120 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150682">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150682</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hindustani (North Indian) classical music an evening raga, May 9, 2009 Recital Tape 2009-5-9 Description An account of the resource Held at 8:00 p.m., May 9, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Regulski, Tomek Mirabito, Dean Sakamoto, Briana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/116a3f43cba10d1f6a08d4d6a207a9bc.pdf 1e311d1cdff7b3fc00fc0bf18bfdc33c PDF Text Text BINGHAMTON UP  N I V E R S I L I Y S T A T E   U N I V E R S l T Y   O F  N E W   Y O R K odee [4 E P A R  I M  E N T U N I V E RS I T Y  P ERCUSSIO N E N S E M B L E  C O N C E R T Daniel Fabricius, Conductor Stephanie J. Lehman, Assistant Conductor Assisted by Sam Smith, Bass Caleb DeGroote, M arimba Tuesday evening, May 5, 2009 8:00 PM Anderson Center Chamber Hall �University Percussion Ensemble Personnel PROGRAM Celestial Welcome........................................ Kristen Shiner McGuire Music for Percussion E nsemble  Minuano (Six Eight) ..  A R S u b .. Tomek Regulski Pat Metheny & Lyle Mays Arranged by Robert Curnow a ! .    ..............Mark Ford Marc Silvagni, Stephanie Lehman, Caleb DeGroote WINTERMISSION3 Stinkin’Garbage...............................................  .......Ed Argenziano Enchanted Circus...  Bicksa  Scott Tignor Thom Hasenpflug Cumana '.......................Barclay Allen, Harold Spina & Roc Hillman Arranged by Dan Fabricius Adam Goldenberg Amanda Jacobs Stephanie Lehman Brian Lindenbaum Gavin Osterhaudt Wayne Papke Marc Silvagni Kelly Tufo Lee Vilinsky The UNIVERSITY PERCUSSION ENSEMBLE plays a wide variety of music written  for percussion instruments.  They have played much of the traditional  literature  composed  for  Percussion  Ensemble  as  well  as compositions and arrangements from BU students and faculty.  Students are often featured as soloists with the group and audiences can expect to hear the sounds of traditional standard orchestral instrument along with many non­ traditional  “percussive  sounds”.  The  ensemble  presents  a concert  every semester and has developed a loyal following of people who try to attend each performance.  The group meets to rehearse for one hour each week. DANIEL  FABRICIUS,  Lecturer  of  Music  in  Percussion,  has  been  a member  of the  Binghamton  University  faculty  since  1992.  He  holds degrees  from  Mansfield  University  and  Ithaca College  where  he  studied percussion with Richard Talbot and Gordon Stout. In addition to his work at BU, he has served as Director of Bands at Owego Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982  but  is also comfortable performing in  popular, rock, jazz, and other styles.  He plays regularly on drums as a member of several musical organizations in the Southern Tier.  He has also played often as a free­lance percussionist,  accompanying  national  touring artists such  as  Michael  W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the  Smothers Bothers, and  Ella Fitzgerald.  He  is highly regarded  in  the region  as  a  percussion  soloist  and  ensemble  player  and  has  played collaborated often with organist Jonathan Biggers and the Ithaca Brass.  For many  years  Professor  Fabricius  has  served  the  New  York  State  School Music Association as an All­State Percussion adjudicator.  He also serves on the faculty of the Binghamton High School Percussion Camp each summer and  over  the  years  has  presented  many  percussion  clinics  at  state conventions  and  conferences.  In  addition  he  often  serves  as  a  guest conductor for honor band  festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals throughout New York. �STEPHANIE LEHMAN  is  now in  her second  year here at Binghainton University  as  a  graduate  teaching  assistant  while  pursuing  her  Masters degree  in  percussion  performance.  Here  at  Binghamton,  she  is  very fortunate  to  be  studying  percussion  under  Dan  Fabricius.  She  recently graduated from  University of Delaware with a Bachelors degree in  music education with a concentration in percussion.  While here in Binghamton she is  spending  her  time  teaching  fellow  students  while  practicing  and performing as much as possible.  Last fall Stephanie was the winner in the Winds,  Brass,  and  Percussion  Division  for  the  Binghamton  University concerto competition.  Her prize was to perform as marimba soloist with the University Symphony Orchestra last spring.  She has also performed two exceptional Master’s Recitals to complete her degree requirements. TOMEK  REGULSKI  is  a second  year  Masters  student  at  Binghamton University, studying music composition in the studio of Dr. Paul Goldstaub. He  received his B.A. in music at Hartwick College, studying composition under Dr. Thomas Licata.  Music for Percussion Ensemble, which is being performed  this evening,  is Tomek’s first  composition written entirely  for percussion instruments. “The  piece  begins  and  ends  with  a  slow,  rhythmically  free  section­  a moment characteristic of my recent work.  In between these outer sections are two  faster sections, the first of which features the mallet instruments, while the second features the timpani.  The goal for these two sections is for there  to  be  a  constant  momentum  that  builds  up  across  both  sections, reaching its climax at the very end and coming to a halt on the first beat of the return of the slow section, allowing the energy to dissipate across two fermatas.” Tomek will be graduating this year with his Masters of Music degree, and will  begin  the  Doctorate  of  Musical  Arts  degree  program  in  music composition at the University of Maryland  in  August.  In addition to his studies  in  composition,  Tomek  has  been  studying the  classical  music  of North  India  for  the  last  three  years  under  sitar  maestro  Acharya  Roop Verma.  He is giving a recital on Saturday, May 9 at 8 p.m. in Cassadesus Recital  Hall as a culmination of this time, and  invites everyone to come share in the moment with him. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150685">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150685</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble, May 5, 2009 Recital Tape 2009-5-5 Description An account of the resource Works of McGuire, Regulski, Metheny & Mays, Ford, Argenziano, Tignor, Hasenpflug, Allen, Spina & Hillman. Held at 8:00 p.m., May 5, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Lehman, Stephanie J. Smith, Sam DeGroote, Caleb Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/4caafae1f11a37a4e4d8c50bccfde216.pdf 78c6f1e34e083cf79b5b00dde437d9ba PDF Text Text BINGHAMTON DMN  I V E R S I T S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K olde [4 B E F A  R T M   E N T Flute  Studio 7) Fniday, W a y  1 , 2 0 0 9 10:15 aun. Casadesus  Recital dJal �PROGRAM  Sarabande for Flute Quartet..........................Claude Debussy (1862­1918) Transcribed by Harold L. Walters Festival for Flute Quartet........c..cccevvveceerrennecrenenee...  Brandt Transcribed by H. Voxman Sonatina for Flute and Piano  ......Arnold Cooke  Allegra moderato  Russian Folk Song  (1906­2005)  ;  fi Binghamton Universnty Flute Quartet Emily Morris, flute Rachelle Haddad, flute Judy Kahn, flute Jaclyn Scott, flute Andantino  Allegro vivace  Tae Kim, flute  Mrs. Margaret Reitz, piano A  i  Variations for Flute and Piano......................... Reynaldo Hahn  On a Theme of Mozart  (1875­1947) a .........Traditional Transcribed by H. Voxman Le Flute de Pan Op. 15  Pan Les Berges  1.  A ndante  dolce  Jules Mouquet (1867­1946) Valerie Spiller, flute 2.  A  Tempo  Mark Rossnagel, piano 3.  Paco piu Lento 4.  Un poco  pui Lento  5  Py animapnt a  3  6.  Allegro molto :  ; Night Soliloquy  Kent Kennan (1913­2003) Melissa Voldan, flute Gabriel Luce, piano Emily Morris, flute  Mrs. Margaret Reitz, piano Fantasie in C Major for Flute Alone  Georg Philipp Telemann  (1681­1767)  Suyeon Oh, flute I m p ro m p li s. . . c ae Suite for Three Flutes  Andante  Allegro William Presser (1906­2005) Adagietto Scherzo .........Jean Conte  Suyeon Oh, flute  Mrs. Margaret Reitz, piano  (1830­1888) The Drunken Sailor.............  .......... Arranged by C. Cowles Binghamton University Flute Trio Suyeon Oh, flute Valerie Spiller, flute Melissa Voldan, flute Flutists are from the Flute Studio of G   eorgetta Maiolo �Binghamton University Music Department’s UPCOMING EVENTS Sung Jin Park, soprano, 3:00 PM,   Satur day, May  2 ° Masters Rectal:  Casadesus Recital Hall, FREE Susan Amisano, soprano, 8:00 PM,   Saturday, May 2 ”Masters Recital:  Casadesus Recital Hall, FREE Saturday, May  >  University Symphony Orchestra “Fantastique!” Osterhout Concert Theater, 8:00 PM, $$ Jenean Truax, soprano, 3:00 PM,   Sunday, M a y Masters Rectal:  Casadesus Recital Hall, FREE Tu esday, May  5  Percussion Ensemble, 8:00 PM, Anderson Center Chamber Hall, FREE Thursday, May  7*" Student Recognition Mid­Day Concert, 1:20 PM, Casadesus Recital Hall, FREE Thursday, May a  Harpur Chorale and Women’s Chorus, 8:00 PM, Anderson Center Chamber Hall, FREE Ensemble, 8:00 PM,   Friday, May  8 ” Binghamton University African Music  Casadesus Recital Hall, FREE (North Indian) Classical: Tomek Regulski,   Saturday, May 9  ” Hindustani  Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150688">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150688</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio and flute chamber concert, May 1, 2009 Recital Tape 2009-5-1 Description An account of the resource Held at 10:15 a.m., May 1, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kim, Tae Reitz, Margaret Morris, Emily Oh, Suyeon Binghamton University Flute Quartet: Haddad, Rachelle Kahn, Judy Scott, Jaclyn Spiller, Valerie Rossnagel, Mark Luce, Gabriel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cde746a66fe1c4e55bd6cd9fd705aeac.pdf 6d7b7f033d4ea7d50f903f2478a0982a PDF Text Text BINGHAMTON B N I  Y E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K  yC dee [4 D  E  P  A  R  T  M  E  N  T F o r  Slava: Remembering th e G reat Russian Cellist, Mstislav Rostropovich (1927­2007) Stephen Stal ker, cello Michael Salmirs, piano Ma ry Burgess, soprano Patricia Sunwoo, violin Sunday, April 19, 2009 7:30 PM Casadesus Recital Hall �ABOUT T H E  PERFORMERS STEPHEN STALKER, cellist, teaches at Binghamton  University. He formerly  taught  at  Colgate  University,  Mansfield  University,  Ithaca College and the Binghamton City School District. He was the principal cellist  of  the  Cayuga  Chamber  Orchestra  in  Ithaca,  NY,  and  has PROGRAM Suite for Cello, Op. 72 for solo cello Canto Primo:  Sostenuto e largamente Fuga:  Andante moderato Lamento:  Lento rubato Canto secondo:  Sostenuto Serenata:  Allegretto (pizzicato) Marcia:  Alla  marcia moderato Canto terzo:  Sostenuto Bordone :  Moderato quasi recitativo ..Benjamin Britten (1913­1976) 5 l Moto pepetuo e Canto q uarto :  Presto Seven Poems of Alexander Blok................ for soprano, violin, cello and piano Ophelia ’s Song Hamayun, the Prophetic Bird We Were Together l Dmitry  Shostakovich (1906­1975) l l The City is Asleep The Storm Secret Signs Music WINTERMISSION3 Sonata in C Major for cello and piano Andante Grave,  Moderato animato Moderato,  Andante dolce Allegretto ma non troppo,  Andantino v Sergey Prokofiev (1891­1953) performed extensively  with  the Catskill  Chamber  Players  of Oneonta, NY,  and  in  concerts at  Binghamton  University.  Performing  with  the Catskill Chamber Players he has presented Meet the Composer concerts with  prominent  American  composers  including  John  Cage,  Virgil Thomson,  Lou  Harrison  and  George  Crumb.  The  Chamber  Players appeared at  Weill Recital Hall,  premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNY­Binghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a finalist in th e Naumberg Chamber Music Competition in  New  York  City  and  the  Evian  International  String  Quartet Competition  in  Evian,  France.  He  has  performed  in  many  recital appearances with  pianist, Michael Salmirs. He  performs regularly with the Trio Amici, Trilogy, Baroque  ‘n Blue, Early On and in concerts at Binghamton University.  He is a past president of the New York State Chapter of the American String Teachers: Association and was Strings Chair for the New York State School Music Association.  He is a founder of the Southern Tier Music Teachers Association and the  Binghamton Cello  Festival. He is a graduate of the Manhattan School  of Music in New York City. Pianist MICHAEL SALMIR S, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber  musician.  He  has  appeared  as  soloist  with  the  Corning Philharmonic,  Binghamton  University  Orchestra,  Cayuga  Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In  addition  to performing most of the standard  chamber music repertoire  for strings and  piano, he has  premiered  numerous solo and chamber works, and recently gave the world premieres of David Liptak ’s and  Marek  Harris’  Piano  Quintets.  He  has  also  participated  in  such contemporary music  series as Binghamton  University’s  Musica  Nova, Cornell  University’s Ensemble X, Ch iron, and has toured and recorded for the Syracuse Society for New Music. MARY BURGESS, soprano, a graduate of the Curtis Institute of Music, has been a member of the Binghamton University voice facu lty for over twenty years.  Ms. Burgess made her U. S. operatic debut with New �PROGRAM NOTES York  City  Opera  while  still  a  student  at  the  Curtis  Institute,  and subsequently appeared with  Santa Fe Opera, Washington Opera, New Orleans  Opera,  Nevada  Opera,  and  many  other  regional  companies including Tri­Cities Opera in Binghamton.  Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto  Festival  in  Italy,  at  the  Theatre  Royale  de  la  Monnaie  in Brussels, and with Dublin Grand Opera.  Burgess has appeared as soloist with  more  than  two  dozen  U.  S.  orchestras,  including  the  Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon).  She has been a frequent guest  at  such  prestigious  festivals as  Marlboro,  Monadnock,  Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati  May Festival. Her repertory of forty roles in  five languages ranges from  Monteverdi and  Cavalli  to  Britten  and  Virgil  Thomson.  Her  performances  of Britten’s  Les  Illuminations  and  Mahler ’s  Symphony  No.  2  with  the Omaha Symphony were filmed for broadcast by Nebraska ETV.  She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. PATRICIA SUN WOO, violinist, winner of the 1998 Naumburg Award as a member of the Whitman String Quartet, has performed across the United States and Europe to critical acclaim.  For five years she was on faculty at Binghamton University.  Ms. Sunwoo currently tours with the Bard  Festival  String  Quartet,  and  is  a  member  of  the  Rochester Philharmonic Orchestra and the Finger Lakes Chamber Ensemble.  She also directs the Chamber Music Connection  program at the  Hochstein School of Music and Dance.  She spends the rest of her days with  her husband  David  Brickman, and enjoying her daughters Claire (12) and Lillian (2). oS  én Mstislav  Rostropovich  (1927­2007),  known  as  Slava  to  a  wide circle  of friends, is widely regarded as the greatest cellist of the twentieth century.  His fame rests not just on his musicianship and his  association  with  major  composers  (he  commissioned  and premiered over one hundred works) but for his championship of human freedom.  His support of Alexander Solzhenitsyn won him the 1974 award from the International League of Human Rights ­ a stance  which  propelled  him  into  exile.  He  later  wrote  “When Leonid Brezhnev stripped us of our citizenship in 1978, we were obliterated.  My  wife  [the  Bolshoi  Opera  soprano  Galina Vishnevskaa]  and  I  were  cut  out  of  photographs  and  history books.”  His citizenship was restored in  1990,  long after he had become an American citizen.  Born in Baku in the Soviet Republic of Azerbaijan in 1927, he came from a musical family.  His father and  grandfather  were  eminent  cellists.  A  gifted  youngster,  he entered  the  Moscow  Conservatory  at  the  age  of  16.  He  soon embarked on a long and highly successful career as a performer, teacher, and from 1 977 to 1994, the Music Director of the National Symphony in Washington, D.C.  In addition to being a great cellist and a conductor, Rostropovich was also a fine pianist who often accompanied his wife in recitals.  He had an astonishing memory. In  whatever  medium  he  performed­­­soloist,  conductor, accompanist­­­he never used a score. This evening’s recital presents important works from three famous com posers o f the twentieth century : two were Russian and one was British.  The circumstance that brought together composer and performer was different for each work as is noted in our brief description  of each  composition.  Each  situation  resulted  in  a major addition to the cello repertory and a new level of enjoyment for the modern audience.  The composer, knowing he is writing for one o f the century’s great virtuosos, creates a  work that displays the virtuoso’s abilities­­­flatters him, indeed!­­­and the new piece becomes  a  challenge  attainable  by  only  the  most  capable performers. In  the  early  1940s,  the  young  student  Rostropovich  had been lucky enough to gain a much­coveted place in Shostakovich’s orchestration class, thus beginning a lifetime association between the famous composer and his talented student.  The Seven Verses �of Aleksander Blok grew out of a request in  1968 from Mstislav and Galina  for a set of vocalizes for voice and cello.  The first verse, “Ophelia’s Song ” is indeed for voice  and cello.  “You see, Slava, I tried to satisfy your request, but whe n I started writing the second movement with a whacking pizzicato in the cello, I realized I  didn’t  have  enough  instruments.”  ­  with  that  comment  the composer explains his reason for adding violin  and piano to the ensemble.  The  verses  of  the  symbolist  poet  Alexander  Blok (1880­1921)  concern  troubled  nights,  sleep,  a  storm,  and  the importance of music.  The first three verses are for voice and one instrument, verses fou r and five use two in struments, and verses six and seven call for the full ensemble.  The first five songs are intimate  and  pensive;  the  last  two  are  powerful,  indeed  almost strident. In  December  1948,  Rostropovich  gave  the  first performance  of a  new sonata  for  cello  by  Myaskovsky.  The composer came backstage with his friend, Sergei Prokofiev (1891­ 1953), who  told Rostropovich  “I want to write a sonata for you.” As soon as he had finished the work, the Cello Sonata, op. 119,  he invited the young cellist to his dacha near Moscow.  Rostropovich later recounted this experience: I had prepared the sonata well and had also learned the piano part from memory.  By now Prokofiev no longer played the piano so well, and when we read through the sonata I was amazed that he had managed to forget his own music so quickly.  He played as if he was sight­ reading!  I went so far as to  correct  him  when  he  played  some  wrong  notes.  At  this  he turned to me: “Young man, who wrote this work, you or me?”  He suggested that I play t he sonata with [the gr eat pianist] Sviatoslav Richter,  thereby  giving  his  blessing  to  the  start  of  my  duo relationship with ‘Teofilovich"‘ The sonata, equally  demanding  for  cellist  and  pianist,  is cheerful and tuneful, with a decided change in the third movement which  has a more somber undertone.  One  reviewer succinctly described  the  work  as  sensuous  in  the  first  movement,  full  of mischief and mirth in  the second movement, and enigmatic in the closing  movement.  The  premier  performance  took  place  in Moscow in 1949,  played by Rostropovich and Richter. Benjamin  Britten  (1913­1976)  was  introduced  to Rostropovich  by Shostakovich at the Edinburgh Festival in 1960. Britten  said  he’d  never  heard  such  cello  playing.  A  warm friendship  developed.  Britten, a formidable  pianist, was also  a violist  who  knew  how  to write  for  strings.  His  first work  for Rostropovich, a sonata, greatly impressed t he cellist.  In  1964, a series  o f  am using  events  for  com pose r  a n d  pe rform e r,  too complicated  to  be  described  in  these  brief notes, culminated  in Britten’s  signing a  mock  contract on the  corner o f a  restaurant menu in which he prom ised to write six suites for cello.  Obviously. the  promised  composition  was also  to  be  an  homage  to  Bach’s great six suites for unaccompanied cello.  The composer lived only long enough to complete three of the suites.  Rostropovich argued that no other com pose r understood th e nature o f  string playing so well.  The three suites for cello display innovations in instrumental writing such as presenting two separate melodic  lines in  double­ stops.  Each suite includes a fugue. a tribute to the fu gue writing in  Bach’s  Well­Tempered  Clavier.  In  fact,  there  is  a  clear similarity  between  Britten’s  fugue  in  the  first  Suite  and  the  C major fugue in Volume One of the Bach work. The Bach cello suite consists of a Prelude followed by five baroque Dances.  Britten’s suite structure has six basic movem ents framed  by  a  Canto  which  appears  three  times  among  the movements  and  again  at  the  close.  Within  the  Canto there  is emphasis on an ascend ing scale pattern (E F sharp G A B) which is heard  in  many  guises  throughout  the  work.  Britten  notated dynamics and  phrasing  precisely  and  yet,  because  much  of the music  is  non­metrical (bar len gths vary), the performance yields the spontaneity of an  improvisation.  The  Suite  no. 1,  op. 72, written  in  1964, was  first  performed  by  Rostropovich  at the Aldeburgh Festival in June of 1965. Harry B. Lincoln �Coming ‘Crents Saturda y, A p r i l  2 5% Honor’s Recital: Elizabeth Sterling, violin and voice, Casadesus Recital Hall, 3:00 PM, FREE Saturda y, April 2 5 ” J unior Recital: Briana Sakamoto, soprano, Casadesus Recital Hall, 7:00 PM, FREE ) i t   niversity Wind Symphony, 3:00 PM, FREE Sunday,  April 2 6 ” U Anderson Center Chamber Hall ecital: Susan Amisano, soprano,   Sunday,  A p r i l  2 6 ” Master’s R Casadesus Recital Hall, 3:00 PM, FREE cital: Sarah Sterling, viola,   S u n d a y,  A p r i l 2  6 ” Honor’s Re Casadesus Recital Hall, 7:30 PM, FREE Tuesday, April 2 8 ” F n‘edheim Memorial Lecture/Recital: Audible Processes – Minimalism and Beyond, Casadesus Recital Hall, 8:00 PM, $ $ Thursda y, April 30°" Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Friday, May 1°" Flute Studio and Flute Chamber Concert; 10:15 AM, Casadesus Recital Hall, FREE Recital: Griffin Sargent. violin,   Friday, May 1 ° Student  Casadesus Recital Hall, 8:00 PM, FREE Saturda y, May 2  Master’s Recital: Sung Jin Park, soprano, Casadesus Recital Hall, 3:00 PM, FREE Saturda y, May 2  Student Recital: Laura MacAvoy and Chelsea Pace, sopranos, Casadesus Recital Hall, 8:00 PM, FREE   niversity Symphony Orchestra “Fantastique!” Saturda y, M a y  2 ™ U Osterhout Concert Theater, 8:00 PM, $$ For ticket information, please call the Anderson Center  B ox O ffice at 777­ART S. i l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:14:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151156">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151156</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource For Slava: remembering the great Russian cellist, Mstislav Rostropovich, April 19, 2009 Recital Tape 2009-4-19b Description An account of the resource Held at 7:30 p.m., April 19, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Salmirs, Michael Burgess, Mary Sunwoo, Patricia Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/5d15880ece312474a9b984cdcc5e2d6e.pdf 22d6a4d9cd614c09214525febae4e2e2 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York d e c [4 E P C L A R I N E T  STUDIO S P R I N G  RECITAL with Margaret Reitz, pia no Saturday, April 18, 2009 3:00 p.m. Casadesus Recital Hall A �PROGRAM Divertimento  “Don Giovanni,”  Wolfgang Amade us Mozart KV 527..  .....................................(1756­1791) Aria “Madamina, il catalogo e questo Duettino “La ci darem la mano” Sarah Fenster, clarinet Kyle Doyle, clarinet Brianna Palisi, bass clarinet II. Vivo e giocoso  7 M 1 k l ..  Wolfgang Amade us Mozart from Serenade for Wind Instruments, K. 361  (1756­1791) Roy Douglas, arr. Mark DelloStritto, clari net Margaret Reitz, piano Quartett “Ri posate vezzose ragazze” Sonatina, Op. 2 Minuet and Trio  Concerto No. 1  II. Adagio ma non troppo  o s Rozsa   (1907­1995) cessseenennsens  Carl Maria von Weber (1786­1826) James Wu, clarinet Margaret Reitz, piano Gregg Ackerman, clarinet Menuett... .. Friedrich Kuhlau (1786­1832) Forrest L. Buchtel, arr. Stephen Collins, clarinet Margaret Reitz, piano Andante  .. Charles Bochsa from Quartet No. 1 for clarinet and string trio  (1789­1856) Jin Kim, clarinet Margaret Reitz, piano Variations on “Ah, Vous  ..  .. Wolfgang Amadeus Mozart “Dirai­je, Maman, ” KV 265 (300e)  (1756­1791) Roger Garrett, arr. Sarah Fenster, clarinet Kyle Doyle, clarinet Abby Cohen, clarinet Brianna Palisi, bass clarinet Concert Piece No. 2 in D Minor, Op. 114  I.  Presto  II.  Andante III. Allegretto grazioso Gregg Ackerman, clarinet James Wu, clarinet Margaret Reitz, piano Felix Mendelssohn (1809­1847) �ABOUT THE PERFORMERS Sarah  Fenster,  Kyle  Doyle,  Brianna  Palisi,  Jin  Kim,  James  Wu, Gregg  Ackerman,  Stephen  Collins,  Mark  DelloStritto,  and  Abby Cohen  are  clarinet  students  under  current  study  with  SARAH CHANDLER,  clarinetist,  with  the  Department  of  Music  at Binghamton University. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano  performance  with  accompanying  emphasis.  She  attended Boston  University,  New  England  Conservatory  and  Binghamton University.  Pej  has  studied  piano  with  Jean  Casadesus,  Victor Rosenbaum,  Seymour  Fink  and  Walter  Ponce  and accompanying with  Allen  Rogers.  She  has accompanied  throughout  the  United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria.  She and Binghamton University faculty  mem ber  Timothy  Perry  were  winners  of  the  Artistic Ambassadors Program by the United States Information Agency in partnership  with  the  John  F.  Kennedy  Center  for the  performing arts. Pej has been on the  faculty at Binghamton University since  1991 and Ithaca College  School of Music since  1999.  She maintains a private piano studio in Vestal, New York.  She is on the Executive Board  of the  New  York  District  MTNA organization, and  she  is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151159">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151159</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio spring recital: with Margaret Reitz, April 18, 2009 Recital Tape 2009-4-18 Description An account of the resource Works of Mozart, Rózsa, Kuhlau, von Weber, Mendelssohn. Held at 3:00 p.m., April 18, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Fenster, Sarah Doyle, Kyle Palisi, Brianna Ackerman, Gregg Collins, Stephen DelloStritto, Mark Wu, James Cohen, Abby Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b20589993596463c9d34165ff6c0394d.pdf 6db78dbe01d6d729d77eac1ba464aa38 PDF Text Text BINGHAM TON U  N 1  V E RrS L T  Y S T A T E  U N I V E R S I T Y   O F  N E W  Y O R K d e e [23 D E P A R T M E N T J U N I O R  R E C I TA L Marc Silvagni, Percussion Margaret Reitz, Piano Sam Smith, Electric Bass Alex Gregorio, Drum Set Sunday, March 29, 2009 3:00 PM Casadesus Hall �PROGRAM PROGRAM NOTES A meric an Suite : For Unaccompanied Snare Drum  ......Guy G .  G authreaux II American Suite : F o r  Unaccompanie d S nare D rum (1989) is a five­movement work based primarily on a short rhythmic motive. Each  movement offers unique challenges utilizing many aspects associated  with  snare  drumming  in  America,  including  jazz, rudimental,  ethnic,  orchestral,  marching,  contemporary,  and  so forth.  The first movem ent serves to firm ly introduce the rhythmic motive  with  only an  occasional  use of unrelated material.  The second moveme nt is a combination of the old rudimental style of drumming with a more contemporary marching application.  The third movement, written entirely for brushes, makes extensive use of  hand­to­hand  independence  while  maintaining  the  rhythmic I ­ Introduction II ­ Rudimental III –­ Jazz IV – Latin V ­ Contemporary Fantasy on Japanese Wood Prints, Op. 2 1 1 Alan Hovhaness (191 1 – 2000) Margaret Reitz, Piano motive in a jazz  style.  The fourth move ment, written in  a Latin style, uses numerous playing arias and special techniques.  The last movement is mo re contemporary  in nature and c ontains new and INTERMISSION Etude op. 6, No  8 ...  Etude in C Major Op. 6, No” 1 0   ..Clair Omar Musser (1901­1998) Three Episodes for Timpani............ccocssscsscssesssssnssssessse.JONN Beck I­L   onga II ­ Andante III ­ Marcato CHIR o f D o v e r E r i c Johnson   (b. 1954) Arr. Marc Silvagni and Richard Silvagni (b. 1988)  (b. 1987) Sam Smith, Electric Bass Alex Gregorio, Drum Set previously stated motivic variations.  This piece was selected as 1* place  winner  in  the  1989  Percussive  Arts Society  Composition Contest. Fantasy on Japanese Wood prints, Op. 2 1 1 (1965) is a concerto in one movement written for xylophone and orchestra by American composer Alan  Hovhaness.  He wrote it while studying Oriental musical styles in Japan during his career.  Much of the 15­minute work contains many themes of modal Japanese m usic, especially the  last  3  minutes.  Due  to the  richer  and  fuller  sound,  many soloists  opt  to  play  the  solo  part  on  marimba  rather  than xylophone.  The piece  begins with a series of cadenzas for the soloist, all in free time (senza misura).  Under each cade nza, the accompaniment  holds a soft  chord containing many fourths and half­steps, and the bass line is given a series of notes to improvise with until a cutoff.  In between each cadenza, the accompaniment plays a dissonant glissando patte rn all  in free time until another cutoff.  The  concerto  develops  into  an  eerie  slow  adagio, with shimmering chords in the string section and ending with another cadenza.  A dark section in 6/8 ensues, with the xylophonist taking over and playing an extended solo completely in 32 nd notes before the accompanim ent comes in with another free time cadenza.  The �piece  then  launches  into a  march­like  tempo, and  the  theme  is completely  stated  by  xylophone  and  accompaniment,  with  a repeated rhythm that occurs on a different beat every time.  A 6/8 dance comes  back, and the n a  cadenza  in  time occurs with  the accompaniment playing the melody over the soloist.  A series of and the melody progress through the pedaling of the tim pani.  This creates a  very trippy sound.  The  last  movement  is a  standard sounding timpani  piece  that  is  quick, very loud, and shows off speed. loud crescendos and climaxes in free time bring the soloist into the final cadenza before a fast 3/4 comes in, with a fierce tai ko rhythm and  build­up  until  the  end.  The  version  featured  here  is  an orchestra reduction played o n piano. ] l Etude Op. 6, No. 8 and Etude in C Ma jor Op. 6, No. 1 0 are two etudes written  by  the great Clair  Omar Musser.  Musser was a pioneer for solo percussion music.  He invented t he prototype  to the four­mallet grip that most percussionists use today.  Also, most marimbas used are made by his company Ludwig­Musser (Ludwig the drum  company).  Musser wrote  etudes in  every key and  in almost every scale.  The first etude, no. 8, is in whole­tone.  The piece never settles around  a tonal center nor has a real  melody. Though the piece is slow, the difficulty within it  is the ability  to maintain its flow.  When done correctly, the ring of the marimba fills the room with beautiful harmony.  The Etude in C Major acts as an antithesis to the whole­tone sound when played right after it. The piece is very fast, very major sounding, and always intense. This piece is short (about 2 :00), but is probably the most taxing to play.  Afier the opening line, the piece does not stay in C Major, but rather bounces between different keys and has an  interesting progression leading to a final C Major chord. Three Episodes for Timpa ni was written by the famous timpanist John Beck who taught at the Eastman School of Music for many years.  The piece is in three very distinctive movements.  The first movement uses a piano with the pedal  held down so the strings constantly ring.  There are cues written to play the width of one’s hand on the piano.  Also sometim es in the piece, the drums are muffled quickly to allow the piano ringing to be in the foreground of the music.  The second movement is very 60s sounding.  It uses three timpani mallets at once so the left hand can play a perfect 5 ostinato while the right hand plays melody.  The movement is slow H Cliffs of Dover is a guitar, bass, and d rum trio piece written by Eric Johnson in 1990.  The piece is fi rmly in G Major and includes intro and end ing solo cade nzas.  It is in a swing style throughout with the melody always in  the guitar.  There is a middle section where the song goes into half­time.  It goes back to a tempo in A Major briefly before return ing to G Major.  The piece is featured on  Johnson’s  album  Ah  Via  Musicom, which  reached  #67  on Billboard’s Top 200 in 1990 .  “Cliffs of Dover” was voted number 17 in Guitar  World magazine’s list of 1 00 Greatest Guitar Solos, placing  it  between  16,  “Heartbreaker ”  by  Led  Zeppelin, and  18 “Little Wing” by The Jimi Hendrix Experience.  In 1991, “Cliffs of Dover”  won  a  Grammy  award  for  Best  Rock  Instrumental Performance, beating the Allman Brothers Band ("Kind of Bird"), Danny  Gatton  ("Elmira  Street  Boogie"),  Rush  ("Where’s  My Thing?"), and Yes ("Masquerade").  It is also featured in the video game Guitar  Hero  III:  Legends of Rock on the  final  tier.  The ending in this arrangement has been changed and modulates to F Major.  This leads to an open solo section for all the instruments ending with another song:  “Universal Mind” by  Liquid  Tension Experiment,  a  progressive  band  side  project  of  the  famous progressive band Dream Theater. 2  sS> �PERFORMERS MARC SILVAGNI is a junior at Binghamton University.  He is currently double majoring in Music Performance (Percussion) and Psychology.  He  plans  on  attending  graduate  school  after Binghamton for an MSW degree.  He was born on December 25, 1988  in  Flushing  Hospital  in  Flushing,  Queens.  He  currently resides  in  Flushing,  Queens..  Marc  started  his  music  career relatively  late  in  7 ”  grade  at  1.S.  25  under  band  director  and amazing jazz drummer, Marc Copell.  There he was assigned to play  bells,  but  later  started  in  other  percussion.  During  the summers following 7 ”  and 8™  grade, Marc attended the Man hattan School of Music Summer Camp and studied  under percussionist Jeff Kraus who taught him about the entire world of percussion. He  then  attended  St.  Francis Preparatory  High  School  in  Fresh Meadows, Queens, and studied under percussionist Mark Teofilo. He also performed with every music performance group the school had, including singing bass under voice teacher Fernando Sicilia. In the summer of his sophom ore year, Marc and other students, under teacher David Kobayashi (Binghamton Alum), traveled  to Australia and played  with the Tallahassee  Winds in  the  Sydney Opera  House  for  the  Eric  Whitacre  Festival.  He  has  never performed  for  NYSSMA.  Next,  Marc  began  college  at Binghamton University under percussionist Dan Fabricius.  Here he has enjoyed featured solos with the Percussion Ensemble and has played with the Harpur Jazz Ensemble, University Orchestra, Harpur Chorale, Women’s Chorus, and the Commencement Wind Ensemble.  He has also played at the Musica Nova concert and at Stephanie Lehman’s Masters Recital.  Marc’s philosophy of music has always been that music should be more fun than serious.  The playing of music should  be respectable, but there should  not  be heavy pressure to perform.  Marc always performs with a smile, whether it is showing or not. MARGARET  (PEJ)  REITZ,  pianist,  is  a  native  of  the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis.  She attended  Boston  University,  New  England  Conservatory  and Binghamton  University.  She  has  studied  piano  with  Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce, and  has  studied  accompanying  with  Allen  Rogers.  She  has accompanied “throughout  the ‘United  States,  in  England,  South America, and at the American Institute of Musical Studies in Graz, Austria.  She and Binghamton University faculty member Timothy Perry were winners of the Artistic Ambassadors Program  by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. Pej has been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. Pej was recently invited to the International Clarinet Conference to play a recital in Tokyo, Japan. She  was  a  guest  artist  on  the  Cornell  Summer  Series this past summer, and she was an official pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College. She was selected to accompany at the Interpretation of Spanish Music in conjunction with the University of Madrid in Grenada, Spain in July 2007, coached by Teresa Berganza, and at the Mannes School of Music  in  the  summer 2008.  Pej  will  be in residence  at  the Barcelona  Festival  of  Song  this  summer  in  Spain  as coach/accompanist,  and  has  been  asked  to  play  a  concert  this summer  with  the  Glickman  Trio  in  the  United  Kingdom  at  the IDRS Convention.. Pej is currently on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999.  She maintains a private piano studio in Vestal, New York.  She is on the Executive Board of the New York District MTNA organization, and she is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. SAM  SMITH  and  ALEX  GREGORIO  are  freshmen  at Binghamton University.  Sam is majoring in Music and Economics while Alex is majoring in Mechanical Engineering.  They are both from the town of Warwick  in  Orange County, NY.  They have been playing music together  for as long as they can  remember. They hang out with the son of the late bass legend Jaco Pastorius and jam.  Sam and Alex both play in the Harpur Jazz Ensemble. �Thursday, April 2  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall FREE 1:20 PM —    Thursday, April 1 6 Mid­Day Concert:  Casadesus Recital Hall FREE   Saturday, April 1 8 ” Clarinet Studio Recital, 3:00 PM —  Casadesus Recital Hall   Saturday, April 1 8 ” Brahms’REQUIEM with the Binghamton Philharmonic Orchestra and the University Chorus, 8:00 PM, Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic at 723­3931   Sunday, April 1 9 ” Master’s Recital: Stephanie Lehman, percussion, Casadesus Recital Hall, 3:00 PM, FREE S u n d a y,  A p r i l 1  9°" For Slava: A concert remembering the great Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$, Casadesus Recital Hall FREE, Tuesday, April 21% String Department Recital, 8:30 PM —  Casadesus Recital Hall Thursday, A p r i l 2  3 ™  Jazz Mid­Day Concert with Sherrie Maricle, 1:20 PM – FREE, Osterhout Concert 7heater Thursday, April 2 3™ Harpur Jazz Ensemble Concert with Guest Artist, Sherrie Maricle, 8:00 PM, $$, Osterhout Concert Theater   Saturday, April 2 5 ” Honor’s Recital: Elizabeth Sterling, violin and voice, Casadesus Reaital Hall, 3:00 PM, FREE Saturday, April 2 5 ”1  Junior Recital: Briana Sakamoto, soprano, Casadesus Recital Hall, 7:00 PM, FREE For ticket information, please call the Anderson Center B ox  O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:04:11 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152239">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152239</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital, Marc Silvagni, March 29, 2009 Recital Tape 2009-3-29 Description An account of the resource Works of Gauthreaux II, Hovhaness, Musser, Beck, Johnson. Held at 3:00 p.m., March 29, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Smith, Sam Gregorio, Alex Silvagni, Marc Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-29 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/5aa4741e22c1dae3940758fce648fb4f.pdf ab24d69d7aeb83dca2f1e5be200cf01f PDF Text Text BINGHAM TON UN I V E R S I T Y S T A T E   U N I V E R S I T Y   O F   N E W  Y O R K wodec [4 B E E P  A R T M E N T A L M O S T  A L L  AMERICAN TRIO Janey Choi, Violin Ha kan Tayga­H romek, Cello Chai­Kyou Mallinson, Piano Saturday, Jan uary 31, 2009 8:00 p.m. Anderson Center Chamber Hall �PROGRAM I J Piano Trio in G major,  Andanti no con m oto allegro  Claude Debussy (1862­1 918) Café Music  Allegro  Andante moderato Presto Paul Schoenfipld (b. 1947) Scherzo * Intermezzo: Moderato con brio Andante espressivo Finale : Appassionato WINTERMISSIONC3 Roots II (selected movements)......  Incantation  Dance in Congo Square Sorrow Song Jubflee .......David N. Ba ker, Jr. (b. 1931 ) This concert is sponsored by the Broome County Arts Council in addition to Binghamton University Music Department sponsorship. �ABOUT TH E MUSIC One  could  not  find a more  celebrated  African­American  composer  on  the The title “Almost All American Trio” refers both to the program content and to the background o f the performers (see “About the  Performers” below).  We wanted to emphasize contemporary American composers representing diverse cultures, but of course an earlier Eu ropean work was needed for balance. The G Ma jor Piano Trio is the only work Debussy wrote in this form, written at the age of eighteen, when he was still groping to discover his eventual very distinctive style.  At the time, he was in service to M me. Nadejda von  Meck, Tchaikovsky’s  patroness,  upon  the  recommendation  of  his  piano  teacher, Antoine Marmontel.  He was hired to join Madame and her children on  their travels, give piano lessons to her chi ldren, accompany the singing of her twenty­ seven­year­old daughter, and play d uets with herself.  Not long later, a violinist and cellist joined the entourage at the Villa Oppenheim in Florence, and this trio was required to pe rform nightly, which gave Debussy the impetus to compose in this form. Madame ended his employment when, as a brash twenty­year­old, he proposed marriage to her fifteen­year­old daughter. academic scene than the composer of Roots II, David Nathaniel Ba ker, Jr., a native of Indianapolis, IN.  At the School of  Music at Indiana University, he holds the title of Distinguished Professor, where for years he has chaired the l l’ former  vice  president  o f   th e  International  Association  of  Jazz  Educators, president of the National Jazz Service Organization, and senior consultant for music programs for the Smithsonian Institution, and has given past service to many other music organizations.  His awards inc lude Down Beat Magazine’s New Star Award (for trombone­playing) and Lifetime Achievement A ward, Jazz Education Hall of Fame Award, the National Association of Jazz Educators Hall of  Fame  Award,  and  the  National  Endowment  for  the  Arts  American  Jazz Masters Award. Roots II (1992) is an outgrowth of Roots (1978), both of which were composed for the Beaux A rts Trio.  Roots II  comprises a wide variety of styles which Portions o f the score remained in autograph in private hands (some portions evidently revisions) until the 1980 ’s when they came to the Pierpont Morgan Library (New York) and the University of Michigan  School  of Music (Ann Arbor).  These have been assembled to prod uce the present score, now available for general use (for more detail, see the Preface to the Henle edition).  In this work one finds intermittent flashes of what finally emerged as Debussy ’s mature style,  against  a  background  showing  influences  of  Schumann,  Franck,  and Delibes. Paul Schoenfield, composer of Ca fé Music, began studying piano at age six, and wrote his first composition the following year.  At age 22, he received the Doctor  of  Musical  Arts  from  the  University  of  Arizona  where  he  studied composition  with  Robert  Muczynski.  He  has  won  many awards  from  such organizations as the National Endowment for the Arts, the Rockefeller Fund, the Bush Foundation, the Ohio Arts Council, and Chamber Music America, to name a few, and he has received numerous commissions from orchestras and artists around the world.  He currently resides in Israel.  About Café Music he writes: “The idea to perform Café Music first came to me in 1985 afier sitting in one night  for  the  pianist  at  Murray’s  restaurant  in  Minneapolis.  Murray’s employs a house trio which plays entertaining dinner music in a wide variety o f  s tyles.  My intention was to write a kind o f  high­class dinner music which could be played at a restaurant, but might also (just barely) find its way into a concert hall.  The work draws on many types of music played by the trio at Murray’s.  For  example,  early  20”  century  American,  Viennese,  light classical, gypsy, and Broadway styles are all represented.  A paraphrase of a beautiful  Hasidic  melody  is  incorporated  in  the second  movement.  Café Music  was  commissioned  by  the  St.  Paul  Chamber  Orchestra  and  was premiered in January 1987.” Jazz Department. He has written more than 2000 compositions, of which more than 500 were commissioned. Mr. Baker serves as  the conductor and artistic director o f  the Smithsonian Jazz Masterworks Orchestra. He i s president and Baker  describes:  “Work  songs,  field  hollers,  blues, ragtime,  boogie  woogie, rhythm & blues, spirituals, gospel songs, calypso, rock & roll, rap and of course jazz . . . In composing this work, I made use of some of the musical features common to these varied styles, among them rhythmic preeminence, the spirit and attitude of the blues call and response, the ostinato, and certain  musical forms, harmonic  and melodic materials.” The  first and third movements are borrowed from the original Roots. “Incantation” evokes the sinister and mesmerizing quality of voodoo rites. “Dance in Congo Square” is essentially a calypso.  Congo Square refers to Place Congo,  where  slaves  gathered  to  celebrate  their  holidays,  denying  for  the moment with thei r gaiety the harsh  reality of their ex istence. [ \ “Sorrow song” grew out of  “spirituals, laments, and church house moans.  It is the plaintive cry of a downtrodden people”. But at the end  you will  hear the gently dissonant music evaporating into thin air, as if we are liberated from the sorrow. The fourth movement, “Boogie Woogie”, is omitted from this performance. The finale, “Jubilee", refers to a C hristmas time dance, clearly expressing pure joy.  After extensive jazz improvisation, the opening theme returns, building up to a frenzied outburst. �ABOUT THE PER FORMERS Canadian­born  violinist  JANEY  CHOI  joined  the  faculty  of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers Un iversity, studying with Arnold Steinhardt, and holds her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Sm irnoff.  She gave her Carnegie  Hall  recital  debut  in  1997  as  a  winner  of  the  Artists International Auditions a nd continues an  active perform ing career as a recitalist, chamber, and orchestral musician throughout the country and abroad. She is the recipient of numerous awards including the Ontario Arts Council’s Chalmers Performing Arts Training G rant, and First Prize in the National Finals of the Canadian Music Competition.  Ms. Choi has participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk,  Taos,  the  Spoleto  Festivals,  Festival  Musical  de  Santo Domingo, the Santa Fe Opera and the Sarasota Ope ra. An avid inter­arts and cross­genre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the  Parsons Dance Co. at the Kennedy Center in Washington, D.C.  She has recorded and appeared with  such  mainstream  performers as Bono  and  Quincy  Jones,  Enya, Elton  John,  Sarah  McLachlan,  Lisa  Loeb,  Kanye  West,  Jay­Z  and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, C hamber Music Society of  Lincoln Center and the Bloomingdale School of Music in New York City. Cellist HAKAN TAYGA ­HROMEK was trained in music performance at  Ithaca  College,  SUNY  Purchase, and  Binghamton  University.  His teachers include Peter Wiley, Marion Feldman, Daniel Phillips, Stephen Stalker, Einar Jeff Holm, and  Fritz  Wallenberg.  He  has attended the International  Congress  of Strings,  Round  Top  International  Festival, Chamber  Music  at  the  92nd  Street  Y­NYC,  Spoleto  Music  Festival, Skaneateles Festival, and the Kenai Penninsula Music Festival In Alaska. An active performer, Mr Hromek is principal cellist of the Binghamton Philharmonic,  Tri­Cities  Opera  Orchestra, and  The  Orchestra  of  the Southern Finger Lakes. He has also performed with the Cayuga Chamber Orchestra, Bach Works in NYC, and the Syracuse Symphony. During the summer of 2006, Mr. Hromek completed his fourth season as cellist in the  DeVere  Quartet,  which  serves  as  resident  quartet  for  the  Kenai Peninsula  Festival  in  Alaska  and  at  present  is  cellist  for  the  Novo Quartet. An avid chamber musician, Mr. Hromek enjoys collaborating in a cello and piano duo on a regular basis with Margaret Reitz and various local artists in the Central New York area. CHAI­KYOU  MALLINSON,  currently  on  the  faculty  of  the Department of Music at Bingharnton University, received a B.M.degree in Piano from Julliard, Li cence d ’Enseignement from Ecol e Normale de Musique  de  Paris,  France  and  a  M.A.  degree  from  Binghamton University. Her teachers include Jean Casadesus, Jean­Michel Damase, Jules Gentil and Alton Jones. She also performed in Master Classes by Robert  Casadesus.  A  prize  winner  in  the  Korean  National  Music Competition,  she  was  awarded  the  French  Government  Scholarship, Tanglewood  Summer School  Full  Scholarship and the Fontainebleau American Conservatory Full  Scholarship. She gave a debut Recital  in Carnegie Recital  Hall and has been active as a recitalist, vocal coach, accompanist,  and  chamber  music  performer,  as  well  as  an  active adjudicator of piano auditions and competitions.  She is a member of the Music Teachers National Association, and of the board of judges for the National Guild of Piano Teachers Association. She has premiered compositions of contemporary composers including Ezra Laderman, Paul Goldstaub, Meyer Kupferman and William Klenz. Among many concerts she performed, three were sponsored by the New York State Council  on Arts. She appeared in  a  performance with the Seoul Philharmonic Orch estra, which Eumag Choonchu, one of Korea’s most respected music magazines, described as “of rare quality, moving and lyrical.”  She was awarded an Individual Artist Award 2008­2009 by the Broome County (NY) Arts Council. Among  many  concerts  at  BU  that  she  has  proposed,  organized  and performed (in collaboration with other artists) are a concert celebrating the  works  of former  Binghamton  University  Composer  in  Residence Ezra Laderman in anticipation of his receipt of an h onorary Doctorate in 2004 (for which she had recommended him), a concert of songs (2006) with Tim  LeFebvre, with interpretations choreographed and danced by Galumpha, “Homage a Casadesus” (2008), a conce rt honoring the “First Family  of  Piano”,  the  Casadesus  family,  and  commemorating  Jean Casadesus’  years  at  BU,  and  three  concerts  for  piano  trio.  As  a performer she appeared twice with the Binghamton University Orchestra, as harpsichordist in the Bach Fifth Brandenburg Concerto (2000), and as pianist in the Mozart Concerto for Two Pianos, K. 365 (2004). �Sunday, February 1 % Friedheim Memorial Lecture/Recital: Schubert Wanderer Fantasy, Casadesus Recital Hall, 3:00 PM, $$ Sunday, February 1 5% Musica Nova: Sing a New Song, Anderson Center Chamber Hall, 3:00 PM, $$ Saturday,  February 21% A Russian Fantasy for Two Pianos with Ewa Mackiewicz­Wolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall Sunday, February 22™ Organist Jonathan Biggers ­ A Bach Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)   rganist Jonathan Biggers – A Bach Tu esday, February 2 4 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ cert, 1:20 PM ­ FREE   Thursday, February 2 6 Mid­Day Con Casadesus Recital Hall : Dr. Hal Reynolds, trombone,   Thursday, February 2 6 Guest Artist Casadesus Rectal Hall, 8:00 PM, FREE Friday, February 27°" Organist Jonathan Biggers ­ A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursday, March 5% Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 7:30 PM, $$ ymphony Orchestra: Hearing the   Saturday,  March 7 ” University S Orient, Osterhout Concert Theater, 8:00 PM, $$ ind Symphony, 3:00 PM, FREE   Sunday, March 8 ” University W Anderson Center Chamber Hall For ticket information, please call the Anderson  Center Box O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiocassette 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152242">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152242</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Almost All American Trio, January, 31, 2009 Recital Tape 2009-1-31 Description An account of the resource Works of Debussy, Schoenfield, Baker. Held at 8:00 p.m., Jan., 31, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Choi, Janey Tayga-Hromek, Hakan Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-01-31 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6ec79c9f61249f4c575b9deb3877d96f.pdf ef60bc931bdbee7956a0c3d2e835aef1 PDF Text Text BINGHAMTON UNI V ERSI T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K U n i v f   A R C { s c  % \  ' P  w x B e E P IT F M EA N RT  %  4 0  ¥ MA STER’SR   ECITAL S T E P H E N B  R O O K S D O U B L E B  A S S WITH M A R G A R E T R  E I T Z , P  I A N O S a t u r d a y ,  M a r e h  2 1 ,  2 0 0 9 £ 0 0 p  . m . casadesus Recital Hall   �PROGRAM ABOUT THE PERFORMERS SONGLA 192  G TNLNOY cusncviissrssssssassinnensn Eccles STEPHEN BROOKS graduated from SUNY Oneonta in 2007 with a B. A. in Music, during which time he studied the double bass under the instruction of Professor  Rich Mollin.  While at SUNY (1670­1742) I. Largo II. Allegro con spirito III. Adagio IV. Vivace Romance and RONAO... ...................  Franz Keyper I. Romance II. Rondo (1756­1815) ®  I N T E R M I S S I O N J O U T  U B E S  s os n m i i v m i i i m n n n i s K   i N E S S E V i L Z R Y I. A n d a n t e II. Valse Miniature SOMBEE 1953 1. Slow a n d P   eaceful II. Moderate 4­Swing III. Molto Adagio IV. Allegro energico (1874­1951) Frank Proto ( b. 1941) Oneonta, Mr. Brooks studied jazz as well as other modern musical styles.  For the past two years, he has been studying with cellist Stephen Stalker, pursuing an M. M. in Performance at Binghamton University, focusing his studies on classical music.  Mr. Brooks has performed with the Catskill Symphony and can frequently be seen playing with any number of jazz groups at the Otesaga Resort in Cooperstown.  He also collaborates with pianist Gabriel Luce in a trio that recently  opened for  jazz piano legend Junior Mance. Upon  his  graduation  from  Binghamton  University,  Mr.  Brooks plans to continue to study and perform a wide variety of musical styles to satisfy his eclectic tastes. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano  performance  with  accompanying  emphasis.  Ms.  Reitz attended  Boston  University,  New  England  Conservatory  and Binghamton  University.  She  has  studied  piano  with  Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. Ms. Reitz has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria.  She and Binghamton University faculty member Timothy Perry were winners of the Artistic Ambassadors Program by the United States Information  Agency  in  partnership  with  the  John  F.  Kennedy Center for the performing arts. Ms.  Reitz  is  currently  on the faculty at Binghamton  University since 1991 and Ithaca College School of Music since 1999.  She maintains a private piano studio in Vestal, New York and serves on  the  Executive  Board  of  the  New  York  District  MTNA organization.  Ms. Reitz is President of the local District V II  Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. �  id­Day Concert, 1:20 PM ­ FREE Thursday, March 2 6 ” M University Art Museum, Celebrating Women’s History Month   aster’s Recital: Jonathan Moots, baritone, Saturday, March  2 8 ” M Fine Arts Room 21, 3:00 PM, FREE tenor,   Saturday, March  2 8 ” 1993 Reunion Redtal: Todd Geer  Allison Swensen­Mitchell, mezzo­soprano, a n d  J. Penna, piano, Anderson Center Chamber Hall, 8:00 PM, $$ (co­sponsored by the Music Department and the Alumni Association) Sunday, March  2 9 ” J unior Recital: Marc Silvagni, percussion, Casadesus Recital Hall, 3:00 PM, FREE   id­Day Concert, 1:20 PM – FREE Thursday, A pril 2 ™ M Casadesus Recital Hall Thursday, A pril 1 6  Mid­Da y Concert: 1 :20 PM ­ FREE Casadesus Recital Hall FREE   larinet Studio Recital, 3:00 PM —  Saturday, April 1 8 ” C Casadesus Recital Hall   rahms’REQUIEM with the Binghamton Saturday, April 1 8 ” B Philharmonic Orchestra and the University Chorus, 8:00 PM, Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic at 723­3931 Sunday, April 19th Master’s Recital: Stephanie Lehman, percussion, Casadesus Recital Hall, 3:00 PM, FREE Sunday, April 19°" For Slava: A concert remembering the great Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$, Casadesus Recital Hall Tuesday, April 21% String Department Recital, 8:30 PM – FREE, Casadesus Recital Hall For ticket information, please call the Anderson Center Box O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiocassette 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:38 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152245">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152245</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Stephen Brooks, March 21, 2009 Recital Tape 2009-3-21 Description An account of the resource Held at 8:00 p.m., March 21, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Brooks, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f6b8b8e6d2110cb4b0262e74ad61d823.pdf a93e7a34d76689ab77bff3869935b4bf PDF Text Text BINGHAMTON M N  I V E R S I Y X T   S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K wide [4 D E P A R T M E N T F R I E D H E I MM   EMORIAL L E C T U R E  / R E C I T A L F R A N Z  S C H U B E R T Wanderer Fantasy Alice L. Mitchell, L ectu re r J o h n Covelli, Piano Sunday, February I, 2009 3:00 PM Casadesus Recital Hall �The Binghamton University Department of Music presents the 2008­2009 Philip F riedheim Memorial Lecture­Recital Series ABOUT T H E  PERFORMERS F ranz Schubert ’s ALICE MITCHELL is a native New Yorker who received her earliest music education at the Third Street Music School Settlement and as an undergraduate at Hunter College. She continued with graduate studies in musicology at Smith College, as a student of Alfred Einstein and at Columbia University with Paul Henry Lang. She has performed as a piano soloist at Town Hall, Steinway Hall, and at the Brooklyn Academy of Music. Her publications include an edition and translation of Carl Czemy’s Treatise on Improvisation (Op. 200), articles in the Musical Quarterly, the Musical Heritage Review and Grove’s Dictionary, and liner  notes for Dover Publications  recordings. She has served as Chair of the Music  Department, during which  she  initiated  the joint  graduate program  in opera with Tri­Cities Opera and opened negotiations that resulted in  the Link Professorship. Wanderer Fantasy C major, Op. 15, D.  760 Remarks on the Text and Composition Professor Alice L. Mitchell Performance John Covelli, Piano E BBC E     C B C E C B C B B C B C B C B B CBE C B B BC B While recognized as one  of the  more  versatile conductors of his generation, JOHN COVELLI has for most o f his  life  been  known and  respected as an extraordinary piano talent.  As a Chicago­bom piano prodigy studying since age four, he was credited in his youth  with numerous concerts, broadcast recitals, special  musical awards, performances at the Chicago Music Festival, with the Chicago Symphony at age 9; reci pient of the Chicagoland  Festival  Award; a highly lauded all­Bach concert at the Texas Bach Festival, as well as composing prizes. A s  a teenager, h e  was t he on ly conce rt pianist ever to win the famous The Friedheim Memorial Series honors the memory of Professor Philip Friedhiem  (1930­1986)  whose  remarkable  tenure  at  Binghatmon  University featured  many  memorable  lecture­recitals  with  faculty  and  guest  artist­ performers on major works of the classical music tradition.  We seek to recreate Phil’s special combination of scholarship and performance that served to deepen our understanding for – and love of – great works of musical art.  All proceeds of  the  series  will  go  towards  the  undergraduate  scholarship  funds  of  the Department of Music. The 2008­2009 series opened  in  September 2008 with  Professor  Emeritus Harry Lincoln ’s analysis of Schubert ’s classic lied Der Erlkonig.  (Incidentally, Harry served as performer with Walter Ponce on one of Phil’s many programs.) Today’s performance, as noted above, features an examination of Schu bert ’s Wanderer Fantasy, with a lecture  by Professor Alice L .  Mitchell (another o f Phil’s colleagues) and Guest Pianist John Covelli. The third  and  final  Friedheim  concert of the 2008­2009 series  will  be on Tuesday, April  28", and  will  unravel  mysteries of modern  music  in  Audible Processes:  Minimalism  and  Beyond  with  Professor  Paul  Schleuse  lecturing. Faculty performers include Timothy Perry, Margaret Reitz, Janey Choi, Michael Salmirs and Ewa Mackiewicz­Wolfe. Godfrey Talent Scout Program and appeared in a series of nationwide CBS­TV performances.  His New York debut drew rave notices from every newspaper and major publication present including the Times stating, “This is one of the best debut recitals in our recollection.” While conductor and soloist of the famed Seventh Army Symphony, he was selected special musical ambassador for USIS gleaning accolades as featured touring soloist throughout Europe.  As a winner in two o f E urope’s m ost prestigious piano com petitions ­ t he Queen Elizabeth of Brussels, and the Busoni International Piano Competition in Bolzano, Italy, John Covelli  was launched  from  youthful  prodigy to an  international  performer of major standing. Critical  praise from major music capitals was unanimous.  In addition to solo piano concerts, the unique excitement John Covelli brings to the dual  role of conductor/pianist  in  a wide range of concertos ­ from  Gershwin, Gottschalk, Shostakovitch, and  Saint  Saens, to  Bach, Beethoven, Mozart and more  ­has  become  a  special  part  of  his  international  musical  charisma. (Biography © 2003 John Covelli, All rights reserved.) �Coniz  (enst S u n d a y,  Februa r y 1 5% Musica Nova: Sing a New Song, Anderson Center Chamber Hall, 3:00 PM, $$ Saturda y, Februar y 21% A Russian Fantasy for Two Pianos with Ewa Mackiewicz­Wolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall Sunday , Februa ry 2 2 ™  Organist Jonathan Biggers ­ A Bach Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold O ut) Tuesda y, Februar y 24°" Organist Jonathan Biggers – A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$   id­Day Concert, 1:20 PM ­ FREE Thursda y, Febru ary 2 6 ” M Casadesus Recital Hall   uest Artist: Dr. Hal Reynolds, trombone, Thursda y, Februa ry 2 6 ” G Casadesus Rectal Hall, 8:00 PM, FREE   rganist Jonathan Biggers – A Bach Friday, Februar y 2 7 ” O Celebrationl.l Series, Fine Arts Room 21, 8:00 PM, $$ Thursda y, March 5  Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Thursda y, March 5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 7:30 PM, $$ Saturda y, March 7°" University Symphony Orchestra: Hearing the Orient, Osterhout Concert Theater, 8.00 PM, $$  Wind Symphony, 3:00 PM, FREE   S u n d a y,  March 8 ” University Anderson Center Chamber Hall oncert, 1:20 PM – FREE   Thursda y, March 1 2 ” Mid­Day C Casadesus Recital Hall For ticket information, please call the Anderson Cente r B ox  O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiocassette 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital: Franz Schubert, Wanderer Fantasy, February 1, 2009 Recital Tape 2009-2-1 Description An account of the resource Held at 3:00 p.m., February 1, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Covelli, John Mitchell, Alice L. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cbca950ae47d1123e0f04c7538c33627.pdf c8884ad5f645441933a27a964b087428 PDF Text Text UNIV  ARC — Ke c fl 2\ co  1  ­ ­   LAN 4  p \ L “  < 1 Phe  a  N N® g y Q U . S .  A I R F  O R C E BAN D O F  L I B E R T Y www.bandofliberty.af.mil America’s Air Force Integrity— Service—Excellence and University of Minnes ota Dul uth present SOU NDIN GS OMXR SrA Michael A. Correa and Prof. Gene Koshinski �Senior Airman Michael A. Correa is a percussionist with The United States Air Force Band of Liberty, Hanscom Air Force Base, MA.  He is the principal percussionist for the Concert Band, percussionist for the Colonial Brass and also performs with the Ceremonial Band, and the Show Band. He has been a featured soloist with the Concert Band and Colonial Brass.  SrA Correa earned a Bachelor of Music Performance and Music Education from the Ithaca College School of Music in 1998. (MM) and  is  currently completing a doctoral degree (DMA) at the Hartt School. His debut recording, Klung, is carried by the Equilibrium record label and his method book and compositions are distributed internationally by The Percussion Source. In  2000, he graduated from the Cincinnati  College­Conservatory of Music with a Master of Music degree in Performance.  Following post­ graduate  work  at  the  Eastman  School of Music  SrA  Correa held positions  as  music  director  for  the  Tilton  School  in  NH,  and Band/Orchestra Director for the St. Stephens & St. Agnes School in Alexandria, VA.  SrA Correa also served as the director of Percussion studies and music theory instructor at the Performing Arts Institute in PA from 1998­2006. He is currently a DMA candidate at the Cincinnati College­Conservatory of Music as well as being a member of the Air Astor Piazzolla (1921­1992) Nightclub 1960 from The History of the Tango CaDance 4 2  Andy Pape (b.1955) I’m Your Pal  Steve Swallow (b.1940) arr. Gary Burton trans. Errol Rackipov Force Band of Liberty.  His teachers include Joel Smales, Gordon Stout, Ted Rounds, Jon Beck, Allen Otte, Rusty Burge and James Culley. Gene Koshlnski has received international acclaim as a percussionist and composer (ASCAP) and is currently director of percussion at the University  of Minnesota Duluth.  He  is  in constant  demand  as  a performer and most recently completed tours in Jordan, Germany, Austria, Slovenia, Canada, and the US. In 2002, Mr. Koshinski won the National MTNA Collegiate Artist Percussion Competition in Cincinnati, OH  and in August  2004  finished 3rd in the prestigious Universal Marimba Duo Competition in Belgium. He is active as a performer and freelance percussionist, having worked with organizations and artists including NFL Films, Late Show with David Letterman, Mary Wilson (the Supremes), David Samuels, Wycliffe Gordon, Philadelphia Boys Choir, The Lettermen, Lehigh Valley Choral Arts, Minnesota Ballet, and is currently section percussionist for the Duluth Superior Symphony Orchestra  and  a  member  a  Nebojsa  Zivkovic’s Jovan  Perkussion Projekt. For his work with NFL Films, he can be heard on the Emmy award­winning soundtrack A Century of NFL. Performances have also been heard on the CBS, PBS, EPSN television networks as well as NPR (National  Public  Radio). He  has also commissioned and  premiered works  by  renowned  composers  including  Stuart  Saunders  Smith, David Macbride, Dave Hollinden, and Alejandro Vifiao. Mr. Koshinski holds degrees from West Chester University (BA), The Ha rtt School And So The Wind Blows... *  Kaskada  The Hummingbird  * World Premiere Gene Koshinski (b.1980) Eckhard Kopetzki (b.1956) George Hamilton Green (1893­1970) �This con cert is sp onsored by the U SAF Ban d of Libe rty a nd the U niversity of Minneso ta Dulut h. Gene Koshinski is endorsed by Ko rogi Mar imbas, Innovative Percussion, Sa bian Cym bals, and Remo. The Air Force is a values­based o rganization guided by ou r core values: Integrity, Service Befo re Self, a nd Excellence In All We D o. As an Expeditionary Aerospace Fo rce, our people stand rea dy to de ploy com bat power around the globe a t a m om e nt ’s notice  t o p ro tect America ’s interes ts. U L S :A   R F  O R C E For information regarding Air Force opportunities, contact the Air Force via your local recruiter, www.airforce.com, or dial 1­800­423­USAF � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:00:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152251">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152251</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource U.S. Air Force Band of Liberty and University of Minnesota Duluth present Soundings, March 20, 2009 Recital Tape 2009-3-20 Description An account of the resource Works of Piazzola, Pape, Swallow, Koshinksi, Kopetzki, Green. Held at 8:00 p.m., March 20, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Correa, Michael A. Koshinski, Gene Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound