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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMI‘ON
Harpur College
Department of Music

LENOX  QUARTET

S a t u rd a y,   February  7 ,  1976
8:15  pm
Casadesus  Recital  Hall

�The  Lenox  Quartet
FORTHCOMING  EVENTS

Feb  10 
Feb  14 
Feb  17 
Feb  21 

Catskill Quintet 
. 
Margie  Graber,  piano  recital. 
Margaret  Donelian,  voice  recital
Seymour  Fink  and  Delmar  Pettys:
ptano  and  v i o l i n  
Feb  2 7  Orchestra  Concert 
: 
Feb  28  Dennis  Berg,  piano  recital 
Feb  29  Chamber  Series:  Toby  Appel
Al  Hamme

Paul  Jordan

*************************************************&amp;***

QUARTET  IN  E MAJOR 
op.  125,  no.  2

F.  SCHUBERT

Allegro  con  fuoco
didamie
Menuetto:  Allegro  vivace
Rondeau:  Allegro  vivace
STRING  QUARTET  (1953) 

I.  FINE

Allegro  risoluto
Lento
¥¥¥¥¥¥

–I NTERMI SSI ON –

Any  cars  parked  by  ﬁre  hydrants,  yellow  curbs, 
or  i n  24  hour  disabled  spaces  are  subject  to  being
towed  away  at  the  owners’  expense. If  your  vehicle 
is  in  any  of  these  areas,  please  mov e it  immediately. 
Your  cooperation  is  appreciated.

QUARTET  IN  E­ﬂat MAJOR 

op.  127

L.  van  BEETHOVEN

Maestoso:  Allegro
Adagio,  ma  non  troppo  e molto  cantabile
Scheraando  vivace
Finale

�</text>
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                    <text>STATE  UNIVERSITY

OF  NEW  York AT  BINGHAMTON 

Harpur College 
Department of Music 

Walter Ponce, piano 

Saturday,  January  24,  1976
8:15  pm

Watters  Theater

�Walter  Ponce,  piano

WORKS  BY  FREDERIC  FRANGOIS  CHOPIN  (1810­1849)
’(­*&gt;(­&gt;(­****************************************&amp;**X­X­X­tht­

BALLADE
in  A–ﬂat major,  op.  47 

(1840­41)

TWO  NOCTURNES
in  C­sharp  minor,  op.  27,  no.  1 
In  G major,  op.  37,  no.  2 

(1834­35)
(1839)

SCHERZO
in  B­ﬂat minor,  op.  31 

(1837)

­Intermission­

SCHERZO
in  B minor,  op.  20 

(1831­32)

TWO  NOCTURNES
in  F major,  op.  15,  no.  1 
in  F­sharp  major,  op.  15,  no.  2 

(1830­31)
(1830­31)

BALLADE
in  G minor,  op.  23 

(1831­35)

�</text>
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                    <text>STATE UNIVERSITY  OF  NEW  YORK  AT BINGHAMTON
HARPUR  COLLEGE

THE  DEPARTMENT  OF  MUSIC

UNIVERSITY  CHORUS
David L .  B uttolph, conduc tor

Sunday,  December  7 ,   1975
7 : 3 0   pm
Don  A.  Watters  Theater

�University  Chorus
*************&amp;*******é
******&amp;****&amp;***#*&amp;**************

EDWARD  ELGAR

THE  MUSIC  MAKERS 

Stephanie  Sundine,  mezzo–soprano
I N T E R M I S S I O N
CHRISTMAS  CANTATA 

About  our  Solo ists
l

l

nors
Stephanie  Sundine,  a  graduate wit h hi ghes t ho
im­
an 
has 
1, 
 197
n
from  the  Univ ersit y  o f  I l l i n o i s  i

f

i

year s i s  tha t o f   ﬁ n a l i s t  i n  the  San  Fran
Regi onal   Aud ition s  f o r  197 5.

Allegro

ee  from
Cora  Couch  holds  the  Bachelor  of  Music  degr

cal  activi­
Oberlin  Conservatory.  Her  program  of  musi
 Bezazian
 the
o
t i e s  i n  r e c i t a l  and  chamber  music  led  t

BRASS  C H O I R
David  Bes palko,  t rump e t
Robert  Hayes,  trumpet

Al  Szymaniak,  trumpet 
Dan  Benscer,  trumpet 
Richard  Gower,  trombone  Eric  Schwartz,  trombone
Mitch  Geisner,  trombone  James  Magacs,  trombone
Kirk  Jackson,  baritone
Tom  Wood,  tuba

 ope rati c
Music  Scholarship  Award  i n  1969.  She  has  held
rlin,
 Obe
f
o
 
yers
lead s wi th th e  Gilb ert and  Sull ivan  Pla

.,  and
the  Collge  Light  Opera  Company  of  Falmouth,  Mass

i

[ .

SERGE  RACHMANINOFF

: 

1]

l

[

JOHANN  SEBASTIAN  BACH

Glor ia i n  e x c el s i s  Deo
Glor ia Patri

Cora  Gamelin  Couch,  soprano
Donald  Weiskopﬀ, tenor

Steu t  e r a t  i n  p r i n c i p i o

oral
she  made  solo  appearances  with   the  Pent ucket Ch
Society  of  West  Newbury,  Mass.

born
Donald  Weiskopﬀ, a native  Tri­City  resident, ctiv
i­
choral a
in  Endicott,  has  long  been  a member  of 
e
th
 
 with
s
t i e s  i n  t h i é  are a.  He  has  sung  teno r r o l e
s  appeared
Chenango  and  Montrose  Choral  Societies  and   ha
frequently  over  the  years  as  soloist  in  the choral

l

CANTATA  191 

a,
Chicago  Lyric  Opera,  New  York’s  After  Dinner  Oper
­
Gold
s 
Bori
The 
The  Chautauqua  Opera  Asso ciati on,  and 
d
orme
perf
 
s
a
h
she 
ovsky  Opera  Theater  National Tours, 
s  leading
solo s i n  sev eral  major  choral works  as w ell a o l o i st
s
a 
was 
ro l es  i n  musical  comedy.  This  year  she 

he  pa
Productions.  Amoung  several  awards  over  tcisco
 Opera

Adagio

MAGNI FI CAT 

o rat o r i o .   Besi des  appearan ces  as s o l o i

  Tour
with  Gil bert  and  Sull ivan   A La  Cart e  Nati onal st

DANIEL  PINKHAM

Maestoso,  Allegro

 
T
BRASS  CHOIR  I

f  opera  and
posing  record  of  experience  in  the  world s to with
 th e

1

l

l
l
l

l

l
1i
i
l

Society.
masterworks  presented  by  the  Binghamton  Choral  St.
He  is  a member  of  the  Bach  Oratorio  Society,  the 
Ambrose  Choir  and  the  Vacano  Music  Society.
AX AX XX

sent
The  Univ ersit y Chorus  and  Orch estra  w i l l  pre

with
Carmine  Burana  by  Carl  Orﬀ on  April  5th,  1976 
 and
Louise Wohlafka,  soprano,   Alan  Crabb,  t e n o r,
Jake  Gardener,  baritone.

�Program  Notes
The  Music  Makers,  set  to  Arthur  O’Shaughnessy’s

poem,  was  wr i t te n  i n  1912  and,  unlike  some  o f   i t s

earlier  predecessors  ­ Dream  of  Gerontius  (1900),

Enigma  Variations  (1899),  The  Apostles  (1903),  and

the  Symphonies  ­ uses  referential  themes  from  many  of
th es e  works.  The  at t ra c t i o n  f o r  Elgar was  th e  t e x –
tural quality  o f   dream  fantasy  and  the  p o ss i b i l i t i es
o f   harmonic  allusion and  dream  symbolization.

This  “Magniﬁcat",  by  Serge  Rachmaninoﬀ  (1873­
1943)  is  the  eleventh  of  ﬁfteen choral  selections
written  in  1916  for  the  “ALL  Night  Vigil,”  Opus  37.

I t  i s  formed  o f   fundamental  melody  l i n es  i n  the  lower
vo i c es  which  are  interspersed with repeated choral
exaltations in  th e  higher vo i c e s .   The  theme  o f   spir–
i t u a l  devotion i s  stated simply  i n  the beginning,

gaining  fulness  and  grandeur  and  gradually  growing
i n t o  a  complete  expression o f   the  humility  o f   the

Virgin,  and  an  aﬀirmation of  belief  in  the  power  of
the  Lord
Daniel  Pinkham (b.  1923)  is  a contemporary  Amer–
iean  composer  now  on  the  faculty  of  the  New  England

Conservatory  o f  Music.  His  “Christmas  Cantata,”
wr i t t e n  i n  1957,  i s  a  good re p res e n tati o n  o f  modern

choral  composition.  The  work i s  i n  three movements,
opening  with an  invocation  t o  the shepards  t o  t e l l

t h e  s t o r y   o f   t h e  Na t ivi t y.   This  i s  done  wi th  sim­
plicity  and  freshness,  and  in  programmatic  style.

The  second  movement describes  the  mystery  of  the

Virgin and  the Nativity,  and  leads  t o  an  ebullient
third movement,  where  the  f u l l  chorus  sings  “Gloria
i n  e x c el s i s  Deo,”  a motive repeated between  several
sections o f   praise and  adoration,  i n  which more  and
more  voices  are  heard.  The  work  culminates  drama­
tically  in a  ﬁnal Alleluia.

Bach  was  a great  borrower  not  only  from  such great

masters  as  Vivaldi and  Corelli but  from  his own  pro–

digious  output

From h i s  Mass  i n  B minor  composed  i n  1733,  Bach
drew  Cantata  191.  Dated  1740,  i t  i s  an  arrangement
o f   the Gloria  f o r  Festo  Nat ivi tat i s  C h r i st i .   The
work  i s  i n  three movements:  the  ﬁ r s t  based on  the
Gloria,  No.  4  o f   the  Mass;  the  second on  th e   Domine

Deus,  No.  7 of  the  Mass;  and  the  closing  chorus  on  the
Cum  Sancto  S p i r i tu ,   No.  11  o f   the  Mass.

The  main  d i ﬀ e re n ces   l i e  i n  Bach’s  textual changes
which  substitute  the  Doxology  i n  the  second and  third
movements.
What  makes  No.  191  an  e x ce pti o n a l   ‘borrowing  c a s e ’
however  i s  the  f a c t  th at  i t  i s  th e  only  cantata n o t

in  the  vernacular  (German).  According  to  Whittaker,
“No  year  of  the  Christmas  Day  for  which  it was  pre–
pared  i s  ascertainable,  and  (there  i s )  no  reason  f o r
th i s  departure  from  the  normal.”
E

E

E

During  intermission,  you  are  cordially  invited

t o  attend the opening  o f   the  exhibition,  “Canvas

Fantasy”  in  the  University  Art  Gallery.

�THE  UNIVERSITY  CHORUS

SOPRANO
Elizabeth  Dixon
Judith  Elkin,
secretary
Michalene  George
Laurie  Goodheim,
treasurer
Kathleen  Groves
Marcia  Hausner
Janet  Hawkins

Cindy  Hibbard
Grace  Houghton
Harriet Johnson
Stephanie  Klein
Cheryl  Klingensmith
Danette  Lipten
Judy  Lou
Marcie  Lustgarten
Nancy  McCann
Juliette  Mellow
Harriet  Penensick
Martha  Powell
Jodi  Silbiger
Noreen  Spota
Barbara  Taggert
Sharon  Wilcox
Amy  Williams
ALTO
Clara  Budin
Phyliss  Burr
Molly  Cargile
Susan  Cohen
Joanne  Cronin
Nancy  Drucker
Dawn  Dweir
Ann  Ehrlich
Ruth  Foley
Miriam  Gilbert
Rosemary  Goetz
Sylvia  Horowitz
Rhonda  Klein

BASS  cont’d
Richard  Davis
Jon  Floriano
John  Florio
Michael  Gaworecki
Leon  Glow,
vice  president
Robert  Gordan
Kenneth  Hollister
Michael  Klein
Michael  Lamberta

Sue  Lawson
Judy  Levine
Michelle  Milligan
Carrie  Nichols
Emily  Parker
Janet  Peretz
Lori  Salomon
Amy  Schmertz
Judith  Schoolman
Beth Ann  Schoonmaker
Jane  Shear
Judith  Solheim
Margaret Starke

Thomas  Lamphere
Richard  Mallinson
Andrew  McKim
David  Mose
Michael  Pierce,
president

Adam  Pollak
William  Snyder

Marshall  St.  Clair

ACCOMPANIST
Chai­Kyu  Mallinson

Carol  Townsley
Michelle  Tuman
Jill  Weston

TENOR
John  Davidge
Richard  Ervin
Robert  Frankel,
librarian
Lee  Gartenberg
Frank  Holby
Ben  Holroyd
Mark  Lanze
Kevin  McDermott
Thomas  Nytch
Stuart  Silverman,
publicity
Jud  Wallis
Donald  Weiskopf
Floyd  West
BASS
Christopher  Arneson
Lynn  Aylesworth
Thomas  Baynes
Peter  Bolan
Ian  Cain
Carl  Dashman

THE  ORCHESTRA

l
\

VIOLIN  I
Evelina  Choa,
concertmaster
Mary  Barton
Bruce  Berg
Ronald  Copes
Karen  Fliegler
Elmar  Oliveira
Robert  Seletsky
Michael  Smith
Lydia  Werbizky

VIOLA

VIOLIN  II
Armen  Boyagjian,
principal
Nigel  Allen
Janet Brady
Kevin  Byrnes
Lee  Ann  Harbatuck
Ross  Levinson
Marcia  Miller
Evan  Paris
Cordula  Rosow

CELLO

Larry  Bradford,
principal
Geoﬀrey Brooks
John  Dexter
Judy  Geist
Barbara  Gorin
Carol  Isaacson
Julie  Kramer
Sandra  Robbins
Ellen Weil

David  Heiss,
principal
Howard  Cohen
Michael  Finckel
David  Hoppe
Seth Jacobs
Tom  Shaw
Steve Stalker
Holly Wilson

�BASSES
Debbie  Neu,
principal

Richard Thomas

Dominique  Hyatt
Michael  Sanders
FLUTE
Susan  Passanante
Liann  Helfer

PICCOLO
Nancy  Becker
OBOE
E l l i o t  Friedman
Janet  Zeibur

ENGLISH  HORN
Matthew  Kuhn
CLARINET

Wendy  Osteyée
Paul  Ketchoyian

BASS  CLARINET

Laurie  Nash

BASSOON
Lois  Chantry

Michele  Stein

HORN

Bob  Taylor
Ken  Steiger
Rod  Thomas

Jay  Hilﬁger
TRUMPET
Alfred  Szymaniak
Bob  Hayes
Dave  Bespalko
TROMBONE
Eric Schwartz
Richard  Gower
Steve  Shear
TUBA
Tom  Wood
PERCUSSION
Diane  Dino
Joseph  Pazienza

TYMPANI
Geoﬀrey  Brooks
HARP
Linda  Warren

�</text>
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                    <text>STATEljnnmnsn1’or.Nzwrlknu:ATIBn«nnuu10N

Harpur College

t 
sic
n
oeMu
m
Depart f

Martin  Hass, piano

Saturday,  December  6, 1976
3:00  pm
Casadesus  Recital  Hall

�Martin  Kass,  piano
41­3656&gt;(­**************&gt;ﬁ*******&gt;ﬂtd­X­i­X’X­i­Jkiaﬁi­JGX’JGX­X­X­i’aﬁx­X­ahhf

J.S.  BACH

PRELUDE  AND  FUGUE  IN  C–SHARP  MINOR 

from  Book  I of  the  Well  Tempered
Clavier

SYMPHONIC  ETUDES 
op.  13

R.  SCHUMANN

I  N T  E R M I S S I 0  N

SONATA  IN  B­FLAT 

F.  SCHUBERT

op.  post,
Molto  moderato
Andante  sostenuto

Scherzo:  Allegro  vivace  con  delicatezza
Allegro  ma  non  troppo
For Mr.  Kass,  t h i s  r e c i t a l  i s
given  in  partial  fulﬁllment of

the  requirements  for  the  degree
Master  of  Music.

�</text>
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                    <text>STATEljnnmmsnv'orIQEw'Yonx.srthGnAunox

Harpur  College

  Music
f
o
Department 

collegium

musicum
paul Jordan

€ d I t h  BORROSf
OIRECTORS

December  4,  1975
8:15  pm
Don  A.  Watters  Theater

�Collegium Musicum
***********&amp;********************************&amp;*******

I.  PRAISE  THE  LORD,  O JERUSALEM 

_ Anthem  fo r   5­part  chorus, 
strings,  and  basso  continuo

SINFONIA  IN  D MINOR 
for  two  ﬂutes  and  string 
orchestra
. 
Adagio 
Fugue 
HEAR  MY  PRAYER,  O LORD,  AND
LET  MY  CRYING  COME  UNTO  THEE 
Motet for  8 voices 

I  N T  E R  M I S S I  O  N

HENRY  PURCELL

(1658­1695)

WILHELM  F.  BACH
(1710­1784)

HENRY  PURCELL
(arr.  P.Jordan)

III.  MISSA  BREVIS  NO.  1 IN  F MAJOR 
for  4­part chorus,  soprano,  alto 
and  bass  s o l o i s t s ,   two  oboes
and  bassoon,  two  brass instru­
ments,  strings,  and  basso
continuo

J.S.  BACH
(1685–1750)

Kyrie  Eleison,  Christe  Eleison,  Kyrie  Eleison

­chorus

Gloria i n  E x cel s i s   Deo

­chorus

Domine  Deus,  Rex  C o e l e s t i s

­aria  for  bass  and  solo  violin

II.  Entry 
NOVA, 
Caro 
NOVA 
le : 
Motets:
GLORIOSAE  VIRGINIS  MARIAE 

HODIE  CHRISTUS  NATUS  EST 
Carole:
FROM  THE  SHEEP–SHEARER’S  GUILD
CHRISTMAS  PLAY  (COVENTRY) 

ANONYMOUS 

(ec.  1850) 

LEONEL  POWER
(ce.  1400)
CLAUDIO  MONTEVERDI
(1567­1643) 

ANONYMOUS
(ec.  1500)

Qufaiiizﬁﬁigiﬁomaﬁilboe
Quoniam  Tu  Solus  Sanctus

­aria fo r  alto and  vi o l i n
Cum  Sancto  Spiritu
­chorus

SANCTUS  IN  C MAJOR 
for  4­part chorus,  trumpet,
o oboes,  horm,  strings,  tym­
pani,  and  basso  continuo
EE EL 
EEX]

Motets:
O  DOMINE  JESUS 

ADRTAN  WILLAERT

(ec.  1490­1562)
VIDENTES  STELLAM  MAGI 

Exeunt  Carole:
NOWELL  SING  WE 

ROLAND  DE  LASSUS
(15632–1594)

ANONYMOUS
(ec.  1400)

This  concert  is  ﬁnanced  by  your
Student  Activity Fees.

J.S.  BACH

�Parts  I  and  III  are  oﬀered by  the  Collegium  Choir,
Orchestra, and  Soloists
Soloists :
Rachel  Gardener, soprano
Jacquelyne  Garms, alto
Eugene  Sawc zyn ,  bass
Karen  Tax,  ﬂute

Sharon  Kossakoﬀ, ﬂ ut e
George Myers, violin
Geoﬀrey Barron, oboe
Howard  Cohen,  ‘ cello

Orchestra:
Violin  I

Violin  II

Viola

George  Myers
Rosa  Campa
Paul  Goodman
Kimberley  Slater

Dinah  Voorhies
Olev  Viro
Joe  Zoeckler
Donald  Thaler

Carol  Isaacson
Joyce  Capani
Jeanne  Woodruﬀ
Ellen  Weil

‘Cello

Oboe

Trumpet

Howard  Cohen
Myra  Greenstein
Donna Page
Tracy  Slack

Geoﬀrey Barron
Janet Ziebur

Alfred  Szymaniak

Double  Bass

Lois  Chantry

Dominique  Hyatt

Harpsichord

French  Horn
Bassoon
Rebecca  Miller
Tympani
Geoﬀrey Brooks
Deborah  Lemon

Choir :

Alto

Soprano

Jill  Benjamin
Karen  Adler
Margaret  Donelian Carolyn Brooks
Karen  Clute
Carolyn  Dow
Susan  Cohen
Ann  Ehrlich
Carol  Delton
Marcia  Hausner
Sue  Lawson
Sheryl  Kay
Kate  Sudekum
Donna  Merriam
Karen  Tax
Louise  Ulrich
Barbara Hager
Ellen  Weil

Tenor
Richard  Kaskan
Ross  Levinson
Bass

Dan  Lotto
Neil  Rouda
Paul Sweeny
Larry  Zukof

Conductor : Paul Jordan
Part  I I   i s   o ﬀ e r e d  by  the Renaissance  Consort :
John  Doscow
Lorraine  Forman
Thomas  Kolpakas
Jan  Lauridsen

Di rector :

Sue  Lawson
Esther  St erl ing
Larry  Zukof

Edi th  Bor roﬀ

Kate  Sudekum
Paul  Sweeny
Karen  Tax

�</text>
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                    <text>SUNY­B inghamton
The Department  of Music
Presents

T H E  E NSE MBL E
R O N A L D  ROSEM AN, O B O E
Samuel Baron, ﬂute
Charles  Russo, c larinet
Gilbert K alish, piano
Jean Benjamin, violin
John Gra ham, vio la

Timothy  Eddy, cello
Ray de Roche, percussion

Ezra Laderman, c onductor

Sunday, November  23

8:15 pm
Watters Theater

�The  Ensemble
3M­JUI’JHHHHEX’40t­Xvii’Jht­al’X­Jhl’X­ﬁ’l’d­x­Jhl'éhl’idl’abhhhl­Jhbhhl­X’Jl­ ﬂiﬁx­Jhbhl­ahk

CAPRICE  ON  DANISH  AND  . 
RUSSIAN  AIRS  (1887)

C.  SAINT–SAENS

op.  79

A l legro
Adagio
Rondeau  A l legro

E.  LADERMAN

Flute,  oboe,  v i o l i n  I ,  v i o l i n  I I ,
vi o l a ,  c e l l o

At measure  148  i n  the  published  score o f  Double
  n d  the  following words:
Helix  you w i l l ﬁ
# p r i l  5 ,   1968.  Martin  Luther  King,  J r. :

Reality intrudes  on  c reat ivi t y  with a  horrible,
numbing  thud.  I  can  not remain  outside  the
human  community  – I must  react  – so  must  my

music.

The  c r e a t o r  must  p a r t i c i p at e .   When  th e   form

o f   l i f e  i s  shattered,  how  can  music’s  form
be u n a ﬀ e ct e d .   Music,  th e  most  abstract o f
a r t s ,   s t i l l  r e ﬂ e c t s  the  time,  the mood,
the motion,  o f   our  daily  l i v e s ,  and  when
that  l i f e  i s  tortured beyond r e p a i r,  music
must  respond.  Time  heals;  the scar remains.
This  then i s  th e   s c a r  o f  DOUBLE  HELIX.

This  will  be  marked  by  a moment of  silence,  and
the work w i l l  proceed  t o  i t s  conclusion.

W.A.  MOZART

Oboe,  vi o l i n ,  vi o l a ,   c e l l o

Flute,  clarinet, oboe,  piano
DOUBLE  HELIX  (1968)  (Do=100) 

OBOE  QUARTET
KV  370

~ INTERMISSION  –
SONATA  FOR  OBOE  AND  PIANO  (1962)

F.  POULENC

Elegie
Scherzo
Dep lora tion
CHAMBER  CONCERTO  FOR  OBOE  AND
SEVEN  INSTRUMENTS (1975)
, 
“Echoes  and  Anticipations”

Nuances  J =60
Strata  Andante 

Changing  Textures 

J

=60

Flute,  cl a r i n e t ,  v i o l i n ,  vi o l a ,
c e l l o ,   piano,  and  percussion

World  Premier

E.  LADERMAN

�</text>
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                    <text>STATE UNIVERSITY OF NEW

YorkAT

BINGHAMTON

Harpur College
Department of Music

LENOX QUARTET

October 25,

1975

8:15 PM

Don A. Watters Theater

�Peter Marsh, violin
Delmar Pettys, violin

OTHER .FORTHCOMING CONCERTS
Oct 26 - Harpur Jazz Ensemble
Oct 31 - Ronald Copes, violin
Nov 6 - Larry Bradford, viola
Nov 8 - Grace Feldman, viola da gamba
Paul Jordan, harpsichord
Carol Rupert, bassoon
Nov 9 - Feldman, Jordan, Rupert
Nov 14 - Alma Ponce, voice

QUARTET IN D MAJOR
opus 18, no. 3

Toby Appel, viola
Donald McCall, cello

L. van BEETHOVEN

Allegro
Andante con moto
Allegro
Presto
QUARTET IN E-FLAT MAJOR
opus 74 "The Harp"

L. van BEETHOVEN

Poco adagio - Allegro
Adagio, ma non troppo
Presto
Allegretto con variazioni
INTERMISSION
QUARTET IN E MINOR
opus 59, no. 2
Allegro
Molto adagio
Allegretto
Presto

L. van BEETHOVEN

�THE 1975-76 CONCERT SERIES
Oct 25 - Lenox Quartet
Nov B
Nov 9 - Grace Feldman, viola da gamba
Paul Jordan, harpsichord
Carol Rupert, bassoon
Nov 23 - SUNY Chamber Players
Jan 24 - Walter Ponce, piano
Feb 7 - Lenox Quartet
Feb 29 - Toby Appel, viola
Albert Hamme, saxophone
Paul Jordan, piano
Mar 13 - Lenox Quartet
Apr 24 - Lenox Quartet
May 2 - Seymour Fink, piano

�</text>
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                    <text>STATE UNIVERSI TY OF NEW YORK AT BINGHAMTON

Ha.rpur College
Department of Music

Ms. Judith Somogi, conduc tor

Octobe r 20, 19?5
8:15 PM
Don A. Watters Theate r

�The Harpur Symphony Orchestra

SEMIRAMIDE OVERTURE

G. ROSSINI

FOUR SEA INTERLUDES
from the opera "Peter Grimes"
opus 33a

B. BRITTEN

Dawn - Lento e tranqui llo
Sunday Morning - Allegro spiritoso
Moonlight - Andante comodo e rubato
Storm - Presto con fuoco
SymMiss Somogi, new conductor of the Harper [sic]
phony, received both her bachelor's and master's
degrees from the Julliard School of Music. Since
196? she has been an assistant conductor of the New
York City Opera under Julius Rudel where she recently
directed two performances of "The Daughters of the
Regiment" and wi ll soon be conducting "Carmen."
Other recent accomplishments include a guest conducting appearance with the Los Angeles Philharmonic and
a write-up in the national magazine People.

INTERMISSION
SYMPHONY

NO. 7 IN A MAJOR

opus 92
Poco sostenuto - vivace
Allegretto
Presto
Allegro con brio

L. van BEETHOVEN

�ORCHESTRA PERSONNEL

FIRST VIOLINS

BASSES

TRUMPETS

Evelina Chao, Concertmaster
Mary Barton
Bruce Berg
Ronald Copes
Karen Fliegler
David Harrington
Elmar Oliveira
Robert Seletsky
Michael Smith
Lydia Werbizky

Debbie Neu
Michael Sanders
Richard Thomas

Alfred Szymaniak
Mario Carino
Scott Kelley

FLUTES

TROMBONES

Nancy Becker
Liann Helfer
Susan Passanante

Eric Scwartz
Steven Shear
Richard Gower

SECOND VIOLINS

PICCALO

TUBA

Armen Boyajian, principal
Nigel Allen
Janet Brady
Kevin Byrnes
Lee Ann Harbatuck
Ross Levinson
Roy Lewis
Oscar Maxwell
Marcia Miller
Evan Paris
Cardula Rosow

Merrell Weiss

Tom Wood

OBOES

PERCUSSION

Elliot Friedman
Janet Zeibur
Mat thew Kuhn

Geoffrey Brooks
Diane Dino
Joseph Pazienza

ENGLISH HORN

TYMPANI

Matthew Kuhn

Martin Ricciardi

CLARINETS

1)RCHESTRA OFFICERS

Wendy Osteyee
Paul Ketchoyian

Geoffrey Brooks,
president
Paul Ketchoyian,
vice-presiden t
Carol Isaacson,
secretarytresurer
Larry Bradford,
personnel manager

VIOLAS
Larry Bradford, principal
Geoffrey Brooks
John Dexter
Judy Geist
Barbara Garin
Carol Isaacson
Tim Killian
Julie Kramer
Sandra Robbins
Ellen Weil

BASSOONS
Lois Chantry
Michele Stein
Valerie Durham

CELLOS
HORNS
David Heiss, principal
Howard Cohen
Michael Finckel
Walter Gray
David Hoppe
Seth Jacobs
Tom Shaw
Steve Stalker
Holly Wilson

Bob Taylor
Ken Steiger
Rod Thomas
Ed Deskur

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON

Harpur College
Department of Music

Peter

W al

Marsh,

violin

ter "Pon c e , pian

October 11, 1975
Don A. Watters Theater
8: 15 PM

o

�Peter Marsh, violin
Walter Ponce, piano

SONATA IN G MINOR

J.S. BACH

for Unaccompanied Violin
Adagio
Fuga (Allegro)
Siciliana
Presto
S ONATA FOR VIOLIN AND PIANO

M. RAVEL

Allegretto
Blues (Moderato)
Perpetuum mobile (Allegro)

INTERM ISSION

FANTAISIE

F. SCHUBERT

opus 159
Andante molto - Allegretto
Andantino (variations)
Allegro vivace - Allegretto - Presto

�THE 1975-76 CONCERT SERIES

Oct
Oct
Nov
Nov
Nov
Jan
Feb
Feb

Mar
Apr

May

Peter Marsh, violin
Walter Ponce, piano
25 - Lenox Quartet
8
9 - Grace Feldman, viola da gamba
Paul Jordan, harpsichord
Carol Rupert, bassoon
23
SUNY Chamber Players
24 - Walter Ponce, piano
7 - Lenox Quartet
29 - Toby Appel, vio la
Albert Hamme, saxophone
Pau l Jordan, piano
13 - Lenox Quartet
24
Lenox Quartet

11 -

2

Seymour Fink,

piano

OTHER FORTHCOMING EVENTS

Oct 20 - Harper Symphony Orchestra
Oct 21 - Tom Shaw, 'cello recital
Oct 26 - Jazz Ensemble
Nov 1 - Harper Chorale

�</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43226">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="43227">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
