128 10 1775 https://omeka.binghamton.edu/omeka/files/original/45502ebb6af2c03564dcb9c0c5dffcb7.pdf 494ba104c3bfc9a5c7336c4527b16653 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE NEW YORK WOODWIND QUINTET in residence T homas Nyfenger, flute David Glazer, clarinet Ronald Roseman, oboe Arthur Weisberg, bassoon Ralph Froelich, French horn Sunday, March 15, 1970 3:00 p. m. Don A. Watters Theater PROGRA M Divertimento in D Major Andante marcia Allegro Menuetto Siciliano (Andante) Menuetto Finale (Prestissimo) Michael Haydn Quintet, Op. 71 Adagio, Allegro Adagio Minuetto Rondo Ludwig van Beethoven Intermission Concerto in G Minor for Flute, Oboe and Bassoon Allegro ma cantabile Largo Allegro non molto Antonio Vivaldi Permutazioni Cinque (1958) Matyas Seiber Woodwind Quintet (1948) Allegretto Allegro giccoso Elliott Carter � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 6:21 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63197 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63197">New York Woodwind Quintet In Residence</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet In Residence, March 15, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Haydn, Vivaldi, Carter, Seiber, and Beethoven. Held at 3:00 pm, March 15, 1970 at Don Watters Theater. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-3-15 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Haydn, Michael, 1737-1806 Beethoven, Ludwig van, 1770-1827 Vivaldi, Antonio, 1678-1741 Seiber, Matyas, 1905-1960 Carter, Elliott, 1908-2012, Elliott, 1908-2012 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064287 39091020064337 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:48 16:34 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63035 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63035"> New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, February 13, 1968, Harpur College Theater. Works of Fine and Adler. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-02-13 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Adler, Samuel, 1928- State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058644 39091020058693 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:31 31:21 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59316"> New York Woodwind Quintet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital Description An account of the resource Held Nov. 20, 1968, Harpur College Theater. Works of Schoenberg, Rossini, and Reicha Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-11-20 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Schoenberg, Arnold, 1874-1951 Rossini, Gioachino, 1792-1868 Reicha, Anton, 1770-1836 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020095455 39091020095505 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:39:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63283"> New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Danzi, Gounod, and Beethoven. Held at 8:30 pm, July 31, 1970, Social Room, Student Center. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-7-31 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Danzi, Franz, 1763-1826 Gounod, Charles, 1818-1893 Beethoven, Ludwig van, 1770-1827 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019607146 39091019607351 39091019607195 https://omeka.binghamton.edu/omeka/files/original/89f73d8dd9b2ef21eed53eeda809c94b.pdf a90d81bc6398097c3937fb9d0538e9b9 PDF Text Text ST ATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC with the support of the New York State Council on the Arts presents THE NEW YORK WOODWIND QUINTET in residence David Glazer, clarinet Samuel Baroi;i, flute Arthur Weisberg, bassoon Ronald Roseman, oboe Ralph Froelich, French horn Sunday, February 9, 1969, 8:15 p.m. The College Theater �PROGRAM Quintet in E Minor, Op. 67, No. 2 Franz Danzi Allegro Vivo Larghetto Menuetto, Allegretto Finale, Allegretto Richard Rodney Bennett Wind Quintet 1967-1968 Notturno 1 Molto Vivace Notturno 2 Variations Intermission Variations in Bb Major, Op. 82, No. 2 Franz Schubert Arranged by David Goldstein Concerto for Wind Quintet William Bergsma Allegro Andante Allegro Assai Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma A RECEPTION honoring the members of the New York Woodwind Quintet will be held in the Green Room Lounge immediately following the concert. The audience is cordially invited to attend and to meet the performers. �PROGRAM NOTES QUINTET IN E MINOR, OP. 67, NO. 2 - Franz Danzi Danzi, a member of the third generation of Mannheim composers was one of the first to write for solo clarinet. His interest in wind instruments culminated in compositio ns for woodwind ensemble, incorporat ing a new style in ensemble technique. This quintet . is one of nine wind quintets written by Franz Danzi. It shows an unusual understand ing of the possibiliti es of the instrumen ts and has an interesting classic style with a slight tinge of early romanticis m. It is worthwhile noting that Danzi was a teacher of Carl Maria van Weber. WIND QUINTET - Richard Rodney Bennett Richard Rodney Bennett is a young British composer, whose works are being heard more and more here in the United States. His Wind Quintet was completed early in 1968, and was commissio ned by the Serge Koussevits ky Foundation . It received its world premiere at the Library of Congress in Washingto n, D.C., only last week, by the New York Woodwind Quintet. Mr. Bennett's Quintet is written using twelve tone serial technique, and it displays very colorful textures and effects. VARIATIONS IN Bb MAJOR, OP . 82, NO. 2 - Franz Schubert Franz Schubert is perhaps more widely celebrated as the composer of some of the finest art songs ever written. He did, however, in addition to his Lieder, produce a large output of piano literature including twenty-two sonatas (of which the famous Wanderer Sonata is the most frequently played), and a multitude of short piano pieces for two and four hands. It is from this last group that Mr. Goldstein has selected and transcribe d the Variations , which was originally written as a piano duet. CONCERT O FOR WIND QUINTET - William Bergsma William Bergsma is a professor of compositio n at the Juilliard School of Music. His Concerto was commissio ned by the .Elizabeth Sprague Coolidge Foundation and was premiered bytheNew York Woodwind Quintet at the Library of Congress in 1959. The first movement of this Quintet is an excellent example of the very rhythmic, sonorous, and lyric type of writing which gained somewhat "popular usage" of many composers during the 1940's and 50's. What makes Mr. Bergsma's approach to this kind of writing for woodwind quintet superior, however, is a control of genuinely classical proportionme nt of structural melodic content. The arrangeme nt of thematic material almost mirrors that of first movement sonata form, although �the specific melodic vocabulary used is of a modal counterpoint derivation. Particular characteristics which are apparent upon first hearing in this movement are the unison and octave doublings of fleeting melodic lines that occur between flute, clarinet and bassoon, and the obvious recurrence of returning to materials found in the introduction and the first section of the movement. The second movement brings us the most lyric quality of Mr. Bergsma's composition. A lovely melody derived from the first four tones taken from the introduction of the first movement is played by the clarinet, accompanied by a counter melody played by the flute, both of which are superimposed over an ostinato figure played by the horn and bassoon. A contrasting section which is partly polytonal is introduced, containing basically the same motivic materials, but with more rhythmic activity combined with more dissonant sonorities. A quiet and literal return to the first section is smoothly initiated, reestablishing a joyously beautiful tranquility. The last movement exemplifies the implications of the title in that the term "concerto" is finally put into application. Four repetitions of a dissonant chord introduces independently each of the five instruments, starting with horn, and working up to bassoon, clarinet, oboe, and finally flute. An alternation of phrasing and articulation subtleties of each solo line heightens interest, along with a use of triadic materials reminiscent of the early styles of Aaron Copland and Roy Haris, brings the composition to a driving and forceful close. FUTURE EVENTS SUNDAY, FEBRUARY 16, 8:15 p.m. The College Theater, Admission Fee THE GUARNERI QUARTET Spring Chamber Music Series SUNDAY, FEBRUARY 23, 2:30 p.m. Recital Hall, No Charge MARIA CISYK Pianist SUNDAY, MARCH 2, 4:30 p.m. The College Theater, No Charge S.U.N.Y. AT BUFFALO ORCHESTRA Alida Stahl, Soloist � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:39 29:33 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59279">New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital, 9 February, 1969 Description An account of the resource Held at 8:15 pm, February 9, 1969, Harpur College Theater. Works of Danzi, Bennett, Schubert, Bergsma. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-02-09 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Danzi, Franz, 1763-1826 Schubert, Franz, 1797-1828 Bergsma, William, 1921-1994 Bennett, Richard Rodney State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020095695 39091020095745 https://omeka.binghamton.edu/omeka/files/original/8e102b659a1d478b075bd8c3e6f8cbd8.pdf 5c2759a4066337ff8636d264d11a22e5 PDF Text Text STAT E UN IV ERSIT Y OF N EW YORK AT BING HA MTON HARPUR COLLEGE TH E D EP AR TM ENT O F M USIC with the sup lmr l o f the New Yor k S tate (fo und ! on the .lr ts presen ts THE NEW YORK WOODWIND QUINTET in resid ence Sam uel Baron, ﬂut e Ronald Rosem an, oboe Dav id G laze r, clarinet A rthu r W eis berg, ba ssoon Ral ph F roe lich , Fr ench ho rn Tuesda y, A pril 8, 196 9, 8 :1 5 p. m. The Do n A . W atte rs T hea te r �PROGRAM NOTES PR OGRA M INTRODUCTION AND ALLEGRO IN D MIN OR – Anton Reicha Introduction and Allergro in D minor Quintet (1951) Anton Reicha Robert Palmer Lento expressivo Allegro giocoso Andante con molto Allegro molto vivace Who was the ﬁrst composer to write music for the Woodwind Qui ntet? P robably G. Cambini in the last few years of the 18th Century. But in the minds of most woodwind players Anton Reicha is the father of the Woodwind Quintet, for he not only wrote quintets (24 in all) , but he pop ularized the medium and propagandized for it. Reicha began his wor k with Woodwind Quintets in Paris in 1815. He had the foresighttosu r round himself with a ﬁrstrate group of players who not only had the skill to play his diﬀicult music (diﬀicult for the state of development of the wood wind instruments of 1815) but also the desire to rehearse suﬀiciently to create a new type of chamber music ensemble. Reicha subsequently became a professor of harmoney, counterpoint and composition at the Paris Conservatory. Among his students were Hector Berlioz and Charles Gounod. QUINTET (1951) – Robert Palmer Out of a wideranging interest in all music Robert Palmer has fashioned a unique style. Renaissance polyphony and American jazz have inﬂuenced Intermission his preferred textures and rhythms. He has kept his early commitment London Trio in C ma jor, No. 1 Joseph Haydn for ﬂute, oboe and bassoon Allegro moderate Andante to tonality as a basic organizing formal principle and within this framework has evolved a harmonic language which is both sensitive and sinewy. Those who know his music will immediately think of its energetic rhythms, but it is the balance between these rhythms and the lyricism of the melody and harmony which has created an enduring place for his music in the rep eratory of our time. Robert Palmer is am embe r of the music faculty at Cornell University. He has recently returned from a sabbatical leave in Italy where he began composing a new piano concerto and a work commissioned by the Cornell Finale: Vivace Wind Ensemble. Permutazioni a Cinque (1958) Matyas Seiber Quintette en forme de Choros Heitor VillaLobos Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma LONDON TRIO IN C M AJOR, NO. 1 — Joseph Haydn Written in London in 1794, the Trio in C was composed for the Earl of Abingdon. Since the original manuscript is lost, it is impossible to ascertain whether Haydn assembled the collected volume of three Trios (the other two are in G), or whether they were colated afterwards at their ﬁrst printing in 1805. Originally scored for two ﬂutes (or two violins) and ’cello, the members of the quintet will play the Trio as a woodwind grouping consisting of ﬂute, oboe and bassoon. The Trio’s essence is one of Haydnesque humor, beautiful ﬂowing melody, with the grace, charm, and elegance so inserperable, so inherent in the vast output of Haydn’s chamber music. �PERMUTAZION I A CINQUE (1958) – Matyas Selber A native of Hungry, Matyas Seiber did most of his composing in England. He was the composer and teacher most prominent in bringing and pro liferating twelve tone music in England up until his death in 196 1. Per mutazioni a Cinque is a serial work, consisting of manipulations (pe r mutations) of the basic set material to form short and vivid contrasting sections, complex textural relationships, and a brilliant display of the woodwind colors. QUINTETTE EN FORME DE CHOROS – VillaLobos Probably the foremost composer of Latin America, Villa –Lobos was a ﬁgure of international reputation. He was an incredibly proliﬁc composer (a complete list of works encompasses over 2,000 items) who absorbed the folk idiom of his native Brazil, as well as quanit ies of impressionistic tendencies during his stay in Paris, when this piece was w ritten in 1928. A favorite form which was of his invention, the Choros, was perhaps his major contribution to twentieth century music. Of his 14 essays in this form, there are various sizes and instrumentalvocal combinations. The Quintette is very characteristic of what VillaLobos deﬁnes as “a new form of musical composition in which a synthesis is made of diﬀe rent types of Brazilian music, Indian and popular, reﬂ ecting in its fundamental elements the rh ythm and characteristic melodies of the people” . URE EV ENTS F UT WEDNESDAY, APRIL 9, 7:30 p.m. NEW YORK WOODme QUINTET Hughes Hall, Admission f ree Open Rehearsal THURSDAY, APRIL 10. 8:15 Social Room, Student Center, Admission f ree WISCONSIN CHAMBER SINGERS Donald Neuen, Director SUNDAY, APRIL 13, 8:15 The Don A . Watters Theater, Admission f ree THE COLLEGE CHOIR David Buttoph, Conductor � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:56 25:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59192">New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital, April 8, 1969 Description An account of the resource Held at 8:15 pm, April 8, 1969. Works of Reicha, Haydn, Seiber, Villa-Lobos. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-04-08 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Reicha, Anton, 1770-1836 Haydn, Joseph, 1732-1809 Seiber, Mátyás, 1905-1960 Villa-Lobos, Heitor State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020095935 39091020095984 https://omeka.binghamton.edu/omeka/files/original/bb6b0b7f60c7547786040a107be4e284.pdf 179f79fa1e4fddf075f0b43e39099548 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE NEW YORK WOODWIND QUINTET Thomas Nyfenger, ﬂute David Glazer, clarinet Ronald Roseman, oboe Arthur Weisberg, bassoon Ralph Froelich, French horn PR OGRA M Fantasie in F Minor, KV 594 Adagio Allegro Adagio W. A . Mozart Transcribed by Wolfgang Meyer Eight Etudes and a Fantasy Elliott Carter Maestoso Quietly Adagio possibile Vivace Andante Allegretto leggero Intensely Presto Fantasy, tempo guisto Intermission Quintet, Op. 28 Allegro Grazioso Amabile Moderato ; Allegro Guisto Trois pieces breves Allegro Andante Assez lent Heinz Caspar Schmid Jacques Ibert Friday, July 17, 1970 8:30 p.m. Social Room, Student Center � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:38:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63271 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63271">New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital, July 17, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Carter, Schmidt, and Ibert. Held at 8:30 pm, July 17, 1970, Social Room, Student Center Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-7-17 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Carter, Elliott, 1908-2012 Schmid, Heinrich Kaspar, 1874-1953 Ibert, Jacques, 1890-1962 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020108308 39091020108357 https://omeka.binghamton.edu/omeka/files/original/b764baa805c60068f626f6559c4a3a74.pdf 71db7ebe29217763b3deb726f75a1c63 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE NEW YORK WOODWIND QUINTET Thomas Nyfenger, ﬂute David Glazer, clarinet Ronald Roseman, oboe Arthur Weisberg, bassoon Ralph Froelich, French horn P R OG R A M Allegro and A rioso Ingolf Dahl La Cheminee du Roi Rene Darius Milhaud Cortege Aubade Jongleurs La Maousinglade Joutes sur L’arc Madrigal Nocturne Chasse a Valabre Intermis sion Quartet No. 6 Rossini Andante Thema and Variations Quintet No. 2 William Sydeman Allegro Allegro Quietly with sadness Allegro Friday, July 24, 1970 8:30 p.m. Social Room, Student Center � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:19:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63275"> New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital, July 24, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Dahl, Milhaud, Rossini, Sydeman. Held at 8:30 pm, July 24, 1970, Social room, Student Center Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-7-24 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Dahl, Ingolf, 1912-1970 Milhaud, Darius, 1892-1974 Rossini, Gioachino, 1792-1868 Sydeman, William, 1928 - Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019607153 39091019607203 https://omeka.binghamton.edu/omeka/files/original/39e68783648cd1f86888f638160399c7.pdf 6219e335fa1062a9c05a0c68ae1eec9e PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE NEW YORK WOODWIND QUINTET Thomas Nyfenger , ﬂute David Glazer, clarinet Ronald Roseman, oboe Arthur Weisberg, bassoon Ralph Froelich, French horn Septem ber 27, 1970 8 : 1 5 p. m . Don A . Watters Theate r PROGRAM Quintet i n B F lat, Opus 56 , No. 1 A llegretto F ranz Danzi Andante con moto Minuetto (Allegr etto) Allegro Quintet Lento Moderato Agi ta to Gunther Sc huller Inte rmission Allegro and A r ioso Ingolf Da hl Quintet, Opus 43 Allegro ben mod era to Menuet Praeludium : Tema con varia zioni Carl Nielsen A reception honoring tonight ’s perfor mers will be held af ter the per f or mance i n the G reen Room . The a udience is cordia lly invited. (over) �PROGRAM NO TES On August 7th of this yea r , while he was on sabba tical in Switzerland, Ingolf Dahl died. Equally accomplished as a com poser , per for mer , teacher and schola r , Mr. Dahl , a facul ty mem ber at the University of Southern California , was one of the m ost respec ted m usicians in America . Born in Ger many in 1912, he was educa ted in Zurich, where he later wor ked as conductor of the Zurich Opera. In 1938 he came to the United Sta tes, settled on the West Coast, and beca me active in all phases of m usical life there. Besides teaching M r . Dahl served as conduc tor and ar ranger in Hollywood ﬁl m studios, perfor med as pianist, composed a good deal of m usic , and served as one of the prime notivating forces of musical life in the Los Angeles area. His m usic is prima rily of the c ha m ber va riety, the Al legro and A r ioso being one of his ﬁnest pieces. Written in 1942 for Adolph Weiss, this piece has been familiar to the New York Wood wind Quintet for many years. It is with a deep sense of loss for a great musician that the mem bers of the Quintet have asked tha t this concert be dedicated to the memory of Ingolf Dahl . Franz Danzi (17631826) was a “ third generation ” Mannheim musician, who, although he out lived the fa mous Mannheim orchestra , was inevitably inﬂuenced by the musical style and philosophy which sur rounded it. Though best known to modern audiences for his chamber music (especially tha t written for winds) Danzi was at home in all genres and has to his credit a respectable output of symphonic and sacred music. In the history of opera Danzi holds a little known but important place as the forerunner of Weber and romanticism (Danzi was Weber ’s teacher). The nine woodwind quintets , of which this one in B Flat is per haps the best known , are not of Danzi ’s m ost profound output, and are indica tive of the Mannheim inﬂuence through their polish and notica ble lack of content. Danzi re ma ins , however , one of the founding fa the rs and most i m por tant contributors of the woodwind quintet literature. The woodwind quinte t of G un the r Sc huller was wr i tten for the New Y or k Woodwind Quin te t, and was given i ts wor ld pre m iere in 1958 a ta radio concer t in Cologne , Ge r many d ur ing a tour by the quintet. Sc huller is one of the m ost br illiant m usic ians of his genera tion . He has been ac tive as a F rench hornist, conduc tor , lec turer , jazz critic (he is c redited with the invention of the “ third strea m ” concept) and director of the New England Conservatory in Boston, as well as being an ac tive composer . E S bySamuel p a— The ou tstanding Danish com poser , Carl Nielsen, studied at the Conservatory of Copenhagen wi th V. Tofte (violin) and O. Rosenhoﬀ (composi tion). His studies there led him into conduc ting and while thus engaged he continued to compose most industriously. His early style was deter m ined by the com bined inﬂuences of Gade, Grieg and Liszt, whereas Nielsen ’s later wor ks dis play the powerful impac t of the moder n idiom , and orchestral writing which is opulent and rich in instrumental color. The quintet, composed in 1922, shows many of these inﬂue nces in i ts com posi tion and sound. Nielsen ranks wi th Jean Sibelius of Finland not only as the greatest sym phonist of the Nor thern countries, bu t as one of the few sym phonists of the pat ﬁf ty years. note by Ronald Roseman FUTURE EVENTS SATURDAY, OCTOBER 3, 8:15 PM PAUL HERSH, PIANIST Don A . Wa tters Thea ter Cha m ber Music Series PLEASE NOTE THAT THIS IS A C H A N G E O F D A T E FROM THAT PRINTED ON YOUR TICKETS! TUESDAY, OCTOBER 13, 8:15 PM Music Recital Hall , Adm ission Free PETER MARSH, VIOLINIST Lec ture/Reci tal on Beethoven Qua r tets OCTOBER 15, 16, 17, 22, 23, 24, Music Recital Hall LENOX STRING QUARTET Beethoven Quar tet Series 8:15 PM TUESDAY, OCTOBER 27, 8:15 PM Don A. Wa tters Thea ter COLLEGE WIND ENSEMBLE Directed by Alber t Ha m me � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:18:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63298"> New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital, September 27, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Danzi, Schuller, Dahl, Nielsen. Held at 8:15 pm, September 27, 1970, Don A. Watters Theater. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-9-27 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Danzi, Franz, 1763-1826 Schuller, Gunther Dahl, Ingolf, 1912-1970 Nielsen, Carl Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019607237 39091019607120 https://omeka.binghamton.edu/omeka/files/original/0342d91a949e97e63358d53e9356b29b.pdf e09ad1e70a5e7db01f4870cd7f2b09dc PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC with the support of the New York State Council on the A rts Presents THE NEW YORK WOODWIND QUINTET in residence Thomas Nyfenger, ﬂute David Glazer, clarinet Ronald Roseman, oboe Arthur Weisberg, b assoon Ralph Froelich, French h o rn with guest artists THE CAMERATA WOODWIND QUINTET of Western Illinois University Gerald Carey, ﬂute George Townsend, clarinet Roy Lawre nce, oboe Robert Koper, bassoon Roger Collins, French horn The Don A . Watters Theater Sunday, August 24, 1969 8:15 p.m. �PROGRAM Suite of I nstrumen tal Pieces of the Re nnaissance Ronald Roseman, Arranger Donna di dentro ( Issac ) J’ai pris amours ( Issac ) Il est bel e t bon (Passereau) Ricercar bello (Cavazzoni) (Canzon sopra Il est bel et bon ) In meinen Sinn ( Issac ) Carl Nielsen Kvintet O p. 43 Allegro ben moderato Menuet Praeludium (adagio) Praeludium (adagio — Theme and Variations) INTERM ISSION Wolfgang Amadeus Mozart Sernade, K.388 No. 12 Allegro Andante Menuct to. ( I n Canone ) Trio Allegro Jacques Ibert Trois Pieces Breves Allegro Andante Assez lent : allegro scherzando FUTURE EV ENTS SUNDAY, SEPTEMBER 14, 8 : 15 p.m. Don A. Watters Theater Admission free PAUL HERSH, P IANIST Works by : Beethoven, Bach � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:59 36:25 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59520 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59520">New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet with Camerata Woodwind Quintet, August 3, 1969 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Nielsen, Mozart, Ibert. Held at 8:15 pm, Sunday, August 24, 1969, Don A. Watters Theater. Creator An entity primarily responsible for making the resource New York Woodwind Quintet | Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-08-24 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Nielsen, Carl, 1865-1931 Mozart, Wolfgang Amadeus, 1756-1791 Ibert, Jacques, 1890-1962 State University of New York at Binghamton. Department of Music Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058115 39091020058164