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                    <text>STATE UNIVE RSITY  OF NEW YORK  AT BIN GH AMTON

HARPUR COLLEGE
TH E DEPA RTMEN T OF M USIC

VOICE STUDIO RECITAL
by students of  William  Lewis and Roberta Schlosser
Barbara Garges,  accompanist
January 1 5, 1969 

8 :15 p.m. 

Music Recital Hall

PR OGRA M

VOI,  CHE  SAPETE  (LE  NOZZE  DI  FIGARO) 
Joy Edwa rdsen
SENTO  NEL  CORE 

Linda Dri ver

SI  TRA  I  CEPPI  (BERENIC E) 
Jayne Kaplan
VAGHISSI MA  SE M BIAN ZA 
COME  L ’ALLODOLETTA 

Kathy Tyrell
Linda Uhl y

SPIRAT E,  PUR  SPIRAT E 

Elizabeth Lee

Mozart
Scarlatti
Handel
Donaudy
Donaudy
Donaudy

P ERDUTO  HO  LA  SP E RAN ZA 
Donna Ribble

Donaudy

FRESCHI  LUOGHI 

Donaudy

LOVELIEST  OF  TREES 

A LLERSE ELEN 

DU  BIST  DIE  RUH 
DIE  A LLMACH T 

Regina Sa blauskas

Audrey A dler

Linda Holgers
Thomas St rain
Carolyn K imble Hil l

Intermission

John Duke

Strauss

Schubert
Schubert

�SI, MI  CHIAMANO  MIMI  (LA  BOHEM E)
Phyllis Costanzo

Puccini

DOND E  LIETA  (LA  BOH E M E)
Alida Stahl

Puccini

UNA  FURTI VA  LAG RI MA  (L ’E LISIR  D’AMO RE)
Vartkes Baboghlian

AVE  MARIA  (OTEL LO)

Linda Trave r

THE  NUN  TAKES  THE  VEIL
SURE  ON  THIS  SHININ G  NIGHT
Nancy Carlson
ME  VOICI  DANS  SON  BOUDOIR  (MIGNON)
Marcia Bernhardt

AVANT  DE 

QUITTER 

CES  LIEUX  (FAUST)
Terry Howell

Donlzetti

Verdi

Samuel Barber
Thomas
Gounod

DEPUIS  LE  JOUR  (LOUISE)
Grace  Martin

Charpentier

HEAR  YE,  ISRAE L  (ELIJA H)
Betty H artman

Mendelssohn

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                    <text>B y Binghamton 
 
Symphonette
FRITZ WALLENBERG, Conductor

presents a

Concert
with

JEAN  CASADESUS, Guest Soloist

SUNDAY, J ANUARY 12th, 1969, 8 :15 P.M.
HARPUR  THEATER

�PROGRAM
Sinfonietta, Op. 1
Poco presto ed agitato
Variations : Andante lento
Tarantella: Presto vivace

B. Britten
(1913­ 

)

The Sinfonietta was written in 1932 and is the earliest  published composition
by England’s leading composer. It  is a rather complex wor  based on short the­
matic motives which are heard in  the olpening measures and then ref erred to i n
various contexts throughout the piece.  his resourceful manipulation of tiny me­
lodic cells continues in the slow movement, titled “Variations. '  A short viola pas­
sage leads into the fast Tarantella, a moto  perpetwo, in which the various mo­
tives of  the whole work are summarized.

Piano Concerto in C­ma jor K. 467 

Allegro maestoso

. W . A. Mozart
(nu­mu)

Andante
Allegro vivace assai

Finale; Presto

This symphony  is  one of  six  written  by  Hadyn  on  a  commission from  a
Parisian concert organization. It was nicknamed La Reine because Marie Antoi­
nette is said to have  ressed a special fondness for it. In its second movement
une Lisette.” The lym­
 
Haydn makes use of m a c h folk song, “La Gentille et Je
phon  is a cheerful  work  combining  references  to popular  styles, humor,  and
classical grace with the most sophisticated technical writing.

Program notes by Harry Lmeo’ la

MEMBERS  OF  THE  ORCHESTR A
Violins : 
Ralph Wade 

Marianne Wallenberg 

Mozart devoted much eﬀort to his twenty piano concerti and they represen
for many critics, the highest achievement amon  his instrumental works. Th e
Major Concerto was completed in March 1785. The structure of the work is quite
complex,  including  motivic  relations  between  the  movements.  The  ﬁrst  move­
ment  is introduced  by a  rather solemn, march­like  theme  in  the orchestra, a n
atmosphere which soon gives way to the prevailing brilliance of the piano solo. In
the slow movement, one of the most famous in the entire piano concert literature,
a beautiful and haunting melody is heard in  a wide range of  keys and colors. A
jovial mood returns in the ﬁnale, a rondo based on a chromatic theme.

IN TERMISSION
Capriccio for Piano and String Orchestra op. 49 .
Allegro con fuoco
Vivace scherzando
Adagio ; Allegro molto

. R. Casadesus

(1899­  ) 

In addition to a long and distinguished career as a pianist, Robert Casadesus
has composed a  number of  attractive  works  for  piano.  As its title implies, the
Cappriccio, although  for  piano and orchestra, is a  lighter. work  than a  formal
concerto. It was written in 1953 in Paris and ﬁrst  performed in New York in 1954.
The style has elements of  both  classic  and  modern and  in a sense is a  French
counterpart  of  the  neo­classic  piano  music  of  Prokoﬁef. .The. four  movements
have traditional  structures and display  a brilliant pianistic idiom.  The scherzo,
with  its  emphasis  on  high  register  writing  for  the  piano  and  eﬀective  cross
rh ythms between piano and orchestra, is especially interesting.

.. J. Haydn
(1732­1809)

Symphony No. 85  (La Reine)  .. 
Adagio; Vivace
Allegretto
Menuetto

Melba Sandberg 
Nancy Robbins 
Edward Pettenglll 
Judith Niles 
Betty Lou Agnrd 
Richard Leavitt 

Holes: 
R  ll Colto 
Martha Gotten 
Fritz Loewenstein 
Cellos: 
Ruth Brown 
Robert Knight 
David Howard 

Bass: 
Richard Thomas 

Flute: 

. 1
u. 
Georgetta Maiolo 
.
Obggt­t Ed d
“ W m ” J  u d i ”  
Clarinet: 
Vincent Smith 
Bassoons: 
Donald Robbins 
Edward Wadin 
war  oel 
French Home: 
Brian Sternberg 
George Papastrat 

Trumpets:
Delbert Cobleigh

Richard Hamlen

Timpani
John Eng­tron

~
 
P a s iManager:
an  Burwasser
Concert Chairman '
Edward Pettenglll
g  .
Librarian:
Edward Pettengill
, ,
Pub’mﬂl‘
Lillian Burwasser

The Friends of  the Symphony cordially invite you for a reception to meet with
the artists in the Green  oom immediately following  the concert.
We wish to extend our thanks to the Harpur Colle  Music Dﬁgzartmentkto the
EveniniPress. the Sun Bulletin, to WINR, WNBF  ENE, W  M, WSKG­TV,
Studio  ook  Shop, Kent  Drug  Stores,  Marvin  Kelley, and  to all  other  f riends
whose support has made this concert possible.

BINGHAMTON  SYMPHONY
NEXT CONCERTS
Sunda  Feb. 23  7:30 2: m., Binﬁhamton West Junior High School. M o n ti ,  Feb.
ree Academy. Works by Barber, Lalo and Shostakovich.
.m., Owe 
24  8 
Soloist :  AKAKO  ISHIZAKI, violin.

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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <elementText elementTextId="21191">
                <text>State University of New York at Binghamton. Department of Music.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21192">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="21193">
                <text>3.9091E+13</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
