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                    <text>BINGHAMTON
UNIVERSI TY
STATE UNIVERSITY OF NEW YORK

FLUTE STUDIO
AND

FLUTECHAMBER CONCERT

Friday,

mber
D e c e2009
10:15 a.m.

Casades us Recital Hall

4,

�Program
Berceuse for Flute and Piano .................................................... Gabriel Faure
(1845-1924)

Katy Spelman, Flute
Chai-Kyou Mallinson, Piano

Allegretto for Flute and Piano, Opus 116 .............................. Benjamin Godard
(1849-1895)

Rebecca Falik, Flute
Chai-Kyou Mallinson, Piano

Minuet and Dance of the Blessed Spirits ................... Christoph Willi bald Gluck
from the opera "Orfeo"
(1714-1787)

Rachel Serwetz, Flute
Chai-Kyou Mallinson, Piano

Serenade for Solo Flute ............................................................... Philip Glass
Prelude
(b.1937)
Caprice
Finale

Jenna Goldin, Flute

Suite for Flute and Piano ... ................................................. Norman Delle Joio
Improvise
(b.1913)
Aria

Emily Morris, Flute
Mark Rossnagel, Piano

Suite de Ballet for Flute and Piano ................ :........... Ralph Vaughan Williams
Improvisation
(1872-1958)
Humoresque

Natalie McCreary, Flute
Mark Rossnagel, Piano

�Binghamton University Flute Trio

Sonatina, Opus 36, No. 5 for Three Flutes .............................. Muzio Clementi
Rondo
(1752-1832)
arranged by Jay Daniels

Variations on "La Ci Darem La Mano" ......................... Ludwig van Beethoven
for Two Flutes and Alto Flute
(1770-1827)
arranged by Arthur Ephross

Aura Lee .......................... ............................ ................................ Traditional
arranged by Ricky Lombardo

Arkansas Traveler ........................................................................ Traditional
arranged by Ricky Lombardo

Binghamton University Flute Trio
Natalie McCreary, Flute
Emily Morris, Flute and Alto Flute
Rachel Serwetz, Flute

Flutists are from the Flute Studio of Georgetta Maiolo

�Binghamton University Music Department's.

UPCOMIN G EVENTS
Friday, December 4th Elizabethan Madrigal Feaste (Harpur Chorale and
Women'sChorus), 6:30 PM, Old Union Hall, $$

Friday, December 4th Masters Recital: Susan Amisano, soprano,
8:00 PM, Casadesus Recital Hall, FREE

Saturday, December 5th Elizabethan Madrigal Feaste (Harpur Chorale and
Women's Chorus), 6:30 PM, Old Union Hall, $$

Sunday, December 6th Wind Symphony, 3:00 PM - FREE
Anderson Center Chamber Hall

Tuesday, December 8th Percussion Ensemble, 8:00 PM - FREE
Anderson Center Chamber Hall

Thursday, December 10thHoliday Mid-Day Concert, 1:20 PM,
Casadesus Recital Hall, FREE

Friday, December 11th Holiday Mid-Day Concert, 4:00 PM,
University Downtown Center, FREE

Friday, December 11th Singing Chinese Class Recital, 7:00 PM, Casadesus
Recital Hall, FREE

Saturday, December 12thFaculty Rreworks: Winter Winds (with the
University Symphony Orchestra) - a gala benefit concert for the Music
Department, 8:00 PM, Osterhout Concert Theater, $$

Sunday, December 13th Masters Recital: Jenean Truax, soprano,
3:00 PM, Casadesus Recital Hall, FREE

Tuesday, December 15th Masters Recital: Jana Kucera, soprano,
7:30 PM, Casadesus Recital Hall, FREE

, For ticket information, please call the

Anderson Center Box Office at 777-ARTS.

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                    <text>BINGHAMTON
U N I V E R S I T Y

State University of  New York

d ee
[4

R E P A R T M E N T

UNIVERSITY PE RCUSSION
ENSEMBLE CON CERT
Daniel Fabricius, Conductor

Marc Silvagni, Assistant Conductor

Adam Goldenberg, Xylophone Soloist

Tuesday evening, December 8, 2009
8:00 P M
Anderson Center Chamber Hall

�PROGRAM
Yobel ’ (1978)... 

University Percussion Ensemble Personnel

... 

...Jesse Ayers

Yobel ’ is a p r a i a  wordfor a silver trumpet that announces 
i h e Y ear of Jubilee.

Samuel Bae
Adam Goldenberg
Amanda Jacobs
Mike Longo

Overture for Percussion (1997)... . 

...Mario Gaetano

Dance Barbaro (

...Phillip Lambro

1

8

5

) . . .
  .  . 

Benjamin Ramos
Keaton Rood
Marc Silvagni
Lee Vilinsky
Andrew Williamson

DANIEL  FABRICIUS  has  been  a  member  of  the  Binghamton

aoINTERMISSIONoa
The Doomsday Machine (2000). . . . . . . 

...Michael Burritt

Ceremomium CIOBT). c o i i i s i s i a i o i i i c i i i i i i i n S
  pears
Marc Silvagni, Conductor
Bit  O
QRiothas (

1

9

3

2

)

H

a

r

r

y Breuer
 

Adam Goldenberg, Xylophone
We Three Kings (

2

0

0

9

)   ...John Henry Hopkins
Arranged by Daniel Fabricius

University  faculty  as percussion  instructor  since  1992  and  has  also
served as Director of Bands at Owego Free Academy since 1989.  He has
been  a  member  of the  Binghamton  Philharmonic  percussion  section
since 1982 and is also comfortable performing in popular, rock, jazz, and
other styles.  He has played as a free­lance percussionist accompanying
national touring artists such as Michael W. Smith, Tommy Tune, Jerry
Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothers,
and Ella Fitzgerald.  He is highly regarded in the region as a percussion
soloist and ensemble player.  He has served the New York State School
Music  Association  as an  All­State  Percussion  adjudicator  for  many
years.  In addition  he is  the Instrumental Jazz Reviews ed itor of The
School Music News and was the Jazz editor for the recently publ ished
NYSSMA  Manual,  Edition  XXIX.  Dan  serves on  the  faculty  of the
Binghamton High School Percussion Camp each summer and over the
years h as presented many percussion clin ics at several state conventions

and conferences.  He also often serves as a guest conductor for honor
band  festivals and  has adjudicated  Jazz Ensemble and  Concert  Band
performances at music festivals th roughout New York.

�MARC  SILVAGNI  is  a  senior  at  Binghamton  University.  He  is
currently double majoring in Percussion Performance and Psychology.
He plans on attending graduate school after Binghamton to earn a MSEd
degree in Social Studies. Marc started his music career relatively late in
7” grade under band director and amazing JAZZ  drummer Marc Copell.
During  the  summers  following  7” and  8  grade, Marc  attended  the
Manhattan  School  of  Music  Summer  Camp  and  studied  under
percussionist  Jeﬀ Kraus  who  taught  him  about  the  entire  world  of
percussion. He then attended  St. Francis Preparatory High  School  in
Fresh Meadows, Queens, and studied under percussionist Mark Teoﬁlo.
In the summer of his sophomore year, Marc and other students, under
teacher David Kobayashi (Binghamton Alum), traveled to Australia and
played with the Tallahassee Winds in the Sydney Opera House for the
Eric  Whitacre Festival. Marc  began college at Binghamton University
under percussionist Dan Fabricius. Here he has had featured solos with
the Percussion Ensemble and has played with the Harpur Jazz Ensemble,
University  Orchestra,  Harpur  Chorale,  Women’s  Chorus,  and  the
Commencement Wind Ensemble. He has also played at the Musica Nova
concert and at Stephanie Lehman’s Masters Recital.
ADAM GOLDENBERG  is a graduate of Vestal High School where he
held  the  positions  of Center  Snare  with  the  Vestal  Marching  Band,
Principle Percussionist with the Vestal Concert Band, and was the lead
kit player with the Vestal Jazz Ensemble.  During the summer of 2009,
Adam  was  selected  to  attend  the  Leigh  Howard  Stevens  Summer
Seminar; an intensive three week seminar devoted solely to the study of
mallet percussion where he had the chance to attend master classes with
several world  renowned percussionists  including Gordon  Stout, Marta
Klimasara, Thomas Burritt, Michael Burritt, and Percussive Arts Hall of
Fame inductee Leigh Howard Stevens.  In his spare time, Adam enjoys
skiing, scuba diving, and pursuing a dual degree  in  Biochemistry and
Integrated Neural Systems at Binghamton University.

�</text>
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                    <text>BINGHAMTON
UNIVERSITY

usi
D E P A R T M E N T

HOLIDAY
MID-DAYCONCERT

Thursday, December

10, 2009

1:20 p.m.
Casadesus

Recital

Hall

�PROGRAM

Variations on "Puer nobis nascitur' ... ... .......... ... Jan Jacob van Eyck
{To Us a Son Is Born)

(1590-1657)
Timothy Perry, alto recorder
Timothy LeFebvre , baritone

Masters in this Ha/1 .. ... .... ..... ... ..:.... .. ... ... .... .... ............ William Morris
arr. Peter Browne

(1834-1896)

S'vivon .. ....... .. .... ..... ..... .... .... .. .. ........... ... ... .......... Hebrew Traditional
arr. Joshua Jacobson

Winter Wonderland ....... .. ...... ......... Felix Bernard and Richard Smith
arr. Peter Browne

(1897-1944) (1901-1935)
Joy to the World......... ............ ... ........ Isaac Watts and Lowell Mason
(1674-1748) (1792-1872)

Boar's Head Carol .......... ... ..... ...... ... ... ....... .... ..... Traditional English
arr. Peter Browne
Members of the Harpur Chorale

All the Things You Are .......... ....................................... Jerome Kern
arr. Lennnie Niehaus

(1885-1945)

Ragtime Suite ... ... ... ... ..... ... .... .... ...... ...... ... .......... ...... ... .. Scott Joplin
(1868-1917)

Something Doing
The Cascades·

Dan Fagen, soprano sax; Nathan Rose, alto sax;
Andy Block, tenor sax; Dean Papadopoulos, baritone sax

In Dulci Jubilo, from Musae Sioniae (1607) .... ..... Michael Praetorius
(In Sweet Jubilation)

(1571-1621)

Matthew Hassel, Heather Worden, Timothy Perry, clarinets
Zach Stanco, bass clarinet
Dan Fagen, soprano sax; Nathan Rose, alto sax;
Andy Block, tenor sax; Dean Papadopoulos, baritone sax

Le Sommeil de L'Enfant Jésus .......... .. .... ........ ... ....... .. Henri Busser
(Cradle Song for Christmas Eve)
Mary Burgess, soprano
William James Lawson , piano

(1872-1973)

�Felicity ..................... ............. ................................ Raymond Premru
(1934-1998)

Jingle Bells ...................................................... James Lord Pierpont
arr. Ted Blumenthal

(1822-1893)

We Wish You a Merry Christmas ...................... .. .. ........ .... Traditional
Jay Bartishevich, Bill Marsiglia, Rob Menard, trombones
Damon Dye, euphonium; Matt Gukowski, tuba

0 Holy Night ............................................................ Adolphe Adam
( 1803-1856)
Timothy LeFebvre, baritone
Mary Burgess, soprano
Jonathan Biggers, piano

Le Sommeil de L'Enfant Jésus
(Cradle Song for Christmas Eve)
The bells are ringing in the night,
Their joyous voices lead us to the Baby in the humble crib,
Lying in the fragrant hay.
Sleep, little Jesus, sleep, sweet cherub!
Your mother watches over you all through the night. Sleep.
Our hearts are full of hope;
We have faith in your love!
Rest sweetly, Jesus, dearest child! Sleep!
To God we shout our joy!
Noël! Sing we Noël!
Always we sing Noël!
Noël, the blessed feast, the day of deliverance!
A Savior is born; we kneel before him here at his feet.
Noël! Midnight all mysterious; everything sleeps around us.
Rest sweetly, Jesus, dearest Child!
Sleep, sweet cherub.
Ah, how many resplendent wings are there around you,
As the angels, dainty hands crossed,
Give shelter to your divine face.
Sleep, sweet cherub!
Noël! Noël! Noël!

�Binghamton University Music Department's
:.

UPCOMING EVENTS
Friday, December 11th Singing Chinese Class Recital, 7:00 PM,
Casadesus Recital Hall, FREE

Saturday, December 12thFaculty Fireworks: Winter Winds (with
the University Symphony Orchestra) - a gala benefit concert for the
Music Department, 8:00 PM, Osterhout Concert Theater, $$

Sunday, December 13th Master's Recital: Jenean Truax, soprano,
3:00 PM, Casadesus Recital Hall, FREE

Tuesday, December 15thMaster's Recital: Jana Kucera, soprano,
7:30 PM, Casadesus Recital Hall, FREE

Sunday, January 24th University Chamber Chorus, 3:00 PM - FREE
Trinity Memorial Church, Binghamton
For ticket information, please call the
Anderson Center Box Office at 777-ARTS.

•

'·

�</text>
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                    <text>BINGHAMTON
V
W
  NIVYERSIITY
S TAT E   UNIVERSITY  OF  N E W  Y O R K

vwdze
T M E N T
[4

D E P A R

MASTER’S RECITAL

JENEAN TRUAX, SORPANO
with

William James Lawson, Piano

Adam  Davis, Clarinet

Sunday, December 13, 2009
3: 00 p.m.

Casadesus  Recital Hal

�{

l
i

PROGRAM

i

PROGRAM

{

I.

Ridente Ia cama... 
..Wolfgang Amadeus Mozart
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte  (1756­ 
­1791)
Abendempﬁndung
. Giacomo Meyerbeer
(1 791 ­1 864)

Hirtenlied........ 

Fn’ihlingsglaube, Op. 20, no. 2..............cocooicvinnniiios .Franz Peter Schubert
Auf dem Wasser zu singen, Op. 72
(1797­1828)
Fischerweise, Op. 96, no. 4
Gretchen am Spinnrade, Op. 2

¢

m

o
o

The Breath o f a  R
At the W

e

l

Pastorale. .

S

é

g

r

E

u
u

because, alas,

he did not sing to me alone.

You’re catching ﬁre, and soon,
you dear ones,

there will be no trace left of you.
But alas, the man who wrote you

may perhaps burn for a long time yet
in my heart.

Abendem pﬁndung
( Evening Feeling)

0

G u i t a r e .  

Del cabello Mas s

along with all of the adoring songs,

(1899­1963)

Le sommeil
Quelle aventure!
La reine de coeur
Ba, Be, Bi, Bo, Bu
Les anges musiciens
Le carafon
Lune d’Avril

r

t
d

 

/
l

l

 .   G e o r g e s  Bizet
(1838­1875)
l .Fernando Obradors
(1897­1945)
l
e Manuel de Falla
(1876­1946)

Als Luise die Briefe
i hres ungetre uen Lie bhabers
ver bran nte
(As Luise b urn ed  th e letters
of her faithless lover)

now 1 give you back to ﬂames

. Francis Poulenc

La Courte Paille

and with your soulful gaze
look down gently upon me.

You owe your existence to ﬂames;

r I I A Bolcom
 
 
(b. 1938)
e .William Grant Still
(1895­1978)
l .Richard Hageman
(1882­1966)
...Aaron Copland
(1900­1990)

s

that are so wel come to m y heart.

Born of a ﬁery imagination,
brought into the world in an hour of
rapture,go to destruction,
you children of melancholy!

®INTERMISSIONCs
A

gazing in mourning at my ashes,
I shall appear to you
and strew Heaven over you.
May you also grant me a little tear,

m y dear, to tie the bonds of marriage

o

If you then weep beside m y grave,

Ridente la cal ma
(Calm ness is smiling)
Calmness is smiling in my soul;
no trace of disdain or fear remains.
You will arrive at any moment,

It is evening, the sun is gone,
and the moon sheds silver light.
So pass life’s loveliest hours;
they ﬂit by like a dance.
Soon the bright scenery of life is gone,

and the curtain rolls down.
Our play is over,

and a friend ’s tears are already falling
upon our grave.
Soon perhaps—like a gentle west wind
comes a quiet premonition—I shall
close this life’s pilgrim journey

and ﬂy away to a land of rest.

and pick a violet for m y grave,

Shed a tear for me,
and ah! do not be ashamed to do so.

O, it will be the most beautiful pearl

in my crown.

lI.

Hirtenlied (Shepherd ’s Song)

Aloft here, alone in the mountains,
the blue heavens overhead,
the light breezes swaying the grasses,
I rest on a meadow ﬂower be­spread;
my lambs lying round
on the greensward,
the shepherd ’s pipe soothing and soft
and glinting with gold in the sunlight,
the birds ﬂying homeward aloﬁ, aloft!

They vanish away in the distance,
through half the world they must ﬂy!
Gladly I linger a prisoner here
beneath the blue roof of the sky!
In the cities mankind is distracted,
with grief or ill­humour distressed,
here, ﬁlled with the peace of the
mountains,
the heart is forever at rest, at rest!

So sweetly pass the blessed hours of
summer,
so still are the days and nights,
far on the shore are the breakers,
silence is here on the heights!
Good sheep here contentedly grazing
the meadows 
.
green with ﬂowery charm,
no echoes of earthly discord
can riﬀle a heaven so calm, so calm!

�lII.
F rii hlingsglau be (Spring faith)

The gentle breezes are awakened,
they whisper and stir day and night,

and penetrate everywhere.
Oh fresh scent, oh new sound!
Now, poor heart, be not afraid.

Now must it all, all change.

The world grows fairer with each day,

one does not know
what is still to come,

the ﬂowering will not cease;

the farthest, deepest valley blooms;

now, poor heart, forget your torment!

Now must it all, all change.

IV.
La Courte Paille

Fischerweise
(Fisherman ’s melody)

I. Le sommeil (Sleep)

The ﬁsherman is not tormented

Sleep has gone o ﬀ  on a journey,
G racious me! Where can it have got to?
l have rocked my little one in vain,

by worries, grief, and sorrow,
he sets sail early in the morning
in a light­hearted mood.

he is crying i n  his cot,
He has been crying ever since noon.

Peace still rests all around
on wood and meadow and stream,

and with his songs he awakens the
golden sun.
He sings at his work
with full and lusty vigor;
Work gives him strength,
the strength of joy in life!
Soon will a colorful swarm

I
l’

:

Ah! Come back, come back, sleep,
on your ﬁne race­horse!

answer from the depths,
and be seen splashing in the sky

Auf dem Wasser zu singen
(To be  s ung u pon th e  water)

Amid the shimmering of the mirroring
waves glides, like swans,
the swaying rowboat;
ah, on the joy’s gentle shimmering
waves
glides the soul along like the rowboat;
for from heaven down onto the waves
dances the sunset around about the
rowboat.
Over the treetops o f the western grove
 
waves to us kindly the rosy light;
under the branches of the eastern grove
murmur the reeds in the rosy light;
the soul breathes the joy of heaven
and the peace of the grove in the
reddening light.

Ah, time slips by on dewy wings,
As I am gently rocked upon the waves;
Let tomorrow ﬂy shimmering away and
vanish like yesterday and today,
until I myself,
on loftier gleaming wings,

slip away from the changes of Time.

In the dark sky, the Great Bear

that is reﬂected in the water.

has buried the sun

But he who would cast a net
needs eyes clear and sound,

and rekindled his bees.

must be cheerful like the waves

If baby does not sleep well
he will not say good day,
he will have nothing to say
to his ﬁngers, to the milk, to the bread

and as free as the tide;
On the bridge ﬁshes the shepherdess,
the sly rascal!
Just give up your scheming,
you won’t deceive this ﬁsh.

that greet him in the morning.

II. Quelle aventure!
(What Goings­On)

G retchen am  Spin n rade
(G retchen at the s pinning wheel)
My heart is heavy, my peace is gone;
Never, never again shall I ﬁnd it.
Where he is not with me,
to me is a grave;
The whole world seems bitter as gall.
My poor head is in a frenzy,
my poor mind is shattered.
I seek only him as I peer from the
window;

To seek only him do I leave the house.

His proud bearing, his noble stature,
his smiling lips, compelling eyes,

The magic ﬂow of his speech,
The touch of his hand, and ah, his kiss!
My heart yearns for him.

Oh, if I could but embrace and hold
him,
and kiss him as I would—
from his kisses I would perish!

My heart is heavy, my peace is gone—
Never, never again shall I ﬁnd it.

Where has sleep put
its sand and its gentle dreams?
I have rocked my little one in vain,
he tosses and tums perspiring,
he sobs in his bed.

A ﬂea, in its carriage,

was pulling a little elephant along
gazing at the shop windows
where diamonds were sparkling.

– G ood  gracious! Good gracious!

l

«

l

:

what goings­on!
who will believe me if I tell them?
The little elephant was absent mindedly
sucking a pot of jam.
But the ﬂea took no notice,

and went on pulling with a smile.
—Good gracious! Good gracious!
If this goes on
I shall really think I am mad!
Suddenly, along by a fence,
the ﬂea disappeared in the wind

and I saw the young elephant make oﬀ,

breaking through the walls.
—Good gracious! Good gracious!
it is perfectly true,
but how shall I tell Mummy?

III. La reine de cceur
(The Queen of Hearts)
Gently leaning on her elbow
at her moon windows,
the queen waves to you

with a ﬂower of the almond tree.

She is the queen o f hearts,
 
she can, i f she wishes,
 
lead you in secret to strange dwellings.

Where there are no more doors,
n o  r ooms nor towers

and where the young who are dead
come to speak of love.
The queen waves to you,
hasten to follow her

into her castle of hoar­frost
with the lovely moon windows.

IV. Ba, Be, Bi, Bo, Bu
(Ba, Be, Bi, Bo, Bu)
Ba, be, bi, bo, bu, be!

The cat has put on his boots,

he goes from door to door
playing, dancing, singing.
Pou, chou, genou, hibou.
“You must learn to read,
to count, to write,”

they cry to him on all sides.
But Rikketikketau,
the cat burst out laughing,

as he goes back to the castle:

he is Puss in Boots!

V . Les anges musiciens

(The Angel Musicians)
On the threads of the rain
the Thursday angels
play all day upon the harp.

And beneath their ﬁngers, Mozart

tinkles deliciously

in drops of blue joy.

For it is always Mozart
that is repeated endlessly

by the angel musicians,
Who, all day Thursday,
sing on their harps

the sweetness of the rain.

�VI. Le ca rafon
(The Baby Carafe)

V.
Guitare (Guitar)

Tell us, said the men,
How, with our small skiﬀs,

‘Why,’ complained the carafe,
‘should I not have a baby carafe?
At the zoo, Madame the giraﬀe,
has she not a baby giraﬀe?’

Can we ﬂee from the alguazils?
—Row, said the fair ones.

by astride a phonograph,

How, said the men,

the carafe and let Merlin hear it.
‘Very good,’ said he, ‘very good.’
He clapped his hands three times
and the lady of the house
still asks herself why
she found that very morning
a pretty little baby carafe
nestling close to the carafe
just as in the zoo, the baby giraﬀe
rests its long fragile neck
against the pale ﬂank of the giraﬀe.

Poverty and danger?
—Sleep, said the fair ones.

A sorcerer who happened to be passing
recorded the lovely soprano voice of

VII. Lune d ’Av ril (April Moon)
Moon
beautiful moon, April moon,
let me see in my sleep

the peach tree with the saﬀron heart,
the ﬁsh who laughs at the sleet,

the bird who, distant as a hunting horn,

gently awakens the dead
and above all, above all,
the land where there is joy,

where there is light,
where sunny with primroses,
all the guns have been destroyed.
Beautiful moon, April moon,
Moon.

Can we forget quarrels,

How, said the men,

Can we enchant beauties
Without rare potions?
—Love, said the fair ones.

Del cabello m as sutil
(F rom the ﬁnest hair)
From the ﬁnest hair
in your tresses
I wish to make a chain
to draw you to my side.

In your house, young girl,
I’d fain be a pitcher,

to kiss your lips
whenever you went to drink. Ah!

Séguidille (Seguidilla)

Her skirt clinging to her hips,

i n  her chignon an enormous comb,

rippling legs and dainty feet,
pale, with ﬁery eyes and white teeth;
Alza! Ola!
Behold, a true street­girl from Madrid.
Bold of gesture, free of speech,

as spicy as salt and pepper,

oblivious of the morrow,
fantastic love and wild grace;
Alza! Ola!
Behold, a true street­girl from Madrid.

T o  s ing, to dance w i t h  castanets,
and in the bull­ring
to judge the bullﬁghters’ thrusts,
all the while smoking cigarettes;

Alza! Ola!
Behold, a true street­girl from Madrid.

ABOUT THE PERFORMER(S)
J e n e a n  Tr u a x ,  as a member of Baptist Bible College’s music faculty
since 2006, teaches music theory and aural skills courses, as well as
private piano and voice lessons. Jenean and her husband Paul live in
Jermyn, PA, with their son, Eli. Her love for music began while focusing
on instrumental music, playing in marching band, concert band, jazz
band, handbell choir, and taking private lessons. During this time she
studied piano with Marylee Morton and voice, at the Riverside Academy
of Music, with Norma  Codispoti.  Once at Baptist Bible College,  she
majored in Music Education with an emphasis in  voice. She studied
piano with Margaret Bos and Dr. Larry Kauﬀman and voice with Dr.
David Harris. In addition to the degrees she earned from Baptist Bible
College,  she  has  also  taken  courses  from  Stephen  F.  Austin  State
University, Southwest Texas State University, and is currently working
toward  a  Master  of  Music  in  vocal  performance  from  Binghamton
University, studying voice with Mary Burgess.

William James L aw s o n  coaches  and  accompanies  singers  at

Binghamton University. As a coach, he specializes in English diction for
American and English art songs and the sacred  and classical theater
repertoires. He studied at Binghamton University (B.A. 1980), where his
teachers included Seymour Fink and Patricia Hanson in piano, M. Searle
Wright in church music, and Stevenson Barrett in  vocal coaching. He
holds an M.A. from New York University (1984) and was one of the ﬁrst
graduates  of  New  York  University’s  innovative  Department  of
Performance Studies, an interdisciplinary program in the performing arts.
A d a m  D a v i s  is a clarinetist in the Binghamton University Symphony
Orchestra and is a sophomore math and physics major at Binghamton
University.  He  was  aﬁnalist  in  the  2009  Concerto  Competition
Woodwind/Brass/Percussion  Division  and  spent  last  summer  as  an
intern in the astrophysics division at the NASA Goddard Space Flight
Center.  During high school, he was selected for New York All­State on
clarinet, won honorable mention in the Southern  Tier Music Teachers
Association Competition on piano, performed with the Binghamton Youth
Symphony Orchestra for three years on violin and clarinet, and during his
junior year as an exchange student, performed with the University Choir
in Wroclaw, Poland.

�Binghamton University Music D epartment’s

U PC O M I N G  E V E N T S
6 &amp; M 6 M t b ’

aD  DoasS  de 

Tuesday, December 1 5% Master’s Recital: Jana Kucera, soprano,

7:30 PM, Casadesus Recital Hall, FREE

S u n d ay,  J a n u a r y  2 4 ”  University Chamber Chorus, 3:00 PM – FREE
Trinity Memorial Church, Binghamton
  rganist Jonathan Biggers ­ A Bach
S u n d ay,  F e b ru a r y  7 ” O
Celebration!! Series, 4:00 PM, Fine Arts Room 21, $$

Satu rd ay,  Februar y 2 0 ”  Master’s Recital: Amanda Chmela,
soprano, 8:00 PM, Casadesus Recital Hall, FREE
S u n day,  Februar y 21% Mus/ca Nova: New Compositions for Voice.
3:00 PM, Anderson Center Chamber Hall, $$

For ticket information, please call the

Anderson Center B ox  O ﬀice a t  7 77­ARTS.

MERCI! 

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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K

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LINK ORGAN SERIES
B IN G H AM T ON  UNIVERSITY
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T H E  B IN G H AM T ON  CHAPTER
AMERICAN G U I L D  O F  O RGANISTS

Bruce Neswick
Organist

Sunday, November 8, 2009

4:00 pm
F i r st  P resbyterian Church
Binghamton, Ne w  York

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�ABOUT T H E  P ER F O RM ER

&amp;  PROGRAM  zg

BRUCE  NESWICK  is  the  recently­appointed  Director  of Music at  the
Cathedral  of St. John  the  Divine  in  New York  City,  having  previously

Toccata  (1940) 

Leo Sowerby

(1895­1968)

\

and  as  Organist  and  Choirmaster  at  Christ  Church  Cathedral  in
Lexington,  Kentucky;  Holy  Trinity  Anglican  Church  in  Geneva,
Switzerland; and St. Paul’s Cathedral in Buﬀalo, New York.

Siciliano  for  a High Ceremony  (1953)............ Herbert Howells
(1892­1983)
: 

Choral I in Emajor  (1890) ...........

Active  in  the ﬁeld  of church  music,  Mr. Neswick  holds  the  Fellowship
degree  from  the  Royal  School  of  Church  Music,  for  whom  he  has
conducted several courses for boy and girl choristers.  He  has served on
the  faculties  of  and  performed  for  several  church  music  conferences,
including Master Schola, the Mississippi  Conference, the Association of
Anglican  Musicians,  Westminster  Choir  College  Summer  Session,  the
Montreat and  Westminster Conferences of the Presbyterian Association
of  Musicians,  the  Disciples  of  Christ  Musicians,  the  Conference  of
Lutheran  Church  Musicians,  the  Sewanee  Church  Music  Conference,
Organ Alive! and the Evergreen Conferen ce.

. ........César Franck

(1822­1890)

&amp;  INTERMISSION  « x

Improvisation in Four Movements
(based upon hymn tunes of  the Church Year)

~ Guilbault­The’rien Organ, 1996 –

served  as  the  Canon  for  Music at  the  Cathedral of St.  Philip,  Atlanta;
and,  prior  to  that,  as  the  Assistant  Organist­Choirmaste r  for  the  Girl
Choristers at Washi ngton National Cathedral and  Director of Music at
St. Albans School for Boys and the National Cathedral School for Girls;

I

Mr. Neswick has been commissioned  to compose for seve ral performers
and  churches  throughout  the  United  States, and  his organ  and  choral
music is  published by Paracle te, Augsburg­Fortress, Selah, Vivace,  Hope,
Plymouth and St. James’ presses.  His skill at improvisa tion garnered him
three ﬁrst prizes fro m  the  1989 San Anselmo  Organ  Festival;  the  1990
American  Guild  of Organists’ National Convention  in  Boston; and  the
1992  Rochette  Concours at  the  Conservatoire  de  Musique  in  Geneva,
Switzerland.
A  graduate  of  Paciﬁc  Lutheran  University  and  of  the  Yale  School  of
Music  and  Institute  of  Sacred  Music,  Mr.  Neswick’s  teachers  have
included  Robert  Baker,  David  Dahl,  Gerre  Hancock,  Margaret  Irwin­
Brandon and Lionel Rogg.  A Fellow of the Ame rican Guild of Organ ists,
Mr. Neswick has served the Guild  in  many capacities, including chapter
dean, regional convention chair, regional education coordinator, member

�o f   t he  na tiona l  no m i na t i ng  co m m i ttee  a n d   m e m be r  o f   t h e  na tiona l

Fu tu re Concerts in t he Link Organ Series

As a  recitalist,  Mr.  Neswick  has  performed  extensively  throughout  the
United States and Eu rope and has been a featured performer a t national
and regional conventions of the American Guild of Organists.  In  1994,
he  played  the  opening  convocation  for  the  national  AGO  convention
held  in  Dallas, Texas, and  he was a featured art ist at the national AG O
convention in Seattle in 2000.  He is represented by Phillip Truckenbrod
Concert Artists.

A  B a c h  Celebration:  T h e  Complete Orga n Works

improvisation competition committee.

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Organ enthusiasts will be  pleased  to know the next  concert of
the series  “A  Bach Celebration: The Complete Organ Works”  will
be  presented  by  Dr. Jonathan  Biggers  on  Sunday  afternoon,
December 6 at 4p m on the new Hellmuth Wolﬀ organ located
in Fine Arts Room 21 at Binghamton University.  This concert
will  be  repeated  on  Thursday evening,  December  10 at 8pm,
and will  feature organ  music written  by  Bach  for  the Advent
and  Christmas  seasons.  Two  further  Bach  concerts  will  be
presented during t he Spring semeste r, the ﬁrst on Febr uary 7 at
4pm  in  Fine  Arts  Room  21  at  Binghamton  University  (this
concert will be re peated on Tuesda y, February 9 at 8pm), and
the  last  on  Sunday,  March  21,  at  4pm  at  First  Presbyterian
Church in downtown Binghamton.  March 21 also happens to
be the date of JS. Bach ’s 260th birthday!
Tickets  for  these  future  concerts  are  available  from  the
Anderson  Center  Box  Oﬀice  at  Binghamton  University  by
telephoning 7 7 7­ARTS.  Tickets for the co ncerts  presented  at
First  Presbyterian Church are also available at the entrance  to
the church on the day of the perfor mance.  We regret that we
cannot  guarantee  ticket  availability  past  90  for  each  of  the
performances  held  in  Fine  Arts  Room  2 1  due  to  space
restrictions  in  the  facility,  so  purchase  your  tickets  well  in
advance for those particular concerts!

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Sunday, December 6  ,

4 p.m. a t Fine Ar t Bldg R m  2 1 , B U   ­
Second Year Series: I’ebrmary  7 ,  March 21, 2010

�Binghamton University Music Department’s
U P C O M I N G  E V E N T S
cert, 1:20 PM ­ FREE
 
Thursday,  November 1 2 ” Mid­Day Con

Casadesus Recital Hall

Saturday,  Novembe r 1 4 ”1  Student Clarinet Recital: Sarah Fenster, clarinet
&amp; Dan Fagen, alto saxophone, 7:00 PM, Casadesus Recital Hall, FREE
Sunday, Novembe r 1 5% Binghamton Philharmonic and the Binghamton  _
University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM,
Osterhout Concert The ater, (for tickets, call BPO at 607. 723 3931)

Sunday, Novembe r 1 5 ” C oncerto and Aria Competition, 6:30 PM,
Casadesus Recital Hall, FREE

cert, 1:20 PM ­ FREE
 
Thursday,  Novembe r 1 9 ” Mid­Day Con
Casadesus Recital Hall
Saturday,  Novembe r 21°" Master Recital: Julie Williams, soprano, 8:00
PM, Casadesus Recital Hall, FREE
al: Ashley Maynard, soprano, 3:00
 
Sunday, Novembe r 2 2 ” Master Recit
PM, Casadesus Recital Hall, FREE
  Mid­Day Concert with Tony Kadleck,
Thursday,  Decembe r 3 ° Jazz 
trumpet, 1:2 0 PM, Casadesus Recital Hall, FREE
 Ensemble Concert with Tony
 
Thursday,  Decembe r 3 ° Harpur Jazz

Kadleck, tru mpet (co­sponsored by the Harpur Jazz Ensemble and the Binghamton University

Department of Music), 8:00 PM, Osterhout Concert Theater, $$ (FREE for students)

 and Flute Chamber Concert, 10:15 AM,
 
Friday, Decembe r 4 ” Flute Studio
Casadesus Recital Hall, FREE
Madrigal Feaste (Harpur Chorale and
 
Friday, Decembe r 4 ” Elizabethan 
Women’s Chorus), 6:30 PM, Old Union Hall, $$
al: Susan Amisano, soprano,
 
Friday, Decembe r 4 ” Master Recit
8:00 PM, Casadesus Recital Hall, FREE

Saturday,  Decembe r 5%" Flizabethan Madrigal Feaste (Harpur Chorale and
Women’s Chorus), 6:30 PM, Old Union Hall, $$
For ticket information, please call the
Anderson C enter B o x  O ﬀice at 777­ARTS.

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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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