126 10 1775 https://omeka.binghamton.edu/omeka/files/original/b79649e747c764e819e6283d78ccab7d.pdf 8c3cb679a97ffdd92c47b3d546eb9574 PDF Text Text i- 2 BARITONES Jeffrey Fitzgerald William Grossman Ronald Gruen Mark Selsby BASSES Roy Brown Paul Darnell Danny Dushman Bert Edelstein Stephen Hiller Danny Lippiner State University of New York at Binghamton HARPUR COLLEGE ORCHESTRA Violins Pat Isham Concertmaster Nancy Robbins Judy Niles David Einfeldt Edward Pettingill (Principal) Edith Osborne Fritz Loewenstein Sarah Gotthelf Violas -i'lussell Colton (Principal) Martha Colton Anne Ziegler Howard Isham Cellos Ruth Brown (Principal) Christine Livingston Kathy Gruber Bas s --reo Duroche (Principal) David Wilson Flutes M a r l e Bass ne Esther Hall Oboe --XOigail Mohn Clarinets Arthur Abrahams Candace Duncan Bassoons Steve Walker David Gagne Horns John Evansohn Brian Sternberg Martha McCool Steven Fry Trumpets William Lockwood P e ter Boor Richard Hamlin MUSIC OF THE TWENTIETH CENTURY College Choir Men's Glee Club Orchestra Trombones James Babbitt Stephen Phinney Fra nk Kearly Tuba Stevan DAVID BUTTOLPH Condu ctor Leiden 8:30 p. m. June 11 , 1965 Timpani Lanny Levine HARPUR THEATER Percussion Donald Seely Organ -reeEngstrom �HARPUR COLLEGE CHOIR PROGRAM 0, Clap Your Hands . . . . . . . . Ralph Vaughan Williams with Brass Choir, Timpani and Organ To Be Sung On A Summer Night . . . Frederick Delius This Have I Done For My True Love . . . Gustav Holst 1st SOPRANOS Virginia Baker Marcia Burnett Judith Elterman Malita Frogate Sydell Horowitz Chrystyna Prytula Elizabeth Robbins Kathleen Zaslovsky 2nd SOPRANOS Carol Anthony Sue Best Beverly Calistri Millicent Conklin Cathy Dellapenta Candy Duncan Nancy Kliban Kay Kosinski Alice Stitelman Cynthia Stone 1st ALTOS Sue Be rnhardt Elaine Bolton Linda Fishkin Ellen Leinwand Linda Lewis 2nd ALTOS Simone Buelta Joy Cejka Martha Davis Mary Beth Hoban Margaret Jackson Pamela Starr TENORS John Bennethum Harvey Bornfield Paul Dieke Benjamin Erlitz Alan Hardy Zane Kalter John Taylor BASSES James Baldwin David Crowe Paul Darnell Seth Kasten Michael Pawlicki Alan Sturdevant Peter Wenz Gilroy Zuckerman HARPUR COLLEGE CHOIR Don't Leave Me Only Tell Me Bela Bartok HARPUR COLLEGE CHOIR Four Slovak Folk Songs . . . . . Soldier's Song . . . . . . . . . with Trumpet and Snare Drum . Bela Bartok Zoltan Kodaly MEN'S GLEE CLUB The Gong of Time . . . . . . . . . . . . . . Robert Starer with Brass Quartet Song of the Open Road . . . . . . . . . . Norman Dello Joio William Lockwood, Trumpet Solo Cynthia Stone, Piano HARPUR COLLEGE CHOIR Choir Officers: - - Intermission - Te Deum . . . . . . . . . . . . . . . . . . Zoltan Kodaly assisted by Betty Hartman, Soprano Soloist and members of the Harpur College and Community Orchestra. I Choir Librarian: Accompanist: Alan Hardy, Martha Davis, Paul Darnell, Peter Wenz Kay Kosinski Cynthia Stone MEN'S GLEE CLUB 1st TENOR Roy Gordon Zane Kalter John Taylor 2nd TENOR John Bennethum David Crowe Alan Hardy � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:38 28:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54197">Music of the Twentieth Century College Choir, Men's Glee Club, Orhcestra, David Buttolph, Conductor</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music of the Twentieth Century College Choir, Men's Glee Club, Orchestra, David Buttolph, Conductor Recital Tape 1965-6-11 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource College Choir, Men's Glee Club, Orchestra, David Buttolph, conductor. Works by Ralph Vaughan Williams, Gustav Holst, Bela Bartok, Zoltan Kodaly, Robert Starer, Norman Dello Joio. Creator An entity primarily responsible for making the resource Harpur College Choir Buttolph, David, 1902-1983 State University of New York at Binghamton. Department of Music Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vaughan Williams, Ralph, 1872-1958 Holst, Gustav, 1874-1934 Bartók, Béla, 1881-1945 Kodály, Zoltán, 1882-1967 Starer, Robert Dello Joio, Norman, 1913- Date A point or period of time associated with an event in the lifecycle of the resource 1965-06-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Music of the Twentieth Century College Choir, Men's Glee Club, Orchestra, David Buttolph, Conductor Recital Tape 1965-6-11.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:12:21 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE192309">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE192309</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music of the world, Latinoamérica, March 15, 2008 Recital Tape 2008-3-15 Description An account of the resource Translations of some songs included in accompanying program.Works of Leite, Nu√å¬Ån√å∆íez, Yupanqui, Guzma√å¬Ån, Brower, Lauro, Toppenberg, Excalada, Este√å¬Åvez, Mena, Lo√å¬Åpez-Gavila√å¬Ån, Serebrier, Alsonso-Crespo.Held at 8:00 p.m., March 15, 2008, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Browne, Peter Chudacik, Jennifer Reitz, Margaret Sweeny, Paul Morris Luce, Gabriel Blitstein, Alexander Paull, Corinne Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-03-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID da2da00d-322b-4769-a95d-6d3af43e1900 https://omeka.binghamton.edu/omeka/files/original/597a5b153de5a60ca299fc35588690f0.pdf a07bc20bab55ce68ee770d4cc449698d PDF Text Text ’ B IN U N I V E { ; } — ON R S E S State University of New York Depart ment of Music “Music through the Ages” Harpur Brass The Brass Quintet of Binghamton University Erinn Hibbard, trumpet Stephen Boel, trumpet Patrick Lokken, French horn David Henann, trombone Daniel Gallagher, tuba Ben Aldridge, faculty advisor Tuesday, April 19, 2005 8 :00 p.m. Casadesus Recital Hall �Program Procession of the Nobles.. Nikolai Rimsky-Korsakov from Mlada (1844-1908) Arr. Rolf Smedvig Intrada .. ..Johann Groh from 36 neue liebliche und zierliche Intraden, so zuvor niemals gesehen Nuremberg, 1603 Contrapunctus I from The Art of the Fugue (c. 1575-c. 1627) «eee... JOhann Sebastian Bach The Promise of Living .. Thanksgiving Song from The Tender Land (1685-1750) .Aaron Copland (1900-1990) --Intermission-Buckaroo Holiday from Rodeo ..Aaron Copland (1900-1990) Four Songs for Brass Quintet. ..Charles Ives based on four songs originally for voice and piano* (1874-1954) transcribed by Kenneth Singleton 1. “On the Counter” (text by Ives; composed 1920) 2. “The Side Show” (text by Pat Rooney, Sr.; composed 1886) 3. “Slow March” (text by L. Brewster, with additions by Ives family members; composed c. 1887) 4. “Tarrant Moss” (text by Rudyard Kipling; composed 1902-03) Four Moods for Brass Quintet .. .. Arthur Harris I. Chorale: Komm siisser Tod. (translation: Come sweet death.) II. Waltz III. Lyric Piece IV. Finale Just A Closer Walk.. ......... .. (1957) ....traditional hymn Arr. Don Gillis �Charles Ives’ Songs *original text for the songs in which Four Songs for Brass Quintet by Charles Ives is based: 1. “On the Counter” Tunes we heard in “ninety-two,” soﬁ and sweet, Always ending “I love you”. . phrases nice and neat; The same old chords, the same old time the same old sentimental sound, Shades of Hawley, Smith and Nevin, in new songs abound. 2. “The Side Show” “Is that Mister Riley, who keeps the hotel?” Is the tune that accomp’nies the trotting track bell; An old horse unsound, turns the merry-go-round, Making poor Mister Riley look a bit like a Russian dance, Some speak of so highly, as they do of Riley! 3. “Slow March” One evening just at sunset we laid him in the grave; Although a humble animal his heart was true and brave. All the family joined us, in solemn march and slow, From the garden place beneath the trees and where the sunﬂowers grow. 4. “Tarrant Moss” I closed and drew for my Love’s sake, That now is false to me, And I slew the Riever of Tarrant Moss, And set Dumeny free. And ever they give me praise and gold, And ever I mourn my loss; For I struck the blow for my false Love’s sake, And not for the men of the Moss! �COMING EVENTS Thursday, April 21 – Mid-Day Jazz Concert with guest artist – 1:20 p.m. – Anderson Center Osterhout Concert Theater -- free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – ﬁ'ee Friday, April 29 – Master’s Recital : Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzosoprano – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital : Amber Alarcon, mezzo-soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble – We Band of Brothers – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. – Casadesus Recital Hall – free Monday, May 2 – Master’s Recital : Robin Kindig, bassoon – 8:00 p.m. – Casadesus Recital Hall – 8:00 p.m. – free Wednesday, May 4 – Student Conductors’ Concert – 8:00 p.m. – Watters Theater – free Thursday, May 5 – Student Recognition Mid-Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – Harpur Chorale and Women’s Chorus – 8:00 p.m. -Anderson Center Chamber Hall - free - � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:26:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music through the Ages, April 19, 2005 Description An account of the resource Works of Rimsky-Korsakov, Groh, Bach, Copland, Ives, Harris. Held at 8:00 p.m., April 19, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hibbard, Erinn Boel, Stephen Lokken, Patrick Hennan, David Gallagher, Daniel Alridge, Ben Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-19 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:34:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243336">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243336</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Treasury: Ania Dorfmann, July 30, 1974 Recital tape 1974 7-30 Description An account of the resource Held July 30, 1974 Creator An entity primarily responsible for making the resource Ania Dorfmann Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-7-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:28:33 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243330">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243330</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Treasury: Bruno Walter, July 16, 1974 Recital tape 1974 7-16 Description An account of the resource Held July 16, 1974. Creator An entity primarily responsible for making the resource Bruno Walter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-7-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:27:34 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243327">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243327</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Treasury: Bruno Walter, July 9, 1974 Recital tape 1974 7-9 Description An account of the resource Held July 9, 1974. Creator An entity primarily responsible for making the resource Lenox Seminar Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-7-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:25:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243333">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243333</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music Treasury: Isaac Stern, July 23, 1974 Recital tape 1974 7-23 Description An account of the resource Held July 23, 1974. Creator An entity primarily responsible for making the resource Stern, Isaac Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-7-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9fbd6167b8887b6349453541d722db84.pdf 559ad7b4e0dfd3e082e34d18bc3fb32d PDF Text Text BINGHAMTON UNIVERSITY S T A T E UN I V E R S I T Y O F N E W Y O R K e d e [4 D E P A R T M E N T M u sica N o va Janey Choi, violin Adam Goldenberg, marim ba Georgetta Maiolo, ﬂute Christian Ma rtin, piano and composer Margaret Reitz, piano Stephen Stal ker, cello Anna Tonna, mezzosopra no Stephen Zan k, piano and Paul Goldsta ub, composer Sunday, Ma rch 18, 2012 3 :00 p.m. Casadesus Recital Hall �PR O G R A M Leonard Bernstein Three Meditations from “MASS"...... (19181990) Stephen Stalker, piano Margaret Reitz, piano . Paul Goldstaub Doubtful S o und (pre miere) . (b. 1947 ) Georgetta Maiolo, ﬂute ..............Mohammed Fairouz JederMensch... ........... (b. 1985) The E ternal Source trange S Today I Realized Something Very The Celebration o f the Spirit Anna T onna, mezzoso prano Margaret Reitz, piano Christian Martin Three NeoRomantic Preludes (b. 1984 ) Christian Martin, piano ..............Richard Cam’ck Lo ﬂow (b. 1971) Janey Choi, violin Claws! Bagatelle for violin a nd p iano .Theodore W iprud (b. 1958) Janey Choi, violin Stephen Zank, piano Mallet Palette ( pre miere). Paul Goldstaub A da m Goldenberg, marimba Margaret Reitz, piano �PROGRAM N OTES Leonard Bemstein’s Mass was commissioned by Jacqueline Kennedy for the opening of the II. Today I Realized Something Very Strange “Today I realized something very strange. I am not happy–and not unhappy. It came to me suddenly that I am living what only appears to be a life. I hold so much inside of me, I am not The ﬁrst Meditation yearns desperately for faith and an answer from God. The cello statement begins forts and with intensity and ends triple pianissimo. The piano now enters pianissima dolce free–l suﬀer–but I don’t know why or what for. My ship is in the harbor, but it has sprung a leak.” III. The Celebration of the Spirit “Gustav Mahler–from the struggles of abstraction, Oskar Kokoschka, the genius, Walter Gropius, the improviser of cultures and wills–And Joseph Fraenkel, the genial improviser From Walter I want children–from Oskar, works–from Fraenkel, the celebration of the spirit that he never oﬀered me. I wish that Fraenkel had moved into my house to live the rest of his life with me.” – from the Correspondence and Diaries ofAlma Mahler Thesecond Meditationisa setofvariationsand acodabasedonatheme from the ﬁnaleol Beethoven’s Ninth Symphony. Bernstein avoids the formal character normally associated with the variation form by changing the length of each variation. This gives a rhapsodic nature to the movement. “Preludes. inspired by the songs of birds outside a brightly sunlit den in an apartment in Chandler, AZ. these ﬁrst three preludes, ﬁrst began in 2009 and have just recently been completed. The birdsong which created the melody for Prelude No. 1 is the trichord 0 2 7, ﬁrst introduced in measure one as ED(E)A and developed throughout the piece. The birdsong for Prelude No. 2 is the trichord 0 3 5, ﬁrst introduced in measure one as C#D#A#(C#). Prelude No. 3 was not based on birdsong, but is rather a pattern of unresolved seventh chords, with the exception of the ending cadence, which create mysterious, relaxing harmonies reminiscent to those of Debussy or Ravel. John F Kennedy Center for the Performing Arts in Washington, DC. It was ﬁrst performed on September 8, 1971. Two of the instrumental sections, Meditations 1 and 2, were later arranged for cello and piano. The third Meditation was newly composed from diﬀerent ideas taken from the Mass. and repeats the cello’s statement. The second idea is marked tranquillo. It opens with the cello, which falls chromatically until the idea is picked up by the piano. The next section rises chromatically, in answer to the ﬁrst section. The motive moves between the two instruments as it rises fortissimo to the high point of the movement. Meditation 3 begins with an ostinato rhythm which mixes 3/4 and 3/8 time signatures. After a cello statement the two instruments pass the idea back and forth. The cello then enters with a new theme, this time a dancelike dotted rhythm. The playful character of the movement is internipted by a thoughtful slow section. The quicker tempo soon returns, however, and the movement ends with pizzicato outbursts on the cello. In the three Meditations Bernstein expresses the many aspects of the religious experience from the meditative to the joy of living. (Peter Cody and Wan Kim, ﬁrstyear graduate students for Composition) Three years ago, my wife and I went to New Zealand and it was wonderful. There were exciting cities to explore, of course, but nature– the lakes, ﬁords and the ocean–fonned the most memorable part of the trip. No houses, no stereos, just exotic birds, playful seals and stunning waterfalls. Despite its name, “Doubtful Sound” is a fjord, surrounded by beautiful, majestic mountains. We arrived by boat and, as we approached one particularly pristine cove, passengers fell silent in the glorious sunshine and unusually dry weather, to listen to the distinctive, repetitive song of a lone bird. I think about Doubtful Sound just about every day. A quiet, peaceful place. ‘Jeder Mensch was commissioned for, inspired by, and dedicated to my friend, Kate Lindsay.” Jeder Mensch Texts I. The Eternal Source “Today I know the elemal source of all strength. It is in nature, in the earth, in people who don‘t hesitate to cast away their existence for the sake of an idea. They are the ones who can love. I go on living with my face lifted high, but with my feet on the ground–where they belong.” ‘in ﬂow,” the opening work of my hour long Flow Cycle for Strings, explores gradual shifts in color and expressivity in a constantly moving and evolving musical thread. The music contains an equal emphasis on both long, evolving gestures and the local pushpull of motifs. This piece was written for Andrea Schultz, to whom it is dedicated, on April 7, 2006. The Flow Cycle is inﬂuenced by Islamic Mosaics, Gnawa music of Morocco, Albert Camus’ L’Etranger, and the Flow concept of Mihaly Csrkszentmihalyi. While the ﬁrst work “in ﬂow” for solo violin uses an expansive linear approach to compose “ﬂow“ of unrelated materials, each subsequent work (Shadow Flow for viola, Moroccan Flow (unfolding from unit y) for ‘cello, Duo Flow for violin and ‘cello, and “a cause du soleiT Flow Trio for String Trio) uses a sectional approach to create a mosaiclike experience of ﬂow that is reﬂected in each of the works, which can be performed separately. “Claws!” attempts to evoke a sensation of dangerous attraction – a combination of silky seduction with horrormovie dread. “Mallet Palette” is a new piece for the Musica Nova concert. The marimba and the piano begin as equal players, with long notes for the marimba and quick notes in the piano. Soon the tempo gets faster, in g minor most of the time, and there are rhythms of 5/8, 6/8, 9/8 and of course, 4/4. Finally, at the end, the ﬁrst section comes back, with a ﬁnishing touch. Throughout the composition, both the marimba and the piano use staccato. legato, accents, and a wide range of dynamics. �BIOGRAPHIES Richard Carrick, born in Paris of FrenchAlgerian and British decent, is a composer whose music has been performed intematicnally by the New York Philharmonic (Ensemble Series), Vienna’s Konzerthaus, ISCM World Music DaysSwitzerland, Darmstadt Summer Festival, Tokyo lntemational House, Merkin Hall, Nieuw Ensemble, JACK Quartet, Nouvel Ensemble Moderne, soloists Magnus Andersson, Carin Levine, Rohan de Saram, David Shively and others. Recent awards include a Fromm Foundation Commission from Harvard University for his second string quartet, and recent works include the hourlong Flow Cycle for Strings (released on New World Records in 2011), Adagios for Strings, and Find the Devil’s Lead for large ensemble. He also writes largescale multimedia works including the “operatioally ambitious” (The Village Voice) Cosmioomics, based on stories by Italo Calvino and combining video, electronics and live musicians. Carrick is currently Visiting Professor of Composition at Columbia University and Adjunct Professor at New York University. Carrick is founder/ooartistic director of the New York based contemporary ensemble Either/Or. His music is published by Project Schott New York. Canadian violinist, Janey Choi gave her Camegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing on recital and chamber series, on Broadway, and with such groups as the New York City Ballet, Ardelia Trio, and the Teaching Artists Ensemble of the New York Philharmonic. The recipient of numerous awards including the Chalmers Performing Arts Grant from the Ontario Arts Council (Canada) and National First Prize in the Canadian Music Competition, she has participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in the US and Italy, Festival Musical de Santc Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co., most notably at the Kennedy Center in Washington, DC, and at the New Victory Theater in Times Square. She also initiated an interdepartmental collaboration with the Paul Taylor Dance Company, and the Binghamton University Music and Dance Departments. Her other interests have taken her to the visual arts world. developing and presenting an annual “Music + Art” show commissioning artwork based on chamber works. She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Adele, Beyoncé, Aretha Franklin, Enya, Elton John, JayZ, Sarah McLachlan, Lenny Kravitz, and Kanye West, on the Grammys, MTV, Saturday Night Live, the Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi holds the distinction of being the youngest. and only PreCollege student ever accepted by her late mentor, Joseph Fuchs at The Juilliard School, where she graduated from the accelerated BM/MM program with the Joseph Fuchs Graduation Prize. Her other major teachers include Joel Smimoﬀ, Victor Danchenko, Harvey Shapiro. and Arnold Steinhardt. She attained her Doctor of Musical Arts degree at Rutgers University with full scholarship and was the recipient of the Graduate Fellowship Award. Strongly committed to education. she has been on the faculty of Binghamton University since 2006 and is a Teaching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. She has presented educational workshops for the College Music Society National Conference, Tokyo College of Music and Lincoln Center Institute. In her free time, she enjoys marathon and triathlon training, playing soccer and ice hockey. Straddling Eastern and Western idioms, Mohammed Fairouz, one of the most frequently performed composers of his generation, has emerged as a force on the musical scene. Praised by the New York Times as “warmly sympathetic” and “brilliantly handled,” his music has been received at venues such as Camegie Hall, Boston’s Symphony Hall, the Kennedy Center and intemationally throughout the United States, Europe, the Middle East and Australia. He has received commissions from Musicians for Harmony, Northeastem University, the Imani Winds (Legacy Commission), the Cygnus Ensemble, Counter)induction, Alea lII (Boston University), Alwan for the Arts and the Second Instrumental Unit among others. His music has been championed by some of the foremost performers such as the Borromeo and Lydian String Quartets, the lmani Winds, The Knights Chamber Orchestra, members of the Boston Symphony Orchestra, the violinists Rachel Barton Pine and James Buswell, the clarinettist David Krakauer as well as the conductors Gunther Schuller, Fawzi Haimor and Yoon Jae Lee. Among the eminent singers that have promoted his wealth of vocal music are Kate Lindsey. Sasha Cooke, D’Anna Fortunato, David Kravitz and Randall Scarlata. Fairouz has been recognized as an “expert in vocal writing” by the New Yorker and as a “post millenial Schubert” by Gramophone Magazine. He has been invited to lecture and lead residencies across the country at institutions such as Columbia University, Brown University, Chestnut Hill College, Grinnell College, Northeastern University (Boston), Humbolt State University and the University of Western Michigan. Fairouz’s teachers in composition included Gyorgy Ligeti in Vienna as well as John Heiss, Gunther Schuller, Halim EIDabh and Richard Danielpourwith studies at the Curtis Institute and New England Conservatory. Recordings of his music are available on the Sono Luminus, Albany and GM labels. An upcoming recording featuring Rachel Barton Pine, the Borromeo String Quartet, Imani Winds and David Krakauer is slated for release on the Naxos Label in the 201213 season. The music of Mohammed Fairouz is published by Peermusic Classical. Adam Goldenberg is a senior biochemistry major and music minor. Mr. Goldenberg studies with Professor Daniel Fabricius, and regularly performs with the University Wind Ensemble and Percussion Ensemble. in 2011, Mr. Goldenberg was a featured soloist in Terry Gillingham’s “Concertino for Percussion and Wind Ensemble” and in Paul Creston’s Concertino for Marimba and Wind Ensemble. In spring of 2012, Mr. Goldenberg will be performing Keiko Abe’s “The Wave” Concertino for Marimba and Percussion Ensemble on May 10th at the spring percussion ensemble concert. Paul Goldstaub, Professor of Music Theory and Composition, Coordinator for Music Theory and director of Musica Nova concerts. BM, Ithaca College, MM and DMA, Eastman School of Music. Composition studies with Karel Husa, Samuel Adler and Warren Benson. Studies in Schenkenan Analysis with Dr. Charles Burkhart. Teaching positions at Ithaca College, CollegeConservatory of Music of University of Cincinnati, Mankato (Minnesota) State University, and Eastern Michigan University. Guest lectures at Oberlin Conservatory, Syracuse University, Wells College, St. Olaf College, the Chautauqua Institution, and the institute for Contemporary Music Education at St. Thomas University. Papers and workshops presented at national meetings of College Music Society. the National Association of Schools of Music, New York State School Music Association, �New York State Music Teachers Association, and many colleges and universities. Articles published in the Music Educators Journal and the Encyclopedia of American Literature of the Christian Martin is a senior at Binghamton University in Binghamton, New York and he plans to pursue both Master’s and Doctorate degrees in music theory and composition upon graduation. Michigan University. Compositions performed at Lincoln Center, Camegie Hall, oﬀoﬀ Broadway, and in Canada, Great Britain, Germany, Japan, Russia and Italy. performed with the Temple University Singers, Arizona State Choml Union, and the Binghamton University Chorus. Other recent compositions include “Nine Lives,” for clarinet and piano (2010); “Walls of Glass,” for accompanied SSAATTBB (Second Prize in Edwin Fissinger Choral Sea and the Great Lakes. Guest performer at Syracuse University, regional meeting of the American Guild of Organists, and as pianist/composer for the dance program at Eastern Awarded grants from the National Endowment for the Arts, the National Endowment for the Humanities, Meet the Composer, and the Minnesota State Arts Board. Annual awards from the American Society of Composers, Authors and Publishers (ASCAP). National ﬁnalist in the St.Paul Chamber Orchestra’s American Composer Competition. Works performed by the St. Paul Chamber Orchestra, Guthrie Theater, Minnesota Opera, Society for New Music, Cincinnati Opera and in many oncampus concerts with other faculty. Music published by LawsonGould, Roger Dean Publishing Company, Ken Dom Publications and International Trombone Press/Southem Music. Member of the music faculty since 1998. Georgetta Maiolo is a member of the faculty of Binghamton University and Broome Community College, teaching Flute and directing Flute Ensembles. From 1977 to 1996, she held the position of Assistant Professor of Flute at Ithaca College, Ithaca, New York. She also taught Flute at Hartwick College, Oneonta, New York and West Virginia University, Morgantown, West Virginia. Mrs. Maiolo is a graduate of Duquesne University, Pittsburgh, Pennsyivania and attended graduate school at West Virginia University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal llutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At the age of 15, she made her solo debut with the Pittsburgh Symphony. Mrs. Maiolo is the recipient of numerous honors, including the Very Reverend Thomas J. Quigley Award, the NCMEA National music award, the Pittsburgh Tuesday Musical Club, the Enola M. Lewis Scholarship and the Mu Phi Epsilon Sterling Achievement Award. Mrs. Maiolo is the principal ﬂutist of the Binghamton Philharmonic Orchestra, TriCities Opera Orchestra, and Downtown Singers Orchestra. In addition to her playing positions. she concertizes as a soloist, recitalist and chamber musician. Mrs. Maiolo has been recognized for the breadth of her contributions to performance and music education. She has premiered compositions for ﬂute by Jack Martin, Dan Locklair, Edith Borroﬀ, Malcolm Lewis, Richard Herman, Jeﬀrey Nitch, Timothy Rolls and Paul Goldstaub. In 1985, Mrs. Maiolo was honored to conduct the NYSSMA AllState Flute Choir. From 1981 to 2001, she served as the ﬂute chairperson for the NYSSMA Manual. Mrs. Maiolo is chapter advisor for Mu Phi Epsilon, Zeta Eta Chapter at Binghamton University. She is a “clinician” for the Selmer Company. She is a member of the National Flute Association, and has recorded for Crest Records and NPR. Her performances have earned her lavish praise: “Georgetta Maiolo provided some exquisite musical moments in her ﬂute solos,” wrote Alice Mitchell in a review in The Press & SunBulletin in Binghamton, New York. “Georgetla Maiolo should be singled out for praise in her work with Soprano Louise Wohlafka in the ‘Mad Scene’ in Lucia. Her tone was like another lovely voice in the cadenza... Ms. Maiolo’s wonderful tone and musicianship were in evidence here and through the entire opera,” commented a critic for WSKGFM radio. In the August 1999 Opera News review of TriCities Opera production of Die Zauberﬂote, William W. West stated “...with some lovely ﬂute playing from Georgetta Maiolo.” Prior to college, he attended Arizona School for the Arts, was a member of the Phoenix Boys Choir, and performed in the AllRegionals and AllState high school choirs. Christian has also Composition Competit‘on, 2011); Purple and Pearl, for accompanied SSAATTBB (2011), and placed in the San Jose Choral Productions Composition Competition; Echoes. for Horn. Bassoon and Piano, and Our Beautiful Nation, for String Quartet. Margaret Reltz, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus. Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the Performing Arts. She was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College. She has been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Worlshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was invited to the international Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on the Comell Summer Series. She was an oﬀicial pianist at the Intemational Double Reed Competition and Convention in 2007 at Ithaca College and was invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble She recorded a CD with the Glickman Ensemble again this summer in Englewood, NJ. She was selected to accompanying at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and at Mannes School of Music. She was a Guest Artist playing two concerts in Granada. Spain and accompanied the Barcelona Song Festval . She soloed with the Catskill Symphony at the Otesaga in Cooperstown, NY under the direction of Charles Schneider . This coming summer she will accompany and play chamber music at Musica De Compostela in Spain. She will also be in the “Masterclass” play in Newport, Rhode Island at the Casino Theater in the role of the pianist. She is also invited to play a recital with the Glickman Ensemble at the IDRS Convention in July. She is currently on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is Treasurer of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. Stephen Stalker. cellist, teaches at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College and the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he has presented Meet the Composer concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a �set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNYBinghamton. He performed with Solisti New Yorkon their Alaskan cruise ofthe Inner Passage from Vancouverto Juneau. As a member of the Madison String Quartet, he was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian International String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici. Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southem Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City. Fulbright scholar to Spain, mezzo soprano Anna Tonna combines a distinguished career as an operatic mezzo with a dedication to the music of Spain and Latin American composers a natural consequence of her roots and her aﬀinity for Hispanic culture and language. She has appeared at the Leo Baeck Institute, Goethe Haus and Weill Recital under Elysium Between Two Continents. Joy in Singing, the Connecticut Schubert Club, the Paciﬁc Music Festivalin Japanwhereshewasafellowmndhasbeenateaturedrecinlistwith Musicade Camara in NYC. She appeared in New York’s Town Hall in a concert with orchestra celebrating the composers from Dominican Republic, as well as being featured in the zarzuela’s as Cecilia Valdes and Luisa Fernanda. She was seen in the title role of Maria de Buenos Aires (Piazzolla) with the Connecticut Grand Opera, and has been a guest with Los Amigos de la Zarzuela, Association of Dominican Classical Artists, The Interpretation of Spanish Song Festival in Granada, the Festival Iberoamericano de Bellas Artes in San Juan, Puerto Rico, the Otor’io Cultural Iberoamericano in Huelva (Spain), as well as appearing as guest lecturer and recitalist on the subiect 20” century Spanish art song at the University of California in Riverside and La Universidad de La Rioja (Spain). Anna made an auspicious debut at The Festival Casals de Puerto Rico in March 012009 in a solo recital of art songs by the classical composers of Puerto Rico. 2010 found Anna singing the role of Olympia in Albeniz’s The Magic Opal in the Auditorio Nacional de Madrid, the title role in Bizet’s Carmen. Adalgisa in Bellini’s Norma both in Madrid (Spain) and Medellin (Colombia) as well as the zarzuela EI Barbero de Seville at the Teatro Fernén Gémez in Madrid. In May of 2011 she bowed at New York’s Lincoln Center in the North American premiere of Giordano’s f/ Re in the role of La Astrologa with Teatro Grattacielo. Among her appearances in 2012 will be as Rosina in The Barber of Seville in Barcelona (Spain), a recital of songs by Latin American composers with North South Consonance in Manhattan, and a lecture recital with the Asociacion Rioja Lirica in Logrofo (Spain) as well as guest recitalist at symposium of music by the classical composers of Puerto Rico at SUNY Albany. After winning the voice prize in the summer of 2011, she retums to the festival Musica en Compostela in Santiago de Compostela (Spain) for a concerts of chamber music by composers of Spain. Hispanic Society of America in New York City will feature her in concert for voice. guitar and dance about the life of the Duchess of Alba of Goya in the winter of 2012. In July of2011, her disc “The songs of Julio Gomez‘ debuted under the discographic label Verso with Spanish pianist Jorge Robaina. Born in 1958 in Washington, DC and currently residing in New York, Theodore Wiprud is a composer who also plays important roles as concert presenter, educator, and music executive. His compositions are known for the impact they make on performers and audiences, reﬂecting his constant interaction with both adult and young musicians and listeners from the New York Philharmonic. where he currently serves as Director of Education. to classrooms and community venues. Wiprud’s music frequently deals with spiritual experience: orchestral music (such as Hosannas of the Second Heaven) and chamber music (String Quartet No. 1, Reﬁning Fire and String Quartet No. 2, Intimations and Incarnations) responding to Dante’s Divine Comedy and similar works; choral music on texts from diverse religious traditions (Three Mystical Choruses); and percussion scores like Anima and Dark Love. Other pieces involve American literature. including American Journal, based on Robert Hayden’s poem, and A Georgia Song, a setting of Maya Angelou. His Saxophone Quartet has been described as “a work of substance, rewarding to perform. and warmly received by audiences.” Wiprud earned his bachelor’s degree in biochemistry at Harvard and his master’s in theory and composition at Boston University, where he worked with David Del Tredici. He was a Visiting ScholaratCambridge UniversityasastudentofFlobh Holloway, and acornposition tellowatlhe Aspen Music School studying with Jacob Druckman and Bemard Rands. Stephen hnkbegan studying piano,theoryandcompositionattheageoﬀrve. Hehasheld previous fulltime appointments at several major universities in the Midwest, Southwest and Northeast, including SUNYBinghamton and the University of Rochester. �Bin gha m ton U niv ersit y M usic D epart m en t ’s U P C O M I N G E V E NT 5 Thursday, March 22 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Frida y, M arch 23 – M aster ’s R ecital : Kathleen Jasinkas, soprano – 8 :00 p.m. – Casadesus Recital Hall – free Thurs day, March 29 – M id Day Concert – 1:20 p.m. – Casadesus Recital Hall –free Thurs day, March 2 9 – N u k porfe A frican D rum m ing a nd D ance Ensem ble – 8 p.m. – Anderson Center Chamber Hall – $5 per person (tickets will be sold at the door ) Thurs day, A pril 1 2 – M id Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Frida y, A pril 1 3 – Senior R ecital : Ale x ander Baron, r ecorder – 8:00 p.m. – Casadesus Recital Hall – free Saturda y, A pril 14 – M asterclass wi th o rganist Carla E dwards – 10 a. m. – 12 noon – First Presbyterian Church, Binghamton – free Saturda y, A pril 14 – R obert S mith, e uphonium, presents “ El Bom bardino ” wi th M argaret R eitz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public ; $3 faculty/staﬀ/seniors ; free for students Sunda y, A pril 1 5 – A fricanaise : A n e vening o f A frican Inspired Com positions – 3 p.m. – Anderson Center Chamber Hall – $ 10 general public ; $6 faculty/staﬀ/seniors ; $3 students For ticket infor mation, please call the A nderson Cen ter B ox Oﬀice a t 777ART5. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 60 minutes :15 secondss Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141868">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141868</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova, March 18, 2012 Description An account of the resource Works by Bernstein, Goldstaub, Fairouz, Martin, Carrick, Wiprud Held at 3:00 p.m., March 18, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Choi, Janey Goldenberg, Adam Maiolo, Georgetta Martin, Christian Reitz, Margaret A. Stalker, Stephen Tonna, Anna Zank, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/18/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f868a73734eb8abc3da6d6314e5302f7.pdf 25694e32d62b815c9df39a10ce9b1e8c PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K wee [4 D E P A R T M E N T li \ M USICA N OVA with Timothy LeFebvre, baritone M a ry Burgess, soprano Michael Salmirs, piano Margaret Reitz, piano C hristopher Morgan Loy, composer and piano Daniel Fabricius, percussion Stephanie Le hman, percussion Sibongile Boyd, soprano Jenni fer Groves, soprano Heather Montana, soprano Tomek Regulski, composer Martin Bidney, translator Paul Goldstaub, composer and conductor Sunday, F ebruary I5, 2009 3:00 p.m. Chamber Hall Anderson Center for the Performing Arts �PROGRAM Jake Heggie (b. 1961) Paper Wings Bedtime Story Paper Wings Mitten Smitten A Route to the Sky Mary Burgess, soprano Michael Salmirs, piano Tomek Regulski (b. 1985) The Glance Heather Montana, soprano Stephanie Lehman, percussion Margaret Reitz, piano l Ned Rorem (b. 1923) In a Gondola Pippa ’s Song Sibongile Boyd, soprano Margaret Reitz, piano Take Me Back from “Our Town Ned Rorem Jennifer Groves, soprano Margaret Reitz, piano Christopher Morgan Loy from Four Spirituals Volume I Sometimes I Feel Like A Motherless Child (op.38, no.1) Didn’t My Lord Deliver Daniel? (op.38, no.2) l from Two Spirituals Volume V Great Day (op.52, no.2) Sibongile Boyd, soprano Christopher Morgan Loy, piano INTERMISSION �l Every Evening (premiere pe rformance h h Paul Goldstaub (b. 1947) Bedtime Story Soun, soun, beni, beni, soun, so un, beni doun. Ah! It was a cold, cold nightso cold, we had a ﬁre. A cold, cold night. We sat and talked. All was safe and good. Then, something happened. Something soft went by A second’s wait “Nothing there. It must have been a dream.” Again a breeze, a tiny move What could it have been? At last we looked and there, There stood a girl no more than three, A blanket on her head, her eyes She thought we couldn’t see. Ah, but who? Oh, who was that girl? Oh, child, it was you! Oh, magic, magic child! You stayedwe smiled Lisa. Translated from the Russi an by Martin Bidney, based on Konstantin Balmont ’s translations of Spanish folk songs. Timothy LeFebvre, baritone Margaret Reitz, piano Daniel Fabricius, percussion Stephanie Le hman, percussion Sibongile Boyd, soprano Jennifer Groves, soprano Heather Montana, soprano Paul Goldstaub, conductor Martin Bidney, who taught for 35 years at Binghamton University, has translated, from the Russian, K. D. Balmont ’s Love and Hate: Spanish Folk Songs (19 11 ), the source of the vocal texts chosen by Paul Goldstaub for his song cycle. Prof. Bidney earned an M.A. in Slavic Litera tures at Harvard before ta king the Ph.D. in English at Indiana University, and a fourth of his 90 articles ha ve dealt with Russian authors. He writes a poem (usually a sonnet) every day of his life and sings in the U niversity Chorus; he’s also a classical violinist and folk ﬁddler playing in Celtic and klezmer and other traditions. The brevity and energy of the micropoems, combined with their melodic sweetness, makes them a pure delight to read either in Russian or in Spanish. As Emanuel Geibel’s translation of Iberian verses led to the wonderful Hispanisches Liederbuch composed by Hugo Wolf a century ago, so the English renderer of these little folk gems has felt honored to work with a highly imaginative composer of the present day. Paper Wings When I was young, I lived in G reece with my mother. That’s right, Greece. We lived in a house, a house with a great big balcony. And Signorina, Signorina, Signorina was my nanny. One day, Signorina made me wings out of paper That’s right, pa per wings. And for days and days I pretended to ﬂy, to ﬂy, Over the rooftops of Athens. Mitten Smitten . My uncle Tim, he once gave me some mittens. They were from “lndya,” and very special. But I was small and I’d never seen anything like them. Where were the ﬁngers? I put them on.....Strange... �A Route to the Sky ! 1 My mother taught me to ﬂy, not even knowing she had done so. I climbed on the roof, a complicated route to the sky But the ﬁremen got me down, Oh, the ﬁremen got me down! Lisa was eight when she climbed through a window Out onto the roof, Oh! When I saw how she’d done it I nearly fainted. So I went out after her. “Lisa, don’t move!” Then we were both stuck. Two trucks an ambulance, Two station wagons of rescue teams came to t he house. And the ﬁremen got us down, Oh, the ﬁremen go us down! Pippa ’s Song The year ‘s at the spring, And day ‘s at the morn; Morning ‘s at seven; The hillside ‘s dewpea rl’d ; The lark ‘s on the wing ; The snail ‘s on the thorn; God ‘s in His heaven, All ‘s right with the world. v Frederica von Stade Robert Browning Take Me Back Take me back. Take me back up the hill. Take me back to my grave. Wait! One more look. Goodbye. Goodbye, world. Goodbye Grover’s Corners. Mama, Papa, goodbye. Goodbye to ticking clocks, to mama ’s hollyhocks, to coﬀee and food, to gratitude. Goodbye, goodbye world. Goodbye to ironed dresses, to George’s sweet caresses, to my wedding ring, oh ev’ry thing. Goodbye. Goodbye, world. Does anybody ever realize life while they live it, every minute of it, every moment of it? Oh, earth, you are too magical for anyone to know your miracle! Oh, take me back. Take me back up the hill. Take me back up the hill. The Glance Up ahead, I know, he felt it stirring in himself already, the glance, The darting thing in the pile of rocks, Already in him, there, shiny in the rubble, hissing Did you want to remain Completely unharmed? The pointofview darting in him, shiny head in the ashheap, Hissing Once upon a time, and then Turn now darling give me that look, That perfect shot, give me that place where I ’m erased. . .. The thing, he must have wondered, could it be put to rest, there, in the Glance Jorie Graham Excerpt from “Orpheus and Eurydice” Sometimes I Feel Like A Motherless Child In a Gondola The moth’s kiss, ﬁrst! Kiss me as if you made me believe You were not sure, this eve, How my face, your ﬂower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide ope I burst. The bee’s kiss, now! Kiss me as if you enter’d gay My heart at some noonday, A bud that dares not disallow The claim, so all is render’d up, And passively its shatter’d cup Over your head to sleep I bow. ’ Sometimes I feel like a motherless child a long way from home. Sometimes I feel like I ’m almost gone along way from home. Sometimes I feel like a motherless child a long way from home. �Every Evening Didn ’t My Lord Deliver Daniel? If I knew, my dearest life, The rose falls asleep, Your heart and mine Took counsel together And both have decided They can’t live apart. Into the well of envy I lowered myself to drink. I drank my ﬁll of en vy, But thirst I will always have. Great Day Your eyes are azure. Your eyes are blesséd. My own look and pray And they ask for yo ur mercy. I fell in love at night. The moon told me a lie. If ever I fall in love again – Only at daytime, in sunlight. Great Day! Great Day the joyous marching God’s gonna build up Zion’s walls. You are the pink of April And you the rose of May, The moon of January, And I beneath your spell. When I got the message That you do not love me, Don’t suppose I drowned myself, The water was too cold. You’re brighter than the sun so bright, More white than whitest snow. You are the Alexandrian rose That blooms the year around. Just go, I do not love you, My love is gone for good. I ’ve swept you from my heart With a cleansweeping broom. Sing a song, and I’ll sing too, Little bird on greening bough, Sing a song, and I’ll sing too, Everyone should sing that loves. Out of my sight! I loathe you as much as A mortal sin. If I possessed a thousand lives I ’d give them to you all at once. I ’ve only one life take it, But take it a thousand times. Oh, if God would hear me, And if stones could wail And if you could only know: Revenge how much I crave it! Hurray, you looked at me! Hurray, I looked at you! Hurray, you love me now! Hurray, now I love you! Morning there I am, at Mass, Praying in the church, Oﬀering my gratitude For being rid of you. Sleep, my little baby, You are barely seen, Sleep, my little star Shining before the dawn. Yes, it’s true I loved you, right. Stupid to deny it. If you Live to be a hundred, though, To me you are a corpse. Didn’t my Lord deliver Daniel and why not every man? That you ’re listening to me, Like a nightingale I ’d sing Till the morning rays arise. He delivered Daniel from the lion’s den, Jonah from the belly of the whale. And the Hebrew children from the ﬁery fumace, and why not every man? The wind blows east and the wind blows west, it blows like the judgment day and every poor soul that never did pray will be glad to pray that day. I set my foot on the gospel ship, the ship it began to sail. It landed me over on Canaan’s shore and I’ll never come back any more. Didn’t my Lord deliver Daniel and why not every man? Chariot rode on the mountain top My God spoke and the chariot stopped. This is the day of Jubilee The Lord has said that this will be. Ohsing with joy and praise His name Heaven’s Love is ours to claim. We want the brave hearted in our band To march out boldly in the land. We love the Lord for He is good He’ll free us like He said He would. Great Day! God’s gonna build a Great Day! 0 Gleaming with dew. Night ’s coming on : Sleep, my child. Away from my eyes, �I don’t have anything of yours, And if I did I ’d toss the thing into the ﬁre So it would burn. ABOUT T H E PERFOR MERS T I M O T H Y L E F E B V R E , baritone, has appeared in concert with the The shoes that I wore out I tossed into the mud. If someone wants to put them on, l hl } What is that to me? Go and tell your mother To comb your hair and wash you, Give you milk again, and food, And bring you up to be a man. I thought that love Was but a toy, But now I see You go through death. I can’t see in the window now The things I sa w before. The window I am looking through Opens on loneliness. Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has also a ppeared in concert at New York’s Camegie Hall and Alice Tully Hall. Mr. LeFebvre is a winner of the New York Liederkranz Vocal Competition. Other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre’s operatic experience includes leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syra cuse Opera, Indianapolis Opera, and Ope ra Theater of Pittsburgh. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently on the faculty at Binghamton Unive rsity. M A R Y B U R G E S S , soprano, a graduate of the Curtis Institute of Music, I live without life, To live such a life. Alive, I ’m not living. Living, I die. Do not kill me, do not kill, Let me live. Let me live. Let me pass, let me pass Through the achings of this world. Every evening I know I will feel your eyes shine, And I’ll know every evening that you will feel mine. And so, truly the moon, in the nearness of night, Will be mirror for us, in oblivion’s light! Konstantin Balmont translated by Martin Bidney l } has been a member of the Binghamton University voice faculty for over twenty years. Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the C urtis Institute, and subsequently appeared with Santa Fe Opera, Washington Ope ra, New Orleans Opera, Nevada Opera, and many other regional companies including TriCities Opera in Binghamton. Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and with Dublin Grand Opera. Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. Her repertory of forty roles in ﬁve languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson. Her performances of Britten’s Les Illuminations and Mahle r’s Symphony No. 2 with the Omaha Symphony were ﬁlmed for broadcast by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. �Pianist M I C H A E L SALMIR S, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well kno wn as a recitalist and chamber musician. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres of works by David Liptak, Marek Harris and Paul Goldstaub. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. M A R G A R E T ( P E J ) R E I T Z , pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria. She was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001 and again 2006. She has been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was an oﬀicial pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College. She has been asked to play a concert this summer with the Glickman Trio in the United Kingdom at the IDRS Convention. She was selected to accompany at the Interpretation of Spanish Music conference, coached by Teresa Berganza, at the University of Madrid in July 2007, and at Mannes School of Music, 2008. She will be in residence at the Barcelona Festival of Song this summer in Spain as coach/accompanist. She is currently on the faculty at Binghamton University (since 1991) and Ithaca College School of Music (since 1999). DANIEL FABRICI US, percussion, has been a member of the Binghamton University faculty since 1992. He holds degrees from Mansﬁeld University and Ithaca College where he studied percussion with Richard Talbot and Gordon Stout. In addition to his work at BU, he has served as Director of Bands at Owego Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982, and also performs in popular, rock, jazz, and other styles. He has played as a freelance percussionist, accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothe rs, and Ella Fitzgerald. He is highly regarded in the region as a percussion soloist and ensemble player and has collaborated many times with Binghamton University organ professor Jonathan Biggers and with the Ithaca Brass. He has served the New York State School Music Association as an AllState Percussion adjudicator for many years and has presented many percussion or music education clinics at state conventions and confere nces. S T E P H A N I E L E H M A N , percussion, is in her second year at Binghamton University as a graduate teaching assistant while ﬁnishing her Masters degree in percussion performance. Here at Binghamton, she is very fortunate to be studying percussion under Dan Fabricius. Originally from Baldwin, NY she graduated from University of Delaware with a Bachelors degree in music education with a concentration in percussion. In Delaware she had the privilege of studying privately with Harvey Price, Jim Ancona and Orlando Cotto. At Binghamton she teaches fellow students, while practicing and performing percussion and vocal jazz. Last year, Stephanie competed in Binghamton’s concerto competition and was the winner in the Winds, Brass, and Percussion Division. She cannot thank all of her teachers, family, friends and loved ones enough for all of their help and support throughout her musical career. �S I B O N G I L E BOYD, soprano, hailed for her “lyrical and warm singing voice” (Hudson Valley Times HeraldRecord – July 29, 2008) and a cum laude graduate of Harvard University, made her operatic debut with Harvard’s Dunster House Opera as Yvette in Puccini ’s La Rondine and later appeared as Barbarina in Mozart ’s Le Nozze di Figaro. She performed opera roles with the Shaker Mountain Performing Arts Festival, Natchez Festival of Music, and Cantiamo Opera, and gave recital and chamber performances at the Brooklyn Muse um of Art, the Sumner Muse um (Washington DC), and the Merck Concert Series (appearing with the Manchester String Quartet). In 2007, Ms. Boyd sang the role of Blonde in Opera Company of Brooklyn’s production of Die Entﬁihrung aus dem Serail after making her company debut as Monica in The Medium in 2006. Ms. Boyd is in her second year in the Master of Music program at Binghamton University, where she performed the roles of Gabriel and E ve in Haydn ’s The Creation. Recent performances include Zerlina in Delaware Valley Opera ’s production of Don Giovanni and her solo recital debut at Bargemusic (Brooklyn, NY) featuring the works of Fauré, Ravel, Mozart, and Rorem. Ms. Boyd will be appearing at the Dweck Center for Contemporary Culture (Brooklyn Public Library) in February 2009, presenting a solo recital of spirituals. J E N N I F E R G R O V E S , soprano, is in her ﬁrst year of the Master of Music in Opera program at Binghamton U niversity. She has recently appeared with TriCities Opera in their 60” Anniversary Gala as the Second Lady (The Magic Flute). Other TCO credits this season include the Page in both Amahl and the Night Visitors and Rigoletto. Ms. Groves graduated in Spring 2008 from S UNY Geneseo with a BA in Vocal Performance and Interpersonal Communication. Ms. Groves has performed with Merc ury Opera Rochester in La Bohéme, Amahl and the Night Visitors, Norma, and L ’elisir d ’Amore. Other credits include solo recitals in Geneseo, NY and Pawling, NY. Upcoming performances include Miss Pinkerton in Menotti’s Old Maid and the Thief with TriCities Opera. H E A T H E R M O N T A N A , soprano, hails from Utica, N Y , where her warm, fresh voice has been pleasing audiences for years. Ms. Montana, a cum laude graduate of Hamilton College, is currently pursuing a Master of Music degree in Vocal Performance at Binghamton University, where she studies with Timothy LeFebvre. She has most recently appeared as Buttercup in H.M.S. Pinafore (Earlville Opera House, Earlville NY), and as Kate in Kiss Me, Kate! (Hamilton College, Clinton NY). Ms. Montana has also been heard as Bazzard in Drood: The Mystery of Edwin Drood and as Fiametta in The Gondoliers at Hamilton College, where she was a member of the College Choir, College Hill Singers and Oratorio Society. She has appeared recently as a recital soloist for Utica Monday Night’s Classical Performance series at the Stanley Theater. Winner of ﬁrst prize at the Central New York/ Finger Lakes Regional National Association of Teachers of Singing Competition and at the B# Musical Club scholarship competition, Ms. Montana was the soprano soloist in Messiah in Rome, NY. ABOUT THE COMPOSERS T O M E K R E G U L S K I is a second year Master of Music student at Binghamton University, studying music composition in the studio of Dr. Paul Goldstaub. His song, “The Glance,” is receiving its third performance today. Premiered in April 2008 during an online web conference between composition students at BU and the Manhattan School of Music, its ﬁrst public performance was in October 2008 in Casadesus Recital Hall. Tomek received his BA in Music at Hartwick College, studying composition under Dr. Thomas Licata. His thesis composition, “Beauty Lost,” was the second place recipient of the prestigious Freedman Prize, a competition open to all students in their senior year, for which Mr. Regulski received a $3,000 grant for hiring professional musicians to perform the composition at his senior recital. In addition to studying composition, Tomek has been studying Hindustani Classical Music on the sitar for three years under the guidance of Acharya Roop Verma. As a culmination of his studies he is giving a recital on Saturday, May 9 at 8:00 p.m. in Casadesus Recital Hall. C H RI S T O P H E R M O R G A N LOY, composer–pianist, has a catalog of compositions which includes works for piano, voice, chamber ensembles, chamber orchestra, full orchestra, and chorus. He earned the Doctor of Musical Arts in composition from Cornell University in Ithaca, New York in 1993. Since the 1980’s Loy has received over 25 commissions from members of the Detroit Symphony Orchestra, St. Paul ’s Episcopal Church in Cleveland Heights, the Sage Chapel Choir of Cornell University in Ithaca, individuals and professional musicians. In 1998, 2001 and 2008, he received the New York State Council on the Arts Decentralization Program Grant to compose his Serenade, String Quartet # 1 and Poetic Rejuvenations – a largescale work integrating poetry and music composed for ﬁve players and poet. Each year Loy produces concerts in which he premieres new works of his, along with works of other composers. His works have been heard and premiered in Cleveland, Detroit, Houston, New York, San Francisco, San Antonio, and Ithaca. He teaches Theory and Composition at Binghamton University, and serves on the faculty of the Community School of Music and Art (CSMA) in Ithaca, NY. He is organist/ pianist at the First Baptist Church of Ithaca. Dr. Loy writes: “I consider the ﬁve volumes of Spirituals I have set to be new compositions – not just arrangements. The formal structure, harmonic and technical ingenuity, and loving care that went into the creation of these works justiﬁ' their classiﬁcation as art songs. The Spirituals were inspired by and are dedicated to my wife, Ernestina Snead.” �Professor P A U L G O L D S T A U B ’ S compositions have been performed at Lincol n Center. Carnegie Hall. and in Canada. Great Britain, Japan. Germany, Russia and Italy. A national ﬁnalist in the St. Paul Chamber Orchestra ’s American Composer Competition. he has been awarded grants by the National Endowment for the Arts. the National Endowment for the Huma nities, Meet the Composer and the Minnesota State Arts Board. and is an annual ASCAP awards recipient. In November. his composition. Swan. was awarded second prize in the national Ithaca College Choral Composition Competition. A specialist in creativity, he has presented papers and conducted workshops on music improvisation at many colleges and conservatories. and at the SU NY conference on creativity at the Fashion Institute of Technology in New York. At Binghamton, he directed last year’s online distance learning project with the Manhattan School of Music. creating live interaction between composition students at both schools. Goldstaub earned the Doctor of Musical Arts and Master of Music degrees at the Eastman School of Music. and a Bachelor of Music degree at Ithaca College. He has held positions at Ithaca College. the CollegeConservatory of Music of the University of Cincinnati. Minnesota State University at Mankato and Eastern Michigan University. His work on Every Evening is featured in the 2009 edition of Binghamton Research magazine. His publishers include Roger Dean Publishing Company. LawsonGould Music. Ken Dorn Publications, and the International Trombone Associat ion Press. W S K G Public Broadcasting Your source for locally hosted Classical, Folk ¢ ’Jazz Radio and for pressin ‘ wlurz’ng the A rt 57 Artists of the Southern Tier Thursdays on WSKG Television E wskg.org K wskg TV « WSKG Radio * WSQX 91.5 rm » �: S T E " , / J A H r f / / / , « , / 1 f t c o F ' a , e r _ / / _ _ / § < ‘ / t ; / _ , / / ' / ’ ? / i f f 4 Bach Celebration!!! ’ The Complete Organ Yorks ’ E 1.4 = : . a4 JONATHAN BIGGERS, ORGAN The third concert of the series and dedication of the new Hellmuth Wolﬀ m yn M H M o n & mm ym e m yn ms d d w U W M U q un mmmmm th Tues, February . & Friday, February 27” at 8pm M a y 1 « 8 :00 M a y 3 + 3 :00 V5 T GQ = r s w e } e . : First Year Series Final Concert will be held on March 21+ at First Presbyterian Church, Binghamton lary ; ‘_ a Y : a . B . I H. , L S . Fine Arts Building, Room 21, Binghamton University A Pa yor HEdike ' The Forum Theatre 236 Washington Street » Binghamton, NY For tickets call 807772–0400 or visit us online at immutncmeso P F ra.com. . . Seats are limited. I t is r e c o m m e n d e d nformation, visit T O N 777ARTS tickets. For more i B I N G H A M 1 T Y theBinghamton University Musi Department’s U N i l . V g R s ‘ . STATE UNIVERSITY O F NEW YORK E *a ; m5 lm Cmmi pﬂk‘ueﬂﬁwnﬁMkaSul ns made vaponﬁwﬂi nedp .enFicyl i.dFeus O Choteu nty Astr, a SC1o rogram P Fs p A veolpmen t Funds’ T v–nfran’n–m D iedc ,tnioi pumh proovddu ndnipegsr pr t a tasu Genanl 0 1 T H p n ﬁ d d w T a n h C y n b y g m n i t h d r d c d u d E n l m p m q ’ n d d – B r n o m . cocperston New York Sure Council no the Ata. website at must bin g hamtonedu, . . H S Q P T �( S e i (els S a t u r d a y, F e b r u a r y 2 1 ° A Russian Fantasy for Two Pianos with Ewa MackiewiczWolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall rganist Jonathan Biggers – A Bach S u n d a y, F e b r u a r y 2 2 ™ O Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sol d O ut) gers A Bach Tuesday, Fe b r u a r y 2 4 ” Organist Jonathan Big Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ idDay Concert, 1:20 PM FREE Thursday, February 2 6 ” M Casadesus Recital Hall Reynolds, trombone, Thursday, Fe b r u a r y 2 6 ” Guest Artist: Dr. Hal Casadesus Rectal Hall, 8:00 PM, FREE Fr i d a y, Fe b r u a r y 2 7 ” Organist Jonathan Biggers – A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ Thursday, March 5 MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Thursday, M a r c h 5 Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$ Orchestra: Echoes of the Saturday, March 7 ” University Symphony East Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ hony, 3:00 PM, FREE S u n d a y, M a r c h 8 ” University Wind Symp Anderson Center Chamber Hall idDay Concert, 1:20 PM FREE Thursday, March 1 2 ” M Casadesus Recital Hall For ticket information, please call the Anderson Center B o x O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:19:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148803">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148803</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova, February 15, 2009 Recital Tape 2009-2-15 Description An account of the resource Works of Heggie, Regulski, Rorem, Loy, Goldstaub. Held at 3:00 p.m., February 15, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Burgess, Mary Salmirs, Michael Reitz, Margaret Loy, Christopher M Fabricius, Daniel Lehman, Stephanie Boyd, Sibongile Groves, Jennifer Montana, Heather Regulski, Tomek Bidney, Martin Goldstaub, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1c29badc0acc254d16a29dd1fe23e155.pdf f27db51f5f28cd96015c871667f0c087 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York Univ Po idee 4 : ~ D E P A R T M E N T 260)I A Y ‘ MUSICA NOVA F E A T U R I N G P E R F O R M E R S AND C O M P O S E R S O F N E W M U S I C Wendy Wa nK i Lee piano a n d com pose r Georg etta M aiolo ﬂu t e Pa u l Gold sta u b piano a n d com poser with guest artists E ric Ross t he re m i n, k e y boa rds, g u ita r a n d vocals M a r y Ross v ideo a rt ist S u nd a y, Fe b r u a ry 1 1 , 2007 3 :00 p m C asade sus R ec ital H al l �OUR GUEST A R T I S T S P ROGRAM Pastorale a o e Eric Ross “has excited audiences with his ﬁery virtuosity and innovative work” (Washington Post) and has performed concerts of original works at Lincoln Center, Kennedy Center, Brussels Palais des Beaux Arts, at Newport, Montreux, North Sea, Berlin, Copenhagen, Prague Jazz and New Music Festivals and Gilmore lntemational Keyboard Festival among others worldwide. For over twenty years he has led his ensemble that featured jazz giants, John Abercrombie, Larry Coryell, Andrew Cyrille, Oliver Lake, Leroy Jenkins and others. He performs on piano, guitar, synthesizers, and is a Master of the Theremin, one of the earliest electronic instruments. The New York Times calls his music “a unique blend of classical, jazz, serial and avantgarde.” c i v e s i i n n s s i n a n i o n a r s n i n s n n n e s s G o l d s t a n b Georgetta Maiolo, ﬂute Brandon Unger, sound design Mario Davidovsky Synchronisms #6 for piano and electronic sounds (Winner of t h e Pulitzer Prize for Music, 1971) Wendy WanKi Lee, piano Eric Ross began playing the theremin in 1975, and has performed on radio, ﬁlm and TV. He ’s written an Overture for 14 Theremins playing simultaneously, and gave the world premiere of Percy Grainger ’s Free Music No.l in New York City in 1997. Since 1976, with wi fe, Mary Ross, he’s presented multimedia performances of video, music, dance, ﬁlm and computer art. He ’s also played with blues legends Champion Jack Dupree, Lonnie Brooks, Sonny Terry and Brownie McGhee. In May, 2006, he was guest artist on the No.1 best selling CD album in Japan, Aqi Fzono’s “Cosmology”. Fantasy................................................................Wendy WanKi Lee Improvisation for Two Pianos Wendy WanKi Lee and Paul Goldstaub WINTERMISSION®3 Passage/or Theremin (Op. 5 3 L ) r i c Ross Eric Ross, theremin Rimn Vornl (Op. 37) Eric Ross and Mary Ross A multimedia piece, composed and improvised Mary Ross, video artist Eric Ross, theremin, keyboards, guitar and vocals Wendy WanKi Lee, piano Paul Goldstaub, piano and assorted objects + He has lectured on the theremin, piano, guitar, and electronic music at colleges, universities and schools in the USA and Europe. He was Master Teacher at the First International Theremin Festival and 1s considered to be the foremost authority on Frederick W. Riesberg, Franz Liszt ’s last pupil. Eric Ross was a personal friend of inventor Robert Moog, theremin virtuoso Clara Rockmore, and met and played for the inventor of the instrument, Professor Lev Termen, in 1991. He ’s drawn inspiration from them to continue developing the Theremin as a voice in his own compositions. �ABOUT T H E PERFORM ERS Mary Ross is a ﬁne art photographer and professional media artist. While many artists were exploring video’s timebased characteristics in the early 1970 ’s, she began using video and computers to produce still images on ﬁlm. As one of the ﬁrst ﬁne art photographers to do so, her photographs provide some of the carliest examples of how photography, video and computer technology converged in the 1970 ’s, emerged in the 1980‘s, and eventually evolved into contemporary digital photography. She has exhibited extensively at galleries and museums in the United States, Europe, Israel and Japan. Her photographs are in the permanent collections of the Kunsthaus, Zurich; International Polaroid Collection; Herbert Johnson Museum of A rt at Comell University; King’s Library, Copenhagen, Bibliotheque Nationale; Paris and the Lincoln Center Library Da nce Collection in New York City. Georgetta Maiolo is a mem ber the faculty at Binghamton University and Broome Community College, teaching Flute and directing Flute Ensembles. She also taught ﬂute at West Virginia University and Ithaca College. Mrs. Maiolo is a graduate of Duquesne University, and attended graduate school at West Virginia University. She studied with Bernard Goldberg, principal ﬂutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At the age of 15, she made her solo debut with the Pittsburgh Symphony. Mrs. Maiolo is the recipient of numerous honors, including the NCM EA National music award, the Pittsburgh Tuesday Musical Club, the Enola M. Le wis Scholarship and the Mu Phi Epsilon Sterling Achievement Award. Mrs. Maiolo is the principal ﬂutist of th e Binghamton Philharmonic Orchestra, TriCities Opera Orchestra, Southern Tier Concert Band and Downtown Singers Orchestra. She has premiered compositions by Jack Martin, Dan Locklair, Edith Borroﬀ, Malcolm Lewis, Richard Herman, Jeﬀrey Nitch, Timothy Rolls and Paul Goldstaub. She is a clinician for the Selmer Company and has recorded for Crest Records and NPR. W e nd y Wa nK i Lee is currently an Assistant Professor of Music at Binghamton University. She has held teaching appointments at the Oberlin College Conservatory of Music and University of Michigan. She received her graduate degrees (Ph.D., M.M.) in Music Composition and Theory at the University of Michigan, and a Bachelor of Music Composition from the University of Toronto. She is the recipient of grants and awards from the Government of Canada, University of Toronto, Center for Chinese Studies, International Institute, and School of Public Health at the University of Michigan. �Wendy’s compositions and folk music arrangements have been per formed at music festivals at A spen, Banﬀ, and Orford (Québ ec City), and in the United States, Canada, China, Korea, Malaysia, Singapore, and Taiwan. Her new piece for euphonium and piano, commissioned by Benjamin Pierce, will be premiered at the University of Arkansas in October 2007. Wendy has presented papers and lectures at national a nd intemational conferences, an d at the University of Cambridge, Eastern Illinois University, Western Michigan University, University of Western Ontario, and Agnes Scott College. Her research interests include music by Chinese composers such as Chen Qigang, Chen Y i, and Bright Sheng. As a pianist, Wendy received t he Fellowship and Licentiate of the Trinity College of Music in London, and a Diploma for the Associateship in Piano Performer of the Royal Conservatory of Music in Toronto. An advocate of new music, Wendy has prem iered many pieces by living composers and collaborated with numerous conductors, performers, and con temporary music ensembles. Associate Professor Pau l Goldstaub ’s compositions have been performed by the Guthrie Theater, the Minnesota Opera and the Cincinnati Opera; at Lincoln Center and Camegie Hall ; and in Canada, Great Britain, Japan, G ermany, Russia and Italy. His comic opera, The Marriage Proposal, based on Chekhov, was produced oﬀoﬀBroadwa y. A national ﬁnalist in the St. Paul Chamber Orchestra’s American Composer Competition, he has been awarded grants by the Nat ional Endowment for the Arts, the National Endowment for the Humanities, Meet the Composer and the Minnesota State Arts Board. He is also an annual ASC AP awards recipient. A specialist in creativity, he has presented papers and conducted workshops on music improvisation at the Oberlin Conservatory, Syracuse University, St. Olaf College, the Crane School of Music at SUNY Potsdam, and at the SUNY conference on creat ivity at the Fashion Institute of Technology in New York. Goldstaub earned the Doctor of Musical Arts and Master of M usic degrees at the Eastman School of Music, and a Bachelor of M usic degree at Ithaca College. He h as held positions at Ithaca Coll ege, the CollegeConservatory of M usic of the University of Cincinnati, Minnesota State University at Mankato and Eastern Michigan University. Binghamton University faculty, including Bruce Borton, Janet Brady, Peter Browne, Mary Burgess, Michael Carbone, Dan Fabricius, Al Hamme, April Lucas, Ewa MackiewiczWolfe, Georgetta Maiolo, ChaiKyou Mallinson, Timothy Perry, Marga ret Reitz, Stephen Stalker and Brian Stemberg, have given many of his works their local or world prem ieres. His latest composition will be premiered by the University Orchestra, under the direction of Dr. Perry, on March 3, 2007. His publishers include Roger Dean Publishing Company, Lawson Gould Music, Ken Dom Publications, and the International Trombone Association Press. Brandon Unger is a senior Music major at Binghamton University. He is currently focused on com posing, studying with Dr. Goldstaub, and has a very deep interest in recording and engineering. He looks forward to continuing his studies in music after Binghamton University in graduate school. �Sat u rd a y, Fe b r u a ry I 7 – Mas ter ’s Rec ital : A m y DeL eo, so pra no – 3 :00 p.m . – Casadesus R ecital Hall free Anderson Sat u rd a y, Fe b r uary I 7 – La Sa xopho ne a nd F riends 8:00 p.m. – rs; $7 /senio Center Chamber Hall SIS general public ; $13 facult y/staﬀ students s Recital Th u rsda y, Fe b ruary 22 – Mid Day C oncert – 1: 20 p.m. – Casadesu Hall free Micha el Sat u rd a y, Fe b r ua ry 24 Facul ty Recit al : Ja n e y Cho i, violin a nd c; $7 Salmirs, pi ano – 8:00 p.m. Casadesus R ecital Hall $9 general publi facult y/staﬀ/seniors; free for student s S und a y, Fe b r u a ry 2 5 – Unive rsity W i nd Ensem ble : A World p.m. Anderson Center Chamber H all free To u r – 3 :00 Hall Thursday, March 1 – M idDay Concert – 1:20 p.m. Casadesus R ecital free Osterhout Sat u rd a y, M a rc h 3 – Unive rsity S ym phon y Orc hest ra 8:00 p.m. dents Concert Theater S9 general publics ; $7 faculty/ staﬀ/seniors ; free for stu ma r Ol ivei ra, S u nd a y, M a r c h 4 – A bsol ut(e ) R ussia n with specia l g uests E l Chamber violin and Sand ra Robbins, viola 3 :00 p.m. Anderson Center Hall $25 general public ; S20 facult y/staﬀ/seniors; $1 0 students ecital Hall T h u rsd a y, M a r c h IS – M idDa y Co n c e rt 1 :20 p.m. Casad esus R free F rid a y, M a r c h 16 – Mate r ’s Recita l : A k i ra Ma ezawa , viol in – 8 :00 p.m. Casadesus R ecital Hall free Sat u rd a y, M a rc h 1 7, Ma ster‘s Recit al : M i riam W righ t, sop ra no 3 Casadesus R ecital Hall free Sat u rd a y, M a rc h 1 7 – H a r pu r C hora l e a n d Wo men ’s C hor us Anderson Center Chamber Hall Free S m a . :0 0 p.m. 8:0 0 p.m. : ecital Hall Th ursda y, Ma rc h 22 – Mid Day C onc ert 1 : 20 p.m. Casadesus R free 8 :00 p.m. Frida y, Marc h 2 3 – Neil Berg‘ s 1 00 Y ears of Broad way $25 public ; general $30 Theater Concert Osterhout Theater and faculty stall~ s eniors alum ni. $ 1 0 students ( A Beneﬁt tor the Music Athlet ic Departments) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:10:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196759">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196759</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova: featuring performers and composers of new music, February 11, 2007 Recital Tape 2007-02-11 Description An account of the resource Held at 3:00 p.m., Feb. 11, 2007, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lee, Wendy Maiolo, Georgetta Goldstaub, Paul Ross, Eric Ross, Mary Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-02-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 8637c79c-9e9f-4d30-9ac2-776823539f54