119 10 1775 https://omeka.binghamton.edu/omeka/files/original/b333fb7f413b97245c7d86016fe53fe5.pdf a60fad15f51b6705a45f0aa7cf8eaca1 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y  OF  NEW  Y O R K fad/£0 D E P A R I . M  E N T MELOD IENS TRAUSS A BOUQU ET OF LIEDER & ARIAS GERMAN LYRIC DICTION CLASS RECITAL J u d y  B erry, instructor Michael Lewis, accomp anist Wednesday, May 14, 3014 8:00 p.m. Casntlcsus Recital H all �so  PROGRAM  03 lch bin der Welt abhanden gekommen Tom Curry, baritone Gustav Mahler ( 1 860­1 9 1  l ) Meine Liebeistgriin.. Jenny Gag. soprano Johannes Brahms (1833­1897) Gruppe aus dem Tartarus Matthew Samluk, bass­baritone .Franz Schubert (1797­1828) Zigeunerlieder.... Ich Lade gern mir Giste ein (Die Fledermaus).... .. J. Strauss Emily Geller, mezzo­soprano (1864­1949) Fahrt zum Hades Matthew Samluk, bass­baritone ....Franz Schubert (1797­1828) Liebst du um Schénheir................................ Gustav Mahler Jenny Gag, soprano (1860­1911) ....Johannes Brahms VII  Kommr dir manchmal in den Sinn (1833­1897) Harlekin’s Aria (Ariadne auf Naxos) . Tom Curry, baritone Das Tal Dies Bildnis ist bezauberd schon (Die Zauberflote) . WA .  Mozart . WA .  Mozart (1864­1949) O Isis und Osiris (Die Zaube ldte) . Jake Stamatis, bass­bartione Franz Lehar Ach, ich fiihl’s (Die Zauben‘lote) Emily Geller, mezzo­soprano ...Richard Strauss Jake Stamatis, bass­baritone Morgen...  ...  Meroé  AdeelJ, soprano (1864­1949) . Dein ist mein games Herz (Das  Land des  Licheln) Michael Celentano, tenor EOINTERMISSIONOS Richard Strauss (1870­1948) Michael Celentano, tenor Meroé  Adeeb, soprano .Richard Strauss (1864­1949) (1756­1791) (1756­1791) W.A. Mozart (1756­1791) �80  TRANSLATIONS 08 ICH BIN DER WELT ABHANDEN GEKOMMEN (I am lost to the world) Ich bin der Welt abhanden gekommen, Mit der ich sonst viele Zeit verdorben; Sie hat so lange nichts von mir vernommen, Sie mag wohl glauben, Ich sei gestorben! Es ist mir auch gar nichts daran gelegen‘ Ob sie mich fur gestorben hilt. Ich kann auch gar nichts sagen dagegen, Den qirklich bin ich gestorben, gestorben der Welt. lch bin gestorben dem Welt getfimmel und ruh’ in einem stillen Gebiet. lch leb’ allein in meinem Himmel, in meinem Lieben, in meinem Liebe. in meinem Lied. I’am lost to the world, With which l used to waste so much time: i t has heard nothing from me for so long, That it may very well believe that I am G R U P (Group in Tamrua) P E Horch ­ wie Murmeln des empérten MRI’CS. Wie dutch hohler Felsen Becken weint ein Bach, Stohnt dort dumpfigrief ein schweres, leeres Qualerprefites Ach! Listen, like the murmuring of an enraged sea, As through the hollow rock basins cries a river, There groan a deep. heavy, empty wail of torment! I cannot deny it. For I really am dead to the world. I am dead to the world’s tumult, Schmerz verzerret lhr Gesicht, Verzweiflung sperret lhren Rachen fluchend auf. Hohl sind ihre Augen, ihre Blicke Spahen bang nach des Cocytus Brilclte, Folgen rrinend seinem Trauerlauf. Grief distorts their faces, Despair nvists open their mouths with cursing. Their hollow eyes peer anxiously toward The bridge over the Coctus. And tearfully follow the way of mourning In  my song. Fragen sich einander angstlich leise. Ob noch nicht Vollendung sei! With low uneasy voices they ask each other if the end has not yet come Eternity circles over them, Breaking Saturn’s scythe in two. dead! It is of no consequence to me whether it thinks me dead. And 1 rest in a quiet realm. I live alone in my heaven, In my love, in my love, Ewigkeit schwmgr fiber ihnen Kreise, Bricht die Sense des Saturns enuwei. MEINE LIEBE IST GRUN (My love is green) Meine Liebe ist grun wie der Fliederbusch, und mein Lieb ist schon wie die Sonne, die glanzt wohl herab auf den Fliederbusch und fullt ihn mit Duft und mir Wonne. Meine Seele hat Schwingen der Nachrigall, und wiegt sich in bliihendem Flieder, und jauchzet und singet vom Duft berauscht viel liebestrunkene Lieder. My love is green like the lilac bush, And my love is as fair as the sun, Gleaming down on the Lilac bush and fills it with fragrance and with bliss. My heart has wings like the nightingale, and rocks itself in the blooming lilac. and shouts and sings from the intoxicating fragrance many love­drunk songs. K M   DIR  (Art thou thinking often now) N  Kommt dir manchmal in den Sinn. mein siifles Lieb, Was du einst mit heil’gem Eide mir 7 gelobt?  Tausch mich nicht, verlaR mich nicht, Du weiflt nicht, wie lieb ich dich hab, Lieb du mich, wie ich dich, Dann stromt Gones Huld auf dich herab! N 1 Art thou thinking often now, sweetheart, my love, What thou once with holy vow to me hast sworn? Leave me  not. deceive me not. Thou know’st not how dear thou art to me; Love’st thou me as l thee. Then God’s smile shall crown thee graciously. �MQRQEE DAS THAL (The Valley) Wie willst du dich mir offenbaren, 7 Wie ungewohnt, geliebtes Thal.  Nut in den frithsten Jugendjahren Etschienst du so mir manches Mal. Die Sonne schon hinabgegangen, Doch aus den Bachen klarer Schein; Kein Luftchen spielt mir um die Wangen, Doch sanftes Rauschen in dem Hain. Es duftet wieder alte Liebe, Es grunet wieder alte Lust; (Morning) How will  you present yourself to me, so unatpectedly. my beloved valley? Only in my early youth I often saw you like today. Und morgen wird die Sonne wieder scheinen, The sun has already descended, inmitten dieser sonnenatmcndcn Erde und auf dem Wage, den ich gehen werde, wird uns, die Seligen, sie wieder einen Yet  there is a glitter o ff  t he stream; No breath of wind caresses my cheek, Yet there’s a soft rustle in the green. Ir smells again of past love, Und zu dem Strand, dem weiten. wogenblauen, werden wit still und langsam niedersteigen, stumm werden wir uns in die Augen Ja, selbst die alten Liedertriebe Beleben diese kalte Brust. Past desire sprouts again; Yes, even  the old creativity schauen, Comes back to revitalise this old body. Natur, wohl braucht es solcher Stunden, So innig, so liebevoll, Wenn dieses arme Herz gesunden, Das welkende genesen solI. Nature, it takes her hours, so tender, so lovingly. to nurse this poor heart back to health, to recover what has wilted. W Bedringt mich einst die Welt noch banger, So such’ ich wieder dich mein Thal, Empfange dann den kranken Sanger Mit solcher Milde noch einmal. And if one day the world begins to press on me. I ’ll  again turn to you my valley, To embrace the sick singer With such kindness once again, Und sink’ ich dann ermartet nieder, So 6ffne leise deinen Grund Und nimm mich auf und schliefi' ihn wieder Und grime frohlich und gesund. And when I finally weakly sink down, Do open quietly your ground And take me in and close above me And grow happy, and healthy und auf uns sinkt des Gluckes grosses Schweigen.  . (You are my whole heart) And tomorrow the sun wi ll  shine again, and on the path I will take, it will unite us again, we happy ones, upon this sun­breathing earth... And to the shore, the wide shore with blue waves, we will descend quietly and slowly; we will look mutely into each other’s eyes and the silence of happiness will  settle upon us. M Dein ist mein ganzes Hen! Wo du nicht bist, kann ich nicht sein. So, wie die Blume welkr, wenn sie nicht kussr der Sonnenschein! Dein ist mein schonstes Lied, weil es allein aus der Liebe erbluht. Sag mir noch einmal, mein einzig Lieb, oh sag noch einmal mir: Ich hab dich Iieb! Wohin ich immer gehe, ich fithle deine Nahe. lch mochte deinen Atem trinken You are my whole heart! Where you are not, I cannot be. Just as the flower fades, if they do not kiss the sunshine! You are my most beautiful song, because it blossomed out of love. Tell me once again, my only love, oh tell me once again: I have your love! Wherever I am, I feel you are near. I want to drink your breath und betend dir zu Fassen sinken, dir. dir allein! Wie wunderbar ist dein leuchtendes Haar! Traumschon und sehnsuchtsbang ist dein strahlender Blick. Hor ich der Stimme Klang, and kneel adoringly at your feet, you, you alone! How wonderful is your shining hair! Dream and full of longing is your radiant look. ist es so wie Musik, is it like music. Dein ist mein ganzes Herz! Wo du nicht bist, kann ich nicht sein. So, wie die Blume welkt. wenn sie nicht kilsst der Sonnenschein! You are my whole heart! Dein ist mein schonstes Lied, weil es allein aus der Liebe erbliiht. Sag mir noch einmal, mein einzig Lieb, oh sag noch einmal mir: Ich hab dich  lieb! I hear the voice sound Where you are not, I cannot be. Just as the flower fades, if they do not kiss the sunshine You are my most beautiful song, because it blossomed out of love. Tell me once again, my only love, oh tell me once again: I have your love! �W W (I like to invite my guests) Ich lade gern mir Gaste ein, man leht bei mir recht fein, man unterhilt sich, wie man mag, oft bis zum hellen Tag. Zwar langweil’ ich mich stets dabei, was man auch treibt und sprich 1 like to invite my guests, One lives with me quite fine, We enjoy talking, as one might Often until daylight. Although l am always bored here. What drives you and also speaks; frei, liberty indes, was mir als Wirt steht duld’ ich bei Gasten nicht! Und sehe ich. es ennuyiert sich jemand hier bei mir, so pack’ ich ihn ganz ungeniett. werf’ ihn hinaus zur Tut. Und fragen Sie, ich bitte, warum ich das denn tu'.’ ‘S ist mal bei mir so Sitte. chacun a son gout! Wenn ich mit andern sitz’ beim Wein und Flasch’ urn Flasche leet'. muB jeder mit mir durstig sein, sonst werde grab ich sehr. Und schenke Glas um Glas ich ein, duld’ ich nicht Widerspruch; nicht leiden kann ich’s, wenn sie schrein: lch will nicht. hab’ genug! Wet mir beim Trinken nicht pariert, sich zieret wie ein Tropf, dem werfe ich ganz ungeniert die Flasche an den Kopf. Und fragen Sie, ich bitte, warum ich das denn tu”?7  ‘S ist mal bei mir so Sitte, chacun a’ son gout! However. what i as host allow myself i give no patience with that in guests! And should I see any of my guests looking bored Someone here with me in my home, So I pack their things quite openly, and throw him out the door. And you wonder, and ask me. Why do 1 do this? Because for me, this is simply my custom To each his own taste! When l sit with others and drink wine, And empty one bottle a fter another, With me everybody needs to be thirsty Otherwise I will become very offensive. And give glass afterglass to me, Patience I have not for contradiction; i can not stand when they scream: 1 did not want to, l’ve had enough! Who can not keep up with my drinking Adorns himself like a ineffectual person, I throw, quite unabashedly, The bottle at his head. And you wonder, and ask me, Why do i do (hisl Because for me, this is simply my custom To each his own taste! A F H T R (Journey to Hades) Der Nachen dtohnt, Cypressen flistern, Horch, Geister reden schaurig drein; Bald werd’ ich am Gestad', dem dustern, Weit von der schone Erde sein. The dory creaks, cypresses whisper; hear, there, spirits’ eerie cries. Soon i will be on the gloomy shore far removed from beauti ful Earth. Da leuchten Sonne nicht, noch Sterne, Da rant kein Lied, das ist kein Freund. Emprfang die letzte Trane. o Feme, Die dieses mude Auge weint. Sunlight, starlight, neither shines there. no song sounds, no friend is found. Schon schau’ ich die blassen Danaiden, Den fluchbeladnen Tantalus; Es murmelr todesschwangern Frieden, Vergessenheit, dein alter Flufit Already i see the Danaids, and curse­burdened Tantalus; heavy with death’s stillness. your ageold river, Oblivion, murmurs. Vergessen nenn’ ich twiefach Sterben, Was ich mir hochster Kraft gewann, Verlieren, wieder es erwerben ­ Warm enden diese Qualen? Wann. 1 call forgetting a second death. To lose what I spent utmost strength to win, and then repeat the struggle ~ When will these tortures end?  When! L I E B W i t t ! ) S Take, o distant land, these final tears my eyes have left to shed. T Liebst du um Schonheit, O nicht nuch liebe! Liebe die Sonne, Sie trigt ein gold’nes Haar! l f  you love for beauty, O do not love me! Love the sun, She wears golden hair! Liebst du um Jugend, O nicht mich liebe! Liebe den Fruhling. Der iung ist jedes Jahr! If you love for youth, O do not love me! Love the spring, Its youth is every year! Liebst du um Schitze, O nicht mich liebe. Liebe die Meerfrau, Sie hat vieI Perlen klar. I f y ou love for treasure, O do not love me! Love the mermaid, She has many clear pearls. Llebst du um Liebe, O ia. mich liebe! I f  you love for love, O, yes, Love me! Liebe mich immer, Dich lieb’ ich immerdar. Love me always, l will  love you always more. �HARLEKIN’S ARIA (Love, Hate, Hope. Despair) Lieben, Haw­h, Hoffen, Zagen, alle Lust und alle Qual, alles kann ein Herz ertragen einmal um das andre Mal. Aber weder Lust noch Schmerzen, abgestorben auch der Pein, das is totlich d e ine m  Herzen, un d   mu fl t  d u  m ir  n ic ht  sein! CH  ICH FUHL” (Ah, I feel it) Love,  Hate, Hope,  Despair, a ll  the Lust and a ll  the agony, A c h ,  I \ I \  fi t h l s ,  us   thu heart  ca n  bare  a ll  u i  these  things  at E w i g  [1111  \ I \ ' I ’   [  I fi l ‘ K ’  K i l l l t h Former gone love’s happiness! unu  ( line . Nimmer kommt ihr \\ unm m im ic Nevermore will  come the hour of bliss [ h i t  n e i t h e r  l u s t  n o r  [ ‘ . \ I l \ . Meinem  H erzen  mehr zuriick! Back to my  heart! versc h w un de n, Ah, I feel it, it has disappeared Death, even the pain that u deadly to your heart, Sieh ’,  i  ll ii l ’ i  ._  diese   i tunun . See,  T a m i no ,  these  tears, A n d  so you must not be this way! Flie R en,   Trauter, d ir  alle in! Flowi ng ,  I ‘ clo \ m l.  i n t  you  alone! Muse dich aus dem Dunkel heben auch um  neue Q ilul ‘ Leben muse  du, liebes Leben, leben You must rise out u i  the darkness even Fithlst du  niche der Liebe  Sehner I t  y o u  don ’ t  fee l  t h e  l o n gi n g  u t  l ove tn e x perience  nun  agony ! St>\\lhIRIII\!IIHT11.IL'~\HI. Then thure wi ll  be peace in death! noch dies eine Mul unh this once. You must i nc .  dear  li fe, live DIES BILDN IS I S T  BEZAL’BE RD SCHON ( This likeness is enchantingiv lovely) Dies Bildnis ist bezaubernd schon W ie noch Lem Auge je geseh’n! I1hiiihl ’o,n ’1u dies Gotterbild Mein Herz mit neuer Regung fullt. Dies’ etwas Lunn ich zwar nicht nennen, Doch fithl’ ichs hier wie Feuer I‘runnun Soll  die Empfindung Liebe scin.‘ i.i. ja, die Liebe ist’s allein. O, wenn ich sie nur finden konnte! O, wenn sie doch schon vor ntit stinde! I c h  \ \ ' I I h I L ' ,  n ’ t i t t i u .  w a r m  t i m l  r e i n , Was wiirde ich.‘ [ch wiirde sie voll Entziicken An diesen heissen Busen driicken I ‘ m i  ewig nute sie dann mein. This likeness is enchantingly lovely, A» nu  eye has ever beheld! I  tu t ­ l   i t  a s  t h i s  l tu . i \ t ­ t \ l \   p i c t u r e . \ i t   h u u r t  \ \ l l i \  n e w  c t t t u t i u n  ( i l l s , This something I cannot name, Yet  I  feel it here like fire burning Y es, yes, love  it is alone. O, ti unh I could find her! E O ,  i i  u n h  shu were  standing be fore me! I would,  would  warm ly  and chastely, Wha t  would  I do? I  would,  nil  her wi th rapt ure a n d  press h e r  t o  m \ slowing bosom And eternally then she would be mine T Quality P i   F o u r  H a n d s ­ lenker, u i  ne w  wis do m  ( u  thu pair. Th u w  who wander  in your tuutstcps, StJtiKt inlt ( Geduld sie in s t r e n g t h e n  tin­111  w i t h  p a t i e n t s  i n ( h i  (ht danger L a ft  sie der I ’ t im in   Friichte sehen, Let them w e  the fruits ut their trial. Doch sollen sie zu Grabe gehen, So lulint der i n nd kithnen But, it thc\  \I\u»\lltl go  tu their  grave, L au f, rewarded, Nehmt sic in euren Wohnsitz auf. Receive them in your house. Th e n ,  the  valien t  c ourse  u i  v irtue E T R I W C I Tpresents I E S  O P E R A t 65 O  I\\\ and  Osiris, give  the spirit u n d O   s l   ,whun‘sur d e r  W e i s h e i t  ( i u u t  Aun t  n c l t u n  l ‘ u u t ? i ‘ i c  l h t  A c t  W a n d r ’ e r  S c t é é ­ é é ­ é b fi b é b fi b é b é b é é n é b é b é fi ­ C a n  the  feeling  be  luru ‘ O ISIS L’ND OSIRIS (O Isis and Osiris) Ol This concert is sponsored by the Binghamton University Department of Music. Thank you for coming! Tri Cuties Opera 315 Clinton Street Binghamton, NY, 13905 Call Our Bout Offlre n  (60  Saturday, May 17lh at 7pm Sunday, May 18m at 3pm Each Show is  Unique... Come to both! 7 )  (MUG to rm prw  your ntkpts tnday’ �T R l ‘ i Z C l T l E S  O P E R A ,  presents 4  y ,  D  ‘  '  ,  ‘ H ' ¥ _ _ I _ ‘    1’ A T E3 wn The Irghts of Br oadway  shine on the Clinton Street Stage for a night of songs and ensembles from your favorite Broadway shows,  performed by  TCO’s own stars –the members of  the Resident Artist Training Program! Thurs d a y,  M a y  22 th, 2014 a t 7   :00pm Tri ­ C i tles  O pera  C en ter,  315 C lin ton  S tr ee t Binghamton, NY 13905 Call the  TCO Box Office (607) 772­0400  or  visit www_tricitiesopera.com to purchase online. Downtown Sir I l t o n A n n u a l  S p r i n g  Co n ce r t  a t r law ­.".4  and  Soloisn M a r y  B u r ge s s   soprano  *  Kasey  St ewa r t  mezzo soprine “ N a – fi r m : +    Timothy  LeFebyee  '  Anton fl r m  h w fi   w  e *  M a n ­ A dr e n a – Ralph \ aughan Williams’ ‘  Te D e u m   Leonard Bernstein’s ‘  ' . 1 : .   .  0 Chichester Palms mu g – 1 mm Saturday May  31, 2014 * 8pm Sarah Jane Johnson Memorial  rm!  V a i n ­ J un  bumh 308 M a i n  Street * [ J u n ­ “ 1  m  New  York A nnu al II­ln/Irl'; Messiah Friday  ex  \uur.h\ » December  19h t  :. 3m:  m u i l ’ i i ’ n i l n u n n n x a u n t – x x – . l – l l l l “ /'   x  Buy One Ticket ­ Get One F RE E   x  N a tma n ­ ‘ m m h m w   I  o  " ronda.  t ee n   X Coupon redeemable on concert days unh at mu  concert­site box office  Valid for any 3 0 1 a « [k ar ma  ­ ' Singers mmrrr rickets  l  & 4  \ I Lo www.downtownsingers.org * D T S J ‘ n m rrlwr    uny rmom  * 607.648.5032  — — — — — — — — — — — — — — — l l U K I I fl I — I . — — — — — — . ' — ' = — — J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:52:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74934">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74934</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Melodienstrauss: a bouquet of lieder & arias: German Lyric Diction class recital  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Mahler, Schubert, Brahms, Strauss, Mozart,  Held at 8:00 p.m., May 14, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Berry, Judy Lewis, Michael Curry, Tom Gac, Jenny̧ Samluk, Matthew Geller, Emily Stamatis, Jake Adeeb, Meroë Celentano, Michael  Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mahler, Gustav, 1860-1911 Schubert, Franz, 1797-1828 Brahms, Johannes, 1833-1897 Strauss, Richard, 1864-1949 Lehár, Franz, 1870-1948 Strauss, Johann, 1825-1899 Mozart, Wolfgang Amadeus, 1756-1791 Date A point or period of time associated with an event in the lifecycle of the resource 5/14/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/5ffdd5f20db514a040a9f8d9b22f702d.pdf d6237f5b9db6c9df2865c80f954f1150 PDF Text Text BINGHAMTON U N L Y — S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K vwdze & D.& P A R JUNIOR RECITAL MENGRU (IVY) ZENG PIANO with Joanne Danzhou Li, piano Mélanie Laguerre, piano Friday, April 23, 2010 8:00 p.m. Casadesus Recital Hal T �PROGRAM ABOUT THE PERFORM ERS Prelude and Fugue in C Minor, BWV847.............. Johann Sebastian Bach Well­Tempered Clavier, Book 1  (1685­1750) Ten Recess  Prelude in C Major, Op.12 Ne  7  Se re ]  Prokofiev (1891­1953) Piano Sonata in A Major, K.331  I. Theme and Variations: Andante grazioso  Wolfgang Mozart (1756­1791) Piano Trio in A Major for six hands, one piano......... Sergei Rachmanivoff II. Romance  (1873­1943) Joanne Danzhou Li, piano Mélanie Laguerre, piano ® INT ERMISSION 8 Nocturne for the left hand in D­flat Major, Op.9 Ne 2  AlexanderScriabin (1872­1975) Etude in G­flat Major, O p . 5    Etude in  F Major, Op.10N9 8  Fryderyk Chopin (1810­1849) The Nutcracker Suite, Op. 71a ............................Peter Ilyich Tschaikowsky V. Arabian Dance  (1840­1893) Arranged by Eduard Langer for four hands, one piano III. Dance of the Sugar­Plum Fai ry  IV. Russian Dance (Trepak)  VIII. Waltz of the Flowers Arranged by Nicolas Economou for four hands, two pianos Joanne Danzhou Li, piano MENGRU  (IVY)  ZENG,  pianist,  is  a  junior  majoring  in Accounting  in  the  School  of  Management  at  Binghamton University.  She began studying piano at the age of four with one of the best piano teachers in her hom etown city, Dalian, China.  At the  age  of seven, she  won  the  city­wide  Piano  Competition  of Youth  and  Children,  which  was  also  the  first  award  of  many competition prizes she has earned.  In 1998, Zeng started studying piano with Lai  Yuanpei at the Central  Conservatory of Music in Beijing,  China.  She  took  part  in  the  National  Piano  Grade Examination held by the Association of Chinese Musicians in 1999 and received the highest Level­10 ce rtificate.  In 2004, Zeng was invited by the live show “Good Times This Weekend” of Dalian TV Station to perform a piano solo piece, “The Nightingale,” by Mikhail Glinka. Zeng moved to the United States in Ju ne 2004.  She is currently taking  piano  lessons  with  Professor  Ewa  Mackiewicz­Wolfe  at Binghamton  University.  Even  though  Zeng  is  not  pursuing  a professional career as a pianist, music will always be a significant part of her life. Joanne  Danzhou  Li,  pianist,  is  a  senior  at  Binghamton University, majoring in Bio­engineering.  She was born in Harbin, China, and immigrated to the United States in 2003.  In 2002, she won  the  national  Organization  Committee  for  Musical  Trials of Chinese  Youngsters in  Xiamen, China and the National Musical Instrument  Competition  (Piano  Group,  Age  1 2­16)  in  Beijing, China, and  is also the  recipient of the Gold  Medal  in  the  Local Piano Competition in Harbin, China.  Li received the certificate of the  highest  Level­10  in  the  Chinese  National  Piano  Grade Examination  in  2000.  She  has  also  been  the  pianist  for  the Binghamton Chinese Christian Churc h (Chinese division of Twin Orchard Baptist Church) for three yea rs.  She is now studying with Professor Ewa Mackiewicz­Wolfe at Binghamton University. Mélanie  Laguerre  has  been  studying  with  Professor  Ewa Mackiewicz­Wolfe  since  her  freshman  year  at  Binghamton University.  Now a sophomore, Laguerre is a pre­dental student, with a major in biology and minor in music. �Binghamton University Music Department’s. . U P C O M I N G  E V E N T S e Deas  D Muller, French horn,   Saturday, A p r i l 2  4 ” Master’s Recital: Robert  3:00 PM, Casadesus Recital Hall, FREE ,   Saturday, A p r i l  2 4 ” Master’s Recital: Julie Williams, soprano 8:00 PM, Casadesus Recital Hall, FREE Sunday, April 2 5% Wind Symphony, 3:00 PM – FREE Anderson Center Chamber Hall   Sunday, A p r i l  2 5 Piano Extravaganza from the studio of Michael Salmirs, 7:30 PM, Casadesus Recital Hall, FREE Tuesday, A p r i l  27°" Percussion Ensemble, 8:00 PM – FREE Anderson Center Chamber Hall   id­Day Concert, 1:20 PM ­ FREE Thursday, A p r i l 2  9 ” M Casadesus Recital Hall   Thursday, A p r i l  2 9 ” Brass Studio Recital, 8:00 PM – FREE Casadesus Recital Hall Flute Chamber Concert, 10:15 AM,   Friday, A p r i l 3  0 ” Flute Studio and  Casadesus Recital Hall, FREE Friday, A p r i l 3  0°" Saxophone Studio Recital, 4:00 PM – FREE Casadesus Recital Hall Saturday, M a y  1 % Composition Seminar Studio Recital, 3:00 PM, Casadesus Recital Hall, FREE Saturday, May 1 % University Symphony Orchestra: Spring Centennials, 8:00 PM, Osterhout Concert Theater, $$ ( FREE for students) For ticket information, please call the Anderson Center B o x  O ffice at 777­ARTS To see all events, please visit music. binghamton. e du Become a ran on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:03:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145286">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145286</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mengru (Ivy) Zeng, piano, junior recital, April 23, 2010 Recital Tape 2010-4-23 Description An account of the resource Works by Bach, Prokofiev, Mozart, Rachmaninoff, Scriabin, Chopin, Tchaikovsky. Held at 8:00 p.m., April 23, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Li, Joanne Danzhou Laguerre, Mélanie Zeng, Mengru Ivy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8a621ffd123c77131e99c4951d0e9baa.jpg 4284ddf1428dbae66543a065045489c9 https://omeka.binghamton.edu/omeka/files/original/ef422d6ae1dfbafa596220d5574e277e.jpg 69d9acb37f1e00fe4c9114d58ef396af https://omeka.binghamton.edu/omeka/files/original/2b1cd308e37dd50be72c3ce0e59ed107.jpg 64ddbcd228067fb51e1f547d53b078ff https://omeka.binghamton.edu/omeka/files/original/064957cc90297acb429a6fdabfbe2aa2.jpg 0d7ef24d6d7a2e78d4dec7f0d459871a https://omeka.binghamton.edu/omeka/files/original/c84cc0880506b82df09b66fd86476f81.jpg afaadf50c42269786fd4a8dbe72db327 https://omeka.binghamton.edu/omeka/files/original/19394c2b749bdce4508364541784616f.jpg 044804c0d94dbab0ea10b3f5415b1027 https://omeka.binghamton.edu/omeka/files/original/f8e6b82b919dccb09ca8caaed6aa122a.jpg ac8802c996f4952955f027ac8fa7c734 https://omeka.binghamton.edu/omeka/files/original/8459525c4df2bab285563c63e1b9ccfa.jpg ff4857111b6c74837fe60eed7134988e https://omeka.binghamton.edu/omeka/files/original/2f50783d7fea8bb79d04bcc738c6b6b8.jpg 0039e0502f1cd819d75217cab0c5c386 https://omeka.binghamton.edu/omeka/files/original/3b699bc3e19962c7b8adc3291dcc847d.jpg b9daf13d837ecb4635bec4dd7e660d91 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description All text in German. Most markings in black pen, extensive throughout. Black pencil markings, unspecified. Includes stage sketches and directions and cast list. Few notes in Act II. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 16.75cm x 12cm Earlier version Earlier version (dcterms:isVersion Of) The Pigeon Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.18 Production(s) March 8-9, 1914: Deutsches Theater zu Berlin Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Menschenfreund : tragikomödie in drei Akten [promptbook] Subject The topic of the resource Galsworthy, John, 1867-1933. Pigeon -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Galsworthy, John, 1867-1933 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R3120 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource <p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p> <p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p> Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (69 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 69 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 7/20/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243209">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243209</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael Czarnecki and Sylvia Kelly with "Open Mike" at the Amsterdam, April 20, 1993 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from Michael Czarnecki and Sylvia Kelly at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions before the featured poets. The event was held on April 20, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Czarnecki, Michael Kelly, Sylvia Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1993/04/20 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1993 4-20 Format The file format, physical medium, or dimensions of the resource video/mp4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource <p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p> <p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p> Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (110 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 110 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 7/28/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243239">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243239</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael Kelly and Ann Goldsmith at Swat Sullivan's Hotel, May 23, 1990 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from Michael Kelly and Ann Goldsmith at Swat Sullivan's Hotel in Binghamton, N.Y. The event was held on May 23, 1990 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Kelly, Michael, 1934- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Goldsmith, Ann Date A point or period of time associated with an event in the lifecycle of the resource 1990/05/23 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1990 5-23 Format The file format, physical medium, or dimensions of the resource video/mp4 https://omeka.binghamton.edu/omeka/files/original/ce8d08e5d3f4a67a4bd3d677d5da9c98.pdf 4b8e9c2642eb8a4605e2e5f34df739f2 PDF Text Text BING HAM TON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   NEW  Y O R K [4 1/14 /50 D E P A R T M E N T PIANO RECITAL Michae l Salmirs Sunday, April (I. 20 1 4 3 p.m. Anderson Center  Chainlw r H all �80  PROGRAM  (as Ballade No. 1 in G minor, Op. 2 3 .   La Cathédrale engloutie (from Préludes, Bk. 1)..  1mages l Reflets dans l’eau 82)  ABOUT THE PE RFORMER  (93 Frédéric Chopin (18104849) ..Claude Debussy (1862­1918) Hommage a Rameau Mouvement L’lsle joyeuse Sr) INTERMISSION (55 Sonata in B minor . Lento a ' ‘ai–Allegro energico–Andante sostenuto– Allegro energico–Andante sostenuto–Lento assai . Franz Liszt (1811­1886) Pianist  MlCHAEL  SALMIRS  is  well  known  as  a  recitalist  and chamber  musician. As a  founding  member and  artistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven.  He  has appeared as soloist  with  the  Corning  Philharmonic.  Binghamron  University Orchestra,  Cayuga  Chamber  Orchestra,  and  was  frequently  a featured  pianist on  their  Sunday  Chamber Series.  I n  addition  to performing  most  of  the  standard  chamber  music  repertoire  for strings and piano,  he has premiered numerous solo and chamber works, and has given the world  premieres of Piano Quin tet: by David Liptak and Marek Harri s, as well as Diego Vega ’s Piano Quartet with the Finger Lakes Chamber Ensemble and Piano Quartet by  Wendy Wan­ki Lee with the Binghamton University resident piano quartet, Mobius  Ensemble. He has also participated  in  such contemporary music  series  as  Binghamton  University’s  Musica  Nova.  Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his  teachers include pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleg e‘  He is  currently a faculty member at Binghamton University where he is Coordinator of  Piano  Studies.  As  a  composer,  his  Silenced  Voice,  for  Soprano, Baritone,  Clarinet,  and  Piano  Quartet,  was  premiered  in  2010  at Binghamton University. He is presently composing a vocal chamber work  on  texts  by  Stephen  Levine  as  well  as  a  Piano  Quintet. �Bi ngham ton U n iversi ty Music Depa rt men t’s Co ming Even ts “fiéfi‘éfifiéflfléé’fiféfifibafiéfifléfbflééflfiébfifibfiéfl Tu esd ay,  April  8  –  String  Fever  (String  Classes  a nd Recital) – 8:00 p.m.  ­ Casade sus Recit al H : Il ­  free tudio  String Thursday, April  1 0 ­  Jazz Mid ­Day Concert wi th guest  art ist  ­  1 : 20 p.m. ­­  Uster ’hout Co nc ert T heater ­  (tee Th u rsd a y, April  1 0 ­  Ha rpu r J a zz E nsem ble Conc ert wi th g u est a rtist Mark o Marc ink o ­  8 :00 p.m.  ­  Osterhout (ioncer ’t  Theater ­ $7 general publ ic ; $ 5 t ac tllty/st a(Ii/sen i ors; ( t e e  ( or  students Thursday, A pril 24, M id­Day C oncert ­  1 : 20 p.m.  ­ Casade sus Recit al H all ­  Itc e Sa tu rd a y. April  2 6 ­  Senior R ecit al : K er ia n n a Krelui rheyski. .‘oprano — 8:00 p.m . ­  Casadesus Recital  Hall ~ (rec Sunday, A pril 2 7 ­  Senior R ec ital : Paul \\’ atrobsk i, c ello ­  1 :00 p.m.  ­ Casadesus Recital H all ­  tree Sunday, A pril 2 7 ­  Univer isty  Chorus and W ind Sy mphony  Conc ert: A n A merican  Mus ic Celebr at ion ~  3 :00 p.m.  ­  Osterhou t Conc ert Theater ­ S 10 general public; S7  laculty “s tall “Seniors; S5 (or students Sunday, A pril 27, M aster ’s Rec ital : Seongh yang K i m ,  piano ~ 7 : 3 0  p.m. – C asa d e sus  R ec it al H a l l  – free For  t i c k e t s   nr  I n  be  l l l l l l l t l h l fl l “   e m a i l   l i s t ,   v i s i t  a n d e r s o n . b i n g h a m t o n . e d u   c a l l  ( 6 0 7 )   ( I t A R T S .  For  A  t complete In t  of  nrn  concerts  call ( 6 0 7 )   A 1 /   2 5 0 2 ,  t a n  music.binghamton.edu  or b e c o m e  A I  f a n n   gn  [ s u ]   i  u F   a c e b o o k 8  =  [ w m ]   If  mm  were  inspired r by  ( fi n   performance,  ( n r n u l u   supporti ng  the Department   n!  M u m   w i th  a  finan c ial gift.  Your  support  helps  I n cont inue  the  w or k   n!  students,  I m u i h ,   a n d   guest  ( l l l l \ l \   and  their con tributions (u our  community.  Please  m a k e  w i n  donat ion payable  to the Bingham ton Univers ity  Music  llrrnurmrru . and send your  check (n BU  Music  Department, P.O.  Box  6000, lirrlrlltAlmlnrl,  N Y  1390.7. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10:15 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75028">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75028</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael Salmirs, piano recital, April 6, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Chopin, Debussy, Liszt. Held at 3:00 p.m., April 6, 2014, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Chopin, Frédéric, 1810-1849 Debussy, Claude, 1862-1918  Liszt, Franz, 1811-1866 Date A point or period of time associated with an event in the lifecycle of the resource 4/6/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e58dc9589166b4f4dc5d6e97d0a55a4a.pdf 04cd875a455fbeb18c568159ae7c516d PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   UNIVERSITY  O F  N E W   Y O R K [4 {4440 D E P A R T M E N T MID­DAY CONCE R T CONCERTO ISTANTE WITH TIMOTHY P E RRY , CLA RINET STEPHEN STALKE R, VIOLONCELLO MARGARET REITZ, PIANO AND HA RPS ICHORD Thursday, October 1 1,  2 01 2 1 :2 0 p .m. Casadesus Recital H all �PROGRAM Pietro Domenico Paradies Sicilienne (1707 ­­ 1791) Stephen Stalker Margaret Reit z Lili Boulanger (1893 – 1918) Nocturne (1918)  Timothy Perry Margaret Reit z .Camille Saint Saéns Allegro appassionato, Op. 4 3 (1335 — 1921) Stephen Stalk er Margaret Reit z Andre Messager Solo de Concours (1853 – 1929) Timothy Perry Margaret Reit z Gabriel Fauré Elegy, Op. 24 (1845 – 1924) Stephen Stalker Margaret Reit z Sonata in G m inor, Livre II, no. 6 (17 30)  I.  Lentement Il.  Courante lll. Allemande I V. Sarabande V .  Rondeau Timothy Perry Stephen Stalker Margaret Reitz Francois Francoeur (1698 – 1787) �Bin g ham ton  Uni v ersi ty M u s ic  D ep art men t ’s Coming Events W W W Friday, October 12 ­ Alumni Recital Series with K asey Stewart, mezzo­soprano an d Margaret Re itz, piano ­ 8 :00 p.m. ­ Casadesus Recital Hall ­ free Thursday, October 18 ­­ Mid­Day Con cert 1:20 p.m. ­ Casadesus Recital Hall ­ free Saturday, October 2 0 ­  Binghamton University Symphony Orchestra’s Music Depa rtment Benefit Concert : “By Gershw in, by George ” ­ 3:00 p.m. ­ Osterhout Concert Theater ­ $ 15 general public ; $10 faculty/staff/seniors; $5 students Thursday, October 25 ­ Mid­Day Co ncert ­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, October 26 ­ Tri­Cities Opera presents Puccini’s La Bohéme ­ 8:00 p.m. ­ The Forum Theatre ­ call (607) 772­0400 for tickets Saturday, October 27 – Family Weekend Concert (Harpur Chorale, Women ’s Cho rus, and Wind Symphony}­ 3:00 p.m. ­ Osterhout Concert Theater ­ free Sunday, Oct ober 28 ­ Tri­Cities Opera presents‘Puccini ’s La Bohéme ­ 3:00 p.m. ­  The Forum Theatre ­ call (607) 772­0400 for tickets Thursday, November 1 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, November 2 ­ Ch inese Concert featuring the Beij ing Opera ­ 8 :00 p.m Center Chamber Hall ­ $9 general public ; $6 faculty/statf/seniors; $3 students . ­ Anderson Sunday, Nov ember4 ­ Voice Recital ­ 3 :00 p.m. ­ Phelps Mansion Museum, 191 Court Street, Binghamton ­ $10 per person; BU students free with valid ID Tuesday, November 6 ­ Frie dheim Memorial Lecture/Recital Series: “The Evolution Lute Solo” with Paul Sweeny, guitar & lecturer, Barbara Kaufman, recorder, and C  of a hristina Salasny, soprano ­ 8 :00 p.m. ­ Casadesus Recital Hall ­ $6 general public ; $3 faculty/staff/seniors ; free for students Thursday, November 8 ­ African Drummin g and Dance Mid­Day Co ncert ­ 1:20 p.m. ­ Anderson Center Chamber Hall ­ free –  –  For tick ets or t o be ad de d to our email  list, visit anderson.bin ghamto n.edu or call (60 7) 777­ ARTS.  For a  comple te list  o f  our co ncerts call (60 7) 777 ­2592,  visit music.bingham ton.edu or beco me a fa n  o n Facebook. [su]  E  If  y ou were inspired by this performanc e, consider supporting the De part ment o f Music with a financial g ift. Your support helps to con tinue the work  of stud ents, faculty , a n d  g uest art ists a n d  their c ontributions to  our co mmunit y. Plea se ma ke y our don ation p aya ble to t he Bin g ham ton Un iv ersity M usic D ep art ment, a n d  s end your check to BU Music Depart ment, P.O. Box 6 000, Bingham ton, NY  1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43 minutes 53 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139905">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139905</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert concerto istante, October 11, 2012 Description An account of the resource Works by Sicillienne, Boulanger, Saens, Messager, Faure, Francoeur Held at 1:20 p.m., October 11, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Stalker, Stephen Reitz, Maragaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 10/11/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f6928e1fcddf8cd9705d065436684c2c.pdf 5e9881dc5baa2fc4e9165289fb429893 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K [4 D E P v w dee A R T M JAZZ ENSEMBLE CONCERT with jazz pianist Larry Ham Thursday, April 25, 201 3 8 p.m. Osterhout Concert Thea ter E N T �PROGRAM Second Half with guest a rtist L a r r y  H a m First Half Program selected from the following: Program selected from the following: I Gotta Right to Sing the Blues. Black Orpheus. . Harold Arlen arr. by Sammy Nestico Blues in the Closet . In the Mood ..  . Joe Garland arr. by Jeff Tyzik Carmelo’s by the Freeway. Luiz Bonfa arr. by Eric Richards Oscar Pertiford arr. by Mark Taylor . Bob Florence J e ff J  arvis Jordu..  Li ’l Darlin ’ .Neal Hefti Maiden Voyage. Herbie Hancock arr. by Erik Morales Stolen Moments. . Oliver Nelson arr. by Paul Jennings Sister Sadie This I Dig of You. Duke Jordan arr. by Mark Taylor . Horace Silver arr. by Michael Abenc .Hank Moblcy arr, Mike Tomaro �Abou t the Guest Artist Pianist, composer, and arranger La rry Ha m has long been a noted New York sideman, performing, touring, and  recording with many great jazz artists. More recently he has received international critical acclaim for his  trio CD “Carousel” featuring his own compositions and  arrangements,  and  a  second  solo  piano  release “Just  Me,  Just You  " on Arbors Jazz Records. Both are available on the “CDs” page. David Dupont of Cadence Jazz Magazine writes, “He glides over the keys  with  each  note  articulated  cleanly...his  playing  is  masterful.” And Mike Neely in All About Jazz calls him "...a pianist well on his way to becoming a master.” La rry  began  his  professional  career  in  the  Lionel  Hampton Orchestra in the late ‘80’s. He was pianist in the Illinois Jacquet Big Band 1990­95 and has worked extensively with countless other jazz legends, including the late Junior Cook and Dakota Staton. He has appeared  at  jazz  festivals,  concerts and  nightclubs  throughout  the United  States,  Europe,  West  Africa,  and  Japan.  His  recent  New York  appearances  include Jazz at  Lincoln  Center,  Carnegie  Hall, Iridium,  The  Village  Vanguard,  Small’s,  The  Kitano  Hotel,  and Harlem’s historic Lenox Lounge. His jazz festival performances include the Grande Parade du Jazz in Nice, France,  the North Sea Festival in The Hague, Holland, the Pori  Jazz  Festival  in  Finland, Jazz  Yatra  in  Bombay,  India,  The Charlie Parker Festival in New York, the Ottawa Jazz Festival, and at the Kennedy Center in Washington DC. He also performed at the White  Hou  for  President  Reagan  and  for  President  Clinton ’s 1992  Inaugural Ball. La rry appeared in the jazz film “Texas Tenor” and has been a guest on TV programs including “The Today Show” (NBC)  “Breakfast  Time”  (FX)  and  has  been  featured  on  NPR programs such as “Jazz Set with Dee Dee Bridgewater” and on Judy Carmichael’s “Jazz I nspired.” As  a  United  States  Department  of  State  Jazz  Ambassador,  Larry toured  eleven  West  African  nations  in  2001­02  in  a  cultural exchange  program,  performing  in  concert,  and  conducting workshops on the art of playing jazz. From  2002­05 he was pianist and  musical  director  for  the  New  York  Tap­dance  Festival,  also touring the United States and Russia, Greece and Italy. During the past few years he hat  toured extensively in  the US, and performed  in  Japan,  Canada,  Germany,  Poland,  England, Switzerland,  Austria  and  France.  In  2007,  he  appeared  at  the Kennedy Center and a t Zankel Hall (Carnegie Hall) with Catherine Russell,  and  in  Prague,  in  the  Czech  Republic.  Recent  festival appearances include The Montreal Jazz Festival, The Rochester Jazz Festival, The Cape Cod Jazz Festival, the New Jersey Jazz Fest, and a performance for The West Texas Jazz Society. Larry earned  a  BA  in  Musical Studies from  the  Crane  School  of Music at SUNY Potsdam, a nd an MA in Jazz Performance from the Aaron Copland School of Music at Queens College  in  New York City. He is currently an Adjunct Professor at Dutche.. Community College in Poughkeepsie, NY, teaching Jazz Piano, Jazz History, and I mprovisation. �Harpur Jazz Ensemble Sgring 2013 SAXOPHONE  Stephi Verhage  Darin Mihalik  Ray Hendricks  Chris Angyal  Danielle Stoner  Bob Pompi  1 “  a lto  2 ” alto    1 ”  tenor  2 ” tenor    Baritone  Baritone  TRUM PETS  M a r k  Adler  Brandon Young Ryan Ginsburg  Richard Ba rley  Timothy Clement T ROM BONES  Mo “ Reese ” Taylor  Ryan Meehan  Patrick McGrath  Andrew Rosenberger  1 GUITAR Rya n Kelly Trenton Stafford 1 ‘ PIANO William Sa nders [ / BASS J Lucas Hennessey 1 J e re my Raphael E DRUM SET n A nd res Castillo F LUT E Weijie Zhao ' 1 C LARINET E M arcella Green [ �Binghamt on University M usic Department ’s Co m i ng  E ven t s Friday, April 26 ­ Flute Studio and Flute Chamber Concert – 10:15 a.m. ­ Casadesus Recital Hall ­  free Friday, April 26 – Wind Symphony Concert: “The Divine Comedy ” – 8:00 p. m. – Anderson Center Chamber Hall – S 6 general public; $3 faculty/staft/seniors; free for students Friday, April 26 – Tri­Cities Opera presents Mascagni’s “CA VALLER/A   :00 p.m. – The Forum   / " ­ 8 RUS77CANA " and Leoncavallo'’s “PAGLIA CC Theatre – call (607) 772­0400 for tickets Saturday, April 27 – Master’s Rea’tal: 8r7’ster Hay IV, tenor ­ 3:00 p. m. ­ C asadesus Recital Hall – free Saturday, April 27 – Faculty Recital: Christopher Morgan Loy – 8:00 p.m. – C asadesus Recital Hall  – S 6 general public: $3 faculty/staft/seniors; free for students Sunday, April 28 – Senior Recital: David Gaita, piano – 7:30 p. m. – C asadesus Recital Hall – free Sunday, April 28 – Tri­Cities Opera presents Mascagni’s “ CA V ALLERIA    / " ­  3 :00 p.m. – The Forum RUST ICANA " and leonca val/o ‘s “PA Gl/A CC Theatre – call (607) 772­0400 for tickets Tuesday. April 30 – Percussion Ensemble Concert ­ 8:00 p.m. ­ Anderson Center Chamber Hall – $6 general public: $3 faculty/staff/seniors; free for students Wednesday. May I – Percussion Rea’tal: Devan Tracy and Andres Castillo – 8:00 p. m. – C asadesus Recital Hall  – free m m m m m m For  tickets or  to be  added  to  our email list, visit anderson.binghamton.edu or call (60 7) 7 7 7­ARTS.  For  a  complete  list  of  our  concerts  call  (60 7)  777­2592,  visit music.binghamton.edu or become a fan on Facebook. _  E  I f you were  inspired  by  this  performance, consider supporting  the Department  of  Music with a  financial gi ft. Your support  helps  to continue  the work  of students,  faculty,  and  guest  artists and  their contributions  to  our  community.  Please  make  your  donation payable  to  the  Binghamton  University  Music  Department,  and send  your  check  to  B U  Music  Department,  P.O.  Box  6 000, Binghamton, N Y  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:02:01 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129371">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE129371</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert featuring jazz pianist Larry Ham, April 25, 2013 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Ham, Young, Greer, Romberg, Hammerstein. Held at 1:20 p.m., April 25, 2013, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Ham, Larry Hamme, Al Carbone, Mike Marino, Tony Roma, Joe Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2013-4-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/40bcf9c6060c19d092efee4a9792534e.pdf c3840a79dd2f5d62f75e174f1ff00b4d PDF Text Text BINGHAMTON U N I L V E R S T I S T A T E   U N\II V E R S I T Y   O F   N E W   Y O R K wide D E P A R T M E N T MID­DAY CONCER T PRESE N TING M M / O P E R A  STUD E N TS WITH JOHN I SE NBERG , PIANO BINGHAMTON U NIVERSITY Thursday, October 4 ,  2 0 1 2 1 :2 0  p .m. Casadesus Recital Hall �PROGRAM Two Songs from “Madamina!”, from DON GIOVANNI.  Wolfgang Amadeus Mozart (1756–1791) Matthew Samluk, bass­baritone THE FIRST GERMAN NOTEBOOK .Valery Aleksandrovich Gavrilin (1936 – 1999) Autumn Talking Amongst the Paderborn Steppe Michael Celentano, baritone . Gioacchino Rossini La Gita in Gondola (1797 – 1868) “Let Beauty Awake,” from SONGS OF  TRAVEL . Ralph Vaughan Williams (1872 — 1958) Meghan Cakalli, soprano Giuseppe Verdi (1813 – 1901) “Pieta, rispetto, amore,” from MACBETH .  Giacomo Puccini “Avete torto,” from GIANNI SCHICCHI  (1858 – 1924) Robert Heepyoung Oh, baritone Hana Ryu, tenor “What a movie!”, from TROUBLE IN TAHITI Giacomo Puccini “Questo amor,” from EDGAR . (1858 — 1924) Charles HyIand, baritone “Recondita armonia,” from TOSCA. . Giacomo Puccini ( 1 8 5 8  1924) Francesco Paolo Tosti Non t’amo piu . (1846– 1916) Eun Hwan Bae, tenor Emily Geller, mezzo­soprano Leona rd Bernstein (1918 – 1 9 9 0 ) �Bin g ha m ton Univ ersity M u s ic  D ep art ment ’s Coming Events W W W Thursday, October 11 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, October 12 ­ Alumni Recital Series with Kasey Stewart, mezzo­soprano and Margaret Reitz, piano ­ 8:00 p.m. ­ Casadesus Recital Hall ­ free Thursday, October 18 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Saturday, October 20 ­ Binghamton University Symphony Orchestra ‘s Music Department Benefit Concert : “ By Gershwin, by George " ­ 3:00 p.m. ­ Osterhout Concert Theater­ $15 general public; $10 faculty/staff/seniors,‘ $5 students Thursday, October 25 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, October 26 – Tri­Cities Opera presents Puccini ’ s La Bohéme ­ 8:00 p.m. ­ The Forum Theatre ­ call (607) 772­0400 for tickets Saturday, October 27 ­ Family Weekend Concert (Harpur Chorale, Women’s Chorus, and Wind Symphony)­ 3 :00 p.m. ­ Osterhout Concert Theater ­ free Sunday, October 28 ­ Tri­Cities Opera presents Puccini ’s La Bohéme ­ 3:00 p.m. ­ The Forum Theatre ­ call (607) 772­0400 for tickets Thursday, November 1 ­ Mid­Day Con cert­ 1:20 p.m. ­ Casadesus Recital Hall ­ free Friday, November 2 – Chinese Concert featuring the Be ijing Opera ­ 8:00 p.m. ­ Anderson Center Chamber Hall ­ $9 general public; $6 faculty/staff/seniors,‘ $3 students Sunday, November 4 ­ Voice Recital ­ 3:00 p.m. ­ Phelps Mansion Museum, 191 Court Street, Binghamton ­ $10 per person; BU students free with valid lD Tuesday, November 6 ­ Friedheim Memorial Lecture/Recital Series : “The Evolution of a Lute Solo " with Paul Sweeny, guitar & lecturer, Barbara Kaufman, recorder, and Christina Salasny, soprano ­ 8:00 p.m. ­ Casadesus Recital Hall ­ $6 general public; $3 faculty/staff/seniors; free for students W i  E  E  “  W W For tickets or to be added to our email list, visit anderson.bingham ton.edu or call (60 7) 777­ART5. For a  complete list of our concerts call (60 7) 777­2592,  visit music.binghamton.edu or become a f a n  o n Facebook. If you w ere inspired by this perfor mance, consider supporting the Depart ment of M usic with a fin an cial g ift . Your support helps to continue the w ork o f  students, faculty, and  guest artists and  their contrib utions to o ur community. Please ma ke your don ation p ay a ble to the Bin g ha m ton University M usic D ep art ment, a n d  send your check to BU Music Depart ment, P.O. Box 6 000, Binghamton, NY 1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:00:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139749">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE139749</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert presenting MM/Opera students, October 4, 2012 Description An account of the resource Works by Mozart, Rossini, Puccini, Tosti, Gavrilin, Williams Verdi Held at 1:20 p.m., October 4, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Isenberg, John Samluk, Matthew Çakalli, Meghan Ryu, Hana Bae, Eun Hwan Celentano, Michael Oh, Robert Heepyoung Geller, Emily Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 10/4/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:14:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145261">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145261</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, April 15, 2010 Recital Tape 2010-4-15 Description An account of the resource Works by Bach, Hindemith, Rossini, Liszt, Wagner, Previn, Puccini. Held at 1:20 p.m., April 15, 2010, Fine Arts room 21. Creator An entity primarily responsible for making the resource Eng, Kevin Lawson, William James Rossnagel, Mark Wu, James Goodacre, Kerry Marsiglia, William Reitz, Margaret A. Cannizzo, Victoria Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound