eyes; And dance lightly like the butterfly.  I play “Geumungo” in the night, my eyes closed (*2).  My hands playing dance to the rhythm of the music like a willow in the wind. *1: Hanbock: Korean traditional attire. *2: Geomungo: a Korean musical instrument with six strings. Setahryung (Rhythm of birds) ­a traditional Korean melody­ Birds fly, birds are flying, Coming, coming are the birds. Birds from everywhere, birds of all kinds. Birds are coming with spring time. Birds sing, birds are singing. Singing singing are the birds. Spring time is everywhere, flowers of all kinds. Spring is coming with a bird’s song. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:41 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149357">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149357</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sung Jin Park, Master's recital, May 2, 2009 Recital Tape 2009-5-2 Description An account of the resource Works of Bach, Schumann, Obradors, Kim, Yun, Cho. Held at 3:00 p.m., May 2, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Shon, Ju-Hyang Park, Sung Jin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/22ae05dc1571f5cfb7ed77dac17002dc.pdf af2a979db6c92f88707054b83a9bb5c8 PDF Text Text �lch esse mit Freuden mein weniges Brot from BWV 84, /ch bin vergnugt mit meinem Glücke Ich bin vergnügt in meinem Leiden from BWV 58, Ach Cott, wie meines Herzeleid Auch mit gedampfen, schwachen Stimmen from BWV 36, Schwingt freudich euch empor Johann Sebastian Bach (1685-17 SO) Heather Montana, soprano Elizabeth Sterling, violin Emily Creo, cello Sar-Shalom Strong, harpsichord La Rega ta Veneziana from Les soirees musicales 1. Anzoleta avanti la regata 2. Anzoleta co passa la regata 3. Anzoleta dopo la regata Gioacchino Rossini (1792-1868) Heather Montana, soprano, Sar-Shalom Strong, piano Intermission Try Me, Good King (2001) 1. Katherine of Aragon 2. Anne Boleyn 3. Jane Seymour 4. Anne of Cleves 5. Katherine Howard Libby Larsen (b. 1950) Four Recipes 1. Plum Pudding 2. Queues de Boeuf 3. Tavouk Gueunksis 4. Civet â Toute Vitesse Leonard Bernstein (1918-1990) Heather Montana, soprano Sar-Shalom Strong, piano You are invited to attend a reception in FA 111 following the performance. Please turn off all cell phones. Casadesus Hall is a smoke-free facility. �About the Music Bach wrote about 300 cantatas while he was employed as cantor at the Thomasschule in Leipzig, comprising five cycl es of cantatas to be used for the church year. As cantor, Bach was responsible for the music of th e four primary Leipzig churches, all Lutheran, as well as any other music supplied by the town council. The arias that begin th e recital are from the third cycle of cantatas, composed between 1725 and 1728. In th e church s ervice, th e performance of the cantata would follow the gospel r eading, and usually contain ed text from th e gospel for the Sunday for which it was writte n. The cantatas Bach wrote usually r equired about 16 singers and 18 instrumentalists, and lasted no more than 30 minutes, in order not to elongate th e usual 3-hour Sunday s ervice. "lch esse mit Freuden mein weniges Brot" is from /ch bin vergniigt mit meinem G/iicke ( Iam pleased with my happiness, BWV 84), a solo cantata compose d for Septuagesima Sunday. Septuagesima is th e third from th e last Sunday before Lent, and the p eriod from this Sunday through Shrove Tues day (the day be fore Ash Wednesday) is meant as a preparation for Lent. The text, des cribing the joys of receiving communion, is supported by the lively tripl e-meter melody. "lch bin vergntigt in meinem Leiden" is from Ach Gott, wie manches Herzeleid (Ah God, how many a heartbreak, BWV 58), first perform ed for the first Sunday of the New Year in 1727. The conflict betwee n happiness and des pair is heard in th e main th em e, with its initi a l ascending perfect fourth a nd its final descending ha lf-step. "Auch mit gedampfen, schwachen Stirn men" is from Schwingt freudig euch empor (You swing brightly up, BWV 36), a church canta ta whose text was a da pted from a secular can ta ta of th e same nam e. Th e secular cantata was written as a congratul atory pi ece for a professor at th e Thomasschule wh ere Bach taught Th e A section of this da capo a ri a has a lilting, qui et ch a rac ter as it speaks of the hushed adoration of God, a nd a sonorous ca ll-and-res ponse betwee n th e violin a nd voice as it speaks of t he ringing out of th e s pirit Rossin i's La Rega ta Veneziana is a part of his Soirees Musicales, a se ri es of chamb er works he wrote afte r his retire me nt from opera. Ross ini wrote them in France, wh er e he w as settling legal issues conce rning a n annuity Ch a rl es X ha d guarantee d him. Originally written in a Veneti a n dial ect, the songs a re perform ed her e in sta nd a rd Ita lian . Th ey te ll th e story of a gondola race from th e point of vi ew ofa Ve netian girl, Anzol eta. She encourages he r boyfri end Momolo be for e th e race, s piritedly ch ee rs him o n during the ra ce, a nd showers him with pra ise a nd love afterwa rds. Th e first song, "Anzoleta avanti la regatta," juxtapos es the sultry fr ee dom of Anzol eta's mu s ic with he r m ess age to Momolo not to hesi ta te, but to fly in his gondola. Th e op ening ba rs of "Anzoleta co passa la regatta" portray th e flowing w a ter through whi ch th e gondoli ers a re rowing. As th e race progresses, Anzol eta b ecom es more a nd more excite d, a nd he r m elody becom es high er a nd more intervallic. In "Anzoleta dopo la regatta," Momolo has won th e race, s o Anzol eta offers him kiss after ki ss, h er coloratura passa ges s howing he r a ttra ction to th e lo ca l rowing cha mpion. Libby Larsen is an Am e rican compose r who studi ed with Dominic Arge nto a t th e Univers ity of Minn es ota . He r advocacy of wom e n in mus ic a nd a ffinity for vocal mu s ic combin e in Try Me, Good King to bring the last words of fiv e wives of Henry VIII to life. Henry's ma rri age to Kath erin e of Aragon las ted twe nty-four years, but he w a nted a n a nnulm ent because s he had not provid ed him with a ma le he ir. Though th e pop e deni ed his requ est, Henry had th e archbishop of Cante rbury grant th e a nnulm e nt in 1533, breaking from th e Ca tholic Church and laying the groundwork for a se parate Church of England. Kath erin e was se parated from her da ughte r, and died from illness three years later, never admitting th e loss of he r royal titl e. In Katherine of Aragon, Lars en quotes John Dowland's "In Darkn ess Let Me Dwell," a song renouncing the joys of life in favor of death. Henry becam e enamored with his second wife, Ann e Bol eyn, �when she was one of Katherine of Aragon's ladies-in-waiting. His passion for Anne can be read in his many love letters to her, one of which is quoted in Larsen's song. Anne's pregnancy in 1532 drove Henry to marry her secretly, and she was crowned after Henry's marriage to Katherine was annulled. Anne was not popular at court, and when she failed to produce a male heir her enemies convinced the king to investigate her alleged adultery. Anne was condemned, primarily on false confessions, and was beheaded May 19, 1536. Anne Boleyn quotes John Dowland's "If my complaints," which states, "I was more true to Love than Love to me." Before Anne's death, Henry had become involved with Jane Seymour, who had waited on both Queen Katherine and Queen Anne. He married her May 30, 1536, less than two weeks after Anne's execution. Jane died from complications from childbirth two weeks after her son Edward was born in October 1537. She was the only one of Henry's wives to produce a male heir, and the only one to be buried with her husband. Henry waited two years before marrying again. In Jane Seymour, Larsen quotes Michael Praetorius' setting of "Lo, how a Rose e'er blooming," a hymn celebrating the birth of Christ. Prince Edward's birth saved Jane from Henry's wrath, and in this sense he was her savior. Part of the text is the anonymously written "Tudor Rose," a poem celebrating the new prince. In 1540 Henry married Anne of Cleves as a way of allying England with France. He apparently did not find her attractive, and the alliance became risky, so he sought an annulment. Knowing what lay ahead if she opposed, Anne accepted the honorary title "King's Sister" and lived away from court until her death at Anne Boleyn's former residence. Quoted in Anne of Cleves is "I Care Not for These Ladies," a song by Thomas Campion that disparages courting proper ladies and celebrates the country girl who is unafraid of a roll in the hay. Katherine Howard, Anne Boleyn's cousin, came to court as a lady-in-waiting to Anne of Cleves. Henry married her six days after his annulment from Anne was final, and rumors of her infidelity began almost immediately. Henry was 49 at the time, and Katherine was not older than 19. When Henry was informed of Katherine's affairs, she was executed . Katherine Howard includes a restatement of John Dowland's "In darkness let me dwell," first heard in Katherine of Aragon's song. Henry's sixth wife - Katherine Parr not included in the song cycle, outlived him by a year. Her mother had been a lady-in-waiting to Katherine of Aragon, and named her after the former queen. Henry's sixth wife was named after his first. Closing the recital is Leonard Bernstein's la Bonne Cuisine, the original text of which is taken from "La Bonne Cuisine Française" by Émile Dumont, a well-known French cookbook. The English text was written by Bernstein himself, but takes some liberties with translation in favor of creating liveliness and character. The first song, Plum Pudding, is little more than a recitation of ingredients. Sudden jumps highlight the more flavorful items, like Concord grapes and lemon . The hesitation of the descending chromatic introduction to Queues de Boeuf mimics the perceived hesitation to serve ox-tails, a dish this song defends. The defense is not passionate, the first positive quality stated being its necessary presence in an "acceptable" beef stew. The possible spiciness of the sauce that can be served with breaded, fried ox-tails is heard in the hemiola effect created by the change from six-eight to three-four meter near the end of the piece. Bernstein marks the tempo of Tavouk Gueunksis's middle section Allegretto al/a Turca ("Quickly and Turkish''). The accompaniment certainly dresses up this originally Turkish recipe, which is merely boiled and shredded chicken. Civet à Toute Vitesse sets the recipe for a quick stew at quite a fast pace, mimicking the frenetic pace of the recipe, pausing only to relish the scent of a fine red wine. �Texts and Translations lch esse mit Freuden mein weniges Brot I eat with joy my little Bread lch esse mit Freuden mein weniges Brot Und gönne dem Nachsten von Herzen das Seine. Ein ruhig Gewissen, ein frohlicher Geist, Ein dankbares Herze, das lobet und preist, vermehret den Se gen, verzuckert die Not. I eat with joy my little bread And begrudge it not from his heart. A calm conscience, a merrier spirit, A grateful heart, many praises, increased blessing, sweet need. lch bin vergnügt in meinem Leiden I am jovial in my suffering lch bin vergni.igt in meinem Leiden, Denn Gott ist meine Zuversicht. Ich habe sichern Brief und Siegel, Und dieses ist der feste Riegel, Den bricht die Hölle selber nicht I am jovial in my suffering, Thus is God my assurance. I have ensured letter and seal, And this is the solid lock, Which hell cannot break. Auch mit gedämpfen, schwachen Stimmen Also with hushed, quiet voice Auch mit gedampften, schwachen Stimmen Wird Gottes Majestat verehrt. Drum schallet nur der Geist darbei, So ist ihm solches ein Geschrei, Das er im Himmel selber hört. Also with hush ed, quiet voice, Will God's majesty be adored, But the spirit rings out, So it is thus a crying out That is heard in heaven. La Regata Veneziana The Venetian Regatta Anzoleta avanti la regata Anzoleta before the regatta Sul palco sventola la gran bandiera, guarda, sl guardala, valla a pigliar. Hai a recarm ela prima di sera, o più tra gli uomini non ti mostrar. In poppa, Momolo, non indugi ar. Va voga, spingila la gondoletta, né ii primo prèmio tl può mancar, va la, ricordati la tua diletta che in ansia trepida ti sta a guardar. In poppa, Momolo, non indugiar, In poppa, Momolo, corri a volar! On the stage is the large flag, look, you see it, go for it! You must come back with it tonight, or you can't show yourself to the other men. On ce in the boat, Momolo, don't dally! Row the gondola with heart and soul, then you can't help but win first prize, go, remember your delight who waits here so nervously! On ce in the boat, Momolo, don't dally! On ce in the boat, Momolo, fly! 1 �Anzoleta co passa la regata Anzoleta during the regatta Sano qua, sono qua, non vedi? curvi stanno in sovra al remo, ahi la meta, è ancor lontana, gira ii vento a tramontana, poveretti, io tutta tremo, la corrente è in lor favor. lo mio Momolo, l'hai visto? or lo scorgo, egli è secondo. Ah! Che smania! mi confondo, ahi! balzar mi sento ii car. Su coraggio, voga, pria di giumger all meta spiega tutta a tua foga, e nessun ti vincera. Caro, par ch'ei voli, Ii ha passati tutti quanti, mezza barca sta davanti, ah comprendo, ei mi guardo. I am here, I am here, don't you see? they are bent over to oars, oh, the destination is still far, the wind blows from the north, poor ones, I'm shaking all over, the current is in their favor. My sweetheart, have you seen him? I see him now, he is in second place, Ah! What tension! I'm confused, ah! I feel my heart leaping. Row with courage, before you reach the destination show your dedication to everyone, and no one will beat you. My goodness, how he's flying, He has passed all of them, he is ahead by half a boat, ah, I understand, he looked at me! Anzoleta dopo la regatta Anzoleta after the regatta Prendi un bacio, un altro ancora, caro Momolo, di car; su riposati che è ora, ch'io t'asciughi quell sudor. Ah t'ho visto, m'hai guardata, sul poggiolo nel passar e pensai racconsolata: un bel premio ei de' pigliar sì un bel premio è la bandiera, quando è rossa di color; non un sol, Venezia intera ti proclama vincitor. Prendi un bacio, benedetto, non hai pari nel vogar, per famiglia, per traghetto, niun a petto ti può star. Take one kiss, and another again, dear beloved of my heart; you rest now, while I dry your sweat. Ah, I saw, you looked at me, on the balcony as you passed and you thought to yourself: a beautiful prize is there to be taken yes the flag is a very good prize, the one that is red in color; not a sun, all of Venice proclaims you the winner. Take a kiss, blessed one, you have no equal in rowing, for the family, for your ferrying, now you can lie on my breast. �La Bonne Cuisine (Four Recipes) Good Cooking Plum Pudding Deux cents cinquante grammes de raisins de Malaga, deux cents cinquante gramm' de raisins de Corinthe; Deux cents cinquante gramm' de graisse de rognon de boeuf, et cent vingt-cinq gramm' de mie de pain émitettée; Soixante gramm' de sucr'en poudre ou de cassonade; un verr' de lait; un demi verr' de rhum ou d'eau-de-vie; trios oeufs; un citron! Muscade, gingembre, canell'en poudre melanges (en tout la moitié d'une cuillere â café) sel fin la la moitié d'une cuillere â café. Plum Pudding Two hundred fifty grams of grapes from Malaga, two hundred fifty grams of grapes from Corinth; Two hundred fifty grams of beef kidney fat and one hundred twenty-five grams of soft bread, crumbled; Sixty grams of powdered sugar or brown sugar; a glass of milk; a half-glass of rum or brandy; three eggs, a lemon! Nutmeg, ginger, powdered cinnamon (all mixed making a half teaspoon); at the end a half teaspoon of salt. Queues de Boeuf La queue de boeuf n'est pas un mets à dedaigner. D'abord avec assez de queues de bœuf on peut fair' un pot-au-feu passable. Les queues qui ont servi à faire le pot-au-feu peuv'nt être mangees, panees, et grillees, et servies avec une sauce piquante out tomate. La queues de bœuf n'est pas un mets à dedaigner. Ox-Tails Ox-tails is not a dish to disdain. First of all, with enough ox-tails one is able to make a perfectly acceptable beef stew. The tails that are served to make the beef stew are able to be eaten, coated with crumbs, and grilled, and served with a spicy or tomato sauce. Ox-tails is not a dish to despise. Tavouk Gueunksis Tavouk Gueunksis, poitrine de poule; Fait' bouillir une poul', dont vous prendrez Jes blancs; vous les pilerez de façon à cequ'ils se mett' en charpie. Puis meles-lez avec une bouillie, comme celle cidessus du Mahallebi. Tavouk Gueunksis, poitrine de poule. Tavouk Gueunksis Tavouk Gueunksis, breast of chicken; boil a chicken, from which you take the white meat; crush it in such a way as to shred it. Then boil it with a paste as described above with Mahlab. Tavouk Gueunksis, breast of chicken. Civet àToute Vitesse Lorsqu'on sera très presse, voici un' maniere de confectioner un civet de lièvre que je recommande! Depecez le lièvre comme pour le civet ordinaire: Mettez-le dans une casserole ou un chaudron avec son sang et son foie écrasé! Un' demi-livre de poitrine de pore (coupée en morceaux); une vingtaine de petits oignons (un peu de sel et poivr'); un litre et demi de vin rouge. Fait' bouillir à tout vitesse. Au bout de quinze minutes environ, lorsque la sauce est reduite de moitie, approchez un papier enflamme, de maniere à mettre le feu au ragout. Lorsqu'il sera éteint, liez la sauce avec un' demilivre de beurre manié de farine ... Servez. Quick Stew When one is in a hurry, here is a manner of preparing a hare stew that I recommend. Take apart the hare as for an ordinary stew. Put it in a saucepan or a cauldron with its blood and its liver, crushed. A half pound of pork breast (cut into small pieces); about twenty little onions (with a little salt and pepper); a bottle and a half of red wine. Boil it, wasting no time. At just the end of fifteen minutes, when the sauce has been reduced by half, bring a flaming paper close to it, for the purposes of putting fire to the stew. When it is burned out, add a half pound of butter to the sauce, thickened with flour .. .Serve. �Soprano Heather Montana hails from Utica, NY, where her warm, fresh voice has been pleasing audiences for years. Ms. Montana, a cum laude graduate of Hamilton College, will graduate in May with her Masters of Music degree in Vocal Performance from Binghamton University, where she studies voice with Timothy LeFebvre. She has most recently appeared as Buttercup in H.M.S. Pinafore (Earlville Opera House, Earlville NY), and as Kate in Kiss Me, Kate! (Hamilton College, Clinton NY). Ms. Montana has also been heard as Bazzard in Drood: The Mystery of Edwin Drood and as Fiametta in The Gondoliers at Hamilton College, where she was also a member of the Hamilton College Choir, College Hill Singers (elite choral group) and Oratorio Society. A performing member of the 8# Musical Club of Utica, she has recently appeared as a recital soloist for Utica Monday Night's Classical Performance series at the Stanley Theater. Winner of first prize at the Central New York/ Finger Lakes Regional National Association of Teachers of Singing Competition and at the 8# Musical Club scholarship competition, Ms. Mon tana was also the soprano soloist in Messiah in Rome, NY. Pianist Sar-Shalom Strong has achieved widespread recognition for sensitive performances of solo and co ll aborative repertoire spanning five centuries. Locally, Mr. Strong can often be heard performing in concert with the Society for New Music, Civic Morning Musicals, and in collaboration with many outstanding area musicians. He has also appeared as soloist in concerti with the Utica Symphony Orchestra and the Hamilton College Orchestra. Highlights of the 2008-09 season include concerts with Peter and Kathleen Vandegraaf performing music of Robert and Clara Schumann, Hamilton College recitals with Janet Brown and Gregory Wood, and performance s of Bach's Brandenburg Concerti #4 and 5 with personnel from the Syracuse Symphony Orchestra, as well as performance s of new music for clarinet and saxophone with Ronald Caravan, and concerts with bassbaritone David Neal. Mr. Strong holds degrees from Knox College and Syracuse University, and is Lecturer in Piano and Coordinator of Staff Pianists for Hamilton College. From 1998-2007 he also served as keyboardist for the Syracuse Symphony Orchestra. Violinist Elizabeth Sterling, a student of Janey Choi, is completing her senior year at Binghamton University with a double major in Music and Anthropology. She has performed with various chamber ensembles and orchestral groups, including the Saratoga Springs Youth Orchestra, Empire State Repertory Orchestra, and Binghamton University Symphony Orchestra. Her other musical interests include piano and vocal studies. She is currently a member of Harpur Chorale and the Jazz Ensemble and studies voice with Mary Burgess. She has also studied with Sue Nazzaro, Pattie Sunwoo (violin), Patte Hadfield, Chai-Kyou Mallinson (piano), Jeffrey Vredenburg, Elizabeth Duhr, and Heather Montana (voice). This spring, she is planning a Senior Honors Recital featuring violin and vocal works by Claude Debussy. Cellist Emily J. Creo comp leted her master's degree in Music History and Literature at Binghamton in May of 2008. She actively performs with the BU chamber music program. Emily currently works in accounting and administratio n for the Binghamton Senators Hockey Team. �Sunday, March 15th Guest Fortepiano Concert: Stefania Neonato, Casadesus Recital Hall, 3:00 PM, $$ Sunday, March 15th Master's Recital: Sibongile Boyd, soprano, Casadesus Recital Hall, 7:30 PM, FREE Monday, March1 6th Master Class with Guest Fortepiano Artist Stefania Neonato, 7:30 - 8:45 PM, Casadesus Recital Hall, FREE Wednesday, March 18th Master Class with Jazz saxophonist Maceo Parker, 4:00 PM, Osterhout Concert Theater (Co-sponsored by the Music Department and the Harpur Jazz Project) Wednesday, March 18thJazz saxophonist: Maceo Parker - Osterhout Concert Theater, 8:00 PM, $$, (Co-sp onsored by the Music Department and the Harpur Jazz Proj ect) Thursday, March 19th Mid-Day Concert, 1:20 PM - FREE, Casadesus Recital Hall Thursday, March 1 9th Harpur Chorale and Women 's Chorus: A Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM, FREE Friday, March 20thPercussion Duo: Mike Correa and Gene Koshiniski, Casadesus Recital Hall, 8:00 PM, FREE (cosponsored by the United States Air Force Band and the Binghamton University Department of Music) Saturday, March 21 st Master's Recital: Stephen Brooks, bass, Casadesus Recital Hall, 8:00 PM, FREE Saturday, March 21 st Organist Jonathan Biggers - A Bach Celebration'! Series, First Presbyterian Church, Binghamton, 8:00 PM, $$ Thursday, March 26th Mid-Day Concert, 1:20 PM - FREE, University Art Museum, Celebrating Women's History Month Saturday, March 28th Master's Recital: Jonathan Moots, baritone, Fine Arts Room 21, 3:00 PM, FREE Saturday, March 28th 1993 Reunion Recital: Todd Geer tenor, Allison Swensen-Mitchell, mezzo-soprano, and J. J. Penna, piano, Anderson Center Chamber Hall, 8:00 PM, $$ (co-sponsored by the Music Department and the Alumni Association) Sunday, March 29th Junior Recital: Marc Silvagni, percussion, Casadesus Recital Hall, 3:00 PM, FREE Thursday, April 2nd Mid-Day Concert, 1:20 PM - FREE, Casadesus Recital Hall Thursday, April 1 6th Mid-Day Concert: 1:20 PM - FREE, Casadesus Recital Hall Saturday, April 18th Clarinet Studio Recital, 3:00 PM - FREE, Casadesus Recital Hall Saturday, April 18th Brahms' REQUIEM with the Binghamton Philharmonic Orchestra and the University Chorus, 8:00 PM, Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic at 723-3931 For ticket information, please call the Anderson Center Box Office at 777-ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149623">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149623</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A graduate recital in music, Heather Montana, soprano, March 14, 2009 Recital Tape 2009-3-14 Description An account of the resource Works of Bach, Rossini, Larsen, Bernstein. Held at 8:00 p.m., March 14, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Strong, Sar-Shalom Sterling, Elizabeth Creo, Emily Montana, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6db16424f65650cd3e68e85d6afa495e.pdf c40da46d87c434df5e56acabdf2cc3f2 PDF Text Text BINGHAMTON UNI VERSITY STATE UNI VE RSITY O F NE W YOR K usi D E P A R T M E N T MOZART vs. CLEMENTI Stefania Neonato, fortepiano Sunday, March 15, 2009 3:00p.m. Casadesus Recital Hall �PROGRAM MOZART (1756-1791) Capriccio C major KV 395 Fantasy and Fugue C major KV 394 Variations on Salve tu Domine by Paisiello KV 398 PAUSE CLEMENTI (1752-1832) Toccata Bb major op.11 Sonata Bb major op.24 n°2 This performance is partly funded by an anonymous gift to the Department of Music. �ABOUT THE PERFORMER Born in Trento, Italy, Stefania Neonato graduated from her home town conservatory and earned a Master in Fortepiano Performance Practice at the International Piano Academy "Incontri col Maestro" (Imola, Bologna). While pursui.ng a BA degree in Foreign Languages and Literatures from the University of Trento, she came to Binghamton University for her thesis research. She attended many master-dasses around the world (among them. at the Mozarteum in Salzburg), and she was the recipient of scholarships from the Interlachen Arts Camp (Michigan) and from the School of Music of Miami University. She earned a Doctorate in Musical Arts in Historical Performance Practice with Malcolm Bilson at Cornell University, where she served as piano teaching assistant from 2006 to 2008. Ms. Neonato studied under Riccardo Zadra, Leonid Margarius and Aldo Ciccolini, and her interest in historical instruments grew and developed when she met the pianist, Alexander Lonquich. Active as a chambermusician and fine lieder-accompanist, she is committed to musicological issues. In addition to performing, Ms. Neonato writes articles and essays for music journals and conferences focusing on piano aesthetics. In 2004, Ms. Neonato was invited to give a seminar on historical performance practice at Trento Conservatory, and in 2005, her first recording was released. Her second CD has just been released and presents music of Clementi and Beethoven on a valuable 1822 Clementi grand piano. Ms. Neonato's collection of instruments includes a -circa 1819 Conrad Graf, a replica of a Walter u.Sohne (1803) by Paul McNulty (2008), an 1820 Daniel Dörr, an 1853 Pleyel and Erard, and a 1919 Steinway & Sons. �Sunday, March 15th Master's Recital: Sibongile Boyd, soprano, Casadesus Recital Hall, 6:30 PM, FREE Monday, March 16th Master Class with Guest Fortepiano Artist Stefania Neonato, 7:30 - 8:45 PM, Casadesus Recital Hall, FREE Wednesday, March 18thMaster Class with Jazz saxophonist Maceo Parker, 4:00 PM, Osterhout Concert Theater (Co-sponsored by the Music Department and the Harpur Jazz Project) Wednesday, March 18thJazz saxophonist: Maceo ParkerOsterhoutConcert Theater, 8:00 PM, $$, (Co-sponsored by the Music Department and the Harpur Jazz Project) Thursday, March 19thMid-Day Concert, 1:20 PM - FREE Casadesus Recital Hall Thursday, March 19thHarpur Chorale and Women's Chorus: A Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM, FREE Friday, March 20thPercussion Duo: Mike Correa and Gene Koshiniski, Casadesus Recital Hall, 8:00 PM, FREE (co-sponsored by the United States Air Force Band and the Binghamton University Department of Music) Saturday, March 21st Master's Recital: Stephen Brooks, bass, Casadesus Recital Hall, 8:00 PM, FREE Saturday, March 21st Organist Jonathan Biggers - A Bach Celebration!! Series, Rrst Presbyterian Church, Binghamton, 8:00 PM, $$ Thursday, March 26th Mid-Day Concert, 1:20 PM -- FREE University Art Museum, Celebrating Women's History Month Saturday, March 28th Master's Recital.· Jonathan Moots, baritone, Fine ArtsRoom 21, 3,·oo PM, FREE For ticket information, please call the Anderson Center Box Office at 777-ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57:45 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149626">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149626</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mozart vs. Clementi, March 15, 2009 Recital Tape 2009-3-15 Description An account of the resource Works of Mozart, Clementi. Held at 3:00 p.m., March 15, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Neonato, Stefania Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound