124 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (56 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 7/21/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243224">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243224</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mike Gaul with "Open Mike" at the Amsterdam, March 16, 1993 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from Mike Gaul at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions after the featured poet. The event was held on March 16, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Gaul, Mike Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1993/03/16 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1993 3-16 Format The file format, physical medium, or dimensions of the resource video/mp4 https://omeka.binghamton.edu/omeka/files/original/d62d666be001bb7d071044607fe7df06.pdf 2267dd7fc8596dd1c92466f81bd1fdf2 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of N e w Yo r k L T V F Jr " i : Yop o w [4 D E P A R T M E N T s g MILLE NNIA Too! with Alison Luedecke, organ and Susan Ba rrett, oboe Sunday, March 25, 2007 4:00 p.m. First Presbyterian Church �ABOUT THE PERFORMERS PROGRAM Partita in C e ........Johann Hertel EW o (17271789) Sonata in Eﬂat major.. ...J.S. Bach (16851750) oboe, organ t s y Chant m u q i Veni Creator Spiritus..... e Mary Beth Bennett (b. 1954) John Karl Hirten oboe d’amore, organ Variations on Veni Creator (b. 1956) ..Maurice Duruﬂé (1 9021 986) F i. il. iii. iv. .J.S. Bach (16851750) h g r N o Sprung Ate Fell Went l t i o s a n g Susan Barrett (oboe/oboe d’amore/English horn) is a native of East Hartford, Connecticut. She has performed extensively as a solo and chamber musician in the United States and Europe, recording for radios in France, Israel, Austria and Yugoslavia. She is principal oboe of the San Diego Chamber Orchestra and is a member of the San Diego chamber group Camarada. She freelances in San Diego, performing with such venues as the San Diego Symphony/Opera Orchestra, Classics 4 Kids Philharmonic, Cabrillo Orchestra and various musicals at the Civic Theatre, Old Globe, and La Jolla Playhouse. She has toured the U.S. with guitarist Randy Pile in the ensemble Duo Cantilena. ® IN TERMISSION 3 Piece d’ Orgue. Millennia Too! is the small ensemble of Millennia Consort, one of the country’s premiere organ plus ensembles. This intimate recital duo performs repertoire from Renaissance to Modem, including several premieres by contemporary American composers. Their performances explore the varied timbres of oboe, oboe d’amore and English horn with the broad range o f pipe organ colors. Susan and Alison have a musical rapport born of over a decade of close collaboration, creating spontaneous and highly nuanced musical performances. The ensemble can be heard on two compact discs recorded in churches in San Diego: Paradise Found: Reﬂections for Oboes and Organ (A ll Souls Episcopal and St. Brigid’s Catholic), and in works by Copland and Koetsier on Transformations: 20” Century Music for Organ and Other Instruments (St.Paul’s Cathedral). www.millenniaconsort.com g .........Craig Phillips (b. 1961) e ............Jon Naples (b. 1954) Alison J. Luedecke (organ and harpsichord) is a native of Galveston, Texas. She is active across the United States as a solo concert organist and has played in Canada, Mexico and Germany. She has been heard numerous times on the nationally syndicated radio show Pipedreams. As an ensemble musician Dr. Luedecke has performed with the Mainly Mozart Festival Orchestra, San Diego Chamber Orchestra, and with other chamber ensembles. She is a founding member of Millennia Consort, a brass quintet. percussion and organ ensemble. She received the Doctor of Musical Arts degree in Organ Performance at the Eastman School of Music as a student of David Craighead. Discography oboe, organ Paradise Found: Reﬂections for Oboes and Organ Millennia Too! with Susan Barrett and A lison Luedecke �Coming ‘Crents Thursda y, March 29 – MidDay Concert 1 :20 p.m. – Casadesus Recita l Hall free Thu rsda y. April 1 2 – MidDay Con cert – 1:20 p.m. – Casadesus Recital Hall free Friday, April 1 3 – Master’s Rec ital: M a ry Aimon iot is, sopra no – 8:00 p.m . Casadesus Rec ital Hall free Saturday, April 1 4 – Master’s Recital: Jessica Barkley, soprano – 4:00 p.m. Casadesus Rec ital Hall free 7 Sa t u rda y, April 1 4 – Joint Junior Voice Recital: Ja na K ucera, sopra no a nd A lex ander Blitstein, tenor – 8 :00 p.m. – Casadesus Recital Hall – free Sunday, April 15 – University Ch orus and Orc hest ra : Bach B Minor Mass – 3:00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 1 7 – Student Recital: Melissa Lee, v iola 7:30 p.m. Casadesus Recital Hall free Thursda y, A pril 19 – MidDay Concert 1 :20 p.m. – Casadesus Recital Hall free Sa t u rda y, April 2 1 – Master’s Recital: Katrina Cox, sopra no – 4 :00 p.m. – Casadesus Rec ital Hall free Sunday, April 22 – Master‘s Recital: Elizabeth Duh r, mezzosoprano – 3:00 p.m. Casadesus Recital Hall free Sunday, April 22 – Master ’s Recital: Soon Young Pa rk, baritone – 8:00 p.m. – Casadesus Rec ital Hall free Thu rsda y. April 26 – Jazz MidDay Concert – 1:20 p.m. – Osterh out Concert Theater free Thu rsda y. April 26 – Jazz Ensemble wit h guest a rt ist – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/seniors; free for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:30 26:55 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196785">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196785</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Millennia Too!, March 25, 2007 Recital Tape 3-25-2007 Description An account of the resource Held at 4:00 p.m., March 25, 2007, First Presbyterian Church. Discography (1 work) included in program.Works of Brahms, Schumann, Mendelssohn, Bach, Schubert. Creator An entity primarily responsible for making the resource Luedecke, Alison Barrett, Susan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-03-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID c2f3574d-3964-4c8f-a1ac-e1d5967d9914 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (90 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 90 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 7/28/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243245">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243245</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Milton Kessler at Benlin's, February 12, 1991 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from Milton Kessler at Benlin's in Binghamton, N.Y. The event was held on February 12, 1991 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Kessler, Milton Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1991/02/12 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1991 2-12 Format The file format, physical medium, or dimensions of the resource video/mp4 https://omeka.binghamton.edu/omeka/files/original/ae80b7075b8bc1c4d51680f06cf5d491.jpg e1f202333666bd3822262fe42d4b3a8e https://omeka.binghamton.edu/omeka/files/original/39dae39d201f93821003ed2bc627f7ed.jpg d3fdff8ccc13f490c2b2c168154e2e26 https://omeka.binghamton.edu/omeka/files/original/dc6f3729bba6d1e5c90feb02d6a852a8.jpg 1f8154cd29fde8699a9b6ba483397e67 https://omeka.binghamton.edu/omeka/files/original/1cf6565904db538cda51bd79e0a1f5ea.jpg 93e6107c5892934a3a63981c62780f7d https://omeka.binghamton.edu/omeka/files/original/b1af5ca8c97d4c9b69659ca57f7681fb.jpg ec8699787c759e4af0ed1d57eed407ed https://omeka.binghamton.edu/omeka/files/original/7a3aaaf7541a1162cd30dd74ef0460b9.jpg 8a81fc1c6e37788baa56e1a8873b4088 https://omeka.binghamton.edu/omeka/files/original/ff8acdcb95fc84ab4fb2118c0d544d6f.jpg d285f0f55d0d1c3e291af5b2329b03e7 https://omeka.binghamton.edu/omeka/files/original/4b2378231bb699ba4ec5e6ec03727d93.jpg c7f0ef813af371ebdc9236b89ff07eed https://omeka.binghamton.edu/omeka/files/original/d9dad4374b549757f9d5dc9c7b355053.jpg c29a46e05cbd74428d2ac08cbb613f48 https://omeka.binghamton.edu/omeka/files/original/32268649a3a7dc78db4178282e46f247.jpg eff09bf8bae9fad42a11a05ba74a8cfc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description All loose pages, various editions all together. Almost no handwritten notes throughout. Also includes various handwritten note pages: 8 pages various handwritten staging notes for Scenes 1-3, doesn’t appear to be Reinhardt’s handwriting; 1 page with various handwritten notes, prop list; 7 pages, handwritten copy of “Zwischenspiel” (Interlude) in black pencil; 4 pages with instructions for “Inquisitionsbild.” Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 28.25cm x 22cm Earlier version Earlier version (dcterms:isVersion Of) Mirakel Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.144 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mirakel [promptbook] Subject The topic of the resource Vollmöller, Karl, 1878-1948. Mirakel Promptbooks Stage directions Creator An entity primarily responsible for making the resource Vollmöller, Karl, 1878-1948 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3290 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/63ba4f31cf1679343b01270cb0676a7c.jpg 0d853e04172697f19ee05b62721d881b https://omeka.binghamton.edu/omeka/files/original/876ee23a1d42885658c7d389eb1b7657.jpg df5efb60305fb00952b272b60ebb292a https://omeka.binghamton.edu/omeka/files/original/65605371c8a6d1b151b0822414fc1d9d.jpg abff814138bc859f332cefe3cb222111 https://omeka.binghamton.edu/omeka/files/original/c5e89d314f9a62aa4c82be944914c92b.jpg a0b0ff8f621f7f24099f49abba38f41b https://omeka.binghamton.edu/omeka/files/original/f988cadf8a13e2c9a44426ed237b84ce.jpg 5aa76e5ffa70f99bac17fa3d60cde05e https://omeka.binghamton.edu/omeka/files/original/8b2f7cf8dcb0c1756b0d6f4a2d84ca60.jpg 0ac567e31399ffa1d9965755c190c2cc https://omeka.binghamton.edu/omeka/files/original/f2ee0ead7051edf0f2824513d8d73402.jpg 8379c011200ab0fbad5332ec8a890200 https://omeka.binghamton.edu/omeka/files/original/474af9e430a06d359bb3239e80d5f54c.jpg 60092605632d410d4567dd69db761914 https://omeka.binghamton.edu/omeka/files/original/77de5d9572cea07bf6554c9c87ec180e.jpg fb59aecfd68584f16d1d2f04ec835be2 https://omeka.binghamton.edu/omeka/files/original/f4e815a70fadc2bba86dd94838e0e5f6.jpg 672685e65697ce0fc8e306faba70a94f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Book, original promptbook rebound with large note sheets (Leipzig: Philipp Reclam, no year given). Book is in worn condition, with pages coming loose from bindings. All text in German. Note referring to “11 November 1891” after title page. Breakdown of time for each act after title page. Cast list is included. Stamped “Deutsches Theater zu Berlin” in front cover pages and on page 5. All markings in black pencil and orange pencil. Promptbook includes several markings of note including stage sketches, directions, and movements This promptbook does not contain many extensive notes, rather smaller notes throughout. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 21.5cm x 17.5cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.28 Production(s) Possibly November 11, 1891: No city listed Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mitschuldigen. Ächte Ausg. [promptbook] Subject The topic of the resource Goethe, Johann Wolfgang von, 1749-1832 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Goethe, Johann Wolfgang von, 1749-1832 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3130 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/b4e2f1e02ebfdb8b36eb49446edcf585.pdf 5f53adf107a853fbc669dda539e1a96e PDF Text Text BINGHAMTON U N I V E R S I T Y S T A Y S U N I V E R S I T Y O F N E W Y O R K d e [4 e D E P A R T M E N T MODlus A N D F R I E N D s J aney Choi, violin Roberta Crawford , viola S tephen Stalker, cello Micha el Salmirs, piano with Gabriel Boyers, violin Timoth y Perry, clarinet Sunday, F ebruary 2, 2014 3 p.m. W atters T heater �P R O GR A M Duo for Violin an d Viola.... in G Major, KV 423 Allegro A dagio Rondeau : Allegro A B O U T T H E P ERFORM ERS ..Wolfgang Amadeus M ozart (17561791) GABRIEL BOYERS, violinist, has been praised for his ‘rock steady ﬁnger and bow technique” by New Music Connoisseur Magazine and has been described by The Boston Phoenix as an “elegant, accomplished player” and as one of “the most talented young string players in town.” As recitalist and chamber musician, Gabriel has been heard at numerous festivals and halls, including at the Sandor Vegh Institute in Prague, the Banﬀ Centre for the Arts in Canada, Vail Valley Bravo Music Festival, the Troy Savings Bank Music Hall, and Boston’s Jordan Hall and beginning in 2013, he performs as Second violinist of the newly formed Simrock String Quartet (with Gabriela Draz. Stephanie Fong and Raﬁ PopperKeizer). Gabriel has participated in many worldpremiere performances, including as concenmaster for the 2005 Carnegie Hall premiere of ”Concerto for Turntables and Orchestra” with DJ Radar, as well as the 2006 premiere of “F or Lou” by John Luther Adams, which he also recorded for New G abriel Boyers, violin Roberta Crawford, viola Trio for Clarinet, Cello an d Piano . .. .. J ohannes Bra hms In A Minor, Op. 114 Allegro A dagio A ndantino grazioso Allegro (18331897) Timoth y Perry, clarinet Stephen Stalker, cello Micha el Salmirs, piano t o INTERMISSION cz Piano Quintet in A Major, Op. 81... Antonin Dvorak (18411904) Allegro, m a n on tanto Dumk a : A ndante con moto Scherzo (Furiant): M olto v iv ace Finale : Allegro J aney Choi a nd G abriel Boyers, violin Roberta Crawford , viola Stephen Stalker, cello Micha el Salmirs, piano World Records. In 2007, Boyers was a resident artist at the “Atlantic Center for the Arts“ in Florida, where he worked with composer Lee Hyla to develop “Cadenza,” a work for solo violin based on portions of composer‘s Violin Concerto. In 2010, with pianist Keith Kirchoﬀ, Boyers gave the world premiere of Leo Omstein’s 3rd Sonata for Violin and Piano, a newly discovered work approximately 90 years old, which they will record next year as part of a survey of Omstein’s complete works for violin and piano. Boyers holds undergraduate and graduate degrees from Tufts University and New England Conservatory, where his principal teachers were Masuko Ushioda and James Buswell. In addition to his performing activities, Boyers is owner of Schubertiade Music & Arts (wwwschubertiadernusiccom) and deals in rare Musical Autographs and Antiquarian Music and Ephemera. Since 2011, he has directed the Primary Source Series at the Boston GoetheInstitut, a chamber music concert series where each program is built around rare musical artifacts and manuscripts. Canadian violinist, JANEY CHOI gave her Camegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing as a soloist and with such groups as the Ardelia Trio. New York City Ballet, and the Teaching Artists Ensemble of the New York Philharmonic. The recipient of numerous awards, including National First Prize in the Canadian Music Competition, and a Performing Arts Grant from the Ontario Arts Council, she has participated in such festivals as Mostly Mozart, Norfolk, Taos. the Spoleto Festivals in the U.S and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. She initiated a collaboration between the Paul Taylor Dance Company and the Binghamton University Orchestra. Her other interests have taken her to the visual arts world, developing and presenting an annual “Music + Art” show commissioning artwork based on chamber works. She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Adele. Beyonce, Aretha Franklin, Enya, Elton John, JayZ, Sarah McLachlan, Lenny Kravitz, and Kanye West, on the Grammys, MTV, Saturday Night Live, The Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi was the youngest and only PieCollege student ever accepted by her late mentor, Joseph Fuchs at The Juilliard School, where she graduated from the accelerated BM/MM program with the Joseph Fuchs Graduation Prize. Her other major teachers include Joel Smimoﬀ, Victor Danchenko, Harvey Shapiro, and Arnold Steinhardt. She attained her Doctor of Musrcal Arts degree at Rutgers University with full scholarship and the Graduate Fellowship Award. She has been on the faculty of Binghamton University since 2006 and is a Teaching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. She has presented educational workshops for the College Music Society National Conference, Tokyo College of Music and Lincoln Center Institute. In her free time, she enloys marathon and triathlon training, playing soccer and ice hockey ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician, As coartistic director and a founding member of the Finger Lakes Chamber Ensemble. Ms Crawford has participated in over two hundred solo, chamber, and lecturerecitals presented by the ensemble since its formation in 1990 Ms Crawford is violist with the Mobius Ensemble, resident piano quartet at Binghamton University which performs frequently on campus and throughout the region. She has performed with the Catskill Chamber Players, appeared often on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and was a guest performer with the Ariadne String Quartet. Ms. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist for the Cayuga Chamber Orchestra. Recent activities include performance in the world premiere of Fault Lines for piano quartet, written by awardwinning composer, James Matheson and presented at Comell University‘s Mayfest 2010. An advocate of new music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and �television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations and as director of ViolaFest at Binghamton. Ms. Crawford also served for ﬁve years as a Faculty/Artist for NSOA ASTA String Institute at Ithaca College. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently coordinator of strings at Binghamton University. DR. TIMOTHY PERRY, Professor of Music, is now in his twentyeighth season as conductor/director of the orchestral program at Binghamton University. A Wisconsin native, he attended the University of Wisconsin Madison as a National Merit Scholar prior to graduating with distinction from the Manhattan and Yale Schools of Music. He taught in the Minnesota State University system for ﬁve years prior to joining the BU faculty in 1986. In addition to directing the University Symphony and String Orchestras, Dr. Perry also directed the BU Wind Ensemble program from 19862005 and served as the Music Director of the Binghamton Community Orchestra from 19942004. He continues to perform a wide range of orchestral, opera and musical theater repertoire as Guest Conductor with both regional and international ensembles. Since 2005, Dr. Perry has twice collaborated with New York’s renowned Paul Taylor Dance Company, and worked as Music Director with faculty and performers of DUOC in Santiago, Chile for binational productions of West Side Story and The ThreePenny Opera. As BU’s Professor of Clarinet he is active throughout the world as soloist, chamber musician and teacher, including three appearances at the world conference of the Intemational Clarinet Association and touring for the Department of State as United States Musical Ambassador for Latin America and the Caribbean. He is Past President of the Northeast Division of the College Orchestra Directors’ Association, and will be a featured speaker at the National CODA Conference in January 2014. Pianist MICHAEL SALMIRS is well known as a recitalist and chamber musician. As a founding member and artistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as soloist with the Coming Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and was frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and has given the world premieres of Piano Quintets by David Liptak and Marek Harris, as well as Diego Vega’s Piano Quartet with the Finger Lakes Chamber Ensemble and Piano Quartet by Wendy Wanki Lee with the Binghamton University resident piano quartet, Mobius Ensemble. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers include pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University where he is Coordinator of Piano Studies. As a composer, his Silenced Voice, for Soprano, Baritone, Clarinet, and Piano Quartet, was premiered in 2010 at Binghamton University. He is presently composing a vocal chamber work on texts by Stephen Levine as well as a Piano Quintet. This season features performances of the complete works for cello and piano by Beethoven with cellist, Stefan Reuss and a piano recital at Binghamton University in April. STEPHEN STALKER, cellist, teaches at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College and the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he has presented “Meet the Composer“ concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian lntemational String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74979">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74979</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mobius and friends Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Mozart, Brahms, Dvořák. Held at 3:00 p.m., February 2, 2014, Watters Theater. Creator An entity primarily responsible for making the resource Choi, Janey Crawford, Roberta Stalker, Stephen Salmirs, Michael Boyers, Gabriel Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Brahms, Johannes, 1833-1897 Dvořák, Antonín, 1841-1904 Date A point or period of time associated with an event in the lifecycle of the resource 2/2/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2988bc958748ed75d53556ec15bcc821.pdf b5949aa643ecbe4e335308e85ea77e23 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K E N T D E P A R T M MOBIUS TC NSEMBLE AND [FRIENDS Janey Choi, Violin Roberta Crawford, Viola Stephen Stalker, Cello Michael Salmirs, Piano With Guest Artists Timothy Perry, Clarinet Peter Rovit, Violin Sunday, October 16, 2011 3 p.m. Watters Theater �PROGRAM Sonata for Violin and Piano A Johannes Brahms No. 2 i n A , Op. 100 (1833–1897) Allegro amabile Andante tranquillo Vivace Allegretto grazioso (quasi Andante) Ms. Choi, Mr. Salmirs Piano Quartet No. 7 G a b r 1 e l F a u r e ’ (18451924) In C minor, Op . 15 Allegro molto moderato Scherzo: Allegro vivo Adagio Allegro molto Ms. Choi, Ms. Crawford Mr. Stalker, Mr. Salmirs & IN T ERMIS S ION c z Clarinet Quintet in A, K V 581 .......Wolfgang Amadeus Mozart Allegro Larghetto Menuetto — Trio l — Trio ll Allegretto con Variazioni Ms. Choi, Ms. Crawford Mr. Stalker, Mr. Rovit, Mr. Perry (17561791) B O U T Canadian violinist, Janey Choi gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing as a soloist and with such groups as the Ardelia Trio, New York City Ballet, and the Teaching Artists Ensemble of the New York Philharmonic. The recipient of numerous awards, including National First Prize in the Canadian Music Competition, and a Performing Arts Grant from the Ontario Arts Council, she has participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in the U.S. and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. She initiated a collaboration between the Paul Taylor Dance Company and the Binghamton University Orchestra. Her other interests have taken her to the visual arts world, developing and presenting an annual “Music + Art” show commissioning artwork based on chamber works. She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Adele, Beyoncé, Aretha Franklin, Enya , Elton John, Ja yZ, Sarah McLachlan, Lenny Kravitz, and Kanye West, on the Grammys, MTV, Saturday Night Live, The Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi was the youngest, and only PreCollege student ever accepted by her late mentor, Joseph Fuchs at The Juilliard School, where she graduated from the accelerated BM/MM program with the Joseph Fuchs Graduation Prize. Her other major teachers include Joel Smirnoﬀ, Victor Danchenko, Harvey Shapiro, and Arnold Steinhardt. She attained her Doctor of Musical Arts degree a t Rutgers University with full scholarship and the Gradua te Fellowship Award. She has been on the faculty of Binghamton University since 2006 and is a Tea ching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. She has presented educational workshops for the College Music Society National Conference, Tokyo College of Music and Lincoln Center Institute. In her free time, she enjoys marathon and triathlon training, playing soccer and ice hockey. Roberta Cra wford, violist, performs extensively as a recitalist and chamber musician. As coartistic director and a founding member of the Finger Lakes Chamber Ensemble, Ms. Crawford has participated in over two hundred solo, chamber, and lecturerecitals presented by the ensemble since its formation in 1990. Ms. Crawford is violist with the �Mobius Ensemble, resident piano quartet at Binghamton University which performs frequently on campus and throughout the region. She has performed with the Catskill Chamber Players, appeared often on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and was a guest performer with the Ariadne String Quartet. Ms. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist for the Cayuga Chamber Orchestra. Recent activities include performance in the world premiere of Fault Lines for piano quartet, written by awardwinning composer, James Matheson and presented at Cornell University’s Mayfest 2010. An advocate of new music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations and as director of ViolaFest at Binghamton. Ms. Crawford also served for ﬁve years as a Faculty/Artist for NSOA ASTA String Institute at Ithaca College. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently coordinator of strings at Binghamton University. Stephen Stalker, cello, has made concerto appearances with numerous orchestras in upstate New York, including: Schenectady Symphony Orchestra, Cayuga Chamber Orchestra, Catskill Symphony Orchestra and the Binghamton Community Orchestra, performing concertos by Boccherini, Haydn, Beethoven, Lalo, St. Saens, Brahms, Dvorak, Hindemith and Shostakovich. He has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the US, France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an ArtistinResidence at Colgate University. He has played extensively with the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” a t the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and also toured Greece with the Schenectady Philharmonic. He graduated from the Manhattan School of Music and teaches cello and double bass at Binghamton University. Pianist Michael Salmirs is wellknown as a recitalist and chamber musician. As a founding member and coartistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres of Piano Quintets by David Liptak and Marek Harris. He has also participated in such contemporary music series as Binghamton University’s Music Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. This past season he premiered Piano Quartet by Wendy Wanki Lee with the Binghamton University resident piano quartet, Mobius Ensemble, as well as Diego Vega’s Piano Quartet with the Finger Lakes Chamber Ensemble. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University where he teaches piano and coaches chamber music. As a composer, Silenced Voice, for Soprano, Baritone, Clarinet, and Piano Quartet, was premiered in 2010 at Binghamton University and is presently working on a string ensemble piece for the New Violin Family Orchestra to premiered in summer, 2012. Dr. Timothy Perry, Professor and Chair of Binghamton University’s Department of Music is now in his twentysixth season as director of the orchestral program at Binghamton University, serving as Director of the University Symphony and University String orchestras. Dr. Perry also directed the BU Wind Ensemble from 1986–2005 and served as the Music Director of the Binghamton Community Orchestra from 1994– 2004. He has guest conducted a wide range of orchestral, opera and musical theater repertoire with ensembles both regionally and internationally, most recently closing the season of the Catskill Symphony in May of 2012. As clarinetist he has appeared throughout the world as soloist, chamber musician and tea cher, including three appearances at the world conference of the International Clarinet Association and a tour as a United States Musical Ambassador for Latin America and the Caribbean. Recent activities have included concerto appearances with the Catskill Symphony Orchestra in 2009 and with the �PROGRAM NOTES BU Symphony in 2011. He presented a solo recital at Binghamton‘s Phelps Mansion for the “Second Sunday” series on September 25th and will perform the Premiere Rhapsodie of Claude Debussy for a Friedheim Memorial Lecture Recital at Binghamton University on November 8th. Dr. Perry performs on a Buﬀet basset clarinet built for him in 2005 by Stephen Fox of Toronto, and a “bel canto” mouthpiece by James Pyne. Peter Rovit (BM with High Distinction, Indiana University; MM, Hartt School; Professional Studies, Juilliard; DMA, SUNY at Stony Brook) was among the last students of Josef Gingold at Indiana University where he also studied Baroque violin with Stanley Ritchie. His other teachers have included Mitchell Stern, Philip Setzer, ChoLiang Lin, Paul Kantor and Donald Weilerstein. Mr. Rovit has been the recipient of numerous awards and scholarships including the Kuttner Scholarship at Indiana University, the C.V. Starr Scholarship at the Juilliard School, and the Aspen Music Festival’s String Fellowship. As a chamber musician, recitalist, and soloist he has performed throughout the United States and at the Spring in Saint Petersburg Festival in Russia. Performances have included concert appearances on the Aspen Music Festival’s Young Artist Concert series, with the International Sejong Soloists, and on Baroque violin with the Rebel Ensemble and the Atlanta Baroque Orchestra. He has been a recipient of the prestigious Montgomery Symphony Fellowship in Alabama which involved performing as concertmaster and soloist with the symphony and giving numerous concert appearances throughout the area. He has performed as a chamber musician and recitalist with such musicians as Andrew Jennings, Felicia Moye, Volkan Orhon, Christina Jennings, Ricardo Morales, Larry Combs, and the Emerson Quartet. A concerto competition winner at both the Hartt School and at SUNY Stony Brook, Mr. Rovit has also performed as a soloist with the Montgomery Symphony, the Fort Smith Symphony, the Oklahoma City Philharmonic, and the Tuscaloosa Symphony. Mr. Rovit has been on the string faculty of the University of Oklahoma and the University of Alabama, a member of the Quartet Oklahoma, Associate Concertmaster of the Oklahoma City Philharmonic, and Concertmaster of the Tuscaloosa Symphony. He is currently the Violin Professor at Syracuse University. 1 Johannes Brahms Sonata No. 2 in A Major, Op. 100 In the summer of 1886, Brahms was once more vacationing near Lake Thun in Switzerland. The peace and beauty of the countryside often provided him with ideal working conditions and this summer’s eﬀorts were especially productive. He composed many new lieder as well as the cello sonata in F Major, Op. 99, the piano trio in C major, Op. 101 and the second violin sonata in A Major, Op. 100. Of the three sonatas Brahms wrote for violin, the A Major Sonata is considered by many to be his most lyrical. Its overall character has been aptly described by Eduard Hanslick : “when we listen to the A Major Violin Sonata, we feel more or less as if, following a thunderstorm that has gloriously discharged itself, we are drawn into the delicious stillness of an aromatic summer evening.” The ﬁrst movement, Allegro amabile, opens with a partial statement in the piano to which the violin responds. The voices soon join together in a complete statement of the the ﬁrst theme, which critics and commentators have noted bears a resemblance to Walther’s Prize Song from Wagner’s Opera. Die Meistersinger. Speculation aside, Brahms himself has indicated that the second theme of this beautifully crafted movement owes its inspiration to his own song, Wie Melodien zieht es mir (Op. 105, No. 1), which he also composed during this idyllic summer. In the second movement, Brahms adroitly combines elements of a slow movement, which traditionally would be located in this placement, with the dancelike rhythms of a scherzo. The Finale, marked Allegretto grazioso, is a remarkably easygoing rondo which brings the work to a graceful and satisfying close. Violinist Joseph Hellmesberger, Brahms’s longtime friend and colleague, collaborated with the composer for the premiere performance of this work which took place in Vienna during the autumn of 1886. — Roberta Crawford Gabriel Fauré Piano Quartet No. 1 in C minor, Op. 15 The listening public is well acquainted with Fauré as a composer of songs and of his incomparable Requiem, while his excellent body of chamber music remains largely underappreciated: sonatas for cello and piano, violin and piano, two piano quartets, two piano quintets, a piano trio, a string quartet and a host of smaller pieces. Faure lived and �worked in a time of unprecedented creative exploration. In the midst of varying and conﬂicting aesthetics, Fauré managed to develop his own unique compositional language, which incorporated elements from both nineteenth and twentieth centuries, and retained a distinctly French character. His style continued to develop and unfold up until his death in 1924. The Piano Quartet in C minor is a relatively early work. Composed between 1876 and 1879, the inﬂuences of earlier 19th century composers, such as Brahms and Franck are apparent. The ﬁrst movement is in sonataallegro form with a rhythmic, declamatory ﬁrst theme followed by a gently undulating second theme in the relative major. Fauré expertly weaves and transforms the character of these themes throughout the course of the development gradually building to a dramatic climax and restatement of the opening material. In the closing bars of the movement, Fauré revisits the ﬁrst theme, now wistful and reminiscent, and the entire movement simply evaporates. Fauré follows the ﬁrst movement with a playful Scherzo. The strings accompany the piano melody with a pizzicato ostina to ﬁgure. The middle section features a melody with muted strings, which personiﬁes suavity and the movement ends with a return of the original material. The third movement is the heart of the quartet, an elegy which opens with an eloquent cello statement. Of the third movement, Robert Orledge writes: “the zenith of Fauré’s ﬁrst period. Contemplative and beautiful, alternately serene and powerful, it demands the maximum of concentration from performer and audience alike.” The ﬁnale is a perpetual motion of brilliant piano passagework, which Fauré then contrasts with a singing theme — the two themes gra dually combine, building to a powerful climax, followed by a return of the ﬁrst theme and an ecstatic coda. “At ﬁrst they found my music noisy and discordant” — thus Fauré remarks on the ﬁrst performances of this piano quartet. It is diﬀicult for us to fathom today that Fauré had great diﬀiculty ﬁnding a publisher for the piece and that a work that has brought so much pleasure to musicians and the public over so many years was a ﬁnancial ﬁasco for the composer. Fauré went on to be revered as one of the great composers of France. In addition to his compositions, he left his legacy as the head of the Paris Conservatoire, where he modernized the curriculum, revamped administrative procedures and was the dedicated teacher of many composers of renown including Maurice Ravel, George Enescu, and Nadia Boulanger. — Roberta Crawford Mozart Clarinet Quintet (“StadlerQuintet") in A Major, K. 581 While Mozart created a considerable body of music for wind instrument ensembles in the form of a variety of serenades, cassations, and divertimenti, his compositions for a solo wind with strings include far fewer compositions and only one undisputed masterwork — his last, the Clarinet Quintet in A Major, K. 581. Written during the summer of 1789 and premiered in December of that year (just prior to the premiere of Cosi fan Tutte), the Clarinet Quintet was composed speciﬁcally for showcasing Mozart’s close friend, the clarinettist (and enabler of bad behavior) Anton Stadler. Stadler’s relationship with Mozart was based upon their common predeliction for drinking, carousing and borrowing money that was never repaid, and upon their high regard for one another’s musicality. Indeed, Stadler’s artistry on the early clarinet was so respected by Mozart that he created three works with Stadler’s idiomatic skillset in mind: the Quintet, and two of Mozart’s last works, the obbligato solo part for the aria “Parto, parto” from La Clemenza di Tito, K. 621, and the great Clarinet Concerto in A, K. 622. All three works were written for Stadler’s “basset clarinet,” a variation on the standard Aclarinet which extended the size and lower range of the clarinet by four additional semitones. (We will hear the work this evening on a modern basset clarinet made by Stephen Fox of Toronto). The Quintet is cast in four movements, each of which seems to illuminate a diﬀerent aspect of Stadler’s playing, set in the context of some of Mozart’s most nuanced writing for string quartet. The opening Allegro is a large sonataform in which the lyric melodicism of the string parts is contrasted with a huge arching arpeggio theme from the clarinet. Both aspects are exploited throughout the movement, the arpeggios cascading through the ensemble in midmovement while the lyric passages alternate in episodes of major and minor key areas on the periphery. The Larghetto is justly regarded as one of the most sublime slow movements in all of Music, an exquisite and intimate conversation between the clarinet and ﬁrst violin with all the expression and pathos of a great Mozart opera aria. Like those pieces, time is suspended while we and the world stop, breathless, before the master ’s divine genius. If the second movement is heavenly, the third movement Minuet celebrates humanity. Here is a view of the private Stadler/Mozart friendship of the street, the social dance, and the tavern. At turns �~~ 1 boisterous and reﬁned, the minuet seems almost an elevated satire on the roots of this most courtly dance. Rare among his minuets, Mozart provides not one but two trios: the ﬁrst a suave and darkly passionate serenade for the strings alone, and the second a rustic land/er led by the clarinet. The quintet’s ﬁnale showcases each player in turn through a set of variations on a theme reminiscent in its utter simplicity of a child’s tune. The variations provide in their wildly varied characterizations a lmost a miniopera: in the ﬁrst variation, the clarinet introduces a countermelody with impossibly wide leaps; the ﬁrst violin provides another in the second, accompanied by rushing “brookmusic” triplets in second violin and viola; the viola moves to (mock?) tragedy in the third over a deep bass line in cello and clarinet; a hyperelegant adagio with interrupted motives showcases the violin/clarinet (Mozart/Stadler) duet once again. There follows a brief moment of apotheosis (which brings to mind Figaro’s in the opera ﬁnale) of almost painful tenderness at parting. But Mozart will face the end with joy and not sorrow, and the last variation recapitulates the theme in high spirits. And so we are enjoined by Mozart to live: in friendship, and in joy. —Timothy Perry ‘ a tH 5‘— > 4 db k _. 3 ] II. 4 4 °£ oﬀs r 2 S y u New B eginnings Beginnings Back 10 our Roots Sunday, M a r c h 11,2012, 3 : 0 0 p . m Sunda y, Octo ber 1 6, 2 01 1, 4:00 p.m St. Patrick’s Catholic Church 9 Leroy Street, Binghamton, NY Lessons and Carols tor Christmas Saturday, November 2 6 . 2011, 7 : 3 0 p.m. & Sunday, November 27 , 2011, 4:00 p.m o l y T r in i ty C hurch o ft h e H 346 Prospect Street, Binghamton, N Y Trinity Memorial Church 44 M ain Street, Binghamton, N Y Crossroads Sunday. lune 7» . 2 01 1 44001 1 m Tabernacle United Methodist Church 83 Main Street, Binghamton, N Y For Tickers f l 4 w n s “ N ﬁ f ’ g t u a l 7 0 ’ 4 I ‘ N I or call 60" “ 304 “ 6” ( C D 2011201213411. Season The Madrigal CholrofBingha mton = 20112012 Season TRICI TIES PERA MADAME BUTTE RFLY u.t’1\1111.uu1ﬂ<.\11x11< October 21 A “ ‘ ' 102 February 10 & 12, 2012 eL a d h e 1 . . . . . . . h a g s p e a t T H E M A G I C FLUTE vereries 7 ¢ April 2 _ Conran w is T R B at the FORUM THEATRE is Binghamios m u tricitesopera.com Tix Info: 6077720400 « ww n — n n — m a — m a n u m n m – n D o v e r n c r g “ M m M – “ n ‘ w c m — m — w m O anama—nonhuma— m ﬁ ‘ M – M e m M ‘ w ‘ “ w a n n a – g m �Binghamt on Universit y Music Departme nt ’s U P C O M I N G E V E N T S MidDay concerts are held on 7hursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursd ay, October 20 — MidDa y Concert – 1:20 PM — Casadesus Recital Hall — Free Friday , October 2 1 — TriCities Opera pre sents “ Madame Butter– ﬂ y ” – 8 PM – The Forum Theatre! – Call (607) 7720400 for tickets Saturd ay, October 22 — Family Weekend Con cert (Harpur Chorale, Women’s Chorus an d the U nivers ity Symphony Orchestra) – 3 PM – Osterhout Concert Theater – Free Sunda y, Octo ber 2 3 — TriCit ies Opera presen ts “Mad ame B utter ﬂ y ” — 3 PM – The Forum Theatre – call (607) 7720400 for tickets Sunda y, October 23 — Alum ni Orga n Reci tal : John Novak (MM ‘06 ) — 4 PM – First Presbyterian Church, Binghamton — $10 general public; $6 faculty/staﬀ/seniors ; $3 students Sunda y, October 2 3 — Binghamto n Univer sity Symphon y Orches tra : Concerto and Aria Competit ion Concert – 7:30 PM – Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/ seniors; $3 students Thursd ay, October 27 – MidDa y Concert – 1:20 PM – Casadesus Recital Hall — free Friday , October 28 – Pianis t Margaret Reitz presents “Forty Fingers ” w i t h p ianists I d a T iliTreb icka, Amy Heyma n and Tina Toglia — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Sunda y, October 3 0 — Wind Symphony : Holst! — 3 PM — Anderson Center Chamber Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Thursd ay, Novem ber 3 — MidDay Con cert — 1:20 PM — Casadesus Recital Hall – free For ticket information, please call the Anderson Cente r Box O ﬂ’ice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:28 36:08 24:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145364">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145364</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mobius Ensemble and friends, October 16, 2011 Recital Tape 2011-10-16 Description An account of the resource Works by Brahms, Faure, Mozart. Held at 3:00 p.m., October 16, 2011, Watters Theater. Creator An entity primarily responsible for making the resource Choi, Janey Crawford, Roberta Stalker, Stephen Salmirs, Michael Perry, Timothy Rovit, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6db16424f65650cd3e68e85d6afa495e.pdf c40da46d87c434df5e56acabdf2cc3f2 PDF Text Text BINGHAMTON UNI VERSITY STATE UNI VE RSITY O F NE W YOR K usi D E P A R T M E N T MOZART vs. CLEMENTI Stefania Neonato, fortepiano Sunday, March 15, 2009 3:00p.m. Casadesus Recital Hall �PROGRAM MOZART (1756-1791) Capriccio C major KV 395 Fantasy and Fugue C major KV 394 Variations on Salve tu Domine by Paisiello KV 398 PAUSE CLEMENTI (1752-1832) Toccata Bb major op.11 Sonata Bb major op.24 n°2 This performance is partly funded by an anonymous gift to the Department of Music. �ABOUT THE PERFORMER Born in Trento, Italy, Stefania Neonato graduated from her home town conservatory and earned a Master in Fortepiano Performance Practice at the International Piano Academy "Incontri col Maestro" (Imola, Bologna). While pursui.ng a BA degree in Foreign Languages and Literatures from the University of Trento, she came to Binghamton University for her thesis research. She attended many master-dasses around the world (among them. at the Mozarteum in Salzburg), and she was the recipient of scholarships from the Interlachen Arts Camp (Michigan) and from the School of Music of Miami University. She earned a Doctorate in Musical Arts in Historical Performance Practice with Malcolm Bilson at Cornell University, where she served as piano teaching assistant from 2006 to 2008. Ms. Neonato studied under Riccardo Zadra, Leonid Margarius and Aldo Ciccolini, and her interest in historical instruments grew and developed when she met the pianist, Alexander Lonquich. Active as a chambermusician and fine lieder-accompanist, she is committed to musicological issues. In addition to performing, Ms. Neonato writes articles and essays for music journals and conferences focusing on piano aesthetics. In 2004, Ms. Neonato was invited to give a seminar on historical performance practice at Trento Conservatory, and in 2005, her first recording was released. Her second CD has just been released and presents music of Clementi and Beethoven on a valuable 1822 Clementi grand piano. Ms. Neonato's collection of instruments includes a -circa 1819 Conrad Graf, a replica of a Walter u.Sohne (1803) by Paul McNulty (2008), an 1820 Daniel Dörr, an 1853 Pleyel and Erard, and a 1919 Steinway & Sons. �Sunday, March 15th Master's Recital: Sibongile Boyd, soprano, Casadesus Recital Hall, 6:30 PM, FREE Monday, March 16th Master Class with Guest Fortepiano Artist Stefania Neonato, 7:30 - 8:45 PM, Casadesus Recital Hall, FREE Wednesday, March 18thMaster Class with Jazz saxophonist Maceo Parker, 4:00 PM, Osterhout Concert Theater (Co-sponsored by the Music Department and the Harpur Jazz Project) Wednesday, March 18thJazz saxophonist: Maceo ParkerOsterhoutConcert Theater, 8:00 PM, $$, (Co-sponsored by the Music Department and the Harpur Jazz Project) Thursday, March 19thMid-Day Concert, 1:20 PM - FREE Casadesus Recital Hall Thursday, March 19thHarpur Chorale and Women's Chorus: A Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM, FREE Friday, March 20thPercussion Duo: Mike Correa and Gene Koshiniski, Casadesus Recital Hall, 8:00 PM, FREE (co-sponsored by the United States Air Force Band and the Binghamton University Department of Music) Saturday, March 21st Master's Recital: Stephen Brooks, bass, Casadesus Recital Hall, 8:00 PM, FREE Saturday, March 21st Organist Jonathan Biggers - A Bach Celebration!! Series, Rrst Presbyterian Church, Binghamton, 8:00 PM, $$ Thursday, March 26th Mid-Day Concert, 1:20 PM -- FREE University Art Museum, Celebrating Women's History Month Saturday, March 28th Master's Recital.· Jonathan Moots, baritone, Fine ArtsRoom 21, 3,·oo PM, FREE For ticket information, please call the Anderson Center Box Office at 777-ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57:45 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149626">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149626</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mozart vs. Clementi, March 15, 2009 Recital Tape 2009-3-15 Description An account of the resource Works of Mozart, Clementi. Held at 3:00 p.m., March 15, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Neonato, Stefania Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/837e4bd52343e93c0c4fa60ef87c6804.pdf 378609bd9932044f15fd28dfccce468a PDF Text Text BINGHAMTOT NY U N I V E R S I S T A T E U N I V E R S I T Y O F N E W Y O R K wdee [4 D E P A R T M E N T M OZART CORONATION MASS (K.317) Christina San ta Maria, soprano Kimberly Tor res, mezzo soprano Jason Auman, tenor Daniel Romb erger, baritone Binghamton University Chamber C horus and Orchestra J ushin Choi, conductor In partial fulﬁllment of the degree Master of Music Sunday, February 5, 2012 3:00 p.m. Trinity Memorial Episcopal Church Binghamton, New York �PROGRAM Wolfgang Amadeus Mozart (1 756–1 79 l ) Coronation Mass, K.317 1. Kyrie Lord have mercy. Chris! have mercy. Lord have mercy. II. Gloria Glory to God in the highest. And on earth peace to all those of good will. We praise thee, we bless thee, we worship thee, we glorify thee. We give thanks to thee according to thy great glory. Lord God, Heavenly King, God the Father almighty. Lord Jesus Christ, the only begotten Son. Lord God, Lamb of God, Son of the Father. Thou who takest away the sins of the world, have mercy upon us. Thou who takest away the sins of the world, receive our prayer. Thou who sittest at the right hand of the Father, have mercy upon us. For thou alone art holy. Thou alone art the Lord. Thou alone art the most high, Jesus Christ. With the Holy Spirit in the glory of God the Father. Amen. III. Credo I believe in one God, the Father Almighty, maker of heaven and earth, and of all things visible and invisible. And I believe in one Lord, Jesus Christ, the only begotten Son of God, born ofthe Father before all ages. God from God, Light form Light, True God from true God. Begotten not made. Who for us and for our salvation came down from Heaven. And was incarnate by the Holy Spirit of the Virgin Mary. And was made man. Cruciﬁed also for us under Pontius Pilate, he suﬀered, and was buried. And on the third day he rose again, according to the Scriptures. He ascended into heaven and he sits at the right hand ofthe Father. He shall come again with glory tojudge the living and the dead: and of his kingdom there will be no end. And I believe in the Holy Spirit, the Lord and giver of life, who proceeds from the Father and the Son who together with the Father and the Son is adored and gloriﬁed, who spoke to us through the Prophets. IV. Sanctus Holy, Holy, Holy, Lord God of Hosts. Heaven and earth are full of thy glory. Hosanna in the highest. V. Benedictus Blessed is He who comes in the name of the Lord. Hosanna in the highest. VI. Agnus Dei Lamb of God, who takest away the sins of the world, have mercy upon us. Lamb of God, who takest away the sins of the world, have mercy upon us. Lamb of God, who takest away the sins of the world, grant us peace. �Chamber Chorus ABOUT THE PERFORMERS Christina Santa Maria. soprano. is a graduate of Fiorello H. LaGuardia HS for Music, Art and Performing Arts ‘1 1. She is currently working towards a BMus in Mary Burgess‘ Voice Studio at Binghamton University. She has participated in the Bel Canto Summer Institute in Florence, Italy and CityWide Youth Opera‘s Summer Intensive, broadening her repertoire and experience. This last spring she played the principal soprano in LaGuardia Opera Workshop’s production ofKismet under the direction of Paul Lincoln. She was also a semi ﬁnalist at the LA Convention ofClassieal Singer’s High School Competition. Christina is currently working with the TriCities Opera as an ensemble member in Binghamton, NY. 6 Kimberly Torres has been a part of her church’s choir ever since she was in 3’ grade. Her love for music pushed her to apply for Fiorello H. LaGuardia High School of Arts. There she grew as a singer and performer. Along with singing solos in her freshman. sophomore, and junior choms. she also participated in her school’s annual talent show, Rising Stars and operetta, Naughty Marietta. During her senior year, she landed the role of Lalnme in her school‘s presentation of the operetta. Kismet. She also participated in the sidebyside program for New York City’s Collegiate Chorale. This chorus allowed her to perform at Carnegie Hall numerous times and taught her the discipline she needed to be a part of a choms. Now she is a freshman at Binghamton University and is heading toward becoming a Music Major. Although her journey at Binghamton has only begun, she has high hopes for the next three years. Originally from Wellsboro, PA. tenor Jason Auman has been a resident of Binghamton for nine years. Jason received his undergraduate degree in music at Mansﬁeld University. Previous choral engagements include Handel‘s Messiah and Haydn’s Creation. He also can be seen performing with the Madrigal Choir of Binghamton and here at Trinity Memorial Church. Daniel Romberger is a sophomore from Valley View, PA. He is a triple major in music. actuarial science. and economics. In his previous three semesters at Binghamton. Daniel has participated in University Chorus and Harpur Chorale as a bass and in Wind Symphony as a trombonist. He enjoys musical ensembles and has performed in and composed for the Explorchestra. where he also sings and plays trombone. Though Daniel is unsure what speciﬁc career he desires aﬁer college. he hopes to use his aﬀinity for math and economics to make the world a better place while keeping music in his life. Conductor Jushin Choi was born in South Korea. He completed his undergradute work at the University of BAEKSEOK. where he majored piano. Choi arrived at Binghamton University in the fall of2010 where he is in his second year of study for a Master’s Degree in choral conducting. This performance of Mozart’s Coronation Mass is in partial fulﬁllment of the requirements for the degree. William Lawson, rehearsal accompanist Soprano Teresa Almendros AdaOsha Belleh Rose Ann Clough Susan MacLennan Cathie Makowka Susan Sarzynski Barbara Thamasett Faith Vis Deborah Vought Alto Marion K. Adams Kathryn Baine Sylvia Horowitz Theresa Hoysic Claudia Kachmarik Maggie Kirkaldy Greta L. Myers Sioux Petrow Joyce Printz Kelly Pueschel Pam Turrigiano Cheryl Jacobson Tenor Brad Bennett Martin Bidney H.B. King Judson Wallis Sherry Williamson Bass Ronald Beauchamp Bruce Borton Peter Cody J. Scott Husted Joseph E. Nelson William Clark Snyder Chamber Orchestra Violin 1 Doug Diegert Mary Diegert Peter Roseboom Violin 2 Lee Shepherd Tammy Nist Renee Hewett Viola Hyunsung Park Cello Emily Creo Julian Shepherd Oboe Kathy Karlsen Organ Peter Browne �B1 1&1 [=< h — v w .‘¢ =E] ‘..'ka'3;“’4 i 1 . U C O — 0 O 1 20112012 Season 8 go » 5 5 e = P Y 8v1 £ At Qo i 2 F = ? . . . G) (QLER 2 s ? 1: €E u O h [a2] )I “ n . 7 Pa in 5 agli October 21& 23, 2011 [ N I x ont nghiam B FP/. CW...“ (hr‘rrllr’ 1 .\ \ I \1)\\ Il H I ” IIE’RH . LUCIA DI LAMMERMOOR THE MAGIC I ’ l l T Q Frbruar) 10&12, 2012 Apn12 T N 2Q 2012 1 1 at the FORUM THEATRE in Binghamton Tirﬁ Info: 5077720100 » www.tricitiesopera.com w m — n a n — v — n m a n n n u ﬂ G o m e n c r w r y — g p a d d e d n u m u — “ m l h — n — n n m a m q . “ m e n u a . . . ” h t — l o — n i n e — 1 m Fund . progem n u n n u n “ ovo uIktDmotr JosésLus i N BINGHAmTON PHILHARMON IC REAL. LIVE. MUSIC. o s e Sara Bushman S ham mm mama mum” . g? } 9 ChamW berSerfs Mmswmlﬂs m m public service media for your community A I M th incantation; Veinna onsChu ei e u Symphon WWJINGHAITOMPNILHAIUOMICJIG Crqiue D \'. \ \ ﬁx .' \ ‘ 9 1 “ l “ : & © 5 1 4 5 — �Binghamton University Music Department’s MPOOMINC,‘ E V E N TS MidDa y concerts are held on Thursdays, 1 .'20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Tuesday, February 7 — Friedheim Memorial Lecture/Recital S eries: Mozart’s “Sinfonia Concertante for V iolin and Viola” (Timothy Perry, speaker, Janey Choi, violin, Roberta Cra wford, vio list and members of the University Symphony Orchestra) — 8 p.m. — Casadesus Recital Hall –– $6 general public; $3 faculty/staﬀ/seniors ; free for students Friday, February 10 — TriCities Opera presents “Lucia di Lammermoor” — 8 p.m. — The Forum Theatre — call (607) 7720400 for tickets Sunday, February 12 – TriC ities Opera presents “Lucia di Lammermoor” – 3 p.m. – The Forum Theatre – call (607) 7720400 for tickets Thursday, March 1 — MidDay Concert — 1:20 p.m. — Casadesus Recital Hall — free Sunday, March 4 — Wind Symphony Concert: March Music — 3 p.m. — Anderson Center Chamber HaII — $6 general public; $3 faculty/staﬀlseniors ; free for students Tuesday, March 6 — NASM MidDay Concert (concert i s c losed to the public) — 1:20 p.m. — Casadesus Recital Hall — free If y ou enjoyed and were inspired by this performance, please consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32 minutes:55 seconds Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mozart's Coronation Mass, Jushin Choi, February 5, 2012 Description An account of the resource Works by Mozart. Held on February 5, 2012. Creator An entity primarily responsible for making the resource Choi, Jushin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2/5/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d81dc38c5811350da93dcd5a7c8dc5fe.pdf 7a6849fc65618df325b0a36cf7020f16 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC Mozart’s THE MARRIAGE OF FIGARO by Students of the Opera Workshop Thursday, May 14, 1970 Friday, May 15, 1970 8 :15 p. m. Recital Hall �PROGRAM CAST Act. 1 Scene 1. (An upstairs bedroom) Duettino Duettino Cavatina Figaro and Susanna Figaro and Susanna Figaro Aria Duettino Aria Terzetto Bartolo Marcellina and Susanna Cherubino Count, Basilio and Susanna Aria Figaro Act 1. Scene 2. (Boudoir of the Countess) 9. 10. 11. 12. Cavatina Arietta Terzetto Duettino Countess Cherubino Count, Countess and Susanna Susanna and Cherubino Tinie — Now Place – A manor hous e in Spain COUNT ALMAVIVA Baritone COUNT ESS ALMAVIVA Soprano Beverly Pe nn Toby Jean Manker SUSANNA, her chambermaid Soprano Alida Stahl Grace Martin FIGARO, valet to the Count Bass–baritone CHERUBINO, the Count’s page Mezzo–soprano Ter rence Howell James Osborne Nancy Carlson BASILIO, music master Tenor Charles Seltzer DON CURZIO, a judge Tenor Charles Seltzer BARTOLO, a doctor from Seville Bass Thomas Strain BARBARINA, his daughter Soprano Stage Director Donna Ribble (Conductor, Thursday performance) William Lewis Musical Preparation Roberta Schlosser (Conductor, Friday performance) Intermission Coach and Accompanist Barbara Garges Act II. Scene 1. (Count ’s chambers) 13. Recitative and Aria 14. Sestetto 1 5. Recitative and Aria 16. Duettino Count Mnrcellina, Figaro, Bartolo, Don Curzio, Count and Susanna Countess Susanna and Countess PROGRAM NOTES Mozart’s “Marriage of Figaro” should be executed with elaborate costumes, scenery and orchestra to completely do i t justice. We have neither the time nor the resources at the moment for such a venture ; so we decided to experiment. Act II. Scene 2. (The garden) 1 7. Cavatina 1 8. Recitative and Aria 1 9. Recitative and Aria 20. Finale of Act IV Bar barina Figaro Susanna Cherubino, Countess, Count Susanna, Figaro, Barbarina, Marcellina, Bartolo, Don Curzio Our young artists f unctionbestinafa rnilia r environment ; so we decided to perform the work in the present, in contemporary dress allowing the player to develop his or her character naturally and easily relate to an acting situation without slighting the vocally ma jestic Mozartan line. We have inserted a minimum of spoken dialogue to establish the con tinuity of an ext remely complicated plot and enable us to reach the ma jor arias, duets and ensembles with alacrity. Certain details of the story are omitted purposely so that we all will have again the opportunity to hear and enjoy the musical heart of the “Marriage of Figaro” in onethird its usual performance time. William L . Lewis, Director Opera Workshop �P rogram of Le Marriage de Figaro — Beaumarchais Figaro, steward at the castle of Aguas Frescas, has borrowed ten thousand f rancs f rom Marceline, housekeeper of the same castle, and has given her a note promising to repay the money at a certain time or to marry her if he should default. Meanwhile, very much in love with Suzanna, Countess Almaviva’s young chambermaid, he prepares to marry her ; for the Count, himself enamored of young Suzanna, has favored this marriage in the hope that a dowry he has promised to give her would en able him to obtain from her in secret her yielding to the droit du seigneur, a right that he had renounced for the beneﬁt of his servants when he was married. This little domestic intrigue is conducted on behalf of the Count by the rather unscrupulous Basile, musicmaster of the castle. But the young and virtuous Suzanne believes herself obliged to apprise her mis tress and her betrothed of the Count’s gallant intentions, and the Countess, Suzanne, and Figaro band together to foil the plans of the lord of the manor. A small page, beloved by everyone at the castle but mischievous and overheated, like all precocious lads of thirteen or fourteen, slips saucily away from his master and by his liveliness and perpetual thought lessness more than once involuntarily places obstacles in the way of the Count’s progress, at the same time getting himself into hot water, which leads to some very eﬀective incidents inthe p iece . . . The Count, ﬁnally perceiving that he is being made the victim, but unable to imagine how it is being done, resolves upon vengeance by favoring Marceline’s claims. Thus, desperate because he cannot make the young woman his mistress, he tries to marry the old one to Figaro, who is disgusted by all this. But at the moment when Almaviva believes himself avenged, when, as ﬁrst magistrate of Andalusia, he condemns Figaro to marry Marceline that day or pay the ten thousand francs —which Figaro cannot possibly do –, it is revealed that Marceline is Figaro’s unknown mother. This ruins all of the Count’s plans and he cannot ﬂatter himself that he is either fortunate or avenged. During this time, the Countess, who has not given up the hope of winning back her unfaithful spouse by catching him at fault, has arranged with Suzanne that the latter pretend to grant the Count a rendezvous at last in the garden, and that the wif e appear there in place of the mistress. But an unforeseen incident apprises Figaro of the rendezvous granted by his ﬁancée. Furious because be believes himself deceived, he hides at the ap pointed spot, in order to surprise the Count with Suzanne. While he is still raging, he is himself pleasantly surprised to discover that the whole aﬀair is only a game between the Countess and her chambermaid for the purpose of fooling the Count ; he ﬁnally joins in the game goodhumoredly ; Almaviva, convicted of unfaithfulness by his wife, throws himself at her feet, begs her forgiveness, which she laughingly grants him, and Figaro marries Suzanne.’ 7Eugene Lintihac, Histoire générale du theatre en F rance , Pavis, n.d., IV, 414–16 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:02:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63258 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63258"> Mozart's Marriage of Figaro by Students of the Opera Workshop</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mozart's Marriage of Figaro by Students of the Opera Workshop, May 14, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Held at 8:15 pm, May 14, 1970, Recital Hall. Creator An entity primarily responsible for making the resource Students of the Opera Workshop Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-5-14 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019607021 39091019606866 39091019606916