12 10 1775 https://omeka.binghamton.edu/omeka/files/original/7a521765fc394d95dba9981a5d9bc970.pdf 12abfefd28616a581426fea6fab29b77 PDF Text Text COLLEGIUM MUSICUM Directed by: Paul Jordan and Edith Borroﬀ Wednesday, May 5, 1976 8:15 pm Don Watters Theater �Program A A A A A K R R COLLEGIUM ORCHESTRA A A R A A R K R COLLEGIUM CHOIR AND ORCHESTRA Alessandro Scarlatti Concerto in D Major (16591725) f o r Trumpet, F l u t e , St r i n gs , and Basso Continuo Johann Sebastian Bach (16851750) Concerto No. 1 in A minor for Violin, Strings, and Basso Continuo (Allegro) Andante Allegro assai Allegro George Myers, Soloist David Hibbard, Trumpet Karen Tax, Flute Suite i n F Major Christian Friedrich Witt (born ca.1660) Entrée Sarabande Menuet I Bourée Menuet I I The Collegium Choir SOPRANO Margaret Donelian* Carolyn Dow Marcia Hausner Sheryl Kaye Kim L ovett * Five Motets In pace i n idipswm dormiam (Evening Hymn) Orlandus Lassus (15321594) 0 Gott, Du frommer Gott Matthias Kern (contemporary German) Super ﬂumina Babylonis Orlandus Lassus The Grave to the North Michio Mamiya (contemporary Japanese) Passan v o s t r i triomphi ( i n 10 parts) Orlandus Lassus Donna Mirriam Karen Tax Louise Ulr ich* Stacie Williams* TENOR Ross Levinson* Mqtthew Pass Ann Ehrlich Paul Jordan, Conductor *Soloists ALTO Jill Benjamin Carolyn Brooks Susan Cohen Carol Delton Ann Ehrlich Suzanne Lawson Deborah Lemon Kate Sudekum#* BASS Larry Zukof* Mike Gaworecki Dan L ot to Paul Sweeny �The Collegium Orchestra VIOLIN I FLUTE Karen Tax Sharon Kosakoﬀ George Myers Oley Viro Chorale–Cantata, “Heralich lieb hab ich Dich, O Herr” for 5part Chorus, Strings, Dietrich Buxtehude (1637–1707) 2 Trumpets, and Basso Continuo Versus I Versus I I Versus IIT I N T E R M I S S I O N RENAISSANCE CONSORT L homme arme Anonymous (early 15thcentury) The tune, arranged as minstrelsy by the Consort under the direction of Larry Zukof A Mass based on th e tune: Missa L’homme arme, Super voces musicales (pub, 1502) Kyrie Sanctus and Benedictus with Alleluia Agnus Det Josquin des Pres (c.14451521) Paul Goodman VIOLIN II Resa Campa Mary Ann Hryvniak Arlene Pines Donald Thaler TENOR RECORDER Larry Zukof TRUMPET David Hibbard Alfred Szymaniak VIOLA Jean Woodruﬀ Ellen Weil Julie Kramer Cathy Elias Gail Finkelstein BASSOON Lois Chantry VIOLONCELLO Seth Jacobs* Tracy Slack Myra Greenstein Donna Page Paul Jordan, Conductor HARPSICHORD Emily Parker *Soloists The Renaissance Consort John Doskow Lorraine Forman Melva Grogan Sheryl Kaye Lani Jo Lassiter Andy Pasternack Paul Sweeny Karen Tax Larry Zukof Edith Borroﬀ, Director � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:05 45:51: 47:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244800">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244800</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collegium Musicum, May 5, 1976 Recital tape 1976 5-5 Description An account of the resource Works of Scarlatti, Witt, Lassus, Buxtehude, Bach. Held at 8:15 pm, May 5, 1976, Watters Theater. Creator An entity primarily responsible for making the resource Collegium Musicum Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e0f3b6ef813f65a9fae1f82aaad1319c.pdf 6991f57838c0dbaddfafe88d52bfe2cb PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Seymour Fink, piano Sunday, May 2 , 1976 8:15 pm Don A. Watters Theater �Program A X A R K X A R A K K A X K A K A A A A R FORTHCOMING EVENTS R May 3 David Hibbard, trumpet r e c i t a l FANTASY IN C MINOR K. 475 VARIATIONS AND FUGUE ON A THEME OF HANDEL Opus 24 W. A. MOZART J. BRAHMS –INTERMISSION– SONATA IN C MAJOR Opus 53 L. van BEETHOVEN ‘ Allegro con brio Introduzione (adagio molto) Rondo ( a l l eg ret to moderato) FANTASY IN F MINOR Opus 49 F. CHOPIN 5 8 8 9 16 21 Collegium Musicum concert Percussion Ensemble concert Jan Lauridsen, piano r e c i t a l Albert Markov, v i o l i n r e c i t a l Margie Graber, piano recital Evelina Chao, vi o l i n r e c i t a l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:25 45:29 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244796">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244796</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Seymour Fink, May 2, 1976 Recital tape 1976 5-2 Description An account of the resource Held on May 2, 1976. Creator An entity primarily responsible for making the resource Fink, Seymour Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-05-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2777aeaa46e02db6f1a504158dd93817.pdf a9572b7ad8ee80972db8ff24eb8313e4 PDF Text Text The Mozart's Marriage of Figaro �STATE UNIVERSITY OF NE W YORK AT BINGHAMTON THE MUSIC AND THEATER DEPARTMENTS WITH THE SUPPORT OF THE STUDENT ASSOCIATION AND OPERA WORKSHOP Present T h e M a r r i a g e o f F i g a r o Music by WOLFGANG AMADEUS MOZART Libretto by LORENZO DA PONTE (after Beaumarchais’ “La Folle Journée ou Le Mariage de Figaro”) English version by RUTH and THOMAS MARTIN Conducted by PEYTON HIBBITT Directed by CARMEN SAVOCA Scenery designed by LLOYD BURLINGAME (for Manhattan School of Music, 1973) Costumes by BROOKSVAN H ORN, New York City Lighting by RACHEL BUDIN Choreography by JOAN KUNSCH Stage Manager, NANCY ROPER Technical Director, JEFF WACHTEL APRIL 27, 29 and MAY 1, 1976 — 8:00 p.m. in the Don A . Watters Theater �CAST (in order of appearance) April 27 April 29 May 1 Figaro Gary S. Levine John R. Hughes Gary S. Levine Susanna Mary Ann Ferraiolo Victoria Devany Mary Ann Ferraiolo Dr. Bartolo Eugene Sawczyn Eugene Sawczyn Eugene Sawczyn M arcellina Alma Mora Alma Mora C herubino Karen L. Haight Jacquelyne Garms Karen L. Haight Count Almaoioa Michael D. Quinn Robert Cuarino Don Basilio Kevin McDermott Preston Stockman Kevin McDermott Valet of the Count Chambermaid of the Countess A Doctor from Seville The Count’s page Music Master Alma Mora Michael D. Quinn Countess Almaoiva Rachel Gardner Susan Ball Antonio Richard Bartmon Richard Bartmon Thomas Fordham Don Curzio Kevin McDermott Kevin McDermott Preston Stockman Barbarina Ellen Beattie Almaviva The Count’s gardener A judge Antonio’s daughter Jill Small Rachel Gardner Jill Small Servants of the castle, dancers and villagers Chris Arneson will understudy all performances of Anton io Jacquelyne Carms will understudy all performances of Marcellina Gary S. Levine will understudy all performances of Dr. Bartolo * » Q * The action covers one day and takes place in the Castle and grounds of Aguas Frescas, the domain of Count Almaviva near Seville, in the eighteenth century. ACT I–A Room in the Castle Intermission ACT II– The Countess’ Boudoir Intermission ACT III–The Hall of the Castle ACT IV–The Garden of the Castle Count Almaviva, bent on winning the favor of Susanna before her wedding to his valet, Figaro, tries to jeopardize the latter’s marriage with the help of several underlings, Basilio, Marcellina and Bartolo, who are promoting a wedding of Figaro to Marcellina. The Countess, neglected by her husband, joins forces with Susanna and the crafty Figaro, and by means of a clever scheme, the Count is ﬁnally obliged to return to his wife and to unite Figaro and Susanna. ( By arrangement with G. Schirmer, Inc., publisher and copyright owner) �NOTES The year 1775 saw the premiere performance of Caron de Beaumarchais’ comedy The Barber cf Seville. The play was so successful that the author was moved a few years later to present to the public, in the words of one critic, “that rare occurrence in literature, a true sequel, “The Marriage of Figaro.” In the original play, Figaro, the barber, had placed his ingenuity at the service of the Count Almaviva to help win the Count’s beloved Rosina from her guardian, Dr. Bartolo. In characteristic 18thcentury manner, the plot abounded in complex stage situations involving disguises, mistaken identities, and confusions piled on confusions. At the end, love triumphed, the Count won Rosina, and Figaro was handsomely paid. Any aspects of The Barber of Seville that might have been considered suspect at the time were only lightly suggested, and would certainly escape notice today. They were, however, implicit in the idea that a member of the servant class could be shown to be cleverer than his master, a member of u l I] t l ‘I the aristocratic class. But, of course, clever servants spouti ng sly witticisms A were familiar from the comic style of this time, and were not looked upon with disapproval, even in a France on the verge of a revolution. With his Marriage of Figaro, on the other hand, as Beaumarchais explored the fur ther fortunes of the Count, Rosina ( now his Countess ) and Figaro ( now the Count’s valet ) the tone changed. To be sure, the 18thcentury apparatus is still there: the mistaken identities, disguises, the continual hiding behind chairs and in closets, and even the unexpected identiﬁcation of the long lost child at a most astonishin g moment. But with one fundamental change in the situation, Beaumarchais magniﬁed the prerevolutionary tendencies of his original story. For now master and servant no longer band together to outwit some foolish old man; indeed, master and servant are at odds with each other. And the goal toward which they both strive is patently less an object for humor. In The Barber of Seville the goal was to win the pretty young lady away from her elderly guardian, who wanted to marry her him self. But in The Marriage of Figaro, where it is the barber’s turn to ﬁnd love and marriage, the count, already tiring of his wife, longs to revive the ancient feudal rights that allowed the lord of the manor to seduce any young servant girl on her wedding night before she was united with her husband. The object of this mutual concern is Suzanna, the Countess’ maid, once again a clever and attractive 18thcentury comic servant girl. Of course, we never really worry for a moment that the count will succeed in persuading her to comply with his wishes. She and Figaro always control the situation, even at its most complex and bewildering. And it certainly does get bewildering! For the stage swarms with characters, some from the earlier play and others newly invented for this one. There is Don Basilio, Rosina’s old music teacher, now functioning as a gobetween to carry the Count’s secret messages to Su zanna (what the count does n ot realize is that whatever Basilio knows the rest of the castle will also know in short time ) ; there is Dr. Bartolo, still smarting over the loss of his Rosina, and thirsting for an opportunity to take revenge on Figaro; there is Marcellina, Bartolo’s old house servant, who had, some years past, loaned Figaro money on the condition that if he could not repay it he would marry her ( clearly, we must not look for too much realism in these situations, but simply take them as L i �they are given ) ; there is Antonio, the gardener, who cannot understand why the people in the castle have to jump out of the windows onto his ﬂower pots; there is Barbarina, the gardener’s da ughter, available to any number of people in the castle to carry messages and perform other services. And ﬁnally we have Cherubino and the Countess, probably the two most re markable ﬁgures in this work . More about them in a mom ent. When Lorenzo da Ponte, a fascinating ﬁgure in many ways and a genuine literary talent, set about to convert Beaum archais’ comed y into a libretto f or an opera, he had to do more than merely versify the prose passages so they could be accommodated to a musical setting. He had to remove the political statements f rom the play so that nothing was lef t’but the basic plot intrigue. All of Figaro’s soliloquies like the following were of necessity eliminated: “No, my Lord Count, you shall not have her! Because you are a great noble man, you think you are a genius. Nobility, fortune, rank, position, how proud they make a man feel! But what have you done to deserve these ad vantages? You went to the trouble of being born, that’s all. Aside from that, you’re a very ordinary man. Whereas I, lost in the dark crowd, have more knowledge, more skill, . . .” and so on. It was passages like this that led Napoleon to comment that this play was indeed “the revolution in action.” So the book Mozart received to set to music no longer contained any politi cal implications; what was left was a colorf ul panorama ﬁlled with a variety of ﬁgures all of whom act, react, and interact motivated ( and this is truly the key to the opera!) by their sexual feelings. For Figaro and Suzanna, their physical feelings for each other are a direct expression of their love; for the Count, egotism and vanity force him to envisage himself as a virile con queror; to Bartolo, frustrated sexual feelings have turned to a desire for revenge which is relished wi th all the plea sure a libertine brings to a seduc tion; to Basilio, other people’s feelings and escapades stimulate him and turn him into a comic lipsmacking gossip. To the elderly Marcellina, no longer attractive and never chaste, it seems perfectly acceptable to use money and coercion to achieve sexual ends; to Barbarina, the gardener’s daughter, sex is something one plays with as openly and innocently as a child plays with a toy. Which brings me round once again to the two last characters: the Countess and Cherubino. It is strange to realize that the digniﬁed Countess of The Marriage of Figaro was, only a few years earlier, the charming, impish Rosina of The Barber of Seville. Da Ponte (unlike Beaumarchais) reserves her entrance for the second act of the opera, where, at her initial appearance, she casts a serious but irresistably appealing color over the entire proceedings. Now no longer sought after by a handsome young count for marriage, she has become, in much too short a time, a lonely woman who can no longer a ttract her husband’s aﬀections, who must stand by and pretend not to notice as he tries to seduce her maid, and who, much against her inna te sense of dignity, must plot with Susanna to ou twit and ultim ately recaptur e a n exposed and embarrassed husband. She f aces one of life’s most bewildering truths : that sexual feelings cannot be compartmentalized, limited, or directed in an exclusively rational way, not even through love. Sex is life itself, and life blindly wills i ts own being. She will win her Count back at the end, per haps forever, perhaps for only a short tim e. But her serious, almost m elan choly persona lity is essentia l f or the total pi cture of this ta pestry, ﬁlling out �the darker side of human feelings and giving this comedy some of its more sobering and touching moments. Finally we come to Cherubino, the young page, the beautiful teenage boy ( in the opera, as in the original play, always performed by a female) infatuated with love. He loves them all : Marcellina, Barberina, the Count ess, Suzanna; in short, he is in love with love. Weaving in and out of the action at all its crucial points, involved with everyone and with no one, he becomes the abstract personiﬁcation of the life force that moves the other characters. He lives only for the breathless, undirected enthusiasm of love as it appears in some ideal sphere, embracing all women but never nar rowing down to anyone in particular. He is consumed with desire, but his desire has yet to ﬁnd a speciﬁc object. It is in essence its own experience. Cherubino is a unique stage ﬁgure, at one and the same time a character in the story, as well as the embodiment of an archetype. And this dual role, by turn realistic and symbolic, is made manifest by the character’s being played by a woman. This creates an and rogynous ﬁgure that contains within itself male and female in union, needs nothing outside itself, and eﬀort lessly convinces us that desire, in this case, is simply its own object. And it is this movement from individual character to abstract per soniﬁcation that ultimately needs music for its completion. This is the rea son why, as successful as was Beauma rchais’ comedy, it was only in con junction with Mozart’s music that it attained its truly immortal shape. For only when music and theater combine in one, can stage characters function simultaneously as individuals and personiﬁcations. And now, concluding my essay, I ﬁnd that I have said nothing about Mozart’s music. And I will saying nothing beyond one comment that may throw some light, not only on this work, but on Mozart’s style in general. Through a saturation with 19thcentury musical styles, we tend to associate “love music,” certainly at its most passionate and sexually explicit, with a sound very diﬀerent from that oﬀered by Mozart. Wagner, Tchaikovsky, and Chopin all oﬀer us fa miliar examples of love music replete with expressive melodies and har monies, and rich orchestral textures rising to passionate climaxes. Mozart, however, approaches not the surface expression of love but the power behind it, the energy of life itself that ﬁnds its most forceful expression in the sexual drive. In Mozart’s music, and certainly in this opera, the drives that animate these characters in so many varied ways are captured in a music that moves with a seemingly inexhaustable invention that is astonishingly fertile, continually tossing out new melodic ideas, rarely lingering to elab orate or develop their symphonic potentials, but spinning them out lyrically and then dropping them to go on to some new melodic idea. Each char acter is given music that uniquely reﬂects his or her own personality as it supplies a variation on, and a reﬂection of, the force that moves us all. Philip Friedheim �ORCHESTRA BASSOONS Lois Chantry Principal Valarie Durham VIOLIN I Evelina Chao Concertmaster David Harrington Bob Provell Paul Turco Olev Viro CELLO David Heiss Principal Michael Finchel Holly Wilson VIOLIN II Andrea Andros Principal Karen Fliegler Marcia Miller Evan Paris Lydia Werbizky F LUT ES Nancy Becker Sharon Kosakoﬀ Susan Passanante Karen Tax BASS Richard Thomas TRUMPETS Dave Bespalko Principal Scott Kelley HARPSICHORD Diane Pendleton OBOES Geoﬀrey Barron Principal Eliot Friedman VIOLA Larry Bradford Principal Barbara Corin HORNS Ken Steiger Principal Ed Deskur CLARINETS Wendy Osteyée Principal Paul Ketchoyian TYMPAN I Geoﬀrey Brooks ORCHESTRA M ANAGER AND LIBRARIAN: Larry Bradford REHEARSAL ACCOMPANISTS Barbara Garges ChaiKyou Mallinson Diane Pendleton Q 1k * 0! DANCERS Cara Bujarsky Colleen Friends Carol Hageman ( assistant to Ms. Kunsch) Kate Ragan Demaris Hollenbeak Mary Meyer W O R K S H O P C H O R U S MEN Chris Arneson Richard Bartmon Thomas Fordham Kevin McDermo tt Stuart Silverman Preston Stockman WOMEN Ellen Beattie Susan Glass Joan Jurich Judi Kahan Danette Lipten Kim Lovett Jill Small �P R O D U C T I O N S T A F F Roberta Schlosser, David Clatworthy Musical Preparation Stephanie Herman Properties Mistress Terry Di Massino Makeup . Roy Abbott, Rick Augustine, Howie Cantor, Davis Weiss, Joe Houghtaling, Bob Volk Stage Crew Electricans Karen Molinelli, Ron Katz Wardrobe Mistress Gerri Miller, Marie Ianotti .. Karen Tax House Manager . Tony Bednarcyzk Box Oﬀice Manager Technical Consultants John Bielenberg, Linda Giese, Rob Robinson, Judith Somogi, John Eloy Vestal, Lisbeth Roma OPERA PRODUCTION COMMITTEE FOR THE UNIVERSITY Harry B. Lincoln Roberta Schlosser Alfred G. Brooks David Clatworthy SUNY–BINGHAMTON OPERA WORKSHOP Roberta Schlosser, director Jill Small, secretary Richard Bartmon, president Rachel Gardner, treasurer # * i * A c k n o w l e d ge m e n t s We would like to thank the following for their help and contribution to the production of The Marriage of Figaro: TriCities Opera Co., Roberson’s Ballet Binghamton, WSKG, WBNGTV, Michael Ennist, Joan Whiting, Chris Focht, Etta Knapp, Duane Skrabalak, Joseph Kotylo, MacLennan Flowers Inc. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:00 46:54 39:35 33:50 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244790">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244790</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Marriage of Figaro, April 27, 1976 Recital tape 1976 4-27 Description An account of the resource Held on April 27, 1976. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-04-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d601b800c26bfd2c34bc5dc3ecac70f1.pdf d8e84e8bf6df09ca2336fbda79415322 PDF Text Text STATE University OF N e w York AT BINGHAMTON Harpur College Department of Music The Lenox Q uartet Peter Marsh, vi o l i n Delmar Pettys, violin Toby Appel, viola Donald McCall, cello Guest Artists: David Niethamer, clarinet David Heiss, c e l l o Saturday, April 24, 1976 8:15 pm Don A. Watters Theater �Program JUNJUN“!il3h!ab hhhhhhl'él'il'X'xihk dX'Jl'al'JGxﬁi'i'ith l'ﬁhhl'akahhhhhhhl ahhi QUARTET, Opus 103 STRING a F. JOSEPH HAYDN Ultimo” David Niethamer holds degrees from the Lebanon Valley College, the Juilliard School, and the Man de M hattan School o f Music, where he earned the M gree as a student o f Leon Russianoﬀ. As a s o l o i s t he has appeared with the Reading Philharmonic, the Andante grazioso Menuetto ma non troppo p r est o CLARINET QUINTET, K. 581 W. A. MOZART Allegretto Larghetto Menuetto Tema con variazio ni David Heiss, a student of Donald McCall, has been playing the cello since the age of seven. He has been heard i n r e c i t a l and as s o l o i st with severa l area orchest ras. He i s the principle c e l l i s t o f the Harpur Symphony Orchestra and the TriCities Opera David Niethamer, clarinet ~Intermission– CELLO QUINTET, Opus 163 Allegro ma non troppo Adagio Scherzo: Presto, andante sostenuto Allegretto David Heiss, c el l o Bergen Youth Orchestra, and the South Orange Sym phony. Currently Mr. Niethamer is a member of the Riverside Chamber Players of New York City, the Catskill Woodwind Quintet and the Catskill Symphony Orchestra. He is on the faculty at Hartwick Col lege, Oneonta, and the State University of New York at Binghamton. FRANZ SCHUBERT Orchestra. A senior a t SUNY Binghamton, Mr. Heiss i s th e r e c i p i e n t o f the 1976 SUNY Foundation Fine Arts Award i n Music. �FORTHCOMING EVENTS Apr 25 27 28 29 30 Wendy Simpson, piano r e c i t a l The Marriage o f Figaro Charles Brewer, harpsichord r e c i t a l The Marriage o f Figaro David Hoppe, c e l l o r e c i t a l The Marriage o f Figaro 2 Concert Serie s: Seymour Fink, piano 3 David Hibbard, trumpet r e c i t a l May 1 5 8 8 9 16 21 Collegium Musicum concert Percussion Ensemble concert Jan Lauridsen, piono r e c i t a l Albert Marikov, vi o l i n r e c i t a l Margie Graber, piano r e c i t a l Evelina Chao, vi o l i n r e c i t a l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:10 50:45 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244786">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244786</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Lenox String Quartet, April 24, 1976, Recital tape 1976 4-24 Description An account of the resource Works of Haydn, Mozart and Schubert. Held at 8:15 pm, April 24, 1976, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-04-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/534bf1422147379edecd6a04bf767dc1.pdf 2e6a6efa7b985fadf54a1a38e85d8d0d PDF Text Text AT BINGHAMTON STATE UNIVERSITY OF NEW YORK Harpur College Department of Music < 1 5 ) THE AUDUBON QUARTET Friday, October 8, 1976 8:15 P.M. Casadesus Recital Hall m T w a E w T E P ~ ~ �l o » NES I } PROGRAM }b » v ( i Haydn Quartet in 2? Major, 0p.64 no.6 Allegretto Andante Menuetto – Allegretto Finale Presto \ \ { i THE AUDUBON QUARTET Dennis Cleveland, v i o l i n Janet Brady, violin Doris Lederer, viola Quartet #8 Opus 110 (1960) Largo Allegro molto Allegretto Largo Largo Shostakovich INTERMISSION pv C. Thomas Shaw, cello Quartet i n ¢ minor, Op.51 n o . l Allegro Romanze Poco Adagio Allegretto molto moderato e comodo Allegro o o ad J § s e “A Brahms �\. COMING EVENTS 0ct.10, Sun. Concert S e r i e s C at ski l l Woodwind Quintet Oct. 23, SaL Nov. 6, oats Concert Series Toby Appel Concert Series – Seymour Fink,Delmar Pettys Nov. 8, Mon. Harpur S mphon,, Nov.13, SAG. Harpur Chorale Nov.14, Sun. Jazz Ensemble (3 p.m.) Concert Series – Peter Marsh and Friends Dec. 4, Sab University Chorus Orchestra Bicentennial Dec. 9; Thur. C o l i e g i i e m M u s i c u m (University U n i o n ) once Dec.12, Sun. Concer t S e r i e s L a re d o, R o b i n e o n , P Dec.13, Mon. Wind Ensemble All concerts will begin at 8:15 p.m. unless otherwise inarcated. l \\ — — — T Y T E � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:10:02 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244783">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244783</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, University Chorus and Orchestra, April 5, 1976 Recital tape 1976 4-5 Description An account of the resource Works of Thompson and Orff. Held at 8:15 pm, April 5, 1976, Watters Theater. Creator An entity primarily responsible for making the resource University Chorus and Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-04-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/bcd41d53875076b0094bbda1cc567a9d.pdf 841133e34e6bd00f39ba5fcdb69a0bf1 PDF Text Text The HARPUR JAZZ ENSEMBLE Albert Hamme, director conductor David Hibbard, Sunday , ﬂprl 4 , 1976 Don ﬂ. Waters Theaetr p 30:0 m �Program *************************&*************%*ﬁ*********** RAY’S IDEA arr. by Mitch GEISNER WHISPER NOT Benny GOLSON CHICAGO D. RADER ONCE I LOVED arr. by Phil WOODS LOW DOWN MINOR BOOZE W i l l i e MAIDEN JUMP FOR JOE Gene ROLAND TALK OF THE TOWN arr. by Manny ALBAM DIRTY OLD MAN Frank WESS Thad JONES kkk kk TAKE OUT THE GARBAGE Mitch GEISNER ANGEL EYES arr. by Al HAMME COMES THE RESOLUTION Manny ALBAM –INTERMISSION– This Ensemble was established as a performance medium i n 1968 and has appeared i n co n ce r t with The BLUES FOR POLAND I REMEMBER CLIFFORD Tony KLATKA Benny GOLSON arr. by Mitch Geisner Buﬀalo Philharmonic Orchestra, Clark Terry, Marvin Stamm, Lew Soloﬀ, Urbie Green, Frank Wess, Edie Daniels, Slam Stewart, Manny Albam, Jimmy Owens and has recorded for Crest and Mark Records. �PERSONNEL ALTO SAX Warren Sacks Robert Sarachan PTANO TENOR SAX BASS Howard Brown Richard Inch Lee Mustiker Ira Antelis Mel Comberiati Randy Rockwell BARITONE SAX Robert Trachtenberg GUITAR David Helefant TRUMPETS David Hibbard Mike Kinney Daniel Bencher DRUMS Mike Ward John Lamarka TROMBONES Miteh Geisner Tony Piazza Steve Shear BASS TROMBONE Jim Magacs Steve Press � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:39 39:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244779">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244779</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Harpur Jazz Ensemble, April 4, 1976 Recital tape 1976 4-4 Description An account of the resource Works of Golson, Rader, Woods, Hamme, Klatka, and Roland. Held at 3:00 pm, April 4, 1976, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-04-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c06defcd2d1e208351c556ea8ff62a1b.pdf 829c4d29c66089b16e6547a4d94e324c PDF Text Text STATE UNIVERSITY OF N E W Y o r k AT BINGHAMTON Harpur College Department of Music The Ha rpur W ind Ensemble Albert Hamme, Director Jay Hilﬁger, Graduate Conductor Asher Raboy, Undergraduate Conductor Presents A Bicente nnial C elebrat ion 2 0 0 Years of America n Music Sunday, March 14, 1976 8:15 pm Don A. Watters Theater �¥ The Harpur Wind Ensemble ********************44396shhhhbhhhhi>§***********>§**ahhhf AMERICAN OVERTURE FOR BAND (1955) Joseph W. JENKINS FORTHCOMING EVENTS Mar 19 Margie Graber, piano recital 20 27 Richard WAGNER AMERICAN CENTENNIAL MARCH (1876) BATTLE OF TRENTON (1792) at James HEWITT John Philip SOUSA CIVIL WAR FANTASY (1961) Jerry BILIK TERMI SSI ON I N COMMANDO MARCH (1 94 3) AN AMERICAN IN PARIS (1928) VARIATIONS ON A SHAKER MELODY (1944) AMERICAN SALUTE (1943) First Presbyterian Church, Endicott 28 Eugene Sawczyn, voice recital 28 Oberlin Conservatory Percussion Ensemble 28 Larry Bradford, viola recital Apr 2 Geoﬀrey Barron, oboe recital 3 Paul Ketchoyian, clarinet recital PRESIDENT GARFIELD’S INAUGURAL MARCH (1881) . AN ELLINGTON PORTRAIT ( 196 5) Diane Pendleton, piano r e c i t a l Paul Jordan, organ/harpsichord recital Samuel BARBER 4 Jazz Ensemble concert 5 University Chorus and Orchestra: Carmina Burana 23 David Hoppe, c e l l o r e c i t a l 24 Concert S e r i e s : The Lenox Quartet 25 Wendy Simpson, piano r e c i t a l 27 The Marriage of Figaro 29 The Marriage of Figaro May 1 The Marriage of Figaro 2 Carolyn Berdall, cello recital 2 Concert Series: Seymour Fink. piano 5 Collegium Musicum concert 8 Jan Lauridsen, piano r e c i t a l George GERSHWIN Aaron COPLAND Floyd E. WERLE Morton GOULD * Music made available, free of charge, by the J.C Penny Co. �PERSONNEL PICCOLO BASS CLARINETS CORNETS Debbie Sucho ﬀ Laurie Nash Linda Levine Alfred Szymaniak David Bespalko Robert Hayes David Cistola FLUTES ALTO SAXOPHONES Karen Tax Bethia Margoshes Kathy S i t zer Amy Lipton Andy Weiss Michael Kolodny Carl Gutterman OBOES TENOR SAXOPHONE Matthew Kuhn R i chard St e iner Stuart Small Beth Schoonmaker TRUMPETS Mario Cerrino Fred Bartman TUBAS Mark McAdon Carmelo Comberiati BARITONE SAXOPHONE ENGLISH HORN Richard Inch Matthew Kuhn FRENCH HORNS BASSOONS Lo i s Chant ry Ingri d Tomsons Jay Hilﬁger Rod Thomas Robert Taylor Jim Berriman CLARINETS TROMBONES Mark Zavatto Donna Booth Paul Ketchoyian Cindy Baldwin Carol Schneider Frank Bucek Lori Miller Joanne Oventhal Ian Cain Richard Gower Stephen Shear Richard Terrano PERCUSSION Roy Weinberger Geoﬀrey Brooks Keith Martens Joe Pazienza Diane Dino Robert Bradley OFFICERS E ﬂ at CLARINET Robert Sarachan BARITONES Asher Raboy Kirk Jackson Evan Altman Geoﬀrey Brooks, pres i dent Matthew Kuhn, vice president Cindy Baldwin, treasurer Ingrid Tomsons, librarian � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:13 35:56 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244775">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244775</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Harpur Wind Ensemble, March 14, 1976 Recital tape 1976 03-14 Description An account of the resource Works of Jenkins, Wagner, Sousa, Barber, Gershwin and Gould. Held at 8:15 pm, March 14, 1976, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Wind Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-03-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c0600080a9f16a70993046504182c9a5.pdf 757c3a83c6cde4e41f64e2e364327f80 PDF Text Text STATE UNIVERSITY OF NEW York AT BINGHAMTON ‘Harpur College Departmentof Music T H E L E N OX Q UA RT E T Saturday, March 13, 1976 8:15 pm Don A. Watters Theater �Toby Appel, viola Peter Marsh, violin Delmar Pettys, violin Donald McCall, ‘cello * * # * * * * ’ * * * * * x ~ * % * * > ( 3 ( J h ( * 3 9 h“ ? af ’ b l X * * * * * * J ¥ * * * * * * * * x ~ * * * * * * FORTHCOMING EVENTS Mar 14 19 20 27 28 28 28 Apr 2 3 4 5 23 24 26 27 29 May 1 2 5 8 Wind Ensemble concert Margie Graber, piano recital Diane Pendleton, piano r e c i t a l Paul Jordan, organ/harpsichord First Presbyterian Church, Endicott Eugene Sawezyn, voice recital Larry Bradford, viola recital Oberlin Conservatory Percussion Ensemble concert Geoﬀrey Barron, oboe recital Paul Ketchoyian, clarinet recital Jazz Ensemble concert University Chorus and Orchestra: Carmina Burana David Hoppe, cello recital Opus 50, no. 6 “The Frog” Allegro Poco Adagio Menuetto (A l legretto) Finale (Allegro con spirito) Collegium Musicum concert Jan Lauridsen, piano r e c i t a l SCHUMANN QUARTET IN A MAJOR Opus 41, no. 3 Andante espressivo Allegro molto moderato Assai agitato Adagio molto Finale (Allegro molto vivace) Concert S e r i e s : The Lenox Quartet Wendy Simpson, piano recital The Marriage of Figaro The Marriage of Figaro The Marriage of Figaro Carolyn Berdall, cello recital Concert Series: Seymour Fink, piano HAYDN QUARTET IN D MAJOR –INTERMISSION– QUARTET IN C MAJOR Opus 69, n o . 3 Andante con moto Allegro vivace Andante con moto quasi Allegretto Menuetto (Grazioso) Allegro molto BEETHOVEN �NOTICE At th e re qu est o f Campus Security we make t h e following announcement: Any cars parked by ﬁ r e hydrants, yellow curbs, o r i n 24 hour disabled spaces are subject t o being towed away a t th e owner’s expense. I f your v e h i c l e i s i n any o f these areas, please move i t immediately. Your cooperation i s appreciated. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:46 31:34 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244767">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244767</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Lenox String Quartet, March 13, 1976 Recital tape 1976 03-13 Description An account of the resource Works of Haydn, Schumann and Beethoven. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-03-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f463c769a396c17e0c89dbea7ba0566c.pdf 95672fdbdc413c3bd5032638d501291d PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Harpur Symphony Orchesta Judith Somogi, conductor guest a r t i s t ; Judith Anthony, soprano Friday, February 27, 1976 8:15 pm Soetal Room �FORTHCOMING EVENTS Dennis Burge, piano recital Concert Series : Toby A ppel , vio la A l Hamme, saxophone Paul Jordan, piano 2 9 Margaret Donelian, voice recital Mar 2 Judy Geist, viola recital Feb 28 29 5 12 l W A G N E R : W E S E N D O N K L I E D E R Miriam Brickman, piano drama Balkan concert 13 Concert Series : The Lenox Quartet 1 4 Wind Ensemble concert 2 0 Diane Pendleton, piano r ecita l 27 Sandra Robbins, viola recital Apr 4 Jazz Ensemble concert 5 Chorus and Orchestra concert 2 4 Concert Series : The Lenox Quartet 2 5 Wendy Simpson, piano recital 27 Marriage of Figaro 2 8 Co llegium Musicum concert 2 9 Marriage of Figaro May 1 Marriage of Figaro 2 Seymour Fink, piano r ecita l I. Der Eng el In der Kindheit frithen Tagen hort’ ich oft von Engeln sagen, die des Himmels hehre Wonne tauschen mit der Erdensonne, dass, wo bang ein Herz in Sorgen schmachtet vor der Welt verborgen, dass, wo still es will verbluten, und vergehn in Tranenﬂuten, dass. wo briinstig sein Gebet einzig um Erlosung ﬂeht, da der Engel nieder schwebt, und es sanft gen Himmel hebt. Ja, es stieg duch mir ein Engel nieder, und auf leuchtendem Geﬁeder ﬁthrt er, ferne jedem Schmerz, meinen Geist n un himmelwa rts. II. Stehe Still! Sausendes, brausendes Rad der Zeit, Messer du der Ewigkeit; leuchtende Sphéren im weiten All, die ihr umringt den Weltenball ; urewige Schépfung, halte doch ein, Genug des Werdens, lass mich sein! Halte an dich, zeugende Kraft, Urgedanke, der ewig schaﬀt! Hemmet den Atem, stillet den Drang, schweiget nur eine Sekunde lang! Schwellende Pulse, fesselt den Schlag ; Ende, des Wollens ew’ger Tag! Dass in selig siissem Vergessen ich mog’ alle Wonnen ermessen! Wenn Aug’ in Auge wonnig trinken, Seele ganz in Seele versinken ; Wesen in Wesen sich wieder ﬁndet, und alles Hoﬀen’s Ende sich kiindet ; die Lippe verstummt in staunendem Any cars parked by ﬁ r e hydrants, yel low curbs, or in 24 hour disabled spaces are sub ject to being towed away a t the owner’s expense. If your vehicle i s in any of these areas, please move i t immediately . Your co operation i s appreciated. Schweigen, keinen Wunsch mehr will das Inn’re zeugen : erkennt der Mensch des Ew’gen Spur, und los’t dein Rﬁtsel, heil’ge Natur! i I . The Angel In the early days of childhood I often heard tales of angels who exchange the higher joys of Heaven for the sunshine of earth, so that whoever with sorrowing heart languishes hidden from the world, whoever bleeds to silent death, passing away in ﬂoods of tears, whoever with fervor prays only for release from l i f e to him the angel descends and gently raises him to Heaven. Yes, an angel came also to me and with his shining golden wings carried, far from every pain, my spirit up towards Heaven! II. Stand Still! Rushing, roaring wheel of time, knifeblade of eternity, glowing sphere in distant space closed about the globe of earth ; ﬁrst creation, stop your turning, enough of existence, let me be! Hold back, power of begetting, grimal thought, etern creator! top this breathing, still this desire, silence it only a few seconds’ time! Swelling impulse, restrain your blow, end the unending day of wanting! So that in sweet and happy forgetting I might measure the worth of joy! When eye drinks in the joy of eye, when soul is sunk in another’s soul, when being ﬁnds itself in another’s being, and we reach the end of all hoping ; when lips are dumb in wondering silence, the inner soul will beget no more desire then man will know the eternal sign and solve thy riddle, holy Nature! �III. Im Treibhaus Hochgewdlbte Blatterkronen, . Baldachine von Sma ragd, Kinder ihr aus fernen Zonen, saget mir, warum ih r klagt? Schweigend neiget ih r die Zweige, malet Zeichen in die Luf t, und, der Leiden stummer Zeuge, steiget aufwarts siisser Duf t. Weit in sehnendem Verlangen breitet ihr die A rme aus, und umschlinget wahnbefangen 6der Leere nicht’gen G raus. ‘Wohl, ich weiss es, a rme Pﬂanze: ein Geschicke teilen wir, ob umstrahlt von Lic ht und Glanze, unsre Heimat ist nic ht hier ! Und wie f roh die Sonne scheidet von des Tages leerem Schein, hiillet der, der wahrhaf t leidet sich in Schweigens Dunkel ein. Stille wird’s, ein sduselnd Weben ﬁillet bang den dunkeln Raum : schwere Tropfen seh ’ ich schweben an der Blatter grilnem Saum. IV. Schmerzen Sonne, weinest jeden Abend dir die schénen Augen rot, wenn im Meeresspiegel badend dich erreicht der frithe Tod ; doch ersteh’st in alter Pracht, Glorie der diistren Welt, du am Morgen neu e rwacht, wie ein stolzer Siegesheld! Ach, wie sollte ich da klagen, wie, mein Herz, so schwer dich sehn, muss die Sonne selbst verzagen, muss die Sonne unte rgehn? und g e b i e rTeod nur Leben, t geben Schmerzen Wonnen nu r : o \\'ie dank’ ich dass gegeben solche Schmerzen mi r Natur ! V. Trdawme Sag; welch wunderba re Traume halten meinen Sinn u mfangen, dass sie nicht wie lee re Schaume sind in 6des Nichts vergangen? Traume, die in jeder Stunde, jedem Tage schooner blith’n, und mit ihrer Himmelskunde selig durch’s Gemiite ziehn! Traume, die wie hehre Strahlen in die Seele sich versenken, dort ein ewig Bild zu malen : Allvergessen, E ingedenken! Traume, wie wenn Fr ithlingssonne aus dem Schnee die Bliiten k iisst, dass zu nie geahnter Wonne sie der neue Tag begr iisst, dass sie wachsen, dass sie bliihen, traumend spenden ih ren Duf t, sanft an deiner Brust vergliihen, und dann sinken in d ie G ruft. III. In the Greenhouse Higharched leaf y crowns, canopies of emerald, children of a distant clime, tell me, why do you mourn ? Noiselessly your branches bend, shaping gestures in the air, and as silent witness of sorrow there rises upwards a sweet scent. Wide in yearning desire you spread out your arms and embrace the maddening void horror of empty space. Well do I know, poor plants, that we share one destiny, even with light and lass above us our homeland is not ere! How gladly does the sun withdraw f rom the empty light of day to veil him who truly sorrows in the dark of silence. All grows still, a rustling motion ﬁlls the darkened space with grief: I see heavy drops suspended on the green edges of the leaves. IV Pain Sun, you weep every evening until your fair eyes a re red when bathing in the sea’s mirror you reach your early death ; yet you rise with accustomed splendor, glory of the gloomy world, newly awakened at morning as a proud, victorious hero! Ah, why should I complain, why, my heart, pity you so when the sun himsel f must despair, when the sun must sink in min ? Death always gives b irth to l ife. pains always bring f orth joys : oh, how thank f ul a m I t ha t Nature has given me such pa ins! V. Dreams Shall I sa y what wond rous d reams hold m y mind in thrall, so that it has not like empty bubbles passed in to oblivion? Dreams, that in ever y hour, every day grow fairer, and with their heavenly message Bass th ro u gh m y s oul w i t h b lessings! reams, that like celestial rays penetrate my very soul and paint an un fading picture there of forgetting and remembering! Dreams that, like the sun of spring, d raw ﬂowers f rom snow with a k iss ; they are born to unsu spected joy and greet the new da y ; then they grow, and they bloom, and d reaming give forth t hei r scen t ; gently they cool upo n your breast and then sink into th e grave. The Harpur Symphony Orchestra Jt ’l’étdJt ’h t ’l'a ta ta td’hh tJiilsh ta hh ta lJl'JithbtJhi'ihh t ’ta hhhhhh téhbbhhh t ’td'i t ACADEMIC FESTIVAL OVERTURE WESENDONCK LIEDER BRAHMS ' WAGNER Der Engel Stehe s t i l l Im Treibhaus Sehmerzen Trdume J u d i th Anthony, soprano «IN TE’RMI SSI 01V SYMPHONY NO. 88 HAYDN L’ARLESIENNE SUITES BIZET I Prelude Minuetto Adagietto Carillion IT Farandole �ORCHESTRA PERSONNEL FIRST VIOLINS BASSES HORNS Evelina Chao, Concertmaster Bruce Berg Ronald Copes Karen Fliegler David Harrington Elmar Oliveira Michael Smith Paul Turco Lydia Werbizky Debbie Neu, principal Dominique Hyatt. Michael Sanders Richard Thomas Ed Deskur Jay Hilﬁger Ken Steiger Rodney Thomas FLUTES TRUMPETS Susan Passanante Liann Helfer Scott Kelley J e ﬀ Lake Glenn Morrell SECOND VIOLINS PICCOLO Armen Boyajian, principal Nigel Allen Janet Brady Kevin Byrnes Lee Ann Harbatuck Ross Levinson Roy Lewis Marcia Miller Evan Paris Cordula Rosow TROMBONES Nancy Becker Eric Schwartz Richard Terrano OBOES Elliot Friedman Janet Zeibur TUBA Thomas Wood ENGLISH HUKN TYMPANT VIOLAS Matthew Kuhn Geoﬀrey Brooks Larry Bradford, principal Geoﬀrey Brooks John Dexter Kathy Elias Barbara Gorin Judy Geist Tim Killian Sandra Robbins Ellen Weil CLARINETS PERCUSSION Wendy Osteyée Joyce Rose BASSOONS Lois Chantry Valerie Durham CELLOS David Heiss, principal Howard Cohen Michael Finckel CONTRABASSOON Cindy Baldwin Walter Gray David Hoppe Tom Shaw Steve Stalker Holly Wilson ALTO SAXOPHONE Earl Gregory Diane Dino Steve Press � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:21 48:19 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244771">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244771</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Harpur Symphony Orchestra, February 27, 1976 Recital tape 1976 02-27 Description An account of the resource Work of Brahms, Wagner, Haydn and Bizet. Held at 8:15 pm, February 27, 1976, Social Room. Creator An entity primarily responsible for making the resource Harpur Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-02-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b5fe8307db7a762f4a39980542991488.pdf d686bc401b18bd323dd7cce16f55de6d PDF Text Text STAT E Un t ve m s i r y O F N E W Y o r k AT B I N G H A M T O N Harpur College Department of Music Delmar Pettys, violin Seymour Fink, piano S at u rd a y, Februar y 21, 1976 8 : 1 6 pm Casadesus Reeital Hall �Delmar Pettys, violin Seymour Fink, piano FORTHCOMING EVENTS Feb 27 Orchestra concert 28 Dennis Burge, piano r e c i t a l 29 Margaret Donelian, v o i c e r e c i t a l 29 Concert Series: Toby Appel, viola Al Hamme, saxophone Paul Jordan, piano Mar 2 Judy G e i st , v i o l a r e c i t a l 5 Miriam Brickman, piano drama 6 12 13 Apr 27 29 May 1 Geoﬀrey Barron, oboe recital Balkan concert Lenox Quartet Marriage of Figaro Marriage of Figaro Marriage of Figaro abutmentu“HunMaeaemu:umt*uumuumusxsmumtuu MOZART SONATE IN E MINOR KV 304 Allegro Tempo di Menuetto BEETHOVEN SONATE IN 0 MINOR Op. 30, No. 2 Allegro con brio Adagio cantabile Scherzo Finale: Allegro –INTERMISSION– SONATE IN A MAJOR BRAHMS Op. 100 Any cars parked by ﬁre hydrants, yellow curbs, or i n 24 hour disabled spaces are subject t o being towed away a t the owner’s expense. I f your vehicle ig in any of these areas, please move Allegro amabile Andante tranquillo Allegretto grazioso (quasi Andante) i t immediately. Your cooperation i s appreciated. RONDEAU BRILLANT IN B MINOR Op. 70 SCHUBERT � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:09 46:01 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244757">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244757</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Delmar Pettys and Seymour Fink, February 21, 1976 Recital tape 1976 02-21 Description An account of the resource Works of Mozart, Beethoven, Brahms, and Schubert. Held at 8:15 pm, February 21, 1976, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Pettys, Delmar Fink, Seymour Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-02-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound