130 10 1775 https://omeka.binghamton.edu/omeka/files/original/e108c4a283657826c40de2930ccc19a6.pdf bd569ed4ab9faf2c9285d64af0715884 PDF Text Text STATE UNIVERSITY OF N EW YORK AT BINGHAMTON IIAHPUH COLLEG E T II E DEPARTMENT OF MUSIC OHIO STATE UNIVERSITY BRASS QUINTET Thomas Battenberg, tn1111p et Richard Suddendor f, trumpet Paul Droste , trombone James Jones , Frenchhorn Robert LeBJanc , tuba December 4, 1967 The College Theater 8:15 p.m. PROGRAM Canzona Per Sonar e No. 2 Giovanni Gabrieli (1557 - 1612) William Brade (1560-1630) Two Pi eces Allemand Gai lla r d Harry Lockwood Symphony for Br ass Quintet (1967) Presto A llegro Presto Andante John Adson (c. 1620) Two Ayres for Cornetts and Sagbuts Moderat o A llegro Anonymous (c. 1684) Sonata from Bankelsangerlieder A llegro Sonatine (1951 ) A llegro vivo Andante ma non troppo Eugene Bozza A llegro vivo Largo - Allegro Intermission Contrapunctus Johann Sebastian Bach (1685-1750) Five Miniatur es (1952) Fanfare Chaconne Air March Canon Suite from the Monteregian Hills (1962) Valse Ridicule La Marche Danse Vi\lageoise Chanson 11,Jelancolique Rober t Starer Morley Calvert �THE O HIO STATE UNIV ERSITY BRASS QUI NTET RICHARD J . SUDDENDORF, T rumpet Mr. Suddendorf, assistant professor, holds degrees from the Univer sity of Cincinnati and the University of Illinois. 1n addition to teaching trumpet and cornet, he is conduc tor of the University Brass Choir, As sociate Conductor of t he Ohio State University Concert B and and first trumpet in the Faculty Brass Quinte t . THOMAS V. BAT T ENBERG, Trumpet Mr. Battenberg, instructor , hol ds degrees from the Ohio St at e University and A rizona State University. I n addition to his t eaching duti es and member ship in the Faculty Quintet , he i s a member of the Columbus Symphony and the Col umbus Brass Quintet. JAMES JONE S, French horn Mr. Jones , i nstructor, joined the Ohio St ate Universit y faculty in the Fall of 1967 , coming from the Universi ty ol T oledo faculty. He wa s principal French hornist in the Toledo Symphony Orchestra. I n addition to his teaching duties , he is a member of both brass and woodwind Ohio State Univer sity Faculty Quintets and pl ays in the Columbus Symphony Orchestra . He holds degrees from Kentucky and L ouisville Universities. PA UL DROSTE , Trombone Mr. Dros te, instructor of euphoniwn and trombone , i s al so assi s tan t di rector of the Ohio State Unive r sity Marching Band . He hol ds degrees from T he Ohio State University and the Eastman School of Musi c. He is a m ember of th e Columbus Symphony and the Co lumbus Brass Quintet. ROBE RT T. LEBLANC, Tuba Mr. L eB!anc , Instructor, holds degrees from Lamar Sta te College (Texas) and the Eastman School of Music. He has taught in Texas and New Yor k and has appeared in concert both as gues t soloi st and as a conductor. DECEMBER F UTUIIE EVENTS CALENDAR JEAN CASADESUS. PIANIST Lecture-recital: Ravel's " Concerto for the Left Hand" 6 Wednesday, 12:15 p. Music Recital Hall m. No charge DECEMBER 8 SENIO R RECIT AL Margaret Jackson, flute; Candace Duncan, c l ar inet Music Recital Hall No charge DECEMBER 10 Sunday, 3:00p.m. Music Recital Hall Admission fee Wednesday, 12:15 p.m. Music Recital Hall No charge Wednesday, 8:15 p.m. The College Theater Admission: $2.50 public RUT H AND JAIME LA REOO Second recital in the Beethoven Sonata series. NOON RECITAL Ellen Leinwand, harpsichord TllE GUARNERI STRING QUA RTET F!nal concert !n the fall Chamber Music series. $50 faculty $25 students A RE CEPTION honoring this evening's performers will be held in the Green Room L ounge adjacent to the Recital Ha ll. A ll are co rdially i nvited to att end. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:19 36:23 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60319 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60319">Ohio State University Brass Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ohio State University Brass Quintet Recital, December 4, 1967 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, Dec. 4, 1967 Harpur College Theater. Works of Gabrieli, Brade, Lockwood, Bach, Calvert. Creator An entity primarily responsible for making the resource Ohio State University Brass Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-04 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Gabrieli, Giovanni, approximately 1554-1612 Brade, William, 1560-1630 Bach, Johann Sebastian, 1685-1750 Lockwood, Harry Calvert, Morley, 1928-1991 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Ohio State University Brass Quintet Recital.pdf https://omeka.binghamton.edu/omeka/files/original/d1188a9accfe968b56727c0eea4dc9af.jpg 36c97cc8eb17800fa4e312763811ad1f https://omeka.binghamton.edu/omeka/files/original/ffd7cb04a90017ec0ee3aaf5dcad6537.jpg beefbc8f5a8f371ef34e31433538e6b0 https://omeka.binghamton.edu/omeka/files/original/dd01c2ca8d2b0073f23791ce9bccca0c.jpg c357dfab6a5958163e90e1c11a0b8e13 https://omeka.binghamton.edu/omeka/files/original/09aad9ea03a1f37dee04b897a567435d.jpg d0f81d3124b6be1fea3a94737a038726 https://omeka.binghamton.edu/omeka/files/original/d7294d71e8b8f11be099064ddb0f5dd4.jpg 6dd9c41679a8c0e2f2cee461b5db6e60 https://omeka.binghamton.edu/omeka/files/original/75528cf90fc9c28e5244ace87c2b6bec.jpg ced671872adbddd815de56caba49eb22 https://omeka.binghamton.edu/omeka/files/original/800a661b2fabbd0834af8a67fa06b60c.jpg b750d90e7ae67c76ec8f043db3d09093 https://omeka.binghamton.edu/omeka/files/original/62bbfe91b5d482bde6b4b1dbbc4b9274.jpg 9da411976be974fe1f4f5d065130c237 https://omeka.binghamton.edu/omeka/files/original/14979159f0e1dac863aee863ba7019a2.jpg 51dfc34b03f5570c22af0ba83c410936 https://omeka.binghamton.edu/omeka/files/original/a3ea0371c03783ed773ff6cfd40971c1.jpg 8f0ff479bca4e48cc53d3c2c99304bbb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Markings in purple pen and black pencil. Cast list given. Extensive written notes and staging directions in the first few pages. No markings appear beyond page 8. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 25.25cm x 19cm Earlier version Earlier version (dcterms:isVersion Of) Di︠a︡di︠a︡ Vani︠a︡ Дядя Ваня Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.140 Production(s) October 8, 1921, Stockholm. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Onkel Wanja : Komödie in vier Aufzügen [promptbook] Subject The topic of the resource Chekhov, Anton Pavlovich, 1860-1904. Di︠a︡di︠a︡ Vani︠a︡ -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Chekhov, Anton Pavlovich, 1860-1904 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3237 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (22 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 8/3/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244075">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244075</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Open Mike at Benlin's, October 15, 1991 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from various poets at Benlin's in Binghamton, N.Y. Several local poets read their works during "open mike" sessions. The event was held on October 15, 1991 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1991/10/15 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1991 10-15 Format The file format, physical medium, or dimensions of the resource video/mp4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (104 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 104 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 8/3/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244060">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244060</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Open Mike at the Amsterdam, October 12, 1993 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from various poets at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions. The event was held on October 12, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1993/10/12 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1993 10-12 Format The file format, physical medium, or dimensions of the resource video/mp4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (114 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 114 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 8/3/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244088">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244088</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Open Mike Night hosted by Tom Haines at Benlin's, February 19, 1991 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings at an "open mike" night hosted by Tom Haines at Benlin's in Binghamton, N.Y. The event was held on February 19, 1991 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Haines, Tom Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1991/02/19 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1991 2-19 Format The file format, physical medium, or dimensions of the resource video/mp4 https://omeka.binghamton.edu/omeka/files/original/c3f91566dc97ac07bf93fb3abb8d5585.pdf 9da234dd9589ae587b89653e561167f4 PDF Text Text b, S t at e University o f New York a t Binghamton - DEPARTMENT OF MUSIC cC A S A D ES U S R E C I T A L H A L L ' SEPTEMBER 1 6 , 1 9 7 7 f 4100 F . 0 . ' - OPEN REHEARSAL Composers String Quartet Matthew Raimond, violin Anahid Ajemian, violin ' Jean Dane, viola Wark shuman, cello EZRA LADERNAN : Str ing Quartet No. 5 (1976) 1 I. “ . I I . First Themes Prelude: Allegro L istless . minuet: Alleg rett o Andante Double: Vivo Le Andante c o n moto Loure and Sarabande: Andante - Andantino Moderato Second Themes Development Gigue --Toccata: Fresto _Return Adagletto . I I I . Var iations Theme Var. 1 - d =60 Var. 2 - Impassioned Var. aP- Forceful Var ' ‘ – Waltz Var. 5 - Frenzied var, 6 - Almost beyond control Canons: Var. 8 Tinale vay, Yar. 9 - Lpilogue PLEASE ANNOUNCE THIS EVENT TO ALL STUDENTS Thanks very much, ALM . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:55 34:56 16:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333664">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333664</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Open Rehearsal, Composers String Quartet, September 16, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 9-16 Description An account of the resource Works of Ezra Laderman. Held at 4:00 pm, September 16, 1977, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-09-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/797b382db2520c210610dbcbaf308f46.pdf 820c4ec06f9f83c2cef0f6652558d598 PDF Text Text BINGHAMTON E R S I T Y P M I V S T A T E U N I V E R S I T Y O F N E W Y O R K W 0 [4 D E P A R T M E N T OPERA SCENES Thursday, May 2, 2013 8:00 p.m. Anderson Center Chamber Hall �Che gelida manina . from La Bohéme PROGRAM The pianist for this evening‘s program is John Isenberg Si pub? from I Pagliacci .Ruggiero Leoncavallo (1 857 1919) Robert HeePyoung Oh (T onio) Cinque, dieci. venti. trenta . from Le Nozze di Figaro Matthew Samluk (Figaro) Caitlin Gotimer (Countess) Elizabeth Keyes (Susanna) La ci darem la mano from Don Giovanni Charles Hyland (Don Giovanni) Christina Santa Maria (Zerlina) Hana R yu. director W. A. Mozart (1 756 1 791) Soave sia il vento from Cosi fan Tutte W. A. Mozart (1 756 1791) Gaetano Donizetti in guerra ed in amore. (1797 1848) from L’Elisir d’amore Michael Celentano. (Belcore) Kerianna Krebushevski (Adina) Hana Ryu (Nemorino) Charles Hyland, director aIN TERM [55 ION FI Leonard Bernstein (1918 1990) Emily Geller. director Mr. Snow from Carousel Rodgers and Hammerstein Il (1902 1970) (1895 1960) Elizabeth Keyes (Carrie) Caitlin Gotimer (Julie) Thomas Goodheart. director Ricky Nan (T ony) Christina Santa Maria (Maria) W . A. Mozart (1756 1791) Michael Celentano. director Rachel Young (Fiordiligi) Daniela Rivera (Dorabella) Matthew Samluk (A lfonso) Robert HeePyoung Oh, director Charles Hyland (Sam) Molly AdamsToomey (Dinah) Tonight . from West Side Story Michael Celentano, director Sull’ aria . from Le Nozze di Figaro Umbrella Duet. from Trouble in Tahiti W. A. Mozart (1 756 1791) Rachel Young (Susanna) EunHwan Bae (Rodolfo) Giacomo Puccini (1 858 1924) Leonard Bernstein (1918 1990) Thomas Goodheart, director Golden Days from The Student Prince Michael Celentano (Engel) Cole Tomberg (The Prince) Matthew Samluk, director Je dis que rien ne m'épouvante.. from Carmen Kerianna Krebushevski (Micaela) Card Scene . from Carmen Christina Santa Maria (Frasquita) Daniela Rivera (Mercedes) Molly AdamsToomey, director Finale . from Die Fledermaus Hana Ryu (Alfred) Caitlin Gotimer (Rosalinda) Michael Celentano (Frank) Emily Geller, director Sigmund Romberg (1 887 1951) . Georges Bizet (1838 1875) .Georges Bizet (1838 1875) Johann Strauss (1819 1880) Special thanks to TriCities Opera for providing the set pieces and props for this evening’s performance. �STAGE TECHN IQUES DIRECTOR’S NOTES Welcome to our second annual Spring Opera Scenes concert. This concert is in partial fulﬁllment of the course requirements for the Stage Techniques for Singing Actor class. Students are aﬀorded the opportunity to hone their skills through performances which include our Fall production of Hansel and Gretel. University MidDay Concerts. The Phelps Mansion Recital Series and TriCities Opera productions. This class integrates undergraduate and graduate students and provides a unique opportunity for younger students to observe and leam from more experienced singers. To add more depth to their knowledge of stage techniques. graduate student s have taken on the role of stage director for this performance. We would like to give special thanks to John lsenberg. for his tireless eﬀorts as our class accompanist during the semester and for his supportive. orchestral playing. A thank you as well to Michael Celentano. who in addition to singing and directing, has added the role of lighting designer to his responsibilities. Thank you for your support of our singers and we look forward to see ing you in our audience next year. Thomas Goodheart Binghamton University Music Department’s Coming Events Lao S Y S P o E p o r May 3 – Music from the Semlnar (Christopher Lay’s Class) – 7 p. m. – Casadesus Recital Hall – free Saturday. May 4 – Master’s Recital: Molly AdamsToomey, mezzosoprano – 8 p.m. Casadesus Recital Hall – free Sunday, May 5 – University Symphony Orchestra and Chorus: Schubert’s “Unﬁnished Symphony ” & Dunlﬂé's “Requiem” – 3:00 p.m. – Osterhout Concert Theater – $6 general public: $3 faculty/staﬀ/seniors; free for students Wednaday. May 8 – Nukporfe African Drumming and Dance Ensemble 7:00 p. m. Watter‘s Theater – $3 general admission at the door Thursday. May 9 – Student Recognition MidDay Concert – 1:20 p. m. – C asadesus Recital Hall ~ free Thursday. May 9 – Recital/Masterclass: GuestArtLrt Victor Chavez ./r., clarinet 4:30 – 6 p. m. – Casadesus Recital Hall – free Thursday. May 9 – Harpur Chorale and Women ‘ s Chorus – 8:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Friday, May 10 – Junior Recital: Kerianna Krebushevski, soprano – 8:00 p.m. – Casadesus Redtal Hall – free M m m ﬁ w b ﬁ ﬁ For tickets or to be added to our email list. visit anderson.binghamton.edu or call (607) 777 S. For a complete list of our concerts call (607) 7772592. visit music.binghamton.edu or A RT become a fan on Facebook. If you were inspired by this performance, consider supporting the . E 5 [ of Music with a ﬁnancial gift. Your support helps to Department $ I continue the work of students, faculty, and guest artists and their contributions to our community. Plea se make your donation payable to the Binghamton University Music Department. and send your check to BU Music Depa n ment. P.O. Box 6000. Binghamton. N Y 13902. E 2 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85323">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85323</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera scenes, May 2, 2013 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Mozart, Donizetti, Puccini, Rodgers, Hammerstein, Romberg, Bizet, Strauss. Held at 8:00 p.m., May 2, 2013, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Isenberg, John Oh Robert, Heepyoung Samluk, Matthew Young, Rachel Celentano, Michael Gotimer Keyes, Elizabeth Hyland, Charles Santa Maria, Christina Ryu, Hana Rivera, Daniela Krebushevski Hwan Bae, Eun Adams-Toomey Geller, Emily Goodheart, Thomas Nan, Ricky Tornberg, Cole Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2013-5-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 15:01 34:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243638">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243638</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera Workshop, opera highlights, May 17, 1973 Recital Tape 1973-5-17 Description An account of the resource Held on May 17, 1973. Creator An entity primarily responsible for making the resource Opera Workshop, State University of New York at Binghamton Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 5/17/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:26:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243470">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243470</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera Workshop: Trial by Jury, May 5, 1975 Recital tape 1975b 5-5 Description An account of the resource Held on May 5, 1975. Creator An entity primarily responsible for making the resource University Chorus and Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-5-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e4c14f61dcbcb85ea058e3563eafdde4.jpg 96447c1c28544c483081677526ccec95 https://omeka.binghamton.edu/omeka/files/original/8c8df94618eabab111933e55678eaa2c.jpg e053b52a05d361ab34a2c1915dd65a7f https://omeka.binghamton.edu/omeka/files/original/abb31b46aa3e324a3ac74ed2acc47b4a.jpg 937d4b8bdc912a289d9178f41a46fabe https://omeka.binghamton.edu/omeka/files/original/ffe740aa3778a4cde64d84e58c9adb2b.jpg f0230e41de6c149288810f3882d1624b https://omeka.binghamton.edu/omeka/files/original/023730f65af1c7acf7d49dd750a5ec1b.jpg 32b28f65e1b3aee3086e6fa9b93856b7 https://omeka.binghamton.edu/omeka/files/original/34ae89c06e69ac16e501dbb187ffad6b.jpg 29656c2340ebdd68ec58242512812f63 https://omeka.binghamton.edu/omeka/files/original/cd102c5e92d28290c21d71285aac703c.jpg f57d5586607c5c570a5e297989a15f81 https://omeka.binghamton.edu/omeka/files/original/570e4246ca00fab6768c96f9c750ad8d.jpg 4f19f88a527d53e84fa456bc16e7f15f https://omeka.binghamton.edu/omeka/files/original/da896cb583b3743082fdbc4ca6827f96.jpg 8c6025ebf6af157ce2f77d9c28f0d831 https://omeka.binghamton.edu/omeka/files/original/a494d1e9901422f54ef4562d972d1317.jpg ade57134036c863a008932c0247d9e79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description All text in German, pages loose throughout the book, some pages tattered. Markings in black pencil, black pen, pink pen, red pencil, blue pencil, and green pencil, all unspecified. Included are stage sketches/directions/instructions, dialogue rewrites and sketch of "Bed with Canopy." Most markings in black pencil, stage directions in black pen. Most notes are crosses out of dialogue, rewrites of dialogue, or stage directions. Repeated references to other page numbers throughout Act IV, possible reordering. Includes a number of loose pages throughout the promptbook as well as two brown graphing paper note sheets which seem to include music list for play, broken down by act. Also includes small envelope, which seems to include music list for play, broken down by act, with songs numbered (25 total), in black pen. Typewritten section from Act I contains markings in black pencil. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item Pages 1-155 28.25cm x 21cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.13 Production(s) Possibly produced in Sweden -Supporting materials: Box 4A Folder 15: Photographs Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orpheus in der Unterwelt : burleske Oper in 2 Aufzügen [promptbook] Subject The topic of the resource Offenbach, Jacques, 1819-1880. Orpheus in der Unterwelt : burleske Oper in 2 Aufzügen Promptbooks Stage directions Creator An entity primarily responsible for making the resource Offenbach, Jacques, 1819-1880 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3113 Rights Information about rights held in and over the resource Copyright undetermined. 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