127 10 1775 https://omeka.binghamton.edu/omeka/files/original/a05129bdf0399484699e3202ff29bef3.pdf bb459fe88ef0381200e1221e0e8938e2 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of N ew York '.r _' v A L C wdec ‘ 2009 ’ D E P A R T M E N T University Symphony Orchestra “Top Talent” Winners of the 20072008 Concerto & Aria Competition Timothy Perry Music Director and Conductor Saturday, March I , 2008 8: 00 p.m. Osterhout Concert Theater �The Binghamton University Department of Music presents the University Symphony Orchestra Timothy Perry, Director and Conductor, “Top Talent ” Winners of the 20072008 Concerto & Aria Competition Saturday, 8:00 P. M. Osterhout Concert Theater March 1, 2008 Binghamton University Program Concerto No. 2 in F minor, Op. 21 ....................... Frederick Chopin 1. Maestoso (18101849) Nicole Hsien Yu Hsu, Piano Souvenir de Ballet, Op. 100 Griﬀin Sargent, Violin I Charles de Beriot (18021870) Concerto for Marimba and Strings.............. ................ Ney Rosauro II. Lamento (Lament) (b. 1952) IV. Despedida (Farewell) Stephanie Lehman, Marimba INTERMISSION Micaela ’s Aria “Je dis, que rien ne m ’epouvant (Carmen, Act 111) Georges Bizet (18381873) LaToya Lewis, Soprano ‘Russian Easter Festiva l’, Op. 36 Nicolai RimskyKorsakov (18441908) Thank you for attending today’s concert and supporting our student musicians. Please join the University Orchestra. C horus and soloists on Sunday, A pril 1 3 ” as we conclude the season with a performance of Haydn ‘s evocative oratorio ‘The Creation '. �A bout th e Music Chopin’s Concerto in F minor, though numbered second, was composed in 1829, a year before the ‘ﬁrst’ concerto in E minor. Indeed, Chopin completed all six of his composition for piano and orchestra by the age of twentyone (1831). It is ﬁrst and foremost a display piece for the soloist, the orchestra relegated to a few stirring tutti passages and an occasional wind instrument soloist trading themes with the p iano. The piano writing is, however, exquisite. These early works stand at the boundary between Classical and Romantic musical languages, the form more conventional, (although there is no cadenza) with the harmonic scheme advanced for its time and quite daring. The marchlike theme alternates between the robust masculinity of the orchestral tuttis and a dreamier feminine side, especially in the second subject introduced by the oboe. In spite of some unease with the orchestral m ilieu in which it ﬁnds itself, the concerto’s opening movement delights with a mixture of bravura and introspection. CharlesAuguste Bériot rose from hum ble origins to become one of Belgium ’s most celebrated violinists and teachers. A renowned virtuoso, de Bériot worked as violinist to the k ings of France and the Netherlands. H e concertized for m any years with the celebrated soprano Maria Malabran (later his wife) and piano superstar Sigismond Thalberg. Eventually, de Bériot succeeded his teacher as Professor of Violin at the Brussels Conservatory. Numerous health problems led to an early end of his performing career, but de Beriot continued work as a composer for his instrument, completing ten concertos, numerous set of variations and contributed much useful teaching material for his instrument. The idiomatic Scene de Ballet, Op. 100 is one of the few works of the composer in print. It brilliantly captures the conventions of ballet scenes of the period with an astounding array of virtuoso bowstrokes and triplestop chords. Since its 1986 prem iere, Ney Rosauro’s ﬁrst Concerto for Marimba has become the world’s mostperformed work for the instrument. Rosauro, himself a virtuoso percussionist who now directs Percussion Studies at the University of Miami, incorporates elements of the popular, classical and jazz music of his native Brazil throughout the work, making full use of fourmallet technique throughout the plaintive Lament, while utilizing both chordal and intricate singlemallet passages throughout a recurring bar structure of 6/82/46/83/4 in the jazz tinged ﬁnal Farewell movement. Micaela’s third act aria from Carmen “I say that nothing terriﬁes me” seems to many modern o peragoers an impediment to the forward action of the story of the soldier (Don José) gone astray for love of the wild virago who is Carmen. It occu rs at the emotional tippingpoint whe re we see that Don José will follow the seductive Carmen to the tragic end of their aﬀair. In the midst of what seem ed at the time a squalid cast of characters, the imposition of this pure (one critic called her ‘goodygoody’) individual provided Carmen with what must have seemed a needed moral and religious counterweight to soothe the more socially upright members of Bizet’s a l audience. Steadfast in her love and calling for divine courage and protection, Micaela ’s pleas will be nonetheless rejected. Only the news of his mother’s impending death (after the aria) suﬀices to move the doomed corporal to return – albeit temporarily – to the land of the lawful. Recitative .4 tr This is the smugglers usual refuge. He is here; I will see him, And the duty which his mother imposed on me without trembling, I will accomplish it. 1 say, that nothing terriﬁes me, I say, alas, that I take care of myself, But try as I might to be the brave girl, at the bottom of my heard, I’m dying of fright! Alone in this wild place all alone, I am afraid, l am wrong to be afraid ; you will give me courage, You will protect me, Lord! l am going to see up close that woman whose accursed artiﬁces Have ended up making a criminal of him whom I loved long ago! She is dangerous, she is beautiful, but 1 do not want to be afraid! No, no, I don’t want to be afraid! I will speak loudly in front of her! Ah, Lord, You will protect me! Ah! I say, that nothing terriﬁes me, Protect me! Oh, Lord! Give me courage! (Translation by Lea Frey) Nicolai RimskyKorsakov spent much of the year 1888 composing two works – Scheherezade and the Russian Easter Overture in which he sought to celebrate Russian and Eurasian themes and to escape the smothering inﬂuence of ‘creeping Wagnerism ’. The composer’s deep love for the music of the Orthodox liturgy inspired the use of several resurrection canticles of the ‘Obikhod’ as themes for the composition. We hear “Let God Arise ” and “An Angel Cried” in th e slow introduction and “Let them that hate Him ﬂee before Him” and “Christ is Risen” in the allegro section. In the center of the work the composer sets for solo trombone the priest’s reading of the glad tidings of the Evangelist. RimskyKorsakov was likewise intrigued by the ways in which the ancient pagan rituals had merged with those of the church. He wrote, “This legendary and heathen side of the Holiday, this transition from the gloomy and mysterious evening of Passion Saturday to the unbridled paganreligious merry making on the morn of Easter is what I was eager to reproduce in my Overture”. Even so, the solemnity of the work leaves one in little doubt as to the sincerity of the composer’s religious feelings. Here, in the brilliant orchestration that is the hallmark of RimskyKorsakov’s genius, is the ‘bright holiday’ (the popular Russian term for Easter) in all its glory, meant as one experiences it “ in the cathedral, with people from every walk of life” T. Perry �A bout the Perform ers Soprano, LA TOYA LEWIS, is in her second year of graduate study at Binghamton University. She studies under the tutelage of Mary Burgess and coaches with Diane Richardson. Ms. Lewis is also a Resident Artist with Tri Cities Opera. The roles she has performed include Praskovia in The Merry Widow, Donna Elvira in Don Giovanni and more recently Micaela in Carmen under the baton of Maestro Duane Skrabalak. She also studies with Peter Sicilian, Duane Skraba lak and Peyton Hibbitt. In the sum mer of 200 7, Ms. Lewis performed with the Utah Festival Opera in Logan, UT covering the role of C lara in Porgy and Bess. In her undergraduate study at Purchase College, Ms. Lewis performed Barbarina in Le Nozze di Figaro and Belinda in Dido and Aeneas. Previous com petitions in which Ms. Lewis has placed include: The Jenny Lind Competition and the Second Annual Charles A. Lynam Competition in 2006. Ms. Lewis has also been the soprano soloist in Vivaldi’s Gloria and the Bach Bminor Mass. NICOLE HSIENYU HSU, pianist, began her music education and piano lessons at the age of 7. At the age of 15, Ms. Hsu enrolled at ZhongZheng Music School where she studied piano performance with ShawYu Dong, San Jin Pong, and PeiLei Chen. She has given various recitals and received her Bachelor degree of Music in piano performance in Taiwan from ChiDu College. Ms. Hsu gave her debut solo recital at the Taipei Cultural Center in 2005, and was the keyboard division’s winner of the Binghamton University orchestra’s Solo Concerto and Aria Competition in 2007. She is currently pursuing her Master of Music degree in piano performance under Ewa MackiewiczWolfe at Binghamton University. STEPHAN IE J I L L LEHMAN is now continuing her ﬁrst year here at Binghamton University as a graduate teaching assistant while pursuing her Masters degree in percussion performance. She recently graduated from the University of Delaware with a Bachelors degree in music education with a concentration in percussion. While here in Binghamton, she is spending her time teaching fellow students while practicing and performing percussion and vocal jazz. She will soon be giving the ﬁrst of two degree recitals on March 16” at 3 p.m. In this recital, she will be performing Ney Rosauro’s famous “Concerto for Marimba and Orchestra” in its entirety as well as several other wonderful works of m usical art. GRIFFIN SARGENT is a junior year at Binghamton University. Double majoring in physics and mathematics, he has been playing the violin since he was 8 years old. He has participated in numerous string festivals and regional orchestras including SCMEA, NYSSMA, LlSFA, and NYSCAME. At BU, he keeps a busy music schedule, participating in symphony orchestra, a string quartet, and studio lessons. Apart from violin, he has studied music theory and learned the guitar. After he graduates he plans to explore the lucrative industry of risk analysis while continuing his favorite hobby of music. University Sym phony O rchestra Timothy Perry, Director Flute/Piccolo Erica Leo Valerie Spiller Missy Vold an Oboe/English Horn Maxwell Rosenberg Marissa Ludwig Clarinet Matthew Hassell Bethany Bonhoﬀ Gregg Ackerman Bassoon Daniel Bessel Eleanor Sonley French H orn Diana Amari Kristie Cum mings Alexa Weinberg Robert Muller Matt Rek Trumpet Daniel Fein Matthew Giglio Trombone Thomas Ignacio Tuba Katherine Winchell Timpani Caleb R. DeGroote Percussio n Amanda Jacobs Lee Vilinsky Violin I Akira Maezawa Jehwan Lee Janet Kim Hyobin Lee Xiang He Hyeyon Se o Erin Chang Elizabeth Sterling Jenny Raphael Rachel Jacobs YeWon Kwak Richard Goldman Erika Chin Violin ll Eric Lewis Clark Aileen Giselle Ra Eileen Tam Yang Hu Boaz Tingson Amy Honigsberg Dana Kerker Hemangi Shah Beth Vayshenker Kevin Acunto Christina Laube Andreana Ferro Viola Sarah Kuras Shane Thorn Sarah Sterling Jeﬀrey Kohn Joseph Giliberti Janet levins Alexandra Burkardt Danielle Sofer Kenneth Duge Victoria Brown Violoncello Holly Agar Gwang Yol Lee Jennifer Chen Dam Soh Emily Creo Stephanie Radzik Ryan Joyce Michael Lamb Daniel Copel Alexis Lear Contrabass Stephen Brooks Rachel Casey Owen Dombert David Katz Serena Murray Keyboard Karmi KnightWinnig Special Thanks to O ur Competition Judges Prof. Bruce Borton Prof. Paul Schleuse Mr. Hakan Hromek Orchestra Librarian Emily Creo The University Symphony employs rotating seating. SA Chartered 1966 �Sunday March 2 – South of the Border : Explorations (Lecture and Concert) with guest artist Makoto Naku ra, marimba, and Binghamton Philharmonic ComposerInResidence C arlos SanchezG utierrez – 3:00 p.m. – Anderson Center Chamber Hall – free. Cosponsored by the Music Department and the Binghamton Philharmonic. Th ursday, March 6 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall free — Saturday, March 8 – Hommage a Casadesus – 8:00 p.m. – Casadesus Recital Hall $9 general pubic; $7 faculty/staﬀlsen iors; $1 students Sunday, March 9 – Wind Symphony 3:00 p.m. – Anderson Center Chamber Hall – free Th ursday, March 1 3 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Saturday, March 1 5 – Senior Recital : Alexander Blitstein, tenor – 3:00 p.m. – Casadesus Recital Hall – free Saturday March 15 – Music of the World : Latin America ( Harpur Chorale and Women ’s Chorus) – 8:00 p.m. – Anderson Center Chamber Hall $9 general public; $7 faculty/staﬀ/seniors; free for students Sunday, March 1 6 – Master ’s Recital : Stephanie Leh man, percussion – 3:00 p.m. – Casadesus Recital Hall – free Sunday, March 1 6 – International Contem porary Ensemble – 3:00 p.m. – Anderson Center Chamber Hall $9.00 general public; $7 faculty/staﬀ/seniors; free for students Th ursday, March 20 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Th ursday, April 3 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Friday, April 4 – Master ’s Recital : Heather Montana, soprano – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 5 – Clarinet Studio Reci tal – 3 :00 p.m. Casadesus Recital Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound cassette 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:16:00 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. 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Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Top Talent," winners of the 2007-2008 concerto & aria competition, March 1, 2008 Recital Tape 2008-3-1 Description An account of the resource Held at 8:00 p.m., March 1, 2008, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Hsien-Yu Hsu, Nicole Sargent, Griffin Lehman, Stephanie Lewis, LaToya Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-03-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 19c1a72a-a9f0-4b50-a97b-586bcbc354a9 https://omeka.binghamton.edu/omeka/files/original/1e5a0e7790bf656f58639692de998cc5.pdf 36f9a2cac2c6c27185f75ab16ce4ff5f PDF Text Text BINGHAM TON UU N I E V E R S State University of New York [4 D E P A R T M E N T Hommage a Casadesus Celebrating th e life an d concert careers of th e F irst Fam ily of P iano, R o be rt Casadesus, an d their son J ean Casadesus Featuring Pianists ChaiKyou Mallinson, Margaret Reitz and John Covelli Saturday, March 8, 2008 8:00 p. m. Casadesus Recital Hall �Translations PROGRAM Gaspard de la Nuit is a collection of three poems by Aloysius Bertrand, and in his composition of the same title, Ravel wrote ton e poems expressing his impressions of these poems, the ﬁrst of which is Ondine (m ermaid). In his ﬁrst edition, Ravel includes a quote of Brugnot before the lines of Ondine. Johannes Brahms (18331897) Intermezzo in A major, Op.118, no.3 Rhapsody in G minor, Op. 79, No.2 Ondine Ondine (from Gaspard de la Nuit) ............................. Maurice Ravel (18751937) ChaiKyou Mallinson, piano 1 0 From Six Pieces pour Deux Piano Algerienne Sicilienne Francaise Espagnole I thought to hear a faint harmony to enchant m y sleep. And around me, like a murmur, spread the songs interspersed with a sad and tender voice. Charles Brugnot Les deux Génies Listen, listen! It is I, it is Ondine who touches with a spray the resonant panes of your window, lit by the gloomy rays of the moon: and behold, in waterypatterned silk robe, the mistress of the manor, who contemplates on her balcony the beautiful starlit night and the beauteous sleeping lake. .. Robert Casadesus (18991972) Each wave is a water sprite swimming in the current, each current is a path that winds its way towards my palace, and my palace is built aqueously at the bottom of the lake, in a triangle of ﬁre, of earth, and of air. ChaiKyou Mallinson, Margaret Reitz, piano Listen, listen! My father strokes the croaking water with a branch of green alder tree, and my sisters caress with their arms of foam the fresh isles of grasses, of water lilies, and of irises, or mock at the ﬂail and bearded willow ﬁshing with a line. INTERMISSION Her song murmured, she begged me to place her ring upon my ﬁnger, signifying my marriage with an Ondine, and to accompany her to her palace, to become a king of the lakes. And I replied that l loved a mortal; she pouting, vexed, shed some tears, burst into laughter, and vanished in a sudden shower that trickled in white rivulets the length of my blue windowpanes. Videotape: Excerpts from “The First Family of the Piano” (Filmed for the Bell Telephone Hour in 1967) Introd uced by Dr. H arry B. Lincoln, professor emeritus Concerto no.7 in F Major, K 242 Allegro Adagio Rondeau .. W. A. Mozart (1 7561 791) Margaret Reitz, J o hn Covelli, piano ChaiKyou Mallinson, orchestral red uction Translations, ChaiKyou Mallinson t t “ i t t t t t t t t t t t ‘ t t t t l ‘ t l t t t t t t ﬁ t t t t t t i t t t L l A bout the Music A few years ago Christine Lindsay gave me a cassette tape of Jean Casadesus’ unedited performance of Brahms and Schumann’s pieces sent by Jean’s younger brother Guy Casadesus from Paris, France. Upon listening to the magniﬁcent tape, 1 suddenly realized how much I missed hearing Jean perform. Margaret Reitz (as a high school student) and 1 (as a university student) both enjoyed studying with Jean. To remember Jean and his parents, who were frequent visitors to Binghamton University (SUNY at Binghamton, in those days), we decided to put together a program that recalls them Jean as our adored teacher, Robert as a composer, and all as splendid performers, friends and loving family members. Jean loved Brahms for his rich harmony and unbridled romanticism. Hence, I �Testimonials decided to play the Brahms pieces. And he always enjoyed playing and also listening to French composers. Maurice Ravel was by 24 years the senior of Robert Casadesus, but 1 am sure that they were acquainted. So I decided to play Ravel’s piece. Robert Casadesus published his twopiano piece entitled “Six Pieces pour Deu x Pianos” in 1938, with a dedication to Mademoiselle Gabrielle L’Hote (his wife Gaby’s maiden name). Gaby lived in Algeria from 1903 to 1 911, which she often recounted as her happy eight years. The six pieces depict the women of Algeria, Russia, Sicily, F rance, Spain and England. Our performanc e tonight will be the premier in this region of the four pieces we selected from this work. Again Christine Lindsay, who was, along with h er husband Kenn eth (former head of the Fine Arts Dept.), one of th e best friends of Jean Casadesus’ family, kindly let me view the videotape of the “F irst Family of th e Piano” some years ago. And I very much wanted to share the ﬁlm with the audience. Dr. Harry Lincoln, who was a colleague of Jean when he was here, generously accepted the in vitation to speak for the ﬁlm showing. E Some thoughts concerning J ean Casadesus and his family at Harpur College i I i I 1 1 was privileged to join Harpur’s music faculty in 1963 where, as Professor and Chairman, I worked very closely with President Glenn Bartle, President Bruce Dearing, Dean Aldo Bernardo, an d Dr. Harry Lincoln to develop th e ﬁrst collegiate artistinresidenc e pro gram in the country. The Casadesus family’s strength was not only in excellence of individual performances but also in piano ensemble. Their famous family concert of three concerti (Bach, Mozart and Casadesus) for three pianos was played and enjoyed on many occasions worldwide, including a performan ce with the University Orchestra in Watters Theater in early 1970. Part of th is concert, the Mozart Three Piano Concerto, K 242, composed in 1 776, was at the same time composed for two pianos (both versions are identical as to the notes sounded), and both versions were published around the same time. Mozart and his sister Nanerl pe rformed the two piano version in 1780. The availability of the twopiano version allows us to commemorate that Casadesus family concert here in a hall too small for an orchestra, freeing one of us to play the piano reduction of the orchestral parts. Because there were relatively few music majors but great enthusiasm for music, the Music Department invited the New York Woodwind Quintet and the Guarneri String Quartet to visit frequently at Harpur and present their extraordinary artistry both in concerts and in a number of open rehearsals. These were all free, and they attracted a great many students, faculty, staﬀ and townspeople, and really established the leadership role of music in a liberal arts educational context, and initiated the artistin residence concept in American colleges and universities. Enter Jean Casadesus and his family and their residence on Leroy Street in Binghamton beginning in the fall of 1965. At the time of h is appointment to the Harpur music faculty he was already an internationall y acclaimed pianist who, along with his famous parents – Robert and Gaby – represented the highest level of pianistic achievement. ChaiKyou Mallinson i “ 4 N 3 LATA n i \ a r ” I { w * At this point it is very im portant to menti on an d em phasize that Jean brought to h 4 r \ / J\ o o b 9 ) o F art & So u! , 3 1 ne sc ur er F O R T L 4 d . sat Th on WSKG TY The Casadesus family – especial ly Jean, were ve ry important in the musical and cultural life at Harpur College in the 1960’s when the then “publicly supported Swarthmore – AKA Harpur College” was beginning to develop and expand its artistic resources. o ASR WHC = — Harpur/SUNYBinghamton, along with his musical and pianistic gifts, two wonderfully outgoing persons wh ich he joyfully shared with all his colleagues and students – in his studio, in his master classes, and on the concert stage – at Harpur and around the world. In addition to Jean’s fulltime residence in Binghamton with his family, Jean and his wife, Evie, also warmly embraced and were warmly embraced by their many friends in the community. This sense of personal warmth was also a part of Jean ’s parents’ frequent visits to the college and Binghamton. In this short note I’ve tried to indicate the extraordinary and wonderful growth of music at Harpur College and SUNYBinghamton in the 1960’s which was wonderfully supported by the college and enthusiastically embraced by its music faulty and distinguished artistsinresidence – especially Jean Casadesus. �When I left Binghamton in 1971 to assume the deanship of Yale ’s Graduate School of Music, one of the ﬁrst distinguished artists I invited to Yale was Jean Casadesus, who presented master classes and recitals to great acclaim and appreciation – with a promise that he would return for repeat engagements. Tragically, his return to Yale would never occur due to his very untimely death in Canada during a snowstorm while on a concert tour. All of us who knew and loved Jean and his family continue to remember fondly his musical giﬁs, his love of life, and the many warm friendships he embraced at Binghamton and beyond. Phillip F. Nelson, Ph.D. Professor and Chairm an, 196371 Music Department Harpur and SUNY Binghamton and Dean Emeritus of Music Yale School of Music II. Jean Casadesus touched down on our shores like a dazzling comet. Personable and warm, he was the opposite of the selfabsorbed, vain artiste. His modesty, his generosity towards colleagues and others, his gift of bringing out the best in us, were all hallmarks of his persona. In the short time he was with us he showed us the true Gallic style of piano playing, while also illuminating and expanding our musical horizons in endless ways. Christine Lindsay III. I was one of the lucky ones admitted to Jean’s summer Master Class Series almost 40 years ago. I learned more about music and piano playing during those sessions than I had in my whole previous life. One day, he told me that I had to decide what I wanted to specialize in (I was pursuing a Master’s Degree in English). I opted for music, and am now Music Director of the Theatre Dept. at B.U. Words can hardly express the admiration and gratitude all of his students felt for this unpretentious giant of a man. He was brilliant, generous, and full of Gallic charm. He was a stern but gentle and articulate critic, and very empathetic towards the idiosyncrasies of each of us. When he died, a light went out in our lives, but we knew that his spirit would live on in all of us. Susan J Peters IV. Jean was without doubt the best piano teacher I ever had. His expectations were high, and his patient, friendly manner brought out the best in all his students. With me, he emphasized t he importance of precise and consistent rhythm, but perhaps best of all, he taught me how to practice productively, a skill many never learn. We both loved cars; Jean had been a race car driver until deciding that such a hobby could indeed be very hazardous to one’s health. I remember the graciousness of his response to a rude gas station attendant one frigid day when Jean had asked to borrow a wrench for some minor adjustment under the hood of my little sports car. And in shopping for a new car his help was invaluable. Jean was a wonderful, grac ious, fun, and gifted h uman being who will be remembered always by all who kn ew him with fondness, admiration, and respect. Barbara Garges *********************** A bout th e P erform ers CHAI KYOU MALLINSON, currently on the faculty of the Department of Music at Binghamton University, received a B.M.d egree in Piano from Julliard, Licence d ’Enseignement from Ecole Normale de M usique de Paris, Fran ce and a M.A. degree from Binghamton University. Her teachers include Jean Casadesus, JeanMichel Damase, Jules Gentil and Alton Jones. She also performed in Master Classes by Robert Casadesus. A prize winner in the Korean National Music Competition, she was awarded the French Government Scholarship, Tanglewood Summer School Full Scholarship and the Fontainebleau American Conservatory Full Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active as a recitalist, vocal coach, accompanist, and chamber m usic performer, as well as an active adjudicator of piano auditions and competitions. She is a member of the Music Teachers National Association, and of the board of judges for the National Guild of Piano Teachers Association. She has premiered compositions of contemporary composers including Ezra Laderman, Paul Goldstaub, Meyer Kupferman and William Klenz. Among m any concerts she performed, three were sponsored by the New York State Counsel on Arts. She appeared in a performance with the Seoul Philharmonic Orchestra, which Eumag Choonch u, one of Korea’s most respected music magazines, described as “of rare quality, moving and lyrical.” MARGARET REIT Z, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with Seymour Fink and Walter Ponce and accompanying emphasis, studying piano with Jean Casadesus, Victor Rosenbaum, Seymour F ink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, Europe and South America: she was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001 and 2006, has been a guest chamber music artist in Morges, Switzerland, attended the Northwestern Workshop with Chicago Lyric Opera Faculty and Coaches, was an oﬀicial pianist �at the Internationa l Double Reed Competition and Convention in June 200 7 at Ithaca College and was selected to accompany at the Interpretation of Spanish Music Festival in G renada, Spain in July 2007, where she performed at several concerts and masterclasses coached by Teresa Berganza. A guest artist on the Cornell Summer Se ries this past summe r, she will perform Beethoven ’s Triple Concerto with Binghamton Commun ity Orchestra and is nom inated for the Heart of the Arts Award sponsored by the BC Arts Council. Ms. Reitz is currently on the faculty at Binghamton University and Ithaca College School of Music. She is on the Exec utive Board of the New York District M TNA organization, is past President of the local Southern Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. While recognized as one of the more versatile conductors of his generation, JO H N COVELLI has for most of his life been known and respected as an extra ordinary pianistic talent. As a Ch icagoborn piano prodigy studying since age four, he was credited in his youth with numerous concerts, broadcast recitals, special musical awards, performances at the Chicago Music Festival, with the Chicago Symphony at age 9; recipient of the Chicagoland Festival Award; a highly lauded allBach concert at th e Texas Bach Festival, as well as composing prizes. As a teenager, he was the only concert pian ist ever to w in the famous Godfrey Talent Scout P rogram and appeared in a series of nationwide CBSTV performances. His New York debut drew rave notices from every newspaper and major publication present including the Times stating “This is one of the best debut recitals in our recollection.” While conductor and soloist of the famed Seventh Army Symphony, he was selected special musical ambassador for USIS gleaning accolades as featured touring soloist throughout Europe. As a winner in two of Europe’s most prestigious piano competitions the Queen Elizabeth of Brussels, and Busoni International Piano Competition in Bolzano, Italy, John Covelli was launched from youthful prodigy to an international performer of major standing. Critical praise from major m usic capitals was unanimous. Acknowledgement: I would like to thank all the friends, colleagues, students and my family for their warm support, specially, Christine and Kenneth L indsay, Georgetta Maiolo, Bruce Borton (for making piano racks with his magical carpenter’s skill), Tim Perry, Amy Keough, Jan DelliBovi, Marnie Wrighter, Cheryl McGowan, and Pamela Walker. I also thank those who wrote wonderful articles about Jean Casadesus and his parents. Super special thanks go to our dear friend John Covelli for consenting to play the Mozart Concerto with us on very short notice. When Pej and I were told at the end of December that Wendy Lee would not be able to make the trip back here to play the Mozart concerto from Hong Kong where she took a teaching job, John stepped in with little hesitation! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:06:55 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hommage à Casadesus: celebrating the life and concert careers of the first family of piano, Robert Casadesus and their son Jean Casadesus, March 8, 2008 Recital Tape 2008-3-8 Description An account of the resource Works of Brahms, Ravel, Casadesus, Mozart.Held at 8:00 p.m., March 8, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Casadesus, Robert Mallinson, Chai-Kyou Reitz, Margaret A Covelli, John Lincoln, Harry Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-03-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 05f0b495-5901-4941-aca6-359b761632d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190120">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190120</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A recital of the clarinet studio, April 5, 2008 Recital Tape 2008-4-5 Description An account of the resource Works of Poulenc, Hindemith, Williams, Mozart, Finzi, Lockhart.Held at 3:00 p.m., April 5, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Chandler, Sarah Reitz, Margaret Ackerman, Gregg Hassell, Matthew Fenster, Sarah Cohen, Abby Doyle, Kyle DelloStritto, Mark Palisi, Brianna Bonhoff, Bethany Lee, Andrei Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-04-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 98848067-c094-4936-8ecc-c549c3a3f652 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190123">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190123</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 13, 2008 Recital Tape 2008-3-13 Description An account of the resource Program has incorrect date, March 20, 2008.At head of title: Works of Strauss, Donizetti, Rossini, Mozart.Held at 1:20 p.m., March 13, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Boyd, Sibongile Zbrzezny, Ariana Kucera, jana Zito, Jacqlyn Callas, Michael Moots, Jonathan McCormick-Knox, Danielle Lavonier, Stephen Isenberg, John Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-03-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 6aebc077-ea58-4946-846f-6f72cf0fda66 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:13:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190126">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190126</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 17, 2008 Recital Tape 2008-4-17 Description An account of the resource Works of Bach, Brahms, Schumann, Schubert, Purcell, Bizet, Falla, Massenet, Delibes.Held at 1:20 p.m., April 17, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Sofer, Danielle Kucera, Jana Mallinson, Chai-Kyou l Lewis, LaToya Reitz, Margaret Freeman, Abigail Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-04-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 62b10397-2fdb-41ba-a0b7-853390e5aa22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:39:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191442">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191442</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio recital, May 2, 2008 Recital Tape 2008-5-2 Description An account of the resource Works of Torti, Debussy, Beethoven, Telemann.Held at 10:15 a.m., May 2, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Leo, Erica Spiller, Valerie Maiolo, Georgetta Voldan, Melissa Chen, Anthony Baek, Eun Young Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-05-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 43d74f75-0be4-41d4-ab27-6c2fb958b977 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:17:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191445">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191445</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Danza sinfonica", May 4, 2008 Recital Tape 2008-5-4 Description An account of the resource Works of Stamp, Barnes, Bernstein, Skalkottas, Host.Held at 3:00 p.m., May 4, 2008, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Metaxas, Kimberly Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-05-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID c2dfb21a-924e-4372-afff-a5760ee5a17b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191448">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191448</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spring choral concert, May 1, 2008 Recital Tape 2008-5-1b Description An account of the resource Works of Caccini, Telfer, Canadian folksong, Bacon, Israeli pioneer song, Newfoundland folksong, Willan, Farrant, Byrd, traditional spiritual, Fissinger, Goldstaub, Foster.Held at 8:00 p.m., May 1, 2008, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Browne, Peter Chudacik, Jennifer Reitz, Margaret Vavalle, Matthew Leipold, Dennis Ogden, Lana Borton, Bruce Creo, Emily Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-05-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 3318ef17-ef45-4565-bcdd-52f98fbb8bfd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:57:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191451">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191451</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Abendmusik", May 7, 2008 Recital Tape 2008-5-7 Description An account of the resource Translation of songs included in accompanying program.At head of title: Works of Schumann, Brahms, Schubert, Strauss, Wolf, Franz, Mendelssohn, Flotow, Mozart.Held at 8:00 p.m., May 7, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Berry, Judy Lawson, William James Isenberg, John Freeman, Abigail Lewis, LaToya Boyd, Sibongile McCormick-Knox, Danielle Festa, Jessica Montana, Heather Truax, Jenean Zbrzezny, Ariana Park, Sung-Jin Moots, Jonathan Bentley, Ian Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-05-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 26f5c10c-7531-4b89-8c52-f50356d61b85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:04:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191454">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE191454</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Vocal Consort & Schola Cantorum: music of the English Renaissance, May 5, 2008 Recital Tape 2008-5-5 Description An account of the resource Texts and translations of songs included in accompanying program.At head of title: Dunstaple, Anonymous (late 15th century), Wilbye, Byrd.Held at 8:00 p.m., May 5, 2008, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Salasny, Christina Schleuse, Paul Crawford, Roberta Walkling, Andrew Paull, Corinne Blitstein, Alexander Treminski, Theodore Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID a77012f5-ba33-4ae8-a53e-cc0ffa46e22c