129
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/f1bd7ad0e11dbeb6447baf98a5713791.pdf
10037eeb9b8e23ce5378e7beb9f6f88e
PDF Text
Text
or .
D N I V R
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State University of New York
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Binghamton University Department of Music
'
THURSDAY MID–DAY CONCERT
5X <C COL
March 1 5, 2007 – 1 :20 p.m. Casadesus Recital Hall
Bel piacere
O bellissimi c
a
p
e
l
l
i
A
n
Vaghe stelle.....
.....George Frideric T R
(1685 1 759)
d
r
e
aT E
(1 585 1 656)
..Francesco Cavalli
(1602 1 676)
Miria m A. Wright, sopra no; Ma rga ret Reitz, pia no
Bel piacere
‘Tis great pleasure to enjoy,
to enjoy a faithful love!
This makes the heart content.
The splendor of beauty has no value if
it does not come from a faithful heart.
Vaghe stelle
Lovely stars, beautiful eyes, do not sleep.
Open the serenity of your beautiful eyes.
Let the god of love fling his arrows into my bosom.
Eyes, oh open your beautiful bright glances.
O bellissimi capelli
Oh most beatiful hair,
My sweetest delights!
Lovely little serpents curling into little rings,
you fall upon rosy cheeks.
Dark tresses where hides the winged archer in ambush:
blond locks must yield to your black tresses which playing around your face
are night, and your eyes are the day.
In Alto Mare (from Sei Melodie)..
Latoya Lewis, soprano; Ma rga ret Reitz, pia no
ln alto ma re
The sail is torn,
the anger of the waves gives no mercy.
Now the clouds have broken the last antenna,
Lord have mercy!
For the arrows of heaven resound,
splittin here and there;
«eee. Ottorino Respighi
(1879 1936)
His roaring throat opens the abyss;
Lord have mercy!
Hope flees from the choruses; Death is here!
Not even a shadow of a soul in in the distance;
Lord have mercy!
Che faro senza Euridice...(Orfeo)
Christoph Willibald von Gluck
(1714 1787)
Aria na Zb rzezny, mezzosopra no; Ma rga ret Reitz, piano
Orfeo is despondent and desparate, having lost his wife for the second (and final) time. When Euridice first died,
Orfeo used his famed power of music to soflen the heart of Pluto, lord of the underworld, and succeeded in freeing
her from Hades, on the condition that he not look back at his wife until they reach the outer world once again.
Euridice, however, not understanding this c ondition pleads and berates her love to look at her, and Orfeo, distracted,
turns to her only to watch her dissolve slow ly into the realms o f death. In this lament he calls out to her pleadingly
but to no avail, for she is lost forever and there is no help or counsel from either heaven or earth.
(please turn over)
�Two Shakespeare Songs
O Mistress m ine
Blow, blow, thou winter wind
IDGET O i l e r
(1 877 1 953 )
Soon Young Pa rk, baritone ; ChaiKyou Mallinson, piano
Malinconia, N infa gentile....
Per pieta, bel l’idol mio
.. Vincenzo Bellini
(1801 1835 )
Ma ry Aimoniot is, soprano; Ma rga ret Reitz, pia no
Malinconia, N infa gentile
Melancholy, gentle nymph,
l devote my life to you.
One who despises your pleasures
is not born to true pleasures.
l asked the gods for fountains and hills;
They heard me at last ;
I will live satisfied
Even though with my desires, I never
G o beyond that fountain or that mountain
Per pieta, bell’ idol mio
For pity‘s sake, my beautiful idol
do not tell me that I am ungrate ful;
unhappy and un fortunate enough
has heaven made me.
That I am faithful to you,
that l languish under your bright gaze,
Love knows, the gods know,
my heart knows, and yours knows.
By such faithful affection
that makes me languish for you?
But pitiless, you do not realize that
You scorn a lov ing soul,
whom you wish to betray.
It doesn’t ma tter
Damaged
Richard Pearson Thomas
(b. 1957)
Eliza beth Duhr, m ezzosopran o; Ma rga ret Reitz, pia no
La c i darem la mano...(Don Giovanni)...
saasea ries A. Moza rt
(1756 1791 )
Soon Young Pa rk Don Gio vanni; Latoya Lewis – Zerlina ; Dua ne Skra balak pian o
In full seductive overdrive, the rake Don Giovanni “proposes” to the young peasant girl, Zerlina, and invites her to
accompany him to his mansion. Zerlina at first rejects him, saying that she feels sorry for her husbandtobe,
Masetto. ( I t is their wedding day after all!) Worn down by the Don‘s skillful seductive powers, Zerlina finally gives
in, and they sing of the joys to come.
Card Trio and Aria: “En vain pour eviter...” (Carmen)
G Bizet
(1838 1875 )
Ma ry Aimoniot is – Frasq uita ; Ariana Zbrzezny – Mer cedes; Eliza beth Du h r Ca rmen
Dua ne Skra balak pia no
Carmen and her companions are on a smuggling mission in the mountains near Seville. To pass the time, she and her
two friends amuse themselves by reading their fortunes in the cards. Frasquita is destined to find a great love – a
handsome soldier who will carry her away. Mercedes is overjoyed to see a very rich and very old man who marries
her and dies, leaving her wealth beyond imagining. When Carmen turns her cards she sees only one message –
death. For her and for her current love, Don José. in her aria she states that it is futile to avoid the future the cards
predict, and every succeeding turn of the cards spells the same message, again and again, always death, inexorable
and unavoidable.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
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38:40:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196776">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196776</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday mid-day concert, March 15, 2007
Recital Tape 3-15-2007
Description
An account of the resource
Held at 1:20 p.m., March 15, 2007, Casadesus Recital Hall. Works of Handel, Falconieri, Cavalli, Respighi, von Gluck, Quilter, Bellini, Thomas, Mozart, Bizet.
Creator
An entity primarily responsible for making the resource
Wright, Miriam
Reitz, Margaret
Lewis, LaToya
Zbrzenzy, Ariana
Park, Soon Young
Mallinson, Chai-Kyou
Aimoniotis, Mary
Duhr, Elizabeth
Skrabalak, Duane
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
330d773e-669c-460c-b411-1e9c822fe108
-
https://omeka.binghamton.edu/omeka/files/original/543647be4fb5f2f424db43856807f445.pdf
855fc2782a210d3edb6c94870aed5e82
PDF Text
Text
BINGHAMTON
UNIVERSES?
State University of New York
’
1
D
2
E
P
A
R
T
M
W INTER CONCERT
\N L V
—
with
Women ’s C ho rus
K ristina R uffo, cond uctor
Assisted by
Jody Schum. piano
and
Mary Schappert. harp
Harpur Chorale
Peter Browne. cond uctor
Saturday, March 17, 2007
8:00 p.m.
Anderson Center ( ‘hamber Hall
E
N
T
�PROGRAM
TRANSLATIONS
I.
I.
Women ’s Chorus
Kristina Ruffo, conductor
Jody Schum, piano
Oddi Ol lpe p i m i cmsi nd ia i l is i
:
r
i
s
Odi Odi
“Untold millions of people run and run. constantly seeking, grow
desperate and die looking for the light that is within them.”
.. Tamil Song
A rr by Stephen Hatfield
1
Herbstlied
(Aut u m n Song)
Oh. how soon the c ycle ends,
Spring turns into wintertime!
Oh how soon all happiness
Turns to sad silence!
.. T raditional Celtic
“Am. by David Fanshawe
C H E D I E
The last sounds soon fade!
The last songbirds are soon flown!
The last green is soon gone!
They all want to return home!
Felix Mendelssohn
Hetbstlicd
(18091847)
Choral Hymns from the Riglula
Group l l l : For Women ’s Voices & Harp
Oh. how soon the c ycle ends,
Merriness turns to longing sorrow.
. Gustav Holst
(l874 l 934)
Were you a dream, you thoughts o f love?
Sweet as spring and fast disappearing?
Only one thing will never wane :
l. Hymn to the Dawn
2. Hymn to the Waters
3. Hymn to the Vena (The Sun Rising Through the Mist)
4. Hymn to the Travellers
Las Amallllas
The longing that never goes.
Ah, how soon the c ycle ends!
Oh how soon all happiness
Turns to sad silence!
Las Amarillas
The yellow calandras fly from the cactus
No longer w ill the cardinals sing happily
To the song na na
To the song na no
Traditional Mexican
Stephen Hatfield
WINTERMISSIONOS
}
Because the tress on the hillside have not come back to li fe
For that the calandras will either sing or crush their nests.
You are small and beautiful and l love you just the way you are
You are like a little rose from the coast of Guerrero
Everybody has their own farewell, but there’s non like this one
F our t imes fi v e i s t went y, three t imes se v en 1s t went y one.
�11.
H a rp u r Chorale
Peter Browne. conductor
Now é T e m p o . . . aiviinelaitaie a
Fugitiva Mia Speranza
Translations
i
i
. Marco C
orl
(d.c. 1530)
Non 6 Tempo
There’s no time for idle waiting.
Sixth Evening Service
l. Magnificat
Thomas Weelkes
(15761623)
Jaclyn Hochreiter, Lynsey Zuar. A llison Metcal fe; sopranos
Sophie Nusinov, Corinne l’aull and Jennifer Paull; altos
Alexander Blitstein. tenor; Adam Hess, bass
ll. Nunc Dimittis
Rachel Newby, Emily Creo, Sophie Nusinov; altos
The BIuebird...........cowiviiamessisinse
n i a : Charles Villiers Stanford
( l852 1924)
. A rthur Sullivan
(1842 l 900)
Echoes
Cantique de Jean Racine........................ecccosureeeunnene... Gabriel Fauré
(18451924)
DUMCIUE i s riniprvsssrasirmionsisssiersiissastpasisasessnasseserarty Fauré
from Requiem
Eliazabeth Sterling, violin
Hamba LuLu.
Oh What a Beautiful City
ZuL u Wedding Song
arr. by Mike Brewer
Spiritual arr. by Jeffrey Webb
Whether calm or stormy weather,
See the moment as it happens
B e l l rising or abating.
Fugiti va M ia Spera nza
Hope, you cannot escape me ever.
Though you may think you are leaving ;
You’ll remain with me with no more grieving,
Feters so strong you cannot sever.
I know full well all your displeasure
In my unhappy condition.
Secking a far richer treasure
Is your heart ’s ultimate mission;
I shall not heed your petition.
Cantique de J ea n Racine
Word equal to the most high, our sole hope, eternal day of
the earth and heavens, o f the peaceful night. we break the silence.
Divine Saviour, cast your eyes on us! Shed on us the fire o f your
powerful grace, so that all hell flees at the sound of your voice,
disperse the sleep o f languishing soul that drives it to forget your
laws! O Christ be favorable to this faithful people now gathered
together to bless you. Receive the songs that they offer to your
immortal glory that they may ret urn in total joy.
Sanctus
Holy, Holy, Holy
Lord God of Hosts.
Heaven and earth are full of thy glory.
Hosanna in the highest.
Hamba L ulu
Go Lulu, listen to all the things they are telling you.
�Woman ’s Chorus
ABOUT T H E PERFORMERS
?
Women ’s Chorus
Sop rano I
K R I S T IN A RUFFO 1s a graduate choral conducting student at
Binghamton Universit y. She received her BA from Ithaca College
in Music Education. This is her second semester conducting the
Women’s Chorus and is very proud of their success as an ensemble.
She is a member of the University Chorus, and also teaches a sight
singing class to help students improve in their reading abilities and
confidence in singing. She is also involved in an African Drumming
class with Professor James Burns. She was awarded the Keeler
Scholarship this year that has helped her continue with her
education. During the day, she teaches fulltime at the Maine
Endwell High School and is director of the Mixed Chorus, Madrigal
Choir, and Quartet, as well as teaching a theory course. Kristina
resides in Binghamton, NY with her husband and is looking forward
to a successful semester with the Women ’s Chorus.
>
Sop rano II
Boccuzzi, Dina
Bose, Anjuli
Choi, Esther
EspinosaThomas, Eliza
Haigney, Stephanie
Hassfurter, Katherine
Havener, Crista
Indovino, Shaina
Manukian, Denise
J O D Y S C H U M is a versatile pianist, organist and vocal coach
originally from Windsor, NY. Currently on faculty at SUN Y
Cortland and Binghamton University, he also is resident pianist with
Tri Cities Opera in Binghamton, NY. Mr. Schum has performed
with the Binghamton University Symphony Orchestra, TriCities
Opera and on numerous solo and collaborative recitals at
Bi ngha m ton Uni versit y.
Murphy, Maria
Pouchic, Priscilla
Press, Amanda
Wallach, Jaclyn
Welby, Kate
H is most recent engagement was
performing and studying on fellowship with the International
Institute of Vocal A rts in Chiari, Italy last summer. Upcoming
engagements include a sacred music concert with soprano Julia
Ebner and a recital with baritone Timothy LeFebvre at Elebash
Recital Hall in New York City. Mr. Schum is Music Director at the
First United Methodist Church of Endicott, N Y.
Cheng, Hiu Nam Wien
Cohen, Rebecca
Epstein, Jodi
Haines, Alex
Karp, Jillian
Kucera, Jana
Liebowitz, Liann
Rabideau, Erin
Sones, Melissa
Winnett, Desiree
q
Alto I
Bass, Desiree
Colah, Perin
Groteke, Laura
Maughan, Carly
Navarette, Katherine
Weiss, Elisa
Alto l l
Barbanell, Danielle
Blake, Daron
Caruso, Alicia
Courage, Katherine
Golden, Sarah
Wong, Randall
�Translatio ns
Non é Tempo
There’s no time for idle waiting,
Whether calm or stormy weather,
See the moment as it happens
Be it rising or abating.
Fugitiva Mia S pera nza
Hope, you cannot escape me e ver,
Though you may think you are leaving;
You’ll remain with me with no more grieving,
Feters so strong you cannot se ver.
I know full wel l all your displeasure
p
ln my unhappy condition.
Seeking a far richer treasure
I s your heart ’s ultimate miss ion;
l shall not heed your petition.
Cantique de J ea n Racine
Word equal to the most high, our sole hope, cternal day of
the earth and heavens, of the peaceful night, we break the silence.
Divine Saviour, cast your eyes on us! Shed on us the fire of your
powerful grace, so that all hel l flees at the so und of your vo ice,
disperse the sleep of a languishing soul that d rives it to forget your
laws! O Christ be favorable to this faithful people now gathe red
together to bless you. Receive the so ngs that they offer to your
i m mortal glory th at t hey ma y ret urn in total joy .
Sanctus
Holy, Holy, Holy
Lord God of Hosts.
Heaven and carth are full ot ’thy glory.
Hosanna in the highest.
Halnba Lulu
Go Lulu, listen to all the thing s they are telling you.
1
l
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
57:42:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196779">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196779</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Winter concert, March 17, 2007
Recital Tape 3-17b-2007
Description
An account of the resource
Held at 8:00 p.m., March 17, 2007, Anderson Center Chamber Hall. Program includes translations of songs.
Creator
An entity primarily responsible for making the resource
Ruffo, Kristina
Schum, Jody
Schappert, Mary
Browne, Peter
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-17
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
1bed6357-120f-4679-8d17-771a59780940
-
https://omeka.binghamton.edu/omeka/files/original/c741dfb27810351e65922b69bb58db5c.pdf
055660c7c887e3ae54beeeb78636f82f
PDF Text
Text
U N I V A R C
vo
Ke Q
Binghamton University De partment of Musi c
THURS DAY M IDDA Y CON CERT
“lo t il ,
20077
~
2
—
~
1 :20 p.m.
Casadesus Recital Hall
~
CEC C
—
March 22, 2007
SCHE NKER RAMA : THE C URE T O MUSIC THEO RY PH OBIA
s rnhans
odannne H
ssvsvsss
sess
Salamander, Op. 107 No. 2....c.ce osi sii scsssses io rssa n nsssassn
(18331897)
Jessica Barkley, soprano; Nicole H su, piano
There sat a salamander
upon a cold stone,
when an e vil girl
threw him into the fire.
—
She thought he should burn up,
but he began to be of good ch eer,
just as on me, a cold devil,
hot love does.
ee...... humann
Ich kann ’s nicht fassen. nicht glauben.................ccccceeeveev eeieeneeRobert Sc
(1 81 01 856)
(Frauenliebe und Leben, Op. 42 No. 3)
Danielle McCo rmick, so prano; Danielle Sofer, pia no
I can’t grasp it, nor believe it,
a dream has bewitched me,
how should he, among all the others,
li ft up and make happy poor me?
lt seemed to me, as if he spoke,
“ l am thine eternally",
It seemed I dream on and on,
It could never be so.
O let me d ie in this dream,
cradled on his breast,
let the most blessed death drink me up
in tears ofi n fi n i t e bliss.
nnnn ndelssoh n
Songs without Words, Op. 53 No. 4.......cccceeevrverreecrnesesiescessessesseeneeF€liX Me
(18091847)
Danielle Sofer, piano
Am leuc htenden SOMME rMOrge n.......... .cccee ve ve vieee r iesese reeie Sc humann
(18101856)
(Dichterliebe, Op. 48 No. 12)
A ria na Z b rzezny, m ezzosop ra no; Nico le Hsu, p ia no
On a shining summer morning
I wander around m y garden.
(please turn over)
�The flowers are whispering and speaking;
I, however, wander silently.
The flowers are whispering and speaking
And look at me sym pathet ically.
“Do not be angry with our sister,
You sad, pale man.”
Gigue ...
..
(Suite No. 2 in D minor,
B W V 1 008)
Johann SERMMIRRAE Bach
(16851750)
Emily C reo, cello
Nur wer die Sehnsucht k
e
n
(Lied der Mignon, Op. 62 No . 4)
n
t
F
r
a
n
z Schub
ert
(1 7971 828)
LaToya Lewis, sopran o; Nicole H su, piano
Only he who know s what yearning is
Know how I suffer!
Alone and cut o ff
From all happiness.
I look up into the sky
Towards yonder side.
Alas! he who loves and knows me
Is far away.
I grow dizzy .
My insides are burning,
Only he who know s what yearning is
Know s how I suffer!
Songs without Words, Op. 30 No. 6.........ccccccvverrennrnrnssnssnssnsceecnsnn
eneen.
FElIX Mendelssohn
Nicole Hsu, pian o
lch grolle n icht...
(Dichterliebe, Op. 48 No. 7)
Soon You ng Pa rk, ba ritone ; Dan ielle Sofer, piano
I bear no grudge, e ven when my heart is breaking!
Love lost forever! I bear no grud ge.
Although you shine in diamond splendor,
No beam falls into the night of your heart.
I will know that for a long time.
I bear no grudge, and when my heart is breaking!
I truly saw you in my dreams
And saw the night in the room of your heart,
And saw the snake that bites your heart;
I saw, my dear, how truly miserable you are.
I bear no grudge.
Robert Schu mann
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
19:11
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196782">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196782</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Thursday mid-day concert, March 22, 2007
Recital Tape 3-22-2007
Description
An account of the resource
Held at 1:20 p.m., March 22, 2007, Casadesus Recital Hall. Works of Brahms, Schumann, Mendelssohn, Bach, Schubert.
Creator
An entity primarily responsible for making the resource
Barkley, Jessica
Hsu, Nicole
McCormick, Danielle
Sofer, Danielle
Zbrzezny, Ariana
Creo, Emily
Lewis, LaToya
Park, Soon Young
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-22
Rights
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In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
295da44e-aec8-4105-a402-a2fc10ede2bd
-
https://omeka.binghamton.edu/omeka/files/original/d62d666be001bb7d071044607fe7df06.pdf
2267dd7fc8596dd1c92466f81bd1fdf2
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of N e w Yo r k
L
T
V F Jr
" i
:
Yop
o
w
[4
D E P A R T M E N T
s
g
MILLE NNIA Too!
with
Alison Luedecke, organ
and
Susan Ba rrett, oboe
Sunday, March 25, 2007
4:00 p.m.
First Presbyterian Church
�ABOUT THE PERFORMERS
PROGRAM
Partita in C
e ........Johann Hertel
EW
o
(17271789)
Sonata in Eflat major..
...J.S. Bach
(16851750)
oboe, organ
t
s
y
Chant m
u
q
i
Veni Creator Spiritus.....
e Mary Beth Bennett
(b. 1954)
John Karl Hirten
oboe d’amore, organ
Variations on Veni Creator
(b. 1956)
..Maurice Duruflé
(1 9021 986)
F
i.
il.
iii.
iv.
.J.S. Bach
(16851750)
h
g
r
N
o
Sprung
Ate
Fell
Went
l
t
i
o
s
a
n
g
Susan Barrett (oboe/oboe d’amore/English horn) is a native of East
Hartford, Connecticut. She has performed extensively as a solo and
chamber musician in the United States and Europe, recording for radios
in France, Israel, Austria and Yugoslavia. She is principal oboe of the
San Diego Chamber Orchestra and is a member of the San Diego
chamber group Camarada. She freelances in San Diego, performing
with such venues as the San Diego Symphony/Opera Orchestra, Classics
4 Kids Philharmonic, Cabrillo Orchestra and various musicals at the
Civic Theatre, Old Globe, and La Jolla Playhouse. She has toured the
U.S. with guitarist Randy Pile in the ensemble Duo Cantilena.
® IN TERMISSION 3
Piece d’ Orgue.
Millennia Too! is the small ensemble of Millennia Consort, one of the
country’s premiere organ plus ensembles. This intimate recital duo
performs repertoire from Renaissance to Modem, including several
premieres by contemporary American composers. Their performances
explore the varied timbres of oboe, oboe d’amore and English horn with
the broad range o f pipe organ colors. Susan and Alison have a musical
rapport born of over a decade of close collaboration, creating
spontaneous and highly nuanced musical performances. The ensemble
can be heard on two compact discs recorded in churches in San Diego:
Paradise Found: Reflections for Oboes and Organ (A ll Souls Episcopal
and St. Brigid’s Catholic), and in works by Copland and Koetsier on
Transformations: 20” Century Music for Organ and Other Instruments
(St.Paul’s Cathedral). www.millenniaconsort.com
g .........Craig Phillips
(b. 1961)
e ............Jon Naples
(b. 1954)
Alison J. Luedecke (organ and harpsichord) is a native of Galveston,
Texas. She is active across the United States as a solo concert organist
and has played in Canada, Mexico and Germany. She has been heard
numerous times on the nationally syndicated radio show Pipedreams. As
an ensemble musician Dr. Luedecke has performed with the Mainly
Mozart Festival Orchestra, San Diego Chamber Orchestra, and with
other chamber ensembles. She is a founding member of Millennia
Consort, a brass quintet. percussion and organ ensemble. She received
the Doctor of Musical Arts degree in Organ Performance at the Eastman
School of Music as a student of David Craighead.
Discography
oboe, organ
Paradise Found: Reflections for Oboes and Organ
Millennia Too! with Susan Barrett and A lison Luedecke
�Coming
‘Crents
Thursda y, March 29 – MidDay Concert 1 :20 p.m. – Casadesus Recita l Hall
free
Thu rsda y. April 1 2 – MidDay Con cert – 1:20 p.m. – Casadesus Recital Hall
free
Friday, April 1 3 – Master’s Rec ital: M a ry Aimon iot is, sopra no – 8:00 p.m .
Casadesus Rec ital Hall free
Saturday, April 1 4 – Master’s Recital: Jessica Barkley, soprano – 4:00 p.m.
Casadesus Rec ital Hall free
7
Sa t u rda y, April 1 4 – Joint Junior Voice Recital: Ja na K ucera, sopra no a nd
A lex ander Blitstein, tenor – 8 :00 p.m. – Casadesus Recital Hall – free
Sunday, April 15 – University Ch orus and Orc hest ra : Bach B Minor Mass –
3:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Tuesday, April 1 7 – Student Recital: Melissa Lee, v iola 7:30 p.m. Casadesus
Recital Hall free
Thursda y, A pril 19 – MidDay Concert 1 :20 p.m. – Casadesus Recital Hall
free
Sa t u rda y, April 2 1 – Master’s Recital: Katrina Cox, sopra no – 4 :00 p.m. –
Casadesus Rec ital Hall free
Sunday, April 22 – Master‘s Recital: Elizabeth Duh r, mezzosoprano – 3:00
p.m. Casadesus Recital Hall free
Sunday, April 22 – Master ’s Recital: Soon Young Pa rk, baritone – 8:00 p.m. –
Casadesus Rec ital Hall free
Thu rsda y. April 26 – Jazz MidDay Concert – 1:20 p.m. – Osterh out Concert
Theater free
Thu rsda y. April 26 – Jazz Ensemble wit h guest a rt ist – 8:00 p.m. – Osterhout
Concert Theater $9 general public; $7 faculty/staff/seniors; free for students
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:30
26:55
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196785">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196785</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Millennia Too!, March 25, 2007
Recital Tape 3-25-2007
Description
An account of the resource
Held at 4:00 p.m., March 25, 2007, First Presbyterian Church. Discography (1 work) included in program.Works of Brahms, Schumann, Mendelssohn, Bach, Schubert.
Creator
An entity primarily responsible for making the resource
Luedecke, Alison
Barrett, Susan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
c2f3574d-3964-4c8f-a1ac-e1d5967d9914
-
https://omeka.binghamton.edu/omeka/files/original/44bb397ab4f7bd4cbe767f0359bb4768.pdf
8112c159d26908d2edae80256e9c7fe8
PDF Text
Text
uv
~
BINGHAMT(
,\
U N I V E R S T T Y
State University of New York
Binghamton University Department of Music
THURSDAY MIDDAY CONCERT
March 29, 2007 – 1 :20 p.m. Casadesus Recital Hall
Sonata V, Op. 2, No. 5
Larghetto
Allegro
Adagio
ceeeenenneennenn. GeOTgE Frederick Handel
(1685 1759)
Allegro
Allegro
Alexan der Ba ron, recorder
Micah BannerBaine, violin
Emily Creo, cello
Peter Browne, harpsichord
Sonata for Timpani
............John Beck
(b. 1971)
Caleb R. DeG roote, timpan i
Sonata in B—T1at; op. 12 0
Allegro Amabile
pies
Appassionato, ma non troppo Allegro
Melissa Lee, viola
Micha el Salm irs, pia no
Johannes Bra hms
(18331897)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:53:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196789">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196789</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, March 29, 2007
Recital Tape 3-29-2007
Description
An account of the resource
Held at 1:20 p.m., March 29, 2007, Casadesus Recital Hall. Works of Brahms, Handel, Beck.
Creator
An entity primarily responsible for making the resource
Baron, Alexander
Banner-Baine, Micah
Creo, Emily
Browne, Peter
DeGroote, Caleb
Lee, Melissa
Salmirs, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-29
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
b01abbb2-b7e3-4fb4-a9ed-a75ee6e331bc
-
https://omeka.binghamton.edu/omeka/files/original/ad5a007a2c7b61e9998085f7cb2d843b.pdf
a6e8f2077c2e8d80f4dc6c5c66c3fd80
PDF Text
Text
UwIv R R C
R
e
c
i
I
BINGHA
‘
t s p e
9
U N I V
200
5
State University of New York
= e
Binghamton University Department of Music
SYEC C
o
THURSDAY M IDDAY CONCERT
April 12. 2007 – 1:20 p.m. Casadesus Recital Hall
Adieux de l’Hotesse Arabe
Habanera, from Carmen
Seguidille. from Carmen
............Georges Bizet
(18381875)
Elizabeth Duhr, mezzosoprano
Margaret Reitz, pian o
Suite No. 2 in D minor. BWV 1 0 0 8 . . . i
c
i
dnssdonann Sebastian
n
e
Bach
(16851750)
Melissa Lee, viola
O
B
R
Debussy
(18621918)
Gabriel Fauré
(18451924)
d
e Debussy
En pnere
M
a
n
d
o
l
i
n
e
C
l
a
u
Jana Kucera, soprano
ChaiKyou Mallinson, piano
O bellissimi c
a
p
e
I
I
i
A
n
d
r
e
aT
T
(c.15851656)
Jeunes Fillettes ..
............Nicolas Dalayrac
(17351809)
(arr. J.B. Weckerlin)
Briana Sakamoto, so prano
ChaiKyou Mallinson, piano
La Regata V e n e n
Anzoleta avanti la rcgata
Anzoleta co passo la regata
Anzoleta dopo la regata
Die junge Noone, Op. 43; no. 1
Die Vogel, Op. 172, no. 6
Die Allmacht, Op. 79, no. 2
a
n
a
G
i
o
a
c
c
h
m o B E E N
(17921868)
Jessica Barkley, sopr ano
Jody Schum, piano
S E E Schubert
(17971828)
Katrina Cox, soprano
ChaiKyou Mallinson, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:41:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196792">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196792</a>
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, April 12, 2007
Recital Tape 2007-4-12
Description
An account of the resource
Held at 1:20 p.m., April 12, 2007, Casadesus Recital Hall. Works of Bizet, Bach, Debussy, FaureÌ, Falconieri, Dalayrac, Rossini, Schubert.
Creator
An entity primarily responsible for making the resource
Duhr, Elizabeth
Reitz, Margaret
Lee, Melissa
Kucera, Jana
Mallinson, Chai-Kyou
Sakamoto, Briana
Barkley, Jessica
Schum, Jody
Cox, Katrina
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-04-12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
cadbb433-bf76-4964-823c-80994bea0fb4
-
https://omeka.binghamton.edu/omeka/files/original/32a18446d2ee13cedf3b68e53800a15e.pdf
975620caa2b23d689d058e5943c68501
PDF Text
Text
BINGHAMTON
L» N l \~ i ; R S I T Y
State University of New York
UNIV ARS
Rect.
tape
1
A
S p a» y
D E P A R T M E N T
X T
d r 4
p
J UNIOR R ECITAL
J ANA K UCERA , SOPRANO
A LEXANDER BLITSTEIN, TENOR
with
ChaiKyou Mallinson, P iano
Also with
The Men of the H arp u r Chorale
i
l
Saturday, April 14, 2007
8:00 p.m.
C asadesus Recital Hall
�PROGRAM
V.
L
Jana Kucera an d Alexander Blitstein
( 1 6591 695)
By a Fountainside
Fair House of Joy
A lexander Blitstein
l
II.
O bellissimi capelli
. Andrea Falconieri
Lungi dal caro bene
....... Antonio Secchi
(17611833
Alessandro Scarlatti
( 16591725)
( 1 5851 656)
Cara, cara e dolce
Se Florindo e fedele
Jana Kucera
. Franz Schubert
( 1 7971 828)
Das Wandern
Wohin?
Halt!
Danksagung an den Bach
Am Feierabend
Der Neugierige
Ungeduld
Claude Debussy
(18621918)
...Gabriel F auré
(18451924)
Claude Debussy
Romance
l
En Priére ..
Mandolme
VI.
III.
From: Die schohe Mallerin, Op. 25 ..
.......Roger Quilter
(18771953)
Weep You No More .
The Faithless Shepherdess
Henry Purcell
Sound the Trumpet...
From: The Mikado, or The Town of Titipu
A Wand ’ring Minstrel l
The sun whose rays are all ablaze
Were you not to KoKo plighted
............Sir William Gilbert &
J an e K ucera an d A lexander Blitstein
Alexander Blitstein
IV.
Schon ist das Fest des Lenzes. Op. 37. No. 7
Wiegenlied, Op. 78, no. 4
Unterm Fenster, Op. 34, No. 3
J ana K ucera an d A lexander Blitstein
INTERMISSION
...Robert Schumann
( 1 81 01 856)
Sir Arthur Sullivan
(18421900)
�TRANSLATION S
IL
O Bellissimi Capelli
O beautiful tresses, 0 my sweet
delights,
loving little snakes, twisted in
ringlets.
that cascade on rosy dewy cheeks.
Shady locks, where hides the
winged archer (Cupid) in ambush to
wound!
Fair hair must yield place to your
beautiful dark tresses,
Which, playing around your face,
are the night,
And your eyes are the day.
Lungi Dal Caro Bene
Far from my dear beloved,
I cannot live;
I am in a sea of pain;
Far from my dear beloved,
[ feel my heart give way.
May a sweet last sleep,
If I may not see her,
Close my eyes for always.
Cara, Cara e Dolce
Dear, dear and sweet freedom.
dear. sweet freedom,
you console my soul.
It lives no longer in servitude
As my heart. set loose, goes its way.
Fly, flee then, then from me,
fly, flee then from me,
Quivered God of L ove!
My heart is already free,
As its feet are no longer ensnared.
Se F lorindo e fedele
If Florindo is faithful., I’ll fall in
love with him
If he’s faithful, I’ll fall in love with
him.
Cupid can well draw his bow,
But I’ll know how to defend myself
from a flattering glance.
Please, tears and laments I will not
listen to.
But if he will be faithful, , I shall
fall in love!
IIL
Die schdne Miillerin
(The fair millermaid)
1. Das Wandern
( Wandering)
Wandering is the miller’s joy,
Wandering!
He must be a miserable miller.
Who never likes to wander.
Wandering!
We’ve learned this from the water.
From the water!
It does not rest by day or night,
It’s always thinking of its journey,
The water.
We see this also with the wheels.
W ith the wheels!
They don’t like to stand still.
And turn all day without tiring.
The wheels.
The stones themselves, heavy
though they are,
The stones!
They join in the cheerful dance,
And want to go yet faster.
The stones!
Oh. wandering. wandering. my joy.
Oh, wandering!
Oh. Master and Mistress,
Let me continue in peace,
And wander!
2. Wohin?
( Where to?)
I hear a brooklet rushing
Right out of the rock’s spring,
Down there to the valley it rushes,
So fresh and wondrously bright.
l
I know not how I felt this,
Nor did I know who gave me
advice:
I must go down
With my wanderer’s staff.
Down and always farther,
And always the brook follows after;
And always rushing crisply,
And always bright is the brook.
ls this then my road?
O, brooklet, speak! where to?
You have with your rushing
Entirely intoxicated my senses.
But why do I speak of rushing?
That can’t really be rushing:
Perhaps the waternymphs
are singing rounds down there in the
deep.
Let it sing, m y friend, let it rush,
And wander joyously after!
Millwheels turn
In each clear brook.
3. Halt!
(Stop!)
I see a mill looking
Out from the alders;
through the roaring and singing
Bursts the clatter of wheels.
Hey, welcome, welcome!
Sweet millsong!
And the house, so comfortable!
And the windows, how clean!
And the sun, how brightly
it shines from Heaven!
Hey, brooklet, dear brook,
Was this, then, what you meant?
4. Danksagung an den Bach
(Giving t hanks to the brook)
Was this, then, what you meant,
My rushing friend?
Your singing and your ringing?
Was this what you meant?
To the Millermaid!
it seems to say...
Have I understood?
To the Millermaid!
Has she sent you?
Or am 1 deluding myself?
1 would like to know,
Whether she has sent you.
Now, however it may be,
I commit myself!
What I sought, I have found.
However it may be.
After work I ask,
Now have I enough
for my hands and my heart?
Completely enough!
5. Am Feierabend
(On the Restful Evening)
If only I had a thousand
arms to move!
I could loudly
drive the wheels!
I could blow
through all the groves!
I could turn
All the stones!
If only the beautiful Millermaid
Would notice my faithful thoughts!
�Ah. why is my arm so weak?
What I lift, what I carry,
What I cut, what I beat,
Every lad does itjust as well as I do.
And there I sit in the great
gathering,
In the quiet, cool hour of rest,
And the master speaks to us all:
Your work has pleased me;
And the lovely maiden says
“Good night” to everyone.
6. Der Neugierige
(Curiosity)
[ ask no flower,
I ask no star:
None of them can tell me.
What I so eagerly want to know.
[ am surely not a gardener.
The stars stand too high;
My brooklet will I ask,
Whether my heart has lied to me.
I would like to sow it upon each
fresh flowerbed
With watercress seeds, which it
would quickly disclose;
Upon each white piece of paper
would I write:
Yours is my heart and so shall it
remain forever.
IV.
Schon ist das Fest des Lenzes.
(Beautiful is the Festival
of Spring)
Beautiful is the festival of Spring
But it lasts only three days:
If you have a love, crown it with
roses, before the roses wither!
I would like to raise a young
starling,
If you have a glass, present it,
O Bartender. and sing along with
me:
Until he speaks to me in words pure
and clear,
Until he speaks to me with my
mouth’s sound.
With my heart’s full, warm urge;
Then he would sing brightly
through her windowpanes:
Yours is my heart and so shall it
remain forever!
I would like to breathe it into the
One little word again and again.
morning breezes.
I would like to whisper it through
the active grove:
Oh. if only it would shine from each
flowerstar!
Would it only carry the scent to her
The one little word is “Yes";
The other is “No",
Both these little words
Make up the entire world to me.
Yours is my heart. and so shall it
remain forever.
O brooklet of my love,
Why are you so quiet today?
I want to kn ow just one thing
O brooklet of my love,
Why are you so strange?
I’ll surely not repeat it;
Tell me, o brooklet. does she love
me?
7. Ungeduld
(Impatience)
I would carve it fondly in the bark
of trees.
I would chisel it eagerly into each
pebble,
from near and far!
You waves, could you nothing but
wheels drive?
I thought, it must be visible in my
eyes,
On my cheeks it must be seen that it
burns;
It must be readable on my mute lips,
Every breath would make it loudly
known to her.
And yet she notices nothing of all
my yearning feelings.
Yours is my heart, and so shall it
remain forever.
Beautiful is the festival of Spring,
But it lasts only three days!
Wiegenlied
(Cradlesong)
Sleep, little child, sleep!
As you sleep, so good you’ll be.
Outside red in the midday sun
There glows one of the finest
cherries.
When you awaken, we shall go.
And my finger will pluck it for you.
Sleep. little child, sleep!
As you sleep, so good you are.
Sleep, little child. sleep!
As you sleep, so you’ll be good.
Ever sweeter the sun ripens
Your cherry, for your delight;
Sleep, then little child, lightly
covered,
Until your appetite for it awakens
you!
Sleep, little child, sleep!
As you sleep, you’ll be good.
Unterm Fenster
(Under the Window)
Who is at my bedroom door?
It is I, it is I!
Go. be o ff w ith you, what do you
want here?
Something really sweet!
You come in the dark like a thief.
So catch me!
Do you have a little love for me?
With all my heart!
And if I opened the door as you
wish?
O open it!
That would be the end of sleep an d
peace!
Let them be!
Are you a dove in a dovecote?
With my little dove!
Will you coo until dawn?
Very possibly!
No, I will never let you in!
You must nonetheless!
You’ll likely appear here every
day?
With pleasure!
How chee ky you are and how dare
you!
So may 1?
As long as you tell not a soul!
Of course not!
V.
Romance
(Romance)
The vanishing and suffering soul,
The sweet soul, the fragrant soul
Of divine lilies that I have picked
In the garden of your thoughts,
Where, then, have the winds chased
It,
This charming soul of the lilies?
Is there no longer a perfume that
remains
Of the celestial sweetness
Of the days when you enveloped me
In a supernatural haze,
Made of hope, of faithful love,
Of bliss and of peace?
�ABOUT THE M USIC
En priére
(In Prayer)
If the voice of a child c an reach
You,
O my Father,
Listen to the prayer of Jesus, on his
knees before You!
If You have chosen me to teach
your laws
on earth,
I will know how to serve You, noble
King of kings,
Die schione Miillerin
There are twenty songs in the cycle, written by poet Wilhelm
Muller. Each song tells a different part of a story, with varying
Their short silk coats,
Their long dresses with trains,
Their elegance, their joy
And their soft blue shadows,
Whirl around in the ecstasy
O fa pink and grey moon,
And the mandolin prattles
Among the shivers from the breeze.
i
O Light!
On my lips, Lord. place the salutary
truth,
In order that he who doubts should
with humility
revere You!
Do not abandon me, give me
the necessary gentleness,
To ease suffering, to relieve the
sorrow,
the misery!
Reveal Yourself to me, Lord, in
whom I believe
and hope:
For You I wish to suffe r and to die
on the cross,
at Calvary!
Mandoline
(Mandolin)
The givers of serenades
And the lovely women who listen
Exchange insipid words
Under the singing branches.
There is Thyrsis and A myntas
And there’s the eternal Clytander,
And there’s Damis who, for many a
Heartless woman, wrote many a
tender verse.
41
emotions. Emotions cycle through optimism to despair and tragedy.
A t the beginning of the cycle, a young man wanders happily
through the countryside. He comes upon a brook, which he follows
to a mill. He falls in love with a beautiful girl, the miller ’s daughter,
the “beautiful millgirl” (Die schone Miillerin) of the title. He tries
to impress her, but her response seems quite cool, leading to sadness
and frustration on his part.
The Mikado
Leading gentlemen of the Japanese town of Titipu gather for an
impending celebration A wandering musician, NankiPoo, enters
and introduces himself ("A wand’ring minstrel I"). He has come to
search for the maiden YumYum, with whom he has fallen in love.
Alas, YumYum is to marry her guard ian KoKo, a forme r tailor but
now the Lord High Executioner of Titipu. YumYum appears with
two of her friends. NankiPoo reveals his secret to YumYum: he’s
actually the son an d heir of the Mikado, ruler of Japan, b ut has fled
the court due to the amorous advances of the Lady Katisha. KoKo
arrives and introduces himself and rejoices in his upcoming
marriage. His enthusiasm is cut short by receiving news that the
Mikado will soon be arriving for a visit; as KoKo is behind on his
quota of executions (never having performed any at all!), this means
someone must be executed at once. The others look to KoKo
himself as the perfect subject. KoKo discovers NankiPoo, in
despair over losing YumYum, is preparing to commit suicide. After
realizing that he cannot change NankiPoo’s mind, KoKo makes a
bargain with him: NankiPoo may marry YumYum for one month,
if at the end of that time he allows himself to be exec uted. This
happy arrangement is nearly spoiled by Katisha, who arrives and
tries to claim NankiPoo. However, she makes such a bad
impression on the people of Titipu that her words are drowned out
by the shouting of the crowd. But tho ugh all seems happily settled,
Katisha makes it clear that she intends to return. YumY um is being
prepared by her friends for her wedd ing, after which she is left to
muse on her own beauty ( "The sun whose rays").
�ABOUT T H E PERFORMERS
JANA NICHOLE KUCERA is a native of Binghamton, New
York where she graduated from Chenango Valley High School in
2004. While at CVHS she was an honor student and participated in
Theatre Guild, Chorus, Concert and Jazz Band as well as Odyssey
of the Mind. Jana is currently a BMus candidate studying vocal
performance with Professor Mary Burgess. As a student at BU, she
was recently named to the Harpur College Dean’s List, and is
honored to be a two time recipient of the Music Department’s
Neilson Scholarship in honor of Mary Burgess. She is a member of
Women’s Chorus and is a past member of the Harpur Wind
Ensemble. She is currently a member of the TriCities Opera Chorus
where she has performed more than 15 choral roles over the past 7
years. In addition to TCO, Jana has performed numerous lead and
supporting roles in a variety of local theater productions and
recently performed the role of Elsie Maynard in Yeoman of the
Guard (Summer Savoyards). She would like to thank her friends,
family, and teachers for all of their love and support.
ALEXANDER BLITS TEIN was raised in Chappaqua New York,
where he graduated from Horace Greeley High School. He is
currently a BMus candidate in vocal performance studying with
Professor Timothy LeFe bvre. As a student at B U, he has served as
the President of the student organization Music Groups, as well as a
member of the Undergraduate Music Advisory Committee. He has
also participated in Harpur Chorale under the direction of Peter
Browne. In 2005 he was the recipient of the John and Marcella
Keeler Scholarship. He has appeared as a soloist with the
Binghamton University Chorus and African Drumming Ensemble,
and he would like to thank all that helped him get to this point,
specifically including his grandparents.
CHAIKYOU MALLINSON, currently on the faculty of the
Department of Music at Binghamton University, received a B.M.
degree in Piano from Juilliard, Licence d’Enseignement from Ecole
Normale de Musique de Paris, France and a M.A. degree from
Binghamton University, where she studied with Jean Casadesus. A
prize winner in the Korean National Music Competition, she was
awarded the French Government Scholarship, Tanglewood Summer
Music School Full Scholarship and the Fontainebleau American
Conservatory Full Scholarship. She gave a debut recital in Carnegie
Recital Hall and has been active as a recitalist, vocal accompanist
and coach, and chamber music performer, as well as an active
adjudicator of piano auditions and competitions. She appeared in a
performance with the Seoul Philharmonic Orchestra, which Eumag
Choonchu, one of Korea‘s most respected music magazines,
described as “of rare quality, moving and lyrical. ”
T H E H A R P U R C H O R A L E . directed by Adjunct Lecturer Peter
Browne, is a select chamber choir whose mem bers are chosen on
the basis of voice quality and sightreading ability. The Chorale
performs frequently thro ughout the year, singing outstanding choral
works of every historical period and style in several languages. The
group has toured throughout the eastern United States.
Particpating Mem bers
Bass
John Paap
Adam Hess
David Parisi
Tenor
Ross Matthei
Douglas Schwartz
�Coming
‘Curent
Sunday, A pril 1 5 – University C horus and Orchestra : Bach B Minor Mass –
3 :00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Tuesday, A pril 1 7 – St udent Rec ital : Melissa Le e, viola – 7 :30 p.m. – Casadesus
Recital Hall – free
Th ursday, A pril 19 – M idDay Co ncert – 1:2 0 p.m. – Casadesus Recital Hall
free
Sat urday, Ap ril 2 1 – Master ’s Recital : Katrina C ox, sop rano – 8:00 p.m. –
Casadesus Recital Hall ~ free
Sunday, A pril 22 – Master ’s Recital : Elizabet h D u hr, mezzosoprano – 3 :00
p.m. – Casadesus Rec ital Hall – free
Sunday A pril 22 – M aster ’s Recital : Soon Yo ung Park, baritone – 8:00 p.m. –
Casadesus Recital Hall – free
Th ursday, A pril 26 – Jazz Mid Day Conc ert – 1 :20 p.m. – Osterhout Concert
Theater – Free
Th ursday, A pril 26 – J azz Ensem ble with g uest art ist – 8:00 p.m. – Osterhout
Concert Theater $9 general public; $7 faculty/staff/seniors; free for students
Sat urday, April 28 – Master ’s Recital : Nicole Hsu, piano – 8:00 p.m. –
Casadesus Recital Hall – free
Sunday, A pril 29 – U niversity W ind Ensem ble an d the So ut hern Tier Concert
Band – 7:3 0 p.m. – Osterhout C oncert Theater – free
Tuesday, May I – University Percussion Ensemble – 8:00 p.m. ~ Anderson
Center Chamber Hall – free
Th ursday, M ay 3 – Mid Day Conc ert – 1 :20 p.m. – Casadesus Recital Hall – free
Friday, M ay 4 – Flute Studio Recital – 10 :15 a.m. – Casadesus Recital Hall – free
Sat urday, Ma y 5 – Flute E nsem ble Recita l – 10:15 a.m. – Casadesus Recital Hall
free
—
Sunday, M ay 6 – St udent Rec ital : Rosa Nam, pian o – 3:00 p.m. Casadesus
Recital Hall – free
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Junior recital, Jana Kucera, soprano, Alexander Blitstein, tenor, April 14, 2007
Recital Tape 4-14b-2007
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Held at 8:00 p.m., Apr. 14, 2007, Casadesus Recital Hall. Works of Purcell, Falconieri, Secchi, Scarlatti, Schubert, Schumann, Quilter, Debussy, Fauré, Gilbert & Sullivan.
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Blitstein, Alexander
Mallinson, Chai-Kyou
Kucera, Jana
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Binghamton University Libraries
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2007-04-14
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sound
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UUID
3adb7e69-5ce4-4a7b-a5b6-4f3152b4a12c
-
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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37:57:00
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Thursday mid-day concert, April 19, 2007
Recital Tape 4-19-2007
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Held at 1:20 p.m., April 19, 2007, Casadesus Recital Hall. Works of Reade, Rossini, Donaudy, Ravel.
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Perry, Timothy
Reitz, Margaret
Duhr, Elizabeth
Cox, Katrina
Mallinson, Chai-Kyou
Park, Soon-Young
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Binghamton University Libraries
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2007-04-19
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sound
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bd83231efeb623bef3864cb3c31ca37e
PDF Text
Text
~
J
<
r
~ x
HARPUR JAZZ MIDDAY PROGRAM
April 26, 2007
Featuring:
Steve Davis
Program selected from the following:
The Quota .
. Jim my Heath
How Deep Is The Ocean...
..Irvi ng Berlin a rr. by Al Ha m me
Ya rdbird Suite
Charlie Parker
You Don ’t Know W hat Love Is
Speak LOW isssssssissovionissiriarssssistioissiantertsssiomsissnsetntossiobomssbsisnsisse
.. Don Raye
.
. . Ku r t Weil
Blue SKieS...occiiinensiniensininnssnssinennisnninssnsnmssisseessss
IFVINE Berlin a rr. by Al Ha m me
Things Ain ’t What They Use to Be..
Steve Davis Trombone
Albert Hamme: Alto Sax & Flute
Mike Carbone: Tenor Sax & Flute
Camille Thurman: Tenor Sax
Gene Cothran: Piano
Andrew Williams: Bass
Joe Roma : Drum set
Du ke Ellington
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
52:22:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196801">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196801</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Jazz mid-day program, featuring Steve Davis, April 26, 2007
Recital Tape 4-26-2007
Description
An account of the resource
Works of Heath, Berlin, Parker, Raye, Weil, Ellington.
Creator
An entity primarily responsible for making the resource
Davis, Steve
Hamme, Albert
Carbone, Michael
Thurman, Camille
Cothean, Gene
Williams, Andrew
Roma, Joe
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-04-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
50470c66-ad06-42eb-93c2-c06f34888907
-
https://omeka.binghamton.edu/omeka/files/original/c487e116eb88d6cb4f5f4ed539a25a1b.pdf
b1a90fbe524c238e49a0d39c6af58b05
PDF Text
Text
MT( IN
BINGHA
”C x i ‘ l l. , : I l
U
Staet Univ ersity
ANT 1 t
=
a
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d e c
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D E P A R T M E N T
N 1
a
Ha rpu r Jazz Ensem ble
Michael C arbo ne, d i recto r
with guest artist
Ste ve Davi s
Thursday, April 26, 2007
8:00 p. m.
Osterh out Concert Theater
�ABOUT T H E PERFORM ERS
M I C H A E L J . CARBONE, conductor, is an instrumental music
teacher in the Johnson City School district where he is Director of
Concert Band and Jazz Ensemble. He joined the Binghamton
University music faculty in 1997 and serves as the Director of the
Jazz Studies P rogram and as Director of the Harpur Jazz Ensemble.
He holds a B.M.E. from th e Crane School of Music and a M.M.
from Binghamton U niversity. Carbone has performed with many
wellknown artists including Al Marino, Natalie Cole, Tommy
Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny
D’Imperio’s Big Band Bloviation. the Central New York Jazz
Orchestra, and The Temptat ions. Carbone curre ntly performs with
the local jazz group “Miles A head.
STEVE DAVIS is widely regarded as one of today’s leading
improvisors o n the trom bone. His lyrical, ha rdswinging st yle first
gained him broad recognition during the 1 990’s while working with
the bands of jazz legends Art Blakey, Jackie McLean, Chick Corea’s
acclaimed sex tet Origin and the renowned cooperative sextet, One
For All.
Born in Worcester. M A in 1 967, Steve was raised in Binghamton,
N Y and graduat ed in 1989 from The Hartt School’s Jackie McL ean
Institute of Jazz (University of Hartford). It was Mc Lean’s
guidence and recommendation that helped Davis land his first major
gig with Art Blakey in N YC in Dec 1989. Steve returned to
Hartford in 1 992 to join Mc Lean’s sextet and begin teaching
alongside his mentor at both the Hartt School and Artist’s
Collective. Davis has resided in Hartford ever since.
In May 2006, Davi s presents his 9th CD as a leader, “Update ” (Criss
Cross) which features the stellar lineup o f Peter Bernste in, Anthony
Wonsey, Nat Reeves. Joe Farnsworth and special guest Roy
Hargrove.
Lately, Steve has been leading his own bands with more frequency
including an allstar quintet featuring Steve Nelson. Larry Willis,
Nat Reeves and Joe Farnsworth. Davis has also formed a new
(
l
quartet/quinte t featuring risin g stars Dav id Bryant (piano), Dezron
Douglas (bass ) and renowned drummer. Eric McPherson.
On occasion, the band is augmented by exciting, frontlinemates
Mike DiRubbo alto sax and/or Ray Mc Morrin tenor sax, Josh
Evans trumpet. Steve also continues to perform and record with
the wellknown, collective unit One For All ( feat. Eric Ale xander,
Jim Rotondi, David Hazelt ine, Peter Washington, Nat Reeves or
David Williams and Joe Farnsworth). The band has recorded 11
CD’s since 1997 for Sharp Nine, Criss Cross and Venus/Japan.
Both their recordings and live performances have garnered rave
reviews. In 2006, Seco nd Floor Music will be publishing One For
All sextet c harts in t wo sets, as re corded o n the group’s fi rst t wo
CD’s. “Too Soon To Tell” (1 997) and “Opt imism” (1998) for Sharp
Nine Records.
Ever indemand as a sideman. Davis is featured on over seventy
recordings and has worked in recent years with a broad range of
jazz icons including Horace Silver, Cecil Payne, Larry Willis,
Freddie Hubbard (w/ New Jazz Composers Octet), The Dizzy
Gillespie Alumni AllStar Big Band/Sextet, Slide Hampton‘s World
of Trombones, Wynton Marsalis (w/ Lincoln Center Jazz Orchestra)
and Steve Turre’s One 4 J.
Steve has also worked with a variety of his peers over the years
including Claudia Acuna. Eric Alexander, A braham Burton, Avishai
Cohen, Mike DiRubbo, Dena DeRose, John Farnsworth, Jimmy
Greene. Roy Hargrove, Stefon Harris, Nicholas Payton and Michael
Weiss.
Davis continues to lead an active teaching career at the Hartt
School‘s Jack ie McLean Instit ute of Jazz (U niversity of Hartford)
where he has been on faculty since 1991 and now teaches
exclusively. Steve also continues his longtime affiliation with the
Artist‘s Collective (founded by Jackie and Dollie McLean) in
Hartford, CT where he mak es his home (i n West Hartfo rd) with his
wife, pianist M ary DiPaolaDavis and child ren Tony and Angie.
�P rog r a m
!
X
F IRS T HALF
John La Barbera
Tiger o f San Pedro
SECOND HAL F with S t e v e D a v i s
Program selected from the follo wing:
Arabia..
How Sweet lt ls......... Edward & Brian Holland and Lamont Dozier
arr. by Mark Taylor
T Groove
Milt Jackson
arr. by John Cla yton
Groovin Hard
Don Menza
E
Straight N O C h E S E L . . . . . . . . . . . . . c c i c c i i Monk
arr. by John La Barbera
New York City B
l
u
e
You ’ve Changed
[ Can’t Believe You ’re In Love
The Jazz Police
s
Q
u
m
c
y Jones
Bill Carey & Carl Fischer
arr. by Mark Ta ylor
...Clarence Gask ill &
Jimmy McHugh
arr. by Billy May
Gordon Goodwin
Curtis Fuller
arr. by Chris Casey
I Got It Bad (And That Ain’t Good) ..
Mean What Yo u Say
SloFunk
That Warm Feeling
.. Duke Ellington
Thad Jones
Bob Mintzer
Sammy Nestico
�HARPUR JAZZ ENSEMBLE
H
h
David Faranda. 1 alto
Dan Fagen. 2 ” alto
Camille Th urman. 1* tenor
Michael Marchisotto. 2 ” tenor
Margaret Hager. Baritone Sax
Bob Pompi. Bariton e Sax
Harris Brenner
Julian Goetz
T r u m pets
Rudy Bellanton
Laura Kinne
Paul Persichette
Alex Weiser
Glen Widjeskog
D r u m Set & percussion
Aaron Fumarola
Brad Koegel
Trobones
Christopher Delama ter
h
A
allo
“ 3
‘
h : ty
h : s g
na n ~ Swaaley
a s percussion
o y ' e a n
Flute
Stefanie DeVito
Mo “Reese ” Taylor
Christine Hubert
Harris Brenner
Clari net
Richard Silvagni
a
a
t a e
eKatrina Cox
Gabriel Luce
David Katcher
Rhonda Plunkett
Jamie Cepler
This concert is cosponsored by
the Department o f Music and the
Harpur Jaz z Project
Bass
s
s
¢
Vocalists
J a z z A p p r e c i a t i o n M on t h
This performance also partially funded by the
f
v ition
J
yi
t . , ' LP
:
.
oi Jazz Educa
AssoczatIOnf
International
N e w Y o r k S t a t e C h a p t er
�Comngi C‘ents
Sat urday, April 28 – Master ’s Recital : Nicole Hsu, piano – 8:00 p.m. –
Casadesus Reci tal Hall – free
Sunday, April 29 – University Wind Ensem ble and t he Southe rn Tier
Concert Band – 7:30 p.m. – Osterhout Concert Theater – free
Tuesday, May 1 – University Percussion Ensemble – 8:00 p.m. – Anderson
Center Chamber Hall – free
Casadesus Recital Hall
Th u rsda y, May 3 – MidDay C oncert – 1 :20 p.m . –
free
Friday, May 4 – Flute Studio Recital – 10:15 a.m. – Casadesus Reci tal Hall
free
Sat u rda y, Ma y 5 – Fl ute Ensem ble Rec ital – 1 0:15 a.m . – Casadesus Recital
Hall free
–
Su nda y, May 6 – St udent R ecital : Rosa N am, pia no 3:00 p.m . Casadesus
Recital Hall free
Sunday – May 6 – Master ’s Recital : Danielle Sofer, piano
Casadesus Recital Hall free
7:00 p.m.
Wed nesda y, Ma y 9 – G limmerg lass O pe ra You ng A rtists E nsem ble 8:00
p.m. Casadesus Recital Hall free
–
1:20 p.m.
Th u rsda y, May 1 0 St udent Recogn ition MidDa y Conc e rt
Casadesus Recital Hall free
Thursday, Ma y 1 0 – Harpur Chora le & Women ’s Chor us
Anderson Center Chamber Hall free
8 :00 p.m.
Sat u rda y, Ma y 1 2 – Master ’s Recital : William G ilchrest , tru m pet
p.m. Casadesus Recital Hall free
8:00
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio cassettes 2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:08:30
49:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196804">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196804</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
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'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Jazz Ensemble, April 26, 2007
Recital Tape 4-26b-2007
Description
An account of the resource
Held at 8:00 p.m., Apr. 26, 2007, Osterhout Concert Theater. "This concert is co-sponsored by the Binghamton University Music Department and the Harpur Jazz Project"--Page [7] of accompanying program. Works of La Barbara, Holland and Dozier, Monk, Jones, Carey & Fischer, Gaskill & McHugh, Goodwin, Fuller, Jackson, Menza, Ellington, Jones, Mintzer, Nestico.
Creator
An entity primarily responsible for making the resource
Davis, Steve
Carbone, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-04-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
a3071914-c953-4c6c-8f07-f51e02cdb06b