131
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/30ad1c78477baf4cf9438689181206d6.pdf
6be51d3c703ebf7f424b3fde39dfcb1e
PDF Text
Text
y
0
state university of new york at binghamton
harpur college
u
N
G
convocations comm itt ee
presents
ed hull , tenor
susan peters, piano
july 5, 1966
8: 15 p.m.
the college theater
�State University of New York at Binghamton
Harpur College
CONVOCATIONS COMMITTEE presents
Ed Hull , tenor
Susan Peters, piano
Tuesday , July 5, 19 66
8:15 P .M.
The College Theater
PROGR A M
SONGS OF TRAVEL (Robert Louis Stevenson)
R . Vaughan Williams
The V agabond
Bright is th e Ring of Words
The Roadside Fire
Let Beauty A wake
SILENT NOON
R. Vaughan Williams
ADELAID E (Matthisson)
Beethoven
Matthis son termed his poem a "lyr ical fantasia " ; its emotion
and portray al of nature's s ympath y with that em otion are equally
subl'i mate d and p ic turesque in Beethoven's setting .
SELECTIONS FROM "DI E SCHOENE MULLERIN"
(Muller)
Schuben
Der N euierige
No star or flower can tell me , ·if blest w i ll be my l ov e .
Streamlet , dear streamlet , sa y, does my love , love me .
Der Jager
Oh, Huntsman , n o more show our gl i tterin g streamlet yo ur
face .
Die Liebe Farbe
My love likes green so well.
shall clothe my tomb.
Green , naught save green
Die Boese Farbe
If only all were not so green , ah green thou hateful c olor .
Oh , from your forehead, unbind that fatal ribbon green .
- I N T E RMISSIO N -
�Ill
T E L JOUR , T E LL E NUIT (Paul Eluard)
B onn e
Francis Poulenc
Joum ee
Wh a c a fine da y ! lt began sadly , but s uddenly steeped
d awn , it entered the he art by surpr i se .
in
Un e Ruine Co quille V ide
It i s midnight and the heart is an empty ruin .
Le Front Comme Un Drap eau Pe rdu
I hang my hea d in misery. The me mory of yo ur hand clasped
in mine lingers on .
Une Roulotte Cou v erte En Tuile s
O ur hearts do not beat together.
antag o nism.
As two fi s cs, the y create
A Toutes Bride s
All brides must forget chat which d isheartens .
Une Herbe Pau vre
A solitar y tuft of grass appears in the sn ow .
Je
N' A i Env ie Que De T' A imer
I o nl y wane to love yo u.
Your image lingers day and night.
Figure De Force Brulante E t Farouche
Yo ur fa ce burn s furi o usl y ; yo ur black ha ir gleams in· the sun.
No us Avons Fait La Nuit
T he mem ory of yo u remains fresh and new, alchough you are
in my th o ug hts constantly .
IV
AV ANT DE QUITT ER C ES LIEUX (Faust)
Go_unod
Valentine
bids farewell to his sister Margeurice as he prepares
to go off to war .
A rece ption honorin g the perfo rmers w ill be held in the
Fa culty L oung e adjacent to the theater immediately fo llow ing
the rec ital. The audien ce is cordially inv ited to attend.
THIS EVENING'S ARTISTS :
A graduate of Syracuse University , Edward Hull received
his Master of Music degree from the University of Illinois . He
has recentl y completed residence requirements at the University of Texas toward the Doctor of Music Arts .
Mr . Hull is a vocal instructor at Delmar College in Corpus
Christi , Texas , and has previously taught at L ongwood College
in Farmville , Virginia.
Accompanying Mr . Hull this evening 1s Susan Peters , an
alumna of Harpur C ollege who is currently completing her Master of Arts degree at the State University of New York at Binghamton .
Cover design by Stanton Miller
�EVENTS CALENDAR
All programs are at 8:15 P.M . in the College Theater unless
otherwise indicated.
JULY 8
Friday
Admission
Free
FILM: "HENRY V"
starring Laurence Olivier, Robert Newton, Leo
Geno, Max Adrian. Academy award winning film,
famous for its superb performances , unusual staging devices, and its spectacular battle of Agincourt. Sponsored by the Convocations Committee.
JULY 10
Sunday
Admission
Fee
THE GUARNERI STRING QUARTET
Sponsored by the Department of Music. Series
and individual recital tickets available at the college Box Office .
JULY 13
Wednesday
8:15 P.M.
Social Room
Student
Center
Admission
Free
LECTURE: KENNETH BURKE
Author of books and articles on literary form and
criticism. Books include ATTITUDES TOWARD
HISTORY (Vol. I - Acceptance and Rejection ;
The Curve of History; Vol. 'II - Analysis of Symbolic Structure.); A GRAMMA R OF MOTIVES;
A RHETORIC OF MOT IVES; PHILOSOPHY OF
LITERARY FORM-STUDIES IN SYMBOLIC ACTION; BOOK OF MOVEMENTS , POEMS. Spon sored by the Convocations Committee.
JULY 14
Thursday
Admission
Free
WILLIAM S . NEWMAN, PIANIST
Young Artists Series. Sponsored by the Convocations Committee.
JULY 15
Friday
Admission
Free
FILM: "ALL QUIET ON THE WESTERN FRONT"
starring Lew Ayres , Louis Wolheim . A grim saga
of war as seen through German eyes , tracing the
adventures of seven young boys who enter the
Imperial Army in 1914 and learn of fear , filth, and
destruction during four years of combat . Sponsored
by the Convocations Committee .
JULY 17
Admission
Free
YOUNG ARTISTS SERIES
Sponsored by the Convocations Committee.
JULY 22
Friday
Admission
Free
HLMS:
"POTEMKIN" (Odessa Steps Sequence)
"ALEXANDER NEVSKY"
"Potemkin recreates the spirit of the 1905 revolution through the depiction of one of its incidents , utilizing new techniques of manipulation of
film materials to communicate physical sensation .
"Alexander Nevsky," an epic film monument ,
deals with the invasion of Russia by the powerful
Order of Teutonic Knights, as crusaders, and the
decisive battle of the Ice where Nevsky won a
brilliant victory. The famous musical score for
the film by Serge Prokofief has won international
acclaim as the "Alexander Nevsky Cantata."
Sponsored by the Convocations Committee.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
24:34
31:52
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54432">Recital by Ed Hull, Tenor; Susan Peters, Piano</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital by Ed Hull, Tenor
Susan Peters, Piano
Recital Tape 1966-7-5
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Vaughn Williams, Beethoven, Poulenc and Gounod.
Creator
An entity primarily responsible for making the resource
Hull, Ed
Peters, Susan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Vaughan Williams, Ralph, 1872-1958
Beethoven, Ludwig van, 1770-1827
Poulenc, Francis, 1899-1963
Gounod, Charles, 1818-1893
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-07-05
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Recital by Ed Hull, Tenor Susan Peters, Piano Recital Tape 1966-7-5.pdf
-
https://omeka.binghamton.edu/omeka/files/original/8266d5061b7872b976ea66b65d629ce5.pdf
743be7c77d4dc5ab22f396dc49e1da62
PDF Text
Text
State University of New York at Binghamton
HARPUR COLLEGE
Department of Music
presents:
Saturday, June 11, 1966
8:15 p. m.
College Theater
�THE NEW PALTZ TRIO
PROGRAM
TRIO SONATA IND MINOR
Largo
Allegro con Fuoco
Adagio
Allegro
Robert King , violin
Martin Sperber , oboe
Robert Mumper, piano
J ean-Bapciste
SONATA INF MAJOR
Allegro Vivace
Adagio
Assai Vivace
Felix Mendelssohn
Loeillet
Robert King, violin
Robert Mumper, piano
-intermission-
SENIOR RECITALS:
June 12, 1966 Sunday 8:15 p.rn. College Theater
PAUL H. DIEKE, tenor
June 14, 1966 TUesday 8:15 p.m. College Theater
PAMELA STARR, mezzo-soprano SUSAN PETERS, piano
NOCTURNE INF MAJOR , Op. 15, No. 1
ETUDE IN E MINOR, Op. 75, No. 5
ETUDE IN E FLAT MINOR, Op. 10, No . 6
ETUDE IN B MINOR, Op. 75, No . 10
Robert Mumper, piano
Frederic
Frederic
Frederic
Frederic
SONATINA FOR OBOE AND PIANO, Op. 3
Allegro
Lento
Vivo
Josepb Horovitz
Martin Sperber, oboe
Robert Mum per, piano
Chopin
Chopin
Chopin
Chopin
�THIS EVENIN:;'S ARTISTS:
ROBERT KIN:i, Professor of Music at New Paltz, is the
conductor of the Symphony Orchestra and violinist in Chamber
Ensembles. Dr. King, a native of Ohio received a Bachelor
of Mus ic degree from Ohio State University. He holds a
master's degree from Ea.strnan School of usic where he studied
violin with Andre DeRibaupierre. He studied conducting under
Pirre Monteux. His first professional conducting e x p e r i e n c
was as the musical director of the Ithaca Civic Opera Company.
While working on his doctorate at the University of
llinois , he was assistant conductor and soloist with the
Unive rsity Symphony Orchestra. In 1S157, he sp
t several
nths in Europe and in England where he observed the major
Euro an orchestras, operas, and chamber music groups. He
taught violin at the University of New Mexico and conducted
the university orchestra and opera while there. He was the
concertmaster of Albuquerque Civic Symphony and conductor of
the Albuquerque Youth Orchestra. Mr. King has had orchestral
experience with Pierre .Monteux, Sir Thomas Beecham, Hans Lange
an Izler Solomon.
ROBERTMUMPER, pianist, is Assistant Professor of Music
at the State University at New Paltz . Mr. Mumper has apared as soloist with orchestras, in solo recitals, and
has performed frequently on radio and television. His
teachers have included: George Haddad, (Ohio State University
Irwin Freundlich, {Juilliard School of Music;) and Sidney
Foster, (Indiana University).
MARTIN SPERBER, oboeist, is Assistant Professor of Music
at the State University at New Paltz, ew York. A native of
ew York, Mr. Sperber received a B.S. in Music from Juilliard
School of Music and a M.A. from Columbia University. He is
a l so v-.0rking on a doctorate at Columbia University at present.
Prior to teaching Mr. Sperber played with the ational
Symphony in Washington, D.C., Buffalo Philharmonic, and the
Pitt sburgh Symphony. In addition to teaching at the College,
Mr. Sperber is presently first oboe in the Hudson Valley
Philharmonic, conducted by Claude .tvnnteux. He also is a
member of the Hudson Valley WoodwindQuintet, a group that
has given concerts at New Paltz, Vassar College, and the
S orm King Art Center.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
30:16
23:52
25:59
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54427">New Paltz Trio Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Paltz Trio
Recital Tape 1966-6-11
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Loeillet, Mendelssohn, Chopin, and Horovitz
Creator
An entity primarily responsible for making the resource
New Paltz Trio
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Lœillet, J. B. (Jean-Baptiste), 1653-1728
Mendelssohn-Bartholdy, Felix, 1809-1847
Chopin, Frédéric, 1810-1849
Horovitz, Joseph, 1926-
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-06-11
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
New Paltz Trio Recital Tape 1966-6-11.pdf
-
https://omeka.binghamton.edu/omeka/files/original/84110c568db538b3a48b561f9885ec94.pdf
ad98d2ec5391715cd61c2c2e66251052
PDF Text
Text
0
R
C
H
E
s
T
R
A
.
C
0
N
C
E
R
T
I
I
I
I
�0
R
C
H
E
s
T
R
A
C
0
N
C
E
R
T
State University of New York at Binghamton
HARPUR COLLEGE
THE
Departm_e nt of Music presents:
REPERTOIRE ORCHESTRA
directed by David Buttolph
PROGRAM
Thursday, June 9, 1966 - 8:15 - College Theater
The Harpur Repertoire Orchestra was formed
November 1, 1965 with the primary aim of providing
serious musicians with extensive reading experience and
exposure to many different musical styles.
Membership includes students and faculty of
Harpur College, music teachers from several schools in
Broome County, members of the Community Symphony,
the Tei-City Opera Orchestra and the Binghamton Youth
Symphony.
Music for the U. S. premiere of William Mathias'
" Dance Overture" through the courtesy of Oxford
University Press.
DIE MEISTERSINGER VON URNBERG
Introduction co Act III
Dance of the A pprentices
Procession of the Mastersingers
Rlchard Wagner
CLASSICAL SYMPHONY
Larghetto
Gavotte
Serge Prokofieff
SARABANDE
(orchescree par Maurice Ravel)
Claude Debussy
MA MERE L'OYE
Maurice Ravel
Pava.oe de la Belle au bois dormant
Petit Poucec
Laideronecte, lmpératrice des Pagodes
Les entretiens de la Belle et de la Bête
Le Jardin féerique
FUTURE CONCERTS:
June 10 - 12: 15 P .M. Rafuse Lounge
STUDENT RE CIT AL
June 11 - 8:15 P.M. College Theater
THE NEW PALTZ TRIO
June 12 - 8:15 P.M. College Theater
PAUL DIEKE, tenor, Senior Recital
June 14 - 8:15 P.M. College Theater
PAMELA STARR, mezzo-soprano
SUSAN PETERS, piano
Senior Recital
C over desigo by Jim Taft.
intermission
DANCE RHYTHMS
Wallingford Riegger
DANCE IN THREE-TIME
Quincy Porter
RUMANIAN FOLK DANCES
J oc cu Bâtá
Bràul
Pe Loe
Buciumeana
Poargá þÿ R o m â n e a s c
þÿ M r u n c e l
Béla Bartók
DANCE OVERTURE
(first performance in the United States)
William Mathias
�REPERTOIRE ORCHESTRA
Violins
Patricia Isham
David Einfeldt
Robert Giblin
David Rajnes
Kay C. Roberts
Doris Williams
Alan Sopper
William Bailey
Ruth Riley
Sally Shafer
Irene Wetzelberg
Kathy Cox
Ruth Kerker
Violas
Russell Colton
Valerie Garabedian
Martha Colton
Kenneth Hollister
Cellos
Ruth Brown
Christine Lir ingstone
Becky O'Connor
Diane Phelps
Basses
Donal O'Buckley
Gerald Bruce
Flutes
Esther Hall
Evalee Orr
Carol Krinitz
Oboes
Scott Eddy
Kenneth Anderson
Clarinets
Arthur Abrahams
Beverly Tomasosky
Stan Rosenberg
Contrabass Clarinet
Candace Duncan
Bassoons
Tom Arnold
Steve Walker
Horns
George Papastrat
Dale Whitman
David Banner
Sylvia Seehausen
Trumpets
Peter Boor
David Hurd
Craig Jacobson
Trombones
Allen Thompson
John Baldon
Roger Keagle
Tuba
Stevan Leiden
Harp
Katherine Elliott
Celeste
Cynthia Stone
Timpani
David Crowe
Percussion
Lanny Levine
John Simpson
Librarian: Cynthia Stone
Stage Manager: Sreve Walker
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:50
32:55
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54423">Harpur Repertoire Orchestra Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Repertoire Orchestra
Recital Tape 1966-6-9
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Wagner, Prokofieff, Debussy, Ravel, Bartok.
Creator
An entity primarily responsible for making the resource
Harpur Repertoire Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Wagner, Richard, 1813-1883
Prokofiev, Sergey, 1891-1953
Debussy, Claude, 1862-1918
Ravel, Maurice, 1875-1937
Bartók, Béla, 1881-1945
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-06-09
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur Repertoire Orchestra Recital Tape 1966-6-9.pdf
-
https://omeka.binghamton.edu/omeka/files/original/7c94298a83756fba29a5cd92574458d5.pdf
173a76a58f8107b869c6dfbc05f9ad1a
PDF Text
Text
C C
H 0
O .N
R C
A E
L R
T
MAY 25, 1966
8: 15
P.M.
College Theater
�Toward
State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music
presents
THE HARPUR COLLEGE CHOIR
Directed by David Buttolph
PROGRAM
THE UNKNOWN REGION ............... . Ralph Vaughan Williams
from "Whispers of Heavenly Death" by Walt Whitman
Brass Ensemble:
Horns : George Papastrat", Dale Whitney, David Banner, Sylvia
Seehausen
Trumpets: Peter Boor, David Hurd, Craig Jacobson
Trombones: Allen Thompson, John Baldon, Roger Keagle"
Tuba: Steven Leiden
Piano: Cynthia Stone
Vaughan \Villiams had an early and pronounced interest in the works of
the American poet Walt Whitman, as evidenced by the setting in the Symphony #1 ( the "Sea Symphony") for chorus, soloists and orchestra, and by
this choral setting written in 1905 and revised in 1918. Although most of
his pieces have a parhcularly "British" flavor, using English folk melodies and
modal harmonies, Vaughan Williams has chosen to set this Walt Whitman
poem in a late romantic style. \Vhitman's exuberance and breadth of expression are excellently coupled to the complex chromaticism and rich texture of
Vaughan \Villiams. The song for chorus and orchestra is in three distinct,
though connected parts. The first reflects in short, hushed phrases and wandering tonality the mystery of the journey toward the unknown. The second
section moves forward witl1 increasing intensity to a climactic uni on high
note which ushers in a concluding march-like section in F major based on a
melody reminsicent of the composer's well-known, Sine Nomine ( 1905 ).
ASPECTS OF LOVE.................................................. .............. ....
Karl Korte
( world premiere)
RISE UP MY LOVE
Song of Solomon
( Full Chorus)
Rise up my love, my fair one, and come away.
For, lo, the winter is past;
The rain is over and gone;
The flowers appear on the earth;
The time of the singing of bird is come,
And the voice of the turtle-dove is heard in our land
SHALL I?
Sappho
(Women's Voices)
I do not know what to do.
At first I say yes, and then I say no!
I WILL MAKE YOU BROOCHES
Robert Louis Stevenson
( Full Chorus)
I will make you brooches and toys for your delight
Of bird- ong at morning and tar- hine at night.
I will make a palace fit for you and me,
Of green days in forests and blue days at sea.
I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white
In rainfall at morning and dewfall at night.
And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside £re.
Ralph Waldo Emerson
( Full Chorus)
Is not marriage an open question, when it has been alleged
from the beginning of the world, that such as are in the
institution wish to get out, and such as out wish to get in.
WI E OF THE GRAPE
Li T'ai Po (Tang Dynasty )
Paul Dieke, Tenor Solo
Wine of the grape
In a goblet of gold,
And a fifteen-year-old
Maiden of Wu.
She came on a gentle palfrey,
Her eyebrows painted a deep blue-black,
Her slippers of red brocade.
She did not use the purest speech,
But how divinely he could sing!
We dined together-a banquet for twoThen she drank and got drunk in my arms.
Behind the curtains, all lotus-embroidereedHow could I help what did befall?
BITTER IS MY LOT
Shao Ch'ang Heng (Ch'ing)
( Men's Voices)
Canon
Bitter, bitter is my fate.
Last year I old my cow and plow,
And this year I have pawned my wife and son.
My home is empty, and my tears pour forth in streams.
Bitter, bitter is my lot!
JE
Y K.ISS'D ME
James Henry Leigh Hunt
(Men's Voices)
Jenny kiss'd me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that inl
Say I'm weary, say I'm sad,
Say that healtl1 and wealth have miss'd me,
Say I'm growing old, but add,
Jenny kiss'd me.
William Blake
MY SILKS AN D FI E ARRAY
( Full Chorus)
His face is fair as heav'n,
My silks and fine array,
My smiles and languish'd air,
When springing buds unfold;
0 why to him was't giv'n,
By love are driv'n away;
Whose heart is wintry cold?
And moumful lean Despair
Brings me yew to deck my grave: His breast is love's all worship'd tomb,
Where all loves pilgrims come.
Such end true lovers have.
Bring me an axe and spade,
Bring me a windind sheet;
When I my grave have made,
Let winds and tempests beat:
Then down I'll lie as cold as clay.
True love doth pass away!
MARRIAGE
Ir. Korte, Harpur's composer-in-residence, began this composition during
the pring semester of 1965, and completed it at Yaddo, a summer colony for
creative artists. The texts for the cycle cover a literary span of three thousand
years, and present a variety of attitudes toward the relationship between the
sexe . The composer has captured the special atmosphere and approach of
each poem while maintaining an appealing lyricism and grace throughout.
Three longer settings for full chorus ( os. I, 3, and 8) form the backbone
�HARPUR COLLEGE
CHOIR
First Sopranos
Virginia Baker
Malita Frogate
Rosemary Gruss
Alice Hayes
Chrystyna Prytula
Elizabeth Robbins
Jessica Roth
Linda Snodgrass
Alida Stahl
Kathy Zaslovsky
Second Sopranos
Carol Anthony
Joanne Grizzanto
Sue Jurkowski
Caryl Morris
Mary Morrison
Cynthia Stone
First Altos
Elaine Bolton
Judith Elterman
Linda Lewis
Christine Livingston
Marcy Walter
Eleanor Winston
Second Altos
Emoke Berecz
Linda Fishkin
Karen Grant
Margaret Jackson
Jane Kaplan
Ellen Leinwand
Pamela Starr
T enors
Ben Erlitz
Alan Hardy
Terry Howell
Zane Kalter
Steve Walker
Basses
James Baldwin
David Crowe
Daniel Dushrnan
Jay Ellenbogen
Stephen Foulk
Russell F uller
Alan Metrick
Harry Waterston
Keith Willcox
Chinese poems from "A Garden
of Peonies" - Translations by
Henry H . Hart.
Permission of Stanford
University Press.
Program notes by Pamela Starr
Cover design by Stanton Miller
Ushering courtesy of
Alpha Phi Omega and
Gamma
Sigma Sigma
of the cycle, and contras t in texture and style with th e shorter and more
p iquant settings fo r various arrangements of voice , including a tenor solo
( "Wine F rom the Grape" by Li T' ai). Although the harmo nic idiom is
primarily tonal, the composer stre es that the piece ar "on," rather th an
"in" a given tonality. One of the mo t chara cteri tic sounds is th e cad nee
on an open fifth, which is especially effective at the nd of "My Silks and
Fine Array."
I TERMISSIO
AVE MARIA ...................................................................... Giuseppe Verdi
At the age of eighty, aft er a long and eminently uccessful areer as an
operatic composer, Verdi turned to the sacred litu rgy for his final work.
The e four short choral p ieces display a marked hange in tyl from his
first attempt at sacred compo ition, the well known Requiem. Thi
arlier
work, written directly after Aida ref! cts an uruni takcably op ratic idiom .
His last choral works are smaller in cale and l s theatrical . T he Ave
Maria rep resents a ynthesis of Verd i' w 11-loved lyri i m and th
ubd ued motet style. It is in a cappella tting of an extraordinary melodic pat- tern, called by Verdi an "enigmatic scale." Thi cale : C, D , E, F#, G#,
A#, B, C appears once in each voice, urround d by a shifting and hi ghly
expressive harmonic fr amewo rk in the other voic .
MISSA o . 14 ( Kronunge-M esse ), K. 317 ........ Wo lfgang A. Mozart
Helen Boatright, Soprano
Dori Mayes, Contralto
Paul Dieke, T enor
Kenneth McDavit, Bariton
Kyrie
Gloria
Credo
Sanctus
Beneclictus
Agnus Dei
In the spring of 1779, Mozart was erving as Court Orga nist to th
Archbishop of Salzburg. He probably compo ed the Ma in C Major fo r an
annual outdoor religious service. In respon e to the Archbi hop's requirement ,
Mozart produced a concise but fes ti v settin g, calling fo r choru , oloi t , and
full festival orches tra. Thus restricted in cope, 1ozart utilizes th e mo t telling
economy in musical expression, as in the flee ting inflection to th minor which
sets off the single phrase 'Chris te Eleison' as a separ at s ction . Unity
achieved by the recurrence of thematic material. The lovely solo line in th
Kyrie, for example, returns briefly in th e oboes to close th e movement. Th
theme receives furth er treatment in th e 'Dona • obi Pac m,' wh re it fun ctions as a link between the first and last movements. Mozart mak
use of
the "concerted style," in which tutti and olo quartet fun ction a th e ripieno
and concertante of the concerto grosso . The chorus materi al i fundam entally
homophonic and declamatory, in contrast to the more relaxed and lyri cal olo
pas ages . In general, the quartet material i co ntrapuntal, with th e ingle
exception of the highly expressive 'et incarnatus st!
HARPUR REPERTOIRE ORCHESTRA
Violins
Celli
0 Patricia Isham
0 Ru th Brown
0 David Einfeldt
0 Donal O'Buckley
0 Alan Sopper
Becky O'Connor
Dia ne Phelps
Robert Giblin
David Rajnes
Basses
Kay C. Roberts
0 Gerald Bruce
Ruth Riley
Daphne Randa ll
0 Russell Colton
°William Bailey
Oboe
Sally Shafer
0
cott Eddy
Irene \ Vetzelberg
Kathy Cox
Bassoon
Ruth Kerker
Tom Arnold
°Member
of th e Binghamton Civic Symphony
H oms
0
Geo rge Papastrat
Dale W hitney
Trombones
Allen Thompso n
John Baldo n
0 Roger Keagle
Trumpets
David Hurd
Craig Jacobso n
Ti mpani
Lanny L vine
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:55
34:52
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54366">Choral Concert Harpur College Choir Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Choral Concert Harpur College Choir
Recital Tape 1966-5-25
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Ralph Vaughan Williams, Karle Korte.
Creator
An entity primarily responsible for making the resource
Harpur College Choir
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Vaughan Williams, Ralph, 1872-1958
Korte, Karl
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-05-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Choral Concert Harpur College Choir Recital Tape 1966-5-25.pdf
-
https://omeka.binghamton.edu/omeka/files/original/0341505d9dd0e42c06380da6e9b54e93.pdf
87d67efd248218bca5b09a1bd49d08d1
PDF Text
Text
TH E HARPUR
COLLE GE WIN D ENSE MBLE
H om
larinet
Arthur Abrahams
Allan Hymes
Donna Genung
M. Joffee
K. Bach
usan Wehrlen
Elizabeth Hull
Joseph Freedman
E Flat Clarinet
andacc Duncan
Alto
Larin t
ary Jean Garncvicus
Bass
la rinel
Jay Davi s
ick Maragus
Alan Hardy
ylvia Seehausen
Tru mpet
Dave Stoll s
Linda Matthews
Glenn Utter
Craig Jacobson
Dave Hurd
Bernard Shifrin
T rombone
John Baldon
Terry Goodwin
Tom Demi lio
Howard imonin
Grant Sullivan
axophon es
Ewell n ok
Rod Bernard
Ka ren Ringe rs
Ma rvin B lumenhan z
Baritone H om
Thomas May nard
J ames Meyers
Tuba
Obo
String Qua rtet
Woodwind Quint et
Percussion E nsemble
Harpur Wind En s emb le
and English H om
co te Eddy
i llia m Mc ure
Di ana hepardson
G ilbert R oeder
Bassoon
P ercussion
Pe ter ovick
Don a ld R obbin s
E moke Berce z
David Crowe
L anny Levin e
Flut
Gary Mellin s on
John Simp s on
Mary T re feth en
8 :1 5 P .
Sunday, February 6
College The ater
cevan L eide n
Mars ha Kadleck
E li ot Fin ru s hel
Es che r Ha ll
Jud y Morabito
Ir ing Bass
�State Universit y of ew York at Binghamton
HARPUR COLLEGE
J
Department of Music
Prese nt s
(fr om
A
INSTRUM E
EVENI G
of
TALE SEMBLE M SI C
, JOYOFM N'
anca ca 1 7)
DE IR
Bach
tr an s cri bed for band
by Eri k Leidzen
G
Beethoven
Al E
Bee th oven
PO LO AI E
( Bo ch of ch e e c ompos ici ons were c omposed for
Military Ba nd in 18 10)
E O
Howa rd Han s on
HORA L · A DAL L EL IA
PRO G RA M
Moza rt
QUARTET IND MAJOR , K. 575
Alleg re tt o
c hu berc
TRIO IN B FLAT MAJOR (18 17)
(in one move ment )
A lleg ro
Paul a Fenimore , viol i n
L a ur a E ri nge r , vio la
Sa ra Gothe If . violin
C hri s Li v in gs con e c e llo
(Quartet and Trio c oac hed by P a trici a Is ha m)
LA C HEMINEE DU ROI RE E
The Harpu r Wind En se mb le
d irec ted by Philip el son
Recep t ion hono ring this e ening' s pe r/onne rs wi ll be he ld
in th Facult L oung imm diately afte r the conce rt. Th e
audien c is co rdial! invited to att end.
Milh aud
(Suite for Wo od win d Quintet)
5. Joutes su r I' re
J. Co rteg e
6. Chass e a alabre
2. Aubade
octurne
ladrigal 3. Jon gle urs
4. L a Ma ous in gl ade
Arthur Abrah a ms , c la rinet
Margaret J ac kson , flut e
J ohn E va nsohn , horn
Scott Eddy , ob oe
Scevan Walker , bassoon
(Quintet coached by Wyllis Barrett )
J ack McK en z ie
THREE DANCES
Samba
Tang o
Bo le ro
David Crowe , Lann y L evi ne , J ohn im ps on
SONATINA
A. Tche repni n
David C rowe , Cy nthi a Scone
(Percussion Ensemble di rect ed by Da vid Buttol p h)
INTERMISSION
Robert Ward
PRA IRI E OVERT RE
EVENTS
CALENDAR
LI prog rams are al
:1 5 p. m. in the College T hea te r
FE• B. 9
Wednesday
RALPH
FEB . 11
THE
Friday
Japa n ese Fi lm (s ubt itl es)
E . I
und ay
FEB. 16
edne day
F O. 19
Saturday
ALLE N
L ec tu re : The C omedy of Des pair
LO WER
GU ARN E RI
D EPT HS
C ONCERT
o lo rec ital : Arn old Ste inhardt, vio lin
A LAN L O MA X
Fo l k 1usic in the Cont empo ra r y Worl d
THE
Fi lm
S AV AGE
EYE
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:02
39:37
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54362">Evening of Instrumental Ensemble Music Harpur College Wind Ensemble Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evening of Instrumental Ensemble Music Harpur College Wind Ensemble, February 6, 1966
Recital Tape 1966-2-6
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Schubert, Milhaud, Tcherepnin, Hanson, Ward.
Creator
An entity primarily responsible for making the resource
Harpur College Wind Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Schubert, Franz, 1797-1828
Milhaud, Darius, 1892-1974
Tcherepnin, Alexander, 1899-1977
Hanson, Howard Harold
Ward, John 1590-1638
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-02-06
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Evening of Instrumental Ensemble Music Harpur College Wind Ensemble Recital Tape 1966-2-6.pdf
-
https://omeka.binghamton.edu/omeka/files/original/e687cf7e7fa43cd91092adea6a4643c0.pdf
3c65c2a52566182280b19932b01f59f1
PDF Text
Text
FANTAI IE C M OR
J. S. BACH
N
E VARIATIO
O A
MINUET BY DUPORT
MOZART
0 ATA OPU
13 ' PATHETIQ E '
Grave , Allegro di molto e con brio
Adagio antabile
Rond c - Allegro
BEETHOVEN
I TERMISS/0
THIRD
OP
O AT A FOR P IANO
44
Prestissimo
L ento e Tristamente
Rondo Giocoso
ROBERT CASADESUS
FOUR PIECE
Impromru
ous-Bois
Idy lle
La Bourrée Fancasque
EMMANUEL CHABRIER
�T HI S evening's program w ill op e n wi t h two rare ly perfor med wo r ks by
two 18th-cen t ury mus ic a l gian t s. Bac h ' s sho rt fa nt asia in C mi nor I
)us t ra t es many c ha r ac te r.i s t ic s of t his compose r ' s mor e well - kn o wn compositions , such as h is dr ama t ic in t ensi t v and propu lsive r hy t hmic drive.
Moz art ' s va ri a ti ons on a minue t by Dupo rt is one of t he finest wo rks he
c omposed in t his fo rm. Alt ho ugh t he va r ia t ion is trad it ionally a melod ic
embe ll ishmen t of a g ive n theme, Moza rt so tr ans c ends D u port' s minuet
th a_t his variations tend t o become more melodic t han the theme itself.
C haracteristica l ly, to c reate a r o unded fo rm, Mozart composes a slow
variati o n for t he next to last section , and t hen closes wi t h a faster finale .
A R ECEPT!O hon oring Mr. Cas ade su s will be h eld in the Facult y
Loung e immediat e ly follow in g th e conc ert. Th e audienc e is cordially in v il d lo attend.
EVENTS CALENDAR
A If pro ra ms ar al
BEETHOVEN ' S ' Pa t he t ique ' sona t a is one of t he fi rs t works tha t shows
thi s compose r clearl y breaking away fr om t he ref i ned C lassical s t yle
of the la t e 18 t h ce nt ur y. From t he fi rs t c hord o ne senses su c h pe rsonal
intensity t ha t one ca n o nl y wonder wha t ic mus e have sounded like t o
th e audien c e tha t hea rd it for the firs t r ime. The slow introdu::cion no
longe r ' introd uces ' t he fi rst movemen t a t all , but ac t s as an integral pa rt
of the s truc t ure , drama t ically break in g in t o t he middle , coming back
in broken fragments a t the end.
The s e cond m ovement opens with one
of Beethoven ' s most lyrical melodies , while t he th ird m ovemen c re t urns
to the da r ke r movemen t of the fi rst.
ALT HOUG H Robe rt Casadesus is c ertainly more well known as a pianis t
th a n as a c ompo ser , t he numbe r and qual it y of his composio ions reveal an
unques t ionable tale nt in t h i s a rea. H is t hird sonata is beau t ifully con ceived from the point of view of t he pianist although t he vi rt uoso ele men t s a re thoroughly integ ra t ed into the musical fab r ic. Inte restingly ,
all three moveme nt s utilize a diffe rent approa c h to a tr iple me t e r. In the
fir s t movemen t the th ree - bear ,unit is speeded up t o bee ome a ve ry fas t
triplet, while in t he se c ond it is s ubdivided int o a slowe r ' one -and - twoand-chre e -and ' bea t. The th ird movement provides unexpected accen t s
in the form of a re c urr ing ' ONE -c wo- T HR EE - one -TWO- three ' pa t te rn. The
harmonic s t yle of t he wor k is gently dissona nt , occas ionally reaching
into
po lytonal
effects.
JEAN Casadesus is the ideal artis t to i nt roduce t he music of Chabrie r t o
Bingham t on s i nc e he has jus t c ompl e t ed a reco rd ing of all t he piano
mu s ic of chis br il l iant F rench c ompose r. Al t hough Chab r ie r was a pass ionate adm ire r of Wagne r ( in it self a ra r i t y for mos t Fr en c h c cmpose rs)
little evidence of this appears i n t he works on t onigh t' s prog ram. Ins tead o ne finds in this music a frequen t humor and a sure ligh t couch.
An element of popula r sophis t ic a t io n app e a rs eve n in the early 'Impromptu ' a nd a s t rong lyr ic li ne in the loyely ' Squs - Bois ' .
' ldylle ' reveals a
re markably de lie ace bu t comp lex musica I t ex t ure , while t he famous ' Boure e fantasqu e ' shows the composer at his mos t brilliant. The a t mosphe re
of ne rvous exc icement prod uced by t he vivid rhy t hmic patte rn s dema nds
e xc e ptiona l
virtuosity from any
pianis t .
P r ogram Notes by P HILI P FR IED H E IM
: 1 5 in the
olleg
T hea ter
JA . 20- Thurs . CO LI
ILSO , British
Sci . Au d .
philosopher, critic , an d
novelist .
L cture : 11 Beyond the Outsi der''
JA
2 1, 22
IBSE 1 s "ROSMERSHO L M 1 '
23 - Fri. , Sat . ,
Colonial Players P r o duction
Sun .
directe d by Don atters .
J A . 27 - Thurs .
MERI CA U IVERS ITY CHOIR
dire ct d by Geoffrey Simon , in
a joint program with Harpur
Choir .
JA
MUS IC FROM MAR L BORO,
P ROGR
T 0
Seldom -h ard chamber music
p rformed by eight outstand i ng F stival artists .
28 - Fri.
J A . 30-Sun .
JOSE LI MO DA CE GROUP
Twenty -two dancers in an
unusual program with the
College Choir
FEB . 1-Tues.
E
UAL I TER ITZ ,
Curator,
etropolitan Museum
of Art in . Y . L ecture :
'' L eonardo da Vinci as a
Musician . "
�STATE UNIVERSITY OF
E
Y ORK AT B
GHAMTO
DEPARTMEN T OF MUSIC presents
JEAN
CASADESUS
Pianist in Residence
COLLEGE THEATER
8:1 5 P.M. J a nuar y 16, 1966
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:03
12:54
9:36
21:45
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54356">Concert Reel</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert Reel
Recital Tape 1966-1-16
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Jean Casadesus, piano. Works of Bach, Mozart, Beethoven, Casadesus, Chabrier.
Creator
An entity primarily responsible for making the resource
Casadesus, Jean, 1927-1972
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Mozart, Wolfgang Amadeus, 1756-1791
Beethoven, Ludwig van, 1770-1827
Casadesus, Jean, 1927-1972
Chabrier, Emmanuel, 1841-1894
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-01-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Concert Reel Recital Tape 1966-1-16.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:18:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54204">Recital Harpur Trio</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital Harpur Trio
Recital Tape 1965 spring
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Spring 1965
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619398
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
15:22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54373">Karl Korte Quartet No. 2 Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Karl Korte Quartet No. 2
Recital Tape 1965
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1905-05-18
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619141
-
https://omeka.binghamton.edu/omeka/files/original/f283f81cf1ba3a8895c1468618eeaf56.pdf
b29e3d92e1a22d6e4b1238c36817ec14
PDF Text
Text
C C
HO
RN
I C
S E
T R
MT
A
s
December 10, 1965
8:15 P.M.
�PROGRAM
0 CO ME EMMA UEL
Arrang
III
nl
by D 11/D B TTOLPH
GO TELL IT ON THE MO U 1TA I
. rrang m nl by JOI! 1 W. WOR
MICHAEL T RCEOt , T eno r olo
AVE MA RIA
TOM
TORIA
OCE T LAMB
Arrangem ent b I R HALL B RT/I l OMEW
HARP R OLLE E 1E '
L EE L B
Magnificat
Alan Hovhaness
FFE R, op rano
RR, ontrallo
KE, T nor
RD MYER. , Ba
CELESTIAL
FA FARE
AG IFI CAT ( horu )
ET EXSULTAVIT ( T enor)
QUIA RE SPEX IT (Soprano)
OMN ES GE ERAT I O S (Women'
horu )
QUIA FECI T MIHI MAG A ( Ba
and horu)
ET I SERI CO RDIA ( oprano)
FECIT POT E T I AM ( ontralto)
ESU RI E TES I PLE IT BO I S ( T nor and M n'
SUSEPIT I SRAEL (W om n'
horu )
and horu )
SI CUT LOCUT US EST ( Ba
GLORI A PATR I (Choru )
HAR PU R COLLEGE CHO IR
and membe rs o f the R EPE RTO IR E
Dir cted b D
I
horu )
RCH STRA
L. B TT LP !/
INTERMISSION
(Ten Minut es)
I mme di atl
following in termi ssion
r. Ho han ss will
address th_e audience brief! speaking abo ut th
1agnifi ai.
and epl ai ni ng hi s int enti ons.
We hope ou wi II enjoy e en mo re th rep at p rformance
which follows.
Magnificat
( Rep eat ed)
Alan Hovhaness
Virail Thomson offered an extremely perceptive estimate of the
talents of Alan Hovhaness when he wrolc in the New York
Herald Tribune on February 8, 1947 :
" He writes in the early Christian, the medieval and the mod •
ern Armenian techniques, possibly even a little in 1hc pre-Chris1ian manner of that ancient and cultivated people. He observes
the ancient rules and imitates wi1h m o dviolins
e r na sizeable
selection of near-Eastern stringed instruments. He even extends
the orienta l grammar or composition to include, as it may well
have done in Greek times, held notes against which florid melodics expand al ease and even quintal counterpoin1
"It remains oriental and classical, nevcr1hcless, in structure.
The music is at times strophic in phraseology and emo tionally
con1inuous, never climactic . Each piece is like a long roll of
hand-made wall paper. hs mo1ionless quality is a lillle hypnotic.
There is resemblance here , too , 10 the early urcmonial pieces
of Erik Sa1ie - 1he 'Mass For The Poor', the ' Prelude To The
Heroic Gate o f Heaven ·, and 1he Rosicrucian Fanfares. Its expressive function is predominantly religious, ceremonial, incantory, its spiritual co n1cn1 of the purcsl . 11 is oriental fro m
1hc right side o f the railway track."
The music of Alan Hovhaness has developed richly in lhe eleven
years since Mr. Thomson penned this tribute and yet it is still
essentially serviceable in pin -pointing the strangely beautiful, individu :11 gift of this composer. One or two points no longer seem
accurate - as, for example, the estimate 1ha t Mr. Hovhancss'
music is "never climactic''. Mr . Hovhaness has moved o n from
there, hut 1hc overall approach noted hy Mr. Thomson remains
1hc same.
The composer's "orientalism " ( in no way to be confused with
the term so often appl ie d to the techniques o r ma ny Russian mu,icians from Glinka o n ) has no qua lity of faddism about i1. T o
begin wi1h , it is part o f his heritage through his Armenian father .
( He was born in Somerville, Massachusetts, where his father was
a chem is1ry professo r. His mother was of Sco11ish extraction.)
Although he wasraised in a 1horo ughly American background
and even resisted, as a child, whatever a11emp1s h is father made
10 help him iden1i(y with his cullural legacy, Mr. Hovhanen
eventually came 10 ii as his love of old music, art , and a rchitecture developed antiquari a n tastes. H is stud ies o f ancienl Armenian (and later 0 1hcr near-Eastern and 1hen Easle rn ) c uhure
were given impetus when he became organist in Boston's Armen fan church and was exposed 10 the occasio nall y ageless modes
and monody of traditional liturgical Armenian music.
The " orientalism" was a hard-won, carefully -tho ught-out expres1ion, 100. Mr. Hovhaness was trained in music in Boston in the
usual s1rict , academic fashion. He s1 udied piano wilh Adelaide
Proctor and Heinrich Gebhard , composition at the Conservatory under Frederick Converse. By the early " Thirties (when
he wa.5 in his early twenties), he had already composed an impressive body of music which had drawn not a little admiration
in Boston music circles. His spiritual mentor seemed to be Sibelius and his mu.sic supposedly was marked by "a pronou nced
Finnish accent ". He traveled off to Finland at one point and
af1er his return seemed even mo re destined to become some1hing of "the America n Sibelius" . And , then he took serious
stock of himself, undoub1edl y aided in his dec ision by his growing interest in Eastern c ul1urc . He decided to destroy all o f his
music up to that time - a diffic ult decision, one imagines, since
this material included no less than two ambitious symphonies
and several full-length operas, over a thousand wo rks in all.
The destruction was ruthless and complete : little trace o r this
music exists now.
Then began the serious study of Oriental styles and techniques,
the experimentation wilhin these styles and techniques, and 1hc
attempt to fuse them with certain traditional forms or our own
music. There was necessary, 100, a period of "digestion",
in
which the materia of oriental music could be bsorbcd and
blended so that, say, a mode (rom Armenian so urces might be
blended with a rhythmical structure from Ind ia n sources for
working within a classicalwestern canonic form. Mr. Hovhaness'
success at his task is exemplified impressively by 1he music
which has resulted (rom hi• work . Few composers today seem
so capable so consistently of making music of such real beauty,
such intense personal expressiveness, such profc;>und spiritual
effect.
�THE HARPUR COLLEGE CHOIR
First T enors: Paul Dieke, Zane Kalter, R y Go rdon. eco nd T eno r: J ohn
Bennethum, Harvey Bo rnfield , Ben Erlitz, Al a n Ha rdy pre id ent, Terry Ho well
Baritones: James Baldwin, Davi d Crowe, Russel I Fuller, Micha el Pawlicki .
Jack Sp e rling, Bob Whitney, Keith Wilcox. Bass e s: Da nny Du s hman , Stephen Foulk,
Seth Kasten, Steve Walker, Pete r Wenz sec retary. Fi rs t oprano: Virginia Baker,
Marcia Burnett, Malita Frogate, Rosemary Gruss, Sydel! Horowitz, Eli zabet h Robbins,
J essica Roth, Alida Sta hl, Kathle en Zaslovsky. Seco nd So prano: Carol Anth o ny,
Millicent Conklin, J oanne Grizzanto, Su e Jurkowski , Mary Mo rr iso n, Chrystyna Prytula,
Alice Stitelman,, Cynthia Stone vi ce pres id ent and acco mpaini l . Fir t A lto s : Elaine
Bolton, Michelle Gibson, Cynthia Gilchrist, ancy Kliban, Linda Lewis, Christine
Livingston. Carol McAvoy. Se cond Altos: Emoke B e recz, Linda Fishkin, Margaret
Jackson librarian, J ay ne Kaplan, Ellen Leinwand li brari an, Mel a nie o rd en,
Pam el a Starr.
HARPUR COLLEGE MEN 'S GLEE CLUB
First T enor: Roy Gordon, Zane Kalter pres iden t, Mike Sturgeon. econd T enor:
J ohn Benneth um, David Crowe, Al an Hardy treasure, Andy Willinger. B ari tone : Ma rc
B ainer, Davi d Colman, Demnis Fenichel, Fred F orman, Bill Grossman , Alan Metri c k,
J ack Sperling, Bob Whitney, J effrey Gimprick . B asses : Bob Cancro, Chri s C ancro,
Danny Dushman v ice pres id ent, B urt E delstein , J o hn Harris o n, Alan Sturd eva nt,
Buzz Waterston.
THE HARP UR RE PERTOIRE ORCHESTRA
Vio lin· : David Einfeldt con certmas te r, Patrici a Isham, Francin e adeau, Dav id Rajn s ,
Kathy Co x, Ire ne Wetzelbe rg prin cipal, Alida St ahl, Ru th Ril ey, Sall y Sh a fe r, Ruth Rili ,
Kay ·c. R obe rts. Violas: Edward Pettergill princip le, Ke nneth Holliste r, L a ur a Erin ger.
Val e ry Ga rabedian . Ce ll os: Odile Nade au principal, Christ in e Li vingston , Becky O 'Conn o r,
Kath y Gruber. Basses : Bill Wills, Philip Sh a rpst een. Harp: L i se adeau . Oboe : Kenneth
Anderson,
Elle n Schwarz. French Homs: J o hn E vanso hn, Da le Whitman . Trump et : David
Hurd, Cra ig Jacobson. Trombone: J ohn Baldon . Percus ion : Lanny Levine , Vi cki \V ol .
Librarian:Can dace Duncan .
This program s ponsored by the Convocati ons Committee and t he Depa rtm e nt o f Music.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:10
41:12
17:18
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54351">Christmas Concert Harpur College Choir Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Christmas Concert Harpur College Choir
Recital Tape 1965-12-10
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
O Come Emmanuel, Go tell it on the mountain, Ave Maria, Little Innocent Lamb, Magnificat / Alan Hovhaness
Creator
An entity primarily responsible for making the resource
Harpur College Choir
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Hovhaness, Alan, 1911-2000
Date
A point or period of time associated with an event in the lifecycle of the resource
1965-12-10
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Christmas Concert Harpur College Choir Recital Tape 1965-12-10.pdf
-
https://omeka.binghamton.edu/omeka/files/original/422e84d5b50f03a9bba4378d96af66ab.pdf
d20866168bf534a1515b2668b7932ffb
PDF Text
Text
Winter Series - First Recital
Sunday,
oven,ber 14, 1965
PROGRAM
STRING QUARTET
in D Major, Op. 20 #4
HAYD
Allegro di molto
Un poco adagio affettuoso
M enuetto.
All egretto alla zingarese
Presto scherzando
STRI G QUARTET #11
KIRCH ER
Alle gro ma non troppo
Ad agio
Divertim ento and Trio
Adagio
INT ERMISSIO
QUARTET in A Minor
Op . 51, No. 2
Allegro non troppo
Andante moderato
Quasi Minuetto, moderato
Allegretto vivace
Finale.
1965-66
All egro non assai
BRAHMS
�NOTES by Patricia Isham
■ H aydn' s s ix Op . 20 qua rtets ma rk a turn ing point in his chambe r mus i c. He r e hi s
o wn pe rsonal style begins to take s hape with
a bala nced mixture of polyphoni c and hom ophoni c t exture s . Op. 20 #4 opens with a r e ite r at ed three -not e figur e whi ch fo rms the
basi c motive of thi s monothe ma ti c s onata fo rm movement. Haydn also introduces a
fals e r ecapitulation, a n identifying devi ce of
his late r s onata-form move ment s . The
second m ove m e nt is in the me and va ri ation
fo rm, the first variation being devote d to an
o rna m e nted dialogue between s econd violin
a nd vi ola, the s econd t o embellishme nts by
the ce llo, the third t o triplet orname nta tion
by the first violin , and the fourth t o an exten s ion of the them e through syncopation a nd
o rna m e ntation in all the voi ces. The Menue tto, alla zingar es e , i s cha r act e r ized by a
two -beat me lodi c patte r n whi chi sfitt edinto
the triple met e r through skillful syncopa tions a nd a cce nts on eve r y s econd beat. The
fourth movement r eturns t o s onata -allegr o
fo rm prese nting contra sting theme s , the
fir s t a peas a nt-like dance figure, the second
m a r ch-like in characte r , and i ntroducing
still a nothe r them e in the development sec tion. The four string instrume nts pa rtake
a lmost equally of m elodi c m at e rial and e nte r
into contrapuntal inte rplay i n a ll m ove ment s.
se ve r a l wo r ks for vi olin and piano, a piano
t r io, and a s econd qua r tet. His st yle is cha r acte rize d by chromaticism , s et within a
fr a mewo rk of s wiftly cha nging moods and
rh ythmic pat terns . He us e s the m ode rn
idio matic s t r ing device s fr eque ntl y em ployed by Bartok, Be r g, a nd othe r s, su ch as
snapped pi zzi cati , po r tam e nti, colle gno, and
a ll t ypes of gli ssandi, but has expe ri me nted
onl y s li ghtl y with the 12 -tone r ow. T he fou r
m ovement s of the qua r tet are fu r t he r di vided
into seven sections , a lt e r nating in te mpi , fo r
t he opening a llegro is inter r upted by an
andant e whi ch anti c ipate s the mat e ri a l of the
a dagio, and the fina l adagi o conclude s with
an a lle gr o . In Aaron Copland' s r e vie w of this
wo r k, he write s that Ki r chne r ha s "a c r ea tive ur ge s o vital as to burst a ll bonds of
o r dina r y control. It is the 'out- of-c ont r ol '
quality t hat give s an y o ne of his wo r ks e no r m ous excitement. To date it would see m t o
me t hat that is his pr in cipa l claim to origi nality; the da r ingly fr e e stru ctural or ga ni zati on of his com po sitions .n And furt he r
"the impr essi on ca rri ed a way fr om a Kir chne r pe r fo r mance is one of ha ving mad e co ntact not me r e ly with a compos e r but with a
highl y s e nti e nt human be ing; of a ma n who
c r eates his musi c out of the spec ial climate
of toda y' s uns ettl ed wo rld ."
■ Leon Kirchne r ' s First String Qua r tet ,
dedicated to Roge r Se ssions , was written i n
1949 a nd first pe r fo rmed in 1950. Kirchne r ,
bor n in 1919 in Brookl yn, s tudied mainl y at
the Unive rsit y of Califor nia, Be rkeley, unde r Elkus, Se ssions , Bloch, a nd Schonbe r g,
a nd afte r completing his MA degr ee i n 1947,
he ente r ed the tea ching profession . He has
b een the r ecipie nt of s eve r a l gr ants, including a Guggenheim F ellowship , an a war d fr om
t he Nationa l Institute of Art s and Lette rs ,
a nd a Fromm F oundation commission . His
c hamb e r works include, be sides the qua r tet,
■ In 1873 at t he age of fort y Bra hms com pos ed the fir st t wo of his t hree existing
s tri ng qua r tets, afte r des troying ove r two
do zen pr evi ous attempts . He had bee n inhi bit ed in t he writ ing of string qua r tets and
s ymphonie s by the gr e at pr e cede nts found in
the wo rks of Beethove n. The Quart et in A
Mino r had been intended fo r his fr iend, the
violi ni st J oseph J oachim, and included s ev e r al devices that we r e meaningful only to t he
t wo of them . As a student J oa chim had chos en t he motto F r e i aber Einsam (fr e e but
(Continued)
�State University of New York at Binghamton, HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
violin
Mi chae l Tre e
viola
John Dalley
violin
Dav id Saye r
cell o
RECITALS O SE A SO N 1965-66
SUMMER SERIES
WINTER SERIES
SPRING SERIES
Sunday, August 1
Sunday, August 8
Sunday, August 15
Sunday, August 22
Sunday, Octob er 10
Sunday, No ve mb er 14
Sunday, Decemb er 5
Sunday, January 2
Sunday, January 9
Sunda y, February 13
Monda y, March 28
Sunda y, April 3
Sunday, April 10
All performan ces at 8:15 p.m . in th e Harpur Coll ege Th eater.
Late com er s will be s eated after the first quartet.
Ush erin g co urtes y of Al pha Phi Omega
OPEN REHEARSALS
The publi c is cordially in vi ted to att end th e qu artet's rehea rs als, held
the day prior to each recital, at 3 p.m., in th e musi c room (CA-183) nea r th e th eat er.
NOTES Continued
a l one) - FAE - for hi mse lf whi le Brahms
had se lected F rei ab er Froh (fr e e but happ y)
-- F A F . Thus in r e m emb r an ce of thei r
friends hip Brahms constructed the them e of
t he fir st mo vement out of t hese two mottos ,
using t he notes f a e andininve r si onfaf, i. e .
a f a , thus a rriving at t he notes a fa e . T he ir
co mmon inte r est in writing canons was also
r efl ecte d i n t he va r ious types of canons
whi ch appear thr oughout this wo rk, as fo r
e xamp le, t he mir r or canon in the coda of the
fi r s t m ovement and the canon near the end
of the fourth m ove me nt. A s li ght mi s unde rstanding be t wee n the fri ends later led
Brahms to change the ded icati on befo r e pub l ication to a Dr. Bi ll r oth. Ident ifyi ng cha ra cte risti cs of Bra hrn ' s s t yle ca n be r e cognized in this wo rk in hi s use of com pl ex
rhythms , su ch a s the two notes played aga ins t
thr ee in the first move me nt , the cha ngi ng
m etri ca l s che m es in the third move ment,
and the num e r ous exa m ple s of syncopati on,
a nd in his fr eque nt pa iri ng of voi ces i n pa r al le l thirds and sixths .
Cover Des ign by El ai ne Luc as
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:39:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54348">Winter Series Recital Guarneri Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Winter Series Recital Guarneri Quartet
Recital Tape 1965-11-14
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Hayden, Kirchner and Brahms.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Brahms, Johannes, 1833-1897
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1965-11-14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Winter Series Recital Guarneri Quartet Recital Tape 1965-11-14.pdf